View allAll Photos Tagged Remediation
This guy danced around us under the grass and brush for about 20 minutes before he finally came up for a portrait. The light was way too bright, but at least I got some clean images. Weldon Spring Remediation Site, Missouri
I went out with my photo group on Saturday looking for LeConte's sparrows. This location-- a storage site for nuclear waste converted to prairie, of all places-- has been a reliable habitat in the past. However, it has been a sparse year for them, and we didn't find any, but we did find dozens of Savannah sparrows, including this cooperative individual. Weldon Spring Remediation Site, Missouri
A look at a pair of wings that are obviously not made for soaring. Weldon Spring Remediation Site, Missouri
I found this ant on the floor in my house – a problem that required immediate remediation as it wasn’t the only one. Before taking the necessary pest control measures, I figured I could utilize one of these ants for a photograph, and set it aside for a class I was teaching that evening. This image was shot live during a virtual workshop in the summer of 2020!
I had a multi-camera setup including my Lumix S1H illustrating the scene and in real-time showcasing how small changes to lighting, subject alignment, focus etc. all could have dramatic impacts on the image. I’d normally shoot an image like this with the S1R, but the video-centric S1H is no slouch for taking stills either. The lens was the Canon MP-E 65mm F/2.8 1x-5x macro lens, a workhorse I have been using for over a decade.
The flower petals were held in place just out of frame by a “third hand tool”, and the droplets were placed with a hypodermic needle. The lighting was simple: a single LED flashlight off on the right side. Once the shot as you see it was established, the ant entered the frame. By moving a small stick near the ant, it would climb the stick and I was able to place it on the water droplets. Plenty of trial and error here, as ants are rarely cooperative actors.
The image of the ant is a single frame, but the entire scene is a focus stack of a few images to increase the depth of field across the flower petals. It could be an advantage to shoot a focus stack series before adding the element of chaos, and sorting it out later.
Is the image perfect? No. I don’t like the middle lower droplet not having a perfect reflection. If the camera was slightly lower, you’d see this improved. The camera was in the perfect position, but alas the petals droop over time, even a short few seconds can make a big difference. Once the ant is in play, you no longer have time for such adjustments.
I like how the droplet connecting the two petals has a slightly warped refraction due to its shape not being spherical, even though I wish the ant was in a slightly more presentable or also interacting with the droplet. I didn’t share this image last year as all available time was being spent on my book – which is now shipping! If you haven’t taken a look at it yet, it’ll show you exactly how to set up images just like this: skycrystals.ca/product/pre-order-macro-photography-the-un...
A brownfield remediation in the netherlands. This site was a dump during the war(s) with all kinds of toxics and gases and all of those nasty wartime chemicals. It's on its way back through several remediation technologies to becoming a large park and wetland for habitat.
While on vacation in Primiero last summer I could see the effects of 2 phenomena which hit the forests of the Central-Eastern Italy. Apparently independent, in fact they’re sadly connected by the changing climatic conditions.
One is the devastation brought by an unprecedented storm, later named Vaia, in 2018 - on a very wide region, several thousands of trees have been eradicated and whole forests destroyed.
The other is the incisive action of the spruce bark beetle – a bug that, favored by the last couple of hot and dry years, is attacking many of the weakened trees that survived the Vaia storm, drying them up and thus worsening the already critical status of our forests.
This latter hit hard on the local communities, who were starting remediation programs after Vaia. It’ll take further efforts to find sustainable solutions, since many aspects in their daily life are influenced by the state of health of their forests.
After remediation of the former ASARCO yard from all those nasty lead contaminants, new switches have been dumped to maybe serve a local business some day.
9-24-23
(For historical details about this building see "The Powerhouse" set)
www.flickr.com/photos/ngawangchodron/sets/72157622393220914/
Ghost down low. Very appropriate graffiti, there must be many ghosts here..
Rock Bay remediation site. More:
www.flickr.com/photos/ngawangchodron/4437175727/in/photos...
taken from near Bay Street, Victoria BC
This was part of Jean Mirò exhibition at the Villa Manin in 2015.
I took this shot because I liked the way the composition with the paint, the table and the two big screens, where the works were being projected, were together giving the idea of the remediation between the different types of media.
Mold Remediation Garrett Park MD Best Mold Remediation Co. in Garrett Park MD ift.tt/2dpdMay (202) 734-5299
I shot this on my TLR in 2007 or 2008 when every demolition seemed to happen in Toronto in a 5-6 span. It smelled so bad here, for months on end. They were cleaning up the old Glidden Paints factory which had closed in 2001. I missed this factory, and I think almost everyone else did in the community as well since I've never seen interior shots of it,
Some history....
Three culprits
A controversial story in the Junction Triangle’s history involves the Glidden Company factory that opened on Wallace Avenue in 1911. The plant produced paint and varnishes for several decades, as well as a huge amount of pollution. Residents grew increasingly concerned about the pollution and complained to the city about the smells and the possible health effects of the pollution caused by the Glidden factory.
Finally, in 1981, Toronto mayor, Art Eggleton (in office 1980—1991), introduced a bylaw to give the city more oversight of the area’s industries. The bylaw required manufacturers to obtain approval before making any major production changes or expanding operations in the Junction Triangle. This news was not well received by the neighbourhood’s corporations. Glidden Paints, Viceroy Rubber and Plastics, and Nacan Products Limited (formerly National Adhesives Co.) filed official objections. After review, a land use committee recommended that both Glidden and Nacan be exempt from the new bylaw restrictions.
Toxic incidents
The recommendation was delivered on April 5, 1982. Less than 24 hours later, the Nacan Products Ltd. plant had one of the worst chemical spills in the neighbourhood’s history. A night shift operator noticed he had miscalculated when mixing raw chemicals. In an attempt to cover up his mistake, he illegally dumped nearly 4,000 litres of toxic chemicals into the city’s sewers. By the following morning, April 6th, the city began receiving panicked calls from residents about an awful stench coming from their sewers and basements. Three neighbourhood schools were shut down temporarily, and seven residents were hospitalized from the effects of the chemical fumes. In addition to the catastrophe at Nacan, two valves were left open on a tank at the Glidden plant in 1983, allowing 2,000 litres of flammable liquid vinyl to spill out into the sewers. Several households were forced to evacuate.
Call for action
Residents were angry and allied for the City to finally start taking the Junction Triangle’s pollution problem seriously. A study was conducted exploring the health effects of these industries on residents. According to a Toronto Star article from May 11, 1984, it found that that children living in the area were six times more prone to health issues such as runny noses, itchy skin, and throat irritation. As a result, in 1983 the Ontario Municipal Board denied Glidden Paints and Nacan Products’ objection to the bylaw that had passed in 1981. Glidden continued to operate for two more decades in the area before finally ceasing operations in 2001.
Aftermath
Glidden left behind the need for a massive clean-up job. A 2008 Now Magazine article called the site “some of the most contaminated former industrial land” in all of Canada. When soil remediation began the year of the plant’s closure, residents were once again bombarded with unusual smells, headaches, and nosebleeds. These were likely caused by Volatile Organic Compounds, also known as VOCs, which were uncovered during remediation. The process was completed in late 2009, at which point the land was deemed safe for residential use once again. Homes now occupy the former site of the Glidden factory, closing this chapter of the Junction Triangle’s history once and for all.
#Earthworks #Construction #Excavation #HeavyEquipment #HeavyIron #Environment #Remediation #SkilledTrades #Lifestyle #ConstructingHistory #mgicorp
#Construction #Excavation #Digger #Excavator #HeavyDuty #SkilledTrades #Career #Photography #Lifestyle #Earthmoving #Remediation #ConstructingHistory #mgicorp
McDermitt Mine. This open-pit mine, now abandoned, ceased production in 1990. It was the last commercial mercury mine in the U.S. The pit is an EPA Superfund site and has undergone remediation. The mine lies just within the southwestern rim of a much larger collapsed caldera. Opalite District. McDermitt, Humboldt Co., Nevada.
Mold Remediation Mount Vernon VA Best Mold Remediation Co. in Mount Vernon VA ift.tt/2dpdMay (202) 734-5311
NUCLEAR SAFETY AND SECURITY
The IAEA establishes and adopts safety standards for the protection of people, society and the environment from the harmful effects of ionizing radiation. These safety standards reflect an international consensus on what constitutes a high level of nuclear safety.
The IAEA serves as the global platform for nuclear security, helping to minimize the risk of nuclear and other radioactive material falling into the hands of terrorists, or of nuclear facilities being subjected to malicious acts.
The IAEA further assists Member States to build capacities and works to strengthen the nuclear safety and security framework globally, through peer review services and other dedicated international and national programmes and projects.
Before and after: environmental remediation of a former uranium mine in France’s Limousin region. The IAEA promotes and facilitates collaboration between countries to share knowledge and implementation of environmental remediation projects.
Photo: AREVA/France
Get more details on:
www.fiveboromoldspecialist.com/
Five Boro Mold Specialist has over twenty five years of experience in the mold inspection and remediation as well as water damage prevention industries in NYC’s 5 Boroughs and the Metropolitan Area. Our highly trained team consists of environmental consultants, certified microbial investigators and remediators, mold project field managers, infrared thermography specialists, industrial hygienists and structural engineers insuring excellence in quality mold inspections and remediation. We, at Five Boro Mold Specialist, have completed numerous mold projects in various market sectors including military, healthcare, and government, educational, industrial, commercial, and industrial facilities.
Potential remediation... Abandoned uranium mine where, at some sites, oxygenated water is pumped down wells to dissolve uranium, which is then pumped out through wells surrounding the injection site. The solute was then processed for transport to an enrichment location. Hopefully, all the unfixed uranium was pumped out before it could migrate to a drinking water aquifer.
— www.wise-uranium.org/uisl.html — for some other info.
Front page of a presentation still under construction - hopefully for a research proposal
Photo: Marionettes (http://www.flickr.com/photos/harry_huffman/2874394325/) on flickr uploaded by Harry Huffman(http://www.flickr.com/photos/harry_huffman/) - model Dolly Voom (http://www.flickr.com/photos/dollyvoom/)
Recovery Act funds were used to accelerate demolition and remediation to shrink the cleanup area around two former plutonium production reactors.
NASA Kennedy Space Center's Associate Director Kelvin Manning, center, signs a license agreement with the President and CEO of ecoSPEARS, which allows the company to commercially sell a soil remediation technology developed by a research team at Kennedy. The technology, known as Sorbent Polymer Extraction And Remediation System, is designed to capture and remove polychlorinated biphenyls (PCBs) from contaminated sediments in waterways and wetlands. Photo credit: NASA/Kim Shiflett
Breaking Banality: The Dysfunction of Remediation
Photographs by Evan La Londe
PNCA’s Feldman Gallery Presents Eva and Franco Mattes
Portland, OR, October 23, 2014 — The Philip Feldman Gallery + Project Space at Pacific Northwest
College of Art (PNCA) presents Breaking Banality: The Dysfunction of Remediation, an exhibition by Eva and Franco Mattes, opening with a reception on First Thursday, November 6, 2014 and running through
January 10, 2015. For the exhibition, whose title was created by an online random exhibition title generator, the Brooklyn-based Italian duo will present ten reiterations of one performance from their series
“BEFNOED – By Everyone, For No One, Every Day,” for which they commission anonymous workers to realize webcam performances. The Mattes’ hire performers through online crowdsourcing services and post the resulting videos to many of the more obscure social networks around the world. The artists regularly post links to new videos at befnoed.tumblr.com. These works are in the lineage of Fluxus event scores and more recently Hans Ulrich Obrist’s instruction-based project, “Do It.” For this exhibition, to view the videos, visitors will be forced in awkward positions, becoming themselves, if just for a few seconds, performers, and underlying how the act of viewing is in itself performative.
For another work in the show, an image, resulting from an internet search for the words “worn out,” was printed by online services on various objects. The objects were then delivered by mail directly to the venue, so neither the artists nor the curator have seen the final works.
The duo’s provocative digital works have previously included a staged suicide filmed by webcam, a slideshow of 10,000 photos stolen from personal computers, and reenactments of well-known performance art works in online videogames.
“Eva and Franco Mattes’ subversive conceptual works delve into the obscure corners and more grim aspects of the internet and the ways it both connects and distances users,” says Mack McFarland, Director of Exhibitions at PNCA. “We are thrilled to be working with two of the cardinal Net Art practitioners and expect the exhibition to ignite valuable conversations around our digitally fabricated and recorded selves and the ways we interact at a distance now.”
Exhibition trailer - Eva and Franco Mattes, Breaking Banality, PNCA’s Feldman Gallery from Eva and
Franco Mattes on Vimeo.
Eva and Franco Mattes (1976) (a.k.a. 0100101110101101.ORG) are an artist duo originally from Italy, working in New York. Their medium is a combination of performance, video and the Internet, for which they are perhaps best known. Their work explores ethical and moral issues when people interact at distance, especially through social media, creating situations where it is difficult to distinguish reality from a simulation.
Melissa Gronlund, editor of Afterall Magazine, described Mattes’ work as follows: “Whether by obscuring the name of the author, hiding information from the public or presenting false information to (often unwitting) participants in the works they create, the Mattes set up situations in which the viewer’s mistaken assumptions and actions create the form of the work itself”.
Mattes’ work has been exhibited at the Minneapolis Institute of Arts (2013); Site Santa Fe (2012);
Sundance Film Festival (2012); PS1, New York (2009); Performa, New York (2007, 2009); ARoS Aarhus
Kunstmuseum (2009); National Art Museum of China, Beijing (2008); The New Museum, New York
(2005) and Manifesta 4, Frankfurt (2002). In 2001 they were among the youngest artists ever included in the Venice Bienniale.
They have also held conferences at universities, festivals and museums, including Columbia University,
New York; RISD, Providence; New York University; Carnegie Mellon, Pittsburgh; College Art Association, New York; Museo Reina Sofia, Madrid; MAXXI, Rome and Musee d’Art Moderne, Paris.
They are founders and co-directors of the international festival The Influencers, held annually at the CCCB,
Barcelona, Spain (2004-ongoing).
The Mattes have received grants from the Walker Art Center, Minneapolis; The Museum of Contemporary
Art, Roskilde; ICC, Tokyo, and were awarded the New York Prize 2006 from the Italian Academy at
Columbia University.
One of the most often used rooms in the house is the bathroom. It’s prone to water-related issues like mold and mildew since moisture collects here. Since there are so many areas where water can accumulate and hide, black mold is often seen in showers.
Mold growth, if left untreated, can aggravate allergies, causing respiratory problems, stain grout, and sealant permanently.
Source: www.moldremediationcompanies.net/how-to-safely-remove-bla...
Asbestos Removal (Type 1, 2, and 3)
In-situ and Ex-situ Remediation, Soil Stabilization
Reengineering, Brownfield Site Management, Underground Tank and Ancillary Piping Removal
Here's a photo of a TUFF SHED building that houses electrical pumps and monitoring equipment for a gas station air remediation operation. Besides the customer-supplied high tech equipment, this building included custom vents and a security package.
PureOne Services - Atlanta Metro
Sandra and Pat Apoian
155 Enterprise Drive
Cumming, GA 30040
678-648-1262
sandra@pureoneservices.com
PureOne Services specializes in catastrophic cleaning including, Bio-hazard Cleanup,
Hoarding Cleanup, Water & Fire Damage Restoration, Crime Scene cleanup, and Mold
Remediation. We help return your home or business to normal after disaster strikes, with
skill, speed, and compassion.
PureOne Services is here to help with a wide variety of emergencies from unattended
deaths, to discovering a rodent infestation. "Restoration Done Right" is our motto and we
pride ourselves on our professionalism, respect, and empathy during these challenging
times. We work with most insurance companies and offer 24/7 service. Trust the experts
to return your life to normal. We are here to help. Call us today.
Business hours: 24 hours a day, 7 days a week
Payment Methods: Cash, check, credit cards
The French Bar Creek Fish Holding Facility became fully operational on June 3, 2020, as part of the Big Bar landslide remediation effort. These eight tanks will hold fish until they’re transported to one of several hatcheries, following genetic testing.
Learn more:
www.pac.dfo-mpo.gc.ca/pacific-smon-pacifique/big-bar-land...
www2.gov.bc.ca/gov/content/environment/plants-animals-eco...
Photo provided by Fisheries and Oceans Canada (DFO), June 1, 2020
Building 211. The San Francisco Naval Shipyard was a United States Navy shipyard in San Francisco, California, located on 638 acres (258 ha) of waterfront at Hunters Point in the southeast corner of the city. Originally, Hunters Point was a commercial shipyard established in 1870, consisting of two graving docks purchased and upbuilt in the late nineteenth and early twentieth century by the Union Iron Works company, later owned by the Bethlehem Shipbuilding Company and named Hunters Point Drydocks, located at Potrero Point. At the start of World War II the Navy recognized the need for greatly increased naval shipbuilding and repair facilities in the San Francisco Bay Area, and in 1940 acquired the property from the private owners, naming it Hunters Point Naval Shipyard. The property became one of the major shipyards of the west coast. It was later renamed Treasure Island Naval Station Hunters Point Annex. During the 1940s, many workers moved into the area to work at this shipyard and other wartime related industries.
Aerial photograph taken on 24 May 1945.
The key fissile components of the first atomic bomb were loaded onto the USS Indianapolis in July 1945 at Hunters Point for transfer to Tinian. After World War II and until 1969, the Hunters Point shipyard was the site of the Naval Radiological Defense Laboratory, the US military's largest facility for applied nuclear research.[1] The yard was used after the war to decontaminate ships from Operation Crossroads. Because of all the testing, there is widespread radiological contamination of the site. After the war, with an influx of blue collar industry, the area remained a naval base and commercial shipyard. The Navy operated the yard until 1974, when it leased most of it to a commercial ship repair company.[citation needed]
The Hunters Point Shipyard Artists (HPSA) is a community of artists who rent studios in the former U.S. naval shipyard on Hunters Point in the Bayview community of San Francisco. An artist community since 1983, the Hunters Point Shipyard is now home to more than 250 artists.
1971: carriers Ranger, Hancock, and Coral Sea at Hunters' Point.
In 1989, the base was declared a Superfund site requiring long-term clean-up.[2][3]
The Navy closed the shipyard and Naval base in 1994 as part of the Base Realignment and Closure Commission (BRAC). Besides radioactive contamination, Hunter's Point had a succession of coal- and oil-fired power generation facilities which left a legacy of pollution, both from smokestack effluvium and leftover byproducts that were dumped in the vicinity. The BRAC program has managed the majority of the site´s numerous pollution remediation projects.[4
Respirator found improperly stored inside a worker's boot within an active asbestos abatement work area.
Issues were promptly communicated to responsible parties and corrective measures were quiclky implemented.
After camera was noticed at observation window to the asbestos abatement work area, a wetting-agent (in this case, water) was hastily sprayed at the sealed window and on apparently dry debris materials and enclosure surfaces. Shortly after the photo was taken, the sealed observation window was found covered over with spray-adhesive and duct tape from the inside.
Also of note, based upon elevated airborne fiber levels exhibited during worker exposure monitoring from removal of friable ceiling materials, the contractor personnel should have been wearing respiratory protection with a much higher protection factor (such as full-face powered air-purifying respirators or P.A.P.R.s) than the simple half-face respirators.
Additionally, the workers should not be wearing their common street footwear (leather boots with shoe-laces) inside the regulated asbestos abatement work area nor should they have modified their protective coveralls by tearing off the formerly attached footings.
Savannah River Remediation (SRR) has processed over one million gallons of hazardous waste, mostly from underground storage tanks, a major milestone in the company’s work. SRR began its contract July 1, 2009, at the U.S. Department of Energy’s (DOE) Savannah River Site (SRS) Saltstone facility.
Since beginning operations in 1990, the facility has processed over 7.8 million gallons and continues to safely stabilize and dispose of low-activity salt and incidental process waste at record numbers. The facility achieved the milestone late last month.