View allAll Photos Tagged Refused

A trip to the rubbish trip and there's always the satisfying crash as you throw your stuff over the edge and into the rubbish hopper.

 

Things I learnt:

1 - the rubbish containers can hold around 8 - 9 tonnes of rubbish,

2 - they can fill up in as little as four hours, and

3 - the hydraulic ram pushes with a force of around 20 tonnes.

 

This old storage box had been sitting around at home for ages so time for it to be be thrown out. Good to watch the whole thing drop into the hopper and then being destroyed, the creaking as it slowly succumbs to the pressure in the ram and you can hear it pop.

Brooklyn - Serviced by DSNY

Dunno, found the brush-like refuse interesting, stopped to photograph it. Stood out among the various wrappers and styrofoam coffee cups.

Chassis: American LaFrance CTC

Body: Heil Formula 7000

Hauler: Granger Public Works

Location: Granger, WA

Date: October 2016

See Video of This Truck on YouTube!

 

©Bryn Erdman. All Rights Reserved.

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XYE437T-1978 Dennis Bulkmaster last tax due in March 1987

My wife refused to explore and stayed in the car. The salt flats near Badwater, Death Valley

 

See me also at instagram.com/charlesgyoung/

Lincoln Memorial, Washington DC, USA

Foden crewcab Eagle refuse body

Refuse Incineration, Alkmaar, North-Holland, Netherlands.

 

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---- refuses to hide away

Chassis: Mack LE

Body: McNeilus M/A (without optional ASL arm)

Hauler: Waste Management

Location: Kennewick, WA

Date: March 2018

 

See More Trashy Photos & Videos At: The Thrash 'N' Trash Website

 

©Bryn Erdman. All Rights Reserved.

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Carl Zeiss Jena Flektogon 35mm f/2.4

I refuse to believe that this car has an MOT, expiring in January 2019.

Chassis: Peterbilt Model 320

Body: Heil DuraPack 7000

Hauler: Basin Disposal

Location: Walla Walla, WA

Date: January 2025

 

See More Trashy Photos & Videos At: The Thrash 'N' Trash Website

 

©Bryn Erdman. All Rights Reserved.

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Exported Guy Chassis fitted with refuse body and crew cab in Holland .

A photo of a Leyland refuse truck with the T45 type cab. This photo was taken in the scrap yard in May2013

In 1945, a few days before the end of the war, Wehrmacht Captain Gerhard Klinkicht was ordered by City Commander Dietrich to blow the "Dom" first to pieces with 100 shells. If that is not enough, you have to continue shooting until it is completely destroyed. "But for moral reasons, Gerhard Klinkicht refused to execute this order and thus saved St. Stephen's Cathedral from total destruction.

On 14 March 2000 Gerhard Klinkicht died in Bavaria in his 86th year. A few months before his death, he presented Dr. Christoph Cardinal Schönborn a check worth around 70,000 euros for the restoration of St. Stephen's Cathedral. In total, Klinkicht donated 150,000 euros for "Our St. Stephen's Cathedral".

A memorial plaque at the foot of the high tower commemorates the savior of St. Stephen's Cathedral:

"Captain Gerhard Klinkicht thank you. By his decision of conscience he saved St. Stephen's Cathedral from destruction in April 1945. "

 

St. Stephen's Cathedral and the Second World War

During the Second World War, of course, hardly any restoration work could be carried out. Priority was the valuable art treasures to protect against possible bomb attacks: thus, for example, the pulpit and the tomb of Friedrich had been walled, the beautiful, colorful glass panes were removed, the giant gate secured and movable art objects brought into the catacombs.

On the night of April 11 to 12, 1945, the scaffolding on the north tower began to burn. Since there was no water to extinguish, the fire could spread to the roof. As a result of the fire, the Pummerin collapsed, including the belfry, the great organ was destroyed, the medieval choir stalls were burned and the vaults of the central and south choir collapsed: essential substance of St. Stephen's Cathedral was lost.

Yet 1945 was begun with the reconstruction of St. Stephen's Cathedral. From 1945 to 1948, the back of the cathedral was used as a church, while the choir (separated by a wall) was restored. In 1952, the choir was solemnly opened and the new Pummerin - a gift from Upper Austria - brought to Vienna.

Actions such as the "roof tile action" (a roof tile cost 5 shillings) or the Dombaulotterie (cathedral building lottery) contributed significantly to the rapid reconstruction of St. Stephen's Cathedral. The material that was used in 1945 (St. Margarethner limestone), was basically good. In some cases, however, layers were used that were biologically interfused and thus vulnerable. This material is still being replaced today.

In 1945 it was also considered to build a flat roof (such as the Milan Cathedral) instead of the steep Gothic roof. The idea was rejected.

The year 1960 marked the end of the reconstruction, from this point on one speaks of restoration work.

 

Wehrmachtshauptmann Gerhard Klinkicht erhielt 1945 einige Tage vor Kriegsende von Stadtkommandant Dietrich den Befehl, den „... Dom zunächst mit 100 Granaten in Schutt und Asche zu legen. Sollte das nicht ausreichen, ist bis zu seiner völligen Zerstörung weiterzuschießen." Doch Gerhard Klinkicht verweigerte aus moralischen Gründen die Ausführung dieses Befehls und rettete damit den Stephansdom vor der totalen Zerstörung.

Am 14. März 2000 ist Gerhard Klinkicht in Bayern im 86. Lebensjahr verstorben. Einige Monate vor seinem Tod überreichte er Dr. Christoph Kardinal Schönborn einen Scheck im Wert von rund 70.000 Euro für die Restaurierung des Stephansdoms. Insgesamt spendete Klinkicht 150.000 Euro für „Unser Stephansdom“.

Eine Gedenktafel am Fuß des Hochturms erinnert an den Retter des Stephansdoms:

„Hauptmann Gerhard Klinkicht zum Dank. Durch seine Gewissensentscheidung bewahrte er im April 1945 den Stephansdom vor der Zerstörung."

 

Der Stephansdom und der Zweite Weltkrieg

Während des Zweiten Weltkriegs konnten selbstverständlich kaum Restaurierungsarbeiten durchgeführt werden. Vorrangig waren die wertvollen Kunstschätze vor möglichen Bombeneinschlägen zu schützen: So wurden z. B. die Kanzel und das Friedrichsgrab ummauert, die schönen, bunten Glasscheiben wurden ausgebaut, das Riesentor gesichert und bewegliche Kunstgegenstände in die Katakomben gebracht.

In der Nacht von 11. auf 12. April 1945 begann das Gerüst auf dem Nordturm zu brennen. Da kein Wasser zum Löschen vorhanden war, konnte sich das Feuer auf das Dach ausbreiten. Infolge des Brandes stürzte die Pummerin samt Glockenstuhl herab, die große Orgel wurde zerstört, das mittelalterliche Chorgestühl verbrannte und das Gewölbe des Mittel- und Südchores stürzte ein: Wesentliche Substanz des Stephansdoms war verloren.

Noch 1945 wurde mit dem Wiederaufbau des Stephansdoms begonnen. In den Jahren 1945 bis 1948 wurde der hintere Teil des Doms als Kirche verwendet, während der Chor (durch eine Wand getrennt) wiederhergestellt wurde. 1952 wurde der Chor feierlich eröffnet und die neue Pummerin – ein Geschenk Oberösterreichs – nach Wien gebracht.

Aktionen wie die „Dachziegelaktion“ (ein Dachziegel kostete 5 Schilling) oder die Dombaulotterie trugen wesentlich zum raschen Wiederaufbau des Stephansdoms bei. Das Material, das 1945 verwendet wurde (St. Margarethner Kalksandstein), war grundsätzlich gut. Teilweise kamen aber Schichten zum Einsatz, die biologisch durchsetzt und somit anfällig waren. Noch heute wird dieses Material ausgetauscht.

1945 wurde auch überlegt, ein Flachdach (wie z. B. am Mailänder Dom) anstelle des steilen gotischen Daches zu errichten. Die Idee wurde jedoch verworfen.

Das Jahr 1960 markiert das Ende des Wiederaufbaus, ab diesem Zeitpunkt spricht man von Restaurierungsarbeiten.

www.stephansdom.at/restaurierung_zweiter_weltkrieg.htm

St.Petersburg has numerous 1yd cans. Not too many places do anymore smallest is 2yd.

All credit to Newport City; as well as an all electric bus fleet, they have all electric refuse lorries.

 

"Allyriadus Sero" is "Zero Emissions".

big labia

[tk maxx / big lables small prices]

refuse to reuse

Temelec (Sonoma County), CA

3/20/17

 

For those that don’t know, the Curotto family owns Sonoma Garbage Collectors and they made The Curotto Can for their own front loaders and eventually sold Curotto Cans to Waste Haulers throughout North America.

 

After many years of wanting to see Sonoma Garbage Collectors fleet in person, I finally had an opportunity to spend a day in Sonoma and I took advantage of it. I arrived in San Francisco early in the morning, grabbed a rental car and drove immediately towards Sonoma. I knew Sonoma Garbage Collectors also operates in Temelec which is before Sonoma, so I stopped there first and before I could turn left into Temelec I saw a Sonoma Garbage Collectors Autocar Wittke with of course a Curotto Can. I met Raul driving the Diesel Autocar Wittke Curotto Can, Raul is a great driver and operates the Curotto Can like a professional. The Wittke sounded absolutely amazing and still operated great for being over 10 years old. There were several 32 gallon carts in Temelec and the Curotto Can would often go 4 blocks without being emptied into the hopper.

 

I found a brand new yellow Curotto Can on the side of the road in Temelec. It looked great and it had all the new features that the Dedicated Curotto Can has. The new yellow Curotto Can belongs to Sonoma Garbage Collectors new Autocar Heil Freedom which finished before 10am (they start around 4:00-5:00am) because it needed some maintenance. Later on, I went to their yard and saw their 1998 commercial Bridgeport Front Loader parked out front. Eventually I found Raul returning to the yard in the Wittke. The route manager Matt also arrived to the yard around the same time in the low entry Bridgeport. Matt just finished a commercial CRV Glass recycle route and he was kind enough to start up the Bridgeport and gave me a tour of the yard.

 

A huge Thank you to the Wittke driver Raul, who is an efficient and nice driver. The route manager Matt, for operating the Bridgeport and giving me a yard tour. And thank you John Curotto for running such a great fleet and producing great innovations for the waste industry. I have been a huge Curotto Can fan since I first saw one on my street in 2001 and although I enjoy all refuse trucks, Front Loaders with Curotto Cans are my favorite.

 

Please make sure you watch the entire video so can see the new Sonoma Curotto Can detached from the new Heil. Along with a commercial and residential (with a custom Curotto Can) Bridgeport and the Curotto Can bone yard. Also check out my pictures on Flickr. The pictures include: the new Heil, older Curotto Cans in the boneyard including the Scalin Eagle, a cart from H&C Disposal from Los Angeles and a Curotto Can getting worked on outside the shop.

 

Video: www.youtube.com/watch?v=LL7mrmyuJeg

 

Freightliner / McNeilus

First Gear WM Heil trash truck with Alcoa wheels.

Chassis: Lodal EVO

Body: Lodal MAG-20

Hauler: Recology CleanScapes

Location: Seattle, WA

Date: October 2018

 

See More Trashy Photos & Videos At: The Thrash 'N' Trash Website

 

©Bryn Erdman. All Rights Reserved.

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French postcard by Editions P.I., Paris, offered by Corvisart, Epinal, no. 1080. Photo: Ektochrome Anders.

 

From 1961 until 1963 Helen Shapiro (1946) was England's teenage pop music queen, at one point selling 40,000 copies daily of her biggest single, 'Walkin' Back to Happiness', during a 19-week chart run. The singer and actress was only 14 when she was discovered. Shapiro had a rich, expressive voice properly sounding like the property of someone twice as old, and she matured into a seasoned professional very quickly.

 

Helen Kate Shapiro was born in Bethnal Green, London in 1946. She is the granddaughter of Russian Jewish immigrants, and her parents, who were piece-workers in the garment industry, attended Lea Bridge Road Synagogue. They were too poor to own a record player but encouraged music in their home. At age 9, Helen performed with a ukulele in the school group Susie & the Hula Hoops, whose members included also a young Mark Feld aka Marc Bolan). Reportedly, they performed their own versions of Elvis Presley and Buddy Holly songs. She subsequently sang with her brother Ron Shapiro's trad jazz turned skiffle outfit at local clubs before enrolling in classes at Maurice Burman's music school in London. Shapiro had a deep timbre to her voice, unusual in a girl not yet in her teens. School friends gave her the nickname ‘Foghorn’. Maurice Burman was so enamoured of Helen’s talent that he waived the fees to keep her as a student. He wrote to several record labels to promote interest in his students. EMI Records sent producer John Schroeder, who heard her at one of the classes and was impressed enough to record her and play it back for top EMI producer Norrie Paramor , who had signed Cliff Richard & the Shadows. Helen Shapiro's voice on the rape was so mature that Paramor refused to believe that it belonged to a 14-year-old girl. So, Helen came to his office in her school uniform and sang St. Louis Blues. Only a few weeks later, she cut her first single, Please Don't Treat Me Like a Child, composed by John Schroeder and Mike Hawker. It made number three in the UK charts in May 1961, and the record company’s publicity department made great play on the novelty value of her age. Shapiro’s second release, the ballad You don’t know, was issued three months later. In August 1961, it made 14-year-old Helen the youngest female artist to reach number one. The song stayed at the top of the charts for two weeks and eventually sold over a million copies. In September that year she turned 15 and left school to pursue her career in earnest. Live appearances showcased Helen’s assuredness as a performer. She even headlined at the legendary London Palladium, virtually unheard of for such a young, inexperienced entertainer.

 

Helen Shapiro had her second number one hit in the UK with Walkin' Back to Happiness. It is now her signature song. Her mature voice made her an overnight sensation. The song also became a hit in the rest of Europe and inspired an attempt to crack the American market. However, despite an appearance on the legendary Ed Sullivan Show, the record only reached # 100 in the US charts. In 1962 she made her debut feature film, It's Trad, Dad!/Ring-A-Ding Rhythm (1962, Richard Lester). This musical comedy was one of the first films put out by predominantly horror company Amicus Productions, and director Richard Lester's feature debut. Shapiro and singer Craig Douglas play two teenagers who, along with their friends enjoy the latest trend of traditional jazz. However, the mayor as well as a group of adults dislike the trend and move to have a coffee shop jukebox taken away. Helen and Craig decide to organize a music festival in their small town, and the film comprises musical numbers by Chubby Checker, Del Shannon, and Gene Vincent. Jeff Stafford at TCM: "Any Richard Lester fan can look at It's Trad, Dad and see the fresh and distinctive techniques that would fully emerge in Lester's A Hard Day's Night. For one thing, Lester's playful editing style keeps the viewer constantly engaged while also paying tribute to the musicians on display. (...) Douglas is a pleasant but unremarkable light pop vocalist but Shapiro is a little dynamo with a powerful voice comparable to Brenda Lee." Shapiro then starred in another teenage musical, Play It Cool (1962, Michael Winner) featuring Billy Fury and the Satellites and Bobby Vee. Before she was sixteen years old, Shapiro had been voted Britain's 'Top Female Singer', and when The Beatles had their first national tour (The Helen Shapiro Tour) in 1963, it was as her supporting act. During the tour The Beatles hit big and replaced Helen as top of the bill. Helen later found out that it was around this time that Lennon and McCartney penned Misery for her, but Paramor declined the offer without informing her. He preferred to release Queen for tonight, a firm fan favourite and a much-requested song, but slightly out of step with current trends. It reached a disappointing 33 in the UK charts. In early 1964, her cover of Fever proved her last top 40 hit.

 

By the time Helen Shapiro was in her late teens, her career as a pop singer was on the wane. Undaunted, she branched out as a performer in stage musicals, a jazz singer (jazz being her first love musically), and more recently a gospel singer. She also began to concentrate more on stage work. In the early 1980’s she played the role of Nancy in Lionel Bart's musical, Oliver! in London's West End. Various other musicals, pantomimes and revival concerts followed. She also continued to tour, especially in mainland Europe and the Far East, where she remained in demand. Throughout the 1980’s she made guest appearances on many TV variety shows, either singing her old songs or promoting the odd new release. Shapiro also appeared in British television soap operas; in particular Albion Market (1985) where she played one of the main characters up to the time it was taken off-air in August 1986. In August 1987 Shapiro became a committed Christian (Messianic believer). She has issued four Messianic albums since then, as well as appearing in a number of special Gospel Outreach evenings, singing and telling of how she found Jesus (Yeshua) as her Messiah. Shapiro retired from showbusiness at the end of 2002 to concentrate on her Gospel Outreach evenings. In 1993, she published her autobiography, Walking Back to Happiness. She was married three times: Duncan C. Weldon (1967-1971), Morris Gundlash (1972-1977) and John Judd (1988-), an actor with numerous roles in British television and cinema. The couple lives in Kent.

 

Sources: Jeff Stafford (TCM), Graham Welch (Ready Steady Girls), Bruce Eder (AllMusic), Wikipedia and IMDb.

 

And, please check out our blog European Film Star Postcards.

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