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»Rasteranteuerung (Rastercontrol) is 36 paged booklet with a small collection of disrupted patterns i drawed by myself. Each booklet comes with an offset-poster.«

 

»Rasteranteuerung« (Rastercontrol) by Moritz Grünke

poster (offset) + booklet (36 pages, s/w-lasercopy)

print run 100

year 2009/2010

 

SWAP or BUY

 

Price 10€ + Shipping (National: 1€, EU: 3,50€, Rest of world: 6€)

 

order via hello@gloriaglitzer.de

Raster based generative line drawing movie test still.

Remake of the photograph 'Kamiokande' by the German photographer Andreas Gursky. Originally a picture of a giant neutrino detector in Japan, my picture is a composite of three images: two pictures of a boat with rowers, and one close-up of a (cheese) grater, turned into the giant cylinder of spheres by repetition and deformation.

 

HSS and Happy easter!

 

Sliders Sunday (27-03-2016)

McCarthy

 

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Book :

 

Constructivism

The Soviet Avant - Garde

MoMA

2017

 

Artwork . El Lissitzky

 

CD :

 

Sergey Prokofiev

Piano Sonatas 6 . 7 . 8

War Sonatas

Decca Classics

20C Series

2012

 

Piano . Vladimir Ashkenazy

 

iMusic :

 

Mika Vainio

Barbarossa

Raster - Noton

RN114

 

ГМA ...

Detail of Neuvandsburg by Godehard Schwethelm (1932-34)

Berlin

Mitte

 

U-Bhf. Brandenburger Tor

 

Canon TS-E 17mm f/4L@Canon EOS 5D Mark III

 

Add me wherever you want: about.me/alexanderrentsch

Behind the counter of an abandoned McDonalds lie 48,000 lbs of 70mm tape… the only copy of extremely high-resolution images of the moon.

 

These tapes were recorded 40 years ago by Lunar Orbiter 1 to map the lunar surface to plan landing spots for Apollo 11 onward. They have never been seen by the public because at the time, they were classified as they reveal the extreme precision of our spy satellites. Instead, all we have ever seen are the grainy photo-of-a-photo images that were released to the public.

 

The spacecraft did not ship this film back to Earth. Instead, they developed the film on the Lunar Orbiter and then raster scanned the negatives with a 5 micron spot (200 lines/millimeter resolution) and beamed the data back to Earth using yet-to-be-patented-by-others lossless analog compression. Three ground stations on Earth (one was in Madrid) recorded the transmissions on these magnetic tapes.

 

Recovering the data has proven to be very difficult, requiring technological archeology. The only working version of the Ampex tape player ($300K when new) was discovered in a chicken coop and restored with the help of the original designer. There is only one person on Earth who still refurbishes these tape heads, and he is retiring this year. The skills to read this data archive are on the cusp of disappearing forever.

 

Some of the applications of this project, beyond accessing the best images of the moon ever taken, are to look for new landing sites for the new Google Lunar X-Prize robo-landers, and to compare the new craters on the moon today to 40 years ago, a measure of micrometeorite flux and risk to future lunar operations.

 

Oval

 

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Book :

 

Robert Therrien

Works 1975 - 1995

Parasol Unit London

2017

 

CD + Badge :

 

Byetone

Symeta

Raster - Noton

R-N 130

 

Sounds & Design . Olaf Bender

 

Use Hearing Protection

 

GMA

Germany, Hamburg, the three historic & restored half-porches cranes on the south side of the Kaispeicher were used until the early 1990th to load the coffee & cocoa bags from the ships into the interior of the former brick stone warehouse before it became the base for the Elbphilharmonic Concert House.

The Elbphilharmonic is situated at the Hamburg harbour on the way in to the harbours historic warehouse complex & new build harbour city.

The heart of the Elbphilharmonie is the large concert hall, built according to the Weinberg principle. The stage is positioned in the middle of the concert hall & surrounded by terraced public seats for the concert visitors.

Through the vineyard architecture, no spectator sits are more than 30 meters away from the conductor. The wall of the Great Hall, the "White Skin", owes its name to the roughly 10,000 gypsum individual sound measured plasterboards that make up the surface of the walls & ceiling with a large sound reflector installed above the stage. The panels reflecting together with the centre reflector on the ceiling vault the sound in every angle & guarantees optimal listening pleasure on every single seat.

 

The Façade is covered with 1096 individual fabricated glass elements; each one features an individualized raster print & some each divergently shape, serving as a sunscreen & décor. Each glass element at a cost of 3.000 € average.

Over 4.000 single mouth blown light globs placed at concert house.

 

An 82 mtr long, crescent shaped moving staircase will connect the building entrance from the basement to the plaza above the original warehouse, where the buildings foyer & a visitor platform with view over Hamburg’s harbour is located.

 

The Elbphilharmonic Plaza at a height of 37 metres above ground level, serves as the junction between the old harbour warehouse & the modern glass structure above it. Wave shaped glass windows & doors on both sides of the plaza can be opened, depending on weather conditions. The public viewing platform is accessible daily from 9 am till midnight to everyone with a magnificent 360° view of the harbour & part of the city, opened with a ceremony on November 4. November 2016.

The three historic & restored half-porches on the south side of the Kaispeicher were used until the early 1990th to load the coffee & cocoa bags from the ships into the interior of the warehouse.

 

Planed from 2001 till 2006 under construction until 2016 including the completely scoop-out warehouse from 1963. Accomplished in November 2016, the new 110 mtr, 26 floors high Elbphilharmonic, includes a large concert hall with a capacity for 2150 guest, a small concert hall with a capacity for 550 guest, a 244 rooms hotel, restaurants & 44 luxury apartments. Initial cost estimated in 2005 185 million €, by completion estimated cost will have increased to approximately 800 million €.

 

However, finally the construction with many unusual handcrafted modern features is concluded & the first concerts will be presented on January 17. 2017.

The new “Elphi” will be another impressive asset & an additional fascinating landmark for Hamburg.

 

👉 One World one Dream,

...Danke, Xièxie 谢谢, Thanks, Gracias, Merci, Grazie, Obrigado, Arigatô, Dhanyavad, Chokrane to you & over

6,9 million visits in my photostream with countless motivating comments

 

Berlin

Reinickendorf

 

U-Bahnhof Karl-Bonhoeffer-Nervenklinik

 

Canon TS-E 17mm f/4L@Canon EOS 5D Mark III

 

Add me wherever you want: about.me/alexanderrentsch

This started life as a random raster but after a bit of work it turned into the exploding planet, or maybe just a sun going dark but still showing some signs of life. I decided to put it on a background created by the Hubble script by Michael Bourne. A little tweak here, a new gradient there and we have this final space scene. Easy and fun!

Software: JWildfire 5.50 created by Andreas Maschke. This app is available free of charge at www.jwildfire.org

Signature added in Photoshop.

Script: Hubble by Michael Bourne, www.jwfsanctuary.club/download/hubble-scripts-michael-bou...

 

Radiogramm

 

23KV 7 mAs

(Vergrößerungstechnik, kleiner Fokus, ohne Raster)

GE Senographe DMR

Fuji Profect

"Durchs Raster fallen" - Thema des Mini-Fotomarthons Berlin am 26.02.2016. Das Foto wurde zur Ausstellung in der Galerie der Fotopioniere (Karl-Marx-Alle 87) ausgewählt, und ist dort noch bis Ende Oktober zu sehen.

 

Alva Noto

 

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Book :

 

Bauhaus Typography At 100

Letterform Archive

2022

 

CD :

 

Music At The Bauhaus

Stefan Wolpe . George ANtheil . Arnold Schoenberg . Joseph Matthias Hauer . Hanz Heinz Stuckenschmidt

Les Temps Modernes

LTM2533

 

Artwork . Oskar Schlemmer

 

iMusic :

 

Byetone

Typographer

Raster - Noton

RN92

 

GMA Sans Sérif ...

copyright: © FSUBF. All rights reserved. Please do not use this image, or any images from my photostream, without my permission.

 

www.facebook.com/AndrejePhoto

 

Acrylic paint on Cardboard inspired by generative design

If you find an error, corrections are welcomed.

 

This started out as a project to make a t-shirt. The t-shirt maker required an Encapsulated Postscript (vector) file. This is a montage of cobbled together images. Some of the above was created from traced raster images from my photos. The knobs and shadows all had to be horsed with to get to this image. The virtual "Frequency 9" label is vector art.

 

At the top is the radio control head used by the operator to adjust settings. A twenty to thirty five pound box housing the electronics and tubes was mounted elsewhere in the vehicle and connected via a garden-hose-sized cable. The speaker and microphone are pasted below. These had maybe 3 tubes in their transmitter and everything else was transistors.

 

FREQUENCY 9 GE MASTR PROFESSIONAL UHF RADIO: At left is what's supposed to look like a 1975 Santa Clara County ambulance radio made by now-defunct General Electric Mobile Radio. It might be what you saw in a Fields, Palo Alto Ambulance, Bigleys, AAA, San Jose Ambulance, or the other companies whose names I can't recall. This was before paramedics. Everything was on one channel. If someone was bitten by a dog in Los Altos Hills, an ambulance in Gilroy, (at the other end of the county), could hear the dispatch. When an ambulance crew called the hospital to give report, everyone heard that, too. "Wheeler, Three Zero Six, inbound with a 57-year-old male, victim of a fall from a horse..." Radio users had to set the 1-2-3-4 switch to the correct setting for the geographic location of the ambulance. The ultra-high frequency (UHF) transmitter produced 60 watts. It was a basic, functional, single-channel system. Even in 1975, it was almost 24-hour, non-stop radio calls. Monday at 2am? There were people talking on the radio.

 

CALFIRE MOTOROLA SPECIAL PRODUCTS MOTRAC RADIO: In the 1970s, CalFire was known as CDF: California Division of Forestry. It was part of the Resources Agency. Like the Highway Patrol, they had radios custom built to match their growing, statewide system.

 

Their radios might be made by low bidders RCA, General Electric, or Motorola. The buttons, and names on them, looked the same regardless of who made the radio. They might be a different shaped button but they were labeled as here. Nowadays this is called "user interface." If you needed "District, Tone 4" you press the D button (District channel) and the 4 button (Tone 4) whether it was an RCA or Motorola radio. This was true until Midland microprocessor-based radios of the mid-1980s. "District" is now "Region."

 

I do not own this CDF Motrac or any other old CDF equipment. I may have had a MASTR Professional, or possibly a MASTR II, repair manual but these seem to have disappeared.

 

Both of these systems used an elderly technology called, "tone burst." I think the State tones were 1,800 Hertz, 1,950 Hertz, 2,100 Hertz, 2,250 Hertz, and 2,552 Hertz. Each mountaintop site listened for its assigned beep tone. If you selected 3, the radio would make a roughly 2-second, 2,100 Hertz beep every time you pressed the push-to-talk button. "[beeeeep] San Andreas, Chief Fourty Four Hundred responding." After an hour of busy radio traffic, your ears would be ringing with a 2,100 Hertz tone. Our engineers put a notch filter that knocked the ambulance network (Frequency 9) burst tone down to about one tenth of its original volume while having no effect on voice.

 

You may recognize the microphone and speaker on the CalFire radio at right. These were standard Motorola parts you'd see on television shows like Dragnet, Emergency, or Adam 12. Both the City and County of Los Angeles used a standard Motorola control head less complicated than the CalFire model shown.

 

By the way, the t-shirt came out perfectly.

 

The good thing about a legacy system is that you have one…

— Homer R. Wagner MD, Ph D

 

Please do not copy this image.

 

Journalism Grade Image.

 

Source: montage 5,200x2,700 TIF file.

working with layers in Corel Paintshop pro

 

ID: 004217

This picture is (c) Copyright Frank Titze, all rights reserved.

It may NOT be reproduced, copied, edited, published, transmitted or uploaded in any way without my permission.

See more pictures on frank-titze.art.

 

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Exposure: Digital

Developing: ---

Enlarging: ---

Scanning: ---

Processing: Digital

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Exposure: 05/2016

Processing: 06/2016

Published: 07/2016

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Flickr "taken" date set as actual publish date.

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COH

 

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Book :

 

Yves Klein

Corps Couleur Immatériel

Centre Pompidou

2006

 

CD + DVD :

 

Rechenzentrum

Silence

Weiser Music

WM01

 

Art . Andreï Rublev

 

Design . Angela Lorenz

 

iMusic :

 

Kangding Ray

OR

Raster - Noton

RN123

 

GMA Speech Is Silver ...

Alva Noto

 

...

 

Book :

 

Peter Hook

Unknown Pleasures

Inside Joy Division

Simon & Schuster

2016

 

CD :

 

Joy Division

Unknown Pleasures

Factory

FAC10

 

Design by Peter Saville

 

iTunes :

 

Komet

Puls

Raster - Noton

RN02

 

GMACP 1919 ...

Quick-Look Hill-shaded Colour Relief Image of 2014 0.50m LIDAR Composite Digital Surface Model (DSM).

 

Data supplied by Environment Agency under the Open Government License agreement. For details please go to: www.nationalarchives.gov.uk/doc/open-government-licence/v...

 

For full raster dataset go to: environment.data.gov.uk/ds/survey

 

Some more 'scanning' of old 35mm film slides by phone over a tablet as 'lightbox' then further destroying with apps...

Project for college based on shapes. So I used a basket to make the rasters on the face.

Riga cityscape, 2024.

a7rii + Kodak Ektanar 44/2.8; fixed lens of the Kodak Motormatic 35F, adapted to E-mount

DxO Filmpack 5 rocks! I tried two different presets, adjusted to taste, and liked them both. This one is called Pola created by DxO to approximate the feel of a certain type of Polaroid film. I liked the style of the grain (cathodic tube raster) and slightly increased it from the default level.

Part of the set flickr bilderordner album: "res noscenda note notiz sketch skizze material sammlung collection entwurf überlegung gedanke brainstorming musterbogen schnittmuster zwischenbilanz bestandsaufnahme rückschau vorschau / flickr bilderordner 1" Konzept (Aktion Kreis Tagebuch A circle diary) 365-days Project 2, concept - Keine Probleme am Zeichentisch

 

panasonic lumix DMC-GH3 - P1080297 - 2015-09-30

#rose #red #rot #decke #weiß #white #sleep #schlaf #stille #silence #work #arbeit #theater #diagramm #schaubild #linie #line #linear #raster #altpapier #recycling #upcycling #brettspiel #spielbrett #brett #idee #entscheidung #auswahl #konzept #überlegung #gedanke #napkin #serviette #unterlegung #morgenstimmung #sommerlicht #herbstlicht #sommer #summer #herbst #autumn #licht #abendlich #light #arbeitslicht #gold #private #privat #privateness #öffentlich #metapher #symbol #toledo #lampion #lampionblume #kapstachelbeere #physalis #geschenk #present #gift #laurin #garten #garden #geschenk #weiß #white #green #grün #bilderzyklus #musterbogen #entwurf #schnittmuster #tapestry #tapis #tapisserie #wandteppich #küche #kitchen #bildwirkerei #textilkunst #tapis #carpet #teppich #rug #schatten #shadow #face #gesicht #selfie #selbstporträt #szene #scene #brainstorming #review #preview #kaleidoskop #kaleidoscope #zeichentisch #draughtsman

I call this "Grant's graphic" because I created this graphic based on this image, a picture taken by my friend, Grant here - flic.kr/p/JJkKoT, on Flickr

 

Here's what I did. I first imported Grant's original picture (shown below) into Photoshop. I cleaned up the raster image and after getting the edge details as sharp as possible, this was saved as a Photoshop file (.psd) to my desktop. I then opened the .psd file in Adobe Illustrator and using the Illustrator "Image Trace" feature, I created a "vector" version of this graphic. * You then need to select and click on Object > Expand to make the vector image editable in Illustrator.

 

However, being that flickr does not allow for the upload of vector images, I had to import the Illustrator file back into Photoshop and then save the image in .png format. (which is the best format for images having no graduations of colors or tone - basically "spot colors" which were used in this graphic.) I then uploaded this image as a .png file. (BTW - .png does not allow for the storage and display of EXIF metadata.)

 

If I were able to upload the vector image (in it's vector format - .ai or .eps) it could be seen how enlargement of the image has no deteriorating affect on sharpness of edge detail - whereas in raster format, enlargement of an image will show ragged edges due to pixeliation. And yes, the colors in this design can easily be changed to any color (or gradient) one chooses.

 

Now folks, when you view this image on your monitor you will see jagged edges because in order to upload this graphic, it needs to be converted back into a rasterized image. If however, you want to come to my house and view this as a vector image on my monitor, you will not see any jagged edges regardless how much I enlarge the image. I'll even offer ya a cold beer...................

 

Now how many people really care about all this......... very few, I'm sure.

 

................ and I think Grant should have this design tattooed on his arm.............or ??

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