View allAll Photos Tagged REPOSITORY
ID: cColepShechem005
Source: slide
Repository: NPAPH-project
Creator(s): Dan P. Cole
Date:1962
Subject(s): Shechem
Description: Fld VII Beginning several more 5-meter square areas to expand field.
Repository: University Archives, University of Miami. Collection: University of Miami Historical Photograph Collection.
Persistent URL: merrick.library.miami.edu/u?/umevents,103
Repository of Arts
The Overseas City, Bremen's former harbor area with its quays, warehouses and storage houses is since 2003 the seat of the Faculty of Art and Design of the University of Art. Here lies the listed Repository XI which has been carefully modernized before the entry of the University of Art and adapted to the demands of a modern art academy. Historical structure and cutting-edge technical equipment guarantee creative atmosphere and best work options: High, bright studios, generous areas for sculptors, modern workshops where expert workshop managers show you the handling of materials and tools - eg for printing, bronze casting, video, audio, film, digital technologies, ceramic, pattern construction (fashion). Also in Repository XI, of course, cafeteria, children's room and the organized by the students themselves "Café Lu" are included.
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As a creative engine of a neighborhood on the rise the University of Art today is at the same time attraction for many start-ups in the Bremen Overseas City: agencies and designers, web designers and filmmakers appreciate the proximity of the University of Art and revive an old neighborhood in a new take off.
Speicher der Künste
Die Überseestadt, Bremens früheres Hafenrevier mit seinen Kajen, Speichern und Lagerhäusern ist seit 2003 der Sitz des Fachbereichs Kunst und Design der HfK. Hier liegt der denkmalgeschützte Speicher XI, der vor dem Einzug der HfK sorgsam modernisiert und an die Anforderungen einer modernen Kunsthochschule angepasst wurde. Historische Bausubstanz und modernstes technisches Equipment garantieren kreative Atmosphäre und beste Arbeitsmöglichkeiten: Hohe, helle Ateliers, großzügige Flächen für Bildhauer, moderne Werkstätten, in denen fachkundige Werkstattleiter Ihnen den Umgang mit Material und Werkzeugen zeigen - u. a. für Druck, Bronzeguss, Video, Audio, Film, digitale Technologien, Keramik, Schnittkonstruktion (Mode). Auch im Speicher XI gehören Mensa, Kinderzimmer und das von den Studierenden selbst organisierte »Café Lu« natürlich dazu.
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Als kreativer Motor eines Stadtteils im Aufbruch ist die HfK heute gleichzeitig Anziehungspunkt für viele Existenzgründer in der Bremer Überseestadt: Agenturen und Gestalter, Web-Designer und Filmschaffende schätzen die Nähe der HfK und beleben ein altes Quartier in neuem Aufbruch.
COPY
Repository: Penn Libraries
Call number: AC9Ar574928d
Collection: American Culture Class
Copy title: Dolls : a Christmas nonsense play
Author(s): Armstrong, Louise Van Voorhis.
Published: ted States, New York (State), New York, 55 Fifth Avenue, 1928
Printer/Publisher: Longmans, Green and Co.
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Armstrong, Louise Van Voorhis.
From the San Diego Air and Space Ship Image Collection
Repository: San Diego Air and Space Museum Archive
ID: cColepShechem017
Source: slide
Repository: NPAPH-project
Creator(s): Dan P. Cole
Date:1962
Subject(s): Shechem
Description: Fld VI.2; Area supervisor (Cole) with visiting archaeologist Pere Roland de Vaux, Director of the Jerusalem French Dominican École Biblique, examining pit shown in No. 16 (photo taken of Cole on his camera by someone else).
I was searching on-line and came across a repository of documents dating back to the Republic of Texas. I think it is sponsored by UT. Anyhow, I found quite a few documents related to my great, great, great grandfather, Jackson Smith, co-founder of Jacksonville, Texas in Cherokee County. In this document he is petitioning for a pension from his service in the Republic of Texas Army. It states that he served in New Orleans and Galveston guarding against Santa Anna. It also states that he emigrated to Texas from Kentucky in 1814.
Jillian, Serge and I were speculating why this statue had been moved from the top of the museum stairs, where (I think) it was immortalized in the Rocky films. I suggested it was so that decrepit Italians could more easily pay homage to Sly from their wheelchairs. My Italian-Irish friend found no humor in this and threatened me with a Balboa-style beatdown.
Hōryū-ji Buddhist temple.
"The Kyōzō (Sutra Repository) and the Shōrō (Bell House, in the north-east corner of the area) are situated to the right and left of the Kōdō (Great auditorium). The two are largely similar buildings of an elegant form, but the former dates from the second half of the Nara Period (710 to 794) and the latter from the early part of the Heian Period (794 to 1185). Their difference in age is revealed in the pillars and eaves."
Hōryū-ji Buddhist temple.
Nara, Japan, 2012
COPY
Repository: University of Pennsylvania
Call number: Folio NC6 Se888 717hb
Collection: Dutch Culture
Copy title: The history of the rise, increase, and progress of the Christian people called Quakers : intermixed with several remarkable occurrences / written originally in Low-Dutch by William Sewel, and by himself translated into English ; now revis'd and publish'd, with some amendments.
Author(s): Sewel, William
Published: England, London, 1722
Printer/Publisher: J. Sowle
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FIELD GUIDE TO "A" MOUNTAIN AND DESCRIPTION OF SURROUNDING REGION
by
Thomas G. McGarvin
ARIZONA GEOLOGICAL SURVEY
I have heard that this hill was called Dynamite Hill by a longtime Tucson resident.
The Geology of “A” Mountain
If you drive up Sentinel Peak Road, you will travel past a series of rock layers that formed between twenty and thirty million years ago. These multicolored strata produce the bedrock that constitutes “A” Mountain as well as the nearby Tumamoc and Powder House Hills. These hills and “A” Mountain are the visible remains of a former landlocked peninsula that was anchored in the west by the Tucson Mountains and extended beyond the present day Santa Cruz River to the east. “A” Mountain is an erosional remnant of this land prominence sculpted by the forces of ice, wind and water. Four distinct and interesting rock layers are easily visible on the face of this 550-foot mountain.
Flowing lava created the dark red rock strata at both the top and the bottom of “A” Mountain. Nearby volcanic pipes and fractures supplied the basaltic magma that created these beds, each one separated by a span of nine million years from the formation of the other. None of this lava came from the large “volcano like” crater on the northeast side of the mountain. Quarrymen from the Griffith Construction Company dug this basin at the turn of last century in the pursuit of its stone, used for building Tucson homes, walls and other structures.
The dark red color of these two basalt layers is due to a high concentration of iron and magnesium in the original magma. These elements reduce the lava’s viscosity and the explosive tendency of the sourcing eruptions while allowing the molten rock to flow more uniformly across the surface. Much of the basalt layer at the base of “A” Mountain contains small cavities known as vesicles. The magma, in this case, erupted out of the ground just fast enough for the dissolved gasses to vaporize in the decompressing molten rock and then cooled fast enough to retain the holes formed by these gas pockets. The same bubble forming principle occurs when opening a bottle of beer. An example of this vesiculated basalt is visible on the west side of Sentinel Peak Road between the parking lot at the bottom and the beginning of the one-way road around the summit. The basalt cavities are at the top of this dark layer, presumably because the bubbles floated upward before the cooling lava locked them in place.
The two rock layers sandwiched between the basalts were the result of more violent volcanic activity about 27 million years ago. The older of these two light colored rock strata is composed of rough dark pebble size cinders (basalt) embedded in silt, sand and ash. This material fell from the sky in the form of a volcanic cinder fall. The light brown agglomerate layer with its dark embedded pebbles is visible on the left side of the one-way lane just beyond the split in the road.
Finally, the most visually striking layer of “A” Mountain is composed of tan and pink rock, known as tuff. This layer resulted from one or more volcanic ash falls. The magma for this ash also went through decompression near the earth’s surface. In this case, however, the eruption occurred so suddenly that the expanding gas in the magma shattered the molten minerals and rock into very fine pieces and threw them forcefully into the air. After settling back to the ground, the combination of heat, pressure and time welded this bed of ash into the light colored rock layer that we can see today. Look for a sharp color transition between the tan rock and pink rock as you drive up the southern slope of “A” Mountain. This will identify the tuff layer that is also visible as a large light horizontal bed on Tumamoc Hill to the west.
This introduction to the geology of “A” Mountain is an invitation to explore and enjoy our hilly community with an understanding of its primordial past. The vestige of this beginning is locked within every pebble and stone of our iconic mountain.
1a Castle Gates, Shrewsbury's Reference Library, and the adjacent archway that once led to Blower's Repository, now (rather aptly) the entrance to the Shropshire Archives, the records and research centre.
COPY
Repository: Penn Libraries
Call number: AC9B9957917g
Collection: American Culture Class
Copy title: Grenstone poems, a sequence
Author(s): Bynner, Witter
Published: United States, New York (State), New York, 1917
Printer/Publisher: Frederick A. Stokes Company
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Repository: Worcester State University Archives
Photographer: Unknown
Date: C. 1910
Preferred Citation: Natural history camp c. 1900. Courtesy, Worcester State University Archives.
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