View allAll Photos Tagged RESPECT
"Chunuk Bair on 25th April 1915, there was heavy trench fighting between the
Turks and the Allies. The distance between the trenches was between 8 and 10 metres. Cease-fire was called after a bayonet attack and the soldiers returned to their trenches. There were heavy casualties on both sides and each collected their dead and wounded. From between the trench lines came a cry for help from an English Captain who was very badly wounded in the leg.
Unfortunately no one could leave their trenches to help because the slightest
movement resulted in the firing of hundreds of bullets. At that moment an
incredible event occurred. A piece of white underwear was raised from one of
the Turkish trenches and a well built, unarmed soldier appeared. Everyone was
stunned and we starred in amazement. The Turk walked slowly towards the
wounded British soldier gently lifted him, took him in his arms and started to
walk towards our trenches. He placed him down gently on the ground near us
and then straight away returned to his trench. We couldn't even thank him.
This courageous and beautiful act of the Turkish soldier has our love and
deepest respect to this brave and heroic soldier."
First Lieutenant Casey
(Later to become Australian Governor General 1967-71)
Upper West Side, Manhattan, New York City, New York, United States
Situated on the south side of West 85th Street between West End Avenue and Riverside Drive, the distinctive three-story 326 West 85th Street House — one house in a row of six houses — was planned by the noted architect Clarence True and was constructed for speculator-builder Charles G. Judson in 1892, at a time when the blocks in the West Eighties between West End Avenue and Riverside Drive were first developed. The overall design composition of this house is part of the A-B-A-A-B-A facade pattern of the row, and the 326 West 85th Street House represents a refined example of the Italian Renaissance style adapted to the requirements of the American basement plan, popularized on the Upper West Side by the architect Clarence True. This facade is a well-conceived and finely executed design. Its spare and well-cut ornament demonstrate great respect for the inherent quality of its exterior fabric — Maynard red sandstone, light orange Roman brick, and red pantiles. Indeed, the polychromy of these materials is an essential element of the facade's design. No. 326 West 85th Street has been changed very little since 1892 and retains much of its original ironwork and decorative door hardware.
The Development of the Upper West Side
The evolution of the present appearance of West 85th Street between West End Avenue and Riverside Drive is a reflection of the Upper West Side's greater development pattern. Largely undeveloped until the 1880s, the area was known as "Bloomingdale" prior to urbanization and was comprised of working farms in the eighteenth century and landed estates in the early nineteenth century. While included in the Commissioner's Map of 1811, which platted a grid of avenues and streets in Manhattan as far north as 155th Street, the area remained essentially rural and most of the streets were not laid out until after the Civil War. The creation of Central Park beginning in 1857 contributed to the growth of the areas around the Park's perimeter, but improved public transportation spurred the area's sustained development onward; in particular, the Ninth Avenue (Columbus Avenue) Elevated Railroad, completed in 1879 with stations at 72nd, 81st, 93rd, and 104th Streets, encouraged the area's growth. However, the biggest boost to the development of the West End, the area west of Broadway, was the creation, between 1876 and 1900, of Riverside Drive and Park (now a designated New York City Scenic Landmark) north of 72nd Street. Following the Financial Panic of 1873, development proceeded slowly but by 1885 the Upper West Side had become the scene of the city's most intense real estate speculation.
The tract now including the westernmost blocks of West 85th Street, once a portion of the Oliver DeLancey farm which was conveyed to John H. Howland in 1825, was not partitioned into lots until 1850. Subsequently, a parcel of four lots, each 25 by 100 feet, along West 85th Street's south side (comprising lots 40 through 43) was sold twice, in 1872 and in 1887. This parcel corresponds to the row at 316 through 326 West 85th Street. It should be rioted that this site is located on a gentle rise from West End Avenue west to Riverside Drive.
The Rowhouse and the Speculative Builder
The earliest Upper West Side rowhouse speculators owned the property on which the houses were constructed; Edward S. Clark, President of the Singer Sewing Machine Company, who commissioned Henry J. Hardenbergh to design the row at 41 to 49 West 73rd Street in 1879-80, has been cited as an example of this trend. The speculative builder followed close behind. Such a builder, often in concert with a property owner, would employ an architect with whom he often worked in partnership. Each received his share of the profit when the improved properties were sold. Charles G. Judson was listed as the owner at the time the New Building Application was filed for 326 West 85th Street and the other five houses east of it in this row of six buildings — April 21, 1892. Judson's architect for this commission, and for at least seven others, was Clarence True with whom he shared a business address at 102 West 82nd Street from 1892 until 1897.
A measure of how concentrated the development climate was throughout the city was the common practice among rowhouse developers of purchasing groups of lots and reconfiguring them, thus maximizing the number of houses within the row by building the houses narrower than the standard twenty-five foot lot. Judson subdivided these four lots on the south side of West 85th Street into six, each measuring sixteen feet, eight inches in width.
The Architect
Born in Massachusetts, Clarence Fagan True (1860-1928) received his earliest professional experience in New York in the office of Richard Michel 1 Upjohn (1828-1903), son of Richard Upjohn (1802-1878), one of this country's leading Gothic Revival architects. True began his architectural training in the Upjohn office in 1881; directories indicate that he worked there until 1887 . ^ Although the Upjohn office was known chiefly for its ecclesiastical work, True's reputation as an independent architect rests on the quantity and quality of his domestic commissions, principally on the
Upper West Side. True opened his own office in 1889, although it wasn't until April of the following year that he first filed plans for a group of houses (at 301 to 319 West 89th Street) ; he was listed as an architect at 571 The Boulevard (Broadway) in 1891. True worked primarily for speculative builders (Henry Chaffee, Richard G. Piatt, Theodore A. Squier, J. Edgar Coar, W. E. Lanchantin, and W. J. Merritt); his office is credited with at least. 270 houses on the Upper West Side, including those for Charles G. Judson. In 1894 True entered the speculative housing business as well; he was able to secure a majority of the block-front properties along Riverside Drive, from 72nd to 84th Streets, and through his Riverside Building Company constructed many of the houses now included in the West End-Collegiate and Riverside Drive-West 80th-81st Street Historic Districts. He produced two publications — Designs of 141 Dwelling Houses (1893) and Riverside Drive (1899) — in which he promoted his work and advertised the availability of the finished product.
True was a consummate and innovative planner, a talent that was recognized by his contemporaries, and that is still evident today. He is credited, if not for introducing it, then for popularizing the American basement plan with its low stoop. The quantity and quality of the office's finished work remains impressive, but it is likely that the final design of elevations and exterior (and interior) details was left to True's skillful draftsman, J.A. Johnson, who adapted the blend of academic historicism and up-to-date refinement which characterize True's well-planned houses. Johnson's signatures are integral to the published drawings themselves and are always dated. True's signature and the address of the office always appear in a clearly defined space in the drawing — a space created by his draftsman. True was careful to note, "Designed & Built under the superintendance" or "under the supervision of the Architect."
Design and Construction
Architects of rowhouses on the Upper West Side designed rows as coherent units, but the individual houses varied in their details and were often arranged in a rhythmic design pattern. True took rowhouse design a few steps beyond this treatment. No. 326 West 85th Street and the other five houses east of it (Plate 1), designed in 1892, are a variation of the Italian Renaissance solution that True and his associates created for an earlier row on West End Avenue. For the builder Richard D. Piatt in 1890, True planned a block of three, four-story houses on West End Avenue between 88th and 89th Streets. An appropriate urban prototype, an Italian Renaissance palazzo facade, was adapted to True's American basement plan. The three facades are arranged in an A-B-A pattern of projecting, three- story bays, with an arcade of windows, two windows in the end houses and three in the center house, spanning the fourth stories. This arcade, the rusticated and diapered brickwork, and the common cornice contribute to the row's unified aspect, yet each house has an individual character.
The facades of the West 85 th Street row share the American basement plan and the other unifying design elements with the houses of the earlier Piatt row, such as the third-story window arcade and the rusticated brick banding, although the A-B-A rhythm has been extended and the oriels have replaced the projecting bays. The design of the 326 West 85th Street House front is part of the A-B-A-A-B-A facade pattern of the row. The "A" and "B" components of the row are differentiated by the treatment of the oriels and the third-story arcades. No. 326, like the other houses in the row, is distinguished by a number of Italian Renaissance-inspired features — the rusticated bands of red sandstone at the basement and first story and light orange brick above, the uninterrupted course of red sandstone fol iated ornament, the third story window arcade, and the tiled false roof. The polychromy of the materials is an essential element of the facade's design.
Description
In the A-B-A-A-B-A rhythm of the row, No. 326 is an "A" (Plate 2).The first story of this house, comprising three bays (two windows at the west and the main entrance to the east), is faced with bullnose rusticated Maynard red sandstone ashlar, lightly broached. Two steps, between cheeks of smoothly dressed ashlar incorporating a broader, rounded cap terminating in a knob (all in the same red sandstone), lead up to the door sill from the sidewalk (Plate 3J. Separating the first and second stories is a red sandstone course of intricately carved naturalistic foliation (Plate 4) spanning the full width of the house (as well as the full width of the row). This ornamental course is based upon published prototypes; the combination of classical rinceaux and earlier Gothic forms is a characteristic of the early Italian Renaissance style.
Both the second and third stories are faced with rusticated bands of light orange brick. The division between this rowhouse facade and the one to the east is defined by aligning the reveals of the rusticated brick bands to form a vertical crease. The two second-story windows are contained within a flat-faced oriel of smoothly dressed red sandstone, which is supported on five corbels and carries a broad-eaved roof of red pantiles (Plate 2). As one of the "A" houses in the row, No. 326 has three third- story windows. The red sandstone voussoirs of this arcade are keyed into the rusticated brick banding. This house is topped with a false roof covered with red pantiles. The galvanized iron cornice has raised rinceaux running the length of its soffit.
In the reveal of the entrance there is a molding articulated in a low- relief guilloche motif (Plate 3). There are also a number of original wrought-iron elements. It is likely that the areaway railing, the basement window grille, the Art Nouveau style door hardware (hinges and knob plate) and the grille of the door transom (now missing) were all designed by J. A. Johnson.
Subsequent History
Charles Judson did not sell No. 326 until the end of May, 1893, and then to a speculator who bought Nos. 316 and 322 as well. This house was a single-family residence until 1979 when it was converted to a triplex with a basement apartment.
Aluminum storm sash have been placed in front of the original one-over- one wood sash. A window has been inserted in the upper panel of the front door? a non-historic grille has been placed in front of it. Non-historic window grilles have been placed in front of the first-story windows. To address a spalling condition in the red sandstone, the knobs on the stoop cheeks have been patched with cement.
- From the 1991 NYCLPC Landmark Designation Report
Wake Forest hosts a Dignity and Respect program in Brendle Recital Hall on Wednesday, November 6, 2013. A group photo of the speakers: Edwin Wilson ('43), Barbee Oakes ('80), Maya Angelou, Johnnetta Cole, and Rogan Kersh ('86).
Olimpiadas Rio 2016 - Parque Olimpico da Barra - Arena do Futuro - Handebol - Dinamarca x Catar e Brazil x Egito 13/08/2016 Rio de Janeiro - Brasil / Olympics Rio 2016 - Olimpic Park - Arena do Futuro Handball - Denmark x Qatar and Brazil x Egypt 13/08/2016 - Rio de Janeiro - Brazil
It lies not in our power to love or hate,
For will in us is overruled by fate.
When two are stripped, long ere the course begin,
We wish that one should love, the other win;
And one especially do we affect
Of two gold ingots, like in each respect:
The reason no man knows, let it suffice,
What we behold is censured by our eyes.
Where both deliberate, the love is slight:
Who ever loved, that loved not at first sight? - by Christopher Marlowe.
Captured from Ueno, Tokyo.
East Coast Psy Tribe presents 2013-8-24 Respect Gathering: Genesis @ Echo Lake, NY, USA
Upcoming Dec. 27: Respect Gatherings presents RendeZvous ft DIGICULT Live & MANIPULATION Live (Philippines Relief Fundraiser Party)
www.facebook.com/events/1417538625146331
~~~~~~~~~~~~~~~~~~
3 Day Open Air Festival ♥
Top International Live Acts ♥
Top Local Acts ♥
High Quality Unique International Deco Artists ♥
Mind/Body/Spirit Workshops ♥
Majestic Land and Lake ♥
"It truly is the Genesis. The beginning of a creation that will spread love and light through the beauty of music and art. In nature we will come together and share an experience with the exquisite power of psychedelic trance. Through the sound of the music, the beauty of the art, the peacefulness of nature and all of your energy, we will make our small spot on mother earth glow. The journey is waiting to be embarked on." - Eric Allen
Our journey began last year, when we first conceived the notion of creating this perfect gathering. As we all know, there's always ups and downs in this journey, and even though the result may not have been perfect - we made sure it was as close to perfect as we could make it. The smiles on the dance floor and the energy flowing through nature was all it took for us to take it upon ourselves and create this sequel. Come join us as we embark on yet another journey!
Deco by: Global Village Productions
Sound by: Audiolust
Advertising campaign by oOh!Media ('Out of Home') for respect of 'essential workers' or 'front line workers' - usually in emergency services, health care, groceries or delivery services during the COVID 19 lockdown period.
The campaign has bordered on fetishisation by parts of the media and corporate world with these billboards running on an endless cycle for months on end at Melbourne Central railway station concourse.
Deze tekst was prominent op een muur van het waterloplein geschilderd.
Er staat: "Op deze school zitten geen Nederlanders, Macedoniërs, Turken, Protestanten, Britten of Isreali.
Geen Vietnamezen. Geen Antilianen of Kaap-Verdianen. Geen Creolen, Joden, Amerikanen, Indiërs, Soennieten, Hervormden, Belgen of Bosniërs.
Ook geen Hollanders, Moslims of Chinezen. Geen Katholieken, Kosovaren Colombianen Polen of Denen. Geen Serviërs, Somaliërs, Afghanen of Tibetanen, Geen Molukkers, Russen, Irakezen, Zweden, Italianen, Spanjaarden, Libanezen, Palestijnen of Marokkanen. Niemand uit Nepal. Geen Boeddhisten, geen Zuid-Koreanen, Sjiieten of Duitsers.
witten of roden, gelen of wat dan ook...
Op deze school zitten jonge MENSEN.
Heb begrip voor elkaar"
Mooi sentiment. Ik hoop dat het werkt!
Genomen tijdens de reünie van het Minkema college in Woerden in 2009, ter ere van het 90-jarig bestaan en de aanstaande verbouwing.
Mother and daughter. Here is a Poem I wrote about Racehorses a few years ago, obviously the ones above are no Kings of the turf, but still to be respected.
I may not love, but respect your masters, and I admire these horses, Proud strong in spirit never break them, as I once nearly broke, Teach them manners and respect, Never use frustration as a weapon, for as with fear they sense it, confidence is key to their trust, The thundering flesh haunts the gallops, hooves like pistons they pound the turf, powering through the mist, on the dew shrouded earth, Their sense of flight shall never leave them, for they are not machines, though they can easily turn bitter.Elegant, and graceful in their work columns, one after another they charge, like steeds into battle, always alert, and stirring the soul, Go quiet amongst their kind, when they retire to their quarters, exercise over for another dawn, let them prepare for combat between the rails, and dream of the sweet smell of springs sward.
Or how people are moving through Sarah van Sonsbeeck's art installation 'We may have all come on different ships, but we’re in the same boat now.' in the Oude Kerk (Old Church), Amsterdam.
Every day from 10-18, Sundays from 13-17:30u.
We were releasing a CD, but we didn't have any ink, or disc labels, so we just drew something on each one... in the end, the art was more valuable than the music. ;)
Some books seem to have the Rodney Dangerfield problem -- "don't get no respect." I was curious as to why. Not necessarily curious enough to take the plunge into reading this novel. Just curious enough, though, to learn that "Philippa Carr" was one of numerous pseudonyms for Eleanor Hibbert, or Mrs. George Percival Hibbert. I further discovered she was "a British author of about 200 historical novels, most of them under the pen name Jean Plaidy which had sold 14 million copies by the time of her death. She chose to use various names because of the differences in subject matter between her books; the best-known, apart from Plaidy, are Victoria Holt (56 million) and Philippa Carr (3 million). Lesser known were the novels Hibbert published under her maiden name Eleanor Burford, or the pseudonyms of Elbur Ford, Kathleen Kellow and Ellalice Tate. Many of her readers under one penname never suspected her other identities."
Wow, "about 200" historical novels ... now that's prolific!
Still, she doesn't make this list of most prolific authors:
www.trivia-library.com/c/20-most-prolific-authors-and-wri...
Another fantastic week of junior football at Respect League - Burnage Rugby Club.
I`ve been asked on a number of occasions how to download the photos of your son/daughter.
These are completely free of charge to download from Flickr. You need to click on the 3 dots icon to the right of the photo and then select view all sizes. You can download different sizes of the photograph depending on your requirements and I do not subject them to any copyright so you are free to use as you please. In return, I ask only that you rate or comment on any of the photos as I welcome your feedback good or bad.
Parents & Coaches
If you would like a photograph of your son/daughter/team in action then please feel free to contact/ask anytime, I`m usually wearing a bright blue jacket , carrying a rather large camera and supporting the Woodley Albion team !
See you all next week - weather permitting !
Andrew Spillane - 3Point Photography.
respectleaguephotos@gmail.com
visit for style information & where you can get these items ((^~^))
thewanderingfaun.blogspot.com/
InfoCepts- This dashboard helps the Head of Treasury to measure the performance of the Proprietor and Client Desk for FOREX, interest rate, money market and derivatives to corporations and financial institutions. The dashboard offers consolidated view for proprietor desk across products and performance of each trader. It assists in viewing the Top distinguished client with respect to volume and income. Click Here to check out our MicroStrategy Dashboards.
If you want husband love and respect in your married life then you should try strong wazifa for husband love. The wazifa will increase love between husband and wife. You can contact to our Islamic expert Molvi Rashid Ali ji and get the wazifa for husband love and respect. This wazifa will help you to manage good relationship with your partner. For more information visit us @ istikharaduas.com/wazifa-for-husband-love-and-respect/
Le Conseil Régional Languedoc-Roussillon prête cette exposition gratuitement à plusieurs établissements scolaires de la région.
Du 26 novembre au 6 décembre 2008, elle est présentée au lycée Federico Garcia Lorca à Perpignan-Théza (66200).
Lee Rigby Memorial Ride, Woolwich, 22 May 2014, 1st batch
Riders arrive in Greenwich Park, SE London, to take part in the 'Ride of Respect' in memory of Drummer Lee Rigby, the soldier tragically killed a year previously.
The ride would pass the Woolwich Barracks where Lee had been serving, and would include a wreath laying ceremony.
There are estimates that about 4,000 bikes took part in the procession, many of them ridden by current or former service personnel (male and female).
I was one of the team of photographers assigned to record the event: I have not uploaded these photos until now (July 2014) as I did not want to make them 'public' before the issue of an official DVD.
All Saints day, 1 November and all Souls Day 2 November are days when Poland pays its respects to the dead. It is one of the most important holidays of the year in Poland. Candles are placed on all gravestones as a sign of respect. This photo is of the people killed in the Warsaw Uprising in WWII.
More details can be found on wikipedia
en.wikipedia.org/wiki/Warsaw_Uprising
It is a day for remembrance and respect. You can find other pictures from tis day in my photostream
www.flickr.com/photos/eastern_traveller/4063943319/in/set...
Respect League is a not-for-profit group of junior football clubs that have come together to give children the best possible start in football. The League is leading the way in fully implementing The FA's vision for children's football and there whole approach is more child-centered and age-appropriate than traditional Leagues.
They give children the ideal environment to accelerate their learning. The FA have awarded them Charter Standard status and they've won the coveted Bronze Award as the best League in the whole county !
The referees are trained to 'manage' the game rather than just blow a whistle. This means they're talking to the players throughout, encouraging them, advising and helping them to avoid foul play. It's calm, safe and fun. Oh, and the football is fantastic!