View allAll Photos Tagged RESOLUTION
Frissell, Toni,, 1907-1988,, photographer.
Gloria Vanderbilt - 1
February, 1966.
1 photograph : color transparency ; 35 mm (slide format)
Notes:
Please use digital image: original slide is kept in cold storage for preservation.
Title, date, and keywords based on information that came with or on collection items.
Client: Vogue.
Container Notes: Vogue, Gloria Vanderbilt, Choices, Picnic, 7 slides, Sheet 1.
Information on item: F.
Slides originally grouped together: LC-F905-31940-32078.
Additional written material found with the item can be requested from the Supplementary Archive.
Rights Info: No known restrictions on publication. For information see "Toni Frissell Collection" hdl.loc.gov/loc.pnp/res.070.fris
Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print
Part Of: Toni Frissell photograph collection (DLC) 2009632520
General information about the Toni Frissell photograph collection is available at: hdl.loc.gov/loc.pnp/coll.090
Higher resolution image is available (Persistent URL): hdl.loc.gov/loc.pnp/tofr.31944
Call Number: LC-F905-31944 [item]
I found this "advice to self" on a shattered plate on a breakwater on the beach just into the New Year.
"Just to be tender, just to be true
Just to be glad the whole day through,
Just to be merciful, just to be mild,
Just to be trustful as a child;
Just to be gentle and kind an sweet,
Just to be helpful with willling feet,
Just to be cherry when things go wrong,
Just to drive sadness away with song.
Whether the hour is dark or bright,
Just to be loyal to God and right,
Just to believe that god knows best,
Just in His promise ever to rest
Just to let love be our daily key,
That is God's will for you and me."
~ unknown
...............
1. Just be trustful as a child, 2. Just be tender, just be true, 3. Just be loyal to God and right, 4. Just be glad the whole day through, 5. Just be gentle and kind and sweet, 6. Just be helpful with willing feet, 7. Just to drive sadness away with a song, 8. Just to believe that God knows best, 9. Just be cheery when things go wrong, 10. Whether the hour is dark or bright, 11. Just be merciful, just be mild, 12. Just to let love be our daily key, 13. Just in His promise ever to rest
Created with fd's Flickr Toys.
As I can't load the video of this dress in motion due to file size I will have to demonstrate it this way.
Just a simple left right motion makes this dress move so wonderfully. Ive got 2inch heels on under here and the hem only just skims the ground. its so nice to get a proper long dress.
68022 'Resolution' with 68005 'Defiant' on the rear working 1Q19 0839 HEATON - DERBY RTC, test train, pass Cromwell on the 25th July 2016. This was the 1512 Selby Canal Jn. - London King's Cross leg of the diagram.
View of Galleria Umberto I in Naples, Italy.
May 2019.
Shot with a Sigma Art 18-35mm F 1.8 zoom lens, F 5.6 @27mm, on a Nikon F4 film SLR.
This zoom lens was developed for digital APS-C sensors but in the 28-35mm covers full frame as well.
At 35mm it has a bit too much of distortion but it's still usable.
At 28mm it's optimal.
Sharpness is extremely high, in the same league of the best full frame primes.
Lack of digital sensor glass is not a problem even wide open, probably thanks to a very large nodal point to sensor distance.
Fuji Velvia 100 slide film can really deliver, if exposed properly.
This particular film was developed 2 years after exposure but still retained very good qualities.
Scanned with a macro setup:
- Rodenstock APO Rodagon 75mm F 4 repro lens @F6.7;
- 1.5:1 magnification ratio;
Equivalent 6000dpi optical resolution.
Resized to 24Mpxls.
Colors and contrast as shot, no PP.
Original file available.
The Lilac-breasted Roller, unofficially also the National Bird of Kenya, is indeed one of the most colourful and beautiful birds seen in almost all of the National Parks of Kenya.
This lovely Lilac-breasted Roller was photographed sitting comfortably on a signpost in Maasai Mara National Park, Kenya.
Please left click with your mouse to appreciate the photograph at full resolution.
Juvenile American Oystercatcher - Haematopus palliatus
Long Island, New York
high-resolution photograph may be seen, here: www.greggard.com/shorebirds/e2b9dedf5
Photograph captured with a Canon EOS 1Dx camera and Canon 600mm f/4 IS paired with a 1.4x extender
We've done well with class 68s on the 6K97 Toton North Yard to Crewe Basford Hall trip recently, with at least 5 different examples in 3 different liveries (DRS, Chiltern & TPE) over the past couple of weeks. On the gorgeous evening of 26/05/20, it was again the turn of Trans-Pennine Express livery 68022 'Resolution', seen having been given a green light to go straight past Watson's Bridge and on to Stenson Junction. This shot required the pole at full 7m, which can just be made out as a faint shadow in the shot, showing how low the sun was!
@ TMD
HD High Resolution hair base.
Rigged for Lelutka EvoX mesh heads
Comes in 12 colors;
- Ghost white, silver grey, black, bleached, blond, dark brown, light brown, auburn, copper, blue, red and lavender
- Changeable via texture HUD plus integrated tinting HUD
- These hair bases offer exceptional texture clarity that is unobtainable with BOM hair bases.
- It is designed to be worn WITHOUT another hair base (please remove any hair base bom layers).
- You CAN wear any Modulus alpha hair on top of it.
*This particular hair base is NOT rigged for any other mesh heads besides Lelutka EvoX. I cannot guarantee how it will work on older Lelutka heads or Catwa heads etc.
**There are ZERO refunds if you buy this base for use with Catwa etc and then discover it doesn't work for you.
***Use the free demo please
Had my 400 on, and just swung it up and grabbed a shot of the full moon. not bad for an 8 power lens focused at 250,000 miles, lol.
(The new feature of the Pentax K-3II)
Pentax K-3II
DA 35mm 2.8 Macro Limited
Out of camera jpeg
If you want to see the same image, the same file without Pixel Shift Resolution (in camera raw), click here:
www.flickr.com/photos/lepidoptorologicbeauty/18548968756/...
Happy New Year!! well, almost.. here in NJ it's about a half hour away.
been thinking of many ways in which i can impove in the new year...
to manage my stress better..
to open my heart more..
become a better mother, but at the same time be kinder to myself
to drop the anger...
to live in clarity, and peace
i also want to become a better photographer.. so with that in mind.. dare i?
1/365 i mean 1/366 ( thanks jason)
'cept this time..no rules... may or may not be selfies, manipulated or SOOC... whatever goes
FREEDOM!
Rescanned at higher resolution with better colour and image quality
An overhead view of the main shop at Doncaster Works after the open day in 1984, taken from the crane access ladder.
The Class 50s on view are, at the front 50 041 "Bulwark" being repaired after its accident on the Penzance sleepers at Paddington on 23/11/83. Behind it is 50 013 "Agincourt", the last standard BR blue 50 left and about to lose it for large logo livery. At the back on the right is 50 033 "Glorious" and in front of it 50 020 "Revenge"
Can anyone fill in the Class 37s and 31s visible please ?
A very poor-resolution old shot from a scene I once heavily HDR-ed. Now I tried a more subtle tonemapping, still from a 3-exposure HDR. It was hand-held and alignment / de-ghosting is less than perfect, but I did it for the look and feel, not pixel-peeking... Funny how our tastes change :)
This shoot was something a little different for me. I'm accustomed to capturing nature scenes and urban decay, but don't have much experience with human subjects. Many thanks to Jacob who joined me on this adventure and proved categorically photogenic.
This is titled resolution because it's the first of my 365 project
and also because it's got terrible image resolution
so that's that.
Collect better data.
I normally wouldn't post this image so close after this one, it being essentially the same, but I wanted to present the two photographs side by side to illustrate a point. Rarely is successful photography about technical precision or image resolution, but ceteris paribus, better data means better photographs. I've spent most of my photographic energy recently in collecting extremely high resolution panoramas, which is not only addicting, but has also impressed upon me just what benefits come from higher resolution, more accurate exposure and careful post-processing. The emotion, mood and subject of a photograph are far more important than its resolution, bit-depth or any other technical aspect. But, too often, I find that the aforementioned emotional impact of the image is correlated with better technical image quality. At the bare minimum, it can be said that technical quality doesn't hurt an image - it always being possible to reduce pixel count, blur, vignette, etc. I like to think of photography as half creation, half data collection. Collecting good data is a craft; collecting great data, an art. My imperative, "collect better data," means take better photographs by mastering the art of data acquisition. I know, the scientist in me is showing.
So what do I mean by better data? Well, in this case, I mean a panorama of 50+ megapixels instead of the paltry 12 of the single capture photograph below. It may not always be the case that higher resolutions achieve better tonality and more accurate color reproduction, but the difference between the two photographs here should serve as an example of just what a large difference there can be from a moderate increase in overall resolution. I like the single capture image - it's one of my new favorites, but it can't compare to the composite panorama. All those extra megapixels mean the transitions between rock and sky, between waterfall and wood, occur over a greater distance. That extra data gives more room to pull detail, color and light out in the final image. What's more, I used to labor under the apprehension that panoramas couldn't capture action. Motion wasn't a possibility in panoramic imaging, or so I thought. It turns out, with some practice, you can capture just about anything - like the silhouettes of those two sparrows darting around, rejoicing in the brisk morning air and the golden curtains of a glorious sunrise, hung over the center of the valley. Judge for yourself:
Christmas Pack
* High resolution (1024 x1024 px)
* 10 textures
* Seamless
marketplace.secondlife.com/p/Crazy-Cherry-Christmas-Unpac...
IMPORTANT to read !!!
By purchasing this item, you agree to the following Terms and Conditions.
CONDITIONS
* My items can not be sold as FULL PERM.
* Do not transfer any of the contents (textures) to other people.
* You are allowed to use the Textures in your own builds and put those creations up for sale in Second Life.
Thanks
Crazy Cherry
Some stand sharp, some blur away.
Do you believe in New Year's resolutions?
Do you have any?
Care to share? =)
Another panoramic image taken in the east bay hills during a low fog morning.
The image is merged from 11 horizontal shots (taken in 280mm) , with 27087 PX x 6500 PX at the file size of 3.7G.
NYC Street Resolutions, Meatpacking District near the Highline, Manhattan, New York City. Taken with the Fujifilm X100F.
Justin
Devo laurearmi e tentare di fermarmi a vivere stabilmente a Milano.
Tra le cose meno difficili da realizzare c'è il desiderio di studiare fotografia, finire di leggere la pila di libri che ogni sera mi dà la buonanotte dal comodino e andare a New York City.
Se non chiedo troppo al fato mi piacerebbe prendermi una FM2 con un nikkor 20mm f2.8... Dopotutto oggi è il mio compleanno ^^
Compleanno numero 30, ma io mi sento come Supergiovane.
Modern Snowflakes
* High resolution (1024 x1024 px)
* 10 textures
* Seamless
marketplace.secondlife.com/p/Crazy-Cherry-Modern-Snowflak...
IMPORTANT to read !!!
By purchasing this item, you agree to the following Terms and Conditions.
CONDITIONS
* My items can not be sold as FULL PERM.
* Do not transfer any of the contents (textures) to other people.
* You are allowed to use the Textures in your own builds and put those creations up for sale in Second Life.
Thanks
Crazy Cherry
A visit to the West of England Line back in July 1991 and an image of 50018 'Resolution' accelerating away from the station stop at Axminster with the Table 145 16:22 Exeter St. Davids to London, Waterloo Network Express.
All images on this site are exclusive property and may not be copied, downloaded, reproduced, transmitted, manipulated or used in any way without expressed written permission of the photographer. All rights reserved – Copyright Don Gatehouse