motivates people, young and old.

en.wikipedia.org/wiki/Isle_of_Portland

  

The Isle of Portland is a limestone tied island, 6 kilometres (4 mi) long by 2.4 kilometres (1.5 mi) wide, in the English Channel. Portland is 8 kilometres (5 mi) south of the resort of Weymouth, forming the southernmost point of the county of Dorset, England. A tombolo over which runs the A354 road connects it to Chesil Beach and the mainland. Portland and Weymouth together form the borough of Weymouth and Portland. The population of Portland is almost 13,000.

Portland is a central part of the Jurassic Coast, a World Heritage Site on the Dorset and east Devon coast, important for its geology and landforms. Its name is used for one of the British Sea Areas, and has been exported as the name of North American and Australian towns. Portland stone, famous for its use in British and world architecture, including St Paul's Cathedral and the United Nations Headquarters, continues to be quarried.

Portland Harbour, in the bay between Portland and Weymouth, is one of the largest man-made harbours in the world. The harbour was formed by the building of stone breakwaters between 1848 and 1905. From its inception it was a Royal Navy base, and played prominent roles during the First and Second World Wars; ships of the Royal Navy and NATO countries worked up and exercised in its waters until 1995. The harbour is now a civilian port and popular recreation area, which will be used for the 2012 Olympic Games.

   

History

 

Portland has been inhabited since at least the Mesolithic period (the Middle Stone Age)—there is archaeological evidence of Mesolithic inhabitants near Portland Bill,[2] and of inhabitation in ages since. The Romans occupied Portland, reputedly calling it Vindelis.[3][4] In 1539 King Henry VIII ordered the construction of Portland Castle for defence against attacks by the French; the castle cost £4,964.[5] It is one of the best preserved castles from this period, and is open to the public by the custodians English Heritage.[6]

Sir Christopher Wren, the architect and Member of Parliament for nearby Weymouth, used six million tons of white Portland limestone to rebuild destroyed parts of London after the Great Fire of London of 1666. Well-known buildings in the capital, including St Paul's Cathedral[7] and the eastern front of Buckingham Palace feature the stone.[8] After the First World War, a quarry was opened by The Crown Estate to provide stone for the Cenotaph in Whitehall and half a million gravestones for war cemeteries,[4] and after the Second World War hundreds of thousands of gravestones were hewn for the fallen soldiers on the Western Front.[4] Portland cement has nothing to do with Portland; it was named such due to its similar colour to Portland stone when mixed with lime and sand.[9]

 

There have been railways in Portland since the early 19th century. The Merchant's Railway was the earliest—it opened in 1826 (one year after the Stockton and Darlington railway) and ran from the quarries at the north of Tophill to a pier at Castletown, from where the Portland stone was shipped around the country.[10] The Weymouth and Portland Railway was laid in 1865, and ran from a station in Melcombe Regis, across the Fleet and along the low isthmus behind Chesil Beach to a station at Victoria Square in Chiswell.[11] At the end of the 19th century the line was extended to the top of the island as the Easton and Church Hope Railway, running through Castletown and ascending the cliffs at East Weares, to loop back north to a station in Easton.[10] The line closed to passengers in 1952, and the final goods train (and two passenger 'specials') ran in April 1965.[11]

The Royal National Institution for the Preservation of Life from Shipwreck stationed a lifeboat at Portland in 1826, but it was withdrawn in 1851.[12] Coastal flooding has affected Portland's residents and transport for centuries—the only way off the island is along the causeway in the lee of Chesil Beach. At times of extreme floods (about every 10 years) this road link is cut by floods. The low-lying village of Chiswell used to flood on average every 5 years. Chesil Beach occasionally faces severe storms and massive waves, which have a fetch across the Atlantic Ocean.[13] Following two severe flood events in the 1970s, Weymouth and Portland Borough Council and Wessex Water decided to investigate the structure of the beach, and possible coastal management schemes that could be built to protect Chiswell and the beach road. In the 1980s it was agreed that a scheme to protect against a one-in-five year storm would be practicable; it would reduce flood depth and duration in more severe storms.[13] Hard engineering techniques were employed in the scheme, including a gabion beach crest running 1.6 kilometres (1 mi) to the north of Chiswell, an extended sea wall in Chesil Cove, and a culvert running from inside the beach, underneath the beach road and into Portland Harbour, to divert flood water away from low lying areas.[13]

 

At the start of the First World War, HMS Hood was sunk in the passage between the southern breakwaters to protect the harbour from torpedo and submarine attack.[14] Portland Harbour was formed (1848–1905) by the construction of breakwaters, but before that the natural anchorage had hosted ships of the Royal Navy for more than 500 years. It was a centre for Admiralty research into asdic submarine detection and underwater weapons from 1917 to 1998; the shore base HMS Serepta was renamed HMS Osprey in 1927.[15] During the Second World War Portland was the target of heavy bombing, although most warships had moved North as Portland was within enemy striking range across the Channel. Portland was a major embarkation point for Allied forces on D-Day in 1944. Early helicopters were stationed at Portland in 1946-1948, and in 1959 a shallow tidal flat, The Mere, was infilled, and sports fields taken to form a heliport. The station was formally commissioned as HMS Osprey which then became the largest and busiest military helicopter station in Europe. The base was gradually improved with additional landing areas and one of England's shortest runways, at 229 metres (751 ft).[15] There are still two prisons on Portland, HMP The Verne, which until 1949 was a huge Victorian military fortress, and a Young Offenders' Institution (HMYOI) on the Grove clifftop. This was the original prison built for convicts who quarried stone for the Portland Breakwaters from 1848. For a few years until 2005 Britain's only prison ship, HMP Weare, was berthed in the harbour.

The naval base closed after the end of the Cold War in 1995, and the Royal Naval Air Station closed in 1999, although the runway remained in use for Her Majesty's Coastguard Search and Rescue flights as MRCC Portland.[15] MRCC Portland's area of responsibility extends midway across the English Channel, and from Start Point in Devon to the Dorset/Hampshire border, covering an area of around 10,400 square kilometres (4,000 sq mi).[16] The 12 Search and Rescue teams in the Portland area dealt with almost 1000 incidents in 2005;

  

Governance

 

Portland is an ancient Royal Manor, and until the 19th century remained a separate liberty within Dorset for administration purposes. It was an urban district from 1894 to 1974, until the borough of Weymouth and Portland formed on April 1, 1974, under the Local Government Act 1972. This merged the borough of Weymouth and Melcombe Regis with Portland urban district. For local elections the borough is divided into 15 wards, and three of them cover Portland.[18] Elections take place in a four-year cycle; one third of the councillors in all but three wards retire or seek re-election in years one, two and three, and county council elections are held in year four.[19]

The Mayor of Weymouth and Portland is Paul Kimber (Labour Co-operative), and Graham Winter (Liberal Democrat) is Deputy Mayor.[20] Weymouth, Portland and the Purbeck district are in the South Dorset parliamentary constituency, created in 1885. The constituency elects one Member of Parliament; the current MP is Richard Drax (Conservative).[21] South Dorset, the rest of the South West England, and Gibraltar are in the South West England constituency of the European Parliament.[22]

Weymouth and Portland have been twinned with the town of Holzwickede in North Rhine-Westphalia, Germany since 1986,[23] and the French town of Louviers, in the department of Eure in Normandy, since 1959.[24] The borough and nearby Chickerell have been a Fairtrade Zone for three years.

  

Geography

 

The Isle of Portland lies in the English Channel, 3 kilometres (2 mi) south of Wyke Regis, and 200 km (120 mi) west-southwest of London, at 50°33′0″N 2°26′24″W (50.55, −2.44). Portland is situated approximately half-way along the UNESCO Jurassic Coast World Heritage Site; the site includes 153 kilometres (95 mi) of the Dorset and east Devon coast that is important for its geology and landforms.[26] The South West Coast Path runs around the coast; it is the United Kingdom's longest national trail at 1,014 kilometres (630 mi). Portland is unusual as it is connected to the mainland at Abbotsbury by Chesil Beach, a tombolo which runs 29 kilometres (18 mi) north-west to West Bay.[27] Portland is sometimes defined incorrectly as a tombolo—in fact Portland is a tied island, and Chesil Beach is the tombolo (a spit joined to land at both ends).[28]

There are eight settlements on Portland, the largest being Fortuneswell in Underhill and Easton on Tophill. Castletown and Chiswell are the other villages in Underhill, and Weston, Southwell, Wakeham and the Grove are on the Tophill plateau. Many old buildings are built out of Portland Stone; Several parts have been designated Conservation Areas to preserve the unique character the older settlements which date back hundreds of years. The architecture; the natural and man-made environment and the proximity to the sea give Portland overal character which is quite distinct.

   

Geology

 

Geologically, Portland is separated into two areas; the steeply sloping land at its north end called Underhill, and the larger, gently sloping land to the south, called Tophill. Portland stone lies under Tophill; the strata decline at a shallow angle of around 1.5 degrees, from a height of 151 metres (495 ft) near the Verne in the north, to just above sea level at Portland Bill.[29] The geology of Underhill is different to Tophill; Underhill lies on a steep escarpment composed of Portland Sand, lying above a thicker layer of Kimmeridge Clay, which extends to Chesil Beach and Portland Harbour. This Kimmeridge Clay has resulted in a series of landslides, forming West Weares and East Weares.[29]

2.4 kilometres (1.5 mi) Underneath south Dorset lies a layer of Triassic rock salt, and Portland is one of four locations in the United Kingdom where the salt is thick enough to create stable cavities.[30][31] Portland Gas has applied to excavate 14 caverns to store 1,000,000,000 cubic metres (3.5×1010 cu ft) of natural gas, which is 1 % of the UK’s total annual demand.[30][31] The caverns will be connected to the National gas grid at Mappowder via a 37-kilometre (23 mi) pipeline.[30][31] The surface facilities will be complete to store the first gas in 2011, and the entire cavern space should be available for storage in winter 2013.[31] As part of the £350 million scheme,[30] a Grade II listed former engine shed is being converted into an £1.5 million educational centre with a café and an exhibition space about the geology of Portland.

  

Portland Bill

 

Portland Bill is the southern tip of the island of Portland. The Bill has three lighthouse towers: The Higher Lighthouse is now a dwelling and holiday apartments; the Lower Lighthouse is now a bird observatory and field centre which opened in 1961. The white and red lighthouse on Bill Point replaced the Higher and Lower Lighthouses in 1906. It is a prominent and much photographed feature; an important landmark for ships passing the headland and its tidal race. The current lighthouse was refurbished in 1996 and became remotely controlled. It now contains a visitors' centre giving information and guided tours of the lighthouse.[33] As of June 2009, the lighthouse uses a 1 kW metal-halide US-made lamp with an operational life of about 4000 hours, or 14 months. Two earlier lighthouses stand further inland: one is an important observatory used by ornithologists, providing records of bird migration and accommodation for visitors.[33][34]

Portland Ledge (the Shambles) is an underwater extension of Portland Stone into the English Channel at a place where the depth of Channel is 20 to 40 metres (about 10 to 20 fathoms). Tidal flow is disrupted by the feature; at 10 metres (about 5 fathoms) deep and 2.4 kilometres (1.3 nmi) long, it causes a tidal race to the south of Portland Bill, the so-called Portland Race.[35] The current only stops for brief periods during the 12½ hour tidal cycle and can reach 4 metres per second (8 kn) at the spring tide of 2 metres (6 ft 7 in).

  

Ecology

 

Due to its isolated coastal location, the Isle of Portland has an extensive range of flora and fauna; the coastline and disused quarries are designated as Sites of Special Scientific Interest.[26][34] Sea and migratory birds occupy the cliffs in different seasons, sometimes these include rare species which draw ornithologists from around the country.[26][36] Rare visitors to the surrounding seas include dolphins, seals and basking sharks.[34] Chesil Beach is one of only two sites in Britain where the Scaly Cricket can be found; unlike any other cricket it is wingless and does not sing or hop.[36] A number of British primitive goats have recently[when?] been introduced to the East Weares part of the island to control scrub.[37]

The comparatively warm and sunny climate allows species of plants to thrive which do not on the mainland. The limestone soil has low nutrient levels; hence smaller species of wild flowers and grasses are able to grow in the absence of larger species.[34] Portland Sea Lavender can be found on the higher sea cliffs—unique to Portland it is one of the United Kingdom's rarest plants.[38] The wild flowers and plants make an excellent habitat for butterflies; over half of the British Isles' 57 butterfly species can be seen on Portland, including varieties that migrate from mainland Europe.[26] Species live on Portland that are rare in the United Kingdom, including the limestone race of the Silver Studded Blue.

  

Climate

The mild seas which almost surround the tied island produce a temperate climate (Koppen climate classification Cfb) with a small variation in daily and annual temperatures. The average annual mean temperature from 1971 to 2000 was 10.2 to 12 °C (50.4 to 53.6 °F).[40] The warmest month is August, which has an average temperature range of 13.3 to 20.4 °C (56 to 69 °F), and the coolest is February, which has a range of 3.1 to 8.3 °C (38 to 47 °F).[41] Maximum and minimum temperatures throughout the year are above England's average,[42] and Portland is in AHS Heat zone 1.[B] Mean sea surface temperatures range from 7.0 °C (44.6 °F) in February to 17.2 °C (63.0 °F) in August; the annual mean is 11.8 °C (53.2 °F).

 

The mild seas that surround Portland act to keep night-time temperatures above freezing, making winter frost rare: on average eight times per year — this is far below the United Kingdom's average annual total of 55.6 days of frost.[45][46] Days with snow lying are equally rare: on average zero to six days per year;[47] almost all winters have one day or less with snow lying. It may snow or sleet in winter, yet it almost never settles on the ground[41]—coastal areas in South West England such as Portland experience the mildest winters in the UK.[48] Portland is less affected by the Atlantic storms that Devon and Cornwall experience. The growing season in Weymouth and Portland lasts from nine to twelve months per year,[D] and the borough is in Hardiness zone 9b.[49][E]

 

Weymouth and Portland, and the rest of the south coast,[50] has the sunniest climate in the United Kingdom.[26][51] The borough averaged 1768.4 hours of sunshine annually between 1971 and 2000,[41] which is over 40 % of the maximum possible,[C] and 32 % above the United Kingdom average of 1339.7 hours.[45] Four of the last nine years have had more than 2000 hours of sunshine.[41] December is the cloudiest and wettest month (55.7 hours of sunshine, 90.9 millimetres (3.6 in) of rain) and July is the sunniest and driest (235.1 hours of sunshine, 35.6 millimetres (1.4 in) of rain).[41] Sunshine totals in all months are well above the United Kingdom average,[45] and monthly rainfall totals throughout the year are less than the UK average, particularly in summer;[45] this summer minimum of rainfall is not experienced away from the south coast of England.[50] The average annual rainfall of 751.7 millimetres (29.6 in) is well below the UK average of 1,125 millimetres (44.3 in).

  

Demography

Religion

%[52][F]

 

Buddhist

0.21

Christian

74.67

Hindu

0.03

Jewish

0.12

Muslim

0.30

No religion

15.89

Other

0.32

Sikh

0.03

Not stated8.43

AgePercentage[1]

 

0–1519.4

16–173.1

18–4438.3

45–5920.6

60–8417.2

85+1.5

      

The mid-year population of Portland in 2005 was 12,710;[A] this figure has remained around twelve to thirteen thousand since the 1970s. In 2005 there were 5,474 dwellings in an area of 11.5 square kilometres (2,840 acres), giving an approximate population density of 1100 people per km2 (4.5 per acre).[1] The population is almost entirely native to England—96.8 % of residents are of white ethnicity.[1] House prices in Weymouth and Portland are relatively high by UK standards, yet around average for most of the south of England—the average price of a detached house in 2007 was £327,569; semi-detached and terraced houses were cheaper, at £230,932 and £190,073 respectively, and an apartment or maisonette cost £168,727.[53][G]

Crime rates are below that of Weymouth and the United Kingdom—there were 9.1 burglaries per 1000 households in 2005 and 2006; which is higher than South West England (8.9 per 1000) but lower than England and Wales (13.5 per 1000).[1] Unemployment levels are lower in summer than the winter—1.8 % of the economically active population in July 2006 were not employed, and 5.3 % were unemployed year-round,[1] the same as the United Kingdom average.[54] The largest religion in Weymouth and Portland is Christianity, at almost 74.7 %,[52] which is slightly above the UK average of 71.6 %.[55] The next-largest sector is those with no religion, at almost 15.9 %,[52] also slightly above the UK average of 15.5 %.[

  

Transport

The A354 road is now the only land based access to the peninsula; formerly a railway ran alongside it. The road connects to Weymouth and the A35 trunk road in Dorchester. The road runs from Easton, splitting into a northbound section through Chiswell and a southbound section through Fortuneswell, then along Chesil Beach and across a bridge to the mainland in Wyke Regis.

Local buses are run by FirstGroup, which has services from Portland to Weymouth town centre.[56] Weymouth serves as the hub for south Dorset bus routes; providing services to Dorchester and local villages.[56] Weymouth is connected to towns and villages along the Jurassic Coast by the Jurassic Coast Bus service, which runs along the route of 142 kilometres (88 mi) from Exeter to Poole, through Sidford, Beer, Seaton, Lyme Regis, Charmouth, Bridport, Abbotsbury, Weymouth, Wool, and Wareham.[57] Travellers can catch trains from Weymouth to London and Bristol, and ferries to the French port of St Malo, and the Channel Islands of Guernsey and Jersey.[58]

There is a short airstrip and heliport just north of Fortuneswell at the northern end of the Isle.

  

Education

The Chesil Education Partnership pyramid area operates in south Dorset, and includes five infant schools, four junior schools, twelve primary schools, four secondary schools and two special schools.[1] 69.8 % of Portland residents have qualifications, which is slightly below the Dorset average of 73.8 %.[1] 10.2% of residents have higher qualifications (Level 4+), less than the Dorset average of 18.3 %.[1]

There are two infant schools on Portland—Brackenbury Infant School in Fortuneswell and Grove Infant School.[59] Portland has one junior school Underhill Community Junior School in Fortuneswell, (a second junior school, Tophill Junior School was absorbed into St George's Primary School in 2006) and two primary schools, St George's Primary School in Weston and Southwell Primary School.[59] Royal Manor Arts College in Weston is Portland's only secondary school,[1] however it has no sixth form centre. In 2007, 57 % of RMAC students gained five or more grade A* to C GCSEs.[60]

Some students commute to Weymouth to study A-Levels, or to attend the other three secondary schools in the Chesil Education Partnership. Budmouth College in Chickerell has a sixth form centre which had 296 students in 2006.[61] Weymouth College in Melcombe Regis is a further education college which has around 7,500 students from south west England and overseas,[62] about 1500 studying A-Level courses.[61] In 2006, Budmouth students received an average of 647.6 UCAS points, and Weymouth College students gained 614.1.[61] Some secondary and A-Level students commute to Dorchester to attend The Thomas Hardye School; in 2007, 79% of Hardye school students received five or more A* to C GCSEs, and 78 % of all A-Level results were A to C grades

  

Culture

Sport and recreation

 

In 2000, the Weymouth and Portland National Sailing Academy was built in Osprey Quay in Underhill as a centre for sailing in the United Kingdom. Weymouth and Portland's waters were credited by the Royal Yachting Association as the best in Northern Europe.[64] Weymouth and Portland regularly host local, national and international sailing events in their waters; these include the J/24 World Championships in 2005, trials for the 2004 Athens Olympics, the ISAF World Championship 2006, the BUSA Fleet Racing Championships, and the RYA Youth National Championships.[65]

In 2005, the WPNSA was selected to host sailing events at the 2012 Olympic Games—mainly because the Academy had recently been built, so no new venue would have to be provided.[66] However, as part of the South West of England Regional Development Agency's plans to redevelop Osprey Quay, a new 600-berth marina and an extension with more on-site facilities will be built.[67] Construction was scheduled between October 2007 and the end of 2008, and with its completion and formal opening on 11 June 2009, the venue became the first of the 2012 Olympic Games to be completed.[68][69][70][71][72]

Weymouth Bay and Portland Harbour are used for other water sports — the reliable wind is favourable for wind and kite-surfing. Chesil Beach and Portland Harbour are used regularly for angling, diving to shipwrecks, snorkelling, canoeing, and swimming.[73] The limestone cliffs and quarries are used for rock climbing; Portland has areas for bouldering and deep water soloing, however sport climbing with bolt protection is the most common style.[74] Since June 2003 the South West Coast Path National Trail has included 21.3 kilometres (13.2 mi) of coastal walking around the Isle of Portland, including following the A354 Portland Beach Road twice.

 

Rabbits

 

Rabbits have long been associated with bad luck on Portland; use of the name is still taboo—the creatures are often referred to as "Underground Mutton", "Long-Eared Furry Things" or just "bunnies".[76] The origin of this superstition is obscure (there is no record of it before the 1920s) but it is believed to derive from quarry workers; they would see rabbits emerging from their burrows immediately before a rock fall and blame them for increasing the risk of dangerous, sometimes deadly, landslides.[77] If a rabbit was seen in a quarry, the workers would pack up and go home for the day, until the safety of the area had been assured.[76] Local fishermen too would refuse to go to sea if the word was mentioned.

Even today older Portland residents are 'offended' (sometimes for the benefit of tourists) at the mention of rabbits;[77] this superstition came to national attention in October 2005 when a special batch of advertisement posters were made for the Wallace and Gromit film, The Curse of the Were-Rabbit. In respect of local beliefs the adverts omitted the word 'rabbit' and replaced the film's title with the phrase "Something bunny is going on"

 

Literature

 

Thomas Hardy called Portland the Isle of Slingers in his novels; the isle was the main setting of The Well-Beloved (1897), and was featured in The Trumpet-Major (1880).[78] The cottage that now houses Portland Museum was the inspiration for the heroine's house in The Well-Beloved. Portlanders were expert stone-throwers in the defence of their land, and Hardy's Isle of Slingers is heavily based on Portland; the Street of Wells representing Fortuneswell and The Beal Portland Bill. Hardy named Portland the Gibraltar of the North, with reference to its similarities with Gibraltar; its physical geography, isolation, comparatively mild climate, and Underhill's winding streets.[79]

In The Warlord Chronicles (1995-97), Bernard Cornwell makes Portland the Isle of the Dead, a place of internal exile, where the causeway was guarded to keep the 'dead' (people suffering insanity) from crossing the Fleet and returning to the mainland. No historical evidence exists to support this idea.[80]

The Portland Chronicles series of four children's books, set on and around Portland and Weymouth and written by local author Carol Hunt, draw on local history to explore a seventeenth century world of smuggling, witchcraft, piracy and local intrigue.

  

Vernacular

Bunnies - see above.

Kimberlin: slang for any 'strangers' not from the Island.[82]

Portland screw: fossil mollusc (Aptyxiella portlandica) with a long screw-like shell or its cast

 

Notable persons born here

•Edgar F. Codd (August 23, 1923 – April 18, 2003), British computer scientist and inventor of the relational model for database management.

•Former Premier League referee Paul Durkin.

 

The theme for a 11/2 lifetime is bringing life into a sense of balance through the analyzing and synthesizing of ideas. Learning to trust in yourself, your intuition, and your psychic abilities.

Justice and the High Priestess (Papess) represent form the gateway into an 11/2 lifetime. Justice (ruled by the planet Libra) places focus on harmony, understanding others, and finding a sense of balance in life. Libra is by nature active and social, with the need to balance between nurturing self and helping others. The High Priestess (Papess) is ruled by the Moon, which places focus on our inner selves, our inner needs, intuition, unconscious, and psychic abilities. Here we are looking at reacting, rather than taking action. The nature here is a passive one. Personal empowerment is the ability to focus our personal and spiritual energy in a manner that enhances how we experience our life. As we define our true power, we actualize out potential and begin to live life from a core of inner confidence.

 

theworldoftarot.wordpress.com/2014/03/15/birth-card-pairs...

 

The occult has moved from secrecy to mainstream acceptance, and tarot card reading stands as a testament to this shift. The Rider-Waite deck, named after the mystic A.E. Waite and publisher William Rider and Son, is considered the definitive tarot deck. However, the captivating imagery and symbolism that define this deck come from the artistic genius of Pamela Colman Smith, a woman often forgotten in the history of the occult.

Smith, an artist with possible Jamaican roots, led a bohemian lifestyle and was introduced to the Hermetic Order of the Golden Dawn by the renowned poet William Butler Yeats. She joined the secret society, which explored occult and paranormal aspects, as well as philosophy and magic. There, she met A.E. Waite, who would later request her artistic talents in creating a new deck of divination cards. Despite the immense popularity of the Rider-Waite deck, Smith’s role in its creation was largely forgotten.

However, many tarot enthusiasts today have started acknowledging her contributions by calling it the “Smith-Waite” deck or using decks that feature her name prominently.

 

culture.org/the-unseen-mothers-of-the-occult-pamela-colma...

 

"Gospel according to "Myriam" and this Mary is generally identified, without certainty, as being Mary of Magdala....In Christian tradition, the Three Marys also refers to three daughters – all three called Mary – whom Anne, the maternal grandmother of Jesus would have had with three successive husbands. According to Fernando Lanzi and Gioia Lanzi, this tradition would have been condemned by the Council of Trent (16th century), but it is still very much alive, particularly in German-speaking countries16 and in the Netherlands. then retired to the cave of Sainte-Baume where she lived for 30 years as a hermitage, with her only clothing, the fleece of her hair, and as her only food, the song of the angels who daily raised her to the heavens, seven times a day, it is said. She left Sainte Baume to die with Saint Maximin, one of the 72 disciples, in the small town where he had built his oratory and which today bears his name. He buried the saint in an alabaster sarcophagus.The name Magdala comes from Magdal in Aramaic or Migdal in Hebrew and designates a construction in the shape of a tower, representing faith, very similar to the House of God (The Tower) in Marseille's Tarot !

 

The Tarot de Marseille would then be a testimony to the teaching of Mary Magdalene. In Spanish-speaking countries, the Orion Belt Asterism is called “Las Tres Marias” (The Three Marys). In other Western countries, it is sometimes called "The Three Kings", a reference to the "Magi who came from the East" of the childhood narrative added to the Gospel according to Matthew and to the tradition of the three Magi, bearers of gifts for the child Jesus, whose oldest witnesses are found in Tertullian and Origen (early 3rd century). My "Mary Magdalene theory" is fortunately supported by thousands of codes that all come interconnected. "You will progress on a healthier basis with someone you know. Be authentic. Make sure you reserve moments of relaxation and do not pull too much on the rope, you tend to exceed your physical limits. Mary (mother of Jesus) Mary Magdalene Mary of Clopas. These three women are very often represented in art, as for example in this picture. The Three Marys (also spelled Maries) are women mentioned in the canonical gospels' narratives of the crucifixion and resurrection of Jesus. Mary was the most common name for Jewish women of the period. Mary speaks of strange encounters with Creator Beings. Read about her experiences with them, and how their decree changed her life with Jesus. In this final volume of the trilogy, Magdalene appears to the author by the river in Rennes les Bains, France. There she reveals an ancient healing technique called The True Baptism. Mary illustrates how to organize the life force from the matrix of The All and allow it to trigger our genetic code. Mary then answers more of your questions, this time about the hidden properties of gold, the evolution of her bloodline with Jesus, free will, inner earth, the star knowledge, and much more. The Tarot, in both its origin as a card game and in its transformation into an occult divinatory tool, functions as an iconographic mirror of a particular culture's time and place. By the examining the evolution of the World card, from the 14th century Italian decks to contemporary ones, we will see a shift from male Christ imagery to female anima mundi imagery. Parallel to this iconographic shift is the figure of Mary Magdalene, who in Renaissance painting began to be portrayed less as a sinner and more of a penitent saint. The assumption of Mary Magdalene in art correlates with the finalized form of the World card. The alterations of Christian iconography and symbolism in Tarot cards are the result of occultists’ reappropiation of the Tarot in the late 1700s. The fear/distrust/disbelief of God and Christianity that began at this time funneled into an interest in the occult; in the Tarot, we see a preservation of the luminous but a problematic relationality with Christianity. The World card, as it has been handed down to us today, is a synthesis of the assumption of Mary Magdalene, the Christus Victor, and the anima mundi. A sacred priestess of the ancient Womb Rites, Mary Magdalene was at the center of a great and enduring Mystery tradition. Unveiling the lost left-hand path of the Magdalene, the authors offer rituals and practices to initiate you into the Womb magic of the ancient priestesses and access deeper dimensions of sexuality and feminine power.

 

www.innertraditions.com/books/magdalene-mysteries

 

Tarot historians are in agreement that the appropriation of the cards by occultists occurred in the late 18th century. The first known interpretation of the Tarot through an esoteric lens was penned by the French occultist Court de Gebelin. He believed the deck was the lost Egyptian Book of Thoth, containing the secret mysteries of Egyptian wisdom and magic; following Gebelin, occultists began syncretizing the Tarot with the systems of Kabbalah, Hermeticism, and alchemy. I believe we can locate the apex of this appropriation in the Waite-Smith deck from 1909 – the most familiar and popular deck to the contemporary reader. Later we will consider the effect this had on the Tarot symbolism and its relationship to the shifts in religious understanding in France and other European countries.Although there is a clear historical distinction between Tarot as “playing cards” and as occult divination tools, this is not to say that the imagery of the early decks are absent of symbolism or meaning. Rather than esoteric, the early cards are exoteric in their imagery; the symbols are clear referents to religion, culture, and mythology. While they seem esoteric today, as much of Christian iconography is to the contemporary viewer, these cards were probably not hard to decipher by their audiences. While much is admittedly conjecture, (as is a lot of Tarot historical studies), there is still much we can tease out of the visual evolution of the cards over time. It is surprising that there has been so little work done on the correlations and similarities between Tarot and Christian symbolism and iconography. My research hit a lot of dead-end roads in terms of proof, but I believe it is important to reveal my initial observations to show that, while perhaps not conscious, there is a great deal of Christian symbolism in Tarot, even in decks from the post-occult turn of the 18 and 19 centuries and from today as well.In the Waite-Smith deck, the most obvious Christian card is the 20 Major Arcana, Judgment, in which an angel blows a trumpet and the souls of dead bodies rise from coffins. Another obvious example is the Tower card, clearly a depiction of the fall of the Tower of Babel. Less obvious, perhaps, is the Fool card. It depicts a young man walking up to a cliff precipice, as though he does not see it; he carries a bag of money and is followed by a dog. Does this not recall the story of blind Tobias, who also carries money and is followed by a dog? Although in painting he is normally portrayed being guided by the angel Raphael, the similarities are astounding. How did this come to be?

  

The Hanged Man card is surprisingly consistent from the early Italian decks to the contemporary post-occult decks, and is one of the most mysterious within esoteric interpretation. In the Waite-Smith deck, it depicts a man hanging from a Tau cross by one leg; his other leg is crossed underneath the other to form another cross, and a nimbus glows around the head. Most occult interpretations of this card go along the lines that it is a symbol of self-sacrifice for spiritual gain. Robert Place argues that this can be understood as Christ, in that Christ was executed as a traitor by the state.3 Furthermore, a numerical reading of the card offers insight – being card 12, it might refer also to the self-sacrifice and martyrdom of the twelve disciples. By employing basic gematria, we can add the digits one and two to reach three, which could be the Trinity.

 

www.academia.edu/8851376/Tarot_and_Christian_Iconography_...

  

The Gospels refer to several women named Mary. At various points of Christian history, some of these women have been identified with one another..look at this picture from the Waite-Rider-Smth tarot:from left to right 1 Mary Magdalene 2 Mary of Jacob (mother of James the Less) 3 Mary, mother of Jesus (Matthew 27:56; Mark 15:40; Luke 24:10) Mary of Clopas (John 19:25), sometimes identified with Mary of Jacob. Mary of Bethany (Luke 10:38–42, John 12:1–3), not mentioned in any Crucifixion or Resurrection narratives but identified with Mary Magdalene in some traditions. Another woman who appears in the Crucifixion and Resurrection narratives is Salome, who, in some traditions, is referred to as Mary Salome and identified as being one of the Marys. Other women mentioned in the narratives are Joanna and the mother of the sons of Zebedee.Marie-Madeleine, Marie Salomé and Marie de Clopas are the 3 Maries of Saintes-Maries-de-la-Mer, a French town, capital of the Camargue, in the department of Bouches-du-Rhône. The designation "of-the-sea" derives from the fact that after the death of Jesus, the three Marys crossed the sea by boat to there and then lived there, thus helping to bring Christianity to France and Europe. These 3 Marys were present during the execution of Jesus and, they were the first witnesses of the empty tomb at the resurrection of Jesus... After the death of Jesus, around 42 J.C. the Christians were persecuted, and the three Marys were arrested and expelled from Palestine. They therefore embarked, with many other Christians, on a ship named "The Ship of Peter" devoid of oars and sails which, led by Providence, managed to reach the shores of Provence, in the south of France in a place which now bears their names.This is where the three Marys were welcomed by Sara, according to some texts, according to others, Sara, herself would be the Holy Grail, the direct descent of Mary Magdalene and Jesus. Only Marie Salomé, Marie Jacobé and Sarah will remain; Marie Madeleine, will retire to a hermitage in a cave...This is a historically attested fact, because Christianity began to spread in Europe precisely from Gaul, which thus became the gateway to the new religion in Europe. Mary Magdalene occupies a privileged place for Christ, at the head of a group of women who accompany him. She will be the first witness to the Resurrection of Christ, the first to whom the Lord appears on Easter morning, a sign, whether we believe in it or not, of an exceptional position. She is Jewish like Christ, like him from the North of Palestine (Israel), from Galilee, probably from Magdala, near Nazareth and Cana. It is believed that she was an aristocrat born in the year 3 AD, who after attending the court of the king of the Jews Herod, was converted by Christ, changed her life and decided to follow him and put her fortune at the disposal of the group. Arrived in the Camargue, with the two other Maries, she evangelized the Marseillais, then withdrew to the cave of Sainte-Baume where she lived 30 years in hermitage, with as only clothing, the fleece of her hair, and as only food, the song of the angels who raised her daily in the heavens, seven times a day, it is said.

 

www.calistabellini.com/post/les-saintes-maries-de-la-mer-...

 

Different sets of three women have been referred to as the Three Marys: Three Marys present at the crucifixion of Jesus;

Three Marys at the tomb of Jesus on Easter Sunday; Three daughters of Saint Anne, all named Mary. The three Marys at the

 

The presence of a group of female disciples of Jesus at the crucifixion of Jesus is found in all four Gospels of the New Testament. Differences in the parallel accounts have led to different interpretations of how many and which women were present. In some traditions, as exemplified in the Irish song Caoineadh na dTrí Muire, the Three Marys are the three whom the Gospel of John mentions as present at the crucifixion of Jesus: However, Jesus was not crucified upside-down. Looking at the Visconti-Sforza deck, we have an almost identical depiction of the Hanged Man. Helen Farley points out that in Renaissance society, there was an art form called pittura infamante – ‘shame painting’ – “in which a person was depicted as a traitor, particularly when beyond the reach of legitimate legal. recourse.”4 By depicting someone hanging upside-down, this could alternately mean the person had turned away from God. It also was used for the execution of Jews, witches, and Christians who had committed perfidy. I immediately thought of Peter, who is said to have asked to be crucified upside-down because he was unworthy to die as Christ died. In Christian iconography, he is the only individual portrayed in this manner. Peter could be said to be a traitor, in that he denied Christ three times, but the negative associations of shame paintings don’t seem to correlate with Peter’s sainthood. Judas is also said to have hung himself, and is traitor par excellance, but I remained convinced that this card was based upon Peter. While the usual understanding of Peter’s request for an upside-down crucifixion is his humility in relation to Christ’s death, there is a different explanation in apocryphal accounts. In the Acts of Peter, Peter speaks from the cross, saying that, “when the first man [Adam] came into the world, he came headfirst. That means that Adam’s perspective, as the one who brought sin into the world, was entirely reversed and upside down. That is why people seem to think that what is true is false and what is false true....All of this is because humans have reverse vision, due to the actions of Adam.”6 Thus, hanging upside-down is a model for Christians to live by, to see the world correctly. This is nearly identical to how Tarot esotericists interpret the Hanged Man; it is both Christ in its self-sacrifice, and also an inversion of corporeal ‘reality’ and perspective through which one gets a better understanding of how to reach God. While one cannot veritably locate a thread between the Acts of Peter and the Hanged Man, this connection exemplifies the latent Christian symbolism that flows through the Tarot, from 14th century Italy to now.

 

Mary Magdalene, Mary of Clopas and Mary (mother of Jesus). These three women are very often represented in art, as for example in these Flickr's picture.

 

Women at the tarot like a passkey to heaven; The Three Marys as passkey. What may be the earliest known representation of three women visiting the tomb of Jesus is a fairly large fresco in the Dura-Europos church in the ancient city of Dura Europos on the Euphrates. The fresco was painted before the city's conquest and abandonment in AD 256, but it is from the 5th century that representations of either two or three women approaching a tomb guarded by an angel appear with regularity, and become the standard depiction of the Resurrection. They have continued in use even after 1100, when images of the Resurrection of Jesus in Christian art began to show the risen Christ himself. Examples are the Melisende Psalter and Peter von Cornelius's The Three Marys at the tarot. Eastern icons continue to show either the Myrrhbearers or the Harrowing of Hell. The fifteenth-century Easter hymn "O filii et filiae" refers to three women going to the tomb on Easter morning to anoint the body of Jesus. The original Latin version of the hymn identifies the women as Mary Magdalene (Maria Magdalene), Mary of Joseph (et Iacobi), and Salome (et Salome).

 

en.wikipedia.org/wiki/The_Three_Marys

 

The World (XXI) is the 21st trump or Major Arcana card in the tarot deck. It can be incorporated as the final card of the Major Arcana or tarot trump sequence (the first or last optioned as being "The Fool" (0). It is associated with the 21st letter of the Hebrew alphabet, 'Shin' also spelled 'Sin'. The oval shape of the wreath is also used by the Golden Dawn in their Tattva cards. These colorful cards were designed to aid the development of clairvoyance through visual meditation, and one of the symbols in the cards is an oval. The oval corresponds to the Akasha, ether or spiritual realm (see Akashic Records).

 

Description

 

Christ in Majesty is surrounded by the animal emblems representing the four evangelists in a German manuscript.

In the traditional Tarot of Marseilles, as well as the later Rider–Waite tarot deck, a naked woman hovers or dances above the Earth holding a staff in each hand, surrounded by a wreath, being watched by the four living creatures (or hayyoth) of Jewish mythology: a man, a lion, an ox, and an eagle. This depiction parallels the tetramorph used in Christian art, where the four creatures are used as symbols of the four Evangelists. Some astrological sources explain these observers as representatives of the natural world or the kingdom of beasts. According to astrological tradition the Lion is Leo—a fire sign, the Bull or calf is Taurus—an earth sign, the Man is Aquarius—an air sign, and the Eagle is Scorpio—a water sign. These signs are the four fixed signs and represent the classical four elements. In some decks the wreath is an ouroboros biting its own tail. In the Thoth Tarot designed by Aleister Crowley, this card is called "The Universe." The World card, the highest ranked Major Arcana card, exists in the early Visconti-Sforza, Marseilles, and contemporary decks. It will serve as our loci in considering the relationship between Tarot and Christian iconography, the evolution of Mary Magdalene in Christian depiction/understanding, and the rise of the female anima mundi in occult and esoteric movements. To recall, the Visconti-Sforza is one of our earliest known decks. Helen Farley notes that the deck’s symbolism reflects concerns and themes of the Italian Renaissance: The proximity of death, the fickle hand of fortune, the desirability of living a life

of virtue, the importance of spirituality but also the contempt with which corporeal concerns were held, namely the corruption of the Church...[it] portrayed the lives and history of the Viscontis...as a game: a potent allegory of Visconti life. These themselves more as we follow the orbit of the World card around the sun of time.reveal themes, particularly the tension between spirituality and Catholicism, will. In the Visconti-Sforza deck, the world is shown as a globe, within which is surrounded by turbulent waters (fig. I). The globe is held aloft by two putti. The blue wings indicate they are Seraphim, the highest rank of angels. In other versions from this time, there is usually a figure of a woman or angel upon the globe and city usually represents Jerusalem, the city of God; “the microcosm of the city symbolically linked the earthly (human) body with the heavenly (cosmic) ‘body’”, observes Farley. This derives, of course, from St. Augustine’s The City of God, wherein the Christian empire is located around the Church of Rome, which links humankind with God. The earthly city reflects the heavenly city, and this card connects the actual city of Milan with the celestial city of heaven. Duke Sforza’s domination of Milan is enforced and made holy through its pictorial self-portrayal as the Augustinian city. This pride in the city-state enforces the power, wealth, and status of Milan; interestingly, as the World card follows the Resurrection/Judgment card, Milan is portrayed as the city Augustine believes will contain the saved souls. One also may observe that the city is separated from the rest of the ‘world’ by the edge of the globe; it is strongly fortified and separated by waters, illuminated by the stars of heaven.

 

What does 3 stars in the sky mean? many meanings...Each culture gives the Três Marias a different meaning. In Christian tradition, the stars are associated with the three women who visited the tomb of Jesus at the resurrection. They also represent the Three Wise Men -Gaspar, Melchior and Baltasar-, who would be on their way to Bethlehem at the birth of the messiah. What are the three Marias? Mark 16:1 indicates that "Mary Magdalene", "Mary the mother of James" and "Salome" went to the tomb to anoint Jesus....How many stars do the 3 Marias have?

The Belt or Belt of Orion, popularly known as the Three Marys or Three Kings, is an asterism of three stars that form the belt of the constellation of Orion, the hunter. The stars, easily identifiable in the sky by their brightness and alignment, are known as Mintaka, Alnilam, and Alnitak. Where are the three Marias?

To identify it we must locate 3 stars close to each other, of the same brightness, and aligned. They are called Tres Marías and they form the belt of the constellation of Orion, the hunter. Their names are Mintaka, Alnilan and Alnitaka, from the Arabic Al-Mintakah, the belt, An-Nidham, the pearl, and An-Nitak, the rope.

What are the stars we see in the sky? Stars are large spheres formed by plasma heated to thousands of degrees. Its shape is due to its gravity, which points towards the core of the star. Stars are large spheres of plasma that are powered by nuclear fusion. Stars are large spheres of plasma, held together by their own gravity. > Constellation of ORION: Why are the three Marias called Três Marias? Origin and meanings of Três Marias.Each culture gives the Três Marias a different meaning. In Christian tradition, the stars are associated with the three women who visited the tomb of Jesus at the resurrection. They also represent the Three Wise Men -Gaspar, Melchior and Baltasar-, who would be on their way to Bethlehem at the birth of the messiah. What are the three Marias? Mark 16:1 indicates that "Mary Magdalene", "Mary the mother of James" and "Salome" went to the tomb to anoint Jesus....How many stars do the 3 Marias have? The Belt or Belt of Orion, popularly known as the Three Marys or Three Kings, is an asterism of three stars that form the belt of the constellation of Orion, the hunter. The stars, easily identifiable in the sky by their brightness and alignment, are known as Mintaka, Alnilam, and Alnitak.Where are the three Marias? To identify it we must locate 3 stars close to each other, of the same brightness, and aligned. They are called Tres Marías and they form the belt of the constellation of Orion, the hunter. Their names are Mintaka, Alnilan and Alnitaka, from the Arabic Al-Mintakah, the belt, An-Nidham, the pearl, and An-Nitak, the rope.The most curious thing of all is that, in reality, their names are Mintaka, Alnilan and Alnitak, Arabic names that mean, respectively, the "Belt", the "Pearl/Precious Stone" and the "Rope". Another is knowing that they are actually very close together in the sky, approximately 1,500 light-years from Earth.There are three enormous stars visible in the winter sky and in the center of the constellation Orion, the celestial cathedral. These three stars form a nearly perfect tilted alignment, separated by seemingly nearly equidistant distances. They are known as the three Marys, the three wise men or the belt of Orion -a giant hunter from mythology-, but these names are not enough to understand the mysteries that such colossal stars contain. We must look towards the south, at half height; between the horizon and the zenith. It has no loss, it is a brilliant stellar alignment, which is unique in the firmament. Three blue stars, three giants: Mintaka, Altinak and Alnilam.

 

Источник: planetariodevitoria.org/estrelas/qual-e-o-nome-das-estrel...

 

An engineer born in Alexandria in 1948, Robert Bauval, with a background in astronomy and an interest in Egyptology, discovered that the three Marys are positioned exactly like the three great pyramids of Giza in Egypt. The star Mintaka, in the upper part of the alignment of the three Marys, is somewhat deviated with respect to the previous two, the same imperfect alignment has the three great pyramids. But also, the pyramid deviated from the straight line that joins the other two, is the smallest of the three (Micerino), like Mintaka, which is the star that shines the least of the three Marias. Also, the pyramid that is highest on the plateau of the three and that stands out the most (Kefren) is the central one, as is the central star of Las tres Marías, which is the brightest. Did the Egyptians also know that these stars are visible from all over the world? And more specifically Mintaka, which is right on the celestial equator. Everything can be the product of chance, but many coincidences bear the truth. Curiously, the Egyptians believed that after their death, the gates of heaven opened in the place occupied by Orion's belt, but they never understood the greatness of those three spectacular stars. The three Marys were the place where the soul of Osiris, the Egyptian god of resurrection, rested and presides over the court of the judgment of the deceased, among other powers.Alnitak, an Arabic name meaning "belt", is the lowest of the three stars. A new star 6 million years old, while the Sun is about 5,000 million. This blue giant, 16 times the diameter of the Sun, with a visual magnitude of 1.79, located 700 light years from the Sun, of spectral type O9, shines with an intensity 100,000 times greater than that of our Sun, which next to it is a tiny star with a mass 20 times less than Alnitak. It ranks 35th among the most luminous stars we know of, including stars from other galaxies. Alnitak is a peculiar star, whose surface temperature reaches 29,000 degrees. The Sun only reaches 6,500. But it is also a very intense source of X-rays, due to the strong stellar winds that are projected from the surface in the form of particles, essentially hydrogen and helium, sweeping the surrounding space at speeds of 2,000 km/s. These types of giant stars have their days numbered. The bigger the stars are, the less time they live, so that Alnitak, in a short time will become a red supergiant, it will explode in the form of a supernova, which can be seen even during the day from Earth, to end up as a tiny star about 10 km in diameter, called a neutron star, a star so dense that a teaspoon of its surface would weigh as much as a mountain. Also Alnitak is a triple star. Alnilam. Located in the center of the stellar trio that make up Las tres Marías, it is a true celestial spectacle. It shines with a magnitude of 1.70, being the fourth brightest star in Orion and the brightest of the three Marys, in addition to being the furthest at 1,340 light years, but that is nothing compared to the luminosity of the star, equal to 380,000 times greater than the Sun, ranking 27th of all known stars. It is a blue supergiant star, 31 times the diameter of the Sun and 40 solar masses. Extraordinarily young, only 4 million years old, somewhat colder than the previous one, with about 25,000ºC on the surface. It also has a powerful stellar wind with speeds of 2,000 km/s, 20 million times more than the solar wind. The temperature and radiation are so high in this star that it lights up a nebula of gas and dust called NGC 1990 by reflection. Alnilam is so young that it is not yet a stable star, but variable in its brightness (pulsating variable), due to its continuous expansion and contraction. The Sun is a stable star, it does not pulse, expand, or contract. The force of gravity pulling in on the Sun has been offset by the expansive force of thermonuclear reactions by converting hydrogen to helium, but in Alnilam, both forces continue without agreeing. If it is possible to have planets, life there as we know it would be impossible, due to the instability of the star. Alnilam will end its days as Alnitak, becoming a premature red supergiant, exposing its superdense core; a neutron star. Meanwhile, it is moving away from us at a speed of 26 km/s. Mintaka: Arabic word meaning "for belt." Another blue giant star, although the faintest in brightness of the three Marias reaching 2.5 magnitude. It contains 20 solar masses and a luminosity 90,000 times greater than that of the Sun. Located at a distance of 915 light years, it is surprising that it shines with such intensity, not in vain its surface temperature is 31,000ºC. Mintaka is one of the most complex multiple systems known. The main star, that is to say Mintaka, has a companion of magnitude 6.8 at a real distance of more than 2.3 trillion km, or what is the same, ¼ of a light year. But in turn, this star that appears to be 1' of arc distant from Mintaka, is a spectroscopic binary, that is, it has another companion so close to it that it is impossible to take it off with telescopes, but it can be done using spectroscopy; the only thing we can detect is the spectrum of the companion, but we can't see it. Between the spectroscopic binary and Mintaka, there is a faint 14th magnitude star that may belong to the system. But in addition, Mintaka has an extraordinarily close companion to her, which is why she is a spectroscopic binary. Curiously, the companion star has almost the same characteristics as Mintaka, the same mass, temperature and luminosity and must be the same size. A complex 5-star star system. Almost all stars are double or multiple, the rarity is our Sun, which is a solitary star. However, many researchers look for dwarf stars that may be trapped by the Sun's gravity.

 

www.abc.es/ciencia/20140122/abci-tres-marias-estrellas-co...

  

The two putti slowly disappeared in other decks, to be replaced by either a male or female figure. In this example from the Museo Civico, we see a woman holding a wand and a globe as she stands upon the globe (fig. II). Another early example of a female World card is the Cary-Yale Visconti deck (fig. III), depicting a royally-clothed woman wielding a scepter and a crown. It was not uncommon to portray the earth as a feminine figure, but these early examples seem to be stressing not so much a personification of the earth but rather the domination of earth by something/someone. Consider figure IV and figure V. Here we have a male figure, one clothed and the other nude, ruling over the world. Consider also the nude male in the Jacques Vieville deck and the Bologna deck (fig. VI). In Christian art, when Jesus is portrayed as the Christus Victor, he looms over the world holding a globe with a cross fixed to it. He is often surrounded by the four evangelists as he stands upon God’s throne. When he is surrounded by the four evangelists, Christ is enclosed within a mandorla, and the four evangelists are often in the four corners. Should we understand these male figures as Christ? The examples we’ve looked at that have a clothed male figure can clearly be an iconographic Christus Victor; the World card, being the last Major Arcana, is Christ victorious over the entire world after the Resurrection. But what of the nude figures? The only instance of Christ nude in Christian art, that I know of, is Michelangelo’s altar wall in the Sistine Chapel; there, Christ is nude and beardless, as with these particular cards. But there is a shift from the Christ standing upon the world to the Christ on God’s throne. As we see with the Jacques Vieville card (fig. VI), the nude Christ holds his standard iconographic scepter with attached globe, is enclosed by a mandorla (a laurel wreath), and surrounded by the four evangelists. Again, following the tradition of Christian art, Matthew is a human with wings, Mark is a lion, Luke is an ox, and John is an eagle. There is no essential difference between this Tarot card and an atypical Christus Victor. It should be noted that this visual structure was also used in alchemy through the 16 to the 18 century. The four

evangelists are correlated with the four elements of the world, the four seasons, and the four directions. Consider figure VII; note the chalice with the serpent, the attribute of John the Evangelist, unusually associated with the anima mundi. But something happened. Recall that the Marseilles deck, circa blueprint structure and pattern for most subsequent decks created in France, Italy, and Belgium, and also for the decks created by occultists in the 19th century deck is unusual considering its forerunners. We have the same iconography of the four evangelists and the mandorla, but instead of the Christus Victor or royally-clothed woman, there is a nude woman (figure VIII). There are many versions of this, of course, but we can say that she is often portrayed with long hair, with a loose banner rippling around her nude body. She sometimes holds a bottle and a scepter; more often, two equal wands (that is, wands with a knob on both ends). She is always enclosed within a laurel wreath, and the four evangelists remain in the four corners of the card. Suddenly, a nude woman is dancing, or floating, on God’s throne instead of Christ; perhaps, she is being assumed up into heaven. This card serves as the bridge between the City of God and the Christus Victor depictions to most of the subsequent World cards: the rather curious and baffling conflagration of Christian iconography and feminine/Goddess imagery. What does this shift mean, and how can we situate it within Christian art? Let us turn our attention, now, to the portrayal of Mary Magdalene in Christian art. Mary Magdalene underwent quite a transformation through Renaissance art. The sinner Magdalene ultimately becomes the penitent, holy reformer to which many upheld as an exemplary and relatable model. Mrs. Jameson locates the rising popularity of Magdalene as penitent in the 16th and 17th into heaven. Magdalene became “still more endeared to the popular imagination by more affecting and attractive associations, and even more eminently picturesque...We have Magdalenes who look as if they never could have sinned, and others who look as if they never could have repented.”11 Magdalene became more sexualized just as she became more penitent. Rachel Geschwind observes that in the 16th century, paintings like Rossiglio’s Conversion of the Magdalene began to give Venus-like characteristics to Magdalene; she is both divine and corporeal. and art, and sometimes one might even mistake a Venus for a Magdalene. Courtesans at this time would write of divine love and the desire to enter the ‘paradise of Venus’, which was a metaphor where she is praying for forgiveness or being reconciled and/or assumed up for the city. (Recall the City of God from the Visconti deck). Magdalene seemed to serve as a perfect model for passion and romance that was acceptable religiously, and as a locus for the world of divine love. The dichotomy between the corporeal and the divine is also inherent in Correggio’s Noli Me Tangere; Margaret A. Morse writes that “Correggio evoked a natural style, while maintain a beauty and sanctity for which his subjects called, whereby the beholder...would be able to recognize the divine in the physical.”14 She is a bridge between the viewer and Christ, between the body and the spirit. Given that Neo-Platonism was on the rise during the Renaissance, it makes sense that this balance between two kinds of love, “sacred and profane, formulated by Plato in the Symposium”15, found Mary Magdalene as the perfect template and model. In addition to Venus-like characteristics, Magdalene was also beginning to assume the role as a “new Eve” from the Virgin.The relationship between the images of the Tarot de Marseille and the medieval heresy of the Holy Grail. The followers of this heresy claimed that Jesus of Nazareth had married Mary Magdalene. In this work are presented all the symbols of the Tarot in relation to this heresy and, for the first time, it is revealed that these images constitute the secret heritage of Mary Magdalene. that the game was the lost Egyptian book of Thoth, containing the secret mysteries of Egyptian wisdom and magic; following Gebelin, occultists

2 began to syncretize the Tarot with the systems of Kabbalah, Hermeticism and Alchemy. We believe we can place the pinnacle of this appropriation in the Waite-Smith game of 1909 - the most familiar and popular game for the contemporary reader. Later we will look at the effect this has had on Tarot symbolism and its relationship to changes in religious understanding in France and other European countries.

 

Mary Magdalene (Mary of Magdala), the woman with jars in Christian symbolism, could very well in this case be represented in the star map. But their assumptions stopped there. No one had ever imagined that the Tarot itself represents in its entirety the teaching and life of Marie-Madeleine on the one hand and even less that the Tarot was created by Marie-Madeleine herself in the 1st century. This is the entirely new Tarot theory that I have been expounding since the beginning of the second millennium. If my theory of the Tarot turns out to be correct, it completely changes the vision and the understanding that one could have of the Tarot. It changes the dating of the Tarot which goes from the 14th century to the 1st century AD with Mary Magdalene, the Tarot de Marseille thus becoming the ancestor of all Western tarots, that is to say "the Tarot". Historians and experts said that the Tarot originated in Italy during the Renaissance era around the end of the 14th century the beginning of the 15th century. On the other hand, no one thought that the Tarot de Marseille itself originated from Marseille. When I started to propose the theory of a Marseille origin of the Tarot de Marseille, Tarot historians and Tarot experts thought that I was an eccentric or that I wanted to make a publicity stunt. In 1999, I explained publicly that in my opinion the Tarot had been transmitted to Europe around 415 by the monk Jean Cassien who was entirely dedicated to Marie-Madeleine and who founded the order of the Abbey of Saint-Victor in Marseille. My Tarot theory is based on thousands of secret codes that can be found in the new Tarot de Marseille Camoin that I drew in the 90s. The Mandorla that surrounds the naked woman indicates that it is a saint who has reached the beatific state. The most significant secret Tarot code in "The Mary Magdalene Theory" that I have discovered resides in the last two cards of the Tarot Major Arcana, Judgment and the World. Indeed, by their number, these two cards are naturally placed next to each other. I revealed that the two cards put together give the key to the mystery of the Tarot character that is found in the World card. Because the identity of this character had remained a mystery for centuries. Almost all Tarot researchers claimed that it was the androgynous Christ, so much so that it had become a real dogma in the Tarot world. Historians could not imagine that it was a woman because of the presence of the four living beings who are attributed to Christ in Christian sacred art. Some had interpreted this mysterious young woman as being the soul of the World, "Anima Mundi".

But the Tarot is coded in another way. Tarot codes are embedded in other Tarot codes and so on. Also, if we disregard the four living beings in the World map, we obtain a naked woman surrounded by an almond-shaped oval. This oval called mandorla symbolizes the state of beatific vision. We find the mandorla around some saints. This means that in the Tarot de Marseille, the woman on the World Map is a saint. My "Mary Magdalene theory" continues like this. In the pantheon of Western saints, there is only one saint who is depicted naked, and that is Saint Mary Magdalene. However, Marie de Magdala lived in the vicinity of Marseilles for 30 years. My theory, which is unique in the history of the Tarot, states that it is Mary Magdalene who is represented in the map of the World and that the Tarot de Marseille is therefore dedicated to this saint.

 

The two cards form a new symbol. Mary of Magdala is the Saint who sees the Resurrection of Christ (in blue. Furthermore, we can locate similar attributes to Magdalene from apocryphal sources as well as the writings of Origen. In the apocryphal Pistis Sophia, Magdalene is the sole recipient of Christ’s gnosis, rather than Peter and the other disciples. Christ says, “Well done, Mary. You are more blessed than all women on earth, because you will be the fullness of fullnesses and the completion of completions.”17Although this apocryphal account could not have been known to people during the Renaissance, it reveals that even within the early Christian communities there was a holiness attributed to Magdalene that transcended all others. Yet the Gnostic contempt for materiality seems to clash with the embrace of dualism during the Renaissance. This dualism can be found in Origen’s writings, however. In his commentary on the Song of Songs, he allegorically reads the bride as the Christian church. The bride anoints her lover with an ointment; Origen connects this with the scriptural account of Mary Magdalene anointing Christ. He interprets the line spoken by the bride, “I am dark but comely, O daughters of Jerusalem” (Song 1:5), as follows: “She has repented of her sins...beauty is the gift conversion has bestowed; that is the reason she is hymned as beautiful. She is called black, however, because she has not yet purged of every stain of sin, she has not yet been washed unto salvation, nevertheless she does not stay dark-hued, she is becoming white.”18 The dualism of black/evil and white/good is unfortunate, but the connection between the Bride of the Song of Songs and Magdalene reinforces her movement away from sin into penitence, and her positive association with the Church and Christ. The sexual language employed in the Song of Songs has always been difficult for commentators; however we see that when Magdalene is associated with the Bride, the sexuality is compounded with Magdalene’s penitence, in the same way we’ve seen in Renaissance painting. The portrayals of Magdalene’s assumption into heaven connect us back to the Tarot. Mrs. Jameson observes, dryly, that Italian paintings of Magdalene’s assumption began “to recall the idea of a Venus Meretrix.”19 Let us consider Giovanni Lanfranco’s La maddalenan portata in cielo, (fig. IX) and Sandro Botticelli’s Birth of Venus (fig. X). Jameson is quite correct in her observation, despite her negativity towards this shift. In the Lanfranco, Magdalene’s hair barely covers her nude body as she is borne aloft by three putti. She holds out her hands at an angle, and below her is the world’s expanse of mountains, lakes, and forests. It is sexual and chaste, physical and divine. Her figure is very much the Platonic divine love, the ideal Venus. In some of the Assumptions, she is almost dwarfed by the sublime immensity of the landscape. The fact that the very earth is prominent in these paintings underscores Magdalene’s dualistic characteristics of corporeality and divinity; the world gapes below her as she rises above it into the sky. Although she is always borne by putti in her assumption, she seems to float and dance in ecstasy as she rises. We observed the replacement of the Christus Victor with a female nude in the Marseilles World card. That card is remarkably similar to the Lanfranco, Durer’s Assumption of the Magdalene, and others. One gets the same sense of elevation and completion (recall Christ’s words in the Pistis Sophia) in the rise of Magdalene as one gets in the World card. I argue for a parallel between Magdalene’s evolution and the World card’s evolution; just as painting was infusing Magdalene with traits of divine love and worldliness, Tarot decks began to see the post- Resurrection world not in light of Christ but in a neo-Platonic Venus, a Magdalene/New Eve that encompasses the new World. We saw that some World cards have the woman holding a bottle of some sort, which is an attribute of Magdalene. Also, the instances of the two equal wands supports the dualism of divinity and corporeality, dark and light, sinner and penitent, in the portrayals of Magdalene. Robert Place agrees, writing that “She takes her position in the sacred center, which identifies her as the Anima Mundi and the Quinta Essentia...she has mastered or transcended duality...the World Soul is depicted as both Christ, or Sophia his female counterpart....divine wisdom.”20 She is the completion, the alchemical Great Work, the culmination of all earthly phases into the elevation of the world into heaven. This is, of course, an esoteric alchemical interpretation, which as we noted did not apply to Tarot until the late 1700s. I hold that Magdalene’s iconographic transition in the Renaissance parallels the exoteric symbolism of the World; but what to make of the occultists’ appropriation of this image in the late 1700s? Farley argues that, “With tarot removed from its original environment, its symbolism lost its previous relevance and context, rendering its imagery mysterious.”21 Institutionalized religion was being questioned at this time; indeed, the first publications by occultists on the Tarot coincide with the French Revolution. While we cannot delve deeply into the Revolution here, suffice it to say that it was characterized by a rejection of Christianity but a preservation of Christian structure. “It had its creeds, liturgies and sacred texts, its own vocabulary of virtues and vices...and the ambition of regenerating mankind itself, even if it denied divine intervention or the afterlife. The result was a series of deified abstractions worshipped through the denatured language and liturgy of Christianity.”22 Much of the Revolution’s tactics was the replacing of old symbols with new ones, but maintaining the same essential religious structure. Similarly, I argue that the occult appropriation of the Tarot was also an appropriation of Christian iconography, in a general sense; esoteric interpretations and the revisions of Tarot symbolism was an attempt to escape Christian doctrine through fabricated ancient lore (Egyptian roots, e.g.) and synthesized connections between the Tarot and old esoteric traditions such as Kabbalah.

 

Interpretation

According to A.E. Waite's 1910 book The Pictorial Key to the Tarot, the World card carries several divinatory associations:

 

Mary Magdalene (Mary of Magdala), the woman with jars in Christian symbolism, could very well in this case be represented in the star map. But their assumptions stopped there. No one had ever imagined that the Tarot itself represents in its entirety the teaching and life of Marie-Madeleine on the one hand and even less that the Tarot was created by Marie-Madeleine herself in the 1st century. This is the entirely new Tarot theory that I have been expounding since the beginning of the second millennium.

If my theory of the Tarot turns out to be correct, it completely changes the vision and the understanding that one could have of the Tarot. It changes the dating of the Tarot which goes from the 14th century to the 1st century AD with Mary Magdalene, the Tarot de Marseille thus becoming the ancestor of all Western tarots, that is to say "the Tarot". Historians and experts said that the Tarot originated in Italy during the Renaissance period around the end of the 14th century the beginning of the 15th century. On the other hand, no one thought that the Tarot de Marseille itself originated from Marseille.

 

21.THE WORLD—Assured success, recompense, voyage, route, emigration, flight, change of place. Reversed: Inertia, fixity, stagnation, permanence.

The World represents an ending to a cycle of life, a pause in life before the next big cycle beginning with the fool.[3] The figure is male and female, above and below, suspended between the heavens and the earth. It is completeness. It is also said to represent cosmic consciousness; the potential of perfect union with the One Power of the universe.[4] It tells us full happiness is to also give back to the world: sharing what we have learned or gained. As described in the book The New Mythic Tarot by Juliet Sharman-Burke and Liz Greene (p. 82), the image of the woman (Hermaphroditus in Greek Mythology) is to show wholeness unrelated to sexual identification but rather of combined male and female energy on an inner level, which integrates opposites traits that arise in the personality charged by both energies. Opposite qualities between male and female that create turmoil in our life are joined in this card, and the image of becoming whole is an ideal goal, not something that can be possessed rather than achieved.

 

According to Robert M. Place in his book The Tarot, the four beasts on the World card represent the fourfold structure of the physical world—which frames the sacred center of the world, a place where the divine can manifest. Sophia, meaning Prudence or Wisdom (the dancing woman in the center), is spirit or the sacred center, the fifth element. Prudence is the fourth of the Cardinal virtues in the tarot. The lady in the center is a symbol of the goal of mystical seekers. In some older decks, this central figure is Christ, whereas in others it is Hermes. Whenever it comes up, this card represents what is truly desired.

 

In other media

In the manga JoJo's Bizarre Adventure: Stardust Crusaders, tarot cards are used to name the character's powers, named 'Stands'. The overarching antagonist of Stardust Crusaders, DIO, has a Stand named The World, named after The World card. This stand has the power to stop time whenever DIO commands it to, and he can move during frozen time. In Steel Ball Run, an alternate version of DIO, Diego Brando, later gains this Stand after being summoned by Funny Valentine.

 

In the film Cryptozoo, a tarot reading is done with the Waite-Smith Deck that reveals The World card as part of the protagonist's journey.

 

en.wikipedia.org/wiki/The_World_(tarot_card)

 

The relationship between the images of the Tarot de Marseille and the medieval heresy of the Holy Grail. The followers of this heresy claimed that Jesus of Nazareth had married Mary Magdalene. In this work are presented all the symbols of the Tarot in relation to this heresy and, for the first time, it is revealed that these images constitute the secret heritage of Mary Magdalene. that the game was the lost Egyptian book of Thoth, containing the secret mysteries of Egyptian wisdom and magic; following Gebelin, occultists began to syncretize the Tarot with the systems of Kabbalah, Hermeticism and Alchemy. We believe we can place the pinnacle of this appropriation in the Waite-Smith game of 1909 - the most familiar and popular game for the contemporary reader. Later we will look at the effect this has had on Tarot symbolism and its relationship to changes in religious understanding in France and other European countries.The Mandorla that surrounds the naked woman indicates that it is a saint who has reached the beatific state.

The most significant secret Tarot code in "The Mary Magdalene Theory" that I have discovered resides in the last two cards of the Tarot Major Arcana, Judgment and the World. Indeed, by their number, these two cards are naturally placed next to each other. I revealed that the two cards put together give the key to the mystery of the Tarot character that is found in the World card.

Because the identity of this character had remained a mystery for centuries. Almost all Tarot researchers claimed that it was the androgynous Christ, so much so that it had become a real dogma in the Tarot world. Historians could not imagine that it was a woman because of the presence of the four living beings who are attributed to Christ in Christian sacred art. Some had interpreted this mysterious young woman as being the soul of the World, "Anima Mundi". But the Tarot is coded in another way. Tarot codes are embedded in other Tarot codes and so on. Also, if we disregard the four living beings in the World map, we obtain a naked woman surrounded by an almond-shaped oval. This oval called mandorla symbolizes the state of beatific vision. We find the mandorla around some saints. This means that in the Tarot de Marseille, the woman on the World Map is a saint. My "Mary Magdalene theory" continues like this. In the pantheon of Western saints, there is only one saint who is depicted naked, and that is Saint Mary Magdalene. However, Marie de Magdala lived in the vicinity of Marseilles for 30 years. My theory which is unique in the history of the Tarot stipulates that it is Mary Magdalene who is represented in the map of the World and that the Tarot of Marseilles is therefore dedicated to this saint.

 

fr.camoin.com/tarot/Tarot-Marie-Madeleine-Magdala.html

  

What is the name of the brightest star?

Sirius, also called Sirius, α Canis Majoris is the brightest star in the night sky visible to the naked eye, with an apparent magnitude of −1.46. In Greek mythology, Orion's hunting dogs are said to have ascended to heaven at the hands of Zeus, taking the form of the star Sirius.,What are the stars called?

they are called bright stars. How the stars are classified? Astronomers classify stars by size and surface temperature. Based on their size, stars can be called supergiants, bright giants, giants, subgiants, dwarfs or normals, and subdwarfs.

 

Источник: planetariodevitoria.org/estrelas/qual-e-o-nome-das-estrel...

 

Hebrew Letter: Tave

In this article The World Symbols, I refer to The World card from the Rider Waite Tarot deck, also known as the Waite-Smith, or Rider-Waite-Smith, or Rider tarot deck. The symbolism found on this trump card is primarily drawn from mythology, Christianity, alchemy, astrology. Contents

The World: Key Symbol. Compare The World Tarot Card Symbols with Historical Decks

What Does The Dancer Symbolize in The World Tarot Card? Dancer Purple Sash Red Hairband

Two Wands Crossed Legs Symbolism What is The Meaning of The Laurel Wreath in The World Card?Laurel Wreath Two Red Ribbons Who Are The Four Figures in The World Card and What do They Symbolize? Man Lion Eagle Bull What is The Meaning of The Blue Background? The Rider Waite World card borrows heavily from the Marseille Tarot. Waite himself says, “this final message of the Major Trumps is unchanged – and indeed unchangeable – in respect of its design”. In both instances the naked World dancer moves encased within a victory wreath. The four corners of the card contain tetramorphs, mystical creatures of antiquity and mythology depicting a bull, lion, bird and human face.

The dancer holds dual magical wands, as opposed to The Magician who only holds one. What Does The Dancer Symbolize in The World Tarot Card? Dancer. The dancer symbolizes the fetus waiting to be born again, as the Fool prepares to start over through the procession of the Major Arcana. However, this is no babe starting from scratch, we are presented with a woman at her height of beauty and youth. She signifies the next stage of evolution. Some occultists claim that the figure is a hermaphrodite, because her sexual gender is hidden by the scarf. They say she is the union of male and female, and that sexual identity is no longer relevant or defining. The dancer perfectly integrates aspects of the male and female. Wouldn’t this card be a suitable iconographic image for gender fluidity in todays times! The dancer is both the bride and bridegroom. Purple Sash. The purple sash is the color of divinity and wisdom. It evokes the images of a Catholic priest who puts on a purple stole when offering the sacrament during mass. The sash curves in the figure of eight, suggestive of the cosmic lemniscate or infinity sign.

Red Hairband. The dancer wears a red hairband, which draws fire energy to her head area. It symbolizes that her mind and conscious is active. This is not someone who exists only in the spiritual realm.

Two Wands. The dancer holds two double-sided wands, which represent the polarity powers of involution and evolution. Involution is the decent of God into the soul or consciousness, and evolution is the assent of the soul back to God or the creator. ⭐Wands also appear here: The Magician Symbols

Crossed Legs Symbolism. The dancer crosses her legs in a similar manner to the Hanged Man. However, the triangle he represents is under the cross of the tree, symbolizing he is still bound by earthly things. The dancer is reversed, she forms a triangle pointing upwards, from the tip of her head to her two outstretched hands. Thus the triangle of Spirit now overturns the cross of the material earthly plane. What is The Meaning of The Laurel Wreath in The World Card? Laurel Wreath. The woman is surrounded by a large laurel wreath, traditionally a symbol of success and victory. The implication here, on the Fools Journey, is that there is cause for celebration. This is the end of the road before a new era begins. The wreath forms the shape of a zero, which is the number of The Fool card. The wreath also symbolizes the womb, signaling that the woman is like an embryo waiting to be reborn. The oval shape of the wreath is also used by the Golden Dawn in their Tattva cards. These colorful cards were designed to aid the development of clairvoyance through visual meditation, and one of the symbols in the cards is an oval. The oval corresponds to the Akasha, ether or spiritual realm (see Akashic Records). See Shamanism for more information on Tattva cards. ⭐A laurel wreath also appears here: The Chariot Symbols, Ace of Swords Symbols, Seven of Cups Symbols, Six of Wands Symbols Two Red Ribbons. The red ribbon bindings at the top and bottom of the wreath indicate completion, the circle has been made complete.

It also reminds one of the ancient quote, “as above, so below”. Who Are The Four Figures in The World Card and What do They Symbolize? The four beasts represent the four living figures or hayyot, which are a class of heavenly beings in Jewish mythology. According to both Jewish and Christian tradition, the creatures vary by description. In this card we see the four tetramorph, a lion, man, eagle and bull.

These creatures represent the four seasons, as well as the four elements of Fire, Air, Water and Earth. Their presence implies that they are the cornerstones of a balanced life. Man. The blond-haired man represents the astrological sign of Aquarius, winter season and the element Air. Lion. The Lion represents Leo, summer and fire. Eagle. The Eagle represents Scorpio, autumn and water.

Bull. The Bull represents Taurus, spring and earth. What is The Meaning of The Blue Background?

The blue background is the cosmic mind or ‘Universe’ as it has come to be known in the New Age. The dancer is able to manipulate this realm easily with her two wands.

 

karinastarot.com/world-symbols/

 

Furthermore, we can locate similar attributes to Magdalene from apocryphal sources as well as the writings of Origen. In the apocryphal Pistis Sophia, Magdalene is the sole recipient of Christ’s gnosis, rather than Peter and the other disciples. Christ says, “Well done, Mary. You are more blessed than all women on earth, because you will be the fullness of fullnesses and the completion of completions.”17Although this apocryphal account could not have been known to people during the Renaissance, it reveals that even within the early Christian communities there was a holiness attributed to Magdalene that transcended all others. Yet the Gnostic contempt for materiality seems to clash with the embrace of dualism during the Renaissance. This dualism can be found in Origen’s writings, however. In his commentary on the Song of Songs, he allegorically reads the bride as the Christian church. The bride anoints her lover with an ointment; Origen connects this with the scriptural account of Mary Magdalene anointing Christ. He interprets the line spoken by the bride, “I am dark but comely, O daughters of Jerusalem” (Song 1:5), as follows: “She has repented of her sins...beauty is the gift conversion has bestowed; that is the reason she is hymned as beautiful. She is called black, however, because she has not yet purged of every stain of sin, she has not yet been washed unto salvation, nevertheless she does not stay dark-hued, she is becoming white.” The dualism of black/evil and white/good is unfortunate, but the connection between the Bride of the Song of Songs and Magdalene reinforces her movement away from sin into penitence, and her positive association with the Church and Christ. The sexual language employed in the Song of Songs has always been difficult for commentators; however we see that when Magdalene is associated with the Bride, the sexuality is compounded with Magdalene’s penitence, in the same way we’ve seen in Renaissance painting.

The portrayals of Magdalene’s assumption into heaven connect us back to the Tarot. Mrs. Jameson observes, dryly, that Italian paintings of Magdalene’s assumption began “to recall the idea of a Venus Meretrix.”19 Let us consider Giovanni Lanfranco’s La maddalenan portata in cielo, (fig. IX) and Sandro Botticelli’s Birth of Venus (fig. X). Jameson is quite correct in her observation, despite her negativity towards this shift. In the Lanfranco, Magdalene’s hair barely covers her nude body as she is borne aloft by three putti. She holds out her hands at an angle, and below her is the world’s expanse of mountains, lakes, and forests. It is sexual and chaste, physical and divine. Her figure is very much the Platonic divine love, the ideal Venus. In some of the Assumptions, she is al

...relational

When pigs fly is a term that implies hopelessness. I am anti-hopelessness. Nothing and no one is hopeless. When I saw this paper airplane my youngest made, I was glad I handed that undying hope down to her.

I have several dear friends that the doctors have said that the fight against the cancer that has invaded their body is a loosing battle. My sweet friend, Cat, here on flickr is one of them.

I want to make it very clear~ that is not what I believe. I have great hope that she will be healed of this cancer and that she will watch that beautiful boy of hers grow into an amazing young man.

 

So to my sweet friends that are fighting hard things... whether it be illness battles, emotional battles, relational battles or even the small battles we all face everyday........

 

Today, pigs fly!

“Man is least himself when he talks in his own person. Give him a mask, and he will tell you the truth.”

  

free talking

flaring in an aquarium.

en.wikipedia.org/wiki/Isle_of_Portland

  

The Isle of Portland is a limestone tied island, 6 kilometres (4 mi) long by 2.4 kilometres (1.5 mi) wide, in the English Channel. Portland is 8 kilometres (5 mi) south of the resort of Weymouth, forming the southernmost point of the county of Dorset, England. A tombolo over which runs the A354 road connects it to Chesil Beach and the mainland. Portland and Weymouth together form the borough of Weymouth and Portland. The population of Portland is almost 13,000.

Portland is a central part of the Jurassic Coast, a World Heritage Site on the Dorset and east Devon coast, important for its geology and landforms. Its name is used for one of the British Sea Areas, and has been exported as the name of North American and Australian towns. Portland stone, famous for its use in British and world architecture, including St Paul's Cathedral and the United Nations Headquarters, continues to be quarried.

Portland Harbour, in the bay between Portland and Weymouth, is one of the largest man-made harbours in the world. The harbour was formed by the building of stone breakwaters between 1848 and 1905. From its inception it was a Royal Navy base, and played prominent roles during the First and Second World Wars; ships of the Royal Navy and NATO countries worked up and exercised in its waters until 1995. The harbour is now a civilian port and popular recreation area, which will be used for the 2012 Olympic Games.

   

History

 

Portland has been inhabited since at least the Mesolithic period (the Middle Stone Age)—there is archaeological evidence of Mesolithic inhabitants near Portland Bill,[2] and of inhabitation in ages since. The Romans occupied Portland, reputedly calling it Vindelis.[3][4] In 1539 King Henry VIII ordered the construction of Portland Castle for defence against attacks by the French; the castle cost £4,964.[5] It is one of the best preserved castles from this period, and is open to the public by the custodians English Heritage.[6]

Sir Christopher Wren, the architect and Member of Parliament for nearby Weymouth, used six million tons of white Portland limestone to rebuild destroyed parts of London after the Great Fire of London of 1666. Well-known buildings in the capital, including St Paul's Cathedral[7] and the eastern front of Buckingham Palace feature the stone.[8] After the First World War, a quarry was opened by The Crown Estate to provide stone for the Cenotaph in Whitehall and half a million gravestones for war cemeteries,[4] and after the Second World War hundreds of thousands of gravestones were hewn for the fallen soldiers on the Western Front.[4] Portland cement has nothing to do with Portland; it was named such due to its similar colour to Portland stone when mixed with lime and sand.[9]

 

There have been railways in Portland since the early 19th century. The Merchant's Railway was the earliest—it opened in 1826 (one year after the Stockton and Darlington railway) and ran from the quarries at the north of Tophill to a pier at Castletown, from where the Portland stone was shipped around the country.[10] The Weymouth and Portland Railway was laid in 1865, and ran from a station in Melcombe Regis, across the Fleet and along the low isthmus behind Chesil Beach to a station at Victoria Square in Chiswell.[11] At the end of the 19th century the line was extended to the top of the island as the Easton and Church Hope Railway, running through Castletown and ascending the cliffs at East Weares, to loop back north to a station in Easton.[10] The line closed to passengers in 1952, and the final goods train (and two passenger 'specials') ran in April 1965.[11]

The Royal National Institution for the Preservation of Life from Shipwreck stationed a lifeboat at Portland in 1826, but it was withdrawn in 1851.[12] Coastal flooding has affected Portland's residents and transport for centuries—the only way off the island is along the causeway in the lee of Chesil Beach. At times of extreme floods (about every 10 years) this road link is cut by floods. The low-lying village of Chiswell used to flood on average every 5 years. Chesil Beach occasionally faces severe storms and massive waves, which have a fetch across the Atlantic Ocean.[13] Following two severe flood events in the 1970s, Weymouth and Portland Borough Council and Wessex Water decided to investigate the structure of the beach, and possible coastal management schemes that could be built to protect Chiswell and the beach road. In the 1980s it was agreed that a scheme to protect against a one-in-five year storm would be practicable; it would reduce flood depth and duration in more severe storms.[13] Hard engineering techniques were employed in the scheme, including a gabion beach crest running 1.6 kilometres (1 mi) to the north of Chiswell, an extended sea wall in Chesil Cove, and a culvert running from inside the beach, underneath the beach road and into Portland Harbour, to divert flood water away from low lying areas.[13]

 

At the start of the First World War, HMS Hood was sunk in the passage between the southern breakwaters to protect the harbour from torpedo and submarine attack.[14] Portland Harbour was formed (1848–1905) by the construction of breakwaters, but before that the natural anchorage had hosted ships of the Royal Navy for more than 500 years. It was a centre for Admiralty research into asdic submarine detection and underwater weapons from 1917 to 1998; the shore base HMS Serepta was renamed HMS Osprey in 1927.[15] During the Second World War Portland was the target of heavy bombing, although most warships had moved North as Portland was within enemy striking range across the Channel. Portland was a major embarkation point for Allied forces on D-Day in 1944. Early helicopters were stationed at Portland in 1946-1948, and in 1959 a shallow tidal flat, The Mere, was infilled, and sports fields taken to form a heliport. The station was formally commissioned as HMS Osprey which then became the largest and busiest military helicopter station in Europe. The base was gradually improved with additional landing areas and one of England's shortest runways, at 229 metres (751 ft).[15] There are still two prisons on Portland, HMP The Verne, which until 1949 was a huge Victorian military fortress, and a Young Offenders' Institution (HMYOI) on the Grove clifftop. This was the original prison built for convicts who quarried stone for the Portland Breakwaters from 1848. For a few years until 2005 Britain's only prison ship, HMP Weare, was berthed in the harbour.

The naval base closed after the end of the Cold War in 1995, and the Royal Naval Air Station closed in 1999, although the runway remained in use for Her Majesty's Coastguard Search and Rescue flights as MRCC Portland.[15] MRCC Portland's area of responsibility extends midway across the English Channel, and from Start Point in Devon to the Dorset/Hampshire border, covering an area of around 10,400 square kilometres (4,000 sq mi).[16] The 12 Search and Rescue teams in the Portland area dealt with almost 1000 incidents in 2005;

  

Governance

 

Portland is an ancient Royal Manor, and until the 19th century remained a separate liberty within Dorset for administration purposes. It was an urban district from 1894 to 1974, until the borough of Weymouth and Portland formed on April 1, 1974, under the Local Government Act 1972. This merged the borough of Weymouth and Melcombe Regis with Portland urban district. For local elections the borough is divided into 15 wards, and three of them cover Portland.[18] Elections take place in a four-year cycle; one third of the councillors in all but three wards retire or seek re-election in years one, two and three, and county council elections are held in year four.[19]

The Mayor of Weymouth and Portland is Paul Kimber (Labour Co-operative), and Graham Winter (Liberal Democrat) is Deputy Mayor.[20] Weymouth, Portland and the Purbeck district are in the South Dorset parliamentary constituency, created in 1885. The constituency elects one Member of Parliament; the current MP is Richard Drax (Conservative).[21] South Dorset, the rest of the South West England, and Gibraltar are in the South West England constituency of the European Parliament.[22]

Weymouth and Portland have been twinned with the town of Holzwickede in North Rhine-Westphalia, Germany since 1986,[23] and the French town of Louviers, in the department of Eure in Normandy, since 1959.[24] The borough and nearby Chickerell have been a Fairtrade Zone for three years.

  

Geography

 

The Isle of Portland lies in the English Channel, 3 kilometres (2 mi) south of Wyke Regis, and 200 km (120 mi) west-southwest of London, at 50°33′0″N 2°26′24″W (50.55, −2.44). Portland is situated approximately half-way along the UNESCO Jurassic Coast World Heritage Site; the site includes 153 kilometres (95 mi) of the Dorset and east Devon coast that is important for its geology and landforms.[26] The South West Coast Path runs around the coast; it is the United Kingdom's longest national trail at 1,014 kilometres (630 mi). Portland is unusual as it is connected to the mainland at Abbotsbury by Chesil Beach, a tombolo which runs 29 kilometres (18 mi) north-west to West Bay.[27] Portland is sometimes defined incorrectly as a tombolo—in fact Portland is a tied island, and Chesil Beach is the tombolo (a spit joined to land at both ends).[28]

There are eight settlements on Portland, the largest being Fortuneswell in Underhill and Easton on Tophill. Castletown and Chiswell are the other villages in Underhill, and Weston, Southwell, Wakeham and the Grove are on the Tophill plateau. Many old buildings are built out of Portland Stone; Several parts have been designated Conservation Areas to preserve the unique character the older settlements which date back hundreds of years. The architecture; the natural and man-made environment and the proximity to the sea give Portland overal character which is quite distinct.

   

Geology

 

Geologically, Portland is separated into two areas; the steeply sloping land at its north end called Underhill, and the larger, gently sloping land to the south, called Tophill. Portland stone lies under Tophill; the strata decline at a shallow angle of around 1.5 degrees, from a height of 151 metres (495 ft) near the Verne in the north, to just above sea level at Portland Bill.[29] The geology of Underhill is different to Tophill; Underhill lies on a steep escarpment composed of Portland Sand, lying above a thicker layer of Kimmeridge Clay, which extends to Chesil Beach and Portland Harbour. This Kimmeridge Clay has resulted in a series of landslides, forming West Weares and East Weares.[29]

2.4 kilometres (1.5 mi) Underneath south Dorset lies a layer of Triassic rock salt, and Portland is one of four locations in the United Kingdom where the salt is thick enough to create stable cavities.[30][31] Portland Gas has applied to excavate 14 caverns to store 1,000,000,000 cubic metres (3.5×1010 cu ft) of natural gas, which is 1 % of the UK’s total annual demand.[30][31] The caverns will be connected to the National gas grid at Mappowder via a 37-kilometre (23 mi) pipeline.[30][31] The surface facilities will be complete to store the first gas in 2011, and the entire cavern space should be available for storage in winter 2013.[31] As part of the £350 million scheme,[30] a Grade II listed former engine shed is being converted into an £1.5 million educational centre with a café and an exhibition space about the geology of Portland.

  

Portland Bill

 

Portland Bill is the southern tip of the island of Portland. The Bill has three lighthouse towers: The Higher Lighthouse is now a dwelling and holiday apartments; the Lower Lighthouse is now a bird observatory and field centre which opened in 1961. The white and red lighthouse on Bill Point replaced the Higher and Lower Lighthouses in 1906. It is a prominent and much photographed feature; an important landmark for ships passing the headland and its tidal race. The current lighthouse was refurbished in 1996 and became remotely controlled. It now contains a visitors' centre giving information and guided tours of the lighthouse.[33] As of June 2009, the lighthouse uses a 1 kW metal-halide US-made lamp with an operational life of about 4000 hours, or 14 months. Two earlier lighthouses stand further inland: one is an important observatory used by ornithologists, providing records of bird migration and accommodation for visitors.[33][34]

Portland Ledge (the Shambles) is an underwater extension of Portland Stone into the English Channel at a place where the depth of Channel is 20 to 40 metres (about 10 to 20 fathoms). Tidal flow is disrupted by the feature; at 10 metres (about 5 fathoms) deep and 2.4 kilometres (1.3 nmi) long, it causes a tidal race to the south of Portland Bill, the so-called Portland Race.[35] The current only stops for brief periods during the 12½ hour tidal cycle and can reach 4 metres per second (8 kn) at the spring tide of 2 metres (6 ft 7 in).

  

Ecology

 

Due to its isolated coastal location, the Isle of Portland has an extensive range of flora and fauna; the coastline and disused quarries are designated as Sites of Special Scientific Interest.[26][34] Sea and migratory birds occupy the cliffs in different seasons, sometimes these include rare species which draw ornithologists from around the country.[26][36] Rare visitors to the surrounding seas include dolphins, seals and basking sharks.[34] Chesil Beach is one of only two sites in Britain where the Scaly Cricket can be found; unlike any other cricket it is wingless and does not sing or hop.[36] A number of British primitive goats have recently[when?] been introduced to the East Weares part of the island to control scrub.[37]

The comparatively warm and sunny climate allows species of plants to thrive which do not on the mainland. The limestone soil has low nutrient levels; hence smaller species of wild flowers and grasses are able to grow in the absence of larger species.[34] Portland Sea Lavender can be found on the higher sea cliffs—unique to Portland it is one of the United Kingdom's rarest plants.[38] The wild flowers and plants make an excellent habitat for butterflies; over half of the British Isles' 57 butterfly species can be seen on Portland, including varieties that migrate from mainland Europe.[26] Species live on Portland that are rare in the United Kingdom, including the limestone race of the Silver Studded Blue.

  

Climate

The mild seas which almost surround the tied island produce a temperate climate (Koppen climate classification Cfb) with a small variation in daily and annual temperatures. The average annual mean temperature from 1971 to 2000 was 10.2 to 12 °C (50.4 to 53.6 °F).[40] The warmest month is August, which has an average temperature range of 13.3 to 20.4 °C (56 to 69 °F), and the coolest is February, which has a range of 3.1 to 8.3 °C (38 to 47 °F).[41] Maximum and minimum temperatures throughout the year are above England's average,[42] and Portland is in AHS Heat zone 1.[B] Mean sea surface temperatures range from 7.0 °C (44.6 °F) in February to 17.2 °C (63.0 °F) in August; the annual mean is 11.8 °C (53.2 °F).

 

The mild seas that surround Portland act to keep night-time temperatures above freezing, making winter frost rare: on average eight times per year — this is far below the United Kingdom's average annual total of 55.6 days of frost.[45][46] Days with snow lying are equally rare: on average zero to six days per year;[47] almost all winters have one day or less with snow lying. It may snow or sleet in winter, yet it almost never settles on the ground[41]—coastal areas in South West England such as Portland experience the mildest winters in the UK.[48] Portland is less affected by the Atlantic storms that Devon and Cornwall experience. The growing season in Weymouth and Portland lasts from nine to twelve months per year,[D] and the borough is in Hardiness zone 9b.[49][E]

 

Weymouth and Portland, and the rest of the south coast,[50] has the sunniest climate in the United Kingdom.[26][51] The borough averaged 1768.4 hours of sunshine annually between 1971 and 2000,[41] which is over 40 % of the maximum possible,[C] and 32 % above the United Kingdom average of 1339.7 hours.[45] Four of the last nine years have had more than 2000 hours of sunshine.[41] December is the cloudiest and wettest month (55.7 hours of sunshine, 90.9 millimetres (3.6 in) of rain) and July is the sunniest and driest (235.1 hours of sunshine, 35.6 millimetres (1.4 in) of rain).[41] Sunshine totals in all months are well above the United Kingdom average,[45] and monthly rainfall totals throughout the year are less than the UK average, particularly in summer;[45] this summer minimum of rainfall is not experienced away from the south coast of England.[50] The average annual rainfall of 751.7 millimetres (29.6 in) is well below the UK average of 1,125 millimetres (44.3 in).

  

Demography

Religion

%[52][F]

 

Buddhist

0.21

Christian

74.67

Hindu

0.03

Jewish

0.12

Muslim

0.30

No religion

15.89

Other

0.32

Sikh

0.03

Not stated8.43

AgePercentage[1]

 

0–1519.4

16–173.1

18–4438.3

45–5920.6

60–8417.2

85+1.5

      

The mid-year population of Portland in 2005 was 12,710;[A] this figure has remained around twelve to thirteen thousand since the 1970s. In 2005 there were 5,474 dwellings in an area of 11.5 square kilometres (2,840 acres), giving an approximate population density of 1100 people per km2 (4.5 per acre).[1] The population is almost entirely native to England—96.8 % of residents are of white ethnicity.[1] House prices in Weymouth and Portland are relatively high by UK standards, yet around average for most of the south of England—the average price of a detached house in 2007 was £327,569; semi-detached and terraced houses were cheaper, at £230,932 and £190,073 respectively, and an apartment or maisonette cost £168,727.[53][G]

Crime rates are below that of Weymouth and the United Kingdom—there were 9.1 burglaries per 1000 households in 2005 and 2006; which is higher than South West England (8.9 per 1000) but lower than England and Wales (13.5 per 1000).[1] Unemployment levels are lower in summer than the winter—1.8 % of the economically active population in July 2006 were not employed, and 5.3 % were unemployed year-round,[1] the same as the United Kingdom average.[54] The largest religion in Weymouth and Portland is Christianity, at almost 74.7 %,[52] which is slightly above the UK average of 71.6 %.[55] The next-largest sector is those with no religion, at almost 15.9 %,[52] also slightly above the UK average of 15.5 %.[

  

Transport

The A354 road is now the only land based access to the peninsula; formerly a railway ran alongside it. The road connects to Weymouth and the A35 trunk road in Dorchester. The road runs from Easton, splitting into a northbound section through Chiswell and a southbound section through Fortuneswell, then along Chesil Beach and across a bridge to the mainland in Wyke Regis.

Local buses are run by FirstGroup, which has services from Portland to Weymouth town centre.[56] Weymouth serves as the hub for south Dorset bus routes; providing services to Dorchester and local villages.[56] Weymouth is connected to towns and villages along the Jurassic Coast by the Jurassic Coast Bus service, which runs along the route of 142 kilometres (88 mi) from Exeter to Poole, through Sidford, Beer, Seaton, Lyme Regis, Charmouth, Bridport, Abbotsbury, Weymouth, Wool, and Wareham.[57] Travellers can catch trains from Weymouth to London and Bristol, and ferries to the French port of St Malo, and the Channel Islands of Guernsey and Jersey.[58]

There is a short airstrip and heliport just north of Fortuneswell at the northern end of the Isle.

  

Education

The Chesil Education Partnership pyramid area operates in south Dorset, and includes five infant schools, four junior schools, twelve primary schools, four secondary schools and two special schools.[1] 69.8 % of Portland residents have qualifications, which is slightly below the Dorset average of 73.8 %.[1] 10.2% of residents have higher qualifications (Level 4+), less than the Dorset average of 18.3 %.[1]

There are two infant schools on Portland—Brackenbury Infant School in Fortuneswell and Grove Infant School.[59] Portland has one junior school Underhill Community Junior School in Fortuneswell, (a second junior school, Tophill Junior School was absorbed into St George's Primary School in 2006) and two primary schools, St George's Primary School in Weston and Southwell Primary School.[59] Royal Manor Arts College in Weston is Portland's only secondary school,[1] however it has no sixth form centre. In 2007, 57 % of RMAC students gained five or more grade A* to C GCSEs.[60]

Some students commute to Weymouth to study A-Levels, or to attend the other three secondary schools in the Chesil Education Partnership. Budmouth College in Chickerell has a sixth form centre which had 296 students in 2006.[61] Weymouth College in Melcombe Regis is a further education college which has around 7,500 students from south west England and overseas,[62] about 1500 studying A-Level courses.[61] In 2006, Budmouth students received an average of 647.6 UCAS points, and Weymouth College students gained 614.1.[61] Some secondary and A-Level students commute to Dorchester to attend The Thomas Hardye School; in 2007, 79% of Hardye school students received five or more A* to C GCSEs, and 78 % of all A-Level results were A to C grades

  

Culture

Sport and recreation

 

In 2000, the Weymouth and Portland National Sailing Academy was built in Osprey Quay in Underhill as a centre for sailing in the United Kingdom. Weymouth and Portland's waters were credited by the Royal Yachting Association as the best in Northern Europe.[64] Weymouth and Portland regularly host local, national and international sailing events in their waters; these include the J/24 World Championships in 2005, trials for the 2004 Athens Olympics, the ISAF World Championship 2006, the BUSA Fleet Racing Championships, and the RYA Youth National Championships.[65]

In 2005, the WPNSA was selected to host sailing events at the 2012 Olympic Games—mainly because the Academy had recently been built, so no new venue would have to be provided.[66] However, as part of the South West of England Regional Development Agency's plans to redevelop Osprey Quay, a new 600-berth marina and an extension with more on-site facilities will be built.[67] Construction was scheduled between October 2007 and the end of 2008, and with its completion and formal opening on 11 June 2009, the venue became the first of the 2012 Olympic Games to be completed.[68][69][70][71][72]

Weymouth Bay and Portland Harbour are used for other water sports — the reliable wind is favourable for wind and kite-surfing. Chesil Beach and Portland Harbour are used regularly for angling, diving to shipwrecks, snorkelling, canoeing, and swimming.[73] The limestone cliffs and quarries are used for rock climbing; Portland has areas for bouldering and deep water soloing, however sport climbing with bolt protection is the most common style.[74] Since June 2003 the South West Coast Path National Trail has included 21.3 kilometres (13.2 mi) of coastal walking around the Isle of Portland, including following the A354 Portland Beach Road twice.

 

Rabbits

 

Rabbits have long been associated with bad luck on Portland; use of the name is still taboo—the creatures are often referred to as "Underground Mutton", "Long-Eared Furry Things" or just "bunnies".[76] The origin of this superstition is obscure (there is no record of it before the 1920s) but it is believed to derive from quarry workers; they would see rabbits emerging from their burrows immediately before a rock fall and blame them for increasing the risk of dangerous, sometimes deadly, landslides.[77] If a rabbit was seen in a quarry, the workers would pack up and go home for the day, until the safety of the area had been assured.[76] Local fishermen too would refuse to go to sea if the word was mentioned.

Even today older Portland residents are 'offended' (sometimes for the benefit of tourists) at the mention of rabbits;[77] this superstition came to national attention in October 2005 when a special batch of advertisement posters were made for the Wallace and Gromit film, The Curse of the Were-Rabbit. In respect of local beliefs the adverts omitted the word 'rabbit' and replaced the film's title with the phrase "Something bunny is going on"

 

Literature

 

Thomas Hardy called Portland the Isle of Slingers in his novels; the isle was the main setting of The Well-Beloved (1897), and was featured in The Trumpet-Major (1880).[78] The cottage that now houses Portland Museum was the inspiration for the heroine's house in The Well-Beloved. Portlanders were expert stone-throwers in the defence of their land, and Hardy's Isle of Slingers is heavily based on Portland; the Street of Wells representing Fortuneswell and The Beal Portland Bill. Hardy named Portland the Gibraltar of the North, with reference to its similarities with Gibraltar; its physical geography, isolation, comparatively mild climate, and Underhill's winding streets.[79]

In The Warlord Chronicles (1995-97), Bernard Cornwell makes Portland the Isle of the Dead, a place of internal exile, where the causeway was guarded to keep the 'dead' (people suffering insanity) from crossing the Fleet and returning to the mainland. No historical evidence exists to support this idea.[80]

The Portland Chronicles series of four children's books, set on and around Portland and Weymouth and written by local author Carol Hunt, draw on local history to explore a seventeenth century world of smuggling, witchcraft, piracy and local intrigue.

  

Vernacular

Bunnies - see above.

Kimberlin: slang for any 'strangers' not from the Island.[82]

Portland screw: fossil mollusc (Aptyxiella portlandica) with a long screw-like shell or its cast

 

Notable persons born here

•Edgar F. Codd (August 23, 1923 – April 18, 2003), British computer scientist and inventor of the relational model for database management.

•Former Premier League referee Paul Durkin.

 

en.wikipedia.org/wiki/Isle_of_Portland

  

The Isle of Portland is a limestone tied island, 6 kilometres (4 mi) long by 2.4 kilometres (1.5 mi) wide, in the English Channel. Portland is 8 kilometres (5 mi) south of the resort of Weymouth, forming the southernmost point of the county of Dorset, England. A tombolo over which runs the A354 road connects it to Chesil Beach and the mainland. Portland and Weymouth together form the borough of Weymouth and Portland. The population of Portland is almost 13,000.

Portland is a central part of the Jurassic Coast, a World Heritage Site on the Dorset and east Devon coast, important for its geology and landforms. Its name is used for one of the British Sea Areas, and has been exported as the name of North American and Australian towns. Portland stone, famous for its use in British and world architecture, including St Paul's Cathedral and the United Nations Headquarters, continues to be quarried.

Portland Harbour, in the bay between Portland and Weymouth, is one of the largest man-made harbours in the world. The harbour was formed by the building of stone breakwaters between 1848 and 1905. From its inception it was a Royal Navy base, and played prominent roles during the First and Second World Wars; ships of the Royal Navy and NATO countries worked up and exercised in its waters until 1995. The harbour is now a civilian port and popular recreation area, which will be used for the 2012 Olympic Games.

   

History

 

Portland has been inhabited since at least the Mesolithic period (the Middle Stone Age)—there is archaeological evidence of Mesolithic inhabitants near Portland Bill,[2] and of inhabitation in ages since. The Romans occupied Portland, reputedly calling it Vindelis.[3][4] In 1539 King Henry VIII ordered the construction of Portland Castle for defence against attacks by the French; the castle cost £4,964.[5] It is one of the best preserved castles from this period, and is open to the public by the custodians English Heritage.[6]

Sir Christopher Wren, the architect and Member of Parliament for nearby Weymouth, used six million tons of white Portland limestone to rebuild destroyed parts of London after the Great Fire of London of 1666. Well-known buildings in the capital, including St Paul's Cathedral[7] and the eastern front of Buckingham Palace feature the stone.[8] After the First World War, a quarry was opened by The Crown Estate to provide stone for the Cenotaph in Whitehall and half a million gravestones for war cemeteries,[4] and after the Second World War hundreds of thousands of gravestones were hewn for the fallen soldiers on the Western Front.[4] Portland cement has nothing to do with Portland; it was named such due to its similar colour to Portland stone when mixed with lime and sand.[9]

 

There have been railways in Portland since the early 19th century. The Merchant's Railway was the earliest—it opened in 1826 (one year after the Stockton and Darlington railway) and ran from the quarries at the north of Tophill to a pier at Castletown, from where the Portland stone was shipped around the country.[10] The Weymouth and Portland Railway was laid in 1865, and ran from a station in Melcombe Regis, across the Fleet and along the low isthmus behind Chesil Beach to a station at Victoria Square in Chiswell.[11] At the end of the 19th century the line was extended to the top of the island as the Easton and Church Hope Railway, running through Castletown and ascending the cliffs at East Weares, to loop back north to a station in Easton.[10] The line closed to passengers in 1952, and the final goods train (and two passenger 'specials') ran in April 1965.[11]

The Royal National Institution for the Preservation of Life from Shipwreck stationed a lifeboat at Portland in 1826, but it was withdrawn in 1851.[12] Coastal flooding has affected Portland's residents and transport for centuries—the only way off the island is along the causeway in the lee of Chesil Beach. At times of extreme floods (about every 10 years) this road link is cut by floods. The low-lying village of Chiswell used to flood on average every 5 years. Chesil Beach occasionally faces severe storms and massive waves, which have a fetch across the Atlantic Ocean.[13] Following two severe flood events in the 1970s, Weymouth and Portland Borough Council and Wessex Water decided to investigate the structure of the beach, and possible coastal management schemes that could be built to protect Chiswell and the beach road. In the 1980s it was agreed that a scheme to protect against a one-in-five year storm would be practicable; it would reduce flood depth and duration in more severe storms.[13] Hard engineering techniques were employed in the scheme, including a gabion beach crest running 1.6 kilometres (1 mi) to the north of Chiswell, an extended sea wall in Chesil Cove, and a culvert running from inside the beach, underneath the beach road and into Portland Harbour, to divert flood water away from low lying areas.[13]

 

At the start of the First World War, HMS Hood was sunk in the passage between the southern breakwaters to protect the harbour from torpedo and submarine attack.[14] Portland Harbour was formed (1848–1905) by the construction of breakwaters, but before that the natural anchorage had hosted ships of the Royal Navy for more than 500 years. It was a centre for Admiralty research into asdic submarine detection and underwater weapons from 1917 to 1998; the shore base HMS Serepta was renamed HMS Osprey in 1927.[15] During the Second World War Portland was the target of heavy bombing, although most warships had moved North as Portland was within enemy striking range across the Channel. Portland was a major embarkation point for Allied forces on D-Day in 1944. Early helicopters were stationed at Portland in 1946-1948, and in 1959 a shallow tidal flat, The Mere, was infilled, and sports fields taken to form a heliport. The station was formally commissioned as HMS Osprey which then became the largest and busiest military helicopter station in Europe. The base was gradually improved with additional landing areas and one of England's shortest runways, at 229 metres (751 ft).[15] There are still two prisons on Portland, HMP The Verne, which until 1949 was a huge Victorian military fortress, and a Young Offenders' Institution (HMYOI) on the Grove clifftop. This was the original prison built for convicts who quarried stone for the Portland Breakwaters from 1848. For a few years until 2005 Britain's only prison ship, HMP Weare, was berthed in the harbour.

The naval base closed after the end of the Cold War in 1995, and the Royal Naval Air Station closed in 1999, although the runway remained in use for Her Majesty's Coastguard Search and Rescue flights as MRCC Portland.[15] MRCC Portland's area of responsibility extends midway across the English Channel, and from Start Point in Devon to the Dorset/Hampshire border, covering an area of around 10,400 square kilometres (4,000 sq mi).[16] The 12 Search and Rescue teams in the Portland area dealt with almost 1000 incidents in 2005;

  

Governance

 

Portland is an ancient Royal Manor, and until the 19th century remained a separate liberty within Dorset for administration purposes. It was an urban district from 1894 to 1974, until the borough of Weymouth and Portland formed on April 1, 1974, under the Local Government Act 1972. This merged the borough of Weymouth and Melcombe Regis with Portland urban district. For local elections the borough is divided into 15 wards, and three of them cover Portland.[18] Elections take place in a four-year cycle; one third of the councillors in all but three wards retire or seek re-election in years one, two and three, and county council elections are held in year four.[19]

The Mayor of Weymouth and Portland is Paul Kimber (Labour Co-operative), and Graham Winter (Liberal Democrat) is Deputy Mayor.[20] Weymouth, Portland and the Purbeck district are in the South Dorset parliamentary constituency, created in 1885. The constituency elects one Member of Parliament; the current MP is Richard Drax (Conservative).[21] South Dorset, the rest of the South West England, and Gibraltar are in the South West England constituency of the European Parliament.[22]

Weymouth and Portland have been twinned with the town of Holzwickede in North Rhine-Westphalia, Germany since 1986,[23] and the French town of Louviers, in the department of Eure in Normandy, since 1959.[24] The borough and nearby Chickerell have been a Fairtrade Zone for three years.

  

Geography

 

The Isle of Portland lies in the English Channel, 3 kilometres (2 mi) south of Wyke Regis, and 200 km (120 mi) west-southwest of London, at 50°33′0″N 2°26′24″W (50.55, −2.44). Portland is situated approximately half-way along the UNESCO Jurassic Coast World Heritage Site; the site includes 153 kilometres (95 mi) of the Dorset and east Devon coast that is important for its geology and landforms.[26] The South West Coast Path runs around the coast; it is the United Kingdom's longest national trail at 1,014 kilometres (630 mi). Portland is unusual as it is connected to the mainland at Abbotsbury by Chesil Beach, a tombolo which runs 29 kilometres (18 mi) north-west to West Bay.[27] Portland is sometimes defined incorrectly as a tombolo—in fact Portland is a tied island, and Chesil Beach is the tombolo (a spit joined to land at both ends).[28]

There are eight settlements on Portland, the largest being Fortuneswell in Underhill and Easton on Tophill. Castletown and Chiswell are the other villages in Underhill, and Weston, Southwell, Wakeham and the Grove are on the Tophill plateau. Many old buildings are built out of Portland Stone; Several parts have been designated Conservation Areas to preserve the unique character the older settlements which date back hundreds of years. The architecture; the natural and man-made environment and the proximity to the sea give Portland overal character which is quite distinct.

   

Geology

 

Geologically, Portland is separated into two areas; the steeply sloping land at its north end called Underhill, and the larger, gently sloping land to the south, called Tophill. Portland stone lies under Tophill; the strata decline at a shallow angle of around 1.5 degrees, from a height of 151 metres (495 ft) near the Verne in the north, to just above sea level at Portland Bill.[29] The geology of Underhill is different to Tophill; Underhill lies on a steep escarpment composed of Portland Sand, lying above a thicker layer of Kimmeridge Clay, which extends to Chesil Beach and Portland Harbour. This Kimmeridge Clay has resulted in a series of landslides, forming West Weares and East Weares.[29]

2.4 kilometres (1.5 mi) Underneath south Dorset lies a layer of Triassic rock salt, and Portland is one of four locations in the United Kingdom where the salt is thick enough to create stable cavities.[30][31] Portland Gas has applied to excavate 14 caverns to store 1,000,000,000 cubic metres (3.5×1010 cu ft) of natural gas, which is 1 % of the UK’s total annual demand.[30][31] The caverns will be connected to the National gas grid at Mappowder via a 37-kilometre (23 mi) pipeline.[30][31] The surface facilities will be complete to store the first gas in 2011, and the entire cavern space should be available for storage in winter 2013.[31] As part of the £350 million scheme,[30] a Grade II listed former engine shed is being converted into an £1.5 million educational centre with a café and an exhibition space about the geology of Portland.

  

Portland Bill

 

Portland Bill is the southern tip of the island of Portland. The Bill has three lighthouse towers: The Higher Lighthouse is now a dwelling and holiday apartments; the Lower Lighthouse is now a bird observatory and field centre which opened in 1961. The white and red lighthouse on Bill Point replaced the Higher and Lower Lighthouses in 1906. It is a prominent and much photographed feature; an important landmark for ships passing the headland and its tidal race. The current lighthouse was refurbished in 1996 and became remotely controlled. It now contains a visitors' centre giving information and guided tours of the lighthouse.[33] As of June 2009, the lighthouse uses a 1 kW metal-halide US-made lamp with an operational life of about 4000 hours, or 14 months. Two earlier lighthouses stand further inland: one is an important observatory used by ornithologists, providing records of bird migration and accommodation for visitors.[33][34]

Portland Ledge (the Shambles) is an underwater extension of Portland Stone into the English Channel at a place where the depth of Channel is 20 to 40 metres (about 10 to 20 fathoms). Tidal flow is disrupted by the feature; at 10 metres (about 5 fathoms) deep and 2.4 kilometres (1.3 nmi) long, it causes a tidal race to the south of Portland Bill, the so-called Portland Race.[35] The current only stops for brief periods during the 12½ hour tidal cycle and can reach 4 metres per second (8 kn) at the spring tide of 2 metres (6 ft 7 in).

  

Ecology

 

Due to its isolated coastal location, the Isle of Portland has an extensive range of flora and fauna; the coastline and disused quarries are designated as Sites of Special Scientific Interest.[26][34] Sea and migratory birds occupy the cliffs in different seasons, sometimes these include rare species which draw ornithologists from around the country.[26][36] Rare visitors to the surrounding seas include dolphins, seals and basking sharks.[34] Chesil Beach is one of only two sites in Britain where the Scaly Cricket can be found; unlike any other cricket it is wingless and does not sing or hop.[36] A number of British primitive goats have recently[when?] been introduced to the East Weares part of the island to control scrub.[37]

The comparatively warm and sunny climate allows species of plants to thrive which do not on the mainland. The limestone soil has low nutrient levels; hence smaller species of wild flowers and grasses are able to grow in the absence of larger species.[34] Portland Sea Lavender can be found on the higher sea cliffs—unique to Portland it is one of the United Kingdom's rarest plants.[38] The wild flowers and plants make an excellent habitat for butterflies; over half of the British Isles' 57 butterfly species can be seen on Portland, including varieties that migrate from mainland Europe.[26] Species live on Portland that are rare in the United Kingdom, including the limestone race of the Silver Studded Blue.

  

Climate

The mild seas which almost surround the tied island produce a temperate climate (Koppen climate classification Cfb) with a small variation in daily and annual temperatures. The average annual mean temperature from 1971 to 2000 was 10.2 to 12 °C (50.4 to 53.6 °F).[40] The warmest month is August, which has an average temperature range of 13.3 to 20.4 °C (56 to 69 °F), and the coolest is February, which has a range of 3.1 to 8.3 °C (38 to 47 °F).[41] Maximum and minimum temperatures throughout the year are above England's average,[42] and Portland is in AHS Heat zone 1.[B] Mean sea surface temperatures range from 7.0 °C (44.6 °F) in February to 17.2 °C (63.0 °F) in August; the annual mean is 11.8 °C (53.2 °F).

 

The mild seas that surround Portland act to keep night-time temperatures above freezing, making winter frost rare: on average eight times per year — this is far below the United Kingdom's average annual total of 55.6 days of frost.[45][46] Days with snow lying are equally rare: on average zero to six days per year;[47] almost all winters have one day or less with snow lying. It may snow or sleet in winter, yet it almost never settles on the ground[41]—coastal areas in South West England such as Portland experience the mildest winters in the UK.[48] Portland is less affected by the Atlantic storms that Devon and Cornwall experience. The growing season in Weymouth and Portland lasts from nine to twelve months per year,[D] and the borough is in Hardiness zone 9b.[49][E]

 

Weymouth and Portland, and the rest of the south coast,[50] has the sunniest climate in the United Kingdom.[26][51] The borough averaged 1768.4 hours of sunshine annually between 1971 and 2000,[41] which is over 40 % of the maximum possible,[C] and 32 % above the United Kingdom average of 1339.7 hours.[45] Four of the last nine years have had more than 2000 hours of sunshine.[41] December is the cloudiest and wettest month (55.7 hours of sunshine, 90.9 millimetres (3.6 in) of rain) and July is the sunniest and driest (235.1 hours of sunshine, 35.6 millimetres (1.4 in) of rain).[41] Sunshine totals in all months are well above the United Kingdom average,[45] and monthly rainfall totals throughout the year are less than the UK average, particularly in summer;[45] this summer minimum of rainfall is not experienced away from the south coast of England.[50] The average annual rainfall of 751.7 millimetres (29.6 in) is well below the UK average of 1,125 millimetres (44.3 in).

  

Demography

Religion

%[52][F]

 

Buddhist

0.21

Christian

74.67

Hindu

0.03

Jewish

0.12

Muslim

0.30

No religion

15.89

Other

0.32

Sikh

0.03

Not stated8.43

AgePercentage[1]

 

0–1519.4

16–173.1

18–4438.3

45–5920.6

60–8417.2

85+1.5

      

The mid-year population of Portland in 2005 was 12,710;[A] this figure has remained around twelve to thirteen thousand since the 1970s. In 2005 there were 5,474 dwellings in an area of 11.5 square kilometres (2,840 acres), giving an approximate population density of 1100 people per km2 (4.5 per acre).[1] The population is almost entirely native to England—96.8 % of residents are of white ethnicity.[1] House prices in Weymouth and Portland are relatively high by UK standards, yet around average for most of the south of England—the average price of a detached house in 2007 was £327,569; semi-detached and terraced houses were cheaper, at £230,932 and £190,073 respectively, and an apartment or maisonette cost £168,727.[53][G]

Crime rates are below that of Weymouth and the United Kingdom—there were 9.1 burglaries per 1000 households in 2005 and 2006; which is higher than South West England (8.9 per 1000) but lower than England and Wales (13.5 per 1000).[1] Unemployment levels are lower in summer than the winter—1.8 % of the economically active population in July 2006 were not employed, and 5.3 % were unemployed year-round,[1] the same as the United Kingdom average.[54] The largest religion in Weymouth and Portland is Christianity, at almost 74.7 %,[52] which is slightly above the UK average of 71.6 %.[55] The next-largest sector is those with no religion, at almost 15.9 %,[52] also slightly above the UK average of 15.5 %.[

  

Transport

The A354 road is now the only land based access to the peninsula; formerly a railway ran alongside it. The road connects to Weymouth and the A35 trunk road in Dorchester. The road runs from Easton, splitting into a northbound section through Chiswell and a southbound section through Fortuneswell, then along Chesil Beach and across a bridge to the mainland in Wyke Regis.

Local buses are run by FirstGroup, which has services from Portland to Weymouth town centre.[56] Weymouth serves as the hub for south Dorset bus routes; providing services to Dorchester and local villages.[56] Weymouth is connected to towns and villages along the Jurassic Coast by the Jurassic Coast Bus service, which runs along the route of 142 kilometres (88 mi) from Exeter to Poole, through Sidford, Beer, Seaton, Lyme Regis, Charmouth, Bridport, Abbotsbury, Weymouth, Wool, and Wareham.[57] Travellers can catch trains from Weymouth to London and Bristol, and ferries to the French port of St Malo, and the Channel Islands of Guernsey and Jersey.[58]

There is a short airstrip and heliport just north of Fortuneswell at the northern end of the Isle.

  

Education

The Chesil Education Partnership pyramid area operates in south Dorset, and includes five infant schools, four junior schools, twelve primary schools, four secondary schools and two special schools.[1] 69.8 % of Portland residents have qualifications, which is slightly below the Dorset average of 73.8 %.[1] 10.2% of residents have higher qualifications (Level 4+), less than the Dorset average of 18.3 %.[1]

There are two infant schools on Portland—Brackenbury Infant School in Fortuneswell and Grove Infant School.[59] Portland has one junior school Underhill Community Junior School in Fortuneswell, (a second junior school, Tophill Junior School was absorbed into St George's Primary School in 2006) and two primary schools, St George's Primary School in Weston and Southwell Primary School.[59] Royal Manor Arts College in Weston is Portland's only secondary school,[1] however it has no sixth form centre. In 2007, 57 % of RMAC students gained five or more grade A* to C GCSEs.[60]

Some students commute to Weymouth to study A-Levels, or to attend the other three secondary schools in the Chesil Education Partnership. Budmouth College in Chickerell has a sixth form centre which had 296 students in 2006.[61] Weymouth College in Melcombe Regis is a further education college which has around 7,500 students from south west England and overseas,[62] about 1500 studying A-Level courses.[61] In 2006, Budmouth students received an average of 647.6 UCAS points, and Weymouth College students gained 614.1.[61] Some secondary and A-Level students commute to Dorchester to attend The Thomas Hardye School; in 2007, 79% of Hardye school students received five or more A* to C GCSEs, and 78 % of all A-Level results were A to C grades

  

Culture

Sport and recreation

 

In 2000, the Weymouth and Portland National Sailing Academy was built in Osprey Quay in Underhill as a centre for sailing in the United Kingdom. Weymouth and Portland's waters were credited by the Royal Yachting Association as the best in Northern Europe.[64] Weymouth and Portland regularly host local, national and international sailing events in their waters; these include the J/24 World Championships in 2005, trials for the 2004 Athens Olympics, the ISAF World Championship 2006, the BUSA Fleet Racing Championships, and the RYA Youth National Championships.[65]

In 2005, the WPNSA was selected to host sailing events at the 2012 Olympic Games—mainly because the Academy had recently been built, so no new venue would have to be provided.[66] However, as part of the South West of England Regional Development Agency's plans to redevelop Osprey Quay, a new 600-berth marina and an extension with more on-site facilities will be built.[67] Construction was scheduled between October 2007 and the end of 2008, and with its completion and formal opening on 11 June 2009, the venue became the first of the 2012 Olympic Games to be completed.[68][69][70][71][72]

Weymouth Bay and Portland Harbour are used for other water sports — the reliable wind is favourable for wind and kite-surfing. Chesil Beach and Portland Harbour are used regularly for angling, diving to shipwrecks, snorkelling, canoeing, and swimming.[73] The limestone cliffs and quarries are used for rock climbing; Portland has areas for bouldering and deep water soloing, however sport climbing with bolt protection is the most common style.[74] Since June 2003 the South West Coast Path National Trail has included 21.3 kilometres (13.2 mi) of coastal walking around the Isle of Portland, including following the A354 Portland Beach Road twice.

 

Rabbits

 

Rabbits have long been associated with bad luck on Portland; use of the name is still taboo—the creatures are often referred to as "Underground Mutton", "Long-Eared Furry Things" or just "bunnies".[76] The origin of this superstition is obscure (there is no record of it before the 1920s) but it is believed to derive from quarry workers; they would see rabbits emerging from their burrows immediately before a rock fall and blame them for increasing the risk of dangerous, sometimes deadly, landslides.[77] If a rabbit was seen in a quarry, the workers would pack up and go home for the day, until the safety of the area had been assured.[76] Local fishermen too would refuse to go to sea if the word was mentioned.

Even today older Portland residents are 'offended' (sometimes for the benefit of tourists) at the mention of rabbits;[77] this superstition came to national attention in October 2005 when a special batch of advertisement posters were made for the Wallace and Gromit film, The Curse of the Were-Rabbit. In respect of local beliefs the adverts omitted the word 'rabbit' and replaced the film's title with the phrase "Something bunny is going on"

 

Literature

 

Thomas Hardy called Portland the Isle of Slingers in his novels; the isle was the main setting of The Well-Beloved (1897), and was featured in The Trumpet-Major (1880).[78] The cottage that now houses Portland Museum was the inspiration for the heroine's house in The Well-Beloved. Portlanders were expert stone-throwers in the defence of their land, and Hardy's Isle of Slingers is heavily based on Portland; the Street of Wells representing Fortuneswell and The Beal Portland Bill. Hardy named Portland the Gibraltar of the North, with reference to its similarities with Gibraltar; its physical geography, isolation, comparatively mild climate, and Underhill's winding streets.[79]

In The Warlord Chronicles (1995-97), Bernard Cornwell makes Portland the Isle of the Dead, a place of internal exile, where the causeway was guarded to keep the 'dead' (people suffering insanity) from crossing the Fleet and returning to the mainland. No historical evidence exists to support this idea.[80]

The Portland Chronicles series of four children's books, set on and around Portland and Weymouth and written by local author Carol Hunt, draw on local history to explore a seventeenth century world of smuggling, witchcraft, piracy and local intrigue.

  

Vernacular

Bunnies - see above.

Kimberlin: slang for any 'strangers' not from the Island.[82]

Portland screw: fossil mollusc (Aptyxiella portlandica) with a long screw-like shell or its cast

 

Notable persons born here

•Edgar F. Codd (August 23, 1923 – April 18, 2003), British computer scientist and inventor of the relational model for database management.

•Former Premier League referee Paul Durkin.

 

along a cemetery

russellmoreton.blogspot.com/

  

Indexical Patterning/Painting : Affective Relational Intensities (Micropolitics of slowness and repetition)

 

Layered Drawings : Architectural Screens/Modulations of Translucency

Space Between People

 

How the virtual changes physical architecture

Stephan Doesinger

 

This book shows how the virtual has completely changed the physical world around us. If architecture is the construction of space between people, what happens when that space exists in a virtual world? That question is the starting point for this collection of revolutionary projects by a new generation of designers. The book begins by examining the important issues that have emerged as technology reshapes our idea of place and proceeds to present the four winning projects from the first architecture competition held within the explosively popular Internet community known as Second Life. Chosen for their inventiveness and aesthetic excellence, these structures - a cloud that can be inhabited; a meta-museum; an interactive sound scape; and a snow palace of discarded objects - illustrate the mindbending possibilities of digital design. In the books final section, media artists share their real-time experiences conceptualizing and creating projects for the virtual world.

  

Non Spaces/Digital Still Image : Fire escape Winchester School of Art

  

Meshworks/Norwich, moving analogue source : Midway/Dante

Beginning as one always does in the middle, in mediis rebus, one experiences a sense of disorientation, a sort of cartographic anxiety or spatial perplexity that appears to be part of our fundamental being-in-the-world. It is an experience not unlike that of Dante, in the opening lines of his Commedia:

 

Midway along the journey of our life,

I woke to find myself in a dark wood,

for I had wandered off from the straight path.

 

( Dante 1984 : 67)

Introduction : Spatiality .

Robert T. Tally Jr.

the New Critical Idiom, Routledge 2013

 

Art as Spatial Practice.

Space folds : Containing "Spatialities around historicality and sociality"

 

"All that is solid melts into air"

 

Karl Marx, Friedrich Engels,

(Poetic observation concerning the constant revolutionizing of social conditions)

 

Perceptions now gathering at the end of the millennium. Spatiality, Robert T. Tally Jr. 2013

 

Sensuality, Drawing and Astronomical Space.

Architectural Translucency (Tracing Layers)

DSC_8860 Pavilion : Borderlands

  

Andreas Horlitz : Simulacrum. 2006

 

Brian Clarke : Lamina. 2005

   

Relational Banality: A Remix of Urban Experience

Extreme heat warning has been issued across the nation, this villain.

traditional Korean rubber shoes

Métro Longueuil – Université de Sherbrooke, Longueuil

 

Dans le cadre du Laboratoire JE[U]S, un parcours d'œuvres participatives, collectives, performatives ponctué d'ateliers et de créations en direct.

 

« L’œuvre En friche s’inspire des pans de végétation spontanée qui envahissent les espaces urbains inexploités. Quotidiennement arpentés par le Collectif 5, ces lieux sont pour les artistes des refuges, des îlots de fraîcheur et de beauté qui infiltrent le paysage urbain. Rappelant la quiétude des espaces sauvages, ces friches contrastent avec le béton de la ville, la vitesse de la vie citadine et l’optimisation des espaces. Le Collectif 5 sillonne ces espaces afin de cueillir les centaines de végétaux, transposant cette flore urbaine dans l’atelier où il encre et imprime sur papier chaque plante récoltée puis implantée dans des socles, créant des natures mortes sculpturales. L’organicité et la délicatesse des motifs floraux et leur disposition irrégulière contrastent avec les surfaces planes et contours rectilignes des socles qui les contiennent. Un paysage fragmenté, une nature cloisonnée qui envahit les espaces comme elles imprègnent nos imaginaires. »

 

collectif5.weebly.com/

www.agregatarts.ca/

 

The United States were forced out of desperation to detonate two nuclear weapons over the Japanese cities of Hiroshima and Nagasaki on 6 and 9 August 1945, respectively to stop Japanese warmongers hell-bent on becoming a great power at all costs; should the USA or the WEST detonate similar devices on the "Kremlin" to stop Putin wiping us all off the face of the earth with his evil nuclear weapons from hell?

 

My own thoughts:

NO ONE WOULD ACCEPT THAT THIS IS THE WAY TO GO HERE! BUT IF THIS WAS THE ONLY WAY TO STOP A MADMAN FROM BURNING US ALL TO THE GROUND THEN PERHAPS “A KNOCK OUT BLOW TO THE KREMLIN’ WOULD BRING THE RICH RUSSIAN ELITE TO THEIR SENSES AND OUT OF THEIR HIDE-OUTS TO SIGN UN UNCONDITIONAL SURRENDER {the rich Russian elite is the ruling class calling the shots. Putin is their puppet kissing their ass at every opportunity to stay in power}

 

It’s clear that Putin’s superiority is in his military capability not in his intelligence or skills in diplomacy.-Putin is a professional spy excelling in silencing his critics with “nerve agents” and force

 

It’s clear that Homo Sapiens must evolve into a different species capable of resolving conflicts without resorting to military brute force

 

It’s clear that our politicians across the globe aren’t better equipped than people born with “down syndrome” at resolving complex inter-relational conflicts arising from an obsessive irrepressible love of money

 

All wrongdoing can be traced to an excessive attachment to material wealth. This saying comes from the writings of the Apostle Paul. It is sometimes shortened to “Money is the root of all evil.” [dictionary.com}

ONE OF THE WAY TO TRAIN THE "THE AWARENESS MUSCLE

 

is the critical run

and other emergency art format

 

CRITICAL RUN / Debate Format

 

Critical Run is an Art Format created by Thierry Geoffroy/Colonel

debate while running .

Debate and Run together,Now,before it is too late.

 

www.emergencyroomscanvas todo .org/criticalrun.html

 

The Art Format Critical Run has been activated in 30 differents countries with 120 different burning debates

New York,Cairo,London,Istanbul,Athens,Hanoi,Paris,Munich,Amsterdam Siberia,Copenhagen,Johanesburg,Moskow,Napoli,Sydney,

Wroclaw,Bruxelles,Rotterdam,Barcelona,Venice,Virginia,Stockholm,Århus,Kassel,Lyon,Trondheim, Berlin ,Toronto,Hannover ...

 

CRITICAL RUN happened on invitation from institution like Moma/PS1, Moderna Muset Stockholm ,Witte de With Rotterdam,ZKM Karlsruhe,Liverpool Biennale;Sprengel Museum etc..or have just happened on the spot because

a debate was necessary here and now.

 

In 2020 the Energy Room was an installation of 40 Critical Run at Museum Villa Stuck /Munich

part of Colonel solo show : The Awareness Muscle Training Center

 

----

 

Interesting publication for researches on running and art

 

www.emergencyrooms.org/formats.html

 

14 Performances. Relation Work (1976 - 1980). Filmed by Paolo Cardazzo. Marina Abramović/ Ulay. Neuer Berliner Kunstverein, Berlin, Germany.

 

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Hegel, Georg Wilhelm Friedrich. Phenomenology of Spirit. Translated by A.V. Miller. Oxford: Oxford University Press, 1977.

 

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Laban, Rudolf. Principles of Dance and Movement Notation. New York: A Dance Horizons Republication, 1956, 1970.

 

Laban, Rudolf. The Language of Movement: A Guidebook to Choreutics. Edited by Lisa Ullmann. Boston: Plays, Inc., 1974.

  

MacKaye, Percy. “Steele Mackaye, Dynamic Artist of the American Theatre; An Outline of his Life Work,” in The Drama. Edited by William Norman Guthrie and Charles Hubbard Sergel. Chicago: The Dramatic Publishing Company, 1911.

 

Marey, Étienne-Jules. La Machine Animale: Locomotion Terrestre et Aérienne. Paris: Librairie Germer Baillière, 1873.

 

Marey, Étienne-Jules. Le Vol des Oiseaux. Paris: Libraire de l’académie de médecine, 1890. Marey, Étienne-Jules. Movement. Translated by Eric Pritchard. New York: D. Appleton and

 

Company, 1895.

 

Michelet, Jules. The History of France. Volume I. Translated by Walter K. Kelly. London: Chapman and Hall, 1844.

 

Morgan, Anna. An Hour with Delsarte: A Study of Expression. New York: Edgar S. Werner Publisher, 1891.

 

Muybridge, Eadweard. Animal Locomotion: An Electro-photographic Investigation of Consecutive Phases of Animal Movements. Philadelphia: University of Pennsylvania and J. B. Lippincott Company, 1887.

 

Muybridge, Eadweard. Descriptive Zoopraxography, or the Science of Animal Locomotion. Philadelphia: University of Pennsylvania, 1893.

 

Muybridge, Eadweard. The Attitudes of Animals in Motion: A Series of Photographs Illustrating the Consecutive Positions assumed by Animals in Performing Various Movements; Executed at Palo Alto, California, in 1878 and 1879 (1881). Albumen, Library of Congress, Washington, D.C., Library of Congress.

 

Muybridge, Eadweard. The Human Figure in Motion. New York: Dover Publications, 1955. Ramsaye, Terry. A Million and One Nights: A History of the Motion Picture. U.K.: Simon and

 

Schuster, Inc., 1926, 1954.

Richer, Paul. Physiologie Artistique: De l’Homme en Mouvement. Paris: Aulanier et Cie, 1896.

 

Sanburn, Frederic. Delsartean Scrap-book: Health, Personality, Beauty, House-Decoration, Dress, etc. New York: United States Book Company, c. 1890.

 

Schlemmer, Oskar. Briefe und Tagebücher: The Letters and Diaries of Oskar Schlemmer. Edited by Tut Schlemmer. Translated by Krishna Winston. Middletown, Conn: Wesleyan University Press, 1972.

  

Schlemmer, Oskar, and Heimo Kuchling. Der Mensch, Unterricht am Bauhaus. Nachgelassene Aufzeichnungen. Mainz: F. Kupferberg, 1969.

 

Schuftan, Werner. Handbuch des Tanzes. Preface by Rudolf von Laban. Mannheim: Verlag Deutscher Chorsänger Verband und Tänzerbund, 1928.

 

Shearman, Sir Montague. Athletics and Football. London: Longmans, Green, and Co., 1888. Smith, Shawn Michelle. At the Edge of Sight: Photography and the Unseen. Durham: Duke

 

University Press, 2013.

 

Stebbins, Genevieve. Delsarte System of Expression, 5th Edition. New York: Edgar S. Werner, 1894; orig. 1885.

 

Talbot, Frederick A. Practical Cinematography and its Applications. London: William Heinemann, 1913.

 

Wigman, Mary. The Mary Wigman Book: Her Writings. Middletown, CT: Wesleyan University Press, 1975.

 

Abramović, Marina, et al. Marina Abramović: Seven Easy Pieces. New York: Charta 2007. Acconci, Vito. Language to Cover a Page: The Early Writings of Vito Acconci. Edited by Craig

 

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----

  

------------about Venice Biennale history from wikipedia ---------

curators previous

* 1948 – Rodolfo Pallucchini

* 1966 – Gian Alberto Dell'Acqua

* 1968 – Maurizio Calvesi and Guido Ballo

* 1970 – Umbro Apollonio

* 1972 – Mario Penelope

* 1974 – Vittorio Gregotti

* 1978 – Luigi Scarpa

* 1980 – Luigi Carluccio

* 1982 – Sisto Dalla Palma

* 1984 – Maurizio Calvesi

* 1986 – Maurizio Calvesi

* 1988 – Giovanni Carandente

* 1990 – Giovanni Carandente

* 1993 – Achille Bonito Oliva

* 1995 – Jean Clair

* 1997 – Germano Celant

* 1999 – Harald Szeemann

* 2001 – Harald Szeemann

* 2003 – Francesco Bonami

* 2005 – María de Corral and Rosa Martinez

* 2007 – Robert Storr

* 2009 – Daniel Birnbaum

* 2011 – Bice Curiger

* 2013 – Massimiliano Gioni

* 2015 – Okwui Enwezor

* 2017 – Christine Macel[19]

* 2019 – Ralph Rugoff[20]

  

----------

 

#art #artist #artistic #artists #arte #artwork

 

Pavilion at the Venice Biennale #artcontemporain contemporary art Giardini arsenal

 

venice Veneziako VenecijaVenècia Venedig Venetië Veneetsia Venetsia Venise Venecia VenedigΒενετία( Venetía Hungarian Velence Feneyjar Venice Venezia Venēcija Venezja Venezia Wenecja Veneza VenețiaVenetsiya BenátkyBenetke Venecia Fenisוועניס Վենետիկ ভেনি স威尼斯 (wēinísī) 威尼斯 ვენეციისવે નિસवेनिसヴェネツィアವೆನಿಸ್베니스வெனிஸ்వెనిస్เวนิซوینس Venetsiya

 

art umjetnost umění kunst taide τέχνη művészetList ealaín arte māksla menasarti Kunst sztuka artă umenie umetnost konstcelfקונסטարվեստincəsənətশিল্প艺术(yìshù)藝術 (yìshù)ხელოვნებაकलाkos duabアートಕಲೆសិល្បៈ미술(misul)ສິນລະປະകലकलाအတတ်ပညာकलाකලාවகலைఆర్ట్ศิลปะ آرٹsan'atnghệ thuậtفن (fan)אומנותهنرsanat artist

 

other Biennale :(Biennials ) :

Venice Biennial , Documenta Havana Biennial,Istanbul Biennial ( Istanbuli),Biennale de Lyon ,Dak'Art Berlin Biennial,Mercosul Visual Arts Biennial ,Bienal do Mercosul Porto Alegre.,Berlin Biennial ,Echigo-Tsumari Triennial .Yokohama Triennial Aichi Triennale,manifesta ,Copenhagen Biennale,Aichi Triennale .Yokohama Triennial,Echigo-Tsumari Triennial.Sharjah Biennial ,Biennale of Sydney, Liverpool , São Paulo Biennial ; Athens Biennale , Bienal do Mercosul ,Göteborg International Biennial for Contemporary Art ,DOCUMENTA KASSEL ATHENS

* Dakar

  

kritik [edit] kritikaria kritičar crític kritiker criticus kriitik kriitikko critique crítico Kritiker κριτικός(kritikós) kritikus Gagnrýnandi léirmheastóir critico kritiķis kritikas kritiku krytyk crítico critic crítico krytyk beirniad קריטיקער

 

Basque Veneziako Venecija [edit] Catalan Venècia Venedig Venetië Veneetsia Venetsia Venise Venecia Venedig Βενετία(Venetía) Hungarian Velence Feneyjar Venice Venezia Latvian Venēcija Venezja Venezia Wenecja Portuguese Veneza Veneția Venetsiya Benátky Benetke Venecia Fenis וועניס Վենետիկ ভেনিস 威尼斯 (wēinísī) 威尼斯 Georgian ვენეციის વેનિસ वेनिस ヴェネツィア ವೆನಿಸ್ 베니스 வெனிஸ் వెనిస్ เวนิซ وینس Venetsiya

 

Thierry Geoffroy / Colonel

#thierrygeoffroy #geoffroycolonel #thierrygeoffroycololonel #lecolonel #biennalist

 

#artformat #formatart

#emergencyart #urgencyart #urgentart #artofthenow #nowart

emergency art emergency art urgency artist de garde vagt alarm emergency room necessityart artistrole exigencyart predicament prediction pressureart

 

#InstitutionalCritique

 

#venicebiennale #venicebiennale2017 #venicebiennale2015

#venicebiennale2019

#venice #biennale #venicebiennale #venezia #italy

#venezia #venice #veniceitaly #venicebiennale

 

#pastlife #memory #venicebiennale #venice #Venezia #italy #hotelveniceitalia #artexhibit #artshow #internationalart #contemporaryart #themundane #summerday

 

#biennalevenice

 

Institutional Critique

 

Identity Politics Post-War Consumerism, Engagement with Mass Media, Performance Art, The Body, Film/Video, Political, Collage, , Cultural Commentary, Self as Subject, Color Photography, Related to Fashion, Digital Culture, Photography, Human Figure, Technology

 

Racial and Ethnic Identity, Neo-Conceptualism, Diaristic

 

Contemporary Re-creations, Popular Culture, Appropriation, Contemporary Sculpture,

 

Culture, Collective History, Group of Portraits, Photographic Source

 

, Endurance Art, Film/Video,, Conceptual Art and Contemporary Conceptualism, Color Photography, Human Figure, Cultural Commentary

 

War and Military, Political Figures, Social Action, Racial and Ethnic Identity, Conflict

 

Personal Histories, Alter Egos and Avatars

 

Use of Common Materials, Found Objects, Related to Literature, Installation, Mixed-Media, Engagement with Mass Media, Collage,, Outdoor Art, Work on Paper, Text

  

Appropriation (art) Art intervention Classificatory disputes about art Conceptual art Environmental sculpture Found object Interactive art Modern art Neo-conceptual art Performance art Sound art Sound installation Street installations Video installation Conceptual art Art movements Postmodern art Contemporary art Art media Aesthetics Conceptualism

 

Post-conceptualism Anti-anti-art Body art Conceptual architecture Contemporary art Experiments in Art and Technology Found object Happening Fluxus Information art Installation art Intermedia Land art Modern art Neo-conceptual art Net art Postmodern art Generative Art Street installation Systems art Video art Visual arts ART/MEDIA conceptual artis

 

—-

 

CRITICAL RUN is an art format developed by Thierry Geoffroy / COLONEL, It follows the spirit of ULTRACONTEMPORARY and EMERGENCY ART as well as aims to train the AWARENESS MUSCLE.​

Critical Run has been activated on invitation from institutions such as Moderna Muset Stockholm, Moma PS1 ,Witte de With Rotterdam, ZKM Karlsruhe, Liverpool Biennale, Manifesta Biennial ,Sprengel Museum,Venice Biennale but have also just happened on the spot because a debate was necessary here and now.

 

It has been activated in Beijing, Cairo, London, Istanbul, Athens, Kassel, Sao Paolo, Hanoi, Istanbul, Paris, Copenhagen, Moskow, Napoli, Sydney, Wroclaw, Bruxelles, Rotterdam, Siberia, Karlsruhe, Barcelona, Aalborg, Venice, Virginia, Stockholm, Aarhus, Rio de Janeiro, Budapest, Washington, Lyon, Caracas, Trondheim, Berlin, Toronto, Hannover, Haage, Newtown, Cartagena, Tallinn, Herning, Roskilde;Mannheim ;Munich etc...

 

The run debates are about emergency topics like Climate Change , Xenophobia , Wars , Hyppocrisie , Apathy ,etc ...

 

Participants have been very various from Sweddish art critics , German police , American climate activist , Chinese Gallerists , Brasilian students , etc ...

 

Critical Run is an art format , like Emergency Room or Biennalist and is part of Emergency Art ULTRACONTEMPORARY and AWARENESS MUSCLE .

 

www.emergencyrooms.org/criticalrun.html

 

www.emergencyrooms.org/formats.html

-------

In 2020 a large exhibition will show 40 of the Critical Run at the Museum Villa Stuck in Munich / part of the Awareness Muscle Training Center

------

for activating the format or for inviting the installation

please contact 1@colonel.dk

 

www.colonel.dk/

 

-----

 

critical,run,art,format,debate ,artformat,formatart,moment,clarity,emergency,kunst,

 

Sport,effort,curator,artist,urgency,urgence,criticalrun,emergencies,ultracontemporary

,rundebate,sport,art,activism, critic,laufen,Thierry Geoffroy , Colonel,kunstformat

 

,now art,copenhagen,denmark

 

Seeing this image large for the first time ever fills me with anxiety and relief. It was a shallow relationship that ended because of no emotional depth. It was a hard period of life. Relief because I chose to end it in search of my own emotional wholeness, and pursuit of relational and emotional integrity. I think I chose wisely. But hard choices never feel good at the time. But painful doesn't mean bad, it most often time mean an opportunity for growth we would have never taken if the emotional stimulus wasn't there. I'll take the hard along with the growth. | shot on Fuji Reala film, Canon A2E, 2002; scanned in 2018 on Nikon CoolScan 4000.

ONE OF THE WAY TO TRAIN THE "THE AWARENESS MUSCLE

 

is the critical run

and other emergency art format

 

CRITICAL RUN / Debate Format

 

Critical Run is an Art Format created by Thierry Geoffroy/Colonel

debate while running .

Debate and Run together,Now,before it is too late.

 

www.emergencyroomscanvas todo .org/criticalrun.html

 

The Art Format Critical Run has been activated in 30 differents countries with 120 different burning debates

New York,Cairo,London,Istanbul,Athens,Hanoi,Paris,Munich,Amsterdam Siberia,Copenhagen,Johanesburg,Moskow,Napoli,Sydney,

Wroclaw,Bruxelles,Rotterdam,Barcelona,Venice,Virginia,Stockholm,Århus,Kassel,Lyon,Trondheim, Berlin ,Toronto,Hannover ...

 

CRITICAL RUN happened on invitation from institution like Moma/PS1, Moderna Muset Stockholm ,Witte de With Rotterdam,ZKM Karlsruhe,Liverpool Biennale;Sprengel Museum etc..or have just happened on the spot because

a debate was necessary here and now.

 

In 2020 the Energy Room was an installation of 40 Critical Run at Museum Villa Stuck /Munich

part of Colonel solo show : The Awareness Muscle Training Center

 

----

 

Interesting publication for researches on running and art

 

www.emergencyrooms.org/formats.html

 

14 Performances. Relation Work (1976 - 1980). Filmed by Paolo Cardazzo. Marina Abramović/ Ulay. Neuer Berliner Kunstverein, Berlin, Germany.

 

Abramović, Marina. Student Body: Workshops 1979 - 2003: Performances 1993 - 2003. Milano: ed. Charta, 2003.

 

Bergson, Henri. Creative Evolution. London: Macmillan and Co., 1911.

Bergson, Henri. Key Writings. Edited by Keith Ansell-Pearson and John Mullarkey. New York:

 

Continuum, 2002.

Bergson, Henri. Matter and Memory. New York: Zone Books, 1988.

 

Blaikie, William. “Common Sense Physical Training.” In Athletics and Health: Modern Achievement: Advice and Instruction upon the Conduct of Life, Principles of Business, Care of Health, Duties of Citizenship, etc. Edited by Edward Everett Hale. New York: P.F. Collier & Son, 1902.

 

Blaikie, William. How to Get Strong and How to Stay So. New York: Harper & Brothers Publishers, 1883.

 

Cunningham, Merce. Changes: Notes on Choreography. New York: Something Else Press, 1969.

 

de Balzac, Honoré. The Human Comedy. EBook: Project Gutenberg, 2010. de Balzac, Honoré. Théorie de la démarche. 1833, 1853.

 

de Biran, Maine. “Opposition du principe de Descartes avec celui d’une science de l’homme. Première base d’une division des faits psychologiques et physiologiques. Perception et sensation animale.” In Maine de Biran. Librairie Philosophique J. VRIN, 1990.

 

de Tocqueville, Alexis. The Old Regime and the Revolution. New York: Harper & Brothers, Publishers, 1856.

 

Delaumosne, M. L’Abbe. “The Delsarte System.” Translated by Frances A. Shaw. In Delsarte System of Oratory, 4th Ed. New York: Edgar S. Werner, 1893.

 

Descartes, René. Méditations metaphysiques. 1641.

 

Gropius, Walter, and Arthur S. Wensinger, eds. The Theater of the Bauhaus: Oskar Schlemmer, Laszlo Moholy-Nagy, Farkas Molnár. Translated by Arthur S. Wensinger. Middleton, Conn.: Wesleyan University, 1961.

 

Hahn, Archibald. How to Sprint: The Theory of Spring Racing. New York: American Sports Publishing Company, 1923.

 

Hegel, Georg Wilhelm Friedrich. Phenomenology of Spirit. Translated by A.V. Miller. Oxford: Oxford University Press, 1977.

 

Helmholtz, Hermann. “On the Facts Underlying Geometry.” In Epistemological Writings: Hermann von Helmholtz. Edited by R.S. Cohen and Y. Elkana. Boston: D. Reidel Publishing Company, 1977.

 

Helmholtz, Hermann. Théorie physiologique de la musique fondée sur l’étude des sensations auditives. Paris: Masson, 1868.

 

Helmholtz, Hermann. Treatise of Physiological Optics (Handbuch der physiologischen Optik) 1856. 3 Volumes. Translated by James P.C. Southall. Milwaukee, 1924.

 

Holmes, Oliver Wendall. Soundings from the Atlantic. Boston: Tickknor and Fields, 1864. James, William. The Principles of Psychology. New York: Henry Holt & Co, 1890, 1918.

 

James, William. Writings 1902 - 1910. Edited by Bruce Kuklick. New York: Literary Classics of the United States, 1987.

 

Kandinsky, Vasily. Über Das Geistige in der Kunst. Dritte Auflage. München: R. Piper&Co, 1912.

 

Kant, Immanuel. “Was ist Aufklärung?” 1784.

 

Laban, Rudolf. A Life for Dance: Reminiscences. Translated by Lisa Ullmann. London: Macdonald & Evans, 1975.

 

Laban, Rudolf. Choreographie. Jena: E. Diederichs, 1926.

 

Laban, Rudolf. Choreutics. Edited by Lisa Ullmann. London: Macdonald & Evans, 1939, 1966.

 

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le Blanc, Guillaume. Courir: Méditations Physiques. Paris: Éditions Flammarion, 2012.

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England: Ashgate, 2012.

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United States, 1880 - 1917. Chicago: The University of Chicago Press, 1995. Lefebvre, Henri. The Production of Space. Oxford: Blackwell, 1991.

 

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Publications, 2007.

 

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----

  

------------about Venice Biennale history from wikipedia ---------

curators previous

* 1948 – Rodolfo Pallucchini

* 1966 – Gian Alberto Dell'Acqua

* 1968 – Maurizio Calvesi and Guido Ballo

* 1970 – Umbro Apollonio

* 1972 – Mario Penelope

* 1974 – Vittorio Gregotti

* 1978 – Luigi Scarpa

* 1980 – Luigi Carluccio

* 1982 – Sisto Dalla Palma

* 1984 – Maurizio Calvesi

* 1986 – Maurizio Calvesi

* 1988 – Giovanni Carandente

* 1990 – Giovanni Carandente

* 1993 – Achille Bonito Oliva

* 1995 – Jean Clair

* 1997 – Germano Celant

* 1999 – Harald Szeemann

* 2001 – Harald Szeemann

* 2003 – Francesco Bonami

* 2005 – María de Corral and Rosa Martinez

* 2007 – Robert Storr

* 2009 – Daniel Birnbaum

* 2011 – Bice Curiger

* 2013 – Massimiliano Gioni

* 2015 – Okwui Enwezor

* 2017 – Christine Macel[19]

* 2019 – Ralph Rugoff[20]

  

----------

 

#art #artist #artistic #artists #arte #artwork

 

Pavilion at the Venice Biennale #artcontemporain contemporary art Giardini arsenal

 

venice Veneziako VenecijaVenècia Venedig Venetië Veneetsia Venetsia Venise Venecia VenedigΒενετία( Venetía Hungarian Velence Feneyjar Venice Venezia Venēcija Venezja Venezia Wenecja Veneza VenețiaVenetsiya BenátkyBenetke Venecia Fenisוועניס Վենետիկ ভেনি স威尼斯 (wēinísī) 威尼斯 ვენეციისવે નિસवेनिसヴェネツィアವೆನಿಸ್베니스வெனிஸ்వెనిస్เวนิซوینس Venetsiya

 

art umjetnost umění kunst taide τέχνη művészetList ealaín arte māksla menasarti Kunst sztuka artă umenie umetnost konstcelfקונסטարվեստincəsənətশিল্প艺术(yìshù)藝術 (yìshù)ხელოვნებაकलाkos duabアートಕಲೆសិល្បៈ미술(misul)ສິນລະປະകലकलाအတတ်ပညာकलाකලාවகலைఆర్ట్ศิลปะ آرٹsan'atnghệ thuậtفن (fan)אומנותهنرsanat artist

 

other Biennale :(Biennials ) :

Venice Biennial , Documenta Havana Biennial,Istanbul Biennial ( Istanbuli),Biennale de Lyon ,Dak'Art Berlin Biennial,Mercosul Visual Arts Biennial ,Bienal do Mercosul Porto Alegre.,Berlin Biennial ,Echigo-Tsumari Triennial .Yokohama Triennial Aichi Triennale,manifesta ,Copenhagen Biennale,Aichi Triennale .Yokohama Triennial,Echigo-Tsumari Triennial.Sharjah Biennial ,Biennale of Sydney, Liverpool , São Paulo Biennial ; Athens Biennale , Bienal do Mercosul ,Göteborg International Biennial for Contemporary Art ,DOCUMENTA KASSEL ATHENS

* Dakar

  

kritik [edit] kritikaria kritičar crític kritiker criticus kriitik kriitikko critique crítico Kritiker κριτικός(kritikós) kritikus Gagnrýnandi léirmheastóir critico kritiķis kritikas kritiku krytyk crítico critic crítico krytyk beirniad קריטיקער

 

Basque Veneziako Venecija [edit] Catalan Venècia Venedig Venetië Veneetsia Venetsia Venise Venecia Venedig Βενετία(Venetía) Hungarian Velence Feneyjar Venice Venezia Latvian Venēcija Venezja Venezia Wenecja Portuguese Veneza Veneția Venetsiya Benátky Benetke Venecia Fenis וועניס Վենետիկ ভেনিস 威尼斯 (wēinísī) 威尼斯 Georgian ვენეციის વેનિસ वेनिस ヴェネツィア ವೆನಿಸ್ 베니스 வெனிஸ் వెనిస్ เวนิซ وینس Venetsiya

 

Thierry Geoffroy / Colonel

#thierrygeoffroy #geoffroycolonel #thierrygeoffroycololonel #lecolonel #biennalist

 

#artformat #formatart

#emergencyart #urgencyart #urgentart #artofthenow #nowart

emergency art emergency art urgency artist de garde vagt alarm emergency room necessityart artistrole exigencyart predicament prediction pressureart

 

#InstitutionalCritique

 

#venicebiennale #venicebiennale2017 #venicebiennale2015

#venicebiennale2019

#venice #biennale #venicebiennale #venezia #italy

#venezia #venice #veniceitaly #venicebiennale

 

#pastlife #memory #venicebiennale #venice #Venezia #italy #hotelveniceitalia #artexhibit #artshow #internationalart #contemporaryart #themundane #summerday

 

#biennalevenice

 

Institutional Critique

 

Identity Politics Post-War Consumerism, Engagement with Mass Media, Performance Art, The Body, Film/Video, Political, Collage, , Cultural Commentary, Self as Subject, Color Photography, Related to Fashion, Digital Culture, Photography, Human Figure, Technology

 

Racial and Ethnic Identity, Neo-Conceptualism, Diaristic

 

Contemporary Re-creations, Popular Culture, Appropriation, Contemporary Sculpture,

 

Culture, Collective History, Group of Portraits, Photographic Source

 

, Endurance Art, Film/Video,, Conceptual Art and Contemporary Conceptualism, Color Photography, Human Figure, Cultural Commentary

 

War and Military, Political Figures, Social Action, Racial and Ethnic Identity, Conflict

 

Personal Histories, Alter Egos and Avatars

 

Use of Common Materials, Found Objects, Related to Literature, Installation, Mixed-Media, Engagement with Mass Media, Collage,, Outdoor Art, Work on Paper, Text

  

Appropriation (art) Art intervention Classificatory disputes about art Conceptual art Environmental sculpture Found object Interactive art Modern art Neo-conceptual art Performance art Sound art Sound installation Street installations Video installation Conceptual art Art movements Postmodern art Contemporary art Art media Aesthetics Conceptualism

 

Post-conceptualism Anti-anti-art Body art Conceptual architecture Contemporary art Experiments in Art and Technology Found object Happening Fluxus Information art Installation art Intermedia Land art Modern art Neo-conceptual art Net art Postmodern art Generative Art Street installation Systems art Video art Visual arts ART/MEDIA conceptual artis

 

—-

 

CRITICAL RUN is an art format developed by Thierry Geoffroy / COLONEL, It follows the spirit of ULTRACONTEMPORARY and EMERGENCY ART as well as aims to train the AWARENESS MUSCLE.​

Critical Run has been activated on invitation from institutions such as Moderna Muset Stockholm, Moma PS1 ,Witte de With Rotterdam, ZKM Karlsruhe, Liverpool Biennale, Manifesta Biennial ,Sprengel Museum,Venice Biennale but have also just happened on the spot because a debate was necessary here and now.

 

It has been activated in Beijing, Cairo, London, Istanbul, Athens, Kassel, Sao Paolo, Hanoi, Istanbul, Paris, Copenhagen, Moskow, Napoli, Sydney, Wroclaw, Bruxelles, Rotterdam, Siberia, Karlsruhe, Barcelona, Aalborg, Venice, Virginia, Stockholm, Aarhus, Rio de Janeiro, Budapest, Washington, Lyon, Caracas, Trondheim, Berlin, Toronto, Hannover, Haage, Newtown, Cartagena, Tallinn, Herning, Roskilde;Mannheim ;Munich etc...

 

The run debates are about emergency topics like Climate Change , Xenophobia , Wars , Hyppocrisie , Apathy ,etc ...

 

Participants have been very various from Sweddish art critics , German police , American climate activist , Chinese Gallerists , Brasilian students , etc ...

 

Critical Run is an art format , like Emergency Room or Biennalist and is part of Emergency Art ULTRACONTEMPORARY and AWARENESS MUSCLE .

 

www.emergencyrooms.org/criticalrun.html

 

www.emergencyrooms.org/formats.html

-------

In 2020 a large exhibition will show 40 of the Critical Run at the Museum Villa Stuck in Munich / part of the Awareness Muscle Training Center

------

for activating the format or for inviting the installation

please contact 1@colonel.dk

 

www.colonel.dk/

 

-----

 

critical,run,art,format,debate ,artformat,formatart,moment,clarity,emergency,kunst,

 

Sport,effort,curator,artist,urgency,urgence,criticalrun,emergencies,ultracontemporary

,rundebate,sport,art,activism, critic,laufen,Thierry Geoffroy , Colonel,kunstformat

 

,now art,copenhagen,denmark

 

Love doing this to my stories!

 

maybe this is how Flickr works...

 

I could spend hours documenting and linking to other images on this trip...

 

Flickr is the worlds most used relational database with hyperlinks everywhere amongst its 100 million members!

 

Just how huge is the scale? Monstrously huge. We have more than 100 million accounts. We store, render, and serve tens of billions of photos. Our storage footprint alone is hundreds of petabytes (that’s hundreds of millions of gigabytes). We have hundreds of databases. The list goes on - all the numbers are enormous. They’re so big that we’re often literally hitting the limits of physics, such as the speed of light and the rotational speed of disks, as we try to move faster.

 

Flickr is a very large platform built out of a number of smaller internal services. Together, those services deliver the Flickr experience you know and love. I’m happy to report that a number of services have already moved to our new infrastructure 100%, and more will finish in the next few weeks and months. Each time a service moves, the error rate drops dramatically and the performance jumps. Fewer Pandas are seen.

 

see www.flickr.com/help/forum/en-us/72157707090281734/

  

See more history here..

www.britannica.com/topic/Flickrcom

 

Flickr, photo-sharing Web site owned by SmugMug and headquartered in San Francisco, California.

 

Flickr is an ad-supported service, free to the general public, that allows users to upload digital photographs from their own computers and share them online with either private groups or the world at large. In the early 2000s it won a fast-growing contingent of enthusiasts on the strength of its many social-networking features, most significantly the ability for users to discuss photographs online.

 

The service began as a peripheral feature in an online electronic game being developed by the Canadian software company Ludicorp. Company founders (and spouses) Stewart Butterfield and Caterina Fake ultimately abandoned the game and debuted Flickr by itself in 2004. Its key early innovation was the use of “free tagging,” a feature that enabled users to associate metadata tags—searchable keywords—of their own devising with any photographs they viewed, thus creating a large network of associations and allowing users around the world to discover each other’s work. By developing an unregulated but expansive “folksonomy,” Flickr spared itself the prohibitive cost of centrally creating links and groupings.

 

In March 2005 Flickr was purchased by the Internet giant Yahoo! and relocated to California. Under the Yahoo! banner, Flickr became a dominant photo-sharing service, increasing its roster of registered users from 250,000 to more than 2,000,000 in less than a year. The site continued rolling out new features, including copyright management, an interactive map of photographed locations, and customizable print products. In June 2008 Butterfield and Fake left Yahoo!, and Flickr continued to expand. In July 2008 Getty Images, one of the world’s largest photographic agencies, announced a plan to begin inviting selected Flickr members to participate in one of its commercial photo groups. Flickr was supplanted as the dominant photo-sharing service by social media companies such as Facebook and Instagram, and it also faced competition from other services that offered inexpensive online data storage. In 2017 the American telecommunications company Verizon Communications acquired Yahoo! and reorganized it into a subsidiary, Oath, and the next year SmugMug acquired Flickr from Oath.

 

All the Hard Quiz tags and names moved to the comment below.. 07-09-24

 

Limiting discipline to behavioral modification by a system of rewards and punishments may be effective in the short term, but may well lead to rebellion in the end. Children are not laboratory rats that can be conditioned by stimuli to behave in a certain way – they are precious and unique creatures of God, who has vested them with personal worth and dignity. If we respect and embrace this larger relational context, we stand a much better chance of reaping a relationship with our child that continues far beyond the childhood and growing-up years. - Andrea Kostenberger

Info for Organetto in circolo class wa +339 3356769559

You can ask a workshop in your city about:

• the training contexts in which one works through music;

• to private associations or organizations that promote inclusion and happiness through music;

• the contexts in which the conflict is dealt with and its repair;

• to parents who wish to acquire an artistic language in educational background;

• companies for relational training;

• to the elderly for motor activities.

 

Organetto in circle 3th Edition 2016

by Viola Buzzi

to her future memory

for a pause and resetting yourself

Carmen Winant

United States (1983)

Arrangements

Carmen Winant’s artwork involves diligently collecting images and experimenting with collage techniques which she then uses to investigate the dynamics of ‘feminist survival and revolt’. With her innovative Arrangements project, the Laureate of the Images Vevey Book Award 2021/2022 rearranged entire pages taken from magazines or artists’ books. Drawing from a collection of over 2000 pages, she assembled them in pairs according to a shared topic or form, or at random. Carmen Winant reveals their content in a surprising way, with new editorial purposes in mind. Placed side by side, these torn pages shape new relational narratives.

“Science Has Disproved God”

 

The following essay from Vince Vitale is an excerpt from his newly released Jesus Among Secular Gods, coauthored with Ravi Zacharias.

The first time I met people who encouraged me to consider God, I was in college. I began by reading the gospels, and I found myself attracted to the Christian message. I found myself especially attracted to the person of Jesus and the beautiful life that he lived. But, to be honest, I assumed that belief in God was for people who didn’t think hard enough. I assumed that smart people somewhere had already disproved belief in God. More specifically, I assumed that there was some purely scientific way of understanding the world, and that miracles had no part in it.

I can remember picking up a book in a university bookshop around that time and reading the back cover, which summarized the book as an attempt to hold on to a form of Christianity while explaining away all the supposed miracles of Jesus in scientific terms. And I remember hoping it could be done, because I was longing for the person of Jesus, but I thought the traditional account of Christianity was just too extraordinary to believe.

I had this assumption that the burden of proof for belief in God must be higher, because God is such an extraordinary option. Richard Dawkins puts it this way:

“If you want to believe in…unicorns, or tooth fairies, Thor or Yahweh—the onus is on you to say why you believe in it. The onus is not on the rest of us to say why we do not.”(1)

I bought into that way of thinking—that God is the crazy option, whereas a fully naturalistic and fully scientifically explainable universe is the sober, sensible, rational option. Without ever really reasoning it through, I accepted the cultural myth that we used to need God to miraculously explain thunder and lightning, rainbows and shooting stars. But now that we have scientific explanations for these things, we should stop believing in God.

That’s actually not a very good argument. A good engineer doesn’t need to keep stepping in to override systems and fix malfunctions. If God is a good engineer, isn’t the ability to explain his design in terms of consistently functioning processes exactly what we should expect?

Moreover, we no longer think we need the moon to explain lunacy. (Lunacy comes from the word lunar, because people used to think the position of the moon explained madness.) Does that mean we should no longer believe in the moon? Should we become not only a-theists but a-moonists?(2) Of course not. Even if the moon doesn’t explain madness, there are many other things, such as the tides of the oceans, that it does explain. Likewise, the reasons for believing in God extend far beyond just scientific reasons and include historical, philosophical, moral, aesthetic, experiential, and relational reasons.

 

Without thinking it through, I jumped from science to scientism—from the fact that science can explain a lot to the assumption that it can explain everything. However, just because the advancement of science has taught us new things about how the universe works, that doesn’t tell us whether there is a who behind the how.

I can give you a full scientific explanation of how Microsoft Office works (well, I can’t, but a computer expert could; he could sit you down with the design instructions for Microsoft Office and give you a full scientific explanation of how it works). But that would not show that Bill Gates doesn’t exist; it wouldn’t show that there is no who behind the how. To the contrary, it would show that Bill Gates is really smart!

The how question (a question of mechanism) does not answer the who question (a question of agency), and it also doesn’t answer the why question (a question of purpose): Why was Microsoft Office created? We can only get an answer to that question if Bill Gates chooses to share it with us, if the creator of the system chooses to reveal it.

Some of the standard arguments against God based on science are actually not very good. But I think there are a lot of people out there like I was. People who might be open to Christian faith, but who have just assumed that science has made that impossible. They’ve bought into a cultural myth about the battle between science and religion without actually thinking it through.

In my own life, I’m so thankful to have met some friends, seventeen years ago, who were able to communicate to me in an accessible way their reasons for God, including their reasons for thinking that science and God are in no way incompatible. I found myself persuaded. In fact, today I would agree with Peter van Inwagen, one of the world’s foremost philosophers, when he says that “No discovery of science (so far, at any rate) has the least tendency to show that there is no God.”(3)

I would actually go further. Not only do I think science is in no way incompatible with belief in God, but I actually think that science points strongly to the existence of God, and there are four reasons why I believe this:

The universe has a beginning.

The universe is knowable.

The universe is regular.

The universe is finely tuned for life.

I believe all four of these facts about our universe are best explained by the existence of God.

 

Vince Vitale is director of the Zacharias Institute at Ravi Zacharias International Ministries in Atlanta, Georgia.

             

Schippersgracht 04/12/2016 18h23

Colorful letters which changes all the times from white, white and blue to multicolor like at the moment of the picture.

 

Amsterdam Light Festival

Amsterdam Light Festival is an annual light art festival in Amsterdam. Artists, architects and (light) designers from all over the world bring their light artworks and installations alive during the festival every winter. The artworks are placed alongside two routes. Each route has their own theme, set of artworks and visitor experience. Water Colors, the boat rout, displays big monumental objects and offers visitors the chance to experience the art from a water perspective. Illuminade, the walking route, shows interactive and innovative installations from upcoming designers in the Plantage neighborhood.

Celebrate winter, with art, light and water!

www.amsterdamlightfestival.com

 

Together

Artist: Luigi Console & Valentina Novembre

Location: Schippersgracht

 

Danger Zone. Love is contagious. Pericolo. L’amore è contagioso. Zona peligrosa. El amore es contagioso. Zone dangereuse. L’amour est contagieux. Gefahrenzone. Die Liebe ist ansteckend.

Italian artists Luigi Console and Valentina Novembre warn you for the contagiousness of love. Together is a subtle ambiguous comment on the contemporary status of love, as Amsterdam Light Festival jury member Tim Molloy states. Because what does love mean in times of individuality, loose connections, polarization and self-interest?

Console and Novembre make their statement about love in various languages, referring to the international character of Amsterdam. Both residents and visitors contribute to the city in their own way, all in their own language, creating a melting of mixed identities. Every word might have a different connotation in a different language, making this artwork open for various interpretations by people from different cultures.

 

Luigi Console and Valentina Novembre are both from the south of Italy. Console his work varies with different kinds of media, from screen-printing to creative coding and from offline media to digital media. Console focuses on the connections between visual communication techniques such as poster design and video mapping performance. Novembre has finished a master in Relational Design. She specializes in the application of relation dynamics in communication through speech and story telling. She produces design activities that combine digital media with community activities and innovation projects.

 

photo-philosophy.net/relationalitat-relationality-zurborn...

@UN Climate Conference (COP23):

The pollution of the oceans with plastic waste should be stopped immediately !

 

Some facts about plastic:

Parts of the plastic waste accumulate through currents in huge plastic islands in the North Pacific. A man-made continent. According to the French space agency CNES, the surface area of this continent in the Pacific Ocean covers around 3.4 million square kilometres. This is about the same size as Central Europe or half the size of Australia.

 

Every year, more than 100 million tons of plastic are produced for products that are used for less than five minutes, such as disposable tableware and cups for "To Go" coffee.

 

Currently, 311 million tons of plastic are produced per year, and the trend is rising sharply. The main customer is the packaging industry - which is primarily engaged in product marketing. But the content does not get any better.

 

Plastic manufacturing is estimated to use 8 percent of yearly global oil production. The EPA estimates as many as five ounces of carbon dioxide are emitted for each ounce of polyethylene (PET) produced—the type of plastic most commonly used for beverage bottles.

 

Between 5 and 13 million metric tons of plastic leaks into the world’s oceans each year to be ingested by sea birds, fish and other organisms, and by 2050 the ocean will contain more plastic by weight than fish.

 

Half of all plastics that ever existed were produced in just the last 13 years, according to a first-ever accounting of all plastic created anywhere on Earth. Of the 6300 million metric tons of plastic waste ever generated through 2015, roughly one-fifth has been recycled or incinerated, leaving four-fifths amassed in landfills or the natural environment.

 

The needed relational shift is to transition from an economy based on fossil fuels as a primary source of energy and feedstock for manufactured goods to one thriving on renewable energy and manufactured goods which are biodegradable or easily recycled !

 

Beach in Corcovado N.P, Costa Rica

ONE OF THE WAY TO TRAIN THE "THE AWARENESS MUSCLE

 

is the critical run

and other emergency art format

 

CRITICAL RUN / Debate Format

 

Critical Run is an Art Format created by Thierry Geoffroy/Colonel

debate while running .

Debate and Run together,Now,before it is too late.

 

www.emergencyroomscanvas todo .org/criticalrun.html

 

The Art Format Critical Run has been activated in 30 differents countries with 120 different burning debates

New York,Cairo,London,Istanbul,Athens,Hanoi,Paris,Munich,Amsterdam Siberia,Copenhagen,Johanesburg,Moskow,Napoli,Sydney,

Wroclaw,Bruxelles,Rotterdam,Barcelona,Venice,Virginia,Stockholm,Århus,Kassel,Lyon,Trondheim, Berlin ,Toronto,Hannover ...

 

CRITICAL RUN happened on invitation from institution like Moma/PS1, Moderna Muset Stockholm ,Witte de With Rotterdam,ZKM Karlsruhe,Liverpool Biennale;Sprengel Museum etc..or have just happened on the spot because

a debate was necessary here and now.

 

In 2020 the Energy Room was an installation of 40 Critical Run at Museum Villa Stuck /Munich

part of Colonel solo show : The Awareness Muscle Training Center

 

----

 

Interesting publication for researches on running and art

 

www.emergencyrooms.org/formats.html

 

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Slevin, Tom. Vision of the Human: Art, World War One and the Modernist Subject. London: I.B.

 

Tauris, 2015.

 

Solnit, Rebecca. River of Shadows: Eadweard Muybridge and the Technological Wild West. New York: Viking, 2003.

 

Solnit, Rebecca. Wanderlust: A History of Walking. London: Verso, 2001.

Sontag, Susan. Against Interpretation and Other Essays. New York: Picador, 1966, 2001. Sontag, Susan. “Fascinating Fascism.” The New York Review of Books (6 February 1975). Sontag, Susan. On Photography. New York: Picador, 1977.

  

Spieker, Sven. The Big Archive: Art from Bureaucracy. Cambridge: MIT Press, 2008. Stepišnik, Drago. Oris Zgodovine Telesne Kulture na Slovenskem. Ljubljana: Dražavna založba

 

Slovenija, 1968.

 

Stipančić, Branka. “‘Zame je resničnost umetnost,’ Intervju s Tomislavom Gotovcem.” Vijenac, Number 123/VI (8 Oct. 1998).

 

Stoddart, Tom. Sarajevo. Washington, D.C.: Smithsonian Institution Press, 1998.

Stošić, Mirjana. “Body-name — The Brotherhood Chronotype and Social Choreography.”

 

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Institute, 2005.

 

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----

  

------------about Venice Biennale history from wikipedia ---------

curators previous

* 1948 – Rodolfo Pallucchini

* 1966 – Gian Alberto Dell'Acqua

* 1968 – Maurizio Calvesi and Guido Ballo

* 1970 – Umbro Apollonio

* 1972 – Mario Penelope

* 1974 – Vittorio Gregotti

* 1978 – Luigi Scarpa

* 1980 – Luigi Carluccio

* 1982 – Sisto Dalla Palma

* 1984 – Maurizio Calvesi

* 1986 – Maurizio Calvesi

* 1988 – Giovanni Carandente

* 1990 – Giovanni Carandente

* 1993 – Achille Bonito Oliva

* 1995 – Jean Clair

* 1997 – Germano Celant

* 1999 – Harald Szeemann

* 2001 – Harald Szeemann

* 2003 – Francesco Bonami

* 2005 – María de Corral and Rosa Martinez

* 2007 – Robert Storr

* 2009 – Daniel Birnbaum

* 2011 – Bice Curiger

* 2013 – Massimiliano Gioni

* 2015 – Okwui Enwezor

* 2017 – Christine Macel[19]

* 2019 – Ralph Rugoff[20]

  

----------

 

#art #artist #artistic #artists #arte #artwork

 

Pavilion at the Venice Biennale #artcontemporain contemporary art Giardini arsenal

 

venice Veneziako VenecijaVenècia Venedig Venetië Veneetsia Venetsia Venise Venecia VenedigΒενετία( Venetía Hungarian Velence Feneyjar Venice Venezia Venēcija Venezja Venezia Wenecja Veneza VenețiaVenetsiya BenátkyBenetke Venecia Fenisוועניס Վենետիկ ভেনি স威尼斯 (wēinísī) 威尼斯 ვენეციისવે નિસवेनिसヴェネツィアವೆನಿಸ್베니스வெனிஸ்వెనిస్เวนิซوینس Venetsiya

 

art umjetnost umění kunst taide τέχνη művészetList ealaín arte māksla menasarti Kunst sztuka artă umenie umetnost konstcelfקונסטարվեստincəsənətশিল্প艺术(yìshù)藝術 (yìshù)ხელოვნებაकलाkos duabアートಕಲೆសិល្បៈ미술(misul)ສິນລະປະകലकलाအတတ်ပညာकलाකලාවகலைఆర్ట్ศิลปะ آرٹsan'atnghệ thuậtفن (fan)אומנותهنرsanat artist

 

other Biennale :(Biennials ) :

Venice Biennial , Documenta Havana Biennial,Istanbul Biennial ( Istanbuli),Biennale de Lyon ,Dak'Art Berlin Biennial,Mercosul Visual Arts Biennial ,Bienal do Mercosul Porto Alegre.,Berlin Biennial ,Echigo-Tsumari Triennial .Yokohama Triennial Aichi Triennale,manifesta ,Copenhagen Biennale,Aichi Triennale .Yokohama Triennial,Echigo-Tsumari Triennial.Sharjah Biennial ,Biennale of Sydney, Liverpool , São Paulo Biennial ; Athens Biennale , Bienal do Mercosul ,Göteborg International Biennial for Contemporary Art ,DOCUMENTA KASSEL ATHENS

* Dakar

  

kritik [edit] kritikaria kritičar crític kritiker criticus kriitik kriitikko critique crítico Kritiker κριτικός(kritikós) kritikus Gagnrýnandi léirmheastóir critico kritiķis kritikas kritiku krytyk crítico critic crítico krytyk beirniad קריטיקער

 

Basque Veneziako Venecija [edit] Catalan Venècia Venedig Venetië Veneetsia Venetsia Venise Venecia Venedig Βενετία(Venetía) Hungarian Velence Feneyjar Venice Venezia Latvian Venēcija Venezja Venezia Wenecja Portuguese Veneza Veneția Venetsiya Benátky Benetke Venecia Fenis וועניס Վենետիկ ভেনিস 威尼斯 (wēinísī) 威尼斯 Georgian ვენეციის વેનિસ वेनिस ヴェネツィア ವೆನಿಸ್ 베니스 வெனிஸ் వెనిస్ เวนิซ وینس Venetsiya

 

Thierry Geoffroy / Colonel

#thierrygeoffroy #geoffroycolonel #thierrygeoffroycololonel #lecolonel #biennalist

 

#artformat #formatart

#emergencyart #urgencyart #urgentart #artofthenow #nowart

emergency art emergency art urgency artist de garde vagt alarm emergency room necessityart artistrole exigencyart predicament prediction pressureart

 

#InstitutionalCritique

 

#venicebiennale #venicebiennale2017 #venicebiennale2015

#venicebiennale2019

#venice #biennale #venicebiennale #venezia #italy

#venezia #venice #veniceitaly #venicebiennale

 

#pastlife #memory #venicebiennale #venice #Venezia #italy #hotelveniceitalia #artexhibit #artshow #internationalart #contemporaryart #themundane #summerday

 

#biennalevenice

 

Institutional Critique

 

Identity Politics Post-War Consumerism, Engagement with Mass Media, Performance Art, The Body, Film/Video, Political, Collage, , Cultural Commentary, Self as Subject, Color Photography, Related to Fashion, Digital Culture, Photography, Human Figure, Technology

 

Racial and Ethnic Identity, Neo-Conceptualism, Diaristic

 

Contemporary Re-creations, Popular Culture, Appropriation, Contemporary Sculpture,

 

Culture, Collective History, Group of Portraits, Photographic Source

 

, Endurance Art, Film/Video,, Conceptual Art and Contemporary Conceptualism, Color Photography, Human Figure, Cultural Commentary

 

War and Military, Political Figures, Social Action, Racial and Ethnic Identity, Conflict

 

Personal Histories, Alter Egos and Avatars

 

Use of Common Materials, Found Objects, Related to Literature, Installation, Mixed-Media, Engagement with Mass Media, Collage,, Outdoor Art, Work on Paper, Text

  

Appropriation (art) Art intervention Classificatory disputes about art Conceptual art Environmental sculpture Found object Interactive art Modern art Neo-conceptual art Performance art Sound art Sound installation Street installations Video installation Conceptual art Art movements Postmodern art Contemporary art Art media Aesthetics Conceptualism

 

Post-conceptualism Anti-anti-art Body art Conceptual architecture Contemporary art Experiments in Art and Technology Found object Happening Fluxus Information art Installation art Intermedia Land art Modern art Neo-conceptual art Net art Postmodern art Generative Art Street installation Systems art Video art Visual arts ART/MEDIA conceptual artis

 

—-

 

CRITICAL RUN is an art format developed by Thierry Geoffroy / COLONEL, It follows the spirit of ULTRACONTEMPORARY and EMERGENCY ART as well as aims to train the AWARENESS MUSCLE.​

Critical Run has been activated on invitation from institutions such as Moderna Muset Stockholm, Moma PS1 ,Witte de With Rotterdam, ZKM Karlsruhe, Liverpool Biennale, Manifesta Biennial ,Sprengel Museum,Venice Biennale but have also just happened on the spot because a debate was necessary here and now.

 

It has been activated in Beijing, Cairo, London, Istanbul, Athens, Kassel, Sao Paolo, Hanoi, Istanbul, Paris, Copenhagen, Moskow, Napoli, Sydney, Wroclaw, Bruxelles, Rotterdam, Siberia, Karlsruhe, Barcelona, Aalborg, Venice, Virginia, Stockholm, Aarhus, Rio de Janeiro, Budapest, Washington, Lyon, Caracas, Trondheim, Berlin, Toronto, Hannover, Haage, Newtown, Cartagena, Tallinn, Herning, Roskilde;Mannheim ;Munich etc...

 

The run debates are about emergency topics like Climate Change , Xenophobia , Wars , Hyppocrisie , Apathy ,etc ...

 

Participants have been very various from Sweddish art critics , German police , American climate activist , Chinese Gallerists , Brasilian students , etc ...

 

Critical Run is an art format , like Emergency Room or Biennalist and is part of Emergency Art ULTRACONTEMPORARY and AWARENESS MUSCLE .

 

www.emergencyrooms.org/criticalrun.html

 

www.emergencyrooms.org/formats.html

-------

In 2020 a large exhibition will show 40 of the Critical Run at the Museum Villa Stuck in Munich / part of the Awareness Muscle Training Center

------

for activating the format or for inviting the installation

please contact 1@colonel.dk

 

www.colonel.dk/

 

-----

 

critical,run,art,format,debate ,artformat,formatart,moment,clarity,emergency,kunst,

 

Sport,effort,curator,artist,urgency,urgence,criticalrun,emergencies,ultracontemporary

,rundebate,sport,art,activism, critic,laufen,Thierry Geoffroy , Colonel,kunstformat

 

,now art,copenhagen,denmark

 

Leaving and Entering

that most adult men like too

www.youtube.com/watch?v=7yea4qSJMx4&list=LL5uj1b2ONu2...

ART THOUGHTZ: Relational Aesthetics by Hennesy Youngman