View allAll Photos Tagged Redbricks
Through autumn foliage, the warm glow of Sunrise is reflected on this old-painted, red brick wall advertising, Omaha, Nebraska. Historic A.K. Riley Building built 1889, now home to Pinnacle Bank, 1014 Douglas Street, Omaha.
Suffolk Punch Spectacular
Kentwell - a very different experience: a romantic, completely moated, mellow redbrick Tudor mansion in a tranquil parkland setting - but so much more.
A 30+ years Restoration Project
In 1970 Kentwell stood neglected. No-one was prepared to take it on - except Patrick Phillips. He fell for this wonderful House in its magical setting and was not deterred by its condition. Ever since then he has, with his wife and family, sought to bring Kentwell back to life. Their works have taken part of the House and its 15th Century Service Building back to the 16th Century. Elsewhere changes reflect their own preferences. House, Gardens & Farm have an unrivalled ability to captivate the visitor.
Take a glimpse into both the past and present of this unique House. Enjoy its delightful Gardens. You can do this whenever you come but especially if you visit during one of the award-winning Re-Creations of Tudor or WWII Everyday Life and (recently) Victorian life. Kentwell pioneered Tudor domestic Living History Events in the UK, and nearly 30 years on the Re-Creations are as magical as ever.
Built 1888 Architect - James Augustus Ellis .... Restoration work on the Campbell Block began more than a year ago, as the historic structure at the northwest corner of Dundas and Keele was carefully returned to something resembling its original state when it was first completed in 1888.
This is another one of my favorites from my daughter's fall session! It's a top contender for a metal print.
editing here is with Nichole V's soft color pop; Jessica Drossin textures.
This section of Michigan Avenue at 14th is anchored by the very popular barbecue restaurant, Slow's.
Kentwell - a very different experience: a romantic, completely moated, mellow redbrick Tudor mansion in a tranquil parkland setting - but so much more.
A 30+ years Restoration Project
In 1970 Kentwell stood neglected. No-one was prepared to take it on - except Patrick Phillips. He fell for this wonderful House in its magical setting and was not deterred by its condition. Ever since then he has, with his wife and family, sought to bring Kentwell back to life. Their works have taken part of the House and its 15th Century Service Building back to the 16th Century. Elsewhere changes reflect their own preferences. House, Gardens & Farm have an unrivalled ability to captivate the visitor.
Take a glimpse into both the past and present of this unique House. Enjoy its delightful Gardens. You can do this whenever you come but especially if you visit during one of the award-winning Re-Creations of Tudor or WWII Everyday Life and (recently) Victorian life. Kentwell pioneered Tudor domestic Living History Events in the UK, and nearly 30 years on the Re-Creations are as magical as ever.
Suffolk Punch Spectacular
Kentwell - a very different experience: a romantic, completely moated, mellow redbrick Tudor mansion in a tranquil parkland setting - but so much more.
A 30+ years Restoration Project
In 1970 Kentwell stood neglected. No-one was prepared to take it on - except Patrick Phillips. He fell for this wonderful House in its magical setting and was not deterred by its condition. Ever since then he has, with his wife and family, sought to bring Kentwell back to life. Their works have taken part of the House and its 15th Century Service Building back to the 16th Century. Elsewhere changes reflect their own preferences. House, Gardens & Farm have an unrivalled ability to captivate the visitor.
Take a glimpse into both the past and present of this unique House. Enjoy its delightful Gardens. You can do this whenever you come but especially if you visit during one of the award-winning Re-Creations of Tudor or WWII Everyday Life and (recently) Victorian life. Kentwell pioneered Tudor domestic Living History Events in the UK, and nearly 30 years on the Re-Creations are as magical as ever.
aspen, colorado
1995
low trapeze artists / aerial artistry of aspen
part of an archival project, featuring the photographs of nick dewolf
© the Nick DeWolf Foundation
Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com
This building has been a real challenge for me to get a shot I like. Redone again. I like this better, but someday, I'm going to get a good shot of this..
Red Brick Bar & Grill
www.redbrickbarandgrillturlock.net
153 S Broadway, Turlock, CA 95380
Photos taken by Mary Patton - CBA Photography (C)
Kentwell - a very different experience: a romantic, completely moated, mellow redbrick Tudor mansion in a tranquil parkland setting - but so much more.
A 30+ years Restoration Project
In 1970 Kentwell stood neglected. No-one was prepared to take it on - except Patrick Phillips. He fell for this wonderful House in its magical setting and was not deterred by its condition. Ever since then he has, with his wife and family, sought to bring Kentwell back to life. Their works have taken part of the House and its 15th Century Service Building back to the 16th Century. Elsewhere changes reflect their own preferences. House, Gardens & Farm have an unrivalled ability to captivate the visitor.
Take a glimpse into both the past and present of this unique House. Enjoy its delightful Gardens. You can do this whenever you come but especially if you visit during one of the award-winning Re-Creations of Tudor or WWII Everyday Life and (recently) Victorian life. Kentwell pioneered Tudor domestic Living History Events in the UK, and nearly 30 years on the Re-Creations are as magical as ever.
Suffolk Punch Spectacular
Kentwell - a very different experience: a romantic, completely moated, mellow redbrick Tudor mansion in a tranquil parkland setting - but so much more.
A 30+ years Restoration Project
In 1970 Kentwell stood neglected. No-one was prepared to take it on - except Patrick Phillips. He fell for this wonderful House in its magical setting and was not deterred by its condition. Ever since then he has, with his wife and family, sought to bring Kentwell back to life. Their works have taken part of the House and its 15th Century Service Building back to the 16th Century. Elsewhere changes reflect their own preferences. House, Gardens & Farm have an unrivalled ability to captivate the visitor.
Take a glimpse into both the past and present of this unique House. Enjoy its delightful Gardens. You can do this whenever you come but especially if you visit during one of the award-winning Re-Creations of Tudor or WWII Everyday Life and (recently) Victorian life. Kentwell pioneered Tudor domestic Living History Events in the UK, and nearly 30 years on the Re-Creations are as magical as ever.
One of Salford's famous landmarks primarily due to its feature within music videos of The Smiths
Ordsall, City of Salford
Greater Manchester, United Kingdom
The Parish Church of St. John the Divine became redundant about five years ago, and is now used as some kind of youth theatre group, I believe.
The Church opened in 1882, and is Grade 2 listed.
Nikon F65, Kodak Ektar 100 Film, Nikkor 28-80mm lens
In 1882 the new Parish of St. John The Divine, Gainsborough was formed from the Southern half of the Parish of Holy Trinity. The church, which has been disused for about five years now, is an austere, large redbrick building, apparantly designed to have a tower that was never built. It had attached to it a school that closed during the mid 1970s and a clergy house "Vigilans" to house a company of celibate priests. The interior of the Church was long, spacious with tall arcades, and featured a statue of St. John originally made for an exhibition in Chicago.
The building is Grade C listed (equivalent to Grade II)
Suffolk Punch Spectacular
Kentwell - a very different experience: a romantic, completely moated, mellow redbrick Tudor mansion in a tranquil parkland setting - but so much more.
A 30+ years Restoration Project
In 1970 Kentwell stood neglected. No-one was prepared to take it on - except Patrick Phillips. He fell for this wonderful House in its magical setting and was not deterred by its condition. Ever since then he has, with his wife and family, sought to bring Kentwell back to life. Their works have taken part of the House and its 15th Century Service Building back to the 16th Century. Elsewhere changes reflect their own preferences. House, Gardens & Farm have an unrivalled ability to captivate the visitor.
Take a glimpse into both the past and present of this unique House. Enjoy its delightful Gardens. You can do this whenever you come but especially if you visit during one of the award-winning Re-Creations of Tudor or WWII Everyday Life and (recently) Victorian life. Kentwell pioneered Tudor domestic Living History Events in the UK, and nearly 30 years on the Re-Creations are as magical as ever.
Berkeley has a few buildings with fine moulded bricks and terra cotta ornaments. The glossy red on this one is particularly good. It wasn't sandblasted all to crap...
The Kremlin's magnificent redbrick walls form an irregular triangle around Moscow's ancient citadel and are 2,235 meters in length, 19 meters high and up to 6.5 meters thick. They are topped with swallow-tailed crenellations and defended by 18 separate towers, most of which were built at the end of the 15th century by the Italian architects Marco Ruffo, Pietro Antonio Solari and Alevisio Novi. The distinctive jade-green spires of the towers were added in the 17th century and their crowning ruby-red stars in 1937. Each tower has its own name and fascinating history and the Kremlin wall itself tells the intriguing story of Moscow during the 20th century.
In front of the Kremlin walls stands the cubist bulk of Lenin's mausoleum and behind it visitors are led past a mass grave of Bolsheviks who perished during the battle for Moscow in 1917 and the graves of an array of Soviet notables, including those of Lenin's wife Nadezhda Krupskaya and his lover Inessa Armand, the writer Maxim Gorky and the world's first cosmonaut Yuri Gagarin. Beyond them lie the bust-adorned graves of many of the Soviet Union's leaders; Chernenko, Andropov, Brezhnev and Stalin. Notably absent is Krushchev, who died in obscurity and was buried in the Novodevichy Cemetery.
Albi is a commune in southern France. It is the prefecture of the Tarn department. It is located on the River Tarn, c. 85 km northeast of Toulouse.
Albi was built around the original cathedral and episcopal group of buildings. This historic area covers 63 hectares. Red brick and tiles are the main feature of most houses and buildings. The episcopal city, situated in the center of the city, around the cathedral, was added to the UNESCO list of World Heritage Sites in 2010
Sainte Cécile cathedral, a masterpiece of the Southern Gothic style, built between the 13th and 15th centuries. It is characterised by a strong contrast between its austere, defensive exterior and its sumptuous interior decoration.
Source: wikipedia
At first sight palatial redbrick facades and artistically adorned gables on buildings dotted around a grassy square are more reminiscent of an aristocratic residence than a coal mine. This was exactly one of the ideas behind the architecture.
Today the “mansion of labour” in the west of Dortmund is undoubtedly one of the most beautiful and impressive testimonies to Germany’s industrial history. The engine house with its famous Jugendstil doorway is already an icon.
A morning walk around Earlswood Lakes in Solihull.
Earlswood Lakes is the modern name for three man-made reservoirs which were built in the 1820s at Earlswood in Warwickshire, England, to supply water to the Stratford-upon-Avon Canal. They still supply the canal, and also provide leisure facilities, including sailing, fishing and walking. The northern banks of the lakes form the county boundary with the West Midlands.
The Stratford-upon-Avon Canal runs from Kings Norton Junction, where it joins the Worcester and Birmingham Canal to Stratford-upon-Avon, where it joins the River Avon, with a junction about halfway along at Kingswood, where it joins the Grand Union Canal. The initial 9.75 miles (15.6 km) to Hockley Heath is level, but after that, the canal drops through 55 locks on its way to Stratford-upon-Avon. In order to supply water to the system, the Earlswood Lakes were constructed in the 1820s. Construction took nearly 5 years to complete, and the labour force included prisoners of war from the Napoleonic wars. Some people say that lying at the bottom of all the lakes are the dead bodies of people who died while being forced to make the pools and they had no place to be buried so they were left there, either in groups or alone. Also the cost of construction was £297,000.
Being so near to Birmingham, the lakes proved attractive to visitors from the city from the early 1900s, and their popularity has been maintained, with recent improvements to the facilities which they provide. The Lakes railway station was built to bring tourists to the area and is on the Birmingham to Stratford line.
The three reservoirs are called Engine Pool, Windmill Pool and Terry's Pool, and a Grade II listed engine house is located beside the Engine Pool. The lakes cover 25 acres (10 ha), 25 acres (10 ha) and 20 acres (8.1 ha) respectively. The lakes are fed by tributaries of the River Blythe, and in turn outfall into that river also.
The Earlswood Engine House. It is near the Engine Pool.
Grade II Listed Building.
Engine House (Pumping Station), Earlswood Lakes
Listing Text
HOCKLEY HEATH VALLEY ROAD
1.
5108
Engine House (Pumping
Station), Earlswood Lakes
SP 17 SW 4/344
II
2.
C19. Redbrick, low pitched Welsh slated roof with brick cornice, end gables. 3
storeys, 2 closed windows with glazing bars wunder cambered relieving arches. Tall
and narrow with low single storey addition to south west side.
Included largely for historical interest for its connection with the Stratford upon
Avon Canal.
Listing NGR: SP1129874384
This text is from the original listing, and may not necessarily reflect the current setting of the building.
White plaque
Built in 1821 to house a steam engine which pumped water from Earlswood Lakes to the nearby Stratford-upon-Avon Canal
Kentwell - a very different experience: a romantic, completely moated, mellow redbrick Tudor mansion in a tranquil parkland setting - but so much more.
A 30+ years Restoration Project
In 1970 Kentwell stood neglected. No-one was prepared to take it on - except Patrick Phillips. He fell for this wonderful House in its magical setting and was not deterred by its condition. Ever since then he has, with his wife and family, sought to bring Kentwell back to life. Their works have taken part of the House and its 15th Century Service Building back to the 16th Century. Elsewhere changes reflect their own preferences. House, Gardens & Farm have an unrivalled ability to captivate the visitor.
Take a glimpse into both the past and present of this unique House. Enjoy its delightful Gardens. You can do this whenever you come but especially if you visit during one of the award-winning Re-Creations of Tudor or WWII Everyday Life and (recently) Victorian life. Kentwell pioneered Tudor domestic Living History Events in the UK, and nearly 30 years on the Re-Creations are as magical as ever.
Gustav Adolf Church or the Scandinavian Seamen's Church is a historical building located in Park Lane, Liverpool, Merseyside, England. It consists of a church, built between 1883 and 1884, and an attached minister's house, and provides a centre for the Liverpool International Nordic Community.The combined church and minister's house is recorded in the National Heritage List for England as a designated Grade II* listed building.
During the later part of the 19th century, large numbers of Scandinavian emigrants were passing though Liverpool, and there was a need to serve their spiritual needs. The first Scandinavian priest was appointed in 1870, who visited the emigrants in ships and boarding houses. There was perceived to be a need for a permanent centre. The commission to design a church and minister's house was gained by W. D. Caroe, whose father, Anders Kruuse Caroe, was the Danish Consul in the city. It was Caroe's first independent commission to design a church.[3] Building started in 1883 and was completed the following year, at a cost of £15,000 (equivalent to £1,430,000 in 2016).
Surrounded by modern office and apartment blocks the grand red brick mansion “Warwillah”, built on the corner of Beatrice Street and St Kilda Road, is one of the few remaining examples of a time Melbourne’s St Kilda Road was still a grand boulevard of elegant residences.
In March 1875 the government announced that the land on the western side of St Kilda Road would be alienated from parkland and that the land would be sold for residential purposes. Following the subdivision, a gentleman of means named Rudolph D. Benjamin purchased the land on which he planned to build an elegant residence as befitting his station.
Designed by well known Melbourne architect John Beswicke, “Redholme” was a sixteen-roomed brick mansion built on Mr. Benjamin’s block in 1896 by the builder James Downie. Although not in the Benjamin family, “Redholme” survived the death taxes that came after the Great War and the Great Depression of 1929. It was still a privately owned home in its entirety in 1939 when it was owned by Mr. and Mrs. C. J. Reddish. Sadly, after the Second World War, “Redholme” changed ownership, usage and even name. From the early 1950s, the red brick building became the “Warwilla Guest House”. The name “Warwilla” is what the house has been known as ever since.
“Warwilla” is an unusual mansion as it is an early example of a transition from Modern Gothic to Queen Anne design. The red brick tuckpointed facade is asymmetrical with picturesque massing, but the larger half-timbered gable and cantilevered banked window on the south side is balanced by the octagonal corner tower and ‘candle snuffer’ roof on the north. The Modern Gothic is suggested by the depressed pointed arches to main openings, and engaged colonettes at the porch entrance, whilst the half-timbered gable, octagonal tower with ‘candle snuffer’ roof and Art Nouveau stained glass windows are very much stylistic elements of Queen Anne architecture. These elements were to remain popular for at least another decade. The tall banded brick chimneys (done in the style of Henry Kemp) dominate the terracotta tile roof, as do the decorative finials which include a dragon.
Walking through the stained glass framed front door, you enter “Warwilla’s” lofty entrance hall. The original ornate Art Nouveau plaster ceilings and foyer fireplace with brass, wood and tiled surround still remain intact. A grand early twentieth century crystal chandelier hangs from the central ceiling rose. On the landing of the original staircase a fine stained glass window by British born, German trained, Melbourne stained glass artist William Montgomery still overlooks St Kilda Road. Featuring a beautiful woman in Tudor garb in a garden setting, the window is typical of the British Arts and Crafts Movement which would have dominated interior design at the time. Framed by stylised Tudor flowers and pomegranates the line “a merlin sat upon her wrist, held by a leash of silken twist” appears on a scroll. Taken from the long narrative poem “The Lay of the Last Minstrel” written in 1805 by Sir Walter Scott (1771 – 1832) the choice of image and literary quote hark back to heraldic times, a great driver of the aesthetics of the British Arts and Crafts Movement. The stair hall window is signed by William Montgomery in the bottom left-hand corner of the frame, where it also lists his address as 164 Flinders Street.
At the time of photographing “Warwilla” was partly a Seasons heritage boutique hotel and partly the entrance to a towering modern apartment block which has been built directly behind it.
John Beswicke (1847 – 1925) was a Melbourne architect and surveyor between 1882 and 1915. He was apprenticed to the firm Crouch and Wilson at the age of sixteen. He worked there for eighteen years, finishing as head assistant. In 1882 Ralph Wilson and John Beswicke formed the partnership Wilson and Beswicke. Through his career he was in sole practice as J. Beswicke, between and following three partnerships including Beswicke and Hutchins, and Beswicke and Coote. John Beswicke designed many commercial and residential buildings during his career. These include: the Brighton Town Hall, the Dandenong Town Hall, the Essendon Town Hall, the Hawthorn Town Hall, the Malvern Town Hall, the St Kilda Presbyterian Church, the Auburn shopping strip along Auburn road, “Bendigonia” in Leopold Street Melbourne which runs off St Kilda Road, “Tudor House” in Williamstown, “Tudor Lodge” (later renamed “Hilton House”) home to Mr. Cullis Hill in Hawthorn, “Redholme” (later renamed Warwilla) and his own Hawthorn home “Rotha”.
Suffolk Punch Spectacular
Kentwell - a very different experience: a romantic, completely moated, mellow redbrick Tudor mansion in a tranquil parkland setting - but so much more.
A 30+ years Restoration Project
In 1970 Kentwell stood neglected. No-one was prepared to take it on - except Patrick Phillips. He fell for this wonderful House in its magical setting and was not deterred by its condition. Ever since then he has, with his wife and family, sought to bring Kentwell back to life. Their works have taken part of the House and its 15th Century Service Building back to the 16th Century. Elsewhere changes reflect their own preferences. House, Gardens & Farm have an unrivalled ability to captivate the visitor.
Take a glimpse into both the past and present of this unique House. Enjoy its delightful Gardens. You can do this whenever you come but especially if you visit during one of the award-winning Re-Creations of Tudor or WWII Everyday Life and (recently) Victorian life. Kentwell pioneered Tudor domestic Living History Events in the UK, and nearly 30 years on the Re-Creations are as magical as ever.
Suffolk Punch Spectacular
Kentwell - a very different experience: a romantic, completely moated, mellow redbrick Tudor mansion in a tranquil parkland setting - but so much more.
A 30+ years Restoration Project
In 1970 Kentwell stood neglected. No-one was prepared to take it on - except Patrick Phillips. He fell for this wonderful House in its magical setting and was not deterred by its condition. Ever since then he has, with his wife and family, sought to bring Kentwell back to life. Their works have taken part of the House and its 15th Century Service Building back to the 16th Century. Elsewhere changes reflect their own preferences. House, Gardens & Farm have an unrivalled ability to captivate the visitor.
Take a glimpse into both the past and present of this unique House. Enjoy its delightful Gardens. You can do this whenever you come but especially if you visit during one of the award-winning Re-Creations of Tudor or WWII Everyday Life and (recently) Victorian life. Kentwell pioneered Tudor domestic Living History Events in the UK, and nearly 30 years on the Re-Creations are as magical as ever.
Surrounded by modern office and apartment blocks the grand red brick mansion “Warwillah”, built on the corner of Beatrice Street and St Kilda Road, is one of the few remaining examples of a time Melbourne’s St Kilda Road was still a grand boulevard of elegant residences.
In March 1875 the government announced that the land on the western side of St Kilda Road would be alienated from parkland and that the land would be sold for residential purposes. Following the subdivision, a gentleman of means named Rudolph D. Benjamin purchased the land on which he planned to build an elegant residence as befitting his station.
Designed by well known Melbourne architect John Beswicke, “Redholme” was a sixteen-roomed brick mansion built on Mr. Benjamin’s block in 1896 by the builder James Downie. Although not in the Benjamin family, “Redholme” survived the death taxes that came after the Great War and the Great Depression of 1929. It was still a privately owned home in its entirety in 1939 when it was owned by Mr. and Mrs. C. J. Reddish. Sadly, after the Second World War, “Redholme” changed ownership, usage and even name. From the early 1950s, the red brick building became the “Warwilla Guest House”. The name “Warwilla” is what the house has been known as ever since.
“Warwilla” is an unusual mansion as it is an early example of a transition from Modern Gothic to Queen Anne design. The red brick tuckpointed facade is asymmetrical with picturesque massing, but the larger half-timbered gable and cantilevered banked window on the south side is balanced by the octagonal corner tower and ‘candle snuffer’ roof on the north. The Modern Gothic is suggested by the depressed pointed arches to main openings, and engaged colonettes at the porch entrance, whilst the half-timbered gable, octagonal tower with ‘candle snuffer’ roof and Art Nouveau stained glass windows are very much stylistic elements of Queen Anne architecture. These elements were to remain popular for at least another decade. The tall banded brick chimneys (done in the style of Henry Kemp) dominate the terracotta tile roof, as do the decorative finials which include a dragon.
Walking through the stained glass framed front door, you enter “Warwilla’s” lofty entrance hall. The original ornate Art Nouveau plaster ceilings and foyer fireplace with brass, wood and tiled surround still remain intact. A grand early twentieth century crystal chandelier hangs from the central ceiling rose. On the landing of the original staircase a fine stained glass window by British born, German trained, Melbourne stained glass artist William Montgomery still overlooks St Kilda Road. Featuring a beautiful woman in Tudor garb in a garden setting, the window is typical of the British Arts and Crafts Movement which would have dominated interior design at the time. Framed by stylised Tudor flowers and pomegranates the line “a merlin sat upon her wrist, held by a leash of silken twist” appears on a scroll. Taken from the long narrative poem “The Lay of the Last Minstrel” written in 1805 by Sir Walter Scott (1771 – 1832) the choice of image and literary quote hark back to heraldic times, a great driver of the aesthetics of the British Arts and Crafts Movement. The stair hall window is signed by William Montgomery in the bottom left-hand corner of the frame, where it also lists his address as 164 Flinders Street.
At the time of photographing “Warwilla” was partly a Seasons heritage boutique hotel and partly the entrance to a towering modern apartment block which has been built directly behind it.
John Beswicke (1847 – 1925) was a Melbourne architect and surveyor between 1882 and 1915. He was apprenticed to the firm Crouch and Wilson at the age of sixteen. He worked there for eighteen years, finishing as head assistant. In 1882 Ralph Wilson and John Beswicke formed the partnership Wilson and Beswicke. Through his career he was in sole practice as J. Beswicke, between and following three partnerships including Beswicke and Hutchins, and Beswicke and Coote. John Beswicke designed many commercial and residential buildings during his career. These include: the Brighton Town Hall, the Dandenong Town Hall, the Essendon Town Hall, the Hawthorn Town Hall, the Malvern Town Hall, the St Kilda Presbyterian Church, the Auburn shopping strip along Auburn road, “Bendigonia” in Leopold Street Melbourne which runs off St Kilda Road, “Tudor House” in Williamstown, “Tudor Lodge” (later renamed “Hilton House”) home to Mr. Cullis Hill in Hawthorn, “Redholme” (later renamed Warwilla) and his own Hawthorn home “Rotha”.
A morning walk around Earlswood Lakes in Solihull.
Earlswood Lakes is the modern name for three man-made reservoirs which were built in the 1820s at Earlswood in Warwickshire, England, to supply water to the Stratford-upon-Avon Canal. They still supply the canal, and also provide leisure facilities, including sailing, fishing and walking. The northern banks of the lakes form the county boundary with the West Midlands.
The Stratford-upon-Avon Canal runs from Kings Norton Junction, where it joins the Worcester and Birmingham Canal to Stratford-upon-Avon, where it joins the River Avon, with a junction about halfway along at Kingswood, where it joins the Grand Union Canal. The initial 9.75 miles (15.6 km) to Hockley Heath is level, but after that, the canal drops through 55 locks on its way to Stratford-upon-Avon. In order to supply water to the system, the Earlswood Lakes were constructed in the 1820s. Construction took nearly 5 years to complete, and the labour force included prisoners of war from the Napoleonic wars. Some people say that lying at the bottom of all the lakes are the dead bodies of people who died while being forced to make the pools and they had no place to be buried so they were left there, either in groups or alone. Also the cost of construction was £297,000.
Being so near to Birmingham, the lakes proved attractive to visitors from the city from the early 1900s, and their popularity has been maintained, with recent improvements to the facilities which they provide. The Lakes railway station was built to bring tourists to the area and is on the Birmingham to Stratford line.
The three reservoirs are called Engine Pool, Windmill Pool and Terry's Pool, and a Grade II listed engine house is located beside the Engine Pool. The lakes cover 25 acres (10 ha), 25 acres (10 ha) and 20 acres (8.1 ha) respectively. The lakes are fed by tributaries of the River Blythe, and in turn outfall into that river also.
The Earlswood Engine House. It is near the Engine Pool.
Grade II Listed Building.
Engine House (Pumping Station), Earlswood Lakes
Listing Text
HOCKLEY HEATH VALLEY ROAD
1.
5108
Engine House (Pumping
Station), Earlswood Lakes
SP 17 SW 4/344
II
2.
C19. Redbrick, low pitched Welsh slated roof with brick cornice, end gables. 3
storeys, 2 closed windows with glazing bars wunder cambered relieving arches. Tall
and narrow with low single storey addition to south west side.
Included largely for historical interest for its connection with the Stratford upon
Avon Canal.
Listing NGR: SP1129874384
This text is from the original listing, and may not necessarily reflect the current setting of the building.
Built in 1821 to house a steam engine which pumped water from Earlswood Lakes to the nearby Stratford-upon-Avon Canal
Kentwell - a very different experience: a romantic, completely moated, mellow redbrick Tudor mansion in a tranquil parkland setting - but so much more.
A 30+ years Restoration Project
In 1970 Kentwell stood neglected. No-one was prepared to take it on - except Patrick Phillips. He fell for this wonderful House in its magical setting and was not deterred by its condition. Ever since then he has, with his wife and family, sought to bring Kentwell back to life. Their works have taken part of the House and its 15th Century Service Building back to the 16th Century. Elsewhere changes reflect their own preferences. House, Gardens & Farm have an unrivalled ability to captivate the visitor.
Take a glimpse into both the past and present of this unique House. Enjoy its delightful Gardens. You can do this whenever you come but especially if you visit during one of the award-winning Re-Creations of Tudor or WWII Everyday Life and (recently) Victorian life. Kentwell pioneered Tudor domestic Living History Events in the UK, and nearly 30 years on the Re-Creations are as magical as ever.
The Uspenski cathedral of Helsinki, which is dedicated to the Assumption of Mary, is the largest Orthodox cathedral in western Europe. With its golden cumpolas and redbrick façade, the cathedral is one of the clearest symbol of the Russian impact on Finnish history.
The cathedral was designed by Russian architect Alexey Gornostaev and completed in 1868.
Source: Helsinki on foot brochure
St Patrick's Cathedral and Hall form an important ecclesiastical pair demonstrating the particular strength of the Catholic Church in Ballarat. With such a fine pair in existance, it was only right that the priest of St Patrick's had a smart presbytry to live in.
St Patrick's Presbytery, built of red brick with stone detailing, is gothic in its design in order to match its older English Gothic church and hall. The architect of the presbytery is unknown, but they have done a splendid job of pairing it with the church hall, which stands directly behind it. The prebytery was built in the early years of the Twentieth Century and features flying buttresses, gothic detailing around the windows and cast iron fretwork of a suitably religious style around its magnificent bow fronted verandah and balcony.
The cast iron gates and fence around the perimeter of the complex, designed in an elaborate gothic style with crowned piers demonstrate outstanding craftsmanship.