View allAll Photos Tagged Remediation
Breaking Banality: The Dysfunction of Remediation
Photographs by Evan La Londe
PNCA’s Feldman Gallery Presents Eva and Franco Mattes
Portland, OR, October 23, 2014 — The Philip Feldman Gallery + Project Space at Pacific Northwest
College of Art (PNCA) presents Breaking Banality: The Dysfunction of Remediation, an exhibition by Eva and Franco Mattes, opening with a reception on First Thursday, November 6, 2014 and running through
January 10, 2015. For the exhibition, whose title was created by an online random exhibition title generator, the Brooklyn-based Italian duo will present ten reiterations of one performance from their series
“BEFNOED – By Everyone, For No One, Every Day,” for which they commission anonymous workers to realize webcam performances. The Mattes’ hire performers through online crowdsourcing services and post the resulting videos to many of the more obscure social networks around the world. The artists regularly post links to new videos at befnoed.tumblr.com. These works are in the lineage of Fluxus event scores and more recently Hans Ulrich Obrist’s instruction-based project, “Do It.” For this exhibition, to view the videos, visitors will be forced in awkward positions, becoming themselves, if just for a few seconds, performers, and underlying how the act of viewing is in itself performative.
For another work in the show, an image, resulting from an internet search for the words “worn out,” was printed by online services on various objects. The objects were then delivered by mail directly to the venue, so neither the artists nor the curator have seen the final works.
The duo’s provocative digital works have previously included a staged suicide filmed by webcam, a slideshow of 10,000 photos stolen from personal computers, and reenactments of well-known performance art works in online videogames.
“Eva and Franco Mattes’ subversive conceptual works delve into the obscure corners and more grim aspects of the internet and the ways it both connects and distances users,” says Mack McFarland, Director of Exhibitions at PNCA. “We are thrilled to be working with two of the cardinal Net Art practitioners and expect the exhibition to ignite valuable conversations around our digitally fabricated and recorded selves and the ways we interact at a distance now.”
Exhibition trailer - Eva and Franco Mattes, Breaking Banality, PNCA’s Feldman Gallery from Eva and
Franco Mattes on Vimeo.
Eva and Franco Mattes (1976) (a.k.a. 0100101110101101.ORG) are an artist duo originally from Italy, working in New York. Their medium is a combination of performance, video and the Internet, for which they are perhaps best known. Their work explores ethical and moral issues when people interact at distance, especially through social media, creating situations where it is difficult to distinguish reality from a simulation.
Melissa Gronlund, editor of Afterall Magazine, described Mattes’ work as follows: “Whether by obscuring the name of the author, hiding information from the public or presenting false information to (often unwitting) participants in the works they create, the Mattes set up situations in which the viewer’s mistaken assumptions and actions create the form of the work itself”.
Mattes’ work has been exhibited at the Minneapolis Institute of Arts (2013); Site Santa Fe (2012);
Sundance Film Festival (2012); PS1, New York (2009); Performa, New York (2007, 2009); ARoS Aarhus
Kunstmuseum (2009); National Art Museum of China, Beijing (2008); The New Museum, New York
(2005) and Manifesta 4, Frankfurt (2002). In 2001 they were among the youngest artists ever included in the Venice Bienniale.
They have also held conferences at universities, festivals and museums, including Columbia University,
New York; RISD, Providence; New York University; Carnegie Mellon, Pittsburgh; College Art Association, New York; Museo Reina Sofia, Madrid; MAXXI, Rome and Musee d’Art Moderne, Paris.
They are founders and co-directors of the international festival The Influencers, held annually at the CCCB,
Barcelona, Spain (2004-ongoing).
The Mattes have received grants from the Walker Art Center, Minneapolis; The Museum of Contemporary
Art, Roskilde; ICC, Tokyo, and were awarded the New York Prize 2006 from the Italian Academy at
Columbia University.
Breaking Banality: The Dysfunction of Remediation
Photographs by Evan La Londe
PNCA’s Feldman Gallery Presents Eva and Franco Mattes
Portland, OR, October 23, 2014 — The Philip Feldman Gallery + Project Space at Pacific Northwest
College of Art (PNCA) presents Breaking Banality: The Dysfunction of Remediation, an exhibition by Eva and Franco Mattes, opening with a reception on First Thursday, November 6, 2014 and running through
January 10, 2015. For the exhibition, whose title was created by an online random exhibition title generator, the Brooklyn-based Italian duo will present ten reiterations of one performance from their series
“BEFNOED – By Everyone, For No One, Every Day,” for which they commission anonymous workers to realize webcam performances. The Mattes’ hire performers through online crowdsourcing services and post the resulting videos to many of the more obscure social networks around the world. The artists regularly post links to new videos at befnoed.tumblr.com. These works are in the lineage of Fluxus event scores and more recently Hans Ulrich Obrist’s instruction-based project, “Do It.” For this exhibition, to view the videos, visitors will be forced in awkward positions, becoming themselves, if just for a few seconds, performers, and underlying how the act of viewing is in itself performative.
For another work in the show, an image, resulting from an internet search for the words “worn out,” was printed by online services on various objects. The objects were then delivered by mail directly to the venue, so neither the artists nor the curator have seen the final works.
The duo’s provocative digital works have previously included a staged suicide filmed by webcam, a slideshow of 10,000 photos stolen from personal computers, and reenactments of well-known performance art works in online videogames.
“Eva and Franco Mattes’ subversive conceptual works delve into the obscure corners and more grim aspects of the internet and the ways it both connects and distances users,” says Mack McFarland, Director of Exhibitions at PNCA. “We are thrilled to be working with two of the cardinal Net Art practitioners and expect the exhibition to ignite valuable conversations around our digitally fabricated and recorded selves and the ways we interact at a distance now.”
Exhibition trailer - Eva and Franco Mattes, Breaking Banality, PNCA’s Feldman Gallery from Eva and
Franco Mattes on Vimeo.
Eva and Franco Mattes (1976) (a.k.a. 0100101110101101.ORG) are an artist duo originally from Italy, working in New York. Their medium is a combination of performance, video and the Internet, for which they are perhaps best known. Their work explores ethical and moral issues when people interact at distance, especially through social media, creating situations where it is difficult to distinguish reality from a simulation.
Melissa Gronlund, editor of Afterall Magazine, described Mattes’ work as follows: “Whether by obscuring the name of the author, hiding information from the public or presenting false information to (often unwitting) participants in the works they create, the Mattes set up situations in which the viewer’s mistaken assumptions and actions create the form of the work itself”.
Mattes’ work has been exhibited at the Minneapolis Institute of Arts (2013); Site Santa Fe (2012);
Sundance Film Festival (2012); PS1, New York (2009); Performa, New York (2007, 2009); ARoS Aarhus
Kunstmuseum (2009); National Art Museum of China, Beijing (2008); The New Museum, New York
(2005) and Manifesta 4, Frankfurt (2002). In 2001 they were among the youngest artists ever included in the Venice Bienniale.
They have also held conferences at universities, festivals and museums, including Columbia University,
New York; RISD, Providence; New York University; Carnegie Mellon, Pittsburgh; College Art Association, New York; Museo Reina Sofia, Madrid; MAXXI, Rome and Musee d’Art Moderne, Paris.
They are founders and co-directors of the international festival The Influencers, held annually at the CCCB,
Barcelona, Spain (2004-ongoing).
The Mattes have received grants from the Walker Art Center, Minneapolis; The Museum of Contemporary
Art, Roskilde; ICC, Tokyo, and were awarded the New York Prize 2006 from the Italian Academy at
Columbia University.
Breaking Banality: The Dysfunction of Remediation
Photographs by Evan La Londe
PNCA’s Feldman Gallery Presents Eva and Franco Mattes
Portland, OR, October 23, 2014 — The Philip Feldman Gallery + Project Space at Pacific Northwest
College of Art (PNCA) presents Breaking Banality: The Dysfunction of Remediation, an exhibition by Eva and Franco Mattes, opening with a reception on First Thursday, November 6, 2014 and running through
January 10, 2015. For the exhibition, whose title was created by an online random exhibition title generator, the Brooklyn-based Italian duo will present ten reiterations of one performance from their series
“BEFNOED – By Everyone, For No One, Every Day,” for which they commission anonymous workers to realize webcam performances. The Mattes’ hire performers through online crowdsourcing services and post the resulting videos to many of the more obscure social networks around the world. The artists regularly post links to new videos at befnoed.tumblr.com. These works are in the lineage of Fluxus event scores and more recently Hans Ulrich Obrist’s instruction-based project, “Do It.” For this exhibition, to view the videos, visitors will be forced in awkward positions, becoming themselves, if just for a few seconds, performers, and underlying how the act of viewing is in itself performative.
For another work in the show, an image, resulting from an internet search for the words “worn out,” was printed by online services on various objects. The objects were then delivered by mail directly to the venue, so neither the artists nor the curator have seen the final works.
The duo’s provocative digital works have previously included a staged suicide filmed by webcam, a slideshow of 10,000 photos stolen from personal computers, and reenactments of well-known performance art works in online videogames.
“Eva and Franco Mattes’ subversive conceptual works delve into the obscure corners and more grim aspects of the internet and the ways it both connects and distances users,” says Mack McFarland, Director of Exhibitions at PNCA. “We are thrilled to be working with two of the cardinal Net Art practitioners and expect the exhibition to ignite valuable conversations around our digitally fabricated and recorded selves and the ways we interact at a distance now.”
Exhibition trailer - Eva and Franco Mattes, Breaking Banality, PNCA’s Feldman Gallery from Eva and
Franco Mattes on Vimeo.
Eva and Franco Mattes (1976) (a.k.a. 0100101110101101.ORG) are an artist duo originally from Italy, working in New York. Their medium is a combination of performance, video and the Internet, for which they are perhaps best known. Their work explores ethical and moral issues when people interact at distance, especially through social media, creating situations where it is difficult to distinguish reality from a simulation.
Melissa Gronlund, editor of Afterall Magazine, described Mattes’ work as follows: “Whether by obscuring the name of the author, hiding information from the public or presenting false information to (often unwitting) participants in the works they create, the Mattes set up situations in which the viewer’s mistaken assumptions and actions create the form of the work itself”.
Mattes’ work has been exhibited at the Minneapolis Institute of Arts (2013); Site Santa Fe (2012);
Sundance Film Festival (2012); PS1, New York (2009); Performa, New York (2007, 2009); ARoS Aarhus
Kunstmuseum (2009); National Art Museum of China, Beijing (2008); The New Museum, New York
(2005) and Manifesta 4, Frankfurt (2002). In 2001 they were among the youngest artists ever included in the Venice Bienniale.
They have also held conferences at universities, festivals and museums, including Columbia University,
New York; RISD, Providence; New York University; Carnegie Mellon, Pittsburgh; College Art Association, New York; Museo Reina Sofia, Madrid; MAXXI, Rome and Musee d’Art Moderne, Paris.
They are founders and co-directors of the international festival The Influencers, held annually at the CCCB,
Barcelona, Spain (2004-ongoing).
The Mattes have received grants from the Walker Art Center, Minneapolis; The Museum of Contemporary
Art, Roskilde; ICC, Tokyo, and were awarded the New York Prize 2006 from the Italian Academy at
Columbia University.
Visit to the Tominari Elementary school, city of Date, site of a model remediation project. 10 October 2011.
Copyright: IAEA Imagebank
Photo Credit: Giovanni Verlini / IAEA
Breaking Banality: The Dysfunction of Remediation
Photographs by Evan La Londe
PNCA’s Feldman Gallery Presents Eva and Franco Mattes
Portland, OR, October 23, 2014 — The Philip Feldman Gallery + Project Space at Pacific Northwest
College of Art (PNCA) presents Breaking Banality: The Dysfunction of Remediation, an exhibition by Eva and Franco Mattes, opening with a reception on First Thursday, November 6, 2014 and running through
January 10, 2015. For the exhibition, whose title was created by an online random exhibition title generator, the Brooklyn-based Italian duo will present ten reiterations of one performance from their series
“BEFNOED – By Everyone, For No One, Every Day,” for which they commission anonymous workers to realize webcam performances. The Mattes’ hire performers through online crowdsourcing services and post the resulting videos to many of the more obscure social networks around the world. The artists regularly post links to new videos at befnoed.tumblr.com. These works are in the lineage of Fluxus event scores and more recently Hans Ulrich Obrist’s instruction-based project, “Do It.” For this exhibition, to view the videos, visitors will be forced in awkward positions, becoming themselves, if just for a few seconds, performers, and underlying how the act of viewing is in itself performative.
For another work in the show, an image, resulting from an internet search for the words “worn out,” was printed by online services on various objects. The objects were then delivered by mail directly to the venue, so neither the artists nor the curator have seen the final works.
The duo’s provocative digital works have previously included a staged suicide filmed by webcam, a slideshow of 10,000 photos stolen from personal computers, and reenactments of well-known performance art works in online videogames.
“Eva and Franco Mattes’ subversive conceptual works delve into the obscure corners and more grim aspects of the internet and the ways it both connects and distances users,” says Mack McFarland, Director of Exhibitions at PNCA. “We are thrilled to be working with two of the cardinal Net Art practitioners and expect the exhibition to ignite valuable conversations around our digitally fabricated and recorded selves and the ways we interact at a distance now.”
Exhibition trailer - Eva and Franco Mattes, Breaking Banality, PNCA’s Feldman Gallery from Eva and
Franco Mattes on Vimeo.
Eva and Franco Mattes (1976) (a.k.a. 0100101110101101.ORG) are an artist duo originally from Italy, working in New York. Their medium is a combination of performance, video and the Internet, for which they are perhaps best known. Their work explores ethical and moral issues when people interact at distance, especially through social media, creating situations where it is difficult to distinguish reality from a simulation.
Melissa Gronlund, editor of Afterall Magazine, described Mattes’ work as follows: “Whether by obscuring the name of the author, hiding information from the public or presenting false information to (often unwitting) participants in the works they create, the Mattes set up situations in which the viewer’s mistaken assumptions and actions create the form of the work itself”.
Mattes’ work has been exhibited at the Minneapolis Institute of Arts (2013); Site Santa Fe (2012);
Sundance Film Festival (2012); PS1, New York (2009); Performa, New York (2007, 2009); ARoS Aarhus
Kunstmuseum (2009); National Art Museum of China, Beijing (2008); The New Museum, New York
(2005) and Manifesta 4, Frankfurt (2002). In 2001 they were among the youngest artists ever included in the Venice Bienniale.
They have also held conferences at universities, festivals and museums, including Columbia University,
New York; RISD, Providence; New York University; Carnegie Mellon, Pittsburgh; College Art Association, New York; Museo Reina Sofia, Madrid; MAXXI, Rome and Musee d’Art Moderne, Paris.
They are founders and co-directors of the international festival The Influencers, held annually at the CCCB,
Barcelona, Spain (2004-ongoing).
The Mattes have received grants from the Walker Art Center, Minneapolis; The Museum of Contemporary
Art, Roskilde; ICC, Tokyo, and were awarded the New York Prize 2006 from the Italian Academy at
Columbia University.
Remediated site at Ronnenburg. Wismut Sept 2007
Copyright: IAEA Imagebank
Photo Credit: Peter Waggit/IAEA
Breaking Banality: The Dysfunction of Remediation
Photographs by Evan La Londe
PNCA’s Feldman Gallery Presents Eva and Franco Mattes
Portland, OR, October 23, 2014 — The Philip Feldman Gallery + Project Space at Pacific Northwest
College of Art (PNCA) presents Breaking Banality: The Dysfunction of Remediation, an exhibition by Eva and Franco Mattes, opening with a reception on First Thursday, November 6, 2014 and running through
January 10, 2015. For the exhibition, whose title was created by an online random exhibition title generator, the Brooklyn-based Italian duo will present ten reiterations of one performance from their series
“BEFNOED – By Everyone, For No One, Every Day,” for which they commission anonymous workers to realize webcam performances. The Mattes’ hire performers through online crowdsourcing services and post the resulting videos to many of the more obscure social networks around the world. The artists regularly post links to new videos at befnoed.tumblr.com. These works are in the lineage of Fluxus event scores and more recently Hans Ulrich Obrist’s instruction-based project, “Do It.” For this exhibition, to view the videos, visitors will be forced in awkward positions, becoming themselves, if just for a few seconds, performers, and underlying how the act of viewing is in itself performative.
For another work in the show, an image, resulting from an internet search for the words “worn out,” was printed by online services on various objects. The objects were then delivered by mail directly to the venue, so neither the artists nor the curator have seen the final works.
The duo’s provocative digital works have previously included a staged suicide filmed by webcam, a slideshow of 10,000 photos stolen from personal computers, and reenactments of well-known performance art works in online videogames.
“Eva and Franco Mattes’ subversive conceptual works delve into the obscure corners and more grim aspects of the internet and the ways it both connects and distances users,” says Mack McFarland, Director of Exhibitions at PNCA. “We are thrilled to be working with two of the cardinal Net Art practitioners and expect the exhibition to ignite valuable conversations around our digitally fabricated and recorded selves and the ways we interact at a distance now.”
Exhibition trailer - Eva and Franco Mattes, Breaking Banality, PNCA’s Feldman Gallery from Eva and
Franco Mattes on Vimeo.
Eva and Franco Mattes (1976) (a.k.a. 0100101110101101.ORG) are an artist duo originally from Italy, working in New York. Their medium is a combination of performance, video and the Internet, for which they are perhaps best known. Their work explores ethical and moral issues when people interact at distance, especially through social media, creating situations where it is difficult to distinguish reality from a simulation.
Melissa Gronlund, editor of Afterall Magazine, described Mattes’ work as follows: “Whether by obscuring the name of the author, hiding information from the public or presenting false information to (often unwitting) participants in the works they create, the Mattes set up situations in which the viewer’s mistaken assumptions and actions create the form of the work itself”.
Mattes’ work has been exhibited at the Minneapolis Institute of Arts (2013); Site Santa Fe (2012);
Sundance Film Festival (2012); PS1, New York (2009); Performa, New York (2007, 2009); ARoS Aarhus
Kunstmuseum (2009); National Art Museum of China, Beijing (2008); The New Museum, New York
(2005) and Manifesta 4, Frankfurt (2002). In 2001 they were among the youngest artists ever included in the Venice Bienniale.
They have also held conferences at universities, festivals and museums, including Columbia University,
New York; RISD, Providence; New York University; Carnegie Mellon, Pittsburgh; College Art Association, New York; Museo Reina Sofia, Madrid; MAXXI, Rome and Musee d’Art Moderne, Paris.
They are founders and co-directors of the international festival The Influencers, held annually at the CCCB,
Barcelona, Spain (2004-ongoing).
The Mattes have received grants from the Walker Art Center, Minneapolis; The Museum of Contemporary
Art, Roskilde; ICC, Tokyo, and were awarded the New York Prize 2006 from the Italian Academy at
Columbia University.
Breaking Banality: The Dysfunction of Remediation
Photographs by Evan La Londe
PNCA’s Feldman Gallery Presents Eva and Franco Mattes
Portland, OR, October 23, 2014 — The Philip Feldman Gallery + Project Space at Pacific Northwest
College of Art (PNCA) presents Breaking Banality: The Dysfunction of Remediation, an exhibition by Eva and Franco Mattes, opening with a reception on First Thursday, November 6, 2014 and running through
January 10, 2015. For the exhibition, whose title was created by an online random exhibition title generator, the Brooklyn-based Italian duo will present ten reiterations of one performance from their series
“BEFNOED – By Everyone, For No One, Every Day,” for which they commission anonymous workers to realize webcam performances. The Mattes’ hire performers through online crowdsourcing services and post the resulting videos to many of the more obscure social networks around the world. The artists regularly post links to new videos at befnoed.tumblr.com. These works are in the lineage of Fluxus event scores and more recently Hans Ulrich Obrist’s instruction-based project, “Do It.” For this exhibition, to view the videos, visitors will be forced in awkward positions, becoming themselves, if just for a few seconds, performers, and underlying how the act of viewing is in itself performative.
For another work in the show, an image, resulting from an internet search for the words “worn out,” was printed by online services on various objects. The objects were then delivered by mail directly to the venue, so neither the artists nor the curator have seen the final works.
The duo’s provocative digital works have previously included a staged suicide filmed by webcam, a slideshow of 10,000 photos stolen from personal computers, and reenactments of well-known performance art works in online videogames.
“Eva and Franco Mattes’ subversive conceptual works delve into the obscure corners and more grim aspects of the internet and the ways it both connects and distances users,” says Mack McFarland, Director of Exhibitions at PNCA. “We are thrilled to be working with two of the cardinal Net Art practitioners and expect the exhibition to ignite valuable conversations around our digitally fabricated and recorded selves and the ways we interact at a distance now.”
Exhibition trailer - Eva and Franco Mattes, Breaking Banality, PNCA’s Feldman Gallery from Eva and
Franco Mattes on Vimeo.
Eva and Franco Mattes (1976) (a.k.a. 0100101110101101.ORG) are an artist duo originally from Italy, working in New York. Their medium is a combination of performance, video and the Internet, for which they are perhaps best known. Their work explores ethical and moral issues when people interact at distance, especially through social media, creating situations where it is difficult to distinguish reality from a simulation.
Melissa Gronlund, editor of Afterall Magazine, described Mattes’ work as follows: “Whether by obscuring the name of the author, hiding information from the public or presenting false information to (often unwitting) participants in the works they create, the Mattes set up situations in which the viewer’s mistaken assumptions and actions create the form of the work itself”.
Mattes’ work has been exhibited at the Minneapolis Institute of Arts (2013); Site Santa Fe (2012);
Sundance Film Festival (2012); PS1, New York (2009); Performa, New York (2007, 2009); ARoS Aarhus
Kunstmuseum (2009); National Art Museum of China, Beijing (2008); The New Museum, New York
(2005) and Manifesta 4, Frankfurt (2002). In 2001 they were among the youngest artists ever included in the Venice Bienniale.
They have also held conferences at universities, festivals and museums, including Columbia University,
New York; RISD, Providence; New York University; Carnegie Mellon, Pittsburgh; College Art Association, New York; Museo Reina Sofia, Madrid; MAXXI, Rome and Musee d’Art Moderne, Paris.
They are founders and co-directors of the international festival The Influencers, held annually at the CCCB,
Barcelona, Spain (2004-ongoing).
The Mattes have received grants from the Walker Art Center, Minneapolis; The Museum of Contemporary
Art, Roskilde; ICC, Tokyo, and were awarded the New York Prize 2006 from the Italian Academy at
Columbia University.
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Breaking Banality: The Dysfunction of Remediation
Photographs by Evan La Londe
PNCA’s Feldman Gallery Presents Eva and Franco Mattes
Portland, OR, October 23, 2014 — The Philip Feldman Gallery + Project Space at Pacific Northwest
College of Art (PNCA) presents Breaking Banality: The Dysfunction of Remediation, an exhibition by Eva and Franco Mattes, opening with a reception on First Thursday, November 6, 2014 and running through
January 10, 2015. For the exhibition, whose title was created by an online random exhibition title generator, the Brooklyn-based Italian duo will present ten reiterations of one performance from their series
“BEFNOED – By Everyone, For No One, Every Day,” for which they commission anonymous workers to realize webcam performances. The Mattes’ hire performers through online crowdsourcing services and post the resulting videos to many of the more obscure social networks around the world. The artists regularly post links to new videos at befnoed.tumblr.com. These works are in the lineage of Fluxus event scores and more recently Hans Ulrich Obrist’s instruction-based project, “Do It.” For this exhibition, to view the videos, visitors will be forced in awkward positions, becoming themselves, if just for a few seconds, performers, and underlying how the act of viewing is in itself performative.
For another work in the show, an image, resulting from an internet search for the words “worn out,” was printed by online services on various objects. The objects were then delivered by mail directly to the venue, so neither the artists nor the curator have seen the final works.
The duo’s provocative digital works have previously included a staged suicide filmed by webcam, a slideshow of 10,000 photos stolen from personal computers, and reenactments of well-known performance art works in online videogames.
“Eva and Franco Mattes’ subversive conceptual works delve into the obscure corners and more grim aspects of the internet and the ways it both connects and distances users,” says Mack McFarland, Director of Exhibitions at PNCA. “We are thrilled to be working with two of the cardinal Net Art practitioners and expect the exhibition to ignite valuable conversations around our digitally fabricated and recorded selves and the ways we interact at a distance now.”
Exhibition trailer - Eva and Franco Mattes, Breaking Banality, PNCA’s Feldman Gallery from Eva and
Franco Mattes on Vimeo.
Eva and Franco Mattes (1976) (a.k.a. 0100101110101101.ORG) are an artist duo originally from Italy, working in New York. Their medium is a combination of performance, video and the Internet, for which they are perhaps best known. Their work explores ethical and moral issues when people interact at distance, especially through social media, creating situations where it is difficult to distinguish reality from a simulation.
Melissa Gronlund, editor of Afterall Magazine, described Mattes’ work as follows: “Whether by obscuring the name of the author, hiding information from the public or presenting false information to (often unwitting) participants in the works they create, the Mattes set up situations in which the viewer’s mistaken assumptions and actions create the form of the work itself”.
Mattes’ work has been exhibited at the Minneapolis Institute of Arts (2013); Site Santa Fe (2012);
Sundance Film Festival (2012); PS1, New York (2009); Performa, New York (2007, 2009); ARoS Aarhus
Kunstmuseum (2009); National Art Museum of China, Beijing (2008); The New Museum, New York
(2005) and Manifesta 4, Frankfurt (2002). In 2001 they were among the youngest artists ever included in the Venice Bienniale.
They have also held conferences at universities, festivals and museums, including Columbia University,
New York; RISD, Providence; New York University; Carnegie Mellon, Pittsburgh; College Art Association, New York; Museo Reina Sofia, Madrid; MAXXI, Rome and Musee d’Art Moderne, Paris.
They are founders and co-directors of the international festival The Influencers, held annually at the CCCB,
Barcelona, Spain (2004-ongoing).
The Mattes have received grants from the Walker Art Center, Minneapolis; The Museum of Contemporary
Art, Roskilde; ICC, Tokyo, and were awarded the New York Prize 2006 from the Italian Academy at
Columbia University.
Remediated site, Australia, rum jungle, oblique, April 2004
Copyright: IAEA Imagebank
Photo Credit: Peter Waggit/IAEA
Breaking Banality: The Dysfunction of Remediation
Photographs by Evan La Londe
PNCA’s Feldman Gallery Presents Eva and Franco Mattes
Portland, OR, October 23, 2014 — The Philip Feldman Gallery + Project Space at Pacific Northwest
College of Art (PNCA) presents Breaking Banality: The Dysfunction of Remediation, an exhibition by Eva and Franco Mattes, opening with a reception on First Thursday, November 6, 2014 and running through
January 10, 2015. For the exhibition, whose title was created by an online random exhibition title generator, the Brooklyn-based Italian duo will present ten reiterations of one performance from their series
“BEFNOED – By Everyone, For No One, Every Day,” for which they commission anonymous workers to realize webcam performances. The Mattes’ hire performers through online crowdsourcing services and post the resulting videos to many of the more obscure social networks around the world. The artists regularly post links to new videos at befnoed.tumblr.com. These works are in the lineage of Fluxus event scores and more recently Hans Ulrich Obrist’s instruction-based project, “Do It.” For this exhibition, to view the videos, visitors will be forced in awkward positions, becoming themselves, if just for a few seconds, performers, and underlying how the act of viewing is in itself performative.
For another work in the show, an image, resulting from an internet search for the words “worn out,” was printed by online services on various objects. The objects were then delivered by mail directly to the venue, so neither the artists nor the curator have seen the final works.
The duo’s provocative digital works have previously included a staged suicide filmed by webcam, a slideshow of 10,000 photos stolen from personal computers, and reenactments of well-known performance art works in online videogames.
“Eva and Franco Mattes’ subversive conceptual works delve into the obscure corners and more grim aspects of the internet and the ways it both connects and distances users,” says Mack McFarland, Director of Exhibitions at PNCA. “We are thrilled to be working with two of the cardinal Net Art practitioners and expect the exhibition to ignite valuable conversations around our digitally fabricated and recorded selves and the ways we interact at a distance now.”
Exhibition trailer - Eva and Franco Mattes, Breaking Banality, PNCA’s Feldman Gallery from Eva and
Franco Mattes on Vimeo.
Eva and Franco Mattes (1976) (a.k.a. 0100101110101101.ORG) are an artist duo originally from Italy, working in New York. Their medium is a combination of performance, video and the Internet, for which they are perhaps best known. Their work explores ethical and moral issues when people interact at distance, especially through social media, creating situations where it is difficult to distinguish reality from a simulation.
Melissa Gronlund, editor of Afterall Magazine, described Mattes’ work as follows: “Whether by obscuring the name of the author, hiding information from the public or presenting false information to (often unwitting) participants in the works they create, the Mattes set up situations in which the viewer’s mistaken assumptions and actions create the form of the work itself”.
Mattes’ work has been exhibited at the Minneapolis Institute of Arts (2013); Site Santa Fe (2012);
Sundance Film Festival (2012); PS1, New York (2009); Performa, New York (2007, 2009); ARoS Aarhus
Kunstmuseum (2009); National Art Museum of China, Beijing (2008); The New Museum, New York
(2005) and Manifesta 4, Frankfurt (2002). In 2001 they were among the youngest artists ever included in the Venice Bienniale.
They have also held conferences at universities, festivals and museums, including Columbia University,
New York; RISD, Providence; New York University; Carnegie Mellon, Pittsburgh; College Art Association, New York; Museo Reina Sofia, Madrid; MAXXI, Rome and Musee d’Art Moderne, Paris.
They are founders and co-directors of the international festival The Influencers, held annually at the CCCB,
Barcelona, Spain (2004-ongoing).
The Mattes have received grants from the Walker Art Center, Minneapolis; The Museum of Contemporary
Art, Roskilde; ICC, Tokyo, and were awarded the New York Prize 2006 from the Italian Academy at
Columbia University.
Breaking Banality: The Dysfunction of Remediation
Photographs by Evan La Londe
PNCA’s Feldman Gallery Presents Eva and Franco Mattes
Portland, OR, October 23, 2014 — The Philip Feldman Gallery + Project Space at Pacific Northwest
College of Art (PNCA) presents Breaking Banality: The Dysfunction of Remediation, an exhibition by Eva and Franco Mattes, opening with a reception on First Thursday, November 6, 2014 and running through
January 10, 2015. For the exhibition, whose title was created by an online random exhibition title generator, the Brooklyn-based Italian duo will present ten reiterations of one performance from their series
“BEFNOED – By Everyone, For No One, Every Day,” for which they commission anonymous workers to realize webcam performances. The Mattes’ hire performers through online crowdsourcing services and post the resulting videos to many of the more obscure social networks around the world. The artists regularly post links to new videos at befnoed.tumblr.com. These works are in the lineage of Fluxus event scores and more recently Hans Ulrich Obrist’s instruction-based project, “Do It.” For this exhibition, to view the videos, visitors will be forced in awkward positions, becoming themselves, if just for a few seconds, performers, and underlying how the act of viewing is in itself performative.
For another work in the show, an image, resulting from an internet search for the words “worn out,” was printed by online services on various objects. The objects were then delivered by mail directly to the venue, so neither the artists nor the curator have seen the final works.
The duo’s provocative digital works have previously included a staged suicide filmed by webcam, a slideshow of 10,000 photos stolen from personal computers, and reenactments of well-known performance art works in online videogames.
“Eva and Franco Mattes’ subversive conceptual works delve into the obscure corners and more grim aspects of the internet and the ways it both connects and distances users,” says Mack McFarland, Director of Exhibitions at PNCA. “We are thrilled to be working with two of the cardinal Net Art practitioners and expect the exhibition to ignite valuable conversations around our digitally fabricated and recorded selves and the ways we interact at a distance now.”
Exhibition trailer - Eva and Franco Mattes, Breaking Banality, PNCA’s Feldman Gallery from Eva and
Franco Mattes on Vimeo.
Eva and Franco Mattes (1976) (a.k.a. 0100101110101101.ORG) are an artist duo originally from Italy, working in New York. Their medium is a combination of performance, video and the Internet, for which they are perhaps best known. Their work explores ethical and moral issues when people interact at distance, especially through social media, creating situations where it is difficult to distinguish reality from a simulation.
Melissa Gronlund, editor of Afterall Magazine, described Mattes’ work as follows: “Whether by obscuring the name of the author, hiding information from the public or presenting false information to (often unwitting) participants in the works they create, the Mattes set up situations in which the viewer’s mistaken assumptions and actions create the form of the work itself”.
Mattes’ work has been exhibited at the Minneapolis Institute of Arts (2013); Site Santa Fe (2012);
Sundance Film Festival (2012); PS1, New York (2009); Performa, New York (2007, 2009); ARoS Aarhus
Kunstmuseum (2009); National Art Museum of China, Beijing (2008); The New Museum, New York
(2005) and Manifesta 4, Frankfurt (2002). In 2001 they were among the youngest artists ever included in the Venice Bienniale.
They have also held conferences at universities, festivals and museums, including Columbia University,
New York; RISD, Providence; New York University; Carnegie Mellon, Pittsburgh; College Art Association, New York; Museo Reina Sofia, Madrid; MAXXI, Rome and Musee d’Art Moderne, Paris.
They are founders and co-directors of the international festival The Influencers, held annually at the CCCB,
Barcelona, Spain (2004-ongoing).
The Mattes have received grants from the Walker Art Center, Minneapolis; The Museum of Contemporary
Art, Roskilde; ICC, Tokyo, and were awarded the New York Prize 2006 from the Italian Academy at
Columbia University.
Savannah River Remediation (SRR) Waste Removal and Tank Closure Manager Dan Wood (center with SRR hard hat) explains the grouting process of Savannah River Site waste Tanks 18 and 19 to Dr. David Moody, Manager, Savannah River Operations Office, and Kim Newell, South Carolina Department of Health and Environmental Control. SRR began grouting the waste tanks April 2, 2012, beginning a process that will culminate in the most substantial environmental risk reduction in South Carolina over the last 15 years.
Visit to the Tominari Elementary school, city of Date, site of a model remediation project. 10 October 2011.
Copyright: IAEA Imagebank
Photo Credit: Giovanni Verlini / IAEA
(From left to right:) Mr. Denis Flory, IAEA Deputy Director General for Nuclear Safety and Security, Mr. Carl-Magnus Larsson, CEO of the Australian Radiation Protection and Nuclear Safety Agency, and Mr. Greg Webb, Press and Public Information Officer, talking to the press after the week-long International Experts' Meeting (IEM) on Decommissioning and Remediation After a Nuclear Accident. IAEA Headquarters, Vienna, Austria, 1 February, 2013
Photo Credit: Ayhan Evrensel / IAEA
Buffalo Memorial Auditorium
From Wikipedia
Buffalo Memorial Auditorium (also known as The Aud) was an indoor arena in downtown Buffalo, New York. It hosted the Buffalo Bisons of the American Hockey League, the Buffalo Sabres of the National Hockey League, the Buffalo Braves of the National Basketball Association, the Buffalo Stallions of the Major Soccer League, the Buffalo Bandits of the Major Indoor Lacrosse League, the Buffalo Blizzard of the second National Professional Soccer League, and the Buffalo Stampede of Roller Hockey International. It also held a number an NCAA basketball games, as well as numerous entertainment events, such as concerts, the Ringling Brothers circus, Disney on Ice, and other things of that nature.
The Aud opened on October 14, 1940, and was renovated in 1970 and 1990. It was closed in 1996 following the conclusion of the Sabres', Bandits', and Blizzard's seasons, and remained vacant up through its demolition in late 2008 and early 2009. Once demolished, the Aud will be replaced with a Bass Pro Shops store.
Demolition
In the mid-2000s, plans were in the works to renovate The Aud and re-purpose it as a Bass Pro Shops store; however on March 29, 2007, these plans were officially abandoned. Instead, it was announced that Bass Pro will construct a new building on the site of the to-be-demolished auditorium. In December 2007, the Aud was sold by the city of Buffalo to the Erie Canal Harbor Development Corporation for $1 in hopes that it would move along asbestos removal and demolition. All salvageable items were to be sold, stored, or removed before demolition began. The sales of these artifacts, especially of seats, will help pay for a memorial to the Aud.[3] The salvaged items include art deco flag holders, limestone eagles, and a time capsule.[4] Also salvaged from the Aud were a number of "blue" and "orange" level seats, which were then auctioned off. The money raised from the sale of both will be used to create a memorial for the Aud.
Asbestos removal and other environmental remediation was performed in preparation for the demolition in late 2008. Major demolition of the Aud began in January 2009. On February 9, 2009, the "Buffalo Memorial Auditorium" edifice that sat above the main entrances was torn down. Much of the front of the Aud was torn down that same month. The entirety of the demolition is expected to cost $10 million and be completed by mid-to-late 2009
Savannah River Remediation (SRR) Defense Waste Processing Facility (DWPF) Project Team Manager Brian Geyer (right) briefs Department of Energy and SRR officials on melter 4, which is a melter in reserve for DWPF operations. The entire vessel and frame is approximately 21 feet long, 11 feet wide with a height of approximately 13 feet. The entire completed assembly weighs approximately 65 tons when empty and holds approximately seven tons of glass when full. The melter processes glass at approximately 225 pounds per hour, filling approximately one 10-foot long, two-foot wide canister per day.
These are perhaps some of the most boring shots you've ever seen on Flickr- but they record the start to the construction of the Parramatta Light Rail stabling facility. But first the site needs to be remediated after more than a century's industrial use.
More Information here: data.parramattalightrail.nsw.gov.au/s3fs-public/Media_Rel...
Wetlands Remediation and Restoration
Photos from an June 16, 2010 site visit to the Atlas Tack Federal Superfund Site in Fairhaven, Massachusetts.
MassDEP RTN: 4-0000068
public.dep.state.ma.us/SearchableSites/Site_Info.asp?textfield_...
Sunken boat
Leonards Wharf
New Bedford Harbor
October 27, 2003
MassDEP RTN: 4-0018092
Summary information and link to site documents: public.dep.state.ma.us/SearchableSites/Site_Info.asp?textfield_...
NORFOLK, Va. (June 17, 2014) – Last October, Corps contractor Precon Marine Inc. of Chesapeake, Va., began phase two of a 10-year, $70 million, and 411-acre environmental mitigation plan to offset ecological impacts associated with the U.S. Army Corps of Engineer’s Craney Island Eastward Expansion, or CIEE, project.
Phase two involved the construction of six permanent sanctuary oyster reefs, totaling 16 acres.
Through a special agreement with the Virginia Marine Resources Commission, Precon Marine Inc. used 39,000 cubic yards of fossil oyster shell dredged from the lower James River to build-up areas where historic reefs were once located.
The layer of fossil shell will serve as the reef base throughout the proposed mitigation area.
The reefs will incorporate knowledge and experience gained from other Corps oyster reef restoration and habitat projects in Virginia’s Great Wicomico, Rappahannock and Lynnhaven rivers, and Tangier and Pocomoke sounds.
The project enters its final phase as the six oyster reefs are carefully hand-seeded with six million spat-on-shell oysters.
The CIEE project, which is expanding Craney Island with dredged material fill that will serve as the base for a new port terminal, is expected to impact the bottom of the Elizabeth River. The project’s environmental mitigation plan uses a “landscape approach,” which allows all three-habitat elements – wetlands creation, oyster restoration and creation, and remediation of Elizabeth River bottom – to thrive and sustain each other.
The Virginia Port Authority, partnering with the Corps, completed first phase of mitigation last November, with an 11-acre wetlands creation project at Paradise Creek Nature Park in Portsmouth, Va.
The Elizabeth and Lafayette rivers benefit from the second phase, which is aimed at restoring a sustainable oyster population.
Once the baby spat are placed onto the oyster reefs, they should help jump-start the reef’s oyster biomass and increase its chances of success, said Corps officials.
“This area along the Lafayette River is ideal for oyster growth because it is located on hard bottom historically used by oysters, and there are wild oyster populations upstream, which hopefully will attract other oysters to the reef,” said Keith Lockwood, Norfolk District’s Technical Support Section chief.
As permanent oyster sanctuary reefs, the areas will be off-limits to shellfish harvesting.
“Hopefully, years from now, we’ll start to see an increase in oyster recruitment along our six sanctuary oyster reefs. Once this increased recruitment occurs, we hope each site experiences a surge in its oyster population that will help build new, naturally-occurring reefs,” said David Schulte, oceanographer in the district’s planning branch. (U.S. Army photo/Gerald Rogers)
The remediation of Nine/Twenty-One Acre Quarry using clay overburden from the adjacent Mundays Hill Quarry.
Cat D6 bulldozer, Cat H16 Grader, Sheepsfoot compactor
For the 9th year, the Destin, Greater Fort Walton Beach, and Niceville Valparaiso chambers of commerce partnered to bring their members the biggest marketing and networking opportunity around - the Multi-Chamber Business Expo & Taste of Okaloosa County! It was held on Tuesday, March 15, 2016, at the Emerald Coast Convention Center.
Thank you to our sponsors!
Bit-Wizards
Destin-Fort Walton Beach Airport
Emerald Grande at HarborWalk Village
Mercedes-Benz dba ZT Motors of FWB
ResortQuest by Wyndham Vacation Rentals
Sacred Heart
SimpleHR
Twin Cities Hospital
White-Wilson Medical Center
A Taste of Okaloosa County Booths:
Aladdin Food Management Services, LLC
Big Red Truck
Bubba Gump Shrimp Co.
Edible Arrangements
Emerald Coast Crab Company by Lenni's Crab Mix
HarborWalk Village
Helen Back
Shrimp Basket - FWB
Exhibitors:
A Superior Air Conditioning Company
ADT Security
Advanced Fire Protection Services, Inc.
All Clear Restoration & Remediation, LLC
All County Emerald Coast Property Management
Alpha Foundation Specialists
Better Business Bureau
Boys & Girls Clubs of the Emerald Coast
Burlap Babies
CertaPro Painters of Northwest Florida
Children in Crisis Inc.
Coastal Skin Surgery & Dermatology
Complete Signs
Cricket Wireless
Cumulus Broadcasting
Dermatology Specialists of Florida
Diamond Dan DJ Services
Dynamic Pain & Wellness
EcoView Windows
Eglin Federal Credit Union
ELEMENT 850
Emerald Coast Dale Carnegie Training
Emerald Coast Science Center
Executive Air, LLC
Fort Walton Beach Developmental Center
Fort Walton Beach Medical Center
Freedom Boat Club
Fresh Start for Children & Families
George Gainer for Florida Senate
Gulf Coast Immediate Care Center Inc
Gulf Power Company
H&R Block
Hometown Contractors, Inc
Jordan Air Enterprises, Inc.
JourneyPure
Lee Nissan Fort Walton Beach
Legendary Marine
Mazor Robotics, Inc.
Mel Ponder, Candidate for Florida House, District 4
The Mosquito Authority
Northwest Florida State College
Northwest Florida Daily News
Okaloosa - Walton Security & Surveillance
Okaloosa County School Board
Okaloosa County Tax Collector's Office
Okaloosa County Teachers Federal Credit Union
On the Coast Magazine - Your Emerald Coast Connection
Panhandle Warrior Foundation
Richard P. Chern, MD, LLC
Rooter Man
RT&T
Run With It
Sam's Club
Santa Rosa Mall
Somerby of Santa Rosa Beach
Superior Residences at Bluewater Bay Independent Living
Superior Residences in Niceville
The Arc of the Emerald Coast
The Manor at Blue Water Bay
The Petermann Agency
The Wellness Champions
Whole Foods
WorkSpace Suites
Workshop on the Integrated Review Service for Radioactive Waste and Spent Fuel Management, Decommissioning and Remediation (ARTEMIS) held at the Agency headquarters in Vienna, Austria. 4 March 2019
Photo Credit: Fady Nassif / IAEA
IAEA Scientific Secretaries:
Ms. Monika Skrzeczkowska
Division of Radiation, Transport and Waste Safety
Department of Nuclear Safety and Security
Mr. Stefan Mayer
Division of Nuclear Fuel Cycle and Waste Technology
Department of Nuclear Energy
Visit to the remediation model site located inland from the city of Minamisouma. 9 October 2011.
Copyright: IAEA Imagebank
Photo Credit: Giovanni Verlini / IAEA
This well is used to inject the protein source — whey powder — for microorganisms in an in situ bio-remediation process.
***
Workers at the Idaho site have enlisted microbes to help remediate previously contaminated groundwater and advance the protection of the Snake River Plain Aquifer.
The microbes in the aquifer are fed a mixture of sodium lactate and whey powder, a common ingredient found in sport protein drinks.
“The microbes eat it, and in the process break down trichloroethylene (TCE). Although TCE is a carcinogen, the end products are harmless,” said Lorie Cahn, environmental lead for Environmental Restoration (ER) and Comprehensive Environmental Response, Compensation, and Liability Act (CERCLA) at CH2M-WG Idaho (CWI), the Idaho site’s main cleanup contractor.
John Schnebelen, U.S. Army Corps of Engineers Nashville District safety technician, inspects a drill rig operation at Wolf Creek Dam in Jamestown, Ky., Jan. 11, 2013 to ensure no unsafe conditions or activities exist on the work site. Schnebelen said the Corps emphasizes a safety culture to avoid delays that inherently come with lost-time accidents. (USACE Photo by Leon Roberts)
Workshop on the Integrated Review Service for Radioactive Waste and Spent Fuel Management, Decommissioning and Remediation (ARTEMIS) held at the Agency headquarters in Vienna, Austria. 4 March 2019
Photo Credit: Fady Nassif / IAEA
IAEA Scientific Secretaries:
Ms. Monika Skrzeczkowska
Division of Radiation, Transport and Waste Safety
Department of Nuclear Safety and Security
Mr. Stefan Mayer
Division of Nuclear Fuel Cycle and Waste Technology
Department of Nuclear Energy
Juan Carlos Lentijo, IAEA Deputy Director General and Head of the Department of Nuclear Safety and Security delivers his remarks at the opening session of the Workshop on the Integrated Review Service for Radioactive Waste and Spent Fuel Management, Decommissioning and Remediation (ARTEMIS) held at the Agency headquarters in Vienna, Austria. 4 March 2019
From left to right: Stefan Mayer, IAEA Team Leader, Division of Nuclear Fuel Cycle and Waste Technology, Department of Nuclear Energy, Christophe Xerri, IAEA Director, Division of Nuclear Fuel Cycle and Waste Technology, Department of Nuclear Energy, Mikhail Chudakov, IAEA Deputy Director General and Head of the Department of Nuclear Energy, Juan Carlos Lentijo, IAEA Deputy Director General and Head of the Department of Nuclear Safety and Security, Peter Johnston, IAEA Director, Division of Radiation, Transport and Waste Safety, Department of Nuclear Safety and Security and Monika Skrzeczkowska, IAEA Radioactive Waste Safety Expert, Division of Radiation, Transport and Waste Safety, Department of Nuclear Safety and Security
Photo Credit: Dean Calma / IAEA
IAEA Scientific Secretaries:
Ms. Monika Skrzeczkowska
Division of Radiation, Transport and Waste Safety
Department of Nuclear Safety and Security
Mr. Stefan Mayer
Division of Nuclear Fuel Cycle and Waste Technology
Department of Nuclear Energy
Since being founded in 1989, Affordable Air Duct Cleaners, LLC has established itself as the acknowledged east coast leader in the field of specialized cleaning services. Our goal is to provide you with unprecedented service that ensures a clean and healthy environment in your home as well as your workplace.
Call the industry leader today! Commercial, Residential HVAC/Air Duct Cleaning, Dryer Vent Cleaning, Chimney SweepSpecialists. Serving Baltimore, Maryland, Annapolis and surrounding area.
Our goal is to provide high quality service and to help each customer achieve a cleaner, healthier and more energy efficient indoor environment. Powerful truck mounted equipment, negative air pressure (push & pull method) recommended by National Air Duct Cleaners Association.
Industry standards recommend that you should have your air ducts cleaned every 3-5 years. It depends on the level ofindoor pollution in your home. Also, whether you have pets, asthma or allergies. Affordable Air Duct Cleaners will improve your homes air quality by removing: debris, dirt, rodents, insects and allergens like: dust, pet dender and pollen. Make yourHVAC (Heating, Ventilating & Air Conditioning) system more efficient, increase lifetime, air flow and may reduce energy bills. Symptoms associated with biological pollutants: watery eyes, runny nose, sneezing, nasal congestion, itching, coughing, wheezing, difficulty breathing, headaches and fatigue.
Affordable Air Duct Cleaners can prevent a dryer fire at your home by cleaning it every 1-3 years. We use state of the art cleaning equipment. Spinning brushes attached to flexible rods can clean up to 100 feet of venting system. After brushing we blow highly pressured air through your venting system to remove remaining lint particles.
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Cristina Negri, Energy Systems Division, Argonne National Laboratory. Photo courtesy Argonne National Laboratory.
As an agronomist (University of Milan, Italy, 1981), M. Cristina Negri leads the phytotechnologies R&D activities at Argonne. During her 16-year Argonne appointment, she conducted and directed laboratory to full scale projects developing technologies for environmental stewardship and applying them to the sustainable production of lignocellulosic energy crops feedstock. These multidisciplinary projects leverage the understanding of crop/water relationships to maximize both biomass productivity and sustainability, minimize drought losses, and validate strategies for the utilization of alternative water and land resources to increase biomass productivity while at the same time providing positive environmental services.
Argonne scientists Ken Kemner (right) and Ed O’Loughlin work to better understand exactly how bacteria chemically changes uranium.
Photo by George Joch / courtesy Argonne National Laboratory.
Assignment 2 Med104 SP2 Curtin/OUA
This image is part of the remediation project for a unit in the BA of Internet Communications.
8 Images
Original Text : Dr. Who Season 1: Parting of the Ways
Images sourced from:
www.thedoctorwhosite.co.uk/doctorwho/picture-gallery/bad-...
www.dailymail.co.uk/tvshowbiz/article-1239945/David-Tenna...
tardis.wikia.com/wiki/The_Parting_of_the_Ways
www.kasterborous.com/2010/05/the-edge-of-destruction-review/
shawnlunn2002.blogspot.com/2009/06/my-review-of-doctor-wh...
Buffalo Memorial Auditorium
From Wikipedia
Buffalo Memorial Auditorium (also known as The Aud) was an indoor arena in downtown Buffalo, New York. It hosted the Buffalo Bisons of the American Hockey League, the Buffalo Sabres of the National Hockey League, the Buffalo Braves of the National Basketball Association, the Buffalo Stallions of the Major Soccer League, the Buffalo Bandits of the Major Indoor Lacrosse League, the Buffalo Blizzard of the second National Professional Soccer League, and the Buffalo Stampede of Roller Hockey International. It also held a number an NCAA basketball games, as well as numerous entertainment events, such as concerts, the Ringling Brothers circus, Disney on Ice, and other things of that nature.
The Aud opened on October 14, 1940, and was renovated in 1970 and 1990. It was closed in 1996 following the conclusion of the Sabres', Bandits', and Blizzard's seasons, and remained vacant up through its demolition in late 2008 and early 2009. Once demolished, the Aud will be replaced with a Bass Pro Shops store.
Demolition
In the mid-2000s, plans were in the works to renovate The Aud and re-purpose it as a Bass Pro Shops store; however on March 29, 2007, these plans were officially abandoned. Instead, it was announced that Bass Pro will construct a new building on the site of the to-be-demolished auditorium. In December 2007, the Aud was sold by the city of Buffalo to the Erie Canal Harbor Development Corporation for $1 in hopes that it would move along asbestos removal and demolition. All salvageable items were to be sold, stored, or removed before demolition began. The sales of these artifacts, especially of seats, will help pay for a memorial to the Aud.[3] The salvaged items include art deco flag holders, limestone eagles, and a time capsule.[4] Also salvaged from the Aud were a number of "blue" and "orange" level seats, which were then auctioned off. The money raised from the sale of both will be used to create a memorial for the Aud.
Asbestos removal and other environmental remediation was performed in preparation for the demolition in late 2008. Major demolition of the Aud began in January 2009. On February 9, 2009, the "Buffalo Memorial Auditorium" edifice that sat above the main entrances was torn down. Much of the front of the Aud was torn down that same month. The entirety of the demolition is expected to cost $10 million and be completed by mid-to-late 2009
Mikhail Chudakov, IAEA Deputy Director General and Head of the Department of Nuclear Energy delivers his remarks at the opening session of the Workshop on the Integrated Review Service for Radioactive Waste and Spent Fuel Management, Decommissioning and Remediation (ARTEMIS) held at the Agency headquarters in Vienna, Austria. 4 March 2019
Photo Credit: Dean Calma / IAEA
IAEA Scientific Secretaries:
Ms. Monika Skrzeczkowska
Division of Radiation, Transport and Waste Safety
Department of Nuclear Safety and Security
Mr. Stefan Mayer
Division of Nuclear Fuel Cycle and Waste Technology
Department of Nuclear Energy
Starting July 1, 2016, a familiar face returns to East Cobb to launch a new breed of Sanitation Company. His name is Jim. His family came to Cobb in the late seventies and put down roots. Since then, Jim has spent the vast part of his life in waste remediation, and is one of the founders of...
Buffalo Memorial Auditorium
From Wikipedia
Buffalo Memorial Auditorium (also known as The Aud) was an indoor arena in downtown Buffalo, New York. It hosted the Buffalo Bisons of the American Hockey League, the Buffalo Sabres of the National Hockey League, the Buffalo Braves of the National Basketball Association, the Buffalo Stallions of the Major Soccer League, the Buffalo Bandits of the Major Indoor Lacrosse League, the Buffalo Blizzard of the second National Professional Soccer League, and the Buffalo Stampede of Roller Hockey International. It also held a number an NCAA basketball games, as well as numerous entertainment events, such as concerts, the Ringling Brothers circus, Disney on Ice, and other things of that nature.
The Aud opened on October 14, 1940, and was renovated in 1970 and 1990. It was closed in 1996 following the conclusion of the Sabres', Bandits', and Blizzard's seasons, and remained vacant up through its demolition in late 2008 and early 2009. Once demolished, the Aud will be replaced with a Bass Pro Shops store.
Demolition
In the mid-2000s, plans were in the works to renovate The Aud and re-purpose it as a Bass Pro Shops store; however on March 29, 2007, these plans were officially abandoned. Instead, it was announced that Bass Pro will construct a new building on the site of the to-be-demolished auditorium. In December 2007, the Aud was sold by the city of Buffalo to the Erie Canal Harbor Development Corporation for $1 in hopes that it would move along asbestos removal and demolition. All salvageable items were to be sold, stored, or removed before demolition began. The sales of these artifacts, especially of seats, will help pay for a memorial to the Aud.[3] The salvaged items include art deco flag holders, limestone eagles, and a time capsule.[4] Also salvaged from the Aud were a number of "blue" and "orange" level seats, which were then auctioned off. The money raised from the sale of both will be used to create a memorial for the Aud.
Asbestos removal and other environmental remediation was performed in preparation for the demolition in late 2008. Major demolition of the Aud began in January 2009. On February 9, 2009, the "Buffalo Memorial Auditorium" edifice that sat above the main entrances was torn down. Much of the front of the Aud was torn down that same month. The entirety of the demolition is expected to cost $10 million and be completed by mid-to-late 2009
Mikhail Chudakov, IAEA Deputy Director General and Head of the Department of Nuclear Energy delivers his remarks at the opening session of the Workshop on the Integrated Review Service for Radioactive Waste and Spent Fuel Management, Decommissioning and Remediation (ARTEMIS) held at the Agency headquarters in Vienna, Austria. 4 March 2019
From left to right: Stefan Mayer, IAEA Team Leader, Division of Nuclear Fuel Cycle and Waste Technology, Department of Nuclear Energy, Christophe Xerri, IAEA Director, Division of Nuclear Fuel Cycle and Waste Technology, Department of Nuclear Energy, Mikhail Chudakov, IAEA Deputy Director General and Head of the Department of Nuclear Energy, Juan Carlos Lentijo, IAEA Deputy Director General and Head of the Department of Nuclear Safety and Security, Peter Johnston, IAEA Director, Division of Radiation, Transport and Waste Safety, Department of Nuclear Safety and Security and Monika Skrzeczkowska, IAEA Radioactive Waste Safety Expert, Division of Radiation, Transport and Waste Safety, Department of Nuclear Safety and Security
Photo Credit: Dean Calma / IAEA
IAEA Scientific Secretaries:
Ms. Monika Skrzeczkowska
Division of Radiation, Transport and Waste Safety
Department of Nuclear Safety and Security
Mr. Stefan Mayer
Division of Nuclear Fuel Cycle and Waste Technology
Department of Nuclear Energy