View allAll Photos Tagged RealitySoSubtle,
Je suis heureux de cette première image Vandyke avec ce boîtier à sténopé au format panoramique 6x17. C'est particulier, il faut trouver le bon sujet et surtout rester simple et se libérer du connu… Après il suffit de…
Utilisation d'un papier que j'apprécie…. Le papier japonais Washi Mitsumata. C'est fragile, délicat, fin, et c'est bien net… et surtout j'aime beaucoup le rendu…
Impression Vandyke + virage au chlorure d'Or thiourée.
Papier Washi Mitsumata 60g + 1 couche de ma solution Vandyke.
Boitier à Sténopé RealitySoSubtle 6x17.
TriX 400.
Ilfotec HC 1+31 + Surdéveloppement de 11".
Epson V800 Photo.
@ Flickr pour APPRENDRE - PARTAGER - TRANSMETTRE !!!!!!
@ Exposer pour les Ombres et développer pour les Hautes Lumières !!!!!!
@ De l'utilisation des Filtres… en Noir&Blanc !!!!!!
@ En hommage à un Photographe que j'admire : Mr Josef Sudek...
@ En hommage à un illustre inconnu, qui avait réussi en 1825 à fixer sur un morceau de papier, l'image de sa camera obscure au travers d'une fenêtre à Paris !!!!!!!
The clump of grass that manages to survive on a small bump of sand on the beach honours the name of its hometown, the little town of Monster in Holland (close to The Hague).
Santa Clara, California
Camera: RealitySoSubtle 6x17
Film: Crazy expired Kodak Portra 400NC
Metering: Pinhole Assist and guesswork
RealitySoSubtle 6x6 with Kodak TMax 100 film
Exposure 13 seconds
I found it odd with a plunger on top of an abandoned boat
12 seconds of exposure almost erased even the rush hour crawl
RealitySoSubtle 6x12 with Kodak Tmax 100 film
Developed in Rodinal 50+1
Taken early last month before it began to rain and rain (and rain).
RealitySoSubtle141 pinhole camera; Kodak Portra 400BW film.
A relic in Arromanches-les-bains. After D-day a temporary quay was constructed here to facilitate the landing of allied troops as long as Nazi’s remained in control of the ports in North Western Europe.The construction consisted of floating steel elements. One of them lies idle at the beach. There are more further out at sea.
RealitySoSubtle 6x6 with Fuji Acros 100 (upper pinhole)
Exposure 12 seconds
Developed in Rodinal 1+50
Camera: Agfa Clack converted into a pinhole camera.
Film: Kodak Tmax 100.
Development: Rodinal 1:50, 13 minutes.
I converted the Agfa Clack into a pinhole camera myself. It's really easy; anyone can do it! Just remove the lens and shutter (just a few screws...), put the pinhole in (I bought it from RealitySoSubtle, diameter 0.3mm) and put the shutter back. The dark sides are from the cone that doesn't contain the lens anymore but that I left on the camera....
The 2017 celebration of Worldwide Pinhole Photography Day.
RealitySoSubtle 6×17 Pinhole, FOMA Fomapan 100, Rodinal 1+100 100m
RealitySoSubtle 6x6
Pinhole
Fujifilm Neopan Acros 100, 120 roll @100
Developed with: ID-11, 1+1, 7min00sec @24C
Epson V550 scan
pinhole camera RealitySoSubtle 6x6, film Lomography CN 100 selfdeveloped in Tetenal C-41, scanned with Epson V800/Silverfast using Digitaliza 120 Film Scanning Mask
RealitySoSubtle 617 - Ilford FP4+ - stand developed Rodinal 1+100 90 minutes - dslr scan - Lightroom convert - Photoshop finished
Fomapan Classic 100 , Blazinal 1:100 Stand Development 60mins/68F, RealitySoSubtle 6x12, f/200 Pinhole Camera
Bowness Park, Calgary