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Chicano Park,San Diego, California
Chicano Park, in San Diego, California, was the site of a powerful protest in 1970 by members of the local San Diego Hispanic community over the planned redevelopment of a vacant site within the Barrio Logan community that had been previously promised to the community as public open space. The peaceful occupation of the site and the subsequent successful struggle to turn the location into a vibrant community gathering spot is closely associated with the local Chicano Civil Rights Movement in San Diego. In subsequent years the park became the setting of important examples of Chicano Movement muralism, as local and regional artists came to the park to paint various monumental works on the columns of the freeway overpass that defined the created-state park. These murals have achieved national recognition. Artists whose works appears in Chicano Park include Salvador Torres, Mano Torerro, Victor Ochoa, Esteban Villa, Ricardo Favela, Guillermo Rousette, Jose Montoya, Charles “Gato” Felix, Rupert Garcia, Yolanda Lopez, Celia Herrera Rodriguez, Irma Barbosa, Glory Sanchez, Issias Crow and many others.
National Register of Historic Places No. 72000231, Added November 3, 1972
California Historical landmark No. 144
Los Angeles Historic-Cultural Monument No. 3, Added August 6, 1962
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Los Angeles Plaza Historic District
A plaque across from the Old Plaza commemorates the founding of the city. It states: "On September 4, 1781, eleven families of pobladores (44 persons including children) arrived at this place from the Gulf of California to establish a pueblo which was to become the City of Los Angeles. This colonization ordered by King Carlos III of Spain was carried out under the direction of Governor Felipe de Neve." The small town received the name El Pueblo de Nuestra Señora Reina de los Ángeles sobre El Rio Porciuncula, Spanish for The Town of Our Lady Queen of the Angels on the Porciuncula River. The original pueblo was built to the southeast of the current plaza along the Los Angeles River. In 1815, a flood washed away the original pueblo, and it was rebuilt farther from the river at the location of the current plaza.
Wikipedia: en.wikipedia.org/wiki/Los_Angeles_Plaza_Historic_District
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La Iglesia de Nuestra Señora la Reina de Los Angeles
La Iglesia de Nuestra Señora la Reina de Los Angeles[2] (The Church of Our Lady the Queen of the Angels) is a Catholic church founded on August 18, 1814 by Fray Luis Gil y Taboada who placed the cornerstone of a new church amidst the ruins of the former "sub-mission," the Nuestra Señora Reina de los Angeles Asistencia to serve the local pobladores (settlers). The completed structure was dedicated on December 8, 1822.[3] A replacement chapel, named for Mary, mother of Jesus (La Iglesia de Nuestra Señora de los Angeles, or "The Church of Our Lady of the Angels") was rebuilt utilizing materials of the original church in 1861; Reina, meaning "Queen," was added later.[4] For years the little chapel, which collected the nicknames "La Placita" and "Plaza Church," served as the sole Roman Catholic church in Los Angeles.
The facility has operated under the auspices of the Claretian Missionary Fathers since 1908.
It was designated one of the first three Los Angeles Historic-Cultural Monuments in 1962,[5] and has been designated as a California Historical Landmark,#144.
Wikipedia: en.wikipedia.org/wiki/La_Iglesia_de_Nuestra_Se%c3%b1ora_R...
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La Iglesia de Nuestra Senora la Reina de Los Angeles (The Church of our Lady the Queen of Angels)
1818-22; 1861-62; 1875; 1912; 1923
535 N Main St
The simple, gabled-roofed adobe church was rebuilt and received a new facade in 1861. A bell tower was added in 1875. In 1912 the church was once more restored and enlarged, making it more "Mission" Spanish than it had been before. In 1923 a tiled roof replaced the late-nineteenth century shingled roof. As originally built, the facade of the church had a single arched entrace placed within a molded rectangle. Above was a single windows which lighted the choir and nave. Above a horizontal molding which followed the parapet molding fo the sides of the building was a single espadana (belfry wall). To the south of the facade was a compasario (single well bell tower) which had a single opening (not a double opening as we see it). And as was true of many of the early Spanish Mexican buildings of California, the church was at first flat-roofed. Thus, what we see today (internally and externally) is a modest village church which essentially dates from 1861 on.
Architecture in Los Angeles: A Compleat Guide
David Gephard and Robert Winter
Downtown, Plaza and Northeast, No. 1.
Justin Li, Anant Asthana, Viraj Negandhi, Rushil Shah and coach Neil Maredia of Dulles High School in Sugar Land, Texas rap against the team from University High School in Irvine, California at the 2023 National Science Bowl® Sunday, April 30, 2023, in Washington, DC.
Photo by Joshua Lawton, National Science Bowl®, Department of Energy, Office of Science
Adam Xu, Nilay Mishra of Saratoga High School in Saratoga, California and teammates compete at the 2023 National Science Bowl® Sunday, April 30, 2023, in Washington, DC.
Photo by Joshua Lawton, National Science Bowl®, Department of Energy, Office of Science
This is the old Schlesinger & Mayer Building designed by Louis Sullivan on State Street in 1899. It was the Carson, Pirie, and Scott department store until relatively recently. It was adaptively reused into an office building on the upper floors and a City Target on the first two floors. It is on the National Register #70000231, and also a National Historic Landmark.
The truth about adidas logo.
Take a look at the ANTILOGOS collection
Always mixing.
Andreu Gallart Ruiviejo.
Adidas is a registered trademark.
Copyright (c)
**Salinas Pueblo Missions National Monument** - National Register of Historic Places Ref # 66000494, date listed 10/15/1966
1 mi. E of Gran Quivira on NM 10
Gran Quivira, NM (Socorro County)
Gran Quivera (also know as Las Humanas) largest of the Salinas pueblos, was an important trade center for many years before and after the Spanish entrada. The people resisted the newcomers at first, but they reconciled themselves to the Spanish presence and borrowed freely from them, as they had from other cultures.
Documents from the 1600s tell of strife between missionaries and the encomenderos, who complained that the friars kept the Indians so busy studying Christianity and building churches that the encomenderos could neither use Indian labor nor collect their tributes. In the 1660s friars burned and filled kivas in an effort to exterminate the old religion. Hurriedly altered above-ground rooms converted to kivas attest to the Pueblo priests' response. A second church was begun around 1659, but was never completed, partly because Apache raids had begun. In 1672, further weakened by drought and famini, the inhabitants (only 500 by that time) abandoned the pueblo. (from NPS Brochure)
Mound 7 is the largest of the pueblo mounds at Gran Quivira. Following the abandonment of the earlier circular pueblo around 1400, the first rectangular rooms of Mound 7 were built between 1400 and 1515. Following a thirty year abandonment, the rooms of Mound 7 began to expand further. By the beginning of the Spanish period with the arrival of Don Antonio de Espejo in 1583, the Mound 7 pueblo had over 200 rooms. Fray Francisco Letrado was able to negotiate the use of eight of these rooms in 1629, and built an additional eight rooms the following year. (1)
References (1) Salinas Pueblo Missions NPS www.nps.gov/sapu/learn/historyculture/mound-7.htm
Hanford Village George Washington Carver Addition Historic District
Columbus, Ohio
Listed 12/24/2013
Reference Number: 13000980
The Hanford Village George Washington Carver Addition Historic District is significant under Criterion A. The Hanford Village George Washington Carver Addition Historic District was part of an African American municipality located between Columbus and Bexley, Ohio. The Carver Addition is a FHA suburb composed of Cape Cod houses built for African American veteran in 1946-47. St. Mark's Missionary Baptist Church, built in 1958, and Hanford Park, built in the 1930s, provided the religious and social village landscape that gave community support and identity to an emerging black middle class. The Hanford Village George Washington Carver Addition Historic District is also significant for its place in African American Ethnic Heritage. Hanford Village illustrates the limits and struggle that African Americans engaged in related to their rights as citizens in a segregated environment. The subdivision is notable for the being the home of a number of the Tuskegee Airmen while they were based at Lockbourne Army Air Force Base southeast of Columbus, Ohio, from 1946-49.
National Register of Historic Places Homepage
Hanford Village George Washington Carver Addition Historic District, Columbus, Ohio Summary Page
Uccellino® by Xavier Madera. Xavier Madera is most noted for his creative custom jewelery collaboration with Erykah Badu & Thundercat but he has worked with several high-profile celebrities & celebrity friends throughout recent years. Some of which include Khalil, Lil Nate Dogg, Kaya Jones, Gladys Knight, Kayley Stallings, Boo Boo Stewart, Big Chan, Chris Brown, Marla Gibbs, Jane Seymour, Kyle Richards, Wynona Judd, Yung OFB, Trinity Marquez, Mathew Wayne & Daniella Monet just to name a few. He's also worked with top photographers in the fashion industry; K-rish, Nave Elefano (Inspirawr Music), Sir Jones, D'andre Michael, Bob Delgadillo, Sheri Determan, Gisele (Party by 5) & Gino Studios. Xavier Madera has worked with models from Chris Brown's Legendary Faces Modeling Agency; as well as, top models Leslie Allen & Brianna Michelle. His work has been featured in boutiques and Fashion Houses; Mint Collection, Shoes for the Stars Fashion House, Orange Bone, COLORS and more. He's also had several interviews & write ups in Splash Magazine, Dope Chic Style & other publications. In conjunction with Cindy Marquez (LC1 PR).
TX RACE™ Restyle Kit® Gen2 for Honda CRF450R 2002 2003 2004 is an update and modernization of the aesthetic line of this 4-Stroke model of Honda [CRF] Motocross/Enduro. TX RACE™ offers an attractive solution that is easily assembled, and no chassis modification is necessary. The TX RACE™ Restyle Kit® notably enhances the appearance of your motorcycle, more than compensating for the cost of the kit.
Order now this kit at: www.txrace.com/shop/tx-race-restyle-kit-gen2-for-honda-cr...
This photo inside the Village Barber
Shop in Lynchburg, Virginia was taken the morning of Dec. 22, 2012, a day after the fifty-year-old business closed its doors.
Mayor Pete Buttigieg speaking with supporters at the Des Moines Register's Political Soapbox at the 2019 Iowa State Fair in Des Moines, Iowa.
Please attribute to Gage Skidmore if used elsewhere.
Peter Sullivan, Trevor Gregg, Luke Menard, Cooper Morris and Andrew Rogers of Creighton Preparatory School in Omaha, Nebraska compete at the 2023 National Science Bowl® Sunday, April 30, 2023, in Washington, DC.
Photo by Joshua Lawton, National Science Bowl®, Department of Energy, Office of Science
Uccellino® by Xavier Madera. Xavier Madera is most noted for his creative custom jewelery collaboration with Erykah Badu & Thundercat but he has worked with several high-profile celebrities & celebrity friends throughout recent years. Some of which include Khalil, Lil Nate Dogg, Kaya Jones, Gladys Knight, Kayley Stallings, Boo Boo Stewart, Big Chan, Chris Brown, Marla Gibbs, Jane Seymour, Kyle Richards, Wynona Judd, Yung OFB, Trinity Marquez, Mathew Wayne & Daniella Monet just to name a few. He's also worked with top photographers in the fashion industry; K-rish, Nave Elefano (Inspirawr Music), Sir Jones, D'andre Michael, Bob Delgadillo, Sheri Determan, Gisele (Party by 5) & Gino Studios. Xavier Madera has worked with models from Chris Brown's Legendary Faces Modeling Agency; as well as, top models Leslie Allen & Brianna Michelle. His work has been featured in boutiques and Fashion Houses; Mint Collection, Shoes for the Stars Fashion House, Orange Bone, COLORS and more. He's also had several interviews & write ups in Splash Magazine, Dope Chic Style & other publications. In conjunction with Cindy Marquez (LC1 PR).
Triumph Spitfire GT6 Mk1 (1966-68) Engine 1998c S6 OHV Production 12,066
Registration Number MNJ 821 F (East Sussex)
TRIUMPH ALBUM
www.flickr.com/photos/45676495@N05/sets/72157623847263736...
This car is registered and badged as a GT6, with a GT6 engine, but obviously the GT6 was a hard top fast back, while the Spitfire was a soft top with an occasional hardtop. So it is eith er Spit with a GT6 lump or unique. Here is a little bit of info i picked up. An unmodified Spitfire 4 was delivered to Michelotti's design studios in Italy and late in 1963 the prototype Spitfire GT4 was returned to England for evaluation. The styling of the vehicle was a success but the extra weight of the GT bodyshell resulted in extremely poor performance from the Spitfire's 1,147 cc engine and plans to develope the GT4 were shelved. Michelotti's fastback design for the Spitfire GT4 prototype was adopted by the Triumph racing programme for the 1964 season, as it was deemed to provide an aerodynamic benefit over the standard Spitfire body shape. Fibreglass copies of the Spitfire GT4's fastback were grafted on to the race-modified Spitfires destined for competition. The Spitfire racing programme was successful and in 1965 resulted in 13th overall and a 1st in class at LeMans. The Spitfire's competitive success and the continuing commercial success of the production vehicle led Triumph to re-evaluate its shelved plans for a GT version of the Spitfire. To overcome the lack of performance inherent in the heavier body style the Spitfire's 4-cylinder engine was replaced with the more powerful 2.0 L (1,996 cc) Triumph inline 6 originally derived from the Vitesse. The car was further developed and refined and eventually launched as the Triumph GT6 (dropping the Spitfire per-fix. Contemporary Triumph marketing advertised the GT6 as being developed from the race winning LeMans Spitfires, when in truththe Le Mans Spitfires and the GT6 were actually two entirely separate development programmes (the GT programme pre-dating the racing programme). However, the marketing spin was so successful that many people erroneously believed the Le Mans Spitfires to actually be GT6s.
The first series of GT6 was introduced in 1966 as a six cylinder sports coupe based on the Spitfire. Designed by Giovanni Michelotti and based on the recently introduced Spitfire Mk. IV. he new body was a sleek fastback design with an opening rear hatch, earning the GT6 the nickname of poor man's E-Type It was really a 2-seater, but a small extra rear seat could be ordered, large enough for small children. The family resemblance to the Spitfire Mk II was strong, the longer 6-cylinder engine necessitated a new bonnet top with a power bulge and the doors were provided with opening quarter light windows and squared-off glass in the top rear corner. The 6-cylinder engine was based on that of the Triumph Vitesse 2 litre developing 95bhp necessitated certain changes to the Spitfire mechanics; the radiator was new and mounted further forward in the car and the gearbox was the stronger unit from the Vitesse 2 litre, with synchromesh on all 4 forward gears. An optional Laycock de Normanville overdrive was offered giving a 20 per cent overdrive on 3rd and 4th gears. Front springs were uprated to cope with the extra weight of the new engine with the car weighing in at 1,904lbs The only major criticism was of its rear suspension; the GT6 inherited the swing-axle system from the Spitfire, which in turn was copied from the Herald small saloon. In the saloon it was tolerated, in the Spitfire criticised and in the more powerful GT6 it was a problem, particularly in the US market.
Triumph realised that they needed to find an answer to the handling problem, and their response came in 1969 with the Mark 2.
Diolch am 85,115,698 o olygfeydd anhygoel, mae pob un yn 90cael ei werthfawrogi'n fawr.
Thanks for 85,115,698 amazing views, every one is greatly appreciated.
Shot 01.08-2021 exiting the Silverstone Festival 01.08.2021 Ref 149-477
Den of Imagination - Your Miniature Painting Service
We are a registered studio in Torun, Poland. We have been in line of work since 2008. Our still growing staff of painters and sculptors is ready to work on any project you can imagine!
We are credible, solid and reliable. We work best with large commissions and we guarantee fast service.
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WEBSITE: denofimagination.com/
YOUTUBE: www.youtube.com/user/denofimagination
SHOP: shop.denofimagination.com/
TWITTER: Twitter.com/doiStudio
FLICKER: www.flickr.com/photos/97996892@N07/
PINTEREST: www.pinterest.com/denstudio/
INSTAGRAM: instagram.com/doiphoto/
Uccellino® by Xavier Madera. Xavier Madera is most noted for his creative custom jewelery collaboration with Erykah Badu & Thundercat but he has worked with several high-profile celebrities & celebrity friends throughout recent years. Some of which include Khalil, Lil Nate Dogg, Kaya Jones, Gladys Knight, Kayley Stallings, Boo Boo Stewart, Big Chan, Chris Brown, Marla Gibbs, Jane Seymour, Kyle Richards, Wynona Judd, Yung OFB, Trinity Marquez, Mathew Wayne & Daniella Monet just to name a few. He's also worked with top photographers in the fashion industry; K-rish, Nave Elefano (Inspirawr Music), Sir Jones, D'andre Michael, Bob Delgadillo, Sheri Determan, Gisele (Party by 5) & Gino Studios. Xavier Madera has worked with models from Chris Brown's Legendary Faces Modeling Agency; as well as, top models Leslie Allen & Brianna Michelle. His work has been featured in boutiques and Fashion Houses; Mint Collection, Shoes for the Stars Fashion House, Orange Bone, COLORS and more. He's also had several interviews & write ups in Splash Magazine, Dope Chic Style & other publications. In conjunction with Cindy Marquez (LC1 PR).
LEGO® STAR WARS™: The Force Awakens_20160628183817
Lego Star Wars: The Force Awakens
Playstation 4 Screenshots
Den of Imagination - Your Miniature Painting Service
We are a registered studio in Torun, Poland. We have been in line of work since 2008. Our still growing staff of painters and sculptors is ready to work on any project you can imagine!
We are credible, solid and reliable. We work best with large commissions and we guarantee fast service.
------------------------------------------------------------------------------------------
WEBSITE: denofimagination.com/
YOUTUBE: www.youtube.com/user/denofimagination
SHOP: shop.denofimagination.com/
TWITTER: Twitter.com/doiStudio
FLICKER: www.flickr.com/photos/97996892@N07/
PINTEREST: www.pinterest.com/denstudio/
INSTAGRAM: instagram.com/doiphoto/