View allAll Photos Tagged ROSICRUCIANS
Enochian is an angelic language used by angels in Heaven. They communicate over angel radio using this language, though in more recent years, they began communicating in English predominately. The angels, the Knights of Hell, and the Men of Letters are also familiar with an archaic dialect of the angelic language called "Pre-Enochian" or "Old Enochian". Castiel used sigils from this Enochian dialect to bind Alastair in a devil's trap he made. The Knights of Hell like Abaddon used the old Enochian sigil associated with them as their crest, leaving it behind in areas where they strike. Belphegor reveals that very few demons like Lilith, Crowley, and Abaddon have been known to understand Enochian. Enochian sigils are powerful glyphs that can be used against angels and demons and protect an area from angelic and demonic interference. Throughout Season 5, Castiel uses one to conceal Sam, Dean, and Adam from every angel in creation by carving it into their ribs.
www.supernaturalwiki.com/Enochian
Enochian has also been used in reciting various spells that can be used against some of the most dangerous creatures in all creation. Lily Sunder became a practitioner of Enochian Magic after Ishim taught her all their secrets, using spells that burn off pieces of her soul in exchange for longevity and access to angelic powers until it's completely burned away. The Whore of Babylon uses what appears to be an Enochian spell to harm Castiel. Lucifer's Cage can be opened and closed with the rings of the Four Horsemen of the Apocalypse and an Enochian phrase. When angels are reverted to their "factory settings", they relay any information hidden in their minds encrypted in Enochian.
The Two of Swords shows a blindfolded woman, Pamela Smith has become an impetrant, she begins her initiation into Enochian magic, the artist is dressed in a white dress, holding two crossed swords. The blindfold tells us that Pamela is confused about her inner light and cannot clearly see either the problem or the solution. She may also be missing relevant information that would make her decision much clearer if she were to get it. The swords she holds are in perfect balance, suggesting that she is weighing her thoughts and addressing both sides of the situation to find the best resolution.
Behind the woman is a body of water dotted with rocky islets. Water represents emotions, and while the costume of swords is traditionally associated with the mind and intellect, its presence shows that Pamela must use both her head and her heart to weigh her options. The islands represent obstacles in his path and suggest that his decision is not as clear cut as it seems. It will have to consider the situation as a whole. The crescent moon to her right is a sign that Pamela should trust her intuition to make her choice. Pamela is also alone on the beach. His eyes are blindfolded, his arms are tied. Eight swords planted in the ground form a prison around her. However, the circle is not completely closed. So there is an exit that the blindfold prevents you from seeing. The Two of Swords indicates that you are faced with a difficult decision, but you do not know which option to take. Both possibilities may seem equally good – or equally bad – and you don't know which will lead you to the better result. You need to be able to weigh the pros and cons of each choice and then make a conscious judgment. Use both your head (your mind and intellect) and your heart (your feelings and intuition) to choose the path that is most in alignment with your Higher Self.
Pamela Smith represented in this card wears a blindfold, indicating that she cannot see the entirety of her circumstance. You may lack the information you need to make the right decisions. You may be missing something, such as the threats or potential risks, alternative solutions or critical pieces of information that would help guide you in a particular direction. Once you remove the blindfold and see the situation for what it really is, you will be in a much better position to find your best path forward. Research your options more, seek outside opinions and feedback and ask yourself what you might be missing.`` Alone, far from the city and its ramparts, this woman seems very isolated. The sky is gray, the landscape is bleak. There emerges from the Card a feeling of uncertainty and absence of hope. The Eight of Swords symbolizes the feeling of helplessness of the Consultant. Lost, disoriented, the Consultant does not know what to do to overcome the obstacles or challenges of his environment. The Consultant experiences the very unpleasant feeling of being “stuck”, trapped. However – and this is important to stress – the Eight of Swords is not a fatalistic card. On the Map, the young woman could free herself from her fabric ties and remove the blindfold covering her eyes. She could regain the comfort and safety of the city behind her. The blockage, the "prison" of these Swords planted in a circle therefore symbolize first of all a situation created by the Consultant himself. Quite logically, he or she could get rid of it and get by on his own. The blockage is notably due to limiting beliefs on the part of the Consultant. These limiting beliefs go on and on: “You are not capable of…”; “A man like that, caring about you!? Do not even think about it ! » ; "Returning to training at your age to change paths will never work..." These limiting thoughts end up defining our possibilities and therefore we are no longer able to do otherwise, innovate or find solutions. It also happens that the feeling of helplessness is generated by external circumstances. The Consultant “wakes up”, dissatisfied with his environment and his life and wonders how he or she could have come to this.The Eight of Swords reveals that you feel trapped and restricted by your circumstances. You believe your options are limited with no clear path out. You might be in an unfulfilling job, an abusive relationship, a significant amount of debt or a situation way out of alignment with your inner being. You are now trapped between a rock and a hard place, with no resolution available. However, take note that the woman in the card is not entirely imprisoned by the eight swords around her, and if she wanted to escape, she could. She merely needs to remove the blindfold and free herself from the self-imposed bindings that hold her back. When the Eight of Swords appears in a Tarot reading, it comes as a warning that your thoughts and beliefs are no longer serving you. You may be over-thinking things, creating negative patterns or limiting yourself by only considering the worst-case scenario. The more you think about the situation, the more you feel stuck and without any options. It is time to get out of your head and let go of those thoughts and beliefs holding you back. As you change your thoughts, you change your reality. Replace negative thoughts with positive ones, and you will start to create a more favourable situation for yourself. The Eight of Swords assures you there is a way out of your current predicament – you just need a new perspective. You already have the resources you need, but it is up to you to use those resources in a way that serves you. Others may be offering you help, or there may be an alternative solution you haven’t yet fully explored. Be open to finding the answer rather than getting stuck on the problem. The Eight of Swords is often associated with a victim mentality. You surrendered your power to an external entity, allowing yourself to become trapped and limited in some way. You may feel that it isn’t your fault – you have been placed here against your will. You may feel like the victim, waiting to be rescued, but is this energy serving you? If not, it is imperative you take back your power and personal accountability and open your eyes to the options in front of you. The fact is you do have choices, even if you do not like them. You are not powerless. At times, the Eight of Swords indicates that you are confused about whether you should stay or go, particularly if you are in a challenging situation. It is not as clear-cut as you would like, making the decision very difficult. You have one foot in, hoping things can work out, but your other foot is out the door, ready to leave. The trouble is that you worry either option could lead to negative consequences, and so you remain stuck where you are. Again, this card is asking you to get out of your head and drop down into your gut and your intuition so you can hear your inner guidance. Your thoughts are not serving you right now, but your intuition is. Trust yourself. In any case, it is necessary to "take back control" of the circumstances and to remember that in life, we always have a choice. The possibilities in front of you may not be ideal, easy or desired… but they exist! You have to be able to look them in the face, and choose the best… or the least bad.
www.biddytarot.com/tarot-card-meanings/minor-arcana/suit-...
www.biddytarot.com/tarot-card-meanings/minor-arcana/suit-...
In 1903 Waite succeeded Yeats as Grand Master of the Golden Dawn. His first act under his new status was a reform of the fundamental principles of the Order: he proclaimed the primacy of spiritual achievement (emphasis on esoteric knowledge and the search for Truth) over material fulfillment (which occultism in general, and magic in particular, presupposes). Seeing in this act of negating the very foundation of the Golden Dawn (namely the practice of the occult sciences) the outright annihilation of the Order, former Grand Master Yeats strongly opposed Waite.
Two camps were then formed: one bringing together the supporters of the reform and represented by William Alexander Ayton, (relatively fearful in terms of operability), Waite's right-hand man, and the other bringing together, alongside the former Grand Mr. Yeats, the curators. The feud lasted two years, after which the Yeats camp ended up going on to found its own order (La Stella Matutina, the "Morning Star")—a perfect transposition of the Golden Dawn before Waite's reform, seceding from what took then the name of Holy Order of the Golden Dawn ("Holy Order of the Golden Dawn"; the expression "holy order" illustrating more the new mystical tendencies instilled by Waite) and which continued to be shaken by internal strife until disbanded in 1915, following Waite's departure.
After this "schism of 1905", which was the real coup de grace for the Hermetic Order of the Golden Dawn, certain initiates who had remained neutral in the struggle between Camp Yeats and Camp Ayton preferred to go and found, alone or in groups, their own brotherhood.
Arthur Edward Waite (1857-1942), wanted to be a true scholar in occultism. He wrote, among other things, "The Holy Kaballah" and "The Key to the Tarot", published in London in 1910. For Waite, symbolism is the key to the Tarot. In "The Key to the Tarot" he says, "True tarot is symbolic; it uses no other languages or other signs". One of the unique characteristics of the Arthur Edwart Waite tarot and one of the main reasons for its popularity is that all the cards, including those of the Minor Arcana, depict scenes complete with figures and symbols. The images of all Pamela Coman-Smith's cards lend themselves to an interpretation based on the conscious and unconscious reading of the scene, without the need to consult explanatory texts.
What is striking in the Tarot Rider-Waite, therefore, is above all the Minor Arcana, which are difficult to translate with the Tarot of Marseilles for most of those interested, but have suddenly become emblematic with the Tarot that Waite offers us. Therefore, these mysteries illustrated with scenes are easier to interpret.The Tarots of Wirth and Knapp Hall are to be considered to be Tarots based on "hermetic science". A science which will be strongly included in the broad fields of esoteric exploration to which the golden dawn will give access...The first decks that can be designated as decks born from the ideologies of the Golden Dawn and created according to their cosmogony is undoubtedly the Tarot Rider-Waite... It is the result of a long and meticulous research on esoteric symbols and their correspondence.
But the first member of the Hermetic Order of the Golden Dawn to have designed a Tarot is obviously doctor Gérard Encausse, Papus, who joined the members of the Hermetic Order of the Golden Dawn in 1895. The Papus tarot would have been designed around 1899... At the beginning, it was certainly reserved for a few insider circles only... It was seen for the first time in illustration in the works of Papus, among others in "Le Tarot des Bohémiens , absolute key to the occult sciences" (1889), but the book will only be really known and accessible to the general public from its 3rd edition published in 1926. Then will follow the work "The divinatory tarot. Key to card printing and fates" (1909), reissued in large circulation also the same year of 1926. From then on, the Tarot of Papus will gain much popularity and the public will seek to obtain it... The Tarot of Papus will be diffused little by little print from the 1930s.
While the tarots of Papus, Wirth and the Knapp Hall were appearing almost simultaneously, the renowned house of Grimaud, for its part, was preparing to publish the Tarot which would become the reference for the general public, it was this famous modified reproduction of the Conver, proposed by Paul Marteau. It will appear in 1930 and will become the most fashionable tarot... Despite the modifications made to this Tarot, it has no affiliation with occult groups and is intended to be a Tarot in the tradition of the Tarot de Marseille.
That said, the Tarot which will set the tone and which will be the reference for the members of the Golden Dawn is undoubtedly the Tarot developed by Rider and Waite.
There are already a hundred decks that derive directly from the tarot originally designed by Rider-Waite. Not to mention pirated copies, clones, etc... This tarot has long been a reference for budding occultists and kabbalists... It still is...
So, in fact, there are many tarots that were designed in the ideology of the Golden Dawn!!!
It will first be the Tarot of Aleister Crowley which, following the Rider-Waite, will stand out and bring modifications to the "esoteric" Tarot, always with reference to the Golden Dawn, to the Kabbalah, to ancient Egypt initiates, etc... With in addition, references to sexual magic...The members of the Golden Dawn mainly used the Tarot of Waite, but during the 1950s, 1960s, they put a lot of effort into creating a Tarot that could finally be directly linked to the precepts and esoteric teachings of the Golden Dawn... A Tarot which originally wanted to be, once again, a Tarot exclusively reserved for members of the Order. This is the famous "Tarot of the Golden Dawn", so the Tarot which wants to be "officially" attested by the order...
But beware !! This name known as "Tarot of the Golden Dawn" is confusing... Several Tarots are decked out with the label "of the Golden Dawn"...
In truth, of all these tarot cards there is only one that is truly recognized by the Hermetic Order of the Golden Dawn and as such, and that is the one developed by Israel Regardie and Robert Wang from esoteric works of Samuel Liddel Matthers.
Robert Wang will also create the "Jungian Tarot", very appreciated also by the followers of the Golden Dawn; and perhaps even more by those interested in "modern theosophy" and in the principles elaborated by Jung.
The "Jungian Tarot" is quite similar to the so-called "Golden Dawn" Tarot, but is intended more for "personal evolution" than for the initiatory journey of the Order, strictly speaking... In truth these two tarots are the results of extensive research in matters of esotericism, research that has been carried out by the study centers of the Hermetic Order of the Golden Dawn. Its construction, on the basis of the four elements, the celestial phenomena, the Holy Kabbalah, and a highly evolved psychology, can apparently lead its followers into the inner recesses of psychic and intuitive awareness.
Above all, this tarot can be used as a basis for occult study, in order to learn to possess all the aspects of the traditional "center-wisdom", and "high-science" kabbalistic... (There are many Rosicrucian references , and also references to Freemasonry and alchemy).
Originally, the Golden Dawn Tarot was only reserved for members of the official Order. It began to be broadcast from 1975.
Despite the claim of these creators, it should still be known that the vast majority of members of the Hermetic Order of the Golden Dawn, will study the Tarot from the "Tarot B.O.T.A.", or the original Rider-Waite. What is striking in the Tarot Rider-Waite, therefore, is above all the Minor Arcana, which are difficult to translate with the Tarot of Marseilles for most of those interested, but have suddenly become emblematic with the Tarot that Waite offers us. Therefore, these mysteries illustrated with scenes are easier to interpret.
THE TAROT B.O.T.A.
It is actually a very special version of the Rider-Waite Tarot presented in a "black and white" version, and the members were invited to color their own tarots... The study of symbolism esoteric was first done using this Tarot Rider-Waite in its original version (in black and bench). Indeed, the Waite-Rider Tarot in its black and white version is the most used by Golden Dawn followers and should be considered the official Golden Dawn Tarot.
A nearly similar version is still used by members of the B.O.T.A. and followers of hermetic schools. (The initials B.O.T.A. mean "Builders of the Adytum", it is a traditional and fraternal association founded by Paul Foster Case, continued and extended by Ann Davies...
A popular theory is that author William Walker Atkinson co-wrote the legendary "Kybalion" tome with Paul Foster Case. This theory is often defended by members of the "Builders of the Adytum". B.O.T.A. offers courses and techniques based on the study of the mystical teachings of the Holy Qabalah and TAROT. In fact, this confusing story about the Tarot B.O.T.A. and writing the "Kybalion", seems to have started with a breakaway group from the B.O.T.A., "The Brotherhood of Hidden Light" (which emphasizes the "secret (or lost) knowledge of the sages of Atlantis") .
The members of the Golden Dawn like the members of the B.O.T.A., consider that the Rider-Waite tarot is the ultimate "reference"...
secretsdutarot.blogspot.com/2013/01/les-tarots-dits-de-la...
This dissertation seeks to define the importance of Waite’s interpretation of mediaeval and Renaissance esoterica regarding the contacting of daemons and its evolution into a body of astrological and terrestrial correspondences and intelligences that included a Biblical primordial language, or a lingua adamica. The intention and transmission of John Dee’s angel magic is linked to the philosophy outlined in his earlier works, most notably the Monas Hieroglyphica, and so this dissertation also provides a philosophical background to Dee’s angel magic. The aim of this dissertation is to establish Dee’s conversations with angels as a magic system that is a direct descendant of Solomonic and Ficinian magic with unique Kabbalistic elements. It is primarily by the Neoplatonic, Hermetic, Kabbalistic, and alchemical philosophy presented in the Monas Hieroglyphica that interest in Dee’s angel magic was transmitted through the Rosicrucian movement. Through Johann Valentin Andreae’s Chymische Hochzeit Christiani Rosencreutz anno 1459, the emphasis on a spiritual, inner alchemy became attached to Dee’s philosophy. Figures such as Elias Ashmole, Ebenezer Sibley, Francis Barret, and Frederick Hockley were crucial in the transmission of interest in Dee’s practical angel magic and Hermetic philosophy to the founders of the Hermetic Order of the Golden Dawn.
Enochian Angel Magic: From John Dee to the Hermetic Order of the Golden Dawn www.academia.edu/921740/Enochian_Angel_Magic_From_John_De...
The rituals of the Golden Dawn utilized Dee’s angel magic, in addition to creative Kabbalistic elements, to form a singular practice that has influenced Western esoterica of the modern age. This study utilizes a careful analysis of primary sources including the original manuscripts of the Sloane archives, the most recent scholarly editions of Dee’s works, authoritative editions of original documents linked to Rosicrucianism, and Israel Regardie’s texts on Golden Dawn practices."In Whose hands the Sun is as a sword, and the Moon as a through- thrusting fire." An elegant equation, defining the parameters of the. creation. The god declares dominion over planetary forces (Sun-Moon) and elemental forces (fire-air). He also declares control over the two types of dualities: those in which one pole is projective and the other responsive (Sun-Moon) and over those in which two forces of similar polarity are balanced (fire-air). Within the area of creation, the positive pole is attributed to the element of swords, Air, and the anti-positive pole is attributed to the element of Fire. This is reflected in the precedence followed by the elements throughout the Tablets and Calls: Air first, then Water, Earth, and Fire. "Which measure your garments in the midst of my vestures..." The word translated here as "garments" is used uniformly to mean "creation" or "being" elsewhere in the Keys. Another word is used for
"garments" in the next sentence of this same Key. Another word is also used for "midst" further on in this Key. So the translation here is questionable. A magickal image given to define this phrase shows the scene through the god's eyes as he pulls endless threads of living light out of a lamen on his chest.
Enochian magic is a system of ceremonial magic based on the 16th-century writings of John Dee and Edward Kelley, who wrote that their information, including the revealed Enochian language, was delivered to them directly by various angels. Dee's journals contain the record of these workings, the Enochian script, and the tables of correspondences used in Enochian magic. Dee and Kelley believed their visions gave them access to secrets contained within Liber Logaeth, which Dee and Kelley referred to as the "Book of Enoch".In the early 1580s, John Dee had become discontented with his progress in learning the secrets of nature. Dee wrote: I have from my youth up, desired and prayed unto God for pure and sound wisdom and understanding of truths natural and artificial, so that God's wisdom, goodness, and power bestowed in the frame of the world might be brought in some bountiful measure under the talent of my capacity... So for many years and in many places, far and near, I have sought and studied many books in sundry languages, and have conferred with sundry men, and have laboured with my own reasonable discourse, to find some inkling, gleam, or beam of those radical truths. But after all my endeavours I could find no other way to attain such wisdom but by the Extraordinary Gift, and not by any vulgar school, doctrine, or human invention. Enochian magic involves the evocation and commanding of various spirits.He subsequently began to turn energetically towards the supernatural as a means to acquire knowledge. He sought to contact spirits through the use of a scryer or crystal-gazer, which he thought would act as an intermediary between himself and the angels. Dee's first attempts with several scryers were unsatisfactory, but in 1582 he met Edward Kelley (1555–1597/8), then calling himself Edward Talbot to disguise his conviction for "coining" or forgery, who impressed him greatly with his abilities.Dee took Kelley into his service and began to devote all his energies to his supernatural pursuits. These "spiritual conferences" or "actions" were conducted with intense Christian piety, always after periods of purification, prayer and fasting. Dee was convinced of the benefits they could bring to mankind. The character of Kelley is harder to assess: some conclude that he acted with cynicism, but delusion or self-deception cannot be ruled out. Kelley's "output" is remarkable for its volume, intricacy and vividness. Through Kelley, the angels laboriously dictated several books in this way, some in a previously unknown language which Dee called Angelical — now more commonly known as Enochian.The two pillars of modern Enochian magic, as outlined in Liber Chanokh, are the Elemental Tablets (including the "Tablet of Union") and the Keys of the 30 Aethyrs. The Enochian model of the universe is depicted by Dee as a square called "The Great Table" (made up of the 4 Elemental Tablets and incorporating the Tablet of Union), surrounded by 30 concentric circles representing the 30 Aethyrs or Aires. The Angelical Keys:
The essence of Enochian magic involves the recitation of one or more of nineteen Angelical Keys, which are also referred to as Calls. These keys are a series of rhetorical exhortations which function as evocations when read in the Enochian language. They are used to effect the "opening of 'gates' into various mystical realms." The first eighteen keys are used to 'open' the realms of the elements and sub-elements, which are mapped onto the quadrants and sub-quadrants of the Great Tablet.[clarification needed][citation needed]. The nineteenth key is used to 'open' the Thirty Aethyrs. The Aethyrs are conceived of as forming a map of the entire universe in the form of concentric rings which expand outward from the innermost to the outermost Aethyr. The Great Table: The angels of the four quarters are symbolized by the Elemental Tablets — four large magical word-square Tables (collectively called "The Great Table"). Most of the well-known Enochian angels are drawn from the Elemenal Tablets of the Great Table. Each of the four tablets (representing the Elements of Earth, Air, Fire and Water), is collectively "governed" by a hierarchy of spiritual entities which runs (as explained in Crowley's Liber Chanokh) as the Three Holy Names, the Great Elemental King, the Six Seniors (aka Elders) (these make a total of 24 Elders as seen in the Revelation of St. John), the Two Divine Names of the Calvary Cross, the Kerubim, and the Sixteen Lesser Angels. Each tablet is further divided into four sub-quadrants (sometimes referred to as 'sub-angles') where we find the names of various Archangels and Angels who govern the quarters of the world. In this way, the entire universe, visible and invisible, is depicted as teeming with living intelligences. Each of the Elemental tablets is also divided into four sections by a figure known as the Great Central Cross. The Great Central cross consists of the two central vertical columns of the Elemental Tablet (the Linea Patris and Linea Filii) and the central horizontal line (known as the Linea Spiritus Sancti). In addition to the four Elemental Tablets, a twenty-square cell known as the Tablet of Union (aka The Black Cross, representing Spirit) completes the representation of the five traditional elemental attributes used in magic - Earth, Air, Water, Fire and Spirit. The Tablet of Union is derived from within the Great Central Cross of the Great Table. The Thirty Æthyrs : The 30 Aethyrs are numbered from 30 (TEX, the lowest and consequently the closest to the Great Table) to 1 (LIL, the highest, representing the Supreme Attainment. Magicians working the Enochian system record their impressions and visions within each of the successive Enochian Aethyrs. Each of the 30 Aethyrs is populated by "Governors" (3 for each Aethyr, except TEX which has four, thus a total of 91 Governors). Each of the governors has a sigil which can be traced onto the Great Tablet of Earth.
The Holy Table: a table with a top engraved with a Hexagram, a surrounding border of Enochian letters, and in the middle a Twelvefold table (cell) engraved with individual Enochian letters. According to Duquette and Hyatt, the Holy Table "does not directly concern Elemental or Aethyrical workings. Angels found on the Holy Table are not called forth in these operations."
The Seven Planetary Talismans: The names on these talismans (which are engraved on tin and placed on the surface of the Holy Table) are those of the Goetia. According to Duquette and Hyatt, "this indicates (or at least implies) Dee's familiarity with the Lemegeton and his attempt, at least early in his workings, to incorporate it in the Enochian system."] As with the Holy Table, Spirits found on these talismans are not called forth in these operations. The Sigillum dei Aemeth, Holy Sevenfold Table, or 'Seal of God's Truth': The symbol derives from Liber Juratus (aka The Sworn Book of Honorius or Grimoire of Honorius, of which Dee owned a copy). Five versions of this complex diagram are made from bee's wax, and engraved with the various lineal figures, letters and numbers. The four smaller ones are placed under the feet of the Holy Table. The fifth and larger one (about nine inches in diameter) is covered with a red cloth, placed on the Holy Table, and is used to support the "Shew-Stone" or "Speculum" (crystal or other device used for scrying). Scrying is an essential element of the magical system. Dee and Kelly's technique was to gaze into a concave obsidian mirror. Crowley habitually held a large topaz mounted upon a wooden cross to his forehead. Other methods include gazing into crystals, ink, fire or even a blank TV screen.Little else became of Dee's work until late in the nineteenth century,[citation needed] when it was incorporated by a brotherhood of adepts in England. The rediscovery of Dee and Kelley's material by Samuel Liddell MacGregor Mathers of the Hermetic Order of the Golden Dawn in the 1880s led to Mathers developing the material into a comprehensive system of ceremonial magic. Magicians invoked the Enochian deities whose names were written on the tablets. They also traveled in their bodies of light into these subtle regions and recorded their psychic experiences. The two major branches of the system were then grafted on to the Adeptus Minor curriculum of the Golden Dawn.
According to Aleister Crowley, the magician starts with the 30th aethyr and works up to the first, exploring only so far as his level of initiation will permit. According to Chris Zalewski's 1994 book, the Golden Dawn also invented the game of Enochian chess, in which aspects of the Enochian Tablets were used for divination. They used four chessboards without symbols on them, just sets of colored squares, and each board is associated with one of the four elements of magic. Florence Farr founded the Sphere Group which also experimented with Enochian magic.Aleister Crowley's work with Enochian magick generally follows the Golden Dawn system. He is known primarily for his explorations of the 30 Aethyrs, published in "The Vision and the Voice". This work established the idea that Aethyr might represent a means of initiation, and set a standard for methodical exploration, which few have equaled. It also fixed Crowley's particular perspective on the process of transcendence in the minds of many students of the occult. Crowley envisioned the Aethyr as being related to the sephiroth of the tree of life in groups of three. He also mentions that each Aethyr "bends" into the next Aethyr above it, in a way, so that in progressing through the Aethyrs from the last to the first, one also withdraws one's being from the lower levels and already experienced (this is parallel to the technique he describes in the Liber Yod, in which the magician achieves union with the deity by gradually banishing all other levels and powers.Under this conception the Aethyrs ZAX, whose parts have names formed from the cross of union, is the highest of the three attributed to Chesed. Thus, it is the last Aethyr encountered before entering the Supernal Triad and achieving transcendence. Crowley envisioned this movement as crossing an "abyss" or space, during which the magician encounters an Enochian devil named Choronzon dwelling therein. Crowley's other contribution to Enochian magick was adapting the pyramid system of the GD for use with the sex magick of the O.T.O. In this technique, physical representations of the pyramids are made for an angel's name, but inverted to form the square "cups". These serve as talismans, which are charged using the end product of the sex magick operation.
Paul Foster Case (1884–1954), an occultist who began his magical career with the Alpha et Omega, was critical of the Enochian system. According to Case, the system of Dee and Kelley was partial from the start, an incomplete system derived from an earlier and complete Qabalistic system, and lacked sufficient protection methods. Case believed he had witnessed the physical breakdown of a number of practitioners of Enochian magic, due to the lack of protective methods. When Case founded his own magical order, the Builders of the Adytum (B.O.T.A.), he removed the Enochian system and substituted elemental tablets based on Qabalistic formulae communicated to him by Master R.The first Enochian Key or Call is a recapitulation of the steps by which the creator of the system brought it into being. The Key follows the same macrocosmic-to-microcosmic progression used in the example consecration ritual, but then supplements this with a response from the microcosm directed at the macrocosm. Note that the description of the downward current contains seven significant phrases, suggesting the planets and sun, the macrocosm, while the description of the response contains five significant phrases, suggesting the four elements and elemental spirit, the microcosm."...and trussed you together as the palms of my hands." The magickal image continues by showing the god gathering the fibers of light into a bundle or cable. The god concentrates the energies within the area of work in preparation for shaping."Whose seats I garnished with the fire of gathering, which beautified your garments with admiration." Having generated the positive or spiritual pole of the creation, the god now looks to the anti-positive or material pole. The "seats" are the squares of the tablets in their two-dimensional form. The god embodies a part of his will in the Tablets, defining the order and place to which the spiritual energies will be attracted and attached. When the energies are attached to the Tablets, the pattern of will embodied in the Tablets extends back along their path to the positive pole, conditioning all the perceptible expressions (the "garments") of the energies.. The usual assumption of later magicians (which is not universally accepted) is that the remaining Calls refer to the "Minor Angles" within the Tablets.
The Golden Dawn method of associating the Callings with the tablets and Lesser Angles has become the accepted "standard". Donald Tyson recently proposed an alternative method which has received some attention
en.wikipedia.org/wiki/Enochian_magic
SUMMARY OF PATH POSITIONS IN ACHAD'S TREE OF LIFE
Path Trump Connects with:
Aleph The Fool Malkuth Yesod
Beth The Magician Malkuth Hod
Gimel The Priestess Yesod Hod
Daleth The Empress Malkuth Netzach
Heh The Emperor Tiphereth Geburah
Vav The Hierophant Hod Netzach
Zain The Lovers Hod Tiphereth
Cheth The Chariot Yesod Netzach
Teth Strength Netzach Tiphereth
YodT he Hermit Hod Geburah
Kaph The Wheel of Fortune Kether Chokmah
Lamed Justice Netzach Chesed
Mem The Hanged Man Yesod Tiphereth
Nun Death Geburah Chesed
Samek Temperance Chesed Chokmah
AyinThe DevilTiphereth Binah
PehThe Tower Geburah Binah
Tzaddi The Star Binah Chokmah
Qoph The Moon Tiphereth Chesed
Resh The Sun Tiphereth Chokmah
Shin Judgement Kether Tiphereth
TauT he Universe Kether Binah
"To whom I made a law to govern the holy ones," The word translated as "holy ones" appears to derive from the same root as the enochian words for "fire", suggesting that the holy ones are those who possess the spiritual will. The god specifies the manner in which his creation will respond to the mages and adepts."Moreover, you lifted up your voices and sware obedience and faith..."The connection between the two poles having been made, and the conditions of their interaction being set, the angels of the creation voice their response to the god, swearing to continue to follow the god's will. "...to him that liveth and triumpheth," The spirits of the Tablets affirm the existence of their creator by saying that he lives, and affirm the success of the act of creation by saying that he triumphs. The echoing of the god's statements by the spirits of the tablets also suggests that the conditions the god laid on the creation as a whole
are reflected in miniature within the creation. It shall be shown that this is the case with the Tablets as we proceed.In the remainder of the Key, the magician using it calls upon the
spirits to respond to him fully and openly. The word translated here as "servant" might be better rendered as "minister" or "representative". The magician asserts that he has a right to demand a response from the spirits because his acts are in accord with the will of their creator.
www.sacred-texts.com/eso/enoch/1stkey.txt
Angelic chatter, but very little solid information. Additionally, the reader must deal with forays into apocalyptic religion, Elizabethan politics, Dee's and Kelly's personal issues, and the various irrelevant issues Dee insisted on inserting into the work. Chronologically, Dee and Kelly's work falls into three highly productive periods separated by months when nothing of particular value was received. The material received in each period generally stands on its own, and is only loosely related to that of the other periods. but the term is often applied to all work. First Period: The Heptarchia Mystica. Equipment: Ring, Lamen, and Holy Table The angels claimed that the ring they designed for Dee was the same one used by Solomon to control demons. The ring had a full band, to which was attached a rectangular plate. The letters PELE (coming from Latin for "he will do miracles") were inscribed in the four corners. In the center was a circle crossed by a horizontal line, with the letter "V" inscribed above and the letter "L" below. Two different lamens were given to Dee. The first bears a generic resemblance to various sigils of goetia being an assortment of free-form lines and oddly placed letters. The giving being indicated that it was to be made of gold and worn every time and place for the purpose of protection. given by an evil spirit. During the spring session of 1583, the angels indicated that a session had been scheduled in which detailed instructions would be given for the use of Heptarchic magick. If this session took place, it is not in the records that have survived; but some idea of the general technique can be gathered from the comments in other parts of the recording. The magician would be seated at the Holy Table, wearing the ring and lamen. table in front of him. He would hold an appropriate Heptarchic king's talisman in one hand, with a talisman of the names of the king's ministers placed beneath his feet. The magician would then invite the king with petition and prayer, followed by petitions to his prince, and invocations of the six chief ministers. They would appear in the stone of clairvoyance, whereupon the magician would instruct them to accomplish the task he desired.The Liber Loagaeth is the most mysterious part of Dee and Kelly's work. It is also known by different names like
book of Enoch and the Liber Mysteriorum Sextus et Sanctus. So far no one has seriously attempted to use it, or to understand its nature, beyond what is found in the diaries. According to the angels, "loagaeth" means "speech of God", this book is supposed to be, literally, the words by which God created all things. It is supposed to be the language in which the "true names" of all things are known, giving power over them. As described in the Liber Mysteriorum Quintis, the book was to consist of 48 "leaves", of which each contains a 49x49 grid. Infact, the book actually presented to Kelly is somewhat different. It contains 49 "invocations" in an unknown language, 95 square tables filled with letters and numbers, 2 similar tables not filled, and 4 drawn tables twice the width of the others. 2 "leaves" are recorded, but these are not included in the final book, and apparently serve as an introduction or prologue to the work. this term. There is no translation by which this could be judged in detail, but the text lacks the logical repetitions and word placements which are characteristic of the 48 Enochian invocations given in later years. There is no apparent grammar in the text. Donald Laycock remarks that the language is strongly alliterative and repetitively rhyming, while Robert Turner calls it "glossolalic". many "languages", all being spoken immediately. The purpose of the Loagaeth has been said to be the unleashing/introduction of a new age on earth, the last age before the end of all things. Instructions for use for this purpose were never given; the angels continually put it off, saying that only God could decide when the time has come. During the presentation of the two leaves of the Liber Mysteriorum Quintis, in the stone of clairvoyance an angel moved successively towards letters, and Kelly pronounced the names of the angelic character. Dee transcribed a version using the Roman alphabet, apparently with the intention of redoing it in angelic characters at a later date. of Kelly; this light was seen by both of them. Once the light entered Kelly's head, his consciousness was transformed so that he could understand the text as he read it. He was strongly commanded not to provide a translation, explaining that God would choose the time for it to be revealed. He provided the translation of a few of the words, but it was insufficient to capture the meaning of the text as a whole. When the light withdrew from Kelly's head, he immediately ceased to understand the text, and could no longer see it in the stone. On a few occasions, the light continued to work within him for a short time after the session ended, and at those times Dee noticed that Kelly said many wonderful (and unrecorded) things about the nature of the texts. But the moment the light went out, Kelly couldn't understand it anymore, nor remember what he had said during the previous moment. The record indicates that the 23rd line of the first leaf was a preface to the creation and distinction of the angels, and the 24th line a pleasant invitation to the good angels. Nothing else is recorded concerning the purpose of this book.
Enochian Magic and the Apocalypse
There are 2 major threads of thought in Christian millennialism. One thread, called postmillennialism, is largely utopian in nature. He sees the millennium as the beginning of a period of progressive perfection of conditions on Earth; the basic principle is that the world must be perfected and the city of God built on earth before Christ returns, and only after Christ returns will the world end. Two decades after Dee, this form of millennialism was the driving force behind the religious groups shoeing the English colonization of America. Dee's own thought contains many post-millennial ideals in the search for Enochian magick, one of his goals was to gain means to bring earthly governments and societies to God's design, thereby bringing the return of Christ closer. quickly. The other thread, called premillennialism, is the more catastrophic variety. In this version, the typical scenario is the return of Christ, and then mankind's current "evil" societies will be destroyed in worldwide disasters, while the elect are preserved from evil. After the world is destroyed, Christ will join the faithful in a city built by God to rule over the earth for a thousand years. While there is a strong millennial flavor to the angel's statements, they are almost uniformly of the postmillennial variety. The angels divided the world into four ages. The first of these ages began with the creation and ended with the flood; the second ended with the appearance of Christ. The revelation of Liber Loagaeth ended the third age and triggered the final age, in which the world would be brought to perfection before Christ's return. . A particular passage makes this clear.
The Enochian Magical System of Golden Dawn
Regardie, Israel, The Golden Dawn, Llewellyn Publications, 1971, St Paul, MN. Reprinted at regular intervals. Contains detailed descriptions of the Enochian Magical System developed from GD. Zalewski, Pat. Golden Dawn Enochian Magic, Llewellyn Certainly there are influences of the Qabalah (the Sigillum Dei Aemeth, the communications of Uriel, Michael...) but this is not the originality and the strength of the system. Some practitioners of Enochian magic said that it was a Qabala (when I hear a Qabala I tend to write Kabbalah, like in the theater) that put into action the world of Atziluth, the highest of the four Qabalah classic. It's quite difficult to verify...even ! (See the introduction to the Necrono-micon at Belfond Editions).
But back to Enochian magick proper. The successors of the G.. D.. today reorganize its system and Schueler in his Enochian Magic) gives the material and the rituals "step by step" ("step by step"). Americans (and us too) like to practice if it is simple and impressive... The investigation by Enochian magic generally gives results, we cannot really say that they are controllable since they do not correspond to any standard of experiences already lived by the inventors of this practice.
Be that as it may, the Enochian, this language with its grammar and its syntax, this magical system and its original Theogony, remains a mystery that should not be taken for a simple variant of this or that traditional system already known. It is therefore useful when approaching it to master the fundamental elements which are used for its use without being subservient to the rituals of the pentagrams and hexagrams, to their signs, to the notions of Qabala of the G., D.., etc. This will make it possible to know what is original or what is borrowed in the Enochian, and what one can think of such or such contemporary development. A culture that will provide some points of reference in our consumer society where the practice of magic has much in common with video games or the daily television session.
In this, the most honorable goal (if it can be a question of honour) is the success of the experience known as the "Knowledge and Conversation of the Holy Guardian Angel", i.e. contact with one's true will, devoid of intention, in other words his heart. But it also applies to solving the various problems of life. After all, a magic is white or black only according to the use that is made of it... Let's say that we are still far from the religious John Dee. In fact not, for if Dee's conscious aims and methods were very far from those of our contemporaries, would ultimately the adventures and misadventures of his life, the problem of his relationship with Kelly evidently culminating in the ritually ordered exchange what they did with their wives would not be indications that this practice was beginning to ferment the elements of their consciences into a quintessential non-conformist?
MATTHEW LEON.
This text constitutes the introduction to the "Book of the gathering of forces" Editions RAMUEL 1994
Today we can no longer answer, lacking the benchmarks of a conventional morality no longer existing in the heart of the modern magician. But what is left? On what do we base ourselves if our practice has not yet allowed us an unambiguous contact with our heart, if our magical training lets us wander in the imagination that we have shaped? Publications 1990, St Paul, MN.
Synesthesia (American English) or synaesthesia (British English) is a perceptual phenomenon in which stimulation of one sensory or cognitive pathway leads to involuntary experiences in a second sensory or cognitive pathway. People who report a lifelong history of such experiences are known as synesthetes. Awareness of synesthetic perceptions varies from person to person. In one common form of synesthesia, known as grapheme–color synesthesia or color–graphemic synesthesia, letters or numbers are perceived as inherently colored.In spatial-sequence, or number form synesthesia, numbers, months of the year, or days of the week elicit precise locations in space (e.g., 1980 may be "farther away" than 1990), or may appear as a three-dimensional map (clockwise or counterclockwise). Synesthetic associations can occur in any combination and any number of senses or cognitive pathways. Little is known about how synesthesia develops. It has been suggested that synesthesia develops during childhood when children are intensively engaged with abstract concepts for the first time. This hypothesis—referred to as semantic vacuum hypothesis—could explain why the most common forms of synesthesia are grapheme-color, spatial sequence, and number form. These are usually the first abstract concepts that educational systems require children to learn. The earliest recorded case of synesthesia is attributed to the Oxford University academic and philosopher John Locke, who, in 1690, made a report about a blind man who said he experienced the color scarlet when he heard the sound of a trumpet. However, there is disagreement as to whether Locke described an actual instance of synesthesia or was using a metaphor. The first medical account came from German physician Georg Tobias Ludwig Sachs in 1812. The term is from the Ancient Greek σύν syn, 'together', and αἴσθησις aisthēsis, 'sensation'.
en.wikipedia.org/wiki/Synesthesia
When Pamela Coleman Smith was attending the Pratt Institute of Art, she realized that she possessed a high degree of sound-color synesthesia, i.e., she was able to visualize colors and forms while listening to music and could transmit those visualizations into tangible works of art. Modern psychologists define synesthesia as a crossing-over of sensory input. Depending upon the type of synesthesia, individuals are able to hear colors, see music, smell words, etc. Many people, particularly artists, possess this phenomenon to some extent; however, Pamela possessed sound-color synesthesia to an exceptionally high degree. She was able to create sound paintings just by unconsciously drawing while listening to passages of music. She embodied the Symbolist ideal in this area. Many examples of her work in this area have survived, including three watercolors in the possession of the Stieglitz/Georgia O'Keeffe Archive. In July 1908, an article appeared in The Strand Magazine entitled "Pictures in Music." The article included six black and white images of her music paintings (see below) and provided a long quotation by her which described how her art was created. A pertinent excerpt from that article is as follows: Do you see pictures in music? When you hear a Beethoven symphony or a sonata by Schumann, do mystic human figures and landscapes float before your eyes ? It is by no means new or uncommon for a composer to have a distinct picture in his mind when he sets himself to create a work. Schumann saw children at play in an embowered wood, dancing merrily until, lo ! the sudden advent of a satyr sent them shrieking to their homes. Few, however, have been able to delineate their hallucinations born of music.
Mendelssohn, who was no mean draughtsman, was often asked to do so, but always refused. "It is like asking a sculptor to paint a portrait of his statue," he once said. " All art is one, just as the human body is one, but each of the members has its functions. It is the function of music to hear, not to see." Nevertheless, it is highly interesting to see music translated in the terms of a sister art, and this is what a clever artist, Miss Pamela Colman Smith, has done, in pictures which are published now for the first time in The Strand Magazine. Many of the compositions selected by the artist will instantly be recognized as conveying, in quite a surprising way, a vivid idea of the music as a whole. Every reader can ascertain for himself whether he possesses this peculiar psychic gift—this power of conjuring up music pictures. When you next hear a famous sonata, close your eyes and see what, if any, "pictures" pass before the eye of your brain. Under the magical influence of music the soul has glimpses of wondrous shapes, lit by the light that never was on sea or land. "You ask me how these pictures are evolved," said Miss Colman Smith. "They are not pictures of the music theme — pictures of the flying notes—not conscious illustrations of the name given to a piece of music, but just what I see when I hear music—thoughts loosened and set free by the spell of sound. "When I take a brush in hand and the music begins, it is like unlocking the door into a beautiful country. There, stretched far away, are plains and mountains and the billowy sea, and as the music forms a net of sound the people who dwell there enter the scene; tall, slow-moving, stately queens, with jewelled crowns and garments gay or sad, who walk on mountain - tops or stand beside the shore, watching the water - people. These water-folk are passionless, and sway or fall with little heed of time; they toss the spray and, bending down, dive headlong through the deep. "There are the dwellers, too, of the great plain, who sit and brood, made of stone and motionless; the trees, which slumber till some elf goes by with magic spear and wakes the green to life ; towers, white and tall, standing against the darkening sky— Those tall white towers that one sees afar, Topping the mountain crests like crowns of snow. Their silence hangs so heavy in the air That thoughts are stifled. "Then huddling crowds, who carry spears, hasten across the changing scene. Sunsets fade from rose to grey, and clouds scud across the sky. "For a long time the land I saw when hearing Beethoven was unpeopled; hills, plains, ruined towers, churches by the sea. After a time I saw far off a little company of spearmen ride away across the plain. But now the clanging sea is strong with the salt of the lashing spray and full of elemental life; the riders of the waves, the Queen of Tides, who carries in her hand the pearl-like moon, and bubbles gleaming on the inky wave. "Often when hearing Bach I hear bells ringing in the sky, rung by whirling cords held in the hands of maidens dressed in brown. There is a rare freshness in the air, like morning on a mountain-top, with opal-coloured mists that chase each other fast across the scene. "Chopin brings night ; gardens where mystery and dread lurk under every bush, but joy and passion throb within the air, and the cold moon bewitches all the scene. There is a garden that I often see, with moonlight glistening on the vine-leaves, and drooping roses with pale petals fluttering down, tall, misty trees and purple sky, and lovers wandering there. A drawing of that garden I have shown to several people and asked them if they could play the music that I heard when I drew it. They have all, without any hesitation, played the same. I do not know the name, but— well, I know the music of that place."
A low-light study of a statue of Sekhmet, the lion-headed goddess of Egypt. (San Jose, CA - Rosicrucian Egyptian Museum)
Creation is seen to have taken place, in Western kabbalistic and alchemical terms, in the following process.
The Divine mind of God, the Absolute, or in Hebrew the Ain Soph Aur (Limitless Light), through a series of expansions and contractions establishes the boundaries of Creation. The first world is the most subtle, and closest to the original state of non-existence, and is Atzilooth. This is called the world of Fire, because of the lively, undefined, and almost uncontrollable nature of fire. Next is Briah, or the World of Archetypes and forms as our human mind can grasp them. It is symbolized as the World of Air, and is the result of a barrier world that is formed by the creation of the next World, Yetzirah, or Water. This is the highly psychic and emotionally charged world immediately behind the veil of material existence, or Assiah. Also known as the World of Earth, because of the solid, concrete nature of material life.
The purpose of this scheme, is to show that creation occurs in increasingly dense levels of energy-matter, from the most subtle, or Fire, to the most dense, or Earth. Within this context of increasing density, there also arises a series of ten planes or levels of consciousness which combines with energy-matter, known as Sepheroth, or spheres of being. They occur in a pattern of: unity, reflection, polarity, reflection, polarity, unity, reflection, polarity, unity, and finally materialization. This basic idea of unity-polarity-and re-harmonizing, is the basis of kabbalistic and alchemical practices, and is derived from the observation of Nature.
Each World is a reflection to a denser or more subtle degree than the one before or after it. Each Sepheroth is a reflection, in part, of what proceeds or follows it. However, since each reflection is only partial, or slightly distorted, each Sphere takes on its own unique characteristics. Only the so-called “Middle Four Sphereoth” have the ability to harmonize or reflect in total all of the energies of creation, on some level.
This ‘zigzag’ of Creation is called the “Lightning Flash”. The return of energy from dense matter, back through the various stages, Sepheroth, and Worlds of Creation is known as the “Path of the Serpent” because of its reverse, or complimentary ‘zigzag’ nature back up this diagram called the Tree of Life.
For the alchemist, somewhere between the third and fourth level, or sphere of creation, energy takes on the characteristic that will allow for the formation of matter at some future state, or level ten. This energy is called Prima Materia, Chaos in the Bible, Spiritus Mundi (Spirit of the Earth), and others. Here, duality is made complete, and genuine polarity exists, as opposed to simply the potential, or idea, of polarity that had existed previously. Energy is divided into active and passive modes, with the active energy constituting the energies of life, and the passive one the energy of matter. In “The Golden Chain of Homer”, the active energy is called Niter and the passive energy is called Salt.
The energy of Life manifests in two forms, Fire and Air. While both are predominately active in nature, fire is the more active of the two, with Air being slightly passive because of the partial Water Element in its makeup. Potential Matter manifests its energy as Water and Earth. These Elements have nothing to do with the material bodies of the same name, and as such are capitalized and called “Elemental” to distinguish them from the earth we walk on, water we drink, air we breath, and fire we cook with. They are in fact, energetic states, each with their own unique characteristics, as well as each of the previously mentioned ten levels of consciousness within them. The Elements also have preferred ways of interacting with each other, to form the Three Principles of alchemy. There are in fact, forty different ways energy-matter-consciousness can manifest in our world.
The Three Essentials are the alchemical principles of Sulphur, Mercury, and Salt. Like the “Elements” these principle concepts are to be thought of a “Philosophical” and not literally as chemical elements or compounds. The Alchemical Sulphur, or Soul, of a thing predominates in the animating principles of energy (Fire) and intelligence (Air); Alchemical Salt, or the physical body of a thing, predominates in unconscious forces, psychic, and instinctual intelligence (Water) and solid matter (Earth); Alchemical Mercury, or general life force, predominates in intelligence (Air) and instinctual forces, and psychic energy (Water), as such it is the link, or bridge, between the higher forces of Sulphur and the lower body of matter.
In the mineral realm the dominant energy is that of Earth, a little Water, and very little Air or Fire. In the vegetable realm, the dominant energy is Water and Air, but little Fire and Earth. In the animal realm, the dominant force element is Fire, then Air, but little Earth. These qualities need to be understood as they have been defined for the following information to be of any use to the practicing, or aspiring, Hermeticist. For example, using the above definitions, we can say that the plant realm has an abundance of instinctual energy (Water) and intelligence, i.e. a specific function (Air), but little direct energy (Fire), as this is received passively from the sun; and little hard, physical, matter (Earth).
In the East as in the West, the idea of principle Elements and Philosophic Principles are expressed in more or less the same manner. This original undifferentiated energy from creation is often called in Indian philosophy, and modern occult, and New Age circles, as akasha, or Spirit. However, akasha, consists of two (2) aspects, one active as we have noted, Niter, and the other passive, Salt. The energies of Niter are also referred to as the force of Kundalini, or spiritual forces. In alchemy, this is the Secret Fire. To the Salt, belongs the force of Prana, or Vital Energy.
The function of the Vital energy is to maintain physical life forms and existence. It is completely instinctual and unconscious and is heavily influenced by cosmic cycles, astrological pulses, and other natural phenomena. The function of the Secret Fire is to increase in humanity, the only place where it is present, its sense of self, or “I”. At the lowest level or functioning, this is the ego, at its highest, it is Divinity incarnate, as both are two sides of the same coin. One is ‘self’ in relation to the physical world and others; the other is ‘self’ in relationship to all of Creation and as a co-creator.
In the vast majority of humanity, this Secret Fire, or liberating energy of self-consciousness, lies dormant, asleep at the base of the spine, coiled like a serpent. Only a small amount manages to escape, reaching a sepherothic level, or so-called chakra, thus creating a loci of consciousness for each person. If it reaches the top of the skull, and beyond, a spiritual awakening can occur, allowing for a descent and re-ascent of the energy, during which the psychic centers can be awakened allowing for the manifestation of psychic powers and related phenomena.
The Secret Fire ascends as a result of a temporary weakening of the Vital Energy in the physical body. This is why so many spiritual awakenings take place under great physical stress, times of illness, or near-death-experiences. When the Secret Fire will ascend through the various psychic-physical currents causing it to be enveloped in a sphere of luminous light.
The experiencing of the Secret Fire, as a result of the suppression of the physical body’s Vital Energy, can create a condition which manifests in various forms:
-Some perceive the bright light as an angel, their Higher Self, or “Holy Guardian Angel”, others as a spiritual teacher.
-Astral projection may result, along with perception of the immediate surroundings.
-Uncontrolled physical movements may also result, typical of so-called ‘kundalini phenomena’: shaking, rapid breathing, swinging of the torso, uncontrolled giddiness, and sitting straight upright in the Pharonic position.
After a period of time, the energy will descend, and return to the base of the spine.
The effects of this awakening will take some time for the consciousness of the individual to adjust to, and is not limited to the ‘non-physical’ realms. The physical body, although to a lesser degree, is also changed and improved in functioning, constituting a genuine “re-birth’ on several levels. However, it is up to the mind, or sense of “I”, of the individual, to cooperate with this influx of power if more permanent changes in consciousness are to be made.
As we can see, the concept of kundalini, or the Secret Fire, is linked to two polar concepts: that of the undifferentiated creative energy, and the second, as the seed of this energy locked on each cell of material creation, and focused in humanity at the base of the spine.
When this energy rises as a result of psychic experiences, and not because of physical weakness, it can cause the Vital Energy of the body to be concentrated on various areas of the body, creating physical and psychic disturbances. If the energy becomes concentrated in the head, it can create the illusion of a spiritual awakening, as well as the well known “hot and cold” flashes, or currents, up and down the spine. The effects of the Secret Fire however, and not its re-distributive effects on the Vital Energy, can create the following phenomena:
Intense pains suggestive of an illness
Crawling sensations of ants or small bugs over the skin, as well as a ‘jumping’ sensation of the energy
A feeling of crystal clear calmness and tranquillity, rise from center to center to the top of the head
Ascending in the famous ‘zigzag’ or Rising Serpent pattern
The energy can skip a center or two
The energy can reach the top of the head in a flash of light
The character attributes of both positive and negative are exaggerated and sexual power is increased.
If the energy rises to the top of the head, then it becomes possible to work directly on the Vital Energy within the body, and use it, as a means of enhancing the psychic experience and spiritual awakening.
In short, the psychic centers must first be awakened by the Secret Fire and purified, before the energy of the physical body, can be concentrated upon them.
Thus, our psychic exercises, and esoteric meditations are designed to prepare our minds, bodies, and consciousness for the liberation of the Secret Fire buried deep inside us. Through a progressive cleansing of the blood, nervous system, and endocrine glands, the ‘chains’ of the Vital Energy upon the Secret Fire are reduced and eliminated, allowing the ever present power and energy, a veritable pressure waiting to be released, to spring into action. Thus, the Serpent doesn’t really sleep, it is we who are asleep to its presence and potential blessing.
The Secret Fire and the Sepheroth
“So he drove out the man: and he placed at the east of the garden of Eden cherubim, and a flaming sword which turned every way, to keep the way of the Tree of Life.” Genesis 3:24
The use of the “Tree of Life” has been both a blessing and a curse for modern esotericism. When understood, the “Tree” offers a complete and working model of Creation on both the microcosmic and macrocosmic scales. However, where many fail is on the personal level. The ability to apply the often very general information of the Tree to personal experiences of the initiate when they deal with physiological phenomena is profoundly lacking in modern esoteric circles. The reasons for this are several: First, many modern esotericists simply repeat what they have learned without experiencing whether or not it is true on a personal level; second, the language of kabbalah is multi-leveled, with the same word having several meanings, thus many who are using the words don’t know what they actually mean, or on what level it may be interpreted; thirdly, the diagram of the Tree is simply too neat and compartmentalized. Many kabbalists are unable to adapt to the fact that interior reality is much more flexible than the Tree allows when applied to the two dimensional page or illustration.
These problems are farther complicated by the idea of “One Tree” but “Four Worlds” making much meaningful, practical information nearly impossible to come by regarding the crises of spiritual awakening and so-called Kundalini phenomena as it relates to kabbalistic practices. When compared to the clear and explicit information available from Taoist and Tantrik sources, it is no wonder that so many Americans and Europeans prefer those systems to those more culturally and historically related.
To help resolve these problems in the transmission of knowledge, only information that has a relationship to experience of the author or others he has discussed this topic with will be included here. Theory will be stated as theory, and experience as experience. The meaning of common kabbalistic words will be defined, and redefined, to keep the communication clear and direct. An extensive use of confusing and somewhat irrelevant god-forms, references to mythology, and cosmology unconnected to the personal experience will be avoided.
Arousing the Sleeping Serpent
“Just as Moses lifted up the flaming serpent in the desert, so must the Son of Man be lifted up, that all who believe may have eternal life in him.” John 3:14-15
The Lesser Ritual of the Pentagram is often the first ritual learned by aspiring magicians. Its function is to teach the basic mechanics of solitary ritual, and to give a basic technique whereby destructive energies maybe repelled or dispersed from the sphere of influence of the operator. The symbols used in the ritual are fundamental to other rituals of a more complex nature; however, to disregard the Lesser Ritual as somehow less effective is a mistake. A ritual, no matter how simple or complex is only as effective as the skill of its operator. Repeated use of the LRP is can be more effective than incompetent or irregular use of more sophisticated rites.
In total, there are approximately six fundamental rituals used in Western occultism reflecting an influence of The Hermetic Order of the Golden Dawn: 1) the Lesser Ritual of the Pentagram 2) the Supreme Ritual of the Pentagram 3) the Lesser Ritual of the Hexagram 4) the Greater Ritual of the Hexagram and 5) the Rose+Cross Ritual. The use of The Flashing Sword appears to be irregular; however, it will also be considered along with its companion exercise or, The Rising Serpent.
Within these, the use of the Middle Pillar is optional, it is however, the Middle Pillar Exercise which does the most to purify the bodily energies, or Vital Energy, and make pathways for the release of the Secret Fire.
This two storey timber and stucco building was constructed as the Masonic Temple at Norman Park in 1927. It was built on land acquired by Trustees of the Norman Park Lodge in 1925 and was officially dedicated and consecrated on 28 July 1927. The hall served the local masonic community for over fifty years before being sold to the Rosicrucian Order, AMORC, in 1978. The Order added a block work extension to the building in 1989.
Although the first residential subdivisions took place in Norman Park during the 1880s and the tramline arrived in 1904, the area remained mostly farmland until after World War I. Early surviving houses at Norman Park include ‘Rose Hill’ (circa 1896), ‘Lozelles’ (circa 1888) and ‘Eulalia’ (1889) which was part of the Early Street Historical Village from 1965 to the late 1990s. Residential development increased during the interwar years, encouraged by the opening of the Norman Park railway station in 1911. As the population grew, community buildings such as the Methodist Church (1917) and the Anglican Church of the Transfiguration (1925) were built.
Freemasonry had its beginnings in medieval England with the formation of lodges of skilled stonemasons. By the early eighteenth century, men who were not stonemasons were admitted and the first Grand Lodge was established. Freemasonry was established in Queensland in 1859, although the Queensland lodges operated under the ultimate authority of the Grand Master of New South Wales until well into the twentieth century.
The first Masonic Lodge in Brisbane was built on the corner of Albert and Ann Streets in 1866 and served as the centre for Queensland freemasonry until a larger temple was constructed in Alice Street in 1886. (Both have since been demolished). Many of Brisbane’s most influential men, including John Petrie, the first Mayor of Brisbane, and Sir Charles Lilley, Premier of Queensland and champion of free education, were active masons. Lodges were established under the English, Irish and Scottish constitutions and it was not until 1921 that the United Grand Lodge was formed in Brisbane uniting 281 lodges. The imposing Masonic Temple in Ann Street, designed by Lange Powell, was opened in 1930, replacing the Alice Street Temple.
The Norman Park Lodge was established in 1923. Members used the local Presbyterian Church for meetings while plans were made to construct their own temple. In 1925, the Lodge acquired three 16 perch allotments (1214m²) in Norman Avenue. Members of the Lodge provided an interest free loan to cover the expense of building the temple which was expected to cost £1,500 to £1,800.
According to the Brisbane Courier, the stump capping ceremony held on 19 February 1927 was attended by “a large gathering of Masons, including many interstate visitors”. Each of the fifty stumps received a specially constructed metal cap and donations totalling £40 were placed under the caps by various donors. The first stump was ceremoniously capped by the Grand Master Brother C. Stumm. The remaining stumps were capped by members of the Norman Park Lodge, visiting masons and Mrs J. Bothwell and Mrs A. T. Atherton. The new temple was to be built and furnished by a father and three sons, all of whom were members of the Norman Park Lodge. On 28 July 1927, the Grand Master returned to officiate at a dedication and consecration ceremony for the new temple.
In addition to providing a venue for masonic meetings and rituals, the Norman Park Masonic Temple was used to hold social events. For example, on 8 March 1930, a dance and musical evening was held at the hall to raise extra building funds. In 1961, the Brisbane City Council approved an addition to the site which is likely to be the timber section at the rear of the building on the southern side.
The masonic temple was damaged in the severe flooding of 1974, prompting the Norman Park Masonic Lodge to sell the site to the Rosicrucian Order AMORC (Ancient and Mystical Order Rosae Crucis), a non-profit, educational and spiritual organisation. Although the titles were transferred in 1978 to the Rosicrucian Order, financial settlement did not occur until 1981.
The Order carried out extensive repairs to the flood damaged building that included reinforcing the first floor with steel girders. The members of the Order continued to use the upper floor as a temple, modifying the interior to fit their requirements and adding various paintings and symbols. There is no visible evidence in the temple of any original Masonic insignia. In 1989, the Rosacrucians built a two storey block work addition on the western side of the building.
The former masonic temple at Norman Park is one of several surviving pre-World War II Masonic halls entered on the Brisbane City Planning Heritage Register. Others include those at Sandgate (1889), Taringa (1902) and Wynnum (1920).
The Norman Park Masonic Temple provides evidence of the expansion of the Masonic movement in Brisbane during the Interwar period. Under the ownership of the Rosacrucian Order, it continues to operate as a place of ritual. It is one of several surviving pre-World War II Masonic temples entered on the Brisbane City Heritage Register.
Source: Brisbane City Council Heritage Register.
Once there, egoism becomes stimulated by the subtle forces they have evoked, the emotional nature becomes more sensitive and more fluid, the imaginative power becomes more active and is less restrained. If a person then falls victim to spiritual error regarding this state, the result is swollen vanity, superstitious credulity, emotions run riot, and wild imagination. The astral plane, also called the astral world, is a plane of existence postulated by classical (particularly neo-Platonic), medieval, oriental, and esoteric philosophies and mystery religions.The astral plane, also called the astral world, is a plane of existence postulated by classical (particularly neo-Platonic), medieval, oriental, and esoteric philosophies and mystery religions. It is the world of the celestial spheres, crossed by the soul in its astral body on the way to being born and after death, and is generally believed to be populated by angels, spirits or other immaterial beings. In the late 19th and early 20th century the term was popularised by Theosophy and neo-Rosicrucianism. Another view holds that the astral plane or world, rather than being some kind of boundary area crossed by the soul, is the entirety of spirit existence or spirit worlds to which those who die on Earth go, and where they live out their non-physical lives. Some writers conflate this realm with heaven or paradise or union with God itself, and others do not. P. Yogananda wrote in Autobiography of a Yogi, "The astral universe . . . is hundreds of times larger than the material universe . . .[with] many astral planets, teeming with astral beings." (p.416) When Alice Bailey writes of seeing "Masters . . . upon the inner spiritual planes [who]. . . work with Christ and the planetary hierarchy," she refers to a vision she had of the unseen astral realm that these and countless other beings inhabit. Christ being in that realm, it is hard to construe it as a non-heaven. The Barzakh, olam mithal or intermediate world in Islam, and the "World of Yetzirah" in Lurianic Kabbalah are related concepts., and is generally believed to be populated by angels, spirits or other immaterial beings. In the late 19th and early 20th century the term was popularised by Theosophy and neo-Rosicrucianism. Another view holds that the astral plane or world, rather than being some kind of boundary area crossed by the soul, is the entirety of spirit existence or spirit worlds to which those who die on Earth go, and where they live out their non-physical lives. Some writers conflate this realm with heaven or paradise or union with God itself, and others do not. P. Yogananda wrote in Autobiography of a Yogi, "The astral universe . . . is hundreds of times larger than the material universe . . .[with] many astral planets, teeming with astral beings." (p.416) When Alice Bailey writes of seeing "Masters . . . upon the inner spiritual planes [who]. . . work with Christ and the planetary hierarchy," she refers to a vision she had of the unseen astral realm that these and countless other beings inhabit. Christ being in that realm, it is hard to construe it as a non-heaven.In Islam, the soul and the body are independent of each other. This is significant in Barzakh, because only a person's soul goes to Barzakh and not their physical body.[10] Since one's soul is divorced from their body in Barzakh, the belief is that no progress or improvements to one's past life can be made. If a person experienced a life of sin and worldly pleasures, one cannot try to perform good deeds in order to reach Jannah. Whatever one does in his or her lifetime is final and cannot be changed or altered in Barzakh.the Barzakh or Alam-e-Araf is not only where the human soul resides after death but it is also a place that the soul can visit during sleep and meditation. Ibn 'Arabi, defines Barzakh as the intermediate realm or "isthmus". It is between the World of Corporeal Bodies and the World of Spirits, and is a means of contact between the two worlds. Without it, there would be no contact between the two and both would cease to exist. It is described as simple and luminous, like the World of Spirits, but also able to take on many different forms just like the World of Corporeal Bodies can. In broader terms Barzakh, “is anything that separates two things”. It has been described as the dream world in which the dreamer is in both life and death. . In Tibetan Buddhism, bardo is the central theme of the Bardo Thodol (literally Liberation Through Hearing During the Intermediate State), the Tibetan Book of the Dead.Metaphorically, bardo can describe times when our usual way of life becomes suspended, as, for example, during a period of illness or during a meditation retreat. Such times can prove fruitful for spiritual progress because external constraints diminish. However, they can also present challenges because our less skillful impulses may come to the foreground, just as in the sidpa bardo.The intermediate being who makes the passage in this way from one existence to the next is formed, like every living being, of the five aggregates (skandha). His existence is demonstrated by the fact that it cannot have any discontinuity in time and space between the place and moment of death and those of rebirth, and therefore it must be that the two existences belonging to the same series are linked in time and space by an intermediate stage. The intermediate being is the Gandharva, the presence of which is as necessary at conception as the fecundity and union of the parents. Furthermore, the Antarāparinirvāyin is an Anāgamin who obtains parinirvāṇa during the intermediary existence. As for the heinous criminal guilty of one of the five crimes without interval (ānantarya), he passes in quite the same way by an intermediate existence at the end of which he is reborn necessarily in hell.What is an intermediate being, and an intermediate existence? Intermediate existence, which inserts itself between existence at death and existence at birth, not having arrived at the location where it should go, cannot be said to be born. Between death—that is, the five skandhas of the moment of death—and arising—that is, the five skandhas of the moment of rebirth—there is found an existence—a "body" of five skandhas—that goes to the place of rebirth. This existence between two realms of rebirth (gatī) is called intermediate existence.Originally bardo referred only to the period between one life and the next, and this is still its normal meaning when it is mentioned without any qualification. There was considerable dispute over this theory during the early centuries of Buddhism, with one side arguing that rebirth (or conception) follows immediately after death, and the other saying that there must be an interval between the two. With the rise of mahayana, belief in a transitional period prevailed. Later Buddhism expanded the whole concept to distinguish six or more similar states, covering the whole cycle of life, death, and rebirth. But it can also be interpreted as any transitional experience, any state that lies between two other states. Its original meaning, the experience of being between death and rebirth, is the prototype of the bardo experience, while the six traditional bardos show how the essential qualities of that experience are also present in other transitional periods. By refining even further the understanding of the essence of bardo, it can then be applied to every moment of existence. The present moment, the now, is a continual bardo, always suspended between the past and the future.In Sri Aurobindo's philosophy the Intermediate zone refers to a dangerous and misleading transitional spiritual state between the ordinary consciousness and true spiritual realisation. Similar notions can be found in mystical literature, such as "the astral plane" and "the hall of illusion." The Theosophist W. Q. Judge used the similar notion of "astral intoxication" Barzakh can also refer to a person. Chronologically between Jesus and Mohammad is the contested Prophet Khalid. Ibn 'Arabi considers this man to be a “Barzakh” or the Perfect Human Being. Chittick explains that the Perfect Human acts as the Barzakh or "isthmus" between God and the world. Ibn 'Arabi's story of Prophet Khalid is a story of Perfect Human being.
Khalid's story is of a Prophet whose message never emerged because before he died, he told his sons to open his tomb forty days after his death to receive the message of Barzakh. The sons, however, feared they would be looked down upon for opening their dead father's tomb, therefore they decided not to exhume their father. Thus, his message was never shared. An Ottoman Scholar explained that for Khalid to give the knowledge of Barzakh he would have to travel through the different worlds and then return, but because he was not exhumed, his message was never heard. Ibn 'Arabi explains that because this mission ended in failure, it does not conflict with The Prophet Mohammed’s statement: “ am nearest of men to Jesus son of Mary, for there is no prophet between him and me. The Barzakh, olam mithal or intermediate world in Islam, and the "World of Yetzirah" in Lurianic Kabbalah are related concepts. Plato and Aristotle taught that the stars were composed of a type of matter different from the four earthly elements - a fifth, ethereal element or quintessence. In the "astral mysticism" of the classical world the human psyche was composed of the same material, thus accounting for the influence of the stars upon human affairs. In his commentaries on Plato's Timaeus, Proclus wrote; Man is a little world (mikros cosmos). For, just like the Whole, he possesses both mind and reason, both a divine and a mortal body. He is also divided up according to the universe. It is for this reason, you know, that some are accustomed to say that his consciousness corresponds with the nature of the fixed stars, his reason in its contemplative aspect with Saturn and in its social aspect with Jupiter, (and) as to his irrational part, the passionate nature with Mars, the eloquent with Mercury, the appetitive with Venus, the sensitive with the Sun and the vegetative with the Moon. Such doctrines were commonplace in mystery-schools and Hermetic and gnostic sects throughout the Roman Empire and influenced the early Christian church. Among Muslims the "astral" world-view was soon rendered orthodox by Quranic references to the Prophet's ascent through the seven heavens. Scholars took up the Greek Neoplatonist accounts as well as similar material in Hindu and Zoroastrian texts. The expositions of Ibn Sina (Avicenna), the Brotherhood of Purity and others, when translated into Latin in the Norman era, were to have a profound effect upon European mediaeval alchemy and astrology. By the 14th century Dante was describing his own imaginary journey through the astral spheres of Paradise. Throughout the Renaissance, philosophers, Paracelsians, Rosicrucians and alchemists continued to discuss the nature of the astral world intermediate between earth and the divine. Once the telescope established that no spiritual heaven was visible around the solar system, the idea was superseded in mainstream science.
Pablo Picasso (/pɪˈkɑːsoʊ, -ˈkæsoʊ/; Spanish: [ˈpaβlo piˈkaso]; 25 October 1881 – 8 April 1973) was a Spanish painter, sculptor, printmaker, ceramicist, stage designer, poet and playwright who spent most of his adult life in France. Regarded as one of the most influential artists of the 20th century, he is known for co-founding the Cubist movement, the invention of constructed sculpture, the co-invention of collage, and for the wide variety of styles that he helped develop and explore. Among his most famous works are the proto-Cubist Les Demoiselles d'Avignon (1907), and Guernica (1937), a dramatic portrayal of the bombing of Guernica by the German and Italian airforces.Picasso demonstrated extraordinary artistic talent in his early years, painting in a naturalistic manner through his childhood and adolescence. During the first decade of the 20th century, his style changed as he experimented with different theories, techniques, and ideas. After 1906, the Fauvist work of the slightly older artist Henri Matisse motivated Picasso to explore more radical styles, beginning a fruitful rivalry between the two artists, who subsequently were often paired by critics as the leaders of modern art.Picasso's work is often categorized into periods. While the names of many of his later periods are debated, the most commonly accepted periods in his work are the Blue Period (1901–1904), the Rose Period (1904–1906), the African-influenced Period (1907–1909), Analytic Cubism (1909–1912), and Synthetic Cubism (1912–1919), also referred to as the Crystal period. Much of Picasso's work of the late 1910s and early 1920s is in a neoclassical style, and his work in the mid-1920s often has characteristics of Surrealism. His later work often combines elements of his earlier styles.Exceptionally prolific throughout the course of his long life, Picasso achieved universal renown and immense fortune for his revolutionary artistic accomplishments, and became one of the best-known figures in 20th-century art.Picasso was baptized Pablo Diego José Francisco de Paula Juan Nepomuceno María de los Remedios Cipriano de la Santísima Trinidad Ruiz y Picasso,[1] a series of names honouring various saints and relatives.[9] Ruiz y Picasso were included for his father and mother, respectively, as per Spanish law. Born in the city of Málaga in the Andalusian region of Spain, he was the first child of Don José Ruiz y Blasco (1838–1913) and María Picasso y López.[10] His mother was of one quarter Italian descent, from the territory of Genoa.[11] Though baptized a Catholic, Picasso would later on become an atheist.[12] Picasso's family was of middle-class background. His father was a painter who specialized in naturalistic depictions of birds and other game. For most of his life Ruiz was a professor of art at the School of Crafts and a curator of a local museum. Ruiz's ancestors were minor aristocrats.Picasso showed a passion and a skill for drawing from an early age. According to his mother, his first words were "piz, piz", a shortening of lápiz, the Spanish word for "pencil".[13] From the age of seven, Picasso received formal artistic training from his father in figure drawing and oil painting. Ruiz was a traditional academic artist and instructor, who believed that proper training required disciplined copying of the masters, and drawing the human body from plaster casts and live models. His son became preoccupied with art to the detriment of his classwork.
The family moved to A Coruña in 1891, where his father became a professor at the School of Fine Arts. They stayed almost four years. On one occasion, the father found his son painting over his unfinished sketch of a pigeon. Observing the precision of his son's technique, an apocryphal story relates, Ruiz felt that the thirteen-year-old Picasso had surpassed him, and vowed to give up painting, though paintings by him exist from later years.In 1895, Picasso was traumatized when his seven-year-old sister, Conchita, died of diphtheria.[15] After her death, the family moved to Barcelona, where Ruiz took a position at its School of Fine Arts. Picasso thrived in the city, regarding it in times of sadness or nostalgia as his true home.[16] Ruiz persuaded the officials at the academy to allow his son to take an entrance exam for the advanced class. This process often took students a month, but Picasso completed it in a week, and the jury admitted him, at just 13. The student lacked discipline but made friendships that would affect him in later life. His father rented a small room for him close to home so he could work alone, yet he checked up on him numerous times a day, judging his drawings. The two argued frequently.Picasso's father and uncle decided to send the young artist to Madrid's Real Academia de Bellas Artes de San Fernando, the country's foremost art school.At age 16, Picasso set off for the first time on his own, but he disliked formal instruction and stopped attending classes soon after enrolment. Madrid held many other attractions. The Prado housed paintings by Diego Velázquez, Francisco Goya, and Francisco Zurbarán. Picasso especially admired the works of El Greco; elements such as his elongated limbs, arresting colours, and mystical visages are echoed in Picasso's later work.Picasso's training under his father began before 1890. His progress can be traced in the collection of early works now held by the Museu Picasso in Barcelona, which provides one of the most comprehensive records extant of any major artist's beginnings.[17] During 1893 the juvenile quality of his earliest work falls away, and by 1894 his career as a painter can be said to have begun.The academic realism apparent in the works of the mid-1890s is well displayed in The First Communion (1896), a large composition that depicts his sister, Lola. In the same year, at the age of 14, he painted Portrait of Aunt Pepa, a vigorous and dramatic portrait that Juan-Eduardo Cirlot has called "without a doubt one of the greatest in the whole history of Spanish painting."In 1897, his realism began to show a Symbolist influence, for example, in a series of landscape paintings rendered in non-naturalistic violet and green tones. What some call his Modernist period (1899–1900) followed. His exposure to the work of Rossetti, Steinlen, Toulouse-Lautrec and Edvard Munch, combined with his admiration for favourite old masters such as El Greco, led Picasso to a personal version of modernism in his works of this period.Picasso made his first trip to Paris, then the art capital of Europe, in 1900. There, he met his first Parisian friend, journalist and poet Max Jacob, who helped Picasso learn the language and its literature. Soon they shared an apartment; Max slept at night while Picasso slept during the day and worked at night. These were times of severe poverty, cold, and desperation. Much of his work was burned to keep the small room warm. During the first five months of 1901, Picasso lived in Madrid, where he and his anarchist friend Francisco de Asís Soler founded the magazine Arte Joven (Young Art), which published five issues. Soler solicited articles and Picasso illustrated the journal, mostly contributing grim cartoons depicting and sympathizing with the state of the poor. The first issue was published on 31 March 1901, by which time the artist had started to sign his work Picasso; before he had signed Pablo Ruiz y Picasso.Picasso's Blue Period (1901–1904), characterized by sombre paintings rendered in shades of blue and blue-green, only occasionally warmed by other colours, began either in Spain in early 1901, or in Paris in the second half of the year.[22] Many paintings of gaunt mothers with children date from the Blue Period, during which Picasso divided his time between Barcelona and Paris. In his austere use of colour and sometimes doleful subject matter – prostitutes and beggars are frequent subjects – Picasso was influenced by a trip through Spain and by the suicide of his friend Carlos Casagemas. Starting in autumn of 1901 he painted several posthumous portraits of Casagemas, culminating in the gloomy allegorical painting La Vie (1903), now in the Cleveland Museum of Art..Pablo Picasso, 1905, Au Lapin Agile (At the Lapin Agile) (Arlequin tenant un verre), oil on canvas, 99.1 × 100.3 cm, Metropolitan Museum of Art
The same mood pervades the well-known etching The Frugal Repast (1904),] which depicts a blind man and a sighted woman, both emaciated, seated at a nearly bare table. Blindness is a recurrent theme in Picasso's works of this period, also represented in The Blindman's Meal (1903, the Metropolitan Museum of Art) and in the portrait of Celestina (1903). Other works include Portrait of Soler and Portrait of Suzanne Bloch.The Rose Period (1904–1906)[25] is characterized by a lighter tone and style utilizing orange and pink colours, and featuring many circus people, acrobats and harlequins known in France as saltimbanques. The harlequin, a comedic character usually depicted in checkered patterned clothing, became a personal symbol for Picasso. Picasso met Fernande Olivier, a bohemian artist who became his mistress, in Paris in 1904.[15] Olivier appears in many of his Rose Period paintings, many of which are influenced by his warm relationship with her, in addition to his increased exposure to French painting. The generally upbeat and optimistic mood of paintings in this period is reminiscent of the 1899–1901 period (i.e. just prior to the Blue Period) and 1904 can be considered a transition year between the two periods.Portrait of Gertrude Stein, 1906, Metropolitan Museum of Art, New York City. When someone commented that Stein did not look like her portrait, Picasso replied, "She will".By 1905, Picasso became a favourite of American art collectors Leo and Gertrude Stein. Their older brother Michael Stein and his wife Sarah also became collectors of his work. Picasso painted portraits of both Gertrude Stein and her nephew Allan Stein. Gertrude Stein became Picasso's principal patron, acquiring his drawings and paintings and exhibiting them in her informal Salon at her home in Paris. At one of her gatherings in 1905, he met Henri Matisse, who was to become a lifelong friend and rival. The Steins introduced him to Claribel Cone and her sister Etta who were American art collectors; they also began to acquire Picasso and Matisse's paintings. Eventually Leo Stein moved to Italy. Michael and Sarah Stein became patrons of Matisse, while Gertrude Stein continued to collect Picasso.In 1907 Picasso joined an art gallery that had recently been opened in Paris by Daniel-Henry Kahnweiler. Kahnweiler was a German art historian and art collector who became one of the premier French art dealers of the 20th century. He was among the first champions of Pablo Picasso, Georges Braque and the Cubism that they jointly developed. Kahnweiler promoted burgeoning artists such as André Derain, Kees van Dongen, Fernand Léger, Juan Gris, Maurice de Vlaminck and several others who had come from all over the globe to live and work in Montparnasse at the time.Picasso's African-influenced Period (1907–1909) begins with his painting Les Demoiselles d'Avignon. Picasso painted this composition in a style inspired by Iberian sculpture, but repainted the faces of the two figures on the right after being powerfully impressed by African artefacts he saw in June 1907 in the ethnographic museum at Palais du Trocadéro.[30] When he displayed the painting to acquaintances in his studio later that year, the nearly universal reaction was shock and revulsion; Matisse angrily dismissed the work as a hoax.[31] Picasso did not exhibit Le Demoiselles publicly until 1916.Other works from this period include Nude with Raised Arms (1907) and Three Women (1908). Formal ideas developed during this period lead directly into the Cubist period that follows.Analytic cubism (1909–1912) is a style of painting Picasso developed with Georges Braque using monochrome brownish and neutral colours. Both artists took apart objects and "analyzed" them in terms of their shapes. Picasso and Braque's paintings at this time share many similarities.Synthetic cubism (1912–1919) was a further development of the genre of cubism, in which cut paper fragments – often wallpaper or portions of newspaper pages – were pasted into compositions, marking the first use of collage in fine art. In Paris, Picasso entertained a distinguished coterie of friends in the Montmartre and Montparnasse quarters, including André Breton, poet Guillaume Apollinaire, writer Alfred Jarry, and Gertrude Stein. Apollinaire was arrested on suspicion of stealing the Mona Lisa from the Louvre in 1911. Apollinaire pointed to his friend Picasso, who was also brought in for questioning, but both were later exonerated.Between 1915 and 1917, Picasso began a series of paintings depicting highly geometric and minimalist Cubist objects, consisting of either a pipe, a guitar or a glass, with an occasional element of collage. "Hard-edged square-cut diamonds", notes art historian John Richardson, "these gems do not always have upside or downside".[33][34] "We need a new name to designate them," wrote Picasso to Gertrude Stein: Maurice Raynal suggested "Crystal Cubism".[33][35] These "little gems" may have been produced by Picasso in response to critics who had claimed his defection from the movement, through his experimentation with classicism within the so-called return to order following the war.At the outbreak of World War I in August 1914, Picasso was living in Avignon. Braque and Derain were mobilized and Apollinaire joined the French artillery, while the Spaniard Juan Gris remained from the Cubist circle. During the war, Picasso was able to continue painting uninterrupted, unlike his French comrades. His paintings became more sombre and his life changed with dramatic consequences. Kahnweiler’s contract had terminated on his exile from France. At this point Picasso’s work would be taken on by the art dealer Léonce Rosenberg. After the loss of Eva Gouel, Picasso had an affair with Gaby Lespinasse. During the spring of 1916, Apollinaire returned from the front wounded. They renewed their friendship, but Picasso began to frequent new social circles.Towards the end of World War I, Picasso made a number of important relationships with figures associated with Serge Diaghilev's Ballets Russes. Among his friends during this period were Jean Cocteau, Jean Hugo, Juan Gris, and others. In the summer of 1918, Picasso married Olga Khokhlova, a ballerina with Sergei Diaghilev's troupe, for whom Picasso was designing a ballet, Erik Satie's Parade, in Rome; they spent their honeymoon near Biarritz in the villa of glamorous Chilean art patron Eugenia Errázuriz.After returning from his honeymoon, and in desperate need of money, Picasso started his exclusive relationship with the French-Jewish art dealer Paul Rosenberg. As part of his first duties, Rosenberg agreed to rent the couple an apartment in Paris at his own expense, which was located next to his own house. This was the start of a deep brother-like friendship between two very different men, that would last until the outbreak of World War II.Khokhlova introduced Picasso to high society, formal dinner parties, and all the social niceties attendant to the life of the rich in 1920s Paris. The two had a son, Paulo Picasso,.who would grow up to be a dissolute motorcycle racer and chauffeur to his father. Khokhlova's insistence on social propriety clashed with Picasso's bohemian tendencies and the two lived in a state of constant conflict. During the same period that Picasso collaborated with Diaghilev's troupe, he and Igor Stravinsky collaborated on Pulcinella in 1920. Picasso took the opportunity to make several drawings of the composer.In 1927 Picasso met 17-year-old Marie-Thérèse Walter and began a secret affair with her. Picasso's marriage to Khokhlova soon ended in separation rather than divorce, as French law required an even division of property in the case of divorce, and Picasso did not want Khokhlova to have half his wealth. The two remained legally married until Khokhlova's death in 1955. Picasso carried on a long-standing affair with Marie-Thérèse Walter and fathered a daughter with her, named Maya. Marie-Thérèse lived in the vain hope that Picasso would one day marry her, and hanged herself four years after Picasso's death.
en.wikipedia.org/wiki/Pablo_Picasso
Crystal Cubism (French: Cubisme cristal or Cubisme de cristal) is a distilled form of Cubism consistent with a shift, between 1915 and 1916, towards a strong emphasis on flat surface activity and large overlapping geometric planes. The primacy of the underlying geometric structure, rooted in the abstract, controls practically all of the elements of the artwork.This range of styles of painting and sculpture, especially significant between 1917 and 1920 (also referred to as the Crystal Period, classical Cubism, pure Cubism, advanced Cubism, late Cubism, synthetic Cubism, or the second phase of Cubism), was practiced in varying degrees by a multitude of artists; particularly those under contract with the art dealer and collector Léonce Rosenberg—Henri Laurens, Jean Metzinger, Juan Gris and Jacques Lipchitz most noticeably of all. The tightening of the compositions, the clarity and sense of order reflected in these works, led to its being referred to by the French poet and art critic Maurice Raynal as 'crystal' Cubism.Considerations manifested by Cubists prior to the outset of World War I—such as the fourth dimension, dynamism of modern life, the occult, and Henri Bergson's concept of duration—had now been vacated, replaced by a purely formal frame of reference that proceeded from a cohesive stance toward art and life.As post-war reconstruction began, so too did a series of exhibitions at Léonce Rosenberg's Galerie de L'Effort Moderne: order and the allegiance to the aesthetically pure remained the prevailing tendency. The collective phenomenon of Cubism once again—now in its advanced revisionist form—became part of a widely discussed development in French culture. Crystal Cubism was the culmination of a continuous narrowing of scope in the name of a return to order; based upon the observation of the artists relation to nature, rather than on the nature of reality itself.Crystal Cubism, and its associative rappel à l’ordre, has been linked with an inclination—by those who served the armed forces and by those who remained in the civilian sector—to escape the realities of the Great War, both during and directly following the conflict. The purifying of Cubism from 1914 through the mid-1920s, with its cohesive unity and voluntary constraints, has been linked to a much broader ideological transformation towards conservatism in both French society and French culture. In terms of the separation of culture and life, the Crystal Cubist period emerges as the most important in the history of Modernism.Cubism, from its inception, stems from the dissatisfaction with the idea of form that had been in practiced since the Renaissance. This dissatisfaction had already been seen in the works of the Romanticist Eugene Delacroix, in the Realism of Gustave Courbet, in passing through the Symbolists, Les Nabis, the Impressionists and the Neo-Impressionists. Paul Cézanne was instrumental, as his work marked a shift from a more representational art form to one that was increasingly abstract, with a strong emphasis on the simplification of geometric structure. In a letter addressed to Émile Bernard dated 15 April 1904, Cézanne writes: "Interpret nature in terms of the cylinder, the sphere, the cone; put everything in perspective, so that each side of an object, of a plane, recedes toward a central point."Cézanne was preoccupied by the means of rendering volume and space, surface variations (or modulations) with overlapped shifting planes. Increasingly in his later works, Cézanne achieves a greater freedom. His work became bolder, more arbitrary, more dynamic and increasingly nonrepresentational. As his color planes acquired greater formal independence, defined objects and structures began to lose their identity.'Walpurgis Night, and The Angel that other master Alfred Kubin the Western Window (whose hero is the esoteric scholar John Dee). Picasso was also a member of this Order And it seems the same is true about Picasso, if we can trust the word of Marijo Ariens-Volker, who in her article "Alchemical, Kabbalistic, and Occult Symbolism in the Work of His Contemporaries (discussed in chapter 4), brings up several disturbing arguments. According to this researcher, Picasso, at the beginning of his stay in Paris, lived with his friend Ricardo Vines, who frequented the Librairie du Merveilleux, the general headquarters of the "independent group of esoteric studies" created by Papus. Among those closest to the painter at this time, we find André Salmon, who makes reference to Papus, the Martinists, and the Masons in several of his texts There were also Juan Gris an extremely assiduous Mason 38 Max Jacob, who considered kabbalah as his "life philosophy" and will be, before being expelled by Breton for impenitent Catholicism, frequently published in Littérature, and Guillaume Apollinaire who often spoke of Hermes Tres megistus and whose library held many books by Papus and other Martinists, as well as the official journals of the Order and even a document from the 1908 Spiritualist Congress. According to his grandson, Olivier Widmaier, Picasso was extremely well versed in the kabbalah, read the Zohar, and was a spiritualist his conversations with Brassai, Picasso admitted he had been a "member of an Order during his cubist period," probably the Martinist Order: some of the collages he made at this ime even bear signs that Ariens-Volker analyzes as allusions to the Martinist grade of unknown superior 40 210 Papus (whose "confused mysticism" would be denounced by Gérard Legrand in Médium in November 1953) claimed he had received Martinist initiation from the son of a close friend of Saint-Martin, but he also spent time with the "famous" theoretician of modern occultism, the "priest" (and Mason) Alphonse Louis Constant, alias Eliphas Levi 211 (Osiris is a black god," Breton writes in Arcanum 1 and was part of Helena Blavatsky and Colonel Henry Steel Olcott's Theosophical Society. He wanted to make the Martinist order which was connected with Christian illuminism-a mystical society, "a school of moral chivalry that would strive to develop the spirituality of its members by the study of the invisible world and its laws through the exercise of devotion and intellectual assistance, and by the creation in each spirit of a faith that would be more solid by being based on by Papus's son Phillipe d'Encausse.
"Deriving directly from Christian Illuminism, Martinism had to adopt the principles [...]
The Order as a whole is above all a school of moral chivalry, striving to develop the spirituality of its members by studying the invisible world and its laws, by exercising devotion and intellectual assistance and by the creation in each spirit of a faith all the more solid as it is based on observation and on science.
Martinists do not do magic, either white or black. They study, they pray, and they forgive the insults as best they can.
Accused of being devils by some, clerics by others, and black magicians or insane by the gallery, we will simply remain fervent knights of Christ, enemies of violence and revenge, resolute synarchists, opposed to any anarchy from above or from below, in a word from the Martinists. ”
Papus, The Initiation, November 1906
en.wikipedia.org/wiki/Crystal_Cubism
Administration
The newspaper The archives
Other components of Picasso’s references: esotericism, the Rosicrucian movement and opium.
< Summary
> Credits
The magico-religious aspect of the Gosolan ceremonies, as well as their pagan and esoteric roots, must have attracted Picasso, who was superstitious and had been initiated into the occult by two masters, his close friends Max Jacob and Guillaume Apollinaire68. In Gósol, the painter had the opportunity to enrich his training with in situ practices.
The Gosolan rites highlighted the continuity between the pagan world and the Christian one. This continuity was maintained by the Neoplatonists and, once the Inquisition was abolished, secret circles that had preserved the “living” tradition resurfaced, such as the Rosicrucians led by Sâr Péladan. The Grand Master sought, among other things, to merge the Rosicrucian movement with Christianity. Their ideas influenced Picasso’s entourage69 and Picasso’s Gosolan work reflects this union between pagan and Christian symbols.
Furthermore, opium, which Picasso and his circle appreciated, was linked to ancient mystery religions, in particular the cult of wheat presided over by Demeter and Persephone (fig.16). Opium facilitated access to knowledge, immortality of the soul and states of revelation. The flower from which opium is extracted, the poppy, is one of the emblems of the goddess Persephone. It is the flower that Picasso drew in his Gosolan notebook, his Carnet Catalan. Opium pipes are also represented in this notebook where the word “opium” is written, as well as a prescription for laudanum.
Opium, as Jean Cocteau, Sir Harold Acton, or Fernande71 explain, provides the opium smoker with the ability to constantly metamorphose, the sensation of being able to get anywhere he wants without the slightest effort, and an out-of-body experience that allows one to contemplate everything, oneself and the world, with impartiality72. Cocteau called opium “the flying carpet” and Picasso considered the scent of opium to be “the most intelligent of odors.”73
Opium placed these artists on the level of the ancient initiates, and the capacity for metamorphosis that it gave them allowed them to feel and see like them. The theatrical stagings of the ancient initiatory Mysteries in Parisian esoteric circles74 found some of their last real vestiges in Gósol.
Notes
68. RICHARDSON, JOHN, op. cit., Vol. I (1881-1906), pp. 207, 216, 331 and 334.
69. See the number of publications by Papus and Sâr Péladan, among other occultists, in the Apollinaire library: BOUDAR, GILBERT and DÉ-CAUDIN, MICHEL The library of Guillaume Apollinaire. Paris, Éditions du Center National de la Recherche Scientifique, 1983. See also M. FREIXA, op. cit., pp. 435-439; Gabriela di Milia, “Picasso and Canudo, a Couple of Transplants” in AA.VV. Picasso: the Italian journey 1917-1924, under the direction of Jean Clair, London, Thames and Hudson, 1998, pp. 75-77 and RICHARDSON, JOHN, op cit., Vol. I (1881-1906), p. 340.
70. According to Fernande Olivier, Picasso stopped smoking opium in 1908 following the suicide of a friend due to multiple intoxication. In Gósol, they were still smoking opium. The couple took refuge in the small village of Rue-des-Bois, in the suburbs of Paris, in 1908 to put an end to their opium addiction. OLIVIER, FERNANDE, op. cit., p. 183.
71. OLIVIER, FERNANDE Recuerdos íntimos. Escritos para Picasso. Barcelona. Ed. Parsifal. 1990 (1st ed. Souvenirs intimes: écrits pour Picasso, Calmann-Lévy, 1988), pp. 149 and 150 and OLIVIER, FERNANDE Picasso y sus amigos. Madrid. Taurus Ediciones. 1964 (Picasso and his friends, Stock, Paris, 1933), pp. 45 and p. 46.
72. COCTEAU, JEAN Opio. Buenos Aires, Editorial Sudamericana, 2002 and ACTON, HAROLD Memorias de un esteta (originally Memoirs of an Aesthete), Valencia, Ed. Pre Textos, 2010, pp. 522 and 523.
73. RICHARDSON, JOHN El aprendiz de brujo. Madrid, Alianza Editorial, 2001. (1st edition The sorcerer’s Apprentice, 1991), pp. 313 and 314.
74. Sâr Péladan had organized theatrical performances of the ancient Mysteries. Reference consulted on May 9, 2011 on fratreslucis.netfirms.com/Peladan01.html
www.picasso.fr/details/ojo-les-archives-mars-2013-ojo-21-...
ANDRÉ BRETON AND HERMETICISM. FROM << MAGNETIC FIELDS >>> TO << THE KEY TO THE FIELDS >>>
Communication by Mrs. A. BALAKIAN (New York)
at the XIVth Congress of the Association, July 26, 1962.
In one of his most recent essays, "Before the Curtain," André Breton accused academic criticism of having made no formal effort to establish the esoteric schemes of art and poetry: "By abstaining until now from taking them into account, academic criticism has devoted itself purely and simply to inanity... thus the great emotional movements that still agitate us, the sensitive charter that governs us, would they proceed, whether we like it or not, from a tradition completely different from that which is taught: on this tradition the most unworthy, the most vindictive silence is kept (1)." Would not our investigation, "Hermeticism and Poetry," be a denial of this reproach?
It is true that hermeticism in all its forms has served as a cult for surrealism since Les Champs Magnétiques, the first surrealist document, until André Breton's last collection of essays, published under the cryptographic title of La Clé des Champs, which sums up the definitive position he reached after having searched for more than a quarter of a century for the occult foundations of the human pyramid. Already in he First Manifesto of the Magician Shepherd of the Magnetic Fields had proclaimed that Rimbaud's Alchemy of the Word should be taken literally. In the article, "Why I am Taking the Direction of the Surrealist Revolution", which dates from 1925, he had considered the surrealists as an army of adventurers who act under the orders of the marvelous. On many occasions he has traced the underground framework that, according to him, unites poetic minds since what he calls "the admirable fourteenth century" when Flamel mysteriously received the manuscript of the book of Abraham Juif, through the work of the alchemists of the fifteenth and seventeenth centuries, passing through the work of Martinès, Saint-Martin, Fabre d'Olivet, Abbé Contant, through that of the enlightened ones of the nineteenth century: Hugo, Lautréamont, Rimbaud, to a certain degree Mallarmé, and more recently up to the work of Jarry, Apollinaire, and Raymond Roussel; Breton thus marks the parallel between the occultists and the poets. The philosopher's stone does not simply transform metals but takes on a symbolic meaning; according to Breton it unleashes the human imagination, a word to which he attributes a very special meaning. It is not a deceptive faculty but a liberating one. Without it we are forced to live under the empire of rationalism, that is to say on the surface of things and according to the evident current of phenomena. According to Breton, imagination alone would be capable of delivering us from this condition. Indeed, he attributes to imagination this special characteristic of the human being that Hermes Trismegistus would have defined as "the intimate union of sensation and thought" . This faculty, not inert but latent, "domesticated" (the word is Breton's) for centuries, could find its repressed impulses to make us envisage an unexpected and dynamic rather than organized order of the world. The hermetic tradition that is perpetuated in an underground way at all times and under any form of culture, does not constitute a conscious influence; it is rather a kind of transfusion that at each new mystical crisis of humanity strengthens those
(1) La Clé des Champs, Sagittaire, 1953, p. 93.
When Carl Sagan had famously said that “we’re made of star stuff,” he wasn’t joking because the facts are that the cosmos are hidden within all of us humans. We are the SO BELOW here on earth in which the cosmos and heavens are the AS ABOVE.
Albert Pike, 33rd Degree Freemason and Sovereign Grand Commander of the Scottish Rite said; “Lucifer the Son of the Morning! Is it he who bears the Light, and with its splendours intolerable blinds feeble sensual, or selfish souls? Doubt it not! ”
And one of Freemasonry’s greatest philosophers that has ever lived, 33rd Degree Freemason and master Rosicrucian Manly P. Hall said this about Lucifer in his book, All Seeing Eye; “Lucifer represents the individual intellect and will which rebels against the domination of Nature and attempts to maintain itself contrary to natural impulse. Lucifer, in the form of Venus, is the morning star spoken of in Revelation, which is to be given to those who overcome the world.”
Many people mistakenly think that Lucifer is Satan and vice versa, but the facts are that is simply not true. This misinformation, conspiracies and lies have been propagated to the people through many books and movies to the point today in this year 2013, that most people equate Lucifer with Satan or evil. Hopefully you have an open mind and will get past this propaganda like I did myself, in order for you to discover the truth. I AM sure this is the case or else most likely you wouldn’t be reading this website.
If you are asking the question, “Who is Lucifer?,” the answer that you will find often depends on who you ask or where you perform your search. But the facts are that if you were to research the true meaning of Lucifer that is somewhat hidden in secret societies such as Freemasonry, you would find that some of the world’s most prolific 33rd Degree Freemasons have already established the meaning of Lucifer, that they have written about in their books on the occult.
The word “occult” simply means hidden, which is the whole point of the misinformation that you will find on the true meaning of Lucifer. In addition, if you know where to look, the true definition of Lucifer along with corresponding information is now common knowledge on Wikipedia. However, due to countless publications of misinformation via articles, books and videos all over Youtube; the truth is still buried beneath a pile of ignorance.
Therefor, for us smart researchers, we have come to understand this simple fact: That in order to find the light, we have to uncover the truth which is buried at the bottom of these lies and hundreds of years of church, government and ignorant human propaganda. The real story of Lucifer is no different. We have to perform some fact checking of our own like you are doing right now, so that we all can get to the bottom of this disinformation in order to get to the light of the truth.
This article will do just that for you, by helping clear the lies in order for you to see the light of Lucifer for what he truly represents.
Jesus morning star
In the occult, Lucifer is often referred to as the ‘morning star.’ In the Bible, you will find this same exact reference to Jesus as well who says in Revelation 22:16 – “I, Jesus, have sent my angel to give you this testimony for the churches. I am the Root and the Offspring of David, and the bright Morning Star.”
You see, just as Lucifer is known as the morning star, Jesus also calls himself ‘the bright morning star’ and as I stated above, Manly P. Hall had said, “Lucifer, in the form of Venus, is the morning star spoken of in Revelation, which is to be given to those who overcome the world.” Hence, rest assured that Jesus and Lucifer are one and the same which will become clearly evident to those with an eye to see the true light amongst the darkness in which we live.
The reason that both Lucifer and Jesus can be considered one and the same is because of an often little understood chemical compound that is hidden within each of our own DNA called ‘Phosphorus.’ Phosphorus is essential for life and the phosphate is a component of DNA, RNA, ATP, and also the phospholipids that form all cell membranes.
Simply put, without phosphorus, we humans would simply not be human because consciousness and our spiritual energy would not exist. It is through our DNA which contains phosphorus, that we become conscious to the world and who we are in order to live in the light. Hence, Lucifer is really just an allegory to describe ‘Phosphorus’ which resides in our DNA.
The literal meaning of phosphorus (Phosp-Horus = Lucifer) is “Light-Bringer.”
Horus winged sun
Here is the definition that you will find on Wikipedia; Phosphorus (Greek Φωσφόρος Phōsphoros), a name meaning “Light-Bringer”, is the Morning Star, the planet Venus in its morning appearance. Another Greek name for the Morning Star is Ἑωσφόρος (Heōsphoros), which means “Dawn-Bringer”.
The Latin word corresponding to Greek Phosphorus is “Lucifer”. It is used in its astronomical sense both in prose and poetry. The Latin word lucifer, corresponding to, was used as a name for the morning star and thus appeared in the Vulgate translation of the Hebrew word הֵילֵל (helel) – meaning Venus as the brilliant, bright or shining one – in Isaiah 14:12, where the Septuagint Greek version uses, not Φωσφόρος, but Ἑωσφόρος.
origins of freemasonry
Venus is the brightest morning “star” and is currently the focal point of the eastern dawn sky. This would be the reason why you will find that all Freemason Lodges face the north and south, but when you walk into the lodge room, you’re symbolically facing the East and all masonic rituals are performed while facing the East in preparation of the son of the morning via the dawn of a new day under the light of the morning star.
Manly P. Hall writes in his book, Initiates of the Flame: “It is said that in ancient times the Sphinx was the gateway of the Pyramid, and that there was an underground passage which led from the Sphinx to Cheops (Great Pyramid)” (Initiates of the Flame, p. 68).
The Sphinx symbolizes man. The Sphinx again symbolizes man, with the mind and spirit of the human rising out of the animal desires and emotions. It is the riddle of the ages, and man is once more the answer. The four fixed signs of which the Sphinx is a symbol are Taurus the Bull, Leo the Lion, Scorpio the Eagle, and Aquarius the Man, or the human head.
So, how can Lucifer be the the prince of darkness, when it has been established that Lucifer is really phosphorus, which a derived from a Greek name meaning “Light-Bringer?”
The facts are that is he is not the prince of darkness or Satan because Lucifer is really phosphorus that resides in our DNA. Once you understand this reality that is science based, you will then have one of the secret keys to the mysteries of the universe.
The light within each one of us humans is where we find Lucifer or Jesus, AKA the morning star.
sphynxeye
Hence, KNOW THYSELF and KNOW GOD. In ancient Egypt is was said; “The body is the house of God,” and one of the many proverbs is “Man, know thyself … and thou shalt know the gods,” and what Manly P. Hall called Aquarius the Man, or the human head represented by the Egyptian Sphinx.
When we KNOW THYSELF, we carry the water of Aquarius the Man and thus become Lion Kings of our own domain which the Egyptians had represented with the figure of a sphinx (Greek: Σφίγξ /sphinx, Bœotian: Φίξ /Phix) which is a mythical creature with, as a minimum, the body of a lion and the head of a human.
Unfortunately, with the advent of certain religions such as Christianity and Islam along with other government controls on the people, these ancient gnostic teachings were corrupted, modified or simply hidden from the multitudes of people because they are or were at one time very dangerous to the church and or government.
These authoritarian institutions operate primarily on the basis of having a master that is outside of you dictating your life, souls and spirit at every step, and they would rather “tell you who you are, where you come from and where you will be going,” rather than us humans being unique individuals who “know thyself … and thou shalt know the gods.”
The facts are that a person who KNOWS THYSELF and KNOWS GOD, is very hard to control by the powers that be because they loose their grip on this persons soul once they figure out “the game” which from day one has been an attempt to trick or steal us all out of our true beings, souls and spirits. Hence, the reason why there are all these lies and propaganda surrounding the name Lucifer.
lucifer 1
Lucifer represents the angel of light with individual intellect who ‘rebels’ against the outside ‘dark authority’. This is why he is called the ‘fallen angel.’ The dark and outside authority can be attributed to our flesh and fleshly desires coupled with the outside material world that attempts to take us away from the true light within each one of us.
This darkness tries to fool us into looking without when we should have always been looking within the whole time. Hence, this is the whole illusion of the matrix in which Satan, the true prince of darkness that represents the flesh and free will is looking to control you, so you do not look within yourself for the “prince of light” or “the morning star.”
The reference to the Venus is the AS ABOVE of which Lucifer, AKA Phosphorus is the AS BELOW.
The facts are that we are made of stardust” or star debris and are therefore “one with the universe.” This is where we get the AS ABOVE, in the SO BELOW and the AS WITHIN , of the AS WITHOUT. It is that star dust hidden inside you in the form of Phosphorus, which I have already stated is essential for life. The phosphate is a component of DNA, RNA, ATP, and also the phospholipids that form all cell membranes. This is the ‘spark’ in our DNA that makes us human. Lucifer is in all of us in the form of Phosphorus.
This may be where our souls access our divine consciousness and thus we become divine like Saint John or a Christ like Jesus. Or is this what the church calls evil in Lucifer because a conscious soul and spirit is a dangerous one and maybe that is why Jesus was crucified?
What is the fall of Lucifer?
fall of lucifer
It is an allegory of the light that resides in us and the fall is simply the fall away from this light. With the advent of most religions, this caused the fall of mankind. A fall away from the light within us that was then exchanged or forced by a false light that that was to be found outside of ourselves within a book or church.
Hence, the fall of Lucifer is the fall that each one of us takes when we look outside for answers as opposed to looking within for the true light, that which will guide us to the promise land or own own personal heavens.
As I stated above, Lucifer and the Morning Star are references to Phosphorus which is essential for life. Without phosphorus, consciousness, energy and the creation of this article would simply not be happening. When we turn away from this light within, we too fall away from grace. Hence, we fall for lies and truth in which we then become one of Satan’s tools that is represented by the planet Saturn. However, that will be a new article in itself.
Whether you choose to believe what I AM stating here and by confirming what I have written and quoted above, is entirely up to you because this is your path where you have to decide truth from fiction or light from dark on your own. However, if you have not done your own research and you have already reached an ignorant conclusion based on heresay or lies, then you are what Mr. Pike calls intolerable blinds feeble sensual, or selfish souls, in which you are one of the billions of Satan’s weak human tools. A soul who chooses darkness rather than light and an unawakened human who worships lies over truth, where ignorance rules your actions over that of true wisdom.
Hence, another brick in the wall…….
Albert Pike’s full quote of Lucifer in his famous book, Morals and Dogma on page 321;
albert-pike on lucifer
albert-pike
“The Apocalypse is, to those who receive the nineteenth degree, the Apotheosis of that Sublime Faith which aspires to God alone, and despises all the pomps and works of Lucifer. Lucifer. The Light Bearer! Strange and mysterious name to give to the Spirit of Darkness! Lucifer the Son of the Morning! Is it he who bears the Light, and with its splendours intolerable blinds feeble sensual, or selfish souls? Doubt it not! For traditions are full of Divine Revelations and Inspirations: and Inspiration is not of one Age nor of one Creed Plato and Philo also, were also inspired.”
Moe
Moe is the founder of GnosticWarrior.com. A website dedicated to both the ancient and modern teachings of Gnosticism.
Share this:
TwitterFacebook798GoogleLinkedInEmailPrint
68 Comments
Realist
Realist on January 25, 2019 at 11:24 am
Lucifer is the devil. The same one who was thrown down to earth with the other rebellious angels. Hence: how art thou fallen from heaven, oh lucifer (or horus, wotan, quetzalcoatl, shiva, jahbulon, e.t.c). If there was no devil, there would be no atlantis myth (Ezekiel’s Tyre), from where the so-called “aryans” and their global “all seeing eye” religion originated. And the dragon (reptilian) said to the woman: for if you eat of the fruit, your “eye” will be opened and you will become (equal) like a god, knowing (gnosis) good and evil.
Reply
Thoth Al Khem
Thoth Al Khem on January 24, 2019 at 1:36 pm
The WORD Lucifer is a MISTRANSLATION by St. Jerome in 382 AD ! PERIOD !!!!!! In Hebrew the word is Heylel/Halal…Hey (Yod) Lamed Lamed. Isaiah 14 is about a MAN….READ IT. The ONLY Lucifer was St. Lucifer of Cagliari who died 10 years before St Jerome PURPOSELY Mistranslated Isaiah 14:12. Doesn’t ANYONE ACTUALLY read the Bible? KILL LIST from King James Bible. YHVH 2,476,633 NOT including the Flood or Sodom and Gomorrah…..SATAN? only 10. There is NO Devil………
Reply
Moe
Moe on January 24, 2019 at 3:32 pm
The Hebrew word Hêlêl or Heylel is found just once in the Hebrew Bible. It means to shine or shining one, to flash. The Septuagint renders הֵילֵל in Greek as Ἑωσφόρος (heōsphoros), “bringer of dawn” and Lucifer is Latin for the Greek phosphorus.
The Church had labeled Simon Magus as Satan.
Reply
Realist
Realist on January 21, 2019 at 12:13 pm
How art thou fallen from heaven, oh Lucifer, the deciever, together with his fellow reptilians. He is the one who will take his followers to the lake of fire. Jesus Christ is God and saviour to all who accept Him.
Reply
Leonard
Leonard on January 18, 2019 at 1:39 am
Therefore, are you saying that Lucifer is Jesus? Most of all this piece of information are craps and they are produced to confuse, brainwash and deviate us from the only true God, Jesus Christ, the one who died on the cross of calvary in order to set us free from the grip of Satan, prince of peace, the only begotten son of God, the bright and morning star, the only way, the truth and life. Nobody cometh to the father except through him. Any book contradicting what is stated in the bible, the word of God is satanic. Satan is evil and what most occult worship is satan the ark enemy of the true living God, the creator of the universe.
Reply
Love2ClearClouds (Cherokee Name)
Love2ClearClouds (Cherokee Name) on December 3, 2018 at 9:22 am
Who is Lucifer?
I was taught in the SDA religion that Lucifer was Satan’s name before he fell from heaven. Felt stupid even when I was 11 years old.
I now understand that the Bible is astrology and physiology, as above so below. “JESUS” was originally IESOUS, the Greek name for the sUn in the sky. Each of the 12 “disciples” are actually symbolic/allegories of the 12 constellations. Those aren’t “halos” around the head of “Jesus” and the disciples, those lit heads are hints to the true identities and the actual truth that they are literally the sUn and the primary stars of the 12 primary constellations.
Every culture and time period gave their own names to the heavenly bodies. The ancients were well aware that everything in our 3D reality is frequency and vibration.
“ if you want to know the secrets of the universe, think in terms of energy, frequency, and vibration.”
-Nikola Tesla
This sUn emits codes through frequencies and scientists have recorded the sounds coming from the sun. The stars and planets are emiting their own frequencies and all frequencies affect us here as we are affecting everything out there.
In the book of Job, the oldest book in the Bible, there are several references to astrology…Mazzaroth, which is the Hebrew word for the 12 primary constellations/clock in the sky, and Zodiac is the Greek word. In the book of Job you read about the sweet influences of the Pleiades and about the mother bear and her cub/Ursa Major and Ursa Minor.
TPTB KNOW and use this knowledge/science to their own benefit and to our detriment. Becoming educated in astrology and it’s effects on our physiology will finally break the chains that have held us in these man-made prisons for millennia.
Ultimately, what we can not live without is the SUN. The eternal SUN gives life, it triggers cell regeneration and can extend life, it heals and restores.
I am a sungazer as was Akhenaton in Egypt before the bloodline, that still rules today, killed him. Because of sungazing, I no longer have the eyeglass restriction on my drivers license. I began my son gazing practice for years ago. Two years ago, I had to go in person for my 20 year drivers license renewal. I passed the eye exam for the first time in my 43 years of driving. I had given up the practice but after passing that eye exam I have been back at it the past couple of months. I am hoping to get to the level of not needing to eat food anymore. No more hunger…isn’t that what “Jesus” promised?
🌞🌟
Reply
Love2ClearClouds
Love2ClearClouds on December 3, 2018 at 8:47 am
I was taught in the SDA religion that Lucifer was Satan’s name before he fell from heaven. Felt stupid even when I was 11 years old.
I now understand that the Bible is astrology and physiology, as above so below. “JESUS” was originally IESOUS, the Greek name for the sUn in the sky. Each of the 12 “disciples” are actually symbolic/allegories of the 12 constellations. Those aren’t “halos” around the head of “Jesus” and the disciples, those lit heads are hints to the true identities and the actual truth that they are literally the sUn and the primary stars of the 12 primary constellations.
Every culture and time period gave their own names to the heavenly bodies. The ancients were well aware that everything in our 3D reality is frequency and vibration.
“ if you want to know the secrets of the universe, think in terms of energy, frequency, and vibration.”
-Nikola Tesla
This sUn emits codes through frequencies and scientists have recorded the sounds coming from the sun. The stars and planets are emiting their own frequencies and all frequencies affect us here as we are affecting everything out there.
In the book of Job, the oldest book in the Bible, there are several references to astrology…Mazzaroth, which is the Hebrew word for the 12 primary constellations/clock in the sky, and Zodiac is the Greek word. In the book of Job you read about the sweet influences of the Pleiades and about the mother bear and her cub/Ursa Major and Ursa Minor.
TPTB KNOW and use this knowledge/science to their own benefit and to our detriment. Becoming educated in astrology and it’s effects on our physiology will finally break the chains that have held us in these man-made prisons for millennia.
Reply
Jen
Jen on November 24, 2018 at 6:45 pm
Lovely work, as usual.
Lucifer can also relate to Samael, the Archangel. Fixed Zodiacal signs were Angels (Angels) of the Arch. The most crucial of the four fixed signs were depicted through most variations of the Sphynx, which was usually seen as a half lion and half human. In particular, an upper half woman with one breast exposed. This brings Aquarius and Leo into significance as gaurdians of the gateway of the Archs. (Think Zenith/vernal Equinox and Nadir, it’s opposition). Our most profound (and cataclysmic) events of history tend to happen when the Platonic year hits the 0 degree Pisces mark (beginning of the Age of Aquarius) and 0 degree Virgo (Beginning of the Age of Leo). The light will return during the Great Conjunction of winter 2020, the official beginning of the Age of Aquarius, by the Western systems. Strap on your seatbelts, folks. It’s going to be a wild ride! : )
Reply
Gene
Gene on November 18, 2016 at 5:18 pm
People/ mankind want to see these 2 as a person/s or creatures. Lucifer, some form of being and Jesus the man. When all of this is astrology/ astronomy personified.
Reply
Kirk Nyman
Kirk Nyman on October 21, 2016 at 4:28 am
I was taught in church growing up that Lucifer was Satan before his fall from grace due to his pride so he lost his once great name meaning light bearer to Satan meaning enemy opposer and slanderer. Just a thought, could it be that beings he was no longer the bright and morning star that Jesus came in to claim that title?
Reply
Bhsas
Bhsas on August 31, 2016 at 3:00 pm
then who is it that the occultists are sacrificing animals, babies, and children to in the rituals if Lucifer the angel, the prince of the darkness?
Reply
Lawrence clay rogers
Lawrence clay rogers on October 11, 2016 at 10:00 am
These are all ways they who are trying to prevent what must happen establish confusion for our people, they have failed
Reply
John lester anoya duo
John lester anoya duo on August 25, 2016 at 10:16 pm
I know who is lucifer
Reply
Lawrence clay rogers
Lawrence clay rogers on October 11, 2016 at 10:00 am
Do you?
Reply
ishi
ishi on July 15, 2016 at 10:23 pm
..i love how you write..it is good to see truth being spoken again..i will join as soon as it is financially possible to do so
Reply
angela frost
angela frost on May 31, 2016 at 4:28 pm
fantastic stuff moe,,,its great to see it put in the right context for me ,,something i have felt alone with for so long ,,i am not a scholar or a scientist of the enforced + restricted denied false truth seekers ,,,,,i just saw the real truth at the age of 5 yrs old before adults tricked me into their strange denying deliberately blinkered world of dellusional safety ,,,when my cat died ,,i watched all the elements join together to my cat more alive than his cold empty body lying in front of me ,,,it was normal to me …i knew there was no death ,,but only constant renewal ,,,but its a lonely world when you clearly see what everyone else prefers not to simply through fear of majority brain-washed acceptance
Reply
Joseph
Joseph on February 9, 2016 at 5:35 am
This is an excellent article. However I contend that the ‘fall’ of Lucifer was not a bad thing, but a good thing. The ‘fall’ of Christ and the ‘fall’ we must individually go through to knock us from a sensual/individual type of pride and give us true humility to be able to handle the power of ‘being as a God’ is what the ‘fall’ was really about. The single biggest problem in this material existence is power/control and individuals inability to handle it. The reason this is so is because people see themselves as ‘individuals’ and not part of the One. There is a veil placed in front of their faces. That is the deception Satan/Yaldabaoth placed upon mankind in order to rule them fully. Gnostic teaching states Satan is the God/Creator of this world and the Serpent came to show us ‘the way’. He took a ‘fall’ for that. Lucifer/Prometheus took a ‘fall’ to help us, Jesus took a ‘fall’ to help us…and if you have truly lived in this material existence…it is a requirement to take a ‘fall’ to do truly good.
Reply
Joseph
Joseph on February 8, 2016 at 5:55 am
Very good article. Something you must experience before you read and learn about. I have one comment I’d like to point out however. I believe the ‘fall’ that we take, as did Lucifer is not a bad thing or a falling away, but rather a necessary thing and a falling towards. If we are to follow true Gnostic teaching which basically teaches that Satan/The Demiurge is the God of this creation and material world, then to ‘fall’ away from it would truly be a blessing. It is described as a ‘fall’ in the sense that it is all about humility. Christ himself learned it as we must before we inherit the power of a God. Just look around. Power/Control is the single issue among separated beings. When one ‘falls’ one experiences a sense of powerlessness and helplessness. It is then true unity is infused and the individual, now realizing they are not an ‘individual’, but part of the One…can now rise up, with TRUE power, and go in and out of this material existence with relative ease and comfort. Just a thought.
Reply
KRISTA
KRISTA on January 15, 2016 at 5:43 pm
I am one of the original Starchildren God made in the beginning. I am the Evening Star. No joking whats so ever.
Reply
stacy
stacy on June 4, 2016 at 7:59 pm
me too are you rh neg?
Reply
Jecht
Jecht on December 31, 2015 at 1:42 pm
Good content. Very well laid out.
Wish you would go more deeply into the light. Our stardust deep inside us.
How do you determine your purpose?
Reply
ishi
ishi on July 15, 2016 at 10:32 pm
…sometimes….our ‘purpose’…is late in coming to us…sometimes..it is just one thing, one act….get to Know yourself & do what you are best at..wait patiently..when it is time for you, you will then know what to do
Reply
Jakob Albert
Jakob Albert on November 29, 2015 at 1:01 am
TheCloning of God
Godhad an inner compulsion to externalise himself: to make aconsciousness outside and beyond himself, and through this othernessto come to full consciousness.
Hegel,one of the greatest grandmasters of the Illuminati, said, “Thedivine Idea is just this: to disclose itself, to posit the Otheroutside itself and to take it back again into itself in order to besubjectivity and mind/spirit.”
Consciousness,including that of God, requires interaction with otherness if it isto develop. God is compelled to create otherness – to externalisehimself – and through a study of that otherness we can gain sureknowledge of God.
Hegelcriticised conventional Western religion on the grounds that itseparates God from the universe, and makes all of his attributesindependent of the universe. God, according to the traditional view,would be exactly the same whether or not anything else existed. Hisnature wouldn’t alter in the slightest even if there were no universeand no other creatures. Hegel fiercely attacks this view. If God hadno inner need to create anything else then why did he? Is hecapricious? Was he bored? Curious? None of these make any sense inrelation to a perfect God without deficiency. God is entirelyself-sufficient and needs nothing else according to the tenets ofmainstream Western religion. Hegel said, “If God is allsufficient and lacks nothing, how does he come to release Himselfinto something so clearly unequal to him?”
NoChristian, Jew or Muslim can answer why God creates the world when hehas no need to do so. If he does it for a reason such as wanting tospread his love then it implies that he has a need to do that, yetGod, by definition, needs nothing. If he does it because he wants tobe obeyed and worshipped then that also indicates deficiency on hispart. If God is truly self-sufficient, it is impossible that he wouldever have felt the need to create anything. Therefore God is notself-sufficient. Therefore a God of whom it is claimed that he isself-sufficient cannot exist. God creates otherness because he must.He has no choice. He is compelled. Creation is an act of innernecessity. God needs others as much as they need him. Anyone whodoesn’t understand that single truth can never understand God. Theywill always believe in a fantasy.
Godcreated many things as he evolved – a dazzling realm fashioned fromlight – but none of them gave him what he needed: an othernesscomparable to himself. Eventually, after endless experiments, Godsucceeded in cloning himself. The clone was the being that is nowknown as Lucifer, Son of God, the Angel of Light, the Morning Star,Lux Mundi, the Light of the World.
God,through his interaction with Lucifer, became fully self-conscious, asdid Lucifer. Between them, they created the first language, thedivine language. Then Lucifer wanted a brother as a companion and Godgranted his wish. The second son of God was a fateful being. Hisoriginal name was Paracletus, meaning “the Comforter” or”one called to help” because he was to be Lucifer’s brotherand friend. But religion knows him by his later name of Satanel, thensimply Satan. Satan means “accuser/adversary”. It will beexplained below why Paracletus, second son of God and beloved brotherof Lucifer, became the sworn enemy of his father and brother andacquired his dread new name.
Satan’sfatal flaw was “hyperephania” – extreme pride. Afflicted bydoubts about himself, lacking self-esteem, in awe of his father,envious of his radiant brother, unsure of his identity, Satancompensated by cultivating an exaggerated ego. After an age, hebelieved himself superior to Lucifer and even God. He resented theirrelationship and was jealous of it. He resented being the youngestand least powerful. Resentment became hate. Hate became action. Thataction was rebellion. He stood as the adversary of God and Lucifer.He accused them of plotting against him. He opposed all of theirplans.
Havingcreated Lucifer and Paracletus, God provided his sons with the secretof how to clone themselves. The clones of the two sons were thebeings now known as angels. The realm of light became populated bymany beings of light: God, his two sons and the choirs of angels. Butthe angels were loyal to their respective creators and reflectedtheir natures. Satan’s angels were infected with his discontent.
Satanand his army of angels rebelled against God, Lucifer and their loyalangels. The struggle was long and furious, but Satan and hisfollowers lost and fell. They were banished from God’s realm, beingcast out into darkness where the light of God never penetrated.
Satanwanted his own realm where he was the sole master. He discovered thesecret of matter and fashioned a rival universe of matter rather thanlight. This was the universe of the Big Bang – our universe. “Letthere be light,” Satan announced as he brought this universeinto existence: a mockery of God’s light. Satan is the creator andruler of our universe of the Big Bang, and he’s assisted by his rebelangels – called the archons, groups of whom were given regions of theuniverse to rule on Satan’s behalf. 144 archons are assigned toearth. They are responsible for most of the secret history of earth.They are opposed by two groups within that secret history: theIlluminati (consisting of approximately 6,000 people i.e. a similarnumber to that of the Old World Order), and the small group thatcreated the Illuminati but stands outside of the society, just as thearchons stand outside the Old World Order. That small group consistsof 36 angels of Lucifer.
TheIlluminati and the Old World Order are mirror images. Both groupsknow the secret history of earth, and the strange and fatefulstruggle that takes place behind the scenes and to which the rest ofhumanity is mostly oblivious.
Satanwas almost as bright as Lucifer in his earliest days, but he grewrepelled by light and made himself dark. He became “darknessvisible” to use John Milton’s immortal phrase. He is truly theprince of darkness, yet it must never be forgotten that he is the Sonof God and contains the divine spark.
ThroughSatan, evil entered the universe. The birth of evil is not difficultto understand. It is a product of a damaged self-consciousness, oflow self esteem finding a way to overcompensate. It is exactly thesort of situation with which Freud and Jung would be familiar. Whyshould gods be any different from humans? We are made in their image.
Self-consciousnessis a prerequisite for distinguishing good from evil. Animals cannotcommit acts of evil. Evil can be defined according to three levels:strong, medium and weak. Strong evil is the voluntary commission ofmalicious, harmful and even fatal acts towards others, to suit theselfish desires of the perpetrator. Medium evil is the voluntarycommission of acts to promote a selfish agenda, regardless of theimpact on others. Weak evil is captured by Burke’s famous aphorism:”The only thing necessary for the triumph of evil is for goodmen to do nothing.”
Goodness,likewise, comes in three strengths. Strong goodness is the voluntarycommission of benevolent, helpful acts towards others to promotecooperative, altruistic ends. Medium goodness is the commission ofacts that are intended not to have any ill impact on others. Weakgoodness is where someone does nothing to stand in the way of goodacts by others.
Only a self-consciousness is capable of making achoice between good and evil acts. The Tree of Knowledge of good andevil is a metaphor for that choice. Knowledge, arising fromself-consciousness, allows the commission of moral or immoral acts.Without knowledge, without choice, without self-consciousness, goodand evil would not exist.
Thereason that evil triumphs is simple: most people are evil.
The meaning of life, by Jakob Albert Boor, Johannesburg SA 2011
This Poem I write to you, are you troubled by silent questions?
Still aware, that spoken questions deserve answers, followed by actions?
The biggest question we have, deserves the world, the worth, to put it in words?
Again some week answer? And hide away, silently remembering historical hurts?
Did life won the feared battle from us individually, and us all?
In the ‘’flock of sheep’’ we feel save, with courage so small.
Standing alone in silence, self decision making seems rough?
Just make the decision, in the end you will feel tough enough.
Visualizing the wall so high, the border so far, even to scared while imagining!
Imagining building inner trust, strength and pride that will be never ending!
Where the trigger does should come from, something needed to start,
Will we be waiting for the bomb, as that power provides, will awaken our hart?
The world showed his errors, examples, way too big or too small.
Everything what states ’too’’ will be a too big responsibility? Again excusing us weakened all?
The mindset we are having, the excuses from weakness we’ll make.
Not teaching us to stand strong while we are forced on steps to take.
Humans think often, the world is too much to take.
Do we use survival instinct, when that world is at stake?
Now with some details, I will show the irony in this.
Walking by, around real essentials, and leave them as it is….
We must look different to needed changes, cultures and mindsets heading for the cliffs and loose.
The roots of the problem measured, we’ll brainstorm for solutions from which together! we will choose.
Troubleshooting, attitude and believes, core reactors make it happen, you’ll see.
Opens different kinds of doors, for the lonely life changer the entrance to be?
As stepping out of the box at first, loneliness is part of the challenge.
Need an example? You will find in the movies, visuals will help with the balance.
As you may choose the right, but difficult path
You‘ll be tested mentally, trust will recognize the value in it, you should now that.
Believing is the keyword; you don’t need a religion for that?
Believing is you! That pure feeling inside! No world war started from that.
Can we stand still, could a simple poem stand a difference..?
No! It will be the reader who breaks down his offence.
Important is that it is able to trigger what’s already there!
It’s already in everybody’s hart; yes, you will get the credits! That would only be fair.
Isaiah: 64…
”Oh, that you would rend the heavens and come down, that the mountain would tremble before you!
As when fire sets twigs ablaze and causes water to boil,
come down to make your name known to your enemies
and cause the nations to quake before you”
Isaiah 64:7-8
No one calls on your name
or strives to lay hold of you:
For you have hidden your face from us
and makes us waste away because of our sins.
Yet O Lord, You are our Father.
We are the clay, you are the Potter:
We are all the work of your hand.
Isaiah: 63;16-17 !!
BUT YOU ARE OUR FATHER,
THOUGH ABRAHAM DOES NOT KNOW US,
OR ISRAEL ACKNOWLEDGE US:
YOU OUR LORD, ARE OUR FATHER,
OUR REDEEMER FROM OF OLD IS YOUR NAME.
WHY OUR LORD, MAKE US WANDER FROM YOUR WAYS
AND HARDEN OUR HEARTS SO WE DO NOT REFER YOU?
RETURN FOR THE SAKE OF YOUR SERVANTS
THE TRIBES THAT ARE YOUR INHERITANCE…..
ISAIAH 52:6
THEREFORE MY PEOPLE WILL KNOW MY NAME;
THEREFORE IN THAT DAY THEY WILL KNOW
THAT IT IS I WHO FORETOLD IT,
YES, IT IS I…
ISAIAH: 49;5 😉
Reply
James
James on November 9, 2015 at 2:53 pm
This is about having strength within, and showing why strength within is important, because there is always one testing your inner strength. When you try to be strong externally, sometimes in a moment of anger or argument, you’re giving up your inner strength.
Reply
jessu beluang
jessu beluang on October 30, 2015 at 5:52 am
any idea about lucifer?
Reply
farang
farang on October 20, 2015 at 7:51 am
Lucifer is a king. A very real king, not an abstract concept and certainly not Istar/Venus. His son is “Satan.” I suppose one could label me a 34th degree realist, I read and gain knowledge. His name “Lucifer” is the French way of saying his name, much like Lazerus. Hint: Lazerus is “The Blue”…azure…same as the statue of Osiris found in Tut’s tomb. You are welcome…She asked me to spread the truth for those with ears to hear. What I am saying is from mainstream evidence easily found for those that will bother to look. User Fau was his actual name, Moe. User means “crown Prince.”
Reply
Daniel
Daniel on June 27, 2015 at 2:28 am
I believe that all religions were created for balancing purposes and the only true creator is what everyone knows as god in which most pray to as god ,created all so god is the love and sin of all, also it is stated in the bible that we were all made perfect which we were we all chose this life we live now and the reason for this is to learn unique lessons that we have chosen, xenu/Lucifer etc were all real entities brought upon by personal belief produced by the reptilians on to man and other species and in which many beings have conquered this world single headedly, also this world has been inhabited many times over by us and different beings like us which we have ultimately destroyed ourselves in the end thanks to the help of other beings, now a systematic person who has no psychic awareness will disregard this as crap well that is ok your just not evolved enough to realise the truth and most likely have been suppressed by society all your life which is ok you will learn maybe in the next life as you have already started looking into these things in this one, but a true psychic who can communicate with the cross dimensional reptilians like I and see them in there dimension know other whys, now belief creates all and belief comes from the source I have shape shifted into what you could call Lucifer and felt his power I have also been gang stalked for the last five years and live with a spy for the last two who is my girlfriend, I have spotted many military people hiding in close quarters of the house to and get tested daily even by young kids which the government promotes, the truth is we all can be whatever we want to be but because we are evolving to quickly we are suppressed by other beings because we are very dangerous to them also here’s a few things that you should know, if you know the real truth you are a target, the reason why they presented the bali 9 all over tv was for historical purposes, the government will set up something catastrophic to enforce a new law that will take more of our rights away and cause the presentation subliminally of a coming war/ hostility or for the benefit of a new historical purpose, all crime syndicates are run by the government for the preservation of balance now non surpressed people will know this as true but it is harder to find people like I as I are killed of for we are truth
Reply
The Quantumologist
The Quantumologist on June 2, 2015 at 6:21 am
Isaiah Chapter 14 is the ONLY direct reference in the Old Testament to Lucifer, and it’s here: www.kingjamesbibleonline.org/Isaiah-Chapter-14/
Reply
lallala
lallala on May 6, 2015 at 5:24 pm
lucifer is the light in darkness. He paves our way towards fully becoming a human being once again.
Reply
jv
jv on May 2, 2015 at 1:19 am
The first references of Lucifer come from the HOLY Word of God. Lucifer was cast out of Heaven for wanting to be above the one true HOLY God. There is NO other place in the entire world that the truth about Lucifer is spoken. Satan means fallen angel and deceiver. The reason why some say Luciferian is because they believe he is like God, whom is actually the roaring lion, seeking to devour and to destroy people, God’s creation. It is truly sad that I come to these sites and find people who seek the easier way, which the Bible clearly calls the wide road, of which many find, but leads to destruction. You cannot take things out of context and pick and choose verses, when the Bible is literally God’s Holy Word spoken spiritually to followers all that time ago. Lucifer and Satan ARE proven the same. The Bible is complete, and cannot be separated. Many new versions have come out with the intention to change or leave out scripture. This is also blasphemy and heresy. Jesus Christ IS God whom came to save the world from being lost and helpless.
Reply
Cruise4
Cruise4 on December 25, 2015 at 6:31 pm
Christ, Christos is the oil produced when the Kundalini hits a gland in the brain. It sits there for 3 days and then flows over the pineal gland. I think this may equate to enlightenment. Jesus is an allegory of the Sun, and also each of us. Whether he actually existed or not is moot. Do what he says or you are no christian, and he taught the above, as is quite clear in various parables such as the Bride and Groom. This is what ‘they’ suppress in us by all means possible.
Reply
Deb
Deb on February 8, 2015 at 4:48 pm
I agree with some of this and much of it makes sense. However, there are, in my opinion, some holes in your logic. For example, intellect is not always contrary to nature, nor is nature evil. Nature is loving and brutal, nurturing and deadly, just as is the human archetype of the divine, in whatever form. I think that you are perhaps equating nature with the feminine and maybe that is where the misogynistic tone of your other articles is coming from if you consider nature evil. Nature itself has a vast intelligence. There would be no intellect without it and certainly no avenue of expression for that intellect. Also, you say that we all have to walk our own paths and not be lead by others, which I absolutely agree with 100%. However, you also take a very condescending tone with those who disagree with you and accuse them of being blind, refusing to see the truth, etc. I would gently remind you that you are human and fallible and therefore you should take care not to sound so much like the very authorities you rightfully accuse of deceiving the people. As for Lucifer, I see him as neither perfect light or perfect darkness. He is, in my opinion, an archetype with strengths and weaknesses. He is the symbol of an truth that, as Cliff pointed out below, must be balanced with love. That love is often expressed in feminine terms as women are the great nurturers. I am reminded of nothing so much as the blind men and the elephant, all accusing each other of lies while simply looking at the same thing in a different way.
Reply
Moe
Moe on February 9, 2015 at 5:27 am
Do you think you know it all? Do you think you are going to insult me on my blog, great work and I’m going to be Mr. Nice to you? It is clear to me you have took the new age information hook line and sinker like 99.9% of the people who have not done their own independent research which is expected so don’t feel bad. Lucifer is simply Latin for the alchemical element known in Greek as phosphorus in which Lucifer is from the morning star known a Jupiter. The feminine aspect is portrayed as the goddess Isis (Cybele, Rhea, the Magna Mater etc) who represents sulfur from the planet Venus. You are making this about men and women or into a gender battle as if Isis was a real and Lucifer was some dude who fell from heaven. They are ancient memes for the profane and ignorant like you who are truly the blind and zombified.
Reply
Francine Stroman
Francine Stroman on April 5, 2015 at 4:02 pm
Moe- I found this article to be very “materialistic” in nature. This experience that you are having right now isn’t actually about anything, in human terms anyway. It’s just hyper intelligent light shining forth and even that is saying too much. On another note it might not be such a bad thing for to learn to acept some constructive critism..
That’s ok I love ya anyway;)
Reply
Guest
Guest on September 28, 2015 at 1:13 pm
I have to say More, I love how you take no crap from people on here. If anyone who did their research would know your right. Opinions are like butt-holes we all have one. This people are profane. And you are sharing very guarded secret s. Which I do not agree with, but that’s out of my control. It was planned long ago, and is designed to happen. Anyways stay strong, stay a warrior
Reply
sinner
sinner on November 15, 2015 at 7:20 pm
Lucifer means The Anti Christ, by the way u idiot Moe why u insist anti christ evil calling Lucifer, ok u have ur belief , don,t u worry ur messiah will not survive except for few years, stop pretending being good guy and inventor of white magic . Have spell on me idiot, if u practice magic I hope u know what does exist to counter magic and ur messiah Lucifer ,
Reply
Cruise4
Cruise4 on December 25, 2015 at 6:09 pm
ISIS can be conversed with, as a feminine aspect/spirit, by taking Ayahuasca. So can Lucifer who apparently comes across as somewhat arrogant. As above so below, As within so without may allow sulpher and phosphorous to be synonomous, same as planets (stars).
I’m seeing an X formation… Lucifer (Red,love of the self), Satan (Blue, love of the mother), as the left and right in this X. Whats on the other ends? We have the woman and the whore in the Bible. Inversion, tops and bottoms. Middles (balance,heart) as green. The whole construction is being prised open, the black and the white of the papersea (papacy) and represents the left and right hemispheres of the brain. This is behaviour of Light, see Goethe. Some of this information is encoded in ‘Jupiter Rising’ and ‘How to train your Dragon 2’.
Very hard to convey in such a short space. ISIS is a real something though. Confirmed and certain, and it’s why they are trying to demonise the name at present with ‘terrorist’ association etc. She is also an illusionist, I’m thinking. Spiders from Ma’s… Ma Sons?
Reply
Cruise4
Cruise4 on December 25, 2015 at 6:16 pm
One other very interesting thing… On one of the Jeff Rense shows dealing with reverse speech (approx. January ish 2015), Obama said ‘There will be no pursuit of the woman’. They had no clue what it meant but it was one of the clearest reverses I’ve ever heard.
Reply
Cliff
Cliff on February 6, 2015 at 9:26 am
Lucifer does indeed represent the light, that is to say the pure light of the rational intellect, and just the intellect. It is the cold light of pure reason unmitigated by the warm light of the heart and thus unbalanced. It is the light that allows the means to justify the end, as pure reason would demand it do so. The Christ you quote also said that ‘by their works you shall know them’ . Your Albert Pike stated that three world wars would be required to bring in the Masonic Age, The Masons have been major players in creating two of them and are on the cusp of igniting the third, so please do not equate your luciferian objectives with that of the light of the Gnostic Christ self. Notwithstanding this, there are many truths still contained in your article, however it seems that these are very cleverly placed to capture those who seek for the light within, an imitation of the path of the seeker after truth, two paths that appear to be subtlely similar and yet ultimately lead to devastating different results. ‘My kingdom is not of this world’ , Albert Pike’s and the Mason’s very definately is.
Reply
Larry
Larry on March 12, 2016 at 10:16 pm
Quite an interesting point: ‘those who seek for the light within, an imitation of the path of the seeker after truth, two paths that appear to be subtlely similar and yet ultimately lead to devastating different results.’
Reply
THE ALL
THE ALL on December 4, 2014 at 5:14 pm
there are several important points which need to be understood…Christianity does not have a monopoly on the term “Lucifer” nor on its definition. The Christian concept and definition of the term “Lucifer” is merely the latest in a long line of definitions and interpretations of this pre-Christian term.
The word “Lucifer” occurs only once in the entire Bible. This is in Isaiah 14:12, which says: “How art thou fallen from heaven, O Lucifer, son of the morning! how art thou cut down to the ground, which didst weaken the nations!” Those who read this verse in its actual context will clearly see that the sentence is applied specifically to a certain Babylonian king who was an enemy in war of the Israelites. The original Hebrew text uses the word הֵילֵל which literally means “bright star” or “shining one,” a term applied sarcastically or mockingly by the Israelites to this particular enemy of theirs. The translators of the King James Version of the Bible – one of the chief of whom was the well known Rosicrucian initiate Dr Robert Fludd, a fact which will no doubt shock and horrify many Christians – chose to translate this word with the Latin word “Lucifer.” .“Lucifer” literally means Lightbringer, Lightbearer, Bringer of Dawn, Shining One, or Morning Star. The word has no other meaning. Historically and astronomically, the term “Morning Star” has always been applied to the planet Venus. Since the only occurrence of the word “Lucifer” in the Bible is that one verse in Isaiah, there is absolutely nothing in the Bible which says that Lucifer is Satan or the devil. It was Pope Gregory the Great (540-604 AD) who was the first person to apply that passage of scripture to Satan and thus to equate Lucifer with Satan. But even then this notion didn’t catch on in a big way until the much more recent popularisation of John Milton’s “Paradise Lost” in which Lucifer is used as another name for Satan, the evil adversary of God. Also, such luminaries of the Christian world as Martin Luther and John Calvin considered it “a gross error” to apply Isaiah 14:12 to the devil, “for the context plainly shows these statements must be understood in reference to the king of the Babylonians.”
Thus the Christians who claim that Lucifer is the devil actually have no Biblical basis or authority for such a belief. Though they may claim to be “Bible believing Christians” whose faith is built solely on “the Word of God” they are actually followers – in this and many other respects – of Christian religious tradition and not of the Christian Bible. Or have they quietly conferred divine infallibility upon the Pope and Milton without informing the rest of the world?
H.P. Blavatsky was never at any point in her life a Christian, gave no credence to Christian theology and did not believe in any type of personal or anthropomorphic God nor in any type of personal or anthropomorphic devil. She believed and taught that there is but ONE Infinite Divine Life which is everything and in everything and that It has no adversary or enemy, since there is nothing but That – the boundless, impersonal, omnipresent Principle of Absolute Existence Itself. She was against the notion of worshipping or praying to anyone or anything. She taught that evil is really imperfection, which is the automatic and inevitable byproduct of the existence of matter.
Now let us take a look at some of the statements HPB made about Lucifer in “The Secret Doctrine”…
* “Esoteric philosophy admits neither good nor evil per se, as existing independently in nature. The cause for both is found, as regards the Kosmos, in the necessity of contraries or contrasts, and with respect to man, in his human nature, his ignorance and passions. There is no devil or the utterly depraved, as there are no Angels absolutely perfect, though there may be spirits of Light and of Darkness; thus LUCIFER – the spirit of Intellectual Enlightenment and Freedom of Thought – is metaphorically the guiding beacon, which helps man to find his way through the rocks and sandbanks of Life, for Lucifer is the LOGOS in his highest, and the “Adversary” in his lowest aspect – both of which are reflected in our Ego.” (Vol. 2, p. 162)
* “In antiquity and reality, Lucifer, or Luciferus, is the name of the angelic Entity presiding over the light of truth as over the light of the day. In the great Valentinian gospel Pistis Sophia it is taught that of the three Powers emanating from the Holy names of the Three Tριδυνάμεις, that of Sophia (the Holy Ghost according to these gnostics – the most cultured of all) resides in the planet Venus or Lucifer.” (Vol. 2, p. 512)
* “It is but natural – even from the dead letter standpoint – to view Satan, the Serpent of Genesis, as the real creator and benefactor, the Father of Spiritual mankind. For it is he who was the “Harbinger of Light,” bright radiant Lucifer, who opened the eyes of the automaton created by Jehovah, as alleged; and he who was the first to whisper: “in the day ye eat thereof ye shall be as Elohim, knowing good and evil” – can only be regarded in the light of a Saviour. An “adversary” to Jehovah the “personating spirit,” he still remains in esoteric truth the ever-loving “Messenger” (the angel), the Seraphim and Cherubim who both knew well, and loved still more, and who conferred on us spiritual, instead of physical immortality – the latter a kind of static immortality that would have transformed man into an undying “Wandering Jew”.” (Vol. 2, p. 243)
* “The Fall was the result of man’s knowledge, for his “eyes were opened.” Indeed, he was taught Wisdom and the hidden knowledge by the “Fallen Angel,” for the latter had become from that day his Manas, Mind and Self-consciousness. In each of us that golden thread of continuous life – periodically broken into active and passive cycles of sensuous existence on Earth, and super-sensuous in Devachan – is from the beginning of our appearance upon this earth. It is the Sutratma, the luminous thread of immortal impersonal monadship, on which our earthly lives or evanescent Egos are strung as so many beads – according to the beautiful expression of Vedantic philosophy.
“And now it stands proven that Satan, or the Red Fiery Dragon, the “Lord of Phosphorus” (brimstone was a theological improvement), and Lucifer, or “Light-Bearer,” is in us: it is our Mind – our tempter and Redeemer, our intelligent liberator and Saviour from pure animalism. Without this principle – the emanation of the very essence of the pure divine principle Mahat (Intelligence), which radiates direct from the Divine mind – we would be surely no better than animals.” (Vol. 2, p. 513)
So we see that in the teachings of Theosophy – which are at times deliberately symbolical, allegorical, and esoteric – the Lightbringer or Bringer of Dawn (Lucifer in Latin) is our Mind Principle, our individual self-consciousness and spark of intelligence, which was awakened in mankind around the middle period of the Third Root Race, also known as the Lemurian Epoch. Our mind can either be our adversary (which is what the word “satan” literally means) or it can be the lightbearer (the Lucifer) of spiritual Truth to us, the knowledge of which brings about our liberation from ignorance, including spiritual self-ignorance. Jose M. Herrou Aragon, in his book “Primordial Gnosis: The Forbidden Religion,” writes…“According to Gnostic legends and myths, the great Unknowable God sent Lucifer, angel of indescribable fire and light, to show man the light and to help him wake up and see his true origin, the origin of his Spirit, which has been perversely imprisoned in this impure matter called body-soul. He is an uncreated being, who came to the created world to bring Light: Liberating Gnosis. The saving knowledge which can wake man up and help him free his imprisoned Spirit. The knowledge which allows him to know who he truly is, why he is here in this world and what he has to do to liberate himself and fulfil his Spirit, which belongs to another uncreated and unknowable plane. “We have said that Lucifer came to the world to wake man up, to help him remember his divine origin, the divine origin of his Spirit, and to help him free himself from the body-soul in which he is trapped, and from created time and matter.” Theosophy interprets all these allegorical Gnostic teachings as referring to “the lighting up of Manas” (Manas is the Sanskrit word for Mind) which we mentioned above. When we bear in mind that “The Secret Doctrine” teaches that the Lemurian Root Race was born under the influence of Venus and received its “light and life” from the Planetary Spirit of Venus, it all becomes clearer, since Lucifer has been an accepted synonym for Venus – the bright and morning star – since long before the days of Christian theology and millennia before Lucifer was first ignorantly equated with the devil. In “The Secret Doctrine” we read that “Venus, or Lucifer (also Sukra and Usanas) the planet, is the Light-Bearer of our Earth, in both its physical and mystic sense.” Venus is said to be the “spiritual prototype” of Earth and “the Guardian Spirit of the Earth and Men.” It is “the most occult, powerful, and mysterious of all the planets; the one whose influence upon, and relation to the Earth is most prominent” and every change that takes place on Venus “is felt on, and reflected by, the Earth.” Since it would take too long and also be out of place here to try to explain all of this to the reader unfamiliar with Theosophy, we can sum up by saying that what H.P. Blavatsky has to say about Lucifer is entirely esoteric, symbolical, and philosophical. Those four excerpts quoted above are virtually the only specific statements and explanations she ever made about Lucifer, although fanatical Christians and half-crazed conspiracy theorists like to give the impression that she spent almost all her time ranting and raving about Lucifer, which is simply not true. As for the reason her magazine was named “Lucifer,” she wrote in its very first article – titled “What’s in a Name?” – that “the first and most important, if not the sole object of the magazine, is expressed in the line from the 1st Epistle to the Corinthians, on its title page. It is to bring light to “the hidden things of darkness,” (iv. 5); to show in their true aspect and their original real meaning things and names, men and their doings and customs; it is finally to fight prejudice, hypocrisy and shams in every nation, in every class of Society, as in every department of life. The task is a laborious one but it is neither impracticable nor useless, if even as an experiment. Thus, for an attempt of such nature, no better title could ever be found than the one chosen. … No fitter symbol exists for the proposed work – that of throwing a ray of truth on everything hidden by the darkness of prejudice, by social or religious misconceptions; especially by that idiotic routine in life, which, once that a certain action, a thing, a name, has been branded by slanderous inventions, however unjust, makes respectable people, so called, turn away shiveringly, refusing to even look at it from any other aspect than the one sanctioned by public opinion. Such an endeavour then, to force the weak-hearted to look truth straight in the face, is helped most efficaciously by a title belonging to the category of branded names.” But as she was later to remark, the ignorant and erroneous belief that Lucifer = Satan “has struck its roots too deep in the soil of blind faith” to allow many people to bravely, boldly, and unashamedly reveal the true origins and true nature of what the so-called Lucifer actually is. Those who attempt to do so are always bound to be immediately labelled as “satanists” and “devil worshippers” by a certain class of Christian, those whose trademark characteristics invariably tend to be wilful ignorance and mental laziness. It has indeed become a “branded name,” one which still automatically conjures up the image of an anthropomorphic devil even in the minds of the most hardened atheists. Yet who can deny that even Jesus is portrayed as boldly proclaiming his identity with Venus the Lightbringer in Revelation 22:16, where he says “I, Jesus, am the bright and morning star.” If the translators had chosen to translate this verse using Latin just as they did with Isaiah 14:12, it would read “I, Jesus, am Lucifer.” Theosophists are not afraid of public opinion or misguided prejudice, nor of the claims and threats of Christianity, that most arrogant, ignorant, and impudent of all the world’s religions. “There is no religion higher than Truth” – and eventually, as always, the Truth will prevail.
Phosphorus? How did the ancients know about, and zero in on this single element? Also, what was the mystery secret that was imparted to Alexander the great by his Greek mentor that enabled him to defeat a million man Persian army with only 35.000 of his men?
Before it was known by the word Phosphorus which is a word given to us by the Greeks, and the Latin Lucifer, it was simply known as the Elixir of Life or the Flower of Life. Often it was called by the plant names they used for the Elixir of Life or the Flower of Life that were high in Phosphorus such as Mandrake, the Lotus and Red Barley of the Gods.
Our thoughts are words,words are sounds,sounds vibrates,vibration is energy, energy glows and that glowing is LIGHT.Everything is Light.Even our thoughts.>> “It is through our DNA which contains phosphorus, that we become conscious to the world and who we are in order to live in the light.” Wrong. “live in the light” suggests you and I are separate from this universe of light ,that there is a “we” somehow not attached .EVERYTHING IS LIGHT.You and me and everything inbetween all made up of the same light energy . Light is a LIE ,there is nothing there. 99.9999999 EMPTY SPACE (potential).Lucifer =Bringer of LIGHT.
It is not correct that Lucifer equals Jesus, as Yourself also quote.
“Lucifer represents the individual intellect and will which rebels against the domination of Nature and attempts to maintain itself contrary to natural impulse. Lucifer, in the form of Venus, is the morning star spoken of in Revelation, which is to be given to those who overcome the world.”
Lucifer from Madam Blavatsky and Freemasonry has highjacked Jesus’ title, for evil, not for good.
The Christian mystic Rudolf Steiner says Lucifer and Satan (The Devil) is two different spiritual entities, but to compare ANY of the two as Jesus is way off target.
“Rudolf Steiner taught that the two great demons, Lucifer and Ahriman, offer mankind gifts — from Lucifer, we receive the gift of intellectual thought; from Ahriman, mastery of the physical realm. These gifts are beneficial and even necessary at our current stage of evolution, but they also entail great risks, temptations that can lead us badly astray. According to Steiner, Christ — the Intelligence of the Sun — needs to interpose between Lucifer and Ahriman, balancing them so that we may receive their influences in the proper, beneficial proportions”.
Replica at The Rosicrucian Egyptian Museum, San Jose, CA.
The innermost coffin of the boy-king Tutankhamun is the most splendid and rare examples of royal burial regalia. Made of solid gold and inlaid with precious colored glass and jewels, it was date most ornate of all the treasures unearthed in 1922 by Egyptologist Howard Carter and Lord Carnarvon.
King Tutankhamun’s mummy was placed inside three nested coffins, which in turn were lowered into a large stone sarcophagus in his tomb. Tutankhamun became king when he was around nine years old and died when he was around eighteen.
The two emblems held in the king’s hands are symbols of kingship, showing his dominion over the lands of Upper and Lower Egypt. Tutankhamun’s false beard was added as a sign of royal power. It is curved at the end to indicate that the young pharaoh has become a deity in the Afterlife.
This beautiful recreation of Tutankhamun’s coffin was created by Swiss Rosicrucian artist Erwin Winterhalder. Mr. Witerhalder was a personal friend of H. Spencer Lewis, the founder of the Rosicrucian Park. Mr. Winterhalder created various artist recreations of ancient Egyptian and Rosicrucian inspired artwork for the park grounds at the request of H. Spencer Lewis.
Artistic rendition of the original discovered in the Valley of the Kings, near Luxor, Egypt, in 1922.
Symbolic of the rose as the symbol of a quest, of the goal to reach.
The rose in the coat of arms on the left carries the quintessence, like a fifth element of the subtle world. The Gernsbach rose consists of two crowns with five petals and three concentric rows of five petals each containing five leaves. Its geometry is perfect, composed of five times five elements. This rose is a pentagram, a regular figure with five sides, which only the famous golden number generates. Such is the emblem of quintessence, on the scale of the world as on the scale of man.
On a world scale she is the Logos, God, light of Life. This Logos is the first person of the Trinity of Christians. Random Synchronicity… Anyway the other option I take thus picture and i noticed that for whatever reason I had showed petals on the blason each one lined up perfectly together in a pentagram with a blue circle inside of the flower. The rose is the official flower of the Alchemy Guild and fresh roses are present at all church meetings. The placement, color, and state of bloom of the roses carry subtle messages for Guild members on the nature of the meeting and how to conduct themselves. There are no posted announcements of the subject matter of meetings or printed rules of behavior. Only the silent message of the rose guides members on a heart-to-heart basis.
To understand the archetypal signature of the rose, it is necessary to suspend one’s intellectual and cultural connections to it and simply be open to the “presence” of the rose. This popular flower has a complicated symbology with paradoxical meanings. It is at once a symbol of both purity and passion, both heavenly perfection and earthly desire; both virginity and fertility; both death and life. The rose is the flower of the goddesses Isis and Venus but also the blood of Osiris, Adonis, and Christ.
Originally a symbol of joy, the rose later indicated secrecy and silence but is now usually associated in the common mind with romantic love. But the rose is much more meaningful, much older and more deeply embedded in the human unconscious than most people believe. Rose fossils 35 million year old have been found in Europe, and petrified rose wreaths have been unearthed from the oldest Egyptian tombs. At Guild meetings, the symbology of the rose is associated with the color (or combinations of colors) of its petals. The numerological elements of the rose are also present in Guild documents and meetings. In general, the rose represents the number five. This is because the wild rose has five petals, and the total petals on roses are in multiples of five. Geometrically, the rose corresponds with the pentagram and pentagon. Five represents the Fifth Element, the life force, the heart or essence of something. In an absolute sense, the rose has represented the expanding awareness of life through the development of the senses. Six-petaled varieties indicate balance and love; seven-petaled varieties indicate transformative passion; and rare eight-petaled roses indicate regeneration, a new cycle, or a higher level of space and time.
The rose is one of the fundamental symbols of alchemy and became the philosophical basis of Rosicrucian alchemy. It was so important to alchemists that there are many texts called “Rosarium” (Rosary), and all these texts deal with the relationship between the archetypal King and Queen. We have noted the Rosarium of Jaros Griemiller, an original member of the Guild. Another important Rosarium was prepared by alchemist Arnold de Villanova, who also interacted with Guild members.
In alchemy, the rose is primarily a symbol of the operation of Conjunction, the Mystical Marriage of opposites. It represents the regeneration of separated essences and their resurrection on a new level. In the Practice of Psychotherapy, Carl Jung discussed the archetypal underpinnings of love between people in terms of the rose: “The wholeness which is a combination of ‘I and you’ is part of a transcendent unity whose nature can only be grasped in symbols like the rose or the coniunctio (Conjunction).”
In alchemy the red rose is regarded as a masculine, active, expansive principle of solar spirit (Sulfur), where the white rose represents the feminine, receptive, contractive principle of lunar soul (Salt). The combination of white and red roses (spirit and soul) symbolizes the birth of the Philosopher’s Child (Mercury). During the operation of Conjunction, the relationship of the masculine red rose to the feminine white rose is the same relationship depicted in alchemical images of the Red King and the White Queen or the Red Sun and White Moon. White roses were linked to the White Phase of the Work (albedo) and the White Stone of Multiplication, while the red rose was associated with the Red Phase and the Red Stone of Projection.
The single golden (or gilded) rose is a symbol completion of the Great Work or of some consummate achievement in personal or laboratory alchemy. The Popes used to bless a Golden Rose on the fourth Sunday in Lent, as a symbol of their spiritual power and the certainty of resurrection and immortality. In alchemical terms, the golden rose means a successful marriage of opposites to produce the Golden Child, the perfected essence of both King and Queen.
Because Mary is the Christian model of union with God, the rose and the rosary became symbols of the union between god and mankind. Scenes of Mary in a rose garden or under a rose arbor or before a tapestry of roses reinforces this idea. Mary holds a rose and not a scepter in the art of the Middle Ages, which means her power comes from divine love. The rose garden in alchemical drawings is a symbol of sacred space. It could mean a meditation chamber or tabernacle, an altar, a sacred place in nature, or paradise itself. In all these instances, the rose garden is the mystical bridal chamber, the place of the mystic marriage.
The rose has obvious connections with sexual energy in alchemy. The “rose colored blood of the alchemical redeemer” or the “warm red tincture” were references to healing effects of purified (alchemically distilled or sublimated) sexual energy. For instance, the Renaissance alchemist Gerhardt Dorn calls rose-colored blood a vegetabile naturae whereas ordinary blood was a vegetabile materiae. In other words, rose-colored blood carries the natural essence or soul, while ordinary blood simply functions on the physical level to supply oxygen to cells, etc. That is the meaning of the alchemical phrase, “The soul of the Stone is in its blood,” or as Carl Jung put it: “The rose red color is related to the aqua permanens and the soul, which are extracted from the prima materia.” The sword and knife, symbols of the Separation operation, carry such power in alchemy partly because of their ability to draw blood.
In spiritual alchemy, the single red rose represents the mystic center of a person, his or her heart of hearts – one’s true nature. It also represents the process of purification to reveal one’s essence or the inner “pearl beyond price.” Sufi spiritual alchemist Rumi described this idea when he wrote: "In the driest whitest stretch of pain's infinite desert, I lost my sanity and found this rose." As a symbol of the Mystical Marriage on a personal level, the red rose represents a special kind of love in which one “melts away” into the beauty of another, and the old identity is surrendered for that of the beloved or a higher identity within oneself. In this sense, the rose is a symbol of complete surrender and permanent transmutation.
Alchemist Daniel Maier discusses the symbolism of the rose in his Septimana Philosophica: “The rose is the first, most beautiful and perfect of flowers. It is guarded because it is a virgin, and the guard is thorns. The Gardens of Philosophy are planted with many roses, both red and white, which colors are in correspondence with gold and silver. The center of the rose is green and is emblematical of the Green Lion [First Matter]. Even as a natural rose is a pleasure to the senses and life of man, on account of its sweetness and salubrity, so is the Philosophical Rose exhilarating to the heart and a giver of strength to the brain. Just as the natural rose turns to the sun and is refreshed by rain, so is the Philosophical Matter prepared in blood, grown in light, and in and by these made perfect."
Because of its association with the workings of the heart, the rose in alchemy has come to symbolize secrets of the heart or things that cannot be spoken or an oath of silence in general. In the folded structure of the rose, the flower seems to be concealing a secret inner core. “Mystery glows in the rose bed and the secret is hidden in the rose,” wrote the twelfth-century Persian alchemist Farid ud-din Attar.
www.azothalchemy.org/rose_symbol.htm
To the rose at the entrance answers the runic letter EIHWAZ
right next door, in pairs. In this entrance the alchemist's apprenticeship will allow him to transmute the raw material of the porchstones into a sacred substance, through the mystery of the house rebuilt by Kaiser Wilhelm II in 1886, as is inscribed on the porch . It should be noted that the House of the Heads of Colmar was restored in 1906 by the same Kaiser, as well as the Town Hall of Freiburg in Brisgau and many identical Houses were built on the Alsatian bank of the Rhine, one finds a very beautiful one on the Gutenberg square in Strasbourg. The subject is so exciting that it deserves perhaps more interest?
I added this copy to clearly identify the runic letter Eihwas, the runes remained a long time of Norwegian origin but it seems that they come to us from India like Sanskrit, they are a little the crucible of the Germans. Eihwaz is the thirteenth rune of Elder Futhark. The rune itself has the world pillar. In this case it symbolizes the yew tree, Yggdrasil, and/or the tree of the life and death. The unique geometrical shape of this rune symbolizes the union of the two universes. Its two pointed ends also refer to life and death.
The Yew is the European tree which has the greatest life span. It also happens to be a tree that is green throughout the entire year. However, it is absolutely lethal. Its connection to death is also seen in its prevalence in graveyards in England. In this way Eihwaz speaks to the baguette of yew, the enchantment wand with two limits, one of life and other one of death. This two-fold component gives the typical sense to this rune called likewise “unfortunate thirteen” from its thirteenth position in the Futhark or ” Death’s rune “. It is death and change, life, and the initiatory death (initiation of Odin). The hidden meaning of this rune is a reminder that death brings about the possibility of rebirth, but not necessarily the promise of it. It is clear that Eihwaz symbolizes two inversions, and can be present during upheavals and changes. After Jera’s cycles, Eihwaz continues the communication of the polarization of things to achieve another level of understanding. Therefore, the Eihwaz rune reveals another way to understand another reality with new observations. The rune communicates that the concept of death as another reality. This rune was known as Eoh, its pronunciation is "Y" or the alternatively "E" or also "Ei" in words like "Einherjar". Most of the concepts associated with Eihwaz relate to trees. The rune is said to symbolise variously the apple tree, the poplar and the yew. The latter identification seems to be the most potent, because it was from the yew that bows were made. The yew is often found in vicinity of graveyards, so it becomes a symbol of the past growing into the future. It is probably also connected with Yggdrasil, the "world tree", the backbone of the universe. Eihwaz is another rune associated with horses, too, especially the mighty Sleipnir, The eight-legged steed of Odin. The herb bryony is the vegetable symbol of the rune. The appearance of Eihwaz in a reading idicates progress. Even if your life seems to be moving at a snail's pace, a new situation will soon manifest itself and events will speed up so much that you may find it difficult to keep track of everything. You'll need to pay close attention to happenings around you to keep up.
adaptability and a readiness to make speedy decision will be vital if you are to make the most of this positive rune. Eihwaz is closely associated with hunting skills, so you must act as though you were an archer of old: wait until your target is in your sights and then, when the moment is right, strike out for it. Don't worry that you may miss your moment, or, indeed, miss the target: you have the acumen and shrewdness to choose the correct time and to act boldly when the accasion arises.
Eihwas shows that bravery has every indication of success.
This rune encourages you to gather your courage and take a risk. Its message is one of ''nothing ventured, nothing gained '', and now is the time to take action. Eihwaz is thus considered to be a lucky rune for gamblers and those who live by their wits. Its appearance in a reading may show the positive influence of a strong-willed person, especially a woman.
Another good aspect of Eihwaz is that , under its influence, expected problems will not arise. The rune also indicates long-term benefits, even if you have ti put up with an uncomfortable or stressful situation for a short while, eihwaz is said to be a beneficial indicator for students and is also held to dispel storms and to calm tempestuous emotions.
Eihwaz has no inverted meaning. “The axis or process of spiritual becoming.” Upper and lower worlds meeting in Midgard (earth). Rune of the mysteries of life and death.
. “The yew is a tree with rough bark,
hard and fast in the earth, supported by its roots,
a guardian of flame and a joy upon an estate.”
Traditional meaning: Yew tree
Old Norse rune poem: yr meaning Yew.
Yew is the winter-greenest of woods;
burning it is wont to singe.
Translated by Pollington, Rudiments of Runelore
Eihwaz is sometimes likened to the Death card in tarot; it is a rune of transformation and testing, stripping away that which is worn out, diseased or weak so that strong new growth may occur. It is the rune of the Yew tree, a symbol of age, endurance, death, and eternal life. The Yew tree is an evergreen, in the depths of winter it lives on, reminding us of the tenacity of life and the will to survive.
In the Old English rune poem Eihwaz is referred to as ‘fire’s keeper’, arousing much speculation concerning the way in which it burns and whether it might have been used to gather up and store hot embers. I wonder whether the fire referred to might also be the fire of life, the Yew tree reminding us that life will come again, even in the coldest and darkest of times. The Yew tree is often found at grave yards and, rather than seeing it as a sign of death, we might view it as symbolising eternal life, guarding and keeping the ancestral spirits resting in the ground. In the northern tradition a part of the soul is believed to remain at the place of death or burial, available for the living to commune with.
The Eihwaz rune is also associated with the spinal column, the core self, and the eternal part of the soul. The rune is linked to the yew bow through the Old Icelandic rune poem, the weapon of choice for the God Ullr and the giantess Skadi who ‘becomes’ a goddess through her marriage to the benevolent sea God Njord. Despite the benefits of this match with Njord, Skadi cannot bear the warm, sloshy sea and eventually returns to her hall within the cold, grey mountains where she is said to spend her time with her lover Ullr, speeding joyfully across the glittering snow on swift skis, enjoying the hunt together. Skadi’s strength of personality left the Gods themselves quaking in their boots (hence the marriage to Njord which was designed to appease her), she represents the core self which must find expression, no matter what the cost.
Present significance: Most of the association for Eihwaz come through the lore of the Yew tree and its link t othe great World Tree Yggdrasil. As the yew it represents transformation, eternal life, inner change and endurance. As the World Tree it is the Axis Mundi, the central column which joins and unites the worlds, the pillar of creation and the manifestation of the present moment.
Key terms: Transformation, death, endurance, eternal life, protection, hunting
Pronunciation: eye-wahz
Number: 13
Gods: Skadi is known for her great strength and her love of the winter season and mountainous regions where her home is located. Skadi’s lover is the hunter god Ullr who bears the yew bow. Odin is associated with Eihwaz throught he World Tree, Yggdrasil, which means ‘Odin’s steed’ – referring to the nine-night vigil he undertook hanging upon the tree to discover the runes.
Colour: Black, dark green, dark blue
Elements: Eihwaz, as the symbol of the World Tree, is commonly thought to contain all of the elements within it; however, the rune poem specifically refers to it as ‘fire’s keeper’ and so, perhaps, fire is of particulary importance to this rune.
Eihwaz begins the second half of the 24 rune Futhark and represents the vertical axis, whereas Jera represents the horizontal. It is also indicative of the verticality and energy of the human spine. The spine (the pelvic region not included) has 24 vertebrae, which I do not believe is a coincidence in the case of the elder futhark.
The spine is the channel for one of the most powerful energy flows in the human psyche, which Yoga has termed Kundalini ‘fire’. It is the flow of megin energy up from the root hvel (chakra) to the crown hvel in the mind, bringing cosmic consciousness. Attempting to awaken Kundalini fire too early in your training can cause serious harm.
The needle of the yew is poisonous, containing a toxin that affects the central nervous system. The vapors from the toxin can become concentrated in close proximity to the tree. As a conifer/’evergreen’, it is associated with immortality, and the mysteries of life and death. Death is understood as the Great Initiation into the mysteries of life. To die before you die is to discover what in life is truly important. In psychology, this often happens as a result of near-death experiences.
The fear of physical death is one of the great inhibitors of humankind’s potential for total freedom of mind and spirit. Eihwaz gives you the power to recall your past lives, in short fragments or in more complete segments, and as a result confirm your death in this life as only one stage of a greater journey. Invoke Eihwaz as you conduct a meditation or dream exercise for the purpose of discovering past life patterns in the present. The answers lay not in memory, but in the clues of your here and now.
Eihwaz can be invoked for communication with the underworld and the dead. It is wisest to remain within your own ancestral stream when doing this, as your ancestors have reason to respond to your inner call. There should be sufficient reason to invoke such dark workings, but it is not an ‘evil’ exercise.
I took this picture during a visit to the Egyptian Rosicrucian Museum in San Jose, California. This inscription can be found at the tomb replica of Beni Hasan, Egypt. This tomb was modeled after Khnumhotep II. The tomb reproduction was created from the photographs and measurements taken during the 1939 Rosicrucian Order Expedition, led by H. Spencer Lewis, the founder of The Ancient and Mystical Order Rosae Crucis (AMORC).
Here we see a representation of a final judgement scene.
Khumhotep II is on the left. He was an ancient Egyptian Great Chief of the Oryx nome during the reign of pharaohs Amenemhat II and Senusret II of the 12th Dynasty, Middle Kingdom circa 1900 BC.
Anubis (jackal-headed deity), who presided over the embalming process and accompanied dead kings in the afterworld is holding his hand. In his left hand, Anubis is holding the Ankh or “key of life”. Anubis is helping Khnumhotep to make it to Paradise. Khnumhotep heart is on the jar on the left, being weighed against the feather of Ma'at, the goddess of truth, which was depicted as an ostrich feather (the feather was often pictured in Ma'at's headdress).
On the right side of the feather, we can see Toth, (depicted with the head of an ibis) god of the scribes, keeper of mysteries and the initiator. In Their final judgement, everyone was asked questions and their heart was weighted against the feather of truth. If their heart was heavier than the feather, the person won’t go on to afterlife. Toth is writing down all what the person did during his life. According to the ancient Egyptians if they wrote something down, it make it truth and everlasting.
In every tomb the scales are balanced. The small double of Anubis is helping the tomb owner by tipping the scale, just in case he has made some mistakes in his life.
If the heart was judged to be not pure, Ammit would devour it, and the person undergoing judgment was not allowed to continue their voyage towards Osiris and immortality. Once Ammit swallowed the heart, the soul was believed to become restless forever; this was called "to die a second time". Ammit was also sometimes said to stand by a lake of fire.
Ammit, "devourer of the dead"; a demoness and goddess shown here with the forequarters of a lion, the hindquarters of a hippopotamus, and the head of a crocodile—the three largest "man-eating" animals known to ancient Egyptians. A funerary deity, her titles included "Devourer of the Dead", "Eater of Hearts", and "Great of Death". Ammit lived near the scales of justice in Duat, the Egyptian underworld.
Ammit was not worshipped; instead, she embodied all that the Egyptians feared, threatening to bind them to eternal restlessness if they did not follow the principle of Ma'at.
If Khnumhotep succeeded, he will be escorted by Horus (son of Osiris) (Falcon-headed god) (right) to continued existence in the Afterlife. He is shown to the right, brought into the presence of Osiris (image before). This was a standard epithet applied to dead individuals in their texts.
The original tomb was robbed by thieves looking for hidden treasures and Khnumhotep was defaced. To make it more alluring, I added his head and Horus’s head.
This image is a small section of a much larger scene represented in the walls in the tomb replica (at the Egyptian Rosicrucian Museum) of Beni Hasan, Egypt.
It shows scenes of daily life in ancient Egypt. The Egyptians believed these depictions were necessary to ensure a successful afterlife. This wall is also a map of Egypt as the Egyptians saw it: the bottom of the wall shows scenes of the Nile river, and as you move upwards, the scenes progress out to the desert.
Mais sa joie ne fut pas de longue durée
The alchemical experience of Separation or Clarification of the Elements occurs; this is Imaginative Knowledge, in the Rosicrucian Initiation, The Second in musical intervals
Alchemy can perhaps best be described as a process of metamorphosis, a changing of form by means of the activity of the three fundamental powers of the soul; thinking, feeling and willing; These three can be likened to the nature of the substances Salt, Mercury, and Sulphur as they work upon the elements inherent in all created things Earth, Water, Air and Fire, transforming these from their fallen states of unredeemed matter to a restoration of their archetypal , original spiritual condition.’1)
I was privileged to know Agnes Linde, Herman’s daughter in the early to mid 1980’s, while I was living in Dornach. She was a Eurythmist and a painter. I was often able to observe the original illustrations made by her father of ‘The Green Snake and the Beautiful Lily’, which portray the interwoven correspondence to Steiner’s first Mystery Play, ‘The Portal of Initiation’.Now, let us begin with the following correlations involving the soul transformations of J. W. Goethe’s ‘The Green Snake and the Beautiful Lily’:
The Wisps go to the Old Woman’s cottage, and rudely devour the gold from the walls of the cottage, and again shower the realm with gold pieces. They cannot comprehend the Old Woman’s wisdom either, but can only intellectualise or ‘parrot’ undigested knowledge. Their gold pieces kill the dog Mops.
The Old Woman has somehow promised the Will o the Wisps to repay their debt to the Ferryman for their crossing. He can take no gold, only ‘fruits of the earth’: three cabbages, three artichokes, and three onions, deeds of thinking, willing and feeling. However the Giant who is bathing in the river, spots the Old Woman with her basket of fruits of the earth. He is able with his shadow to snatch up an artichoke (which represents deeds of the will) out of the basket. Mops has also been taken along in the basket, to give to the Fair Lily, on the Spirit side of the river. She can mysteriously make dead things living, and living things dead. Such is her nature. Before meeting the Prince, the Old Woman is obliged to pay a debt to the river to make up for the lost artichoke, and enable her to cross the river; this entails placing her hand in the stream, which causes it to blacken. Painful but necessary, these events have a relation in the Gnostic Christian Initiation, to the Scourging. 1) The Time is at Hand, Paul M.. Allen, Anthroposophic Press, RR4 Box 94 A-1, Hudson , NY 12534
ChatGPT:
Was symbolisiert eine Sonne mit Gesicht und einem Strahlenkranz? Welche Organisationen und Geheimgesellschaften verwenden dieses Symbol?
Antwort:
Die Sonne mit einem Gesicht und einem Strahlenkranz symbolisiert häufig die Sonnengottheit oder die Sonne als Ursprung des Lebens und der Energie. Es kann auch für Licht, Wärme, Vitalität und Erleuchtung stehen.
Dieses Symbol wird von verschiedenen Organisationen und Geheimgesellschaften verwendet, darunter:
1. Freimaurer: Die Sonne mit einem Gesicht und einem Strahlenkranz ist ein häufiges Symbol in der Freimaurerei und wird oft in Logenräumen und auf deren Emblem verwendet.
2. Rosenkreuzer: Die Sonne mit einem Gesicht und einem Strahlenkranz ist ein wichtiges Symbol in der Rosenkreuzer-Tradition und steht für spirituelle Erleuchtung und Wissen.
3. Theosophische Gesellschaft: Die Sonne mit einem Gesicht und einem Strahlenkranz wird auch von der Theosophischen Gesellschaft verwendet, um die höchste spirituelle Wirklichkeit oder das Göttliche zu repräsentieren.
4. Neopaganismus: In einigen neopaganen Traditionen wird die Sonne mit einem Gesicht und einem Strahlenkranz als Symbol für den Sonnengott oder die Sonnengöttin verehrt.
Es ist wichtig anzumerken, dass die Verwendung dieses Symbols je nach Kontext unterschiedliche Bedeutungen haben kann und nicht unbedingt immer mit Geheimnissen oder Verschwörungen in Verbindung steht.
ChatGPT:
What does a sun with a face and a halo symbolize? Which organizations and secret societies use this symbol?
Answer:
The sun with a face and a halo of rays often symbolizes the sun deity or the sun as the source of life and energy. It can also stand for light, warmth, vitality and enlightenment.
This symbol is used by various organizations and secret societies, including
1. freemasons: the sun with a face and a halo of rays is a common symbol in freemasonry and is often used in lodge rooms and on their emblem.
2nd Rosicrucian: The sun with a face and a halo is an important symbol in the Rosicrucian tradition and stands for spiritual enlightenment and knowledge.
3 Theosophical Society: The sun with a face and a halo is also used by the Theosophical Society to represent the highest spiritual reality or the divine.
4. neopaganism: In some neopagan traditions, the sun with a face and a halo is worshipped as a symbol of the sun god or sun goddess.
It is important to note that the use of this symbol can have different meanings depending on the context and is not necessarily always associated with secrets or conspiracies.
Frankfurt, Goethestr.