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liège - belgium 03/2011
PLEASE use your headphones: ellen allien - sehnsucht
Ellen Allien, born Ellen Fraatz (born 1969), is a German electronic musician, music producer and founder of BPitch Control music label. She lives in Berlin, Germany. She sings in both German and English. She has said that one of the main inspirations for her music is the culture of reunified Berlin; her album Stadtkind was dedicated to the city. Her music is best described as a blend of IDM and electro music, which is dance-floor oriented, yet at the same time has noticeable experimental elements.
During 1989, she lived in London where she first came into contact with electronic music. When she later returned to Berlin, electronic music had become increasingly popular in Germany. In 1992, she became resident DJ in the Bunker, Tresor and in E-Werk. She started her own show on the Berlin radio station Kiss-FM and created her own record label, calling them both "Braincandy". Due to discrepancies with disk sales, she gave Braincandy up in 1997 and instead, organized parties with the name, "B Pitch". Allien created the label BPitch Control in 1999. The label's releases from Sascha Funke and Tok Tok were particularly successful. Allien released her first album, Stadtkind ("city child"), in 2001, and Berlinette in 2003, After releasing Thrills, Allien created a BPitch sub-label for minimal tech and minimal house, called "Memo Musik", in 2005. Orchestra of Bubbles, in collaboration with Apparat, featurings songs like "Way Out" and "Jet", was released in 2006.
During the same year, Ellen Allien launched her own fashion line, which can be seen as "an extension of her philosophy of life“. Ellen Allien Fashion combines a smart perspective onto fashion, music, art, and traveling to an overarching existence, which is meant to be shared. Exploring the globe, street life, Ellen Allien develops her own intuition for materials, forms and designs. In her most recent collection, Night Flowers (Ellen Allien Fashion spring/summer 2010), she created a complete look made of a mixture of black floral lace, white and black floral stitched cotton and summer wool. Featuring hazy prints of dancing people on loose cut t-shirts, each detail transports the feeling of Night Flowers -- "we are the night flowers, and in those special moments, when the music and the crowd become one, we magically blossom at the turn of dusk…."
source: wikipedia
Berlin
Reinickendorf
U-Bhf. Rathaus Reinickendorf
Canon TS-E 17mm f/4L@Canon EOS 5D Mark III
Add me wherever you want: about.me/alexanderrentsch
Part of the set flickr bilderordner album: "res noscenda note notiz sketch skizze material sammlung collection entwurf überlegung gedanke brainstorming musterbogen schnittmuster zwischenbilanz bestandsaufnahme vorschau rückschau" - "MORPH": the aesthetics of failure. // "Gasgasse Lichtgasse Leydoltgasse Zwölfergasse - Westbahnhof" // Analogie Glitch - Weben
DMC-G2 - P1030192 8. April 2011 fotobearbeitung
#störung #stören #ruhe #silence #ruhestörer #zufall #minimal #minimalismus #glitch #speicher #fehler #panne #störung #accident #incident #error #pareidolie #fenster #jalousie #ornament #pattern #texture #textur #muster #lichtgasse #gasgasse #zwölfergasse #westbahnhof #baustelle #site #wolke #cloud #himmel #sky #mirror #spiegel #weben #weave #weber #skizzenbuch #sketchbook #schaubild #musterbogen #schnittmuster #tapestry #tapisserie #teppich #teppichweber #analogie #bauen #baum #tree #tapis #weiß #schwarz #white #black #raster #line #linie #bahnhof #bahnhofsnähe #blue #blau #red #rot
Berlin
Mitte
U-Bhf. Brandenburger Tor
Canon TS-E 17mm f/4L@Canon EOS 5D Mark III
Add me wherever you want: about.me/alexanderrentsch
Oval
Book :
Robert Therrien
Works 1975 - 1995
Parasol Unit London
2017
CD + Badge :
Byetone
Symeta
Raster - Noton
R-N 130
Sounds & Design . Olaf Bender
Use Hearing Protection
GMA
This started life as a random raster but after a bit of work it turned into the exploding planet, or maybe just a sun going dark but still showing some signs of life. I decided to put it on a background created by the Hubble script by Michael Bourne. A little tweak here, a new gradient there and we have this final space scene. Easy and fun!
Software: JWildfire 5.50 created by Andreas Maschke. This app is available free of charge at www.jwildfire.org
Signature added in Photoshop.
Script: Hubble by Michael Bourne, www.jwfsanctuary.club/download/hubble-scripts-michael-bou...
"Durchs Raster fallen" - Thema des Mini-Fotomarthons Berlin am 26.02.2016. Das Foto wurde zur Ausstellung in der Galerie der Fotopioniere (Karl-Marx-Alle 87) ausgewählt, und ist dort noch bis Ende Oktober zu sehen.
Alva Noto
Book :
Bauhaus Typography At 100
Letterform Archive
2022
CD :
Music At The Bauhaus
Stefan Wolpe . George ANtheil . Arnold Schoenberg . Joseph Matthias Hauer . Hanz Heinz Stuckenschmidt
Les Temps Modernes
LTM2533
Artwork . Oskar Schlemmer
iMusic :
Byetone
Typographer
Raster - Noton
RN92
GMA Sans Sérif ...
Berlin
Reinickendorf
U-Bahnhof Karl-Bonhoeffer-Nervenklinik
Canon TS-E 17mm f/4L@Canon EOS 5D Mark III
Add me wherever you want: about.me/alexanderrentsch
McCarthy
Book :
Constructivism
The Soviet Avant - Garde
MoMA
2017
Artwork . El Lissitzky
CD :
Sergey Prokofiev
Piano Sonatas 6 . 7 . 8
War Sonatas
Decca Classics
20C Series
2012
Piano . Vladimir Ashkenazy
iMusic :
Mika Vainio
Barbarossa
Raster - Noton
RN114
ГМA ...
Radiogramm
23KV 7 mAs
(Vergrößerungstechnik, kleiner Fokus, ohne Raster)
GE Senographe DMR
Fuji Profect
If you find an error, corrections are welcomed.
This started out as a project to make a t-shirt. The t-shirt maker required an Encapsulated Postscript (vector) file. This is a montage of cobbled together images. Some of the above was created from traced raster images from my photos. The knobs and shadows all had to be horsed with to get to this image. The virtual "Frequency 9" label is vector art.
At the top is the radio control head used by the operator to adjust settings. A twenty to thirty five pound box housing the electronics and tubes was mounted elsewhere in the vehicle and connected via a garden-hose-sized cable. The speaker and microphone are pasted below. These had maybe 3 tubes in their transmitter and everything else was transistors.
FREQUENCY 9 GE MASTR PROFESSIONAL UHF RADIO: At left is what's supposed to look like a 1975 Santa Clara County ambulance radio made by now-defunct General Electric Mobile Radio. It might be what you saw in a Fields, Palo Alto Ambulance, Bigleys, AAA, San Jose Ambulance, or the other companies whose names I can't recall. This was before paramedics. Everything was on one channel. If someone was bitten by a dog in Los Altos Hills, an ambulance in Gilroy, (at the other end of the county), could hear the dispatch. When an ambulance crew called the hospital to give report, everyone heard that, too. "Wheeler, Three Zero Six, inbound with a 57-year-old male, victim of a fall from a horse..." Radio users had to set the 1-2-3-4 switch to the correct setting for the geographic location of the ambulance. The ultra-high frequency (UHF) transmitter produced 60 watts. It was a basic, functional, single-channel system. Even in 1975, it was almost 24-hour, non-stop radio calls. Monday at 2am? There were people talking on the radio.
CALFIRE MOTOROLA SPECIAL PRODUCTS MOTRAC RADIO: In the 1970s, CalFire was known as CDF: California Division of Forestry. It was part of the Resources Agency. Like the Highway Patrol, they had radios custom built to match their growing, statewide system.
Their radios might be made by low bidders RCA, General Electric, or Motorola. The buttons, and names on them, looked the same regardless of who made the radio. They might be a different shaped button but they were labeled as here. Nowadays this is called "user interface." If you needed "District, Tone 4" you press the D button (District channel) and the 4 button (Tone 4) whether it was an RCA or Motorola radio. This was true until Midland microprocessor-based radios of the mid-1980s. "District" is now "Region."
I do not own this CDF Motrac or any other old CDF equipment. I may have had a MASTR Professional, or possibly a MASTR II, repair manual but these seem to have disappeared.
Both of these systems used an elderly technology called, "tone burst." I think the State tones were 1,800 Hertz, 1,950 Hertz, 2,100 Hertz, 2,250 Hertz, and 2,552 Hertz. Each mountaintop site listened for its assigned beep tone. If you selected 3, the radio would make a roughly 2-second, 2,100 Hertz beep every time you pressed the push-to-talk button. "[beeeeep] San Andreas, Chief Fourty Four Hundred responding." After an hour of busy radio traffic, your ears would be ringing with a 2,100 Hertz tone. Our engineers put a notch filter that knocked the ambulance network (Frequency 9) burst tone down to about one tenth of its original volume while having no effect on voice.
You may recognize the microphone and speaker on the CalFire radio at right. These were standard Motorola parts you'd see on television shows like Dragnet, Emergency, or Adam 12. Both the City and County of Los Angeles used a standard Motorola control head less complicated than the CalFire model shown.
By the way, the t-shirt came out perfectly.
The good thing about a legacy system is that you have one…
— Homer R. Wagner MD, Ph D
Please do not copy this image.
Journalism Grade Image.
Source: montage 5,200x2,700 TIF file.
ID: 004215
This picture is (c) Copyright Frank Titze, all rights reserved.
It may NOT be reproduced, copied, edited, published, transmitted or uploaded in any way without my permission.
See more pictures on frank-titze.art.
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Exposure: 05/2016
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Published: 07/2016
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Flickr "taken" date set as actual publish date.
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copyright: © FSUBF. All rights reserved. Please do not use this image, or any images from my photostream, without my permission.
Remake of the photograph 'Kamiokande' by the German photographer Andreas Gursky. Originally a picture of a giant neutrino detector in Japan, my picture is a composite of three images: two pictures of a boat with rowers, and one close-up of a (cheese) grater, turned into the giant cylinder of spheres by repetition and deformation.
HSS and Happy easter!
Sliders Sunday (27-03-2016)
The result of a photo depends on circumstances. Here it was the position of the sun and the fact that she (in our language the sun is a she 😎) was shining made me stop and click.
We were walking the Williamsburg
Bridge and there's a lot to see, but through high fences.
The shadow is a result of that fence and it placed the face on the ground behind bars. Like an optic illusion.
Luckily there was no one in the way at this moment suprême. :-)