View allAll Photos Tagged Recurring
The Blue Port is a recurring event in the Hamburg harbour during which it is illuminated with many blue lights.
Just like this cargo cranes at "Kleiner Grasbrook".
Chuck is one of the greatest shows on TV these days. Not a lot of people watch it, but its fanbase is a loyal one. The show is very heartfelt, hilarious, has great action, great soundtrack, fantastic plot, and it's sexy without being smutty. I especially love their sly pop culture references (e.g. Reginald VelJohnson, who played Sgt. Al Powell in the original Die Hard, recurring his role as Al Powell on an episode with a Christmas hostage situation... or their constant naming bad guys after villains from classic movies). It's been my family's favorite show since it premiered in 2007. It's a show that really just makes you feel good all over when you watch it. It never fails to please, and we would be devastated if it went off the air. But thanks to DVR's (and a great chunk of Chuck viewers are technology nerds, so it's to be expected), Nielson ratings are down, and the show IS in danger! So, Zachary Levi, star of the show, has started a campaign to save Chuck! Subway is Chuck's biggest sponsor. They even sneak the $5 Footlong jokes into the show whenever they can. So Zachary is asking everyone to go to Subway (biggest sponsor!!!) this Monday and order a $5 Footlong. It's a great, cheap, healthy lunch... so even if you're not a fan... why not go get one? Do it for me! And while you're there, drop a note in the suggestion box thanking Subway for sponsoring Chuck and asking them to help keep the show around! Also, if you can, please please please watch the Finale LIVE (NOT an hour later on DVR.... really, truly LIVE) this Monday night! And lastly, if you are a big fan, like me and my family, take the time to write some letters to the people in charge of it all.Now that you've read my summary of the situation, here are the details from www.msplinks.com/MDFodHRwOi8vemFjaGFyeS1sZXZpLmNvbS8yMDA5...:
To Participate in the Finale and Footlong campaign I’m asking that fans…
1. Get the word out on this program. Lots of people want to help
Chuck, but may not have the time or inclination to write letters, but
the network will listen closer if we’re talking dollars.
2. Still, if you can…write letters to NBC & Universal telling
them why you think Chuck is great (Ben Silverman is Co-Chairman of NBC
and Angela Bromstad is with Primetime Programming). In that letter be
sure to mention that you’re going to be supporting Subway, one of
Chuck’s key sponsors by purchasing a $5 Footlong the evening of the
finale and that you’re spreading the word to convince more fans to do
the same…this is a way for non-Nielson fans to show their love of the
show by directly supporting one of Chuck’s key advertisers.
3. Write a thank you letter to Subway, letting them know what the fans
are trying to do here and thank them for their product placement spots
on Chuck.
4. Convert as many new fans as you can before the finale…we need the numbers.
5. On April 27th be sure to BUY A $5 FOOTLONG from Subway
and if possible, drop a note in the comment box at the franchise
letting them know you’re participating in the Finale and Footlong
campaign to save NBC’s Chuck, of which Subway is a product placement
sponsor.
6. Watch the finale LIVE if possible.
If you do nothing else…do the last two items on the list.
Again…the intent is to let the network and their sponsor know that
we’ve received their message. This is something a Nielson box can’t
do…this is a translation of fan loyalty into real dollars that NBC
& Subway can measure. Thanks for listening.
Addresses:
Bill Schettini
Subway - Chief Marketing Officer
325 Bic Drive
Milford, CT 06461
Ben Silverman
Co-Chairman NBC/Universal
3000 W. Alameda
Admin Building
Burbank, CA 91523
Angela Bromstad
President of Primetime Series NBC
100 Universal City Plaza
Bldg 1320, 4th Floor
Universal City, CA 91608
Sample Letters can be found HERE and HERE.
Big thanks to Wendy Farrington for this campaign!
This is in our backyard.
The Buffalo National River was established by an Act of Congress on March 1, 1972, ending the recurring plans of the U.S. Army Corps of Engineers to construct one or more dams on the river. The National River designation protects natural rivers from industrial uses, impoundments and other obstructions that may change the natural character of the river or disrupt the natural habitat for the flora and fauna that live in or near the river. Three segments totaling 11,978 acres (48.47 km2) were designated the Buffalo National River Wilderness in 1975.
The notion that people could be turned into stone in punishment for some misdemeanour or other is a recurring theme in Gaelic folklore, and here at Athgreany in the stillness of the Wicklow hills is a strange troupe of dancers and a piper, all ossified on the spot for violating the Sabbath with their merrymaking. The circle stands on the crest of a low hill and consists of fourteen granite boulders and an outlier (representing the luckless piper) 40 yards to the north-east. The tallest circle-stones are on the east; one of these measures 6 feet 4 inches in height and has a girth of over 12 feet. An old thorn tree grew on the circumference of the ring until it was recently blown down, and it now lies decaying among the timeless stones. Townland names frequently hold clues about past associations between places and traditions. Athgreany translates as 'Field of the Sun', leading one to the conclusion that this was formerly a ceremonial site. Not many miles to the west in the adjoining county of Kildare, there is another Piper's Stones, a much-ruined monument enclosed by an earthen bank.
Flooding in the Fraser Valley and along the Trans-Canada Highway can have major economic and logistical impacts. The Nooksack River in Washington State, overflowing into Sumas Prairie in British Columbia has been a recurring issue, and when the Trans Canada Highway is shut down, it disrupts supply chains between the Port of Vancouver and the rest of Canada. The colour and unsettling nature of the catastrophic event in this image is somewhat surrealistic.
These unconventionally shaped canvases bear a resemblance to pieces of a giant puzzle. Like many of General idea’s works, the paintings reference the ancient Mesopotamian Ziggurat shape with which the group was captivated. An architectural structure of steps leading to a temple, the ziggurat is a recurring motif in their work, representing power, progress and success. Each of these paintings is four inches deep, corresponding to the height of the depicted ziggurat’s steps.
I have been having this weird recurring dream lately..
...In it, I wake up and there is a little girl beating on my front door outside in the middle of the night but behind her is an old woman that is waiting for me to open the door. Although in the dream I can see them, and they can't see me. But she seems to know I'm right there.
Hector the Convector is a cumulonimbus thundercloud that forms regularly nearly every afternoon on the Tiwi Islands (90 km NNW of Darwin) in the Northern Territory of Australia, from approximately September to March each year.
Hector is known as one of the world's most consistently large thunderstorms, reaching heights of approximately 20 kilometres (66,000 ft).
Named by US and Australian airforce pilots during the Second World War, (who were attempting to defend Darwin against Japanese bombing) the recurring position of the thunderstorm made it a navigational beacon for pilots and mariners in the region.
Hector is caused primarily by a collision of several sea breeze boundaries across the Tiwi Islands and is known for its consistency and intensity. Lightning rates and updraft speeds are notable aspects of this thunderstorm and during the 1990s National Geographic magazine published a comprehensive study of the storm with pictures of damaged trees and details of updraft speeds and references to tornadic events.
Since the late-1980s the thunderstorm has been the subject of many meteorological studies, many centred on Hector itself, but also utilising the consistency of the storm cell to study other aspects of thunderstorms and lightning.
(Apologies in advance, but the pumpkin will probably be a recurring theme. It's always nice to have a new prop to play with.)
WE GOT COCO BACK FROM THE VETS TODAY!!
But otherwise today was mixed. Max sent me a lovely message. The last time I mentioned him on flickr it was because he had been a dick, but this time he was so sweet & caring. He told me he'd be online to talk all day, but if he wasn't there I should text him to come online. He told me he loved me & gave me a hug (internet hug ofc) & was just so sweet. I still felt a bit upset, but just knowing you have someone there makes it feel so much better.
My Dad & brother went to Preston today to visit my uncle & grandpa & watch the football match. I couldn't go today, & had to stay with my Mom. So I read, & chatted online to Maxxie. I ate lunch in my room. Eventually I went to see if my Mom wanted to watch a movie, & we ended up watching 'A Passage to India'. We got halfway through & then the phone rang & it was the vet saying we could come & collect Coco! YAY! & she was so friendly when we went to get her =D I felt mean because another cat rushed up & wanted me to stroke it, but I thought that would be mean to do it in front of our cat. & there was another cat with a broken leg, & a poorly bunny rabbit. I felt so sad for them!!
On the way back we went to Tesco (leaving poor Coco in the car momentarily) & we did a general shop & I got rocky road ingredients & nachos! Mmm. We got back home & finished watching the film, & then the guys came home & I made everybody nachos for dinner & we ate them while watching X Factor.
When I'd had to leave to go to the vets earlier, Max had remarked that I already seemed over my little upset, & it wasn't that, it's just that I put it away in a box in my head, & reminded myself that nothing could come of me being upset. I also reminded myself not to let my guard down so much in the future - that way it won't hurt as bad again.
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The Haze is a recurring annual problem caused by illegal slash-and-burn agriculture on the island of Sumatra in Indonesia.
Another shot from my forest walk at the weekend, and I grabbed this one when the fog had receded enough to reveal more of the trees. The endless recurring pattern of unadorned vertical trunks worked well. No easy task, though, to avoid obvious overlapping of trees and maintain some separation.
A recurring dream on cold winter nights. While I like winter just as much as I like any other season, right now I am looking forward to the warmth of Summer.
Shot somewhere in Ohio with a Canon PowerShot G16.
Press L key on your keyboard to zoom in and zoom out.
(click on the image if it appears fuzzy when zoomed in or press L 2-3 times)
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In Flickr Explore on 2019/01/12
One of the recurring themes of my daydreams is the flashback to some distant thought or memory. Sometimes a specific event or encounter. Other times a snippet of a past conversation, now torn away from its original context. Was in the midst of one of these flashback the other day, recalling a moment with someone I haven't seen or spoken with in over 30 years. "Why on earth am I thinking about this now?" I wonder to self. I got to thinking about what led me to that recollection. Funny thing is that it's almost never a metaphorical direct flight. More often it's a cascading effect like knocking over a row of dominoes. I hit an initial trip wire of thought, and that leads to a quick succession of other (quite random) thoughts and suddenly there I am, caught in a momentary time warp. There's little rhyme or reason to it. The end product varies. Sometimes I return to the same place in time, sometimes not. That's the nature of a flashback I suppose, bringing back a repressed memory. In my case I'm generally not recalling any sort of emotional trauma. That's the weird part. The returning thoughts are often quite mundane, but for some reason were ingrained deep down. Now as my age advances, they float back to the surface. I've noticed another pattern where specific tasks (usually physical, not involving a great deal of thought in their own right) lead me back down the same memory path. Somehow the modern day task has become interconnected with a past event, and the connection can remain for weeks or even months until it is broken off by a new one. I've even noticed this in my sleeping dreams where I'll either return to the past, or something from the past will return to the present. This will cause me to remember things of which I had no conscious memory. I wonder if time is not as linear as it seems. I also wonder if any of this plays out visually in photography, or at the very least helps shape the way I see things when out shooting.
I associated this story with the little figurine in this photo I suppose on account of the missing head. A metaphor for daydreaming on one level. When I first encountered this tiny statue I was struck by the awful juxtaposition of peace and serenity in the lower half of the body with the ghastly decapitation. But even more startling perhaps is the seeming ease with which the two realms coexist...the past blending with the new reality. The perched bird seemed to tie it all together somehow. Anyway the mere act of photographing this tableau ensures that it will be available for future playback in my mind.
This is in our backyard.
The Buffalo National River was established by an Act of Congress on March 1, 1972, ending the recurring plans of the U.S. Army Corps of Engineers to construct one or more dams on the river. The National River designation protects natural rivers from industrial uses, impoundments and other obstructions that may change the natural character of the river or disrupt the natural habitat for the flora and fauna that live in or near the river. Three segments totaling 11,978 acres (48.47 km2) were designated the Buffalo National River Wilderness in 1975.
* Ma-ai, literally -- in Japanese -- the common interval, hence the distance between two people, a clear marker of their relationship, of their proximity. The father-mother-child triad is clearly unbalanced. The question, O me! so sad, recurring—isn't it too often so?
=====================
Leica M10-M, Distagon 1.4/35 ZM, Affinity Photo, EI 400 ISO, 1/1000s, f/4
.
Kim and I had gone to 4th of July Campground to see if things had been turning. Nothing much was happening so we went a bit further south to check out the ruins at Quarai.
The ruins at Quarai are one of three communities of the Salinas Valley pueblos. Drought, famine, and recurring epidemics caused those living in the Salinas valley to abandon their homes in the late 1600s. These ruins are of the Spanish mission that had been built during the early to mid 1600s.
The softness of colour here reminds me of most of my dreams. I have always dreamt, since i can remember.
I adore my dreams and nightmares alike because i always know they're not real, so i can really get involved and enjoy the fantasy.
One of my recurring nightmares is of Freddy Krueger: he is chasing and chasing me but never catches me.
One of my recurring dreams is of my recently passed Father. He visits me in my dreams and gives me a hug when i am low. I believe these dreams to be very real
Excerpt from www.oakvillegalleries.com/exhibitions/details/228/Sascha-...:
Sascha Braunig's paintings and drawings are exercises in colour, form, and illusion. Citing an artistic lineage that stretches from the Pictures Generation through to the Chicago Imagists and horror-movie practical effects, her sometimes barbed, tubular, netted, or neon-lit forms speak of many of the tensions of the current moment, such as being a subject within the grid of digital or gender systems.
In this exhibition, which stretches over both Oakville Galleries sites, the Canada-born, US-based artist brings together new and recent works that are based on the compositional motif of figures engaged in conflict with a dress-like structure. These works use material qualities to analogize an immaterial idea: the feeling of struggling with a system more powerful than you, in which you are also deeply entangled.
Braunig builds and uses three-dimensional models as visual aids in the making of her work, some of which are included in the exhibition. Because of this observational painting practice, she sees her work as being linked to the academic nineteenth-century painter's use of the “lay figure," a jointed doll, not quite to-scale, that artists used as a stand-in for a live model in the studio. The exhibition's title, Lay Figure, refers to this historical practice, but Braunig extends its meaning to the schematic wiry figure that recurs in her recent work. Here she imagines the lay figure coming into a life of its own, squirming to free itself from rigid systems and resisting its status as the inanimate muse in patriarchal painting's history.
The power of the world is done in a circle. The wind whirls, stars rotate; the sun and moon- both round, comes forth and goes down again. Likewise, ancient recurring cycles of events penetrated the Crooked River and created the flanks of these majestic, multi-colored formations.
This is a panorama of 12 images that took me over 2 hours to get just right in freezing temps and very cold water. This is definitely one of my favorites of the year and hopefully the first of many.
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One of my recurring fantasies is to be able to create a portrait of Miss Amanda Lee that REALLY does her justice, and in the process, to become as good as Matt Carson, her favorite photographer. I'm not there yet, but I keep trying. And in the meantime, it's certainly a pleasant journey! :-)
Like many of my other portraits of Amanda, this one is not posed.
MM #132424
..."Even on the darkest night when empty promise means empty hand
And soldiers coming home like shadows turning red
And when the lights of hope are fading quickly then look to me
I'll be your homing angel I'll be in your head"...
Lonely In Your Nightmare
- Duran Duran
And yet, thanks to recurring TMJ, I really really shouldn’t have any. And some days, I really really want it.
ODC: compound words
Another in the recurring series of Balsamroot paintings by Rowinda Van Gogh, little known rare opposite gender identical twin of Vincent Van Gogh. Rowinda came to America with her adopted parents who were amongst the earliest settlers of the State of Oregon; and while growing up on the Rowena Homestead she unknowingly followed in the footsteps or her distant twin brother, taught herself painting, and became infatuated by the sunflower like Balsamroot of the Eastern Columbia Gorge. NB47262-63 - Happy Sliders Sunday!
A recurring theme in my stream is the lone mushroom on the white bridge across the river Schwentine.
Occasionally teams up with Screwball for some crazy schemes. A recurring cast member for her livestream so to speak.
Hector the Convector is a cumulonimbus thundercloud that forms regularly nearly every afternoon on the Tiwi Islands (90 km NNW of Darwin) in the Northern Territory of Australia, from approximately September to March each year. Hector is known as one of the world's most consistently large thunderstorms, reaching heights of approximately 20 kilometres (66,000 ft).
Named by US and Australian airforce pilots during the Second World War, (who were attempting to defend Darwin against Japanese bombing) the recurring position of the thunderstorm made it a navigational beacon for pilots and mariners in the region. Hector is caused primarily by a collision of several sea breeze boundaries across the Tiwi Islands and is known for its consistency and intensity. Lightning rates and updraft speeds are notable aspects of this thunderstorm and during the 1990s National Geographic magazine published a comprehensive study of the storm with pictures of damaged trees and details of updraft speeds and references to tornadic events.
Since the late-1980s the thunderstorm has been the subject of many meteorological studies, many centred on Hector itself, but also utilising the consistency of the storm cell to study other aspects of thunderstorms and lightning.
Woodland, coniferous forest, that manages to release patches of light like questions in the darkness.
Bircher Common, Herefordshire, UK.
Thanks for looking.
Once again Bryn Oh has built us an amazing, immersive, gorgeous, poetic and melancholy story. Many of her recurring characters are in it, but it focuses on Imogen. As with any Bryn Oh piece, you need to explore, and I’m not sure she has ever made us ‘work’ as hard for the story as this time, but her use of video game elements adds to the immersion. Her use of lighting (see www.flickr.com/photos/198694877@N02/53847928639/in/datepo...) remains amazing. The playful first room is only the beginning of a sprawling installation, and there is only one way through it to the end.
Go! Enjoy!
Following the failure of DRS’s class 20s at the end of October, the Class 20 Preservation Society’s 20007 and 20205 were turned out for the South Yorkshire/Lincolnshire RHTT. Here at Keadby Canal Junction signal box on 2 November 2018 the pair top and tail 3S14, the 1113 Grimsby – Bridlington RHTT over the Keadby Canal rail drawbridge.
I seem to be having a recurring issue lately - while waiting for a train - the still waters give a nice reflection but, when the train appears, so does the wind!
Excerpt from the plaque:
TAKE 2019
In 2016, KAWS welcomed BFF to the family. BFF joins COMPANION, ACCOMPLICE, and CHUM as a figure that recurs throughout his oeuvre. With bulging eyes atop its head, a round yellow nose, and a fuzzy, almost cuddly frame, BFF resembles Sesame Street Muppets like Cookie Monster and Elmo. KAWS debuted BFF as a bright blue sculpture like this one, but it has appeared in several colours and iterations since. Here, BFF clutches a small COMPANION, resembling a child hugging a beloved toy. The sculpture in the opposite corner, SHARE, is the inverse of the two characters: a small blue BFF hangs from the hand of a large COMPANION.
“placed into abyss or Mise en abyme is a formal technique of placing a copy of an image within itself, often in a way that suggests an infinitely recurring sequence.” #miseenabyme for @thisisaphotoblog
One of my favorite authors is Jorge Luis Borges. The concept of time is one of his recurring themes. Below are a few of my favorite Borges quotes:
Time is the substance from which I am made. Time is a river which carries me along, but I am the river; it is a tiger that devours me, but I am the tiger; it is a fire that consumes me, but I am the fire.
Jorge Luis Borges
Time forks perpetually toward innumerable futures. In one of them I am your enemy.
Jorge Luis Borges
The Garden of Forking Paths is an incomplete, but not false, image of the universe as Ts'ui Pên conceived it. In contrast to Newton and Schopenhauer, your ancestor did not believe in a uniform, absolute time. He believed in an infinite series of times, in a growing, dizzying net of divergent, convergent and parallel times. This network of times which approached one another, forked, broke off, or were unaware of one another for centuries, embraces all possibilities of time. We do not exist in the majority of these times; in some you exist, and not I; in others I, and not you; in others, both of us.
Jorge Luis Borges
Untitled-1.jpgyy
In January of 1691, "at the request" (?) of the O'odham (Pima) Indians of the Santa Cruz River Valley, Jesuit Father Eusebio Francisco Kino established the mission of Tumacacori, dedicated to the Saint Cajetan (San Cayetano). The Pima rebellion of 1751 briefly caused the abandonment of the mission, as the native govenor of Tumacacori, Felipe Huvuacam, gathered his people and fled to the Santa Rita Mountains. They returned a few months later, eventually moving the village from the east side of the river to this site. In 1756, the mission was rededicated to Saint Joseph (San Jose). Mission San Jose' de Tumacacori was abandoned in 1848. The continuous threat of attack by Apaches and other indigenous uprisings, combined with recurring epidemics of measles. IMG_2407
Researching Josef Müller-Brockmann:
A Juxtaposition of Viewpoints
Josef-Müller Brockmann, the father of Swiss Graphic Design, had a profound impact upon the design
profession and education. Müller-Brockmann is one of the eight most predominant figures in Graphic
design history1 and his professional contributions make him a recurring figure in design books and
periodicals. Viewpoints from numerous sources do not stray too far from one another, as they establish him
as the leading figure in Swiss Graphic Design and main proponent of the grid. However, subtleties exist
between articles and books, often offering new insight into Müller-Brockmann’s career and personality.
In order to describe the juxtapositions between the ways different authors represent Josef Müller-Brockmann
I looked to a variety of analyses. For comparison I selected: Lars Müller’s Josef Müller-Brockmann Pioneer
of Swiss Graphic Design and Heller and Chwast’s Graphic Style; articles from design periodicals Graphis
and Japan’s Idea; as well as, from Brockmann himself in an interview in Eye magazine and his book Grid
Systems in Graphic Design. At times the articles may give more insight into the culture in whence it was
written than new information about Brockmann, but overall they provide a consistent portrait.
Lars Müller published the only complete monograph on Josef Müller-Brockmann not long before his death.
The book includes a kindly introduction by Paul Rand. Lars Müller attempts to explain what spurred the
abrupt change in Brockmann’s career from illustration to Constructive graphic design. Details explain the
influential people and political issues that contributed to Swiss Design, as well as the important
contributions of Moholy-Nagy’s photography and Jan Tschichold’s rules of typography.2 The book
explains how Brockmann established and followed strict rules throughout the rest of his career.
Brockmann’s influence upon American corporate design and ultimately education are covered equally. In
this thorough, yet fairly brief biographical book, details and information are carefully addressed. In the end,
Lars Müller sights a decline in the acceptance of Swiss Graphic Design due to the global political climate
of Vietnam, the cold war and the rise of counter culture.3 At the end of its course, Swiss Graphic Design
was seen as an aesthetic that was quite cold and hostile.4 This opinion was also referenced in an article in
Idea magazine.
Since all the Dash 8–40Cs and most of the second generation, six-motor EMDs have disappeared from Canadian National's Iron Range operation in the last six months, I've heard some variation on a recurring lament from other photographers: "There's nothing left worth shooting up there."
As Train U79181-12 (Ore loads, Minntac Mine, Mountain Iron, Minn.–Two Harbors, Minn.) will attest: That's a steaming pile of bullshit.
Sure, the power — a captive fleet of rebuilt 3300-series AC44C6Ms equipped with Orinoco straight air — has a homogenized feel and stale look. But it's clean power, a reflection of the pride that propagates from Proctor. And on cool, humid mornings such as June 12, 2025, freshly baked taconite pellets radiate a mesmerizing steam that gets the eyes to dance. The auditory nerves get their own stimulation, too, when the still of the North Country is interrupted by the siren song of wheels and rapid tickety-tack of short cars rolling over switches and rail joints.
So, sure, the swan song for Dash 8s and SD40s is over. But I'm still going to buy the ticket and enjoy the show for years to come.
Polaroid Week AW 2019 - Day 6 #1
Whilst driving round the North Coast 500 route in the Scottish Highlands, one recurring sign I kept on seeing was the Passing Place sign.
Guess its symbolic in life but we are always colliding with other elements be it people or life situations, but when the opportunity arises, one should slow down and stop right at the passing place and make the decision to push on (along the road) or to slow down (and go to the beach)
Passing Place - a great metaphor for life!
Taken with Mint SLR670S
Cramps can last anywhere from a few seconds to a quarter of an hour, and occasionally longer. It is not uncommon for a cramp to recur several times before finally going away. The cramp may involve a part of a muscle, the entire muscle, or several muscles that usually act together.
A muscle cramp is a forcibly contracted muscle that does not relax. Any of the muscles under voluntary control can cramp.
Causes of Sprayers' Cramp can be overuse. Muscle fatigue from overuse of a muscle results in a build up a chemical called lactic acid. This occurs because the body cannot meet the oxygen demand of the heavily working muscle. Lactic acid is known to be a contributing factor in cramps. If you regularly experience Sprayers' cramps, a nutritional therapist will be able to advice you training techniques and supplements which can help reduce lactic acid build up and muscle fatigue. Not only will this reduce cramps, it can also help improve performance.
184/365
Something rather different. I don't know if I like how the hair and frost breath turned out or not. I'm worried they look too shopped. What do you think? I'm considering on turning him into a recurring character so any suggestions would be greatly appreciated!
p.s. Don't forget about the Print Give-away!
Morecambe, Lancashire, UK.
On B l a c k.
3 July, 2010.
06/07/2010: Explored! Merci beaucoup y'all!! ;-)