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RealitySoSubtle 6×17 pinhole
I used the upper pinhole like a shift lens
Rollei Superpan 200,
develop in Xtol 1+1, 20°, 16 min.
digital stitched from 3 parts of the image = 12.000 pixel wide
Looking at my hometown from the bridge over the river Rhein. The left side of the picture is the German shore of the river.
RealitySoSubtle 6 x 17; Fuji Acros 100
RealitySoSubtle 6X6 pinhole camera.
My images are © Copyrighted and All Rights Reserved. This image cannot be reproduced and/or used in any form of publication, print or the Internet without my written permission.
Need to buy some more b/w film, I´m out of stock. Plenty of colourfilm in my fridge though, so this is shot on expired Fuji Reala and converted to b/w in Nik SilverEfex Pro2.
RealitySoSubtle 6X6 pinhole camera. A new favourite!
What Robert Frank said! Black and white are the colours of photography!
My images are © Copyrighted and All Rights Reserved. This image cannot be reproduced and/or used in any form of publication, print or the Internet without my written permission.
pinhole camera RealitySoSubtle 6x6, film Kodak Tmax 100, developed in Microdol-X for 11½ min, scanned with Epson V800/ Silverfast with Digitaliza 120 Film Scanning Mask
I recently purchased a pinhole camera from RealitySoSubtle. It takes 120 film and the frame size is 6x6.
This was a test, shot on Ilford HP5+ and with a 4 second exposure.
Want to know more about the cameras check out the info here: aupremierplan.fr
fearnphoto 64A, RealitySoSubtle 0.15mm pinhole, Fujifilm Provia 100F 100
Digitized with Sony a6000 / Sigma 105mm, pixl-latr
Our firt try with RealitySoSubtle 6x17F pinhole camera.
Premier test avec l'appareil sténopé RealitySoSubtle 6x17F.
Exposition de 25 secondes avec un film 120 Fuji Acros 1.
pinhole camera Reality So Subtle 6x6F with Tiffen 85B filter, film Fomapan 100, developed on Compard R09 1:50 for 10 min
Mt Stirling, Victoria, Australia, summit tree. RealitySoSubtle pinhole 6x17 on Velvia 50, approx 6 second exposure.
Whenever I go out, I always bring along my pinhole camera with me. But finding a subject is quite challenging because of the ultrawide view from the pinhole. I took this shot of the barn just a few feet away from its corner. It 's already felt like I was at least 10 feet away. According to my math, the pinhole on my camera is equivalent to an ultrawide lens of 11mm focal length on a full frame camera. This tells you how wide it is and it 's probably won't be good for shooting portrait at all. And besides the subject has to stay very still at least over 10 seconds depending on the film speed and light condition. But pinhole is a lot of fun. It gets my brain to think differently. Since this particular pinhole I have supports 6x9, I only have 8 frames with one roll of 120 film. So I have to choose my subjects judiciously.
Film: Fomapan 100
Camera: RealitySoSubtle 6x9
Camera RealitySoSubtle 141, film Kodak 400TX, selfdeveloped in R09 1:25 for 7 min, pinhole exposure 10 sec
RealitySoSubtle 6x6
Pinhole
Filter: Cir-PL
Kodak Ektar 100, 120 roll
Developed with: Digibase C-41 kit
Epson V550 scan
pinhole camera RealitySoSubtle 6x6, film Kodak Ektar 100 selfdeveloped in Tetenal C-41, scanned with Epson V800/Silverfast using Digitaliza 120 Film Scanning Mask
RealitySoSubtle 6X6 pinhole camera. Ilford HP5+.
My images are © Copyrighted and All Rights Reserved. This image cannot be reproduced and/or used in any form of publication, print or the Internet without my written permission.