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Persistent URL: floridamemory.com/items/show/260734
Local call number: TD00215F
Title: Jane Brevard Collins, daughter of Governor LeRoy Collins, with family dog at "The Grove" in Tallahassee, Florida
Date: January 2, 1957
Physical descrip: 1 photonegative - b&w - 60 mm.
Series Title: Tallahassee Democrat Collection
Repository: State Library and Archives of Florida
500 S. Bronough St., Tallahassee, FL, 32399-0250 USA, Contact: 850.245.6700, Archives@dos.myflorida.com
PictionID:44400243 - Title:Atlas Details: FA Transformer Date: 12/22/1967 - Catalog:14_011269 - Filename:14_011269.TIF - - - - Image from the Convair/General Dynamics Astronautics Atlas Negative Collection. The processing, cataloging and digitization of these images has been made possible by a generous National Historical Publications and Records grant from the National Archives and Records Administration---Please Tag these images so that the information can be permanently stored with the digital file.---Repository: San Diego Air and Space Museum
de Havilland Mosquito---Perman Collection Image--Please tag these photos so information can be recorded.---Note: This material may be protected by Copyright Law (Title 17 U.S.C.)--Repository: San Diego Air and Space Museum
Unidentified
EVIDENCE
Provenance evidence: Bookplate/Label, Shelf Mark
Location in book: Front Cover
Transcription: 822 | M341F
COPY
Repository: Penn Libraries
Call number: PR3545_M9_A67_1633
Copy title: A fine companion : acted before the King and Queene at White-hall, and sundrie times with great applause at the private house in Salisbury Court, by the Prince his Servants / written by Shakerley Marmyon.
Author(s): Marmion, Shackerley, 1603-1639.
Published: England London., 1633
Printer/Publisher: Printed by Aug. Mathewes for Richard Meighen ..., 1633.
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PictionID:55552712 - Catalog:10_0021597.tif - Title:18684 10/3/45 wind tunnel model service room - Filename:10_0021597.tif - ---Please Tag these images so that the information can be permanently stored with the digital file.---Repository: San Diego Air and Space Museum
Title: Galileo
Catalog #: 08_01472
Additional Information: Satellite
Repository: San Diego Air and Space Museum Archive
PictionID:44400329 - Catalog:14_011276 - Title:Atlas Details: FA Transformer Date: 01/23/1968 - Filename:14_011276.TIF - - - - - Image from the Convair/General Dynamics Astronautics Atlas Negative Collection. The processing, cataloging and digitization of these images has been made possible by a generous National Historical Publications and Records grant from the National Archives and Records Administration---Please Tag these images so that the information can be permanently stored with the digital file.---Repository: San Diego Air and Space Museum
Repository: California Historical Society
Creator: United States. President (1845-1849 : Polk)
Date: 1846 May 13.
Publication Note: Washington, D.C. : [s.n.], 1846.
Physical Description: 1 sheet ([1]p.) : ill. ; 32 x 21 cm.
General Note: Proclamation declaring war on Mexico, dated May 13, 1846.
Call Number: Vault B-056
Digital object ID: Vault_B-056.jpg.
Preferred Citation: A Proclamation. By the President of the United States of America, Vault B-056, courtesy, California Historical Society, Vault_B-056.jpg.
For more CHS digital collections: digitallibrary.californiahistoricalsociety.org
----Note: This material may be protected by Copyright Law (Title 17 U.S.C.)--Repository: San Diego Air and Space Museum
Photographer: unknown
Date: undated
Medium: Black and white photograph
Repository: Leo Baeck Institute
Parent Collection: Martha Werner Collection, AR 7261
Call Number: F 34773
Persistent URL: access.cjh.org/827888
Rights Information: No known copyright restrictions; may be subject to third party rights. For more copyright information, click here.
See more information about this image and others at CJH Digital Collections.
This material may be used for personal research and educational purposes only. Any other use without prior authorization is prohibited. Please contact LBI archivists at lbaeck@lbi.cjh.org for further information.
Digital images created by the Gruss Lipper Digital Laboratory at the Center for Jewish History.
Subject: Maxwell, Alice Freeland 1890-1961
University of California (1868-1952)
Type: Black-and-white photographs
Topic: Obstetrics
Women scientists
Local number: SIA Acc. 90-105 [SIA2008-5950]
Summary: Alice Freeland Maxwell (1890-1961) was clinical professor of obstetrics at University of California Medical School
Cite as: Acc. 90-105 - Science Service, Records, 1920s-1970s, Smithsonian Institution Archives
Persistent URL:Link to data base record
Repository:Smithsonian Institution Archives
Collection: Cornell University Collection of Political Americana, Cornell University Library
Repository: Susan H. Douglas Political Americana Collection, #2214 Rare & Manuscript Collections, Cornell University Library, Cornell University
Title: U.S. Grant Is The Man
Political Party: Republican
Election Year: 1868
Date Made: 1868
Measurement: Sheet Music: 12 1/2 x 10 1/4 in.; 31.75 x 26.035 cm
Classification: Publications
Persistent URI: http://hdl.handle.net/1813.001/5zn4
There are no known U.S. copyright restrictions on this image. The digital file is owned by the Cornell University Library which is making it freely available with the request that, when possible, the Library be credited as its source.
The botanist's repository, for new, and rare plants :.
London :Printed by T. Bensley, and published by the author ... :1797-[1815].
Repository: California Historical Society
Digital object ID: CHS2014.1470 [b]
Call number: MENU COL
Collection: California menu collection
Date: 1927 December 20
Preferred citation: Menu, Ye Bull Pen Inn, Los Angeles [open], California menu collection, courtesy, California Historical Society, CHS2014.1470 [b].jpg.
Online finding aid: www.oac.cdlib.org/findaid/ark:/13030/c8qn68hw
Collection: Cornell University Collection of Political Americana, Cornell University Library
Repository: Susan H. Douglas Political Americana Collection, #2214 Rare & Manuscript Collections, Cornell University Library, Cornell University
Title: Henry Clay "O.K. / Oll For Klay" Ribbon, 1844
Political Party: Democratic
Election Year: 1844
Date Made: 1844
Measurement: Ribbon: 6 1/4 x 2 7/8 in.; 15.875 x 7.3025 cm
Classification: Costume
Persistent URI: http://hdl.handle.net/1813.001/60b7
There are no known U.S. copyright restrictions on this image. The digital file is owned by the Cornell University Library which is making it freely available with the request that, when possible, the Library be credited as its source.
Collection: Cornell University Collection of Political Americana, Cornell University Library
Repository: Susan H. Douglas Political Americana Collection, #2214 Rare & Manuscript Collections, Cornell University Library, Cornell University
Title: Whig and Henry Clay Items, ca. 1834-1848
Political Party: Whig
Election Year: 1848
Date Made: ca. 1834-1848
Measurement: Mount: 8 x 12 in.; 20.32 x 30.48 cm
Classification: Costume
Persistent URI: http://hdl.handle.net/1813.001/60ws
There are no known U.S. copyright restrictions on this image. The digital file is owned by the Cornell University Library which is making it freely available with the request that, when possible, the Library be credited as its source.
Repository: Duke University Archives. Durham, North Carolina, USA. library.duke.edu/uarchives
Trying to locate this photo at the Duke University Archives? You’ll find it in the Black History at Duke Reference Collection, box 1.
Collection: Cornell University Collection of Political Americana, Cornell University Library
Repository: Susan H. Douglas Political Americana Collection, #2214 Rare & Manuscript Collections, Cornell University Library, Cornell University
Title: Cleveland-Stevenson Portrait Top Hat, 1892
Political Party: Democratic
Election Year: 1892
Date Made: 1892
Measurement: Top Hat: 7.5 x 10.5 in.; 19.05 x 26.67 cm
Classification: Textiles
Persistent URI: http://hdl.handle.net/1813.001/608f
There are no known U.S. copyright restrictions on this image. The digital file is owned by the Cornell University Library which is making it freely available with the request that, when possible, the Library be credited as its source.
COPY
Repository: Penn Libraries
Call number: Folio PR2751 .A1
Copy title: Mr. VVilliam Shakespeares comedies, histories, & tragedies : published according to the true originall copies.
Author(s): Shakespeare, William, 1564-1616.
Published: England London., 1623
Printer/Publisher: Printed by Isaac Jaggard, and Ed. Blount, 1623.
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Title: Hollenbeck Home for the Aged and Infirm
Repository: California Historical Society
Digital object ID: CHS2013.1301
Collection: Views of Los Angeles, California
Photographer: Putnam and Valentine
Date: Undated
Format: Photographic print: b&w; 20 x 25 cm.
General notes: Putnam & Valentine was a partnership of J.R. Putnam and W.S. Valentine, stereo photographers active in Los Angeles, circa 1898-1912.
Preferred citation: Hollenbeck Home for the Aged and Infirm, Views of Los Angeles, California, courtesy, California Historical Society, CHS2013.1301.
For more CHS digital collections: digitallibrary.californiahistoricalsociety.org
Repository: Duke University Archives. Durham, North Carolina, USA. library.duke.edu/uarchives
Trying to locate this flyer at the Duke University Archives? You’ll find it in the Black History at Duke Reference Collection.
Collection: Cornell University Collection of Political Americana, Cornell University Library
Repository: Susan H. Douglas Political Americana Collection, #2214 Rare & Manuscript Collections, Cornell University Library, Cornell University
Title: Benjamin Harrison Campaign Items, ca. 1888-1892
Political Party: Whig
Election Year: 1888
Date Made: ca. 1888-1892
Measurement: Mount: 8 x 12 in.; 20.32 x 30.48 cm
Classification: Ephemera
Persistent URI: http://hdl.handle.net/1813.001/60t7
There are no known U.S. copyright restrictions on this image. The digital file is owned by the Cornell University Library which is making it freely available with the request that, when possible, the Library be credited as its source.
The botanist's repository, for new, and rare plants :.
London :Printed by T. Bensley, and published by the author ... :1797-[1815].
Insinger, Hermann Albrecht, 1827-1911,
photographer/Fotograf
[Murgtal], 1891
Format: 13 x 18
Repository/Aufbewahrungsort: Stadtarchiv Bielefeld
Call number/Signatur: StArchBi_200_158_007a_003
Collection: Cornell University Collection of Political Americana, Cornell University Library
Repository: Susan H. Douglas Political Americana Collection, #2214 Rare & Manuscript Collections, Cornell University Library, Cornell University
Title: Political Goods Price List
Election Year: 1876
Date Made: ca. 1876
Measurement: Flier (unfolded): 17 x 12 in.; 43.18 x 30.48 cm
Classification: Ephemera
Persistent URI: http://hdl.handle.net/1813.001/606x
There are no known U.S. copyright restrictions on this image. The digital file is owned by the Cornell University Library which is making it freely available with the request that, when possible, the Library be credited as its source.
The botanist's repository, for new, and rare plants :.
London :Printed by T. Bensley, and published by the author ... :1797-[1815].
Unidentified
EVIDENCE
Provenance evidence: Inscription
Location in book: A4 recto
Transcription: Shakes[speare]
COPY
Repository: Penn Libraries
Call number: Folio PR2751 .A1
Copy title: Mr. VVilliam Shakespeares comedies, histories, & tragedies : published according to the true originall copies.
Author(s): Shakespeare, William, 1564-1616.
Published: England London., 1623
Printer/Publisher: Printed by Isaac Jaggard, and Ed. Blount, 1623.
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Source: Scan of original postcard from our image collection.
Image: P30003.
Date: 1920s.
Publisher: Airco Aerials, London.
Repository: Local Studies, Swindon Central Library.
Repository: California Historical Society
Collection: Stereographs of the Modoc War
Photographer: Muybridge, Eadweard
Date: 1873
General note: Stereographs published by Bradley & Rulofson.
General note: Stereo No. 1609
Format: Stereograph
Call Number: PC-RM-Stereos
Digital object ID: PC-RM-Stereos_1609.jpg
Preferred citation: Tule Lake, Camp South, from the Signal Station, Tule Lake in the distance, Stereographs of the Modoc War, PC-RM-Stereos, courtesy, California Historical Society, PC-RM-Stereos_1609.jpg
For more CHS digital collections: digitallibrary.californiahistoricalsociety.org
Repository: California Historical Society
Digital object ID: MS 3642.015.jpg
Call number: MS 3642
Collection: Certificates of residence for Chinese laborers, 1894-1897
Date: 1894 April 2
Preferred citation: Certificate of residence for Lu See Len, Certificates of residence for Chinese laborers, MS 3642, courtesy, California Historical Society, MS 3642.015.jpg.
Subjects:
California--Emigration and immigration--History--19th century.
Chinese Americans--California--History--19th century.
Chinese--California--History--19th century.
Identification cards.
Online finding aid: www.oac.cdlib.org/findaid/ark:/13030/kt858038qp/
For more CHS digital collections: digitallibrary.californiahistoricalsociety.org
Collection: Cornell University Collection of Political Americana, Cornell University Library
Repository: Susan H. Douglas Political Americana Collection, #2214 Rare & Manuscript Collections, Cornell University Library, Cornell University
Title: Theodore Roosevelt "Teddy And The Bear" Caricature Ceramic Vase, ca. 1904
Political Party: Republican
Election Year: 1904
Date Made: ca. 1904
Measurement: Vase: 3.5 in.; 8.89 cm
Classification: Ceramics
Persistent URI: http://hdl.handle.net/1813.001/5zrv
There are no known U.S. copyright restrictions on this image. The digital file is owned by the Cornell University Library which is making it freely available with the request that, when possible, the Library be credited as its source.
Repository: California Historical Society
Date: undated
Format: Photographic print: b&w; 18 x 13 cm.
Digital object ID: CHS2011.694
Preferred Citation: [U.S. ARTY Baseball Team], courtesy, California Historical Society, CHS2011.694
Online finding aid: www.oac.cdlib.org/findaid/ark:/13030/kt2j49q0s2/
COPY
Repository: Penn Libraries
Call number: Grabhorn Press 5
Collection: Vilain-Wieck Collection
Copy title: The Plantin-Moretus museum
Author(s): De Vinne, Theodore Low, 1828-1914
Published: The Grabhorn Press, San Francisco, 1929
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Penn Libraries Grabhorn Press 5
Repository: California Historical Society
Date: 1898 November
Format: Photographic print: b&w; 13 x 18 cm.
Digital object ID: CHS2014.1687
Preferred Citation: [Jamestown vs. Sonora], courtesy, California Historical Society, CHS2014.1687
Online finding aid: www.oac.cdlib.org/findaid/ark:/13030/kt2j49q0s2/
Repository: California Historical Society
Collection: Photographs of Rancho Santa Anita
Date: circa 1890
Call number: PC 008
Digital object ID: PC008.013.jpg
Preferred citation: [Men in corral at Rancho Santa Anita], Photographs of Rancho Santa Anita, PC 008, courtesy, California Historical Society, PC008.013.jpg.
For more CHS digital collections: digitallibrary.californiahistoricalsociety.org
The Italianate Criterion House at 225-227 High Street (to the Left in the upper image) was built in 1883 to the design of Thomas Stoddart Lambert (1840-1915). The building occupies the site of a pair of early wooden two storey premises, one of which was was a branch post office and grocers, the other being the fancy repository of Montague and Company.
Scotsman Lambert, a City Councilor, also designed the now demolished Jewish Synagogue (1881-1985c) in Gloucester Street West and the United Service Hotel (1885-1990) in Cathedral Square. The only other of his buildings known to have survived within the city are the former Tuam Street Hall (subsequently known as the Opera House), also built in 1883 and the earlier Church House on the Northwest corner of Cashel and Manchester Streets.
The Left hand third of Criterion House was occupied by George Hartley Bonnington (1837-1901), a Chemist and Druggist of Woolston. In the mid 1860s his Pharmacy was situated in a small wooden shop next to the Northeast corner of High and Lichfield Streets. George is probably best remembered for his remarkably successful Bonnington's Irish Moss cough mixture. By 1906 James Henderson Cobb, a Commercial Traveler, occupied the first floor as showrooms, the windows of which had been expanded to double their width sometime after 1908.
The Right hand two thirds of Criterion House were originally the premises of the Drapers Black, Beattie and Company. This was the first building in New Zealand to be fitted with a pneumatic document carrying system, which connected the shop counters with a central cashier to whom the customer's payments would be dispatched. The Cashier would then return the change and receipts to the shop assistants in cartridges that were driven along overhead pipes by compressed air.
Robert Black (1820-1887) had previously occupied a small shop on the corner of High and Lichfield Streets, but went into partnership with Robert Beattie from Dunedin in 1883. Black and his son Robert William managed the drapery shop while Robert Beattie (1844-1897) traveled the South Island as the company's sales representative. Beattie's wife was drowned at Kaikoura in 1892 and five years later he died in London while taking his two daughters to England for Queen Victoria's Diamond Jubilee celebrations.
To the Right of Criterion House are the premises of W. Strange and Company. Designed by William Barnett Armson (1834-83) and built in 1874, this building occupied the sites of the first Town Hall (1857) and the adjoining second Town Hall of 1863 (both destroyed by fire in 1873).
William Strange (1834-1914) was a highly successful Draper and added another two floors to his building between 1900 and 1907. Strange expanded his business into Criterion House before 1909 and also built the extant 1899-1900 premises at the corner of Lichfield Street, which had been the site of Victoria House, his first Draper's shop in 1863. Strange's 1874 premises endured until 1984, being replaced by the Ministry of Social Development's Central Service Centre.
About 1988 Criterion House burnt and the two upper floors have been vacant since then. The building was purchased in July 2006 by the KPI Rothschild Property Group. Restoration work began in January 2007, with completion expected in March 2008.
But Criterion House is not the oldest survivor in this High Street block, that distinction lurks behind the modernised facade of the building currently occupied by Hunters and Collectors at number 235 (far Right). Melbourne House was built by Polish Ironmongers Solomon and Hiram Nashelski to replace their single storey hardware shop of 1864, which they shared with Hermann Issac, a watchmaker and Solomon Nashelski's son-in-law. One could purchase a revolver over their counter in the late 1880s and business was good; they had added a fourth storey before 1900. Although gutted in the Great Fire of 1908 it was refurbished and subsequently became Ashby, Bergh and Company when Solomon Nashelski of Armagh Street died in 1890.
Edward E Ashby and the Norwegian Ludwig Bergh (1848-1895) had both begun work at the original Ironmongery in 1864, and although their names remain incised into the Limestone facade, the 143 year old ghost of the Nashelki brother's humble enterprise lingers on as the automotive parts retailer Repco.
To the extreme left of the older image can be glimpsed the corner of Alfred Jones' single storey Boot and Shoe Depot.
Canterbury Heritage, a journal of the province's social history and cultural heritage.
Originally called the “Music Museum and Grainger Museum”, the “Grainger Museum” is a small Streamline Moderne Art Deco building, built between 1935 and 1939, a repository of items documenting the life, career and music of the well known Australian composer, folklorist and pianist, Percy Grainger (1882 – 1961).
Built on one of Melbourne’s grand tree lined boulevards, Royal Parade in Parkville, the autobiographical museum was constructed in two stages between 1935 and 1939, on land provided for the purpose by the University of Melbourne. The Grainger Museum was designed by the staff architect of Melbourne University, John Stevens Gawler (1885 – 1978) through his architectural firm Gawler and Drummond. The building, built of brown clinker bricks is typical of Streamline Moderne design in Australia in the late 1930s, yet it also has undertones of the Arts and Crafts movement. It has very little detailing on the outside, with a severe arched entranceway, two windows featuring Art Deco grillework, a few decorative panels of brickwork (quite typical of John Gawler’s work) and the remaining windows consisting of glass bricks. The name of the museum appears above the main entranceway in stark Art Deco lettering made of cast iron which have been painted black. The museum is circular and features a small central courtyard accessed by two sets of French doors. The courtyard facades are detailed with decorative brickwork.
The Grainger Museum received input from Mr. Grainger in its design as well as its purpose, as well as funding provided by the composer. Mr. Grainger had contemplated establishing an autobiographical museum in the early 1920s, following the sudden suicide of his mother Rose, to whom he was very devoted. The museum contains large quantity of material from Mr. Grainger’s life, including art and furnishings from his home, musical instruments that he used, compositions, recordings, reformist clothing, published scores, field recordings, photographs, books and personal items belonging not only to Mr. Grainger, but also his mother. It also contains a curio case of whips that Mr. Grainger used in sadomasochist sexual acts which were in a trunk given to the museum with strict instructions that it was not to be opened until ten year after his death. The trunk also contained photographs of the composer after sessions of self flagellation. The museum also contains large amounts of material concerning some of his musical contemporaries, many of whom have fallen into obscurity. The Grainger Museum was officially opened in December 1938, and was staffed and maintained by Mr. Grainger throughout his life.
Sadly, the Grainger Museum suffered some initial setbacks with the outbreak of the Second World War in 1939, when the building was used for storage for the duration, rather than its original purpose. The museum’s designs were also problematic, as the building was prone to leaks and required extensive waterproofing. The majority of objects were not put on public display until the 1950s when Mr. Grainger visited Australia with the intention of finishing his autobiographical project; something he failed to do as he set sail for his New York home with the task still incomplete. During the 1960s the Grainger Museum was opened to the public regularly for the first time and was sometimes used for concerts and musical workshops for jazz and other avant-garde music, which would have pleased Mr. Grainger, who sadly had died some five years before this eventuality. The Grainger Museum quietly closed its doors in 2003 for extensive renovation, restoration and conservation work. It reopened seven years later 2010, and has been open selectively ever since, showcasing Mr. Grainger’s life and works in a smart, well set out and discreet fashion.
Percy Aldridge Grainger was born in Brighton, Melbourne. He showed precocious talent in music, and at the age of 13 he left Australia to further his ability by attending the Hoch Conservatory in Frankfurt, Germany. In 1901 he moved to London, where with the assistance of his mother, he established himself as a successful society pianist, and developed a career as a concert performer and composer. During his time in London, he also collected original folk melodies and helped revive interest in British folk music in the early years of the 20th Century. Mr. Grainger left England in 1914, and moved to the United States, where he lived for the rest of his life, residing in White Haven, a suburb of New York with his mother, Rose, who was always his greatest supporter and exponent. Mr. Grainger took up American citizenship in 1918. After his mother committed suicide in 1922, he involved himself more with educational work, and created his own experimental and unusual musical compositions. He particularly enjoyed musical experiments with fantastic music machines that he imagined, and perhaps hoped, would supersede human interpretation one day. During this time, he also made adaptations of other composers' musical works. In 1926, while returning to America from a tour, he met Ella Ström, a Swedish-born artist, whom he married before an enraptured audience at one of his concerts at the Hollywood Bowl in 1928. Mr. Grainger already had a great interest in Nordic music, but his wife’s lineage only served to drive his passion for such music even more. As he grew older he continued to give concerts. He also revised and rearranged compositions of his own, preferring this to writing new music, of which he produced little. After the Second World War, he suffered ill health which reduced his productivity and activity in his passions, and he considered his career to be a failure. He gave his final concert in 1960, less than a year before his death. The piece of music with which Percy Grainger is most generally remembered is his pretty piano arrangement of the folk-dance tune “Country Gardens”.
The architectural firm of Gawler and Drummond was a prolific, though rather undistinguished firm that designed a range of domestic, industrial, commercial and church buildings. These include the McRorie house in Camberwell in 1916, the Fitzroy department store Ackmans Ltd in 1918, the Loch Church of England in 1926, the Korumburra Church of England in 1927, the Deaf and Dumb Society's church at Jolimont in 1929 and the Nyora Church of England in 1930. The Percy Grainger Museum is perhaps Gawler and Drummond’s most distinguished work.
The Grainger Museum was open as part of the 2014 Open House Melbourne Weekend.