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This is the oldest treasure repository in Japan, that was constructed in the 8th century, without any intentional or accidental distractions. It is surprising that the treasures are still in good conditions, including some documents, guitars, glass cups that were popular among China, Rome in that times.
Enable the identification of a (small) object collection (resources) within repositories, then enable the growth of that collection by making ‘interested’ human resources aware of that collection (enabling their annotation / contribution to that collection). Or vice-versa, discover and enable a specific grouping of human resources to identify (and ability to annotate and contribute) objects that can be grouped as a collection. Then broadcast collection based on that collection theme/node.
Cross Repository Challenges:
-create/generate archival metadata for a collection
-collection level metadata
Scenarios:
-moving an amateur collection into a professional collection at a minimal cost (eg private collection of Roman coins, giving them to a museum, to be turned into a professional collection /display: digitised, metadata, curatorial, QA, etc.
APIs / Standards / Projects to Consider: DC Collection, BL LIFE, ??? what else?
ID: cColepShechem005
Source: slide
Repository: NPAPH-project
Creator(s): Dan P. Cole
Date:1962
Subject(s): Shechem
Description: Fld VII Beginning several more 5-meter square areas to expand field.
Repository of Arts
The Overseas City, Bremen's former harbor area with its quays, warehouses and storage houses is since 2003 the seat of the Faculty of Art and Design of the University of Art. Here lies the listed Repository XI which has been carefully modernized before the entry of the University of Art and adapted to the demands of a modern art academy. Historical structure and cutting-edge technical equipment guarantee creative atmosphere and best work options: High, bright studios, generous areas for sculptors, modern workshops where expert workshop managers show you the handling of materials and tools - eg for printing, bronze casting, video, audio, film, digital technologies, ceramic, pattern construction (fashion). Also in Repository XI, of course, cafeteria, children's room and the organized by the students themselves "Café Lu" are included.
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As a creative engine of a neighborhood on the rise the University of Art today is at the same time attraction for many start-ups in the Bremen Overseas City: agencies and designers, web designers and filmmakers appreciate the proximity of the University of Art and revive an old neighborhood in a new take off.
Speicher der Künste
Die Überseestadt, Bremens früheres Hafenrevier mit seinen Kajen, Speichern und Lagerhäusern ist seit 2003 der Sitz des Fachbereichs Kunst und Design der HfK. Hier liegt der denkmalgeschützte Speicher XI, der vor dem Einzug der HfK sorgsam modernisiert und an die Anforderungen einer modernen Kunsthochschule angepasst wurde. Historische Bausubstanz und modernstes technisches Equipment garantieren kreative Atmosphäre und beste Arbeitsmöglichkeiten: Hohe, helle Ateliers, großzügige Flächen für Bildhauer, moderne Werkstätten, in denen fachkundige Werkstattleiter Ihnen den Umgang mit Material und Werkzeugen zeigen - u. a. für Druck, Bronzeguss, Video, Audio, Film, digitale Technologien, Keramik, Schnittkonstruktion (Mode). Auch im Speicher XI gehören Mensa, Kinderzimmer und das von den Studierenden selbst organisierte »Café Lu« natürlich dazu.
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Als kreativer Motor eines Stadtteils im Aufbruch ist die HfK heute gleichzeitig Anziehungspunkt für viele Existenzgründer in der Bremer Überseestadt: Agenturen und Gestalter, Web-Designer und Filmschaffende schätzen die Nähe der HfK und beleben ein altes Quartier in neuem Aufbruch.
There go two (probably) perfectly good PowerMac G4s (a blue one and a grey one) . . . *sigh*
Construction on the front of our parking lost has ceased temporarily to accommodate the UH/DOE eWaste Disposal Days program this week.
COPY
Repository: Penn Libraries
Call number: PS3566.E2635 T94 1988 Ott copy
Collection: Ott Collection
Copy title: Twenty seven poems on my left shoelace
Author(s): Pedretti, Michael
Published: S.l., 1988
Printer/Publisher: s.n
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ID: cColepGezer060
Source: slide
Repository: NPAPH-project
Creator(s): Dan P. Cole
Date: 1966
Subject(s): Tel Gezer
Description: Fld I; When a big pick was needed, there was no sex discrimination.
Catalog #: 00059687
Manufacturer: Andreasson
Designation: BA-7
Official Nickname:
Notes:
Repository: San Diego Air and Space Museum Archive
ID: cColepShechem017
Source: slide
Repository: NPAPH-project
Creator(s): Dan P. Cole
Date:1962
Subject(s): Shechem
Description: Fld VI.2; Area supervisor (Cole) with visiting archaeologist Pere Roland de Vaux, Director of the Jerusalem French Dominican École Biblique, examining pit shown in No. 16 (photo taken of Cole on his camera by someone else).
COPY
Repository: Penn Libraries
Call number: C59 Sh1 LrC
Collection: Furness Shakespeare Library
Copy title: The history of King Lear : a tragedy ; as it is now acted at the King's Theatres / rev., with alterations, by N. Tate.
Author(s): Shakespeare, William, 1564-1616.
Published: Glasgow, 1758
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ID: cColepShechem002
Source: slide
Repository: NPAPH-project
Creator(s): Dan P. Cole
Date: 1966
Subject(s): Shechem
Description: Camp; Staff member's quarters, ¼ tent space.
Jillian, Serge and I were speculating why this statue had been moved from the top of the museum stairs, where (I think) it was immortalized in the Rocky films. I suggested it was so that decrepit Italians could more easily pay homage to Sly from their wheelchairs. My Italian-Irish friend found no humor in this and threatened me with a Balboa-style beatdown.
1a Castle Gates, Shrewsbury's Reference Library, and the adjacent archway that once led to Blower's Repository, now (rather aptly) the entrance to the Shropshire Archives, the records and research centre.
COPY
Repository: Penn Libraries
Call number: PR1109 .C6 1790
Volume: v.4
Collection: Kislak Center Collection
Copy title: The companion
Published: Printed for Watson, Elder and Company, Edinburgh, 1791
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