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Related to our leaf cutters and mason bees, Ashmeadiella species tend to be small at about 10mm in length. This male was browsing on a California buckwheat seeking nectar. Looking closely we can see the telltale pointed toothlike ridge at the tip of his abdomen.
Related to desert locusts, these are a big beast of a bug, common around our area. (Schistocerca nitens)
West Palm Beach / Jul 11, 2022
25-story building set to bring a new class of luxury to office sector in 2024.
Related Companies today announced six top-ranking firms to expand their footprint into West Palm Beach’s forthcoming Class-A office One Flagler. Situated at the gateway to Palm Beach Island and connecting West Palm Beach's past and future, the building continues to attract a selection of the nation’s most influential financial and professional services firms.
Built on Related’s legacy of elegance, style and service, the building is expected to open at the beginning of 2024 with the most prestigious WiredScore Platinum rating, the world’s only internationally recognized digital connectivity rating platform.
Today, the building is nearly 60 percent pre-leased including:
GTCR, a leading private equity firm founded in 1980, will expand its existing presence in the market by opening a new West Palm Beach office. Their new office is expected to open in mid-2024. GTCR is headquartered in Chicago and has an office in New York. Colliers, Ryan Barr, Alain LeCoque and Bob Schneiderman, represented GTCR.
Diameter Capital Partners, a global credit-focused asset manager headquartered in New York, will move its West Palm Beach office to the building. The move is expected to be completed in mid-2024.
Four additional confidential firms spread across the financial services and pharmaceutical industries.
These companies join First Republic Bank and private equity firm Siris Capital and represent 50,000+ square feet of new leases.
“The expansion of our presence in West Palm Beach into this new space reflects our growth as a firm and our continued confidence in the region as a business and investing center,” said Collin Roche, co-CEO and managing director of GTCR. “The West Palm Beach market offers a unique and differentiated option for talent and diversity and building our footprint further in the city will allow us to compete for the best people. The space at Related’s One Flagler will create a dynamic environment for further collaboration within our teams and with members of the growing investment community in the area.”
“We are pleased to welcome a high caliber list of significant tenants from leading U.S. markets who believe in the power of West Palm Beach and have witnessed the evolution of the destination as a booming financial district,” said Gopal Rajegowda, partner, Related Southeast.
Designed by world-renowned architect David Childs, One Flagler is a 25-story Class-A office building that will anchor West Palm Beach’s Okeechobee Business District and the Flagler Financial District. It will include 270,000 square feet of flexible office space, 4,100 square feet of retail space, over 10,000 of indoor and outdoor upscale dining led by Estiatorio Milos by Costas Spiliadis and a reading room open to both the public and members of the adjacent First Church of Christ, Scientist. The church, designed by architect Julian Abele in 1928, is considered one of the most architecturally significant buildings in all of Palm Beach County and would be preserved in perpetuity by One Flagler. The project will also feature a living green wall adorning its parking garage and include 1.25 acres of green space extending the waterfront greenbelt.
Related Companies is the visionary firm behind some of the world’s most impactful mixed-use urban neighborhood developments and, in the past few years alone, has created more than eight million square feet of office space for dozens of diverse business leaders across all industries, including WarnerMedia, SAP, Sidewalk Labs, Wells Fargo, KKR, Google, Facebook, Converse and Tapestry. In West Palm Beach, Related has demonstrated a deep understanding of workplace needs with its widely acclaimed CityPlace Tower and a legacy in neighborhood placemaking with the conception of the original CityPlace, now called The Square.
Jon Blunk, president of TCRE, is the exclusive leasing agent for One Flagler and represented Related in the transactions.
About Related Southeast:
Headquartered in the heart of rapidly expanding Downtown West Palm, Related Southeast is Related Companies’ locally based, global real estate and lifestyle company that has redeveloped Downtown West Palm into one of the nation’s fastest growing commercial, retail, culinary, art and tourism destinations. Related Southeast leads the market in Class A office with 360 Rosemary, CityPlace Tower, Esperanté, Philips Point and the forthcoming 1 Flagler, as well as the celebrated destinations of Rosemary Square, Hilton West Palm Beach, RH West Palm and the historic Harriett Himmel Theater. The dynamic neighborhood built for all to enjoy has recently undergone a $700 million transformation designed to foster culture and enrich the community with lush green spaces; a diverse mix of experiential retail and culinary offerings; the largest concentration of public art installed by a private company in Palm Beach County, featuring renowned artists such as Yinka Shonibare, CBE and Jeppe Hein; rich cultural and educational programming and modern luxury residences. For more information about Related Southeast, please visit www.relatedsoutheast.com.
Credit for the data above is given to the following websites:
www.relatedsoutheast.com/press-releases/2022-07-11/relate...
issuu.com/pbmg/docs/pbi_0223/106
www.skyscrapercenter.com/building/one-flagler/32010#:~:te...
en.wikipedia.org/wiki/David_Childs
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Various trees of life are recounted in folklore, culture and fiction, often relating to immortality or fertility. They had their origin in religious symbolism.
Ancient Iran
In pre-Islamic Persian mythology, the Gaokerena world tree is a large, sacred Haoma tree which bears all seeds. Ahriman (Ahreman, Angremainyu) created a frog to invade the tree and destroy it, aiming to prevent all trees from growing on the earth. As a reaction, God (Ahura Mazda) created two kar fish staring at the frog to guard the tree. The two fishes are always staring at the frog and stay ready to react to it. Because Ahriman is responsible for all evil including death, while Ahura Mazda is responsible for all good (including life) the concept of world tree in Persian Mythology is very closely related to the concept of Tree of Life.The sacred plant haoma and the drink made from it. The preparation of the drink from the plant by pounding and the drinking of it are central features of Zoroastrian ritual. Haoma is also personified as a divinity. It bestows essential vital qualities—health, fertility, husbands for maidens, even immortality. The source of the earthly haoma plant is a shining white tree that grows on a paradisiacal mountain. Sprigs of this white haoma were brought to earth by divine birds.Haoma is the Avestan form of the Sanskrit soma. The near identity of the two in ritual significance is considered by scholars to point to a salient feature of an Indo-Iranian religion antedating Zoroastrianism.
Another related issue in ancient mythology of Iran is the myth of Mashyа and Mashyane, two trees who were the ancestors of all living beings. This myth can be considered as a prototype for the creation myth where living beings are created by Gods (who have a human form).
Ancient Egypt
Worshipping Osiris, Isis, and Horus
To the Ancient Egyptians, the Tree of Life represented the hierarchical chain of events that brought every thing into existence. The spheres of the Tree of Life demonstrate the order, process, and method of creation.In Egyptian mythology, in the Ennead system of Heliopolis, the first couple, apart from Shu and Tefnut (moisture and dryness) are Geb and Nuit (earth and sky), are Isis and Osiris. They were said to have emerged from the acacia tree of Iusaaset, which the Egyptians considered the tree of life, referring to it as the "tree in which life and death are enclosed." Some acacia trees contain DMT, a psychedelic drug associated with spiritual experiences. The drug is not orally bio-available, however and there is no evidence the Egyptians had techniques for extracting or otherwise harnessing the drug. A much later myth relates how Set and 72 conspirators killed Osiris, putting him in a coffin, and throwing it into the Nile, the coffin becoming embedded in the base of a tamarisk tree.The Egyptians' Holy Sycamore also stood on the threshold of life and death, connecting the two worlds.
Assyria
Assyrian tree of life, from Nimrud panels.The Assyrian Tree of Life was represented by a series of nodes and criss-crossing lines. It was apparently an important religious symbol, often attended to in Assyrian palace reliefs by human or eagle-headed winged genies, or the King, and blessed or fertilized with bucket and cone. Assyriologists have not reached consensus as to the meaning of this symbol. The name "Tree of Life" has been attributed to it by modern scholarship; it is not used in the Assyrian sources. In fact, no textual evidence pertaining to the symbol is known to exist.
Baha'i Faith
The concept of the tree of life appears in the writings of the Baha'i Faith, where it can refer to the Manifestation of God, a great teacher who appears to humanity from age to age. An example of this can be found in the Hidden Words of Bahá'u'lláh:["Have ye forgotten that true and radiant morn, when in those hallowed and blessed surroundings ye were all gathered in My presence beneath the shade of the tree of life, which is planted in the all-glorious paradise? Awestruck ye listened as I gave utterance to these three most holy words: O friends! Prefer not your will to Mine, never desire that which I have not desired for you, and approach Me not with lifeless hearts, defiled with worldly desires and cravings. Would ye but sanctify your souls, ye would at this present hour recall that place and those surroundings, and the truth of My utterance should be made evident unto all of you."Also, in the Tablet of Ahmad [1], of Bahá'u'lláh:"Verily He is the Tree of Life, that bringeth forth the fruits of God, the Exalted, the Powerful, the Great".Bahá'u'lláh refers to his male descendents as branches (Aghsán) and calls women leaves.
A distinction has been made between the tree of life and the tree of the knowledge of good and evil. The latter represents the physical world with its opposites, such as good and evil and light and dark. In a different context from the one above, the tree of life represents the spiritual realm, where this duality does not exist.
Buddhism
The Bo tree, also called Bodhi tree, according to Buddhist tradition, is the pipal (Ficus religiosa) under which the Buddha sat when he attained Enlightenment (Bodhi) at Bodh Gaya (near Gaya, west-central Bihar state, India). A living pipal at Anuradhapura, Ceylon (now Sri Lanka), is said to have grown from a cutting from the Bo tree sent to that city by King Ashoka in the 3rd century BCE.According to Tibetan tradition when Buddha went to the holy Lake Manasorovar along with 500 monks, he took with him the energy of Prayaga Raj. Upon his arrival, he installed the energy of Prayaga Raj near Lake Manasorovar, at a place now known as Prayang. Then he planted the seed of this eternal banyan tree next to Mt. Kailash on a mountain known as the "Palace of Medicine Buddha".
China
In Chinese mythology, a carving of a Tree of Life depicts a phoenix and a dragon; the dragon often represents immortality. A Taoist story tells of a tree that produces a peach every three thousand years. The one who eats the fruit receives immortality.An archaeological discovery in the 1990s was of a sacrificial pit at Sanxingdui in Sichuan, China. Dating from about 1200 BCE, it contained three bronze trees, one of them 4 meters high. At the base was a dragon, and fruit hanging from the lower branches. At the top is a strange bird-like (phoenix) creature with claws. Also found in Sichuan, from the late Han dynasty (c 25 – 220 CE), is another tree of life. The ceramic base is guarded by a horned beast with wings. The leaves of the tree are coins and people. At the apex is a bird with coins and the Sun.
Christianity
In Catholic Christianity, the Tree of Life represents the immaculate state of humanity free from corruption and Original Sin before the Fall. Pope Benedict XVI has said that "the Cross is the true tree of life." Saint Bonaventure taught that the medicinal fruit of the Tree of Life is Christ himself. Saint Albert the Great taught that the Eucharist, the Body and Blood of Christ, is the Fruit of the Tree of Life.[18] Augustine of Hippo said that the tree of life is Christ: "All these things stood for something other than what they were, but all the same they were themselves bodily realities. And when the narrator mentioned them he was not employing figurative language, but giving an explicit account of things which had a forward reference that was figurative. So then the tree of life also was Christ... and indeed God did not wish the man to live in Paradise without the mysteries of spiritual things being presented to him in bodily form. So then in the other trees he was provided with nourishment, in this one with a sacrament... He is rightly called whatever came before him in order to signify him."[19]
The tree first appeared in Genesis 2:9 and 3:22-24 as the source of eternal life in the Garden of Eden, from which access is revoked when man is driven from the garden. It then reappears in the last book of the Bible, the Book of Revelation, and most predominantly in the last chapter of that book (Chapter 22) as a part of the new garden of paradise. Access is then no longer forbidden, for those who "wash their robes" (or as the textual variant in the King James Version has it, "they that do his commandments") "have right to the tree of life" (v.14). A similar statement appears in Rev 2:7, where the tree of life is promised as a reward to those who overcome. Revelation 22 begins with a reference to the "pure river of water of life" which proceeds "out of the throne of God". The river seems to feed two trees of life, one "on either side of the river" which "bear twelve manner of fruits" "and the leaves of the tree were for healing of the nations" (v.1-2).[20] Or this may indicate that the tree of life is a vine that grows on both sides of the river, as John 15:1 would hint at.
In Eastern Christianity the tree of life is the love of God.The tree of life appears in the Book of Mormon in a revelation to Lehi (see 1 Nephi 8:10). It is symbolic of the love of God (see 1 Nephi 11:21-23). Its fruit is described as "most precious and most desirable above all other fruits," which "is the greatest of all the gifts of God" (see 1 Nephi 15:36). In another scriptural book, salvation is called "the greatest of all the gifts of God" (see Doctrine and Covenants 6:13). In the same book eternal life is also called the "greatest of all the gifts of God" (see Doctrine and Covenants 14:7). Because of these references, the tree of life and its fruit is sometimes understood to be symbolic of salvation and post-mortal existence in the presence of God and his love.
Europe
11th century Tree of Life sculpture at an ancient Swedish church
In Dictionnaire Mytho-Hermetique (Paris, 1737), Antoine-Joseph Pernety, a famous alchemist, identified the Tree of Life with the Elixir of Life and the Philosopher's Stone.
In Eden in the East (1998), Stephen Oppenheimer suggests that a tree-worshipping culture arose in Indonesia and was diffused by the so-called "Younger Dryas" event of c. 8000 BCE, when the sea level rose. This culture reached China (Szechuan), then India and the Middle East. Finally the Finno-Ugaritic strand of this diffusion spread through Russia to Finland where the Norse myth of Yggdrasil took root.
Georgia
The Borjgali (Georgian: ბორჯღალი) is an ancient Georgian Tree of Life symbol.
Germanic paganism and Norse mythology[
In Germanic paganism, trees played (and, in the form of reconstructive Heathenry and Germanic Neopaganism, continue to play) a prominent role, appearing in various aspects of surviving texts and possibly in the name of gods.
The tree of life appears in Norse religion as Yggdrasil, the world tree, a massive tree (sometimes considered a yew or ash tree) with extensive lore surrounding it. Perhaps related to Yggdrasil, accounts have survived of Germanic Tribes' honouring sacred trees within their societies. Examples include Thor's Oak, sacred groves, the Sacred tree at Uppsala, and the wooden Irminsul pillar. In Norse Mythology, the apples from Iðunn's ash box provide immortality for the gods.
Hinduism
The Eternal Banyan Tree (Akshaya Vata) is located on the bank of the Yamuna inside the courtyard of Allahabad Fort near the confluence of the Yamuna and Ganga Rivers in Allahabad. The eternal and divine nature of this tree has been documented at length in the scriptures.[citation needed]
During the cyclic destruction of creation when the whole earth was enveloped by waters, akshaya vata remained unaffected. It is on the leaves of this tree that Lord Krishna rested in the form of a baby when land was no longer visible. And it is here that the immortal sage, Markandeya, received the cosmic vision of the Lord. It is under this tree that Buddha meditates eternally. Legend also has it that the Bodi tree at Gaya is a manifestation of this tree.
Islam
Carpet Tree of Life
Main article: Quranic tree of life
See also: Sidrat al-Muntaha
The "Tree of Immortality" (Arabic: شجرة الخلود) is the tree of life motif as it appears in the Quran. It is also alluded to in hadiths and tafsir. Unlike the biblical account, the Quran mentions only one tree in Eden, also called the tree of immortality, which Allah specifically forbade to Adam and Eve. Satan, disguised as a serpent, repeatedly told Adam to eat from the tree, and eventually both Adam and Eve did so, thus disobeying Allah.] The hadiths also speak about other trees in heaven.
According to the Ahmadiyya movement, Quranic reference to the tree is symbolic; eating of the forbidden tree signifies that Adam disobeyed God.[
Jewish sources
Main articles: Etz Chaim and Biblical tree of life
Etz Chaim, Hebrew for "tree of life," is a common term used in Judaism. The expression, found in the Book of Proverbs, is figuratively applied to the Torah itself. Etz Chaim is also a common name for yeshivas and synagogues as well as for works of Rabbinic literature. It is also used to describe each of the wooden poles to which the parchment of a Sefer Torah is attached.The tree of life is mentioned in the Book of Genesis; it is distinct from the tree of the knowledge of good and evil. After Adam and Eve disobeyed God by eating fruit from the tree of the knowledge of good and evil, they were driven out of the Garden of Eden. Remaining in the garden, however, was the tree of life. To prevent their access to this tree in the future, Cherubim with a flaming sword were placed at the east of the garden. (Genesis 3:22-24)
In the Book of Proverbs, the tree of life is associated with wisdom: "[Wisdom] is a tree of life to them that lay hold upon her, and happy [is every one] that retaineth her." (Proverbs 3:13-18) In 15:4 the tree of life is associated with calmness: "A soothing tongue is a tree of life; but perverseness therein is a wound to the spirit."
The Book of Enoch, generally considered non-canonical, states that in the time of the great judgment God will give all those whose names are in the Book of Life fruit to eat from the Tree of Life.
Kathara grid
The esoteric bio-spiritual healing system of kathara which is presented on Earth by the official Speaker of the Guardian Alliance – E’Asha Ashayana,explains in detail the function of the code of the kathara grid] as the natural tree of life. Kathara reveals the anatomy of Creation, core structure, the blueprints & interconnectedness of all matter forms and in the center is the replication of the kathara grid everywhere.The kathara grid consists of 12 kathara centers and the relationships between them represent the true meaning of the phrase "As above, so below" and the correspondence between microcosmos and macrocosmos.
Kabbalah. Judaic Kabbalah Tree of Life 10 Sephirot, through which the Ein Sof unknowable Divine manifests Creation. The configuration relates to manJewish mysticism depicts the Tree of Life in the form of ten interconnected nodes, as the central symbol of the Kabbalah. It comprises the ten Sephirot powers in the Divine realm. The panentheistic and anthropomorphic emphasis of this emanationist theology interpreted the Torah, Jewish observance, and the purpose of Creation as the symbolic esoteric drama of unification in the Sephirot, restoring harmony to Creation. From the time of the Renaissance onwards, Jewish Kabbalah became incorporated as an important tradition in non-Jewish Western culture, first through its adoption by Christian Cabala, and continuing in Western esotericism occult Hermetic Qabalah. These adapted the Judaic Kabbalah Tree of Life syncretically by associating it with other religious traditions, esoteric theologies, and magical practices.
Mesoamerican
The concept of world trees is a prevalent motif in pre-Columbian Mesoamerican cosmologies and iconography. World trees embodied the four cardinal directions, which represented also the fourfold nature of a central world tree, a symbolic axis mundi connecting the planes of the Underworld and the sky with that of the terrestrial world.Depictions of world trees, both in their directional and central aspects, are found in the art and mythological traditions of cultures such as the Maya, Aztec, Izapan, Mixtec, Olmec, and others, dating to at least the Mid/Late Formative periods of Mesoamerican chronology. Among the Maya, the central world tree was conceived as or represented by a ceiba tree, and is known variously as a wacah chan or yax imix che, depending on the Mayan language.[32] The trunk of the tree could also be represented by an upright caiman, whose skin evokes the tree's spiny trunk.Directional world trees are also associated with the four Yearbearers in Mesoamerican calendars, and the directional colors and deities. Mesoamerican codices which have this association outlined include the Dresden, Borgia and Fejérváry-Mayer codices.[31] It is supposed that Mesoamerican sites and ceremonial centers frequently had actual trees planted at each of the four cardinal directions, representing the quadripartite concept.World trees are frequently depicted with birds in their branches, and their roots extending into earth or water (sometimes atop a "water-monster," symbolic of the underworld). The central world tree has also been interpreted as a representation of the band of the Milky Way.
Middle East
The Epic of Gilgamesh is a similar quest for immortality. In Mesopotamian mythology, Etana searches for a 'plant of birth' to provide him with a son. This has a solid provenance of antiquity, being found in cylinder seals from Akkad (2390–2249 BCE).The Book of One Thousand and One Nights has a story, 'The Tale of Buluqiya', in which the hero searches for immortality and finds a paradise with jewel-encrusted trees. Nearby is a Fountain of Youth guarded by Al-Khidr. Unable to defeat the guard, Buluqiya has to return empty-handed.
North American
In a myth passed down among the Iroquois, The World on the Turtle's Back, explains the origin of the land in which a tree of life is described. According to the myth, it is found in the heavens, where the first humans lived, until a pregnant woman fell and landed in an endless sea. Saved by a giant turtle from drowning, she formed the world on its back by planting bark taken from the tree.The tree of life motif is present in the traditional Ojibway cosmology and traditions. It is sometimes described as Grandmother Cedar, or Nookomis Giizhig in Anishinaabemowin.In the book Black Elk Speaks, Black Elk, an Oglala Lakota (Sioux) wičháša wakȟáŋ (medicine man and holy man), describes his vision in which after dancing around a dying tree that has never bloomed he is transported to the other world (spirit world) where he meets wise elders, 12 men and 12 women. The elders tell Black Elk that they will bring him to meet "Our Father, the two-legged chief" and bring him to the center of a hoop where he sees the tree in full leaf and bloom and the "chief" standing against the tree. Coming out of his trance he hopes to see that the earthly tree has bloomed, but it is dead
Serer religion
In Serer religion, the tree of life as a religious concept forms the basis of Serer cosmogony. Trees were the first things created on Earth by the supreme being Roog (or Koox among the Cangin). In the competing versions of the Serer creation myth, the Somb (Prosopis africana) and the Saas tree (acacia albida) are both viewed as trees of life. However, the prevailing view is that, the Somb was the first tree on Earth and the progenitor of plant life. The Somb was also used in the Serer tumuli and burial chambers, many of which had survived for more than a thousand years.Thus, Somb is not only the Tree of Life in Serer society, but the symbol of immortality
Urartian Tree of Life
In ancient Urartu, the Tree of Life was a religious symbol and was drawn on walls of fortresses and carved on the armor of warriors. The branches of the tree were equally divided on the right and left sides of the stem, with each branch having one leaf, and one leaf on the apex of the tree. Servants stood on each side of the tree with one of their hands up as if they are taking care of the tree.
Turkic .The Tree of Life, as seen as in flag of Chuvashia, a Turkic state in the Russian FederationThe Tree of Life design on 0,05 Turkish lira (5 kuruş).
The World Tree or Tree of Life is a central symbol in Turkic mythology.[citation needed] It is a common motif in carpets.
It is also used as the main design of a common Turkish lira sub-unit 5 kuruş since 2009.
♫ Cristo Redentor, Braços abertos sobre a Guanabara
Este Samba é só Porque Rio eu gosto de você ♫
*Todas as fotos da sequencia estão abertas, pois já foram publicadas anteriormente
Foto: Cristo Redentor - Corcovado - Rio de Janeiro
Video: ♫ Samba do Avião - Tom Jobim
Conforme a Lei 9.610/98, é proibida a reprodução total ou parcial ou divulgação comercial ou não sem a autorização prévia e expressa do autor (artigo 29). ® Todos os direitos reservados.
According to Law 9.610/98, it is prohibited the partial or total commercial reproduction without the previous written authorization of the author (article 29). ® All rights are reserved.
title.
9 pm on the street.
( iPhone 11 Pro shot. )
Honolulu. Hawaii. USA. December. 2019. shot ... 1 / 6
(Today's photo, which has not been announced yet.)
Images
iri - 「Only One」Music Video【Full ver.】
The image of the next novel.
Still would stand all time. (Unforgettable'2)
(It will never go away)
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Profile.
In November 2014, we caught the attention of the party selected to undertake the publicity for a mobile phone that changed the face of the world with just a single model, and will conclude a confidentiality agreement with them.
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
youpic.com/photographer/mitsushironakagawa/
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Interviews and novels.
About my book.
I published a book in old days.
At that time, I was uploading my interview on the net on the net.
That Japanese and English.
I will make it public for free.
Details were explained to the Amazon site.
How to write a novel.
How to take pictures.
Distance to the work.
They all have a common item.
I made a sentence about what I felt, and left it.
I hope that my text can be read by many people.
Thank you.
Mitsushiro.
1 Interview in English
2 novels. unforgettable 'English version.(This book is Dedicated to the future artist.)
3 Interview Japanese version
4 novels. unforgettable ' JPN version.
5 A streamlined trajectory. only Japanese.
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
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iBooks. Electronic Publishing. It is free now.
0.about the iBooks.
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
1.unforgettable '(ENG.ver.)(This book is Dedicated to the future artist.)
itunes.apple.com/us/book/unforgettable/id1216576828?ls=1&...
2.unforgettable '(JNP.ver.)(This book is Dedicated to the future artist.)
itunes.apple.com/us/book/unforgettable/id1216584262?ls=1&...
3. Streamlined trajectory.(For Japanese only.)
itunes.apple.com/us/book/%E6%B5%81%E7%B7%9A%E5%BD%A2%E3%8... =11
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My Novel >> Unforgettable'
(This book is Dedicated to the future artist.)
Synopsis.
Kei Kitami who aims at university.
A 6 year old older event companion woman. Meet Kaori Uemura on SNS.
The dream of Kaori who has moved to Tokyo.
It is to be a friend of the artist.
The producer of the radio station for that. The existence of Ryo Osawa was necessary.
Live on the radio.Osawa talks to Kaori.
"I have a wife and a child, but I want to see you."
Kei’s classmate Rika Sanzyou who is thinking of him.
She was searching for Kaori.
※ Supplement
I use Google Translate.
Mitsushiro Nakagawa
All Translated by Yumi Ikeda .
images.
U2 - No Line On The Horizon Live in Dublin
www.youtube.com/watch?v=_oKwnkYFsiE&feature=related
Main story
There are two reasons why a person faces the sea.
One, to enjoy a slice of shine in the sea like children bubbling over in the beach.
The other, to brush the dust of memory like an old man who misses old days, staring at the shine
quietly.
Those lead to only one meaning though they do not seem to overlap. It’s a rebirth.
I face myself to change tomorrow, a vague day into something certain.
That is the meaning of a rebirth.
I had a very sweet girlfriend when I was 18.
After she left, I knew the meaning of gentleness for the first time and also a true pain of loss. After
she left, how many times did I depend too much on her, doubt her, envy her and keep on telling lies
until I realized it is love?
I wonder whether a nobody like me could have given something to her who was struggling in the
daily life in those days. Giving something is arrogant conceit. It is nothing but self-satisfaction.
I had been thinking about such a thing.
However, I guess what she saw in me was because I had nothing. That‘s why she tried to see
something in me. Perhaps she found a slight possibility in me, a guy filled with ambiguous, unstable
tomorrow. But I wasted days depending too much on her gentleness.
Now I finally can convey how I felt in those days when we met.
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Fin.
images.
U2 - No Line On The Horizon
www.youtube.com/watch?v=_oKwnkYFsiE&feature=related
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Title of my book > unforgettable'
Author : Mitsushiro Nakagawa
Out Now.
ISBN978-4-86264-866-2
in Amazon.
www.amazon.co.jp/Unforgettable’-Mitsushiro-Nakagawa/dp/...
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The schedule of the next novel.
Still would stand all time. (Unforgettable '2)
(It will not go away forever)
Please give me some more time. That is Japanese.
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Exhibition of 2021.
Tuesday, May 11-Sunday, May 16
The Kawamura Memorial DIC Museum of Art @ Gallery 1.
place. Sakura City, Chiba Prefecture.
theme.
Ever since that day ...
2022 exhibition.
theme.
So Near, So far.
place. Tokyo Big Site.
Sponsoring. Design festa.
_________________________________
_________________________________
My Works.
1 www.flickr.com/photos/stealaway/48072442376/in/dateposted...
2 www.flickr.com/photos/stealaway/48078949821/in/dateposted...
3 www.flickr.com/photos/stealaway/48085863356/in/dateposted...
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_________________________________
Do you want to hear my voice?
:)
I updated Youtube.
It is only in Japanese.
I explained comments on photos etc.
If your time is permitted, please look.
:)
1
About the composition of the picture posted to Flicker. First type.
2
About the composition of the picture posted to Flicker. Second type.
3
About when I started Fotolog. Architect 's point of view.
4
Why did not you have a camera so far?
5
What is the coolest thing? The photo is as it is.
6
About the current YouTube bar. I also want to tell, I want to leave.
7
About Japanese photographers. Japanese YouTube bar is Pistols.
8
The composition of the photograph is sensibility. Meet the designers in Milan. Two questions.
9
What is a good composition? What is a bad composition?
10
What is the time to point the camera? It is slow if you are looking into the viewfinder or display.
11
Family photos. I can not take pictures with others. The inside of the subject.
12
About YouTube 's photographer. Camera technology etc. Sensibility is polished by reading books.
13
About the Japanese newspaper. A picture of a good newspaper is Reuters. If you continue to look at useless photographs, it will be useless.
14
About Japanese photographers. About the exhibition.
Summary. I wrote a novel etc. What I want to tell the most.
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I talked about how to make a work.
It's really long, but I want to leave everything, so please ask. (^ O ^) /
Japanese only.
About work production 1/2
About work production 2/2
1 Photo exhibition up to that point. Did you want to go?
2 Well, what is an exhibition that you want to visit even if you go there?
3 Challenge to exhibit one work every month before opening a solo exhibition at the Harajuku Design Festa.
4 works are materials and silhouettes. Similar to fashion.
5 Who is your favorite artist? What is it? Make it clear.
6 Creating a collage is exactly the same as taking photos. As I wrote in the interview, it is the same as writing a novel.
7 I want to show it to someone, but I do not make a piece to show it. Aim for the work you want to decorate your own room as in the photo.
8 What is copycat? Nowadays, it is suspected to be beaten. There is something called Mimesis?
kotobank.jp/word/Mimesis-139464
9 What is Individuality? What is originality?
It is a flow of.
If you have time, please listen.
:)
www.youtube.com/user/mitsushiro/
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_________________________________
Explanation of composition. 2
I used the following cameras.
Nikon coolpix 8700
I defeated two of these cameras.
It was a very nice camera.
I took many photos with this camera.
Today's photo.
It was also taken with this camera.
I explained the composition in detail in the text at the time of shooting.
I have taken a lot of pictures until today.
Among them, this photo is the result of sharpening my sensitivity.
I will explain this composition in a video.
But they are all Japanese.
Is there a Japanese beside you?
Is there anyone who can understand Japanese beside you?
Please have them translate.
I leave an important story about composition.
I hope they will reach many people.
October 22, 2019, midnight.
Mitsushiro.
1.Composition explanation 2 ... 1/4
2.Composition explanation 2 ... 2/4
3.Composition Explanation 2 ... 3/4
4.Composition Explanation 2 ... 4/4
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_________________________________
My shutter feeling.
Today's photo.
It is a photo taken from Eurostar.
This video is an explanation.
I went to Milan in 2005.
At that time, I went from Milan to Venice.
We took Eurostar into the transportation.
This photo was not taken from a very fast Eurostar.
When I changed the track, I took a picture at the moment I slowed down.
Is there a Japanese beside you?
Please have my video translated.
:)
Mitsushiro.
( Nikon Coolpix 8700. shot)
In the Eurostar to Venice . 2005. shot ... 1 / 2
www.flickr.com/photos/stealaway/49127115021/in/dateposted...
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_________________________________
Miles Davis sheet 1955-1976.
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
_________________________________
_________________________________
flickr.
www.flickr.com/photos/stealaway/
_________________________________
_________________________________
instagram.
www.instagram.com/mitsushiro_nakagawa/
_________________________________
_________________________________
Pinterest.
_________________________________
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YouPic
youpic.com/photographer/mitsushironakagawa/
_________________________________
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twitter.
_________________________________
_________________________________
facebook.
www.facebook.com/mitsushiro.nakagawa
_________________________________
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Amazon.
www.amazon.co.jp/gp/profile/amzn1.account.AHSKI3YMYPYE5UE...
_________________________________
_________________________________
My statistics. (As of May 16, 2019)
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
_________________________________
_________________________________
Japanese is the following.
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
Title of my book unforgettable' Mitsushiro Nakagawa Out Now. ISBN978-4-86264-866-2
_________________________________
_________________________________
#Milan #Italy #LUMIX #G3 #FUJIFILM #MothinLilac #MIL #GFX50R #Hnolulu #Mono #Chiba #Japan #Exhibition #Flickr #YOUPIC #gallery #Camera #collage #Subway #street #Novel #Publishing #Mitsushiro #Nakagawa #artist #NY #Interview #Photograph #picture #Hawaii #take #write #novel #display #art #future #designfesta #Kawamura #Memorial #DIC #Museum #Fineart #川村記念美術館 #Manhattan #USA #London #UK #Paris #Kawamura
For insta
#川村記念美術館 #Manhattan #London #Paris #kawamura #Milan #MothinLilac #LUMIX #MIL #FUJIFILM #GFX50R #Honolulu #Fineart #Japan #Exhibition #Flickr #YOUPIC #Camera #Subway #street #Novel #Publishing #Mitsushiro #artist #Photograph #picture #novel #Fineart #future #designfesta
For twitter
#NY #London #Paris #Milan #LUMIX #FUJIFILM #川村記念美術館 #写真 #Exhibition #Flickr #Camera #street #Hawaii #Honolulu #Mitsushiro #artist #Kawamura #designfesta #Fineart
#ミラノ #イタリア #カメラ #写真 #構図 #ニコン #Nikon #coolpix #クールピクス #ベニス #ユーロスター #Eurostar #シャッター #shutter #camera #photo #picture #千葉 #日本 #chiba #Japan #八街 #佐倉
For insta, twitter
#yachimata #chiba #japan #mono #selfportrait #exibition #kawamuramemorialdicmuseumofart #八街 #千葉 #日本 #展示 #川村記念美術館 #写真 #nikon #ニコン #iphone11pro
#yachimata #chiba #japan #mono #honolulu #exhibition #hawaii #kawamuramemorialdicmuseumofart #八街 #千葉 #日本 #展示会 #川村記念美術館 #ハワイ #写真 #アップル #shotoniphone #ホノルル #ワイキキ
#yachimata #chiba #japan #monochrome #honolulu #exhibition #hawaii #kawamuramemorialdicmuseumofart #八街 #千葉 #日本 #展示 #川村記念美術館 #ハワイ #カメラ #富士フィルム #gfx50r #lumix #パナソニック #アップル #shotoniphone #ホノルル #ワイキキ #写真 #吉祥寺 #ライブハウス #クレッシェンド #東京 #bbb #badbabybomb #apple-car #airpodspro #AR
#yachimata #chiba #hawaii #kawamuramemorialdicmuseumofart #八街 #千葉 #川村記念美術館 #富士フィルム #shotoniphone #吉祥寺 #ライブハウス #東京 #bbb #badbabybomb #apple-car
タイトル。
午後９時の路上。
( iPhone 11 Pro shot. )
ホノルル。ハワイ。USA。 １２月。２０１９年。 shot ... 1 / 6
(今日の写真。それは未発表です。)
Images
iri - 「Only One」Music Video【Full ver.】
次の小説のイメージ。
Still would stand all time.(unforgettable'2)
（いつまでもなくならないだろう）
_________________________________
_________________________________
プロフィール。
2014年11月、たった1機種で世界を塗り替えた携帯電話の広告を請け負った選考者の目に留まり、秘密保持同意書を結ぶ。
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
youpic.com/photographer/mitsushironakagawa/
_________________________________
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インタビューと小説。
僕の本について。
僕は、昔に本を出版しました。
その際に、僕のインタビューをPDFでネット上へアップロードしていました。
その日本語と英語。
僕は、無料でを公開します。
詳細は、アマゾンのサイトへ解説しました。
小説の書き方。
写真の撮影方法。
作品への距離感。
これらはすべて共通項があります。
僕は、僕が感じたことを文章にして、残しました。
僕のテキストが多くの人に読んでもらえることを望みます。
ありがとう。
Mitsushiro.
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
１ インタビュー 英語版
２ 小説。unforgettable’ 英語版。
３ インタビュー 日本語版
４ 小説。unforgettable’ 日本語版。(この小説は未来のアーティストへ捧げます)
(四百字詰め原稿用紙４５６枚)
あらすじ
大学を目指している北見ケイは、SNS上で、6歳年上のイベントコンパニオン、上村香織に出会う。
上京してきた香織の夢は、有名なアーティストの友達になるためだ。
そのためにはラジオ局のプロデューサー、大沢亮の存在が必要だった。
大沢は、ラジオの生放送中、香織へ語りかける。
「僕には妻子がある。しかし、僕は君に会いたいと思っている」
ケイの同級生で、彼を想っている三條里香は、香織の動向を探っていた。。。。。
本編
人が海へ向かう理由には、二つある。
ひとつは、波打ち際ではしゃぐ子供のように、今の瞬間の海の輝きを楽しむこと。
もうひとつは、その輝きを静かに見据えて、過ぎ去った日々を懐かしむ老人のように記憶の埃を払うこと。
二つは重なり合わないようではあるけれども、たったひとつの意味しか生まない。
再生だ。
明日っていう、曖昧な日を確実なものへと変えてゆくために、自分の存在に向き合う。
それが再生の意味だ。
十八歳だった僕には大切な人がいた。
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
５ 流線形の軌跡。 日本語のみ。
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
_________________________________
_________________________________
iBooks.電子出版。（現在は無料）
0.about the iBooks.
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
1.unforgettable’ ( ENG.ver.)(This book is Dedicated to the future artist.)
itunes.apple.com/us/book/unforgettable/id1216576828?ls=1&...
For Japanese only.
2.unforgettable’ ( JNP.ver.)(この小説は未来のアーティストへ捧げます)
itunes.apple.com/us/book/unforgettable/id1216584262?ls=1&...
3.流線形の軌跡。
itunes.apple.com/us/book/%E6%B5%81%E7%B7%9A%E5%BD%A2%E3%8...
_________________________________
_________________________________
僕の小説。英語版
My Novel Unforgettable' (This book is Dedicated to the future artist.)
Mitsushiro Nakagawa
All Translated by Yumi Ikeda .
1/9
www.flickr.com/photos/stealaway/24577016535/in/dateposted...
2/9
www.flickr.com/photos/stealaway/24209330259/in/dateposted...
3/9
www.flickr.com/photos/stealaway/23975215274/in/dateposted...
4/9
www.flickr.com/photos/stealaway/24515964952/in/dateposted...
5/9
www.flickr.com/photos/stealaway/24276473749/in/dateposted...
6/9
www.flickr.com/photos/stealaway/24548895082/in/dateposted...
7/9
www.flickr.com/photos/stealaway/24594603711/in/dateposted...
8/9
www.flickr.com/photos/stealaway/24588215562/in/dateposted...
9/9
www.flickr.com/photos/stealaway/24100804163/in/dateposted...
Fin.
images.
U2 - No Line On The Horizon Live in Dublin
www.youtube.com/watch?v=_oKwnkYFsiE&feature=related
_________________________________
_________________________________
Title of my book > unforgettable'
Author : Mitsushiro Nakagawa
Out Now.
ISBN978-4-86264-866-2
in Amazon.
www.amazon.co.jp/Unforgettable’-Mitsushiro-Nakagawa/dp/...
_________________________________
_________________________________
次の小説の予定。
Still would stand all time.(unforgettable'2)
（いつまでもなくならないだろう）
もう少し時間をください。それは日本語です。
_________________________________
_________________________________
２０２１年の展示。
５月１１日 火曜日 ～ ５月１６日 日曜日
DIC川村記念美術館 第１付属ギャラリー。
場所。千葉県佐倉市。
テーマ。
あの日から、ずっと…
２０２２年の展示。
テーマ。
So Near , So far.
場所。東京ビッグサイト。
Sponsoring. Design festa.
_________________________________
_________________________________
僕の作品。
1 www.flickr.com/photos/stealaway/48072442376/in/dateposted...
2 www.flickr.com/photos/stealaway/48078949821/in/dateposted...
3 www.flickr.com/photos/stealaway/48085863356/in/dateposted...
_________________________________
_________________________________
あなたは僕の声を聞きたいですか？
:)
僕はYoutubeを更新しました。
日本語だけです。
僕は写真などの解説をしました。
もしも、あなたの時間が許されれば、見てください。
:)
1
フリッカーへ投稿した写真の構図について。１種類目。
2
フリッカーへ投稿した写真の構図について。２種類目。
3
Fotologを始めた時について。 建築家の視点。
4
なぜ、今までカメラを手にしなかったのか？
5
何が一番かっこいいのか？ 写真はありのままに。
6
現在のユーチューバーについて。僕も伝え、残したい。
7
日本人の写真家について。日本のユーチューバーはピストルズ。
8
写真の構図は、感性。ミラノのデザイナーに会って。二つの質問。
9
良い構図とは？ 悪い構図とは？
10
カメラを向ける時とは？ ファインダーやディスプレイを覗いていては遅い。
11
家族写真。他人では撮れない。被写体の内面。
12
ユーチューブの写真家について。カメラの技術等。感性は、本を読むことで磨く。
13
日本の新聞について。良い新聞の写真はロイター。ダメな写真を見続けるとダメになる。
14
日本の写真家について。その展示について。
まとめ。僕が書いた小説など。僕が最も伝えたいこと。
作品の制作方法などついて語りました。
すっごい長いですが、すべて伝え残したいことなので聞いてください。(^O^)／
日本語のみです。
作品制作について 1/2
作品制作について 2/2
１ それまでの写真展。自分は行きたいと思ったか？
２ じゃ、自分が足を運んででも行きたい展示とは何か？
３ 原宿デザインフェスタで個展を開くまでに、毎月ひとつの作品を展示することにチャレンジ。
４ 作品とは、素材とシルエット。ファッションと似ている。
５ 自分が好きなアーティストは誰か？ どんなものなのか？ そこをはっきりさせる。
６ コラージュの作成も写真の撮り方と全く同じ。インタビューに書いたように小説の書き方とも同じ。
７ 誰かに見せたい、見せるがために作品は作らない。写真と同じように自分の部屋に飾りたい作品を目指す。
８ パクリとは何か？ 昨今、叩かれるパクリ疑惑。ミメーシスとは？
https://ja.wikipedia.org/wiki/ミメーシス
https://kotobank.jp/word/ミメーシス-139464
９ 個性とはなにか？ オリジナリティってなに？
おまけ 眞子さまについて
という流れです。
お時間がある方は是非聴いてください。
:)
www.youtube.com/user/mitsushiro/
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_________________________________
構図の解説２
僕は以下のカメラを使用していました。
Nikon coolpix 8700
僕はこのカメラを二台使い倒しました。
とても素敵なカメラでした。
このカメラでたくさんの写真を撮りました。
今日の写真。
それもこのカメラで撮影しました。
この構図について、僕は撮影した当時詳しくテキストで解説しました。
僕は今日までたくさんの写真を撮ってきました。
その中でも、この写真はもっとも僕の感性を研ぎ澄ました結果です。
僕はこの構図について、動画で解説します。
しかし、それらはすべて日本語です。
あなたのそばに日本人はいますか？
あなたのそばに日本語がわかる人はいますか？
彼らに訳してもらってください。
僕は、構図について大切な話を残します。
それらが多くの人へ伝わることを望みます。
2019年10月２２日深夜。
Mitsushiro.
1.構図の解説２ ... 1/4
2.構図の解説２ ... 2/4
3.構図の解説２ ... 3/4
4.構図の解説２ ... 4/4
Nikon Coolpix 8700
１ アマゾンの評価
www.amazon.co.jp/ニコン-E8700-J-ニコン-デジタル...
２ ニコンの情報
www.nikon-image.com/products/compact/lineup/8700/
#写真 #構図 #カメラ #イタリア #ミラノ #中央駅 #２００５年 #ニコン #クールピクス８７００
#Photo #Composition #Camera #Italy #Milan #Central #Station #2005 #Nikon #Coolpix 8700
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_________________________________
僕のシャッター感覚
今日の写真。
それは、ユーロスターから撮影した写真です。
この動画はその解説です。
２００５年にミラノへ行きました。
そのとき、ミラノからヴェニスへ向かいました。
交通手段に、僕らはユーロスターを乗り込みました。
この写真は、猛スピードのユーロスターから撮影したのではありません。
線路を変更した際、スピードを落とした瞬間に撮影しました。
あなたのそばに日本人はいますか？
僕の動画を翻訳してもらってください。
:)
Mitsushiro.
( Nikon Coolpix 8700. shot)
In the Eurostar to Venice . 2005. shot ... 1 / 2
www.flickr.com/photos/stealaway/49127115021/in/dateposted...
_________________________________
_________________________________
Miles Davis sheet 1955-1976.
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
_________________________________
_________________________________
flickr.
www.flickr.com/photos/stealaway/
_________________________________
_________________________________
YouTube.
www.youtube.com/user/mitsushiro/
_________________________________
_________________________________
instagram.
www.instagram.com/mitsushiro_nakagawa/
_________________________________
_________________________________
Pinterest.
_________________________________
_________________________________
YouPic
youpic.com/photographer/mitsushironakagawa/
_________________________________
_________________________________
fotolog
_________________________________
_________________________________
twitter.
_________________________________
_________________________________
facebook.
www.facebook.com/mitsushiro.nakagawa
_________________________________
_________________________________
Amazon.
www.amazon.co.jp/gp/profile/amzn1.account.AHSKI3YMYPYE5UE...
_________________________________
_________________________________
僕の統計。（2019年5月16日現在）
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
_________________________________
_________________________________
Japanese is the following.
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
Title of my book unforgettable' Mitsushiro Nakagawa Out Now. ISBN978-4-86264-866-2
_________________________________
_________________________________
#Milan #Italy #LUMIX #G3 #FUJIFILM #MothinLilac #MIL #GFX50R #Hnolulu #Mono #Chiba #Japan #Exhibition #Flickr #YOUPIC #gallery #Camera #collage #Subway #street #Novel #Publishing #Mitsushiro #Nakagawa #artist #NY #Interview #Photograph #picture #Hawaii #take #write #novel #display #art #future #designfesta #Kawamura #Memorial #DIC #Museum #Fineart #川村記念美術館 #Manhattan #USA #London #UK #Paris #Kawamura
For insta
#川村記念美術館 #Manhattan #London #Paris #kawamura #Milan #MothinLilac #LUMIX #MIL #FUJIFILM #GFX50R #Honolulu #Fineart #Japan #Exhibition #Flickr #YOUPIC #Camera #Subway #street #Novel #Publishing #Mitsushiro #artist #Photograph #picture #novel #Fineart #future #designfesta
For twitter
#NY #London #Paris #Milan #LUMIX #FUJIFILM #川村記念美術館 #写真 #Exhibition #Flickr #Camera #street #Hawaii #Honolulu #Mitsushiro #artist #Kawamura #designfesta #Fineart
#ミラノ #イタリア #カメラ #写真 #構図 #ニコン #Nikon #coolpix #クールピクス #ベニス #ユーロスター #Eurostar #シャッター #shutter #camera #photo #picture #千葉 #日本 #chiba #Japan #八街 #佐倉
For insta, twitter
#yachimata #chiba #japan #mono #selfportrait #exibition #kawamuramemorialdicmuseumofart #八街 #千葉 #日本 #展示 #川村記念美術館 #写真 #nikon #ニコン #iphone11pro
#yachimata #chiba #japan #mono #honolulu #exhibition #hawaii #kawamuramemorialdicmuseumofart #八街 #千葉 #日本 #展示会 #川村記念美術館 #ハワイ #写真 #アップル #shotoniphone #ホノルル #ワイキキ
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E
Tofino
Gulls or seagulls are seabirds of the family Laridae in the suborder Lari. They are most closely related to the terns and only distantly related to auks, skimmers, and more distantly to the waders. Wikipedia
Delano, Jack,, 1914-1997,, photographer.
[Untitled photo, possibly related to: Mr. J. H. Parham, barber and notary public, in his shop in Centralhatchee, Heard County, Georgia]
1941 Apr.
1 negative : safety ; 3 1/4 x 4 1/4 inches or smaller.
Notes:
This image in a jacket marked "Killed."
Title and other information from a possibly related negative. Image came to Library of Congress untitled. (There was no caption for this image in the FSA/OWI shelflist.)
Appears to be related to negative LC-USF34-044000-D www.loc.gov/pictures/item/2017794372/
Transfer; United States. Office of War Information. Overseas Picture Division. Washington Division; 1944.
Subjects:
United States--Georgia--Heard County--Centralhatchee.
Format: Safety film negatives.
Rights Info: No known restrictions. For information, see U.S. Farm Security Administration/Office of War Information Black & White Photographs www.loc.gov/rr/print/res/071_fsab.html
Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print
Part Of: Farm Security Administration - Office of War Information Photograph Collection (Library of Congress) (DLC) 2002708960
More information about the FSA/OWI Collection is available at hdl.loc.gov/loc.pnp/pp.fsaowi
Higher resolution image is available (Persistent URL): hdl.loc.gov/loc.pnp/fsa.8c05449
Call Number: LC-USF34- 044024-D
I could not help but notice this pleasant scene of 3 blossoms....Gorse, Hawthorn and Rapeseed. To get the 3 together was awesome.
Ulex (gorse, furze or whin) is a genus of flowering plants in the family Fabaceae. The genus comprises about 20 plant species of thorny evergreen shrubs in the subfamily Faboideae of the pea family Fabaceae. The species are native to parts of western Europe and northwest Africa, with the majority of species in Iberia.
Gorse is closely related to the brooms, and like them, has green stems and very small leaves and is adapted to dry growing conditions. However it differs in its extreme thorniness, the shoots being modified into branched thorns 1–4 centimetres (0.39–1.6 in) long, which almost wholly replace the leaves as the plant's functioning photosynthetic organs. The leaves of young plants are trifoliate, but in mature plants they are reduced to scales or small spines.[1] All the species have yellow flowers, generally showy, some with a very long flowering season.
Species
The most widely familiar species is common gorse (Ulex europaeus), the only species native to much of western Europe, where it grows in sunny sites, usually on dry, sandy soils. It is also the largest species, reaching 2–3 metres (7–10 ft) in height; this compares with typically 20–40 centimetres (7.9–16 in) for Western Gorse (Ulex gallii). This latter species is characteristic of highly exposed Atlantic coastal heathland and montane habitats. In the eastern part of Great Britain, dwarf furze (Ulex minor) replaces western gorse. Ulex minor grows only about 30 centimetres (12 in) tall, a habit characteristic of sandy lowland heathland.
Common gorse flowers a little in late autumn and through the winter, coming into flower most strongly in spring. Western Gorse and Dwarf Furze flower in late summer (August-September in Ireland and Great Britain|Britain). Between the different species, some gorse is almost always in flower, hence the old country phrase: "When gorse is out of blossom, kissing's out of fashion". Gorse flowers have a distinctive coconut scent, experienced very strongly by some individuals, but weakly by others.[2
Ecology
Gorse may grow as a fire-climax plant, well adapted to encourage and withstand fires, being highly flammable,[4] and having seed pods that are to a large extent opened by fire, thus allowing rapid regeneration after fire. The burnt stumps also readily sprout new growth from the roots. Where fire is excluded, gorse soon tends to be shaded out by taller-growing trees, unless other factors like exposure also apply. Typical fire recurrence periods in gorse stands are 5–20 years.
Gorse thrives in poor growing areas and conditions including drought;[5] it is sometimes found on very rocky soils,[6] where many species cannot thrive. Moreover, it is widely used for land reclamation (e.g., mine tailings), where its nitrogen-fixing capacity helps other plants establish better.
Gorse is a valuable plant for wildlife, providing dense thorny cover ideal for protecting bird nests. In Britain, France and Ireland, it is particularly noted for supporting Dartford Warblers (Sylvia undata) and European Stonechats (Saxicola rubicola); the common name of the Whinchat (Saxicola rubetra) attests to its close association with gorse. The flowers are sometimes eaten by the caterpillars of the Double-striped Pug moth (Gymnoscelis rufifasciata), while those of the case-bearer moth Coleophora albicosta feed exclusively on gorse. The dry wood of dead gorse stems provides food for the caterpillars of the concealer moth Batia lambdella.
Invasive Species
In many areas of North America (notably California and Oregon), southern South America, Australia, New Zealand and Hawaii, the common gorse, introduced as an ornamental plant or hedge, has become an invasive species due to its aggressive seed dispersal; it has proved very difficult to eradicate and detrimental in native habitats. Common gorse is also an invasive species in the montane grasslands of Horton Plains National Park in Sri Lanka.[7]
Management
Gorse readily becomes dominant in suitable conditions, and where this is undesirable for agricultural or ecological reasons control is required, either to remove gorse completely, or to limit its extent. Gorse stands are often managed by regular burning or flailing, allowing them to regrow from stumps or seed. Denser areas of gorse may be bulldozed.
for cattle.
Uses
Foods
Gorse flowers are edible and can be used in salads, tea and to make a non-grape-based fruit wine.
As fodder, gorse is high in protein[citation needed] and may be used as feed for livestock, particularly in winter when other greenstuff is not available. Traditionally it was used as fodder for cattle, being made palatable either by "bruising" (crushing) with hand-held mallets, or grinding to a moss-like consistency with hand- or water-driven mills, or being finely chopped and mixed with straw chaff.[citation needed] Gorse is also eaten as forage by some livestock, such as feral ponies, which may eat little else in winter. Ponies may also eat the thinner stems of burnt gorse.
Fuel
Gorse bushes are highly flammable, and in many areas bundles of gorse were used to fire traditional bread ovens.[8]
Wood
Gorse wood has been used to make small objects; being non-toxic, it is especially suited for cutlery. In spite of its durability it is not used for construction because the plant is too small and the wood is unstable, being prone to warping. Gorse is useful for garden ornaments because it is resistant to weather and rot.
Gorse-based symbols
The furze is the badge of the Sinclair and MacLennan clans of Scotland. Compare this with the broom (Planta genista) as the emblem and basis of the name of the Plantagenet kings of England.
The flower, known as chorima in the Galician language, is considered the national flower of Galicia in NW Spain.
Gorse in popular culture
In Thomas Hardy's classic novel The Return of the Native, when Clym is partially blinded through excessive reading, he becomes a furze-cutter on Egdon Heath, to the dismay of his wife, Eustacia. In the book, the timeless, gorse-covered heath is described in each season of the novel's year-and-a-day timeline and becomes symbolic of the greater nature of mankind.
Its flammability rendered gorse symbolic as quickly flammable and quickly burning out; for example, Doyle, in his book "Sir Nigel" has Sir John Chandos say: "...They flare up like a furzebush in the flames, but if for a short space you may abide the heat of it, then there is a chance that it may be cooler... If the Welsh be like the furze fire, then, pardieu! the Scotch are the peat, for they will smolder and you will never come to the end of them."[9]
Winnie-the-Pooh fell into a gorse bush while trying to get honey in the first chapter of the book of the same name.[10]
In The second book of Tolkien's "Lord of the rings" trilogy, "The Two Towers", Frodo and Sam led by Gollum walked underneath very old and tall thickets of gorse on their way to pass by Minas Morgul. [11]
In "[[Red Doc>]]", Anne Carson's 2013 sequel to her 1998 novel-in-verse entitled "Autobiography of Red", the protagonist, G, owns a herd of musk oxen who like to feed on gorse; one ox in particular, Io, eats gorse flowers and hallucinates that she can fly.
en.wikipedia.org/wiki/Common_hawthorn
Crataegus monogyna, known as common hawthorn or single-seeded hawthorn, is a species of hawthorn native to Europe, northwest Africa and western Asia. It has been introduced in many other parts of the world where it is an invasive weed. Other common names include may, mayblossom, maythorn, quickthorn, whitethorn, motherdie, and haw. This species is one of several that have been referred to as Crataegus oxyacantha, a name that has been rejected by the botanical community as too ambiguous.
Description
The Common Hawthorn is a shrub or small tree 5–14 m tall, with a dense crown. The bark is dull brown with vertical orange cracks. The younger stems bear sharp thorns, 1 to 1.5 cm long. The leaves are 2–4 cm long, obovate and deeply lobed, sometimes almost to the midrib, with the lobes spreading at a wide angle. The upper surface is dark green above and paler underneath.
The hermaphrodite flowers are produced in late spring (May to early June in its native area) in corymbs of 5-25 together; each flower is about 1 cm diameter, and has five white petals, numerous red stamens, and a single style; they are moderately fragrant. They are pollinated by midges, bees and other insects and later in the year bear numerous haws. The haw is a small, oval dark red fruit about 1 cm long, berry-like, but structurally a pome containing a single seed. Haws are important for wildlife in winter, particularly thrushes and waxwings; these birds eat the haws and disperse the seeds in their droppings.
It is distinguished from the related but less widespread Midland Hawthorn (C. laevigata) by its more upright growth, the leaves being deeply lobed, with spreading lobes, and in the flowers having just one style, not two or three. However they are inter-fertile and hybrids occur frequently; they are only entirely distinct in their more typical forms.
Uses
Medicinal use
Crataegus monogyna is one of the most common species used as the "hawthorn" of traditional herbalism, which is of considerable interest for treating cardiac insufficiency by evidence-based medicine. The plant parts used medicinally are usually sprigs with both leaves and flowers, or alternatively the fruit. Several species of Crataegus have both traditional and modern medicinal uses. It is a good source of antioxidant phytochemicals,especially extracts of hawthorn leaves with flowers.
In gardening and agriculture
Common Hawthorn is extensively planted as a hedge plant, especially for agricultural use. Its spines and close branching habit render it effectively stock and human proof with some basic maintenance. The traditional practice of hedge laying is most commonly practised with this species. It is a good fire wood which burns with a good heat and little smoke.[3]
Numerous hybrids exist, some of which are used as garden shrubs. The most widely used hybrid is C. × media (C. monogyna × C. laevigata), of which several cultivars are known, including the very popular 'Paul's Scarlet' with dark pink double flowers. Other garden shrubs that have sometimes been suggested as possible hybrids involving the Common Hawthorn[citation needed], include the Various-leaved Hawthorn of the Caucasus, which is only very occasionally found in parks and gardens.
Edible "berries", petals, and leaves
The fruit of hawthorn, called haws, are edible raw but are commonly made into jellies, jams, and syrups, used to make wine, or to add flavour to brandy. Botanically they are pomes, but they look similar to berries. A haw is small and oblong, similar in size and shape to a small olive or grape, and red when ripe. Haws develop in groups of 2-3 along smaller branches. They are pulpy and delicate in taste. In this species (C. monogyna) they have only one seed, but in other species of hawthorn there may be up to 5 seeds.
Petals are also edible,[4] as are the leaves, which if picked in spring when still young are tender enough to be used in salads.
Notable trees
An ancient specimen, and reputedly the oldest tree of any species in France, is to be found alongside the church at Saint Mars sur la Futaie, Mayenne [1]. The tree has a height of 9 m, and a girth of 2.65 m (2009). The inscription on the plaque beneath reads: "This hawthorn is probably the oldest tree in France. Its origin goes back to St Julien (3rd century)", but such claims are impossible to verify.
A famous specimen in England was the Glastonbury or Holy Thorn which, according to legend, sprouted from the staff of Joseph of Arimathea after he thrust it into the ground whilst visiting Glastonbury in the 1st century AD. The tree was noteworthy because it flowered twice in a year, once in the late spring which is normal, but also once after the harshness of midwinter has passed. The original tree at Glastonbury Abbey, felled in 1640s during the English Civil War,[2] has been propagated as the cultivar 'Biflora'.[6] A replacement was planted by the local council in 1951, but was cut down by vandals in 2010. [3]
The oldest known living specimen in East Anglia, and possibly in the United Kingdom, is known as "The Hethel Old Thorn",[7] and is located in the churchyard in the small village of Hethel, south of Norwich, in Norfolk. It is reputed to be more than 700 years old, having been planted in the 13th century.
en.wikipedia.org/wiki/Rapeseed
Rapeseed (Brassica napus), also known as rape, oilseed rape, rapa, rappi, rapaseed (and, in the case of one particular group of cultivars, canola), is a bright yellow flowering member of the family Brassicaceae (mustard or cabbage family). The name derives from the Latin for turnip, rāpa or rāpum, and is first recorded in English at the end of the 14th century. Older writers usually distinguished the turnip and rape by the adjectives round and long (-rooted), respectively.[2] See also Brassica napobrassica, which may be considered a variety of Brassica napus. Some botanists include the closely related Brassica campestris within B. napus. (See Triangle of U).
Brassica napus is cultivated mainly for its oil-rich seed, the third largest source of vegetable oil in the world.[
Cultivation and uses
Rapeseed oil was produced in the 19th century as a source of a lubricant for steam engines. It was less useful as food for animals or humans because it has a bitter taste due to high levels of glucosinolates. Varieties have now, however, been bred to reduce the content of glucosinolates, yielding a more palatable oil. This has had the side effect that the oil contains much less erucic acid.[citation needed]
Rapeseed is grown for the production of animal feed, vegetable oil for human consumption, and biodiesel; leading producers include the European Union, Canada, the United States, Australia, China and India. In India, it is grown on 13% of cropped land.[citation needed] According to the United States Department of Agriculture, rapeseed was the third leading source of vegetable oil in the world in 2000, after soybean and oil palm, and also the world's second leading source of protein meal, although only one-fifth of the production of the leading soybean meal.[citation needed]
World production is growing rapidly, with FAO reporting 36 million tons of rapeseed were produced in the 2003-2004 season, and estimating 58.4 million tons in the 2010-2011 season.[4] In Europe, rapeseed is primarily cultivated for animal feed,[citation needed] owing to its very high lipid and medium protein content.[citation needed]
Natural rapeseed oil contains 50% erucic acid. Wild type seeds also contain high levels of glucosinolates (mustard oil glucosindes), chemical compounds that significantly lowered the nutritional value of rapeseed press cakes for animal feed. In North America, the term "canola", originally a syncopated form of the abbreviation "Can.O., L-A." (Canadian Oilseed, Low-Acid) that was used by the Manitoba government to label the seed during its experimental stages, is widely used to refer to rapeseed, and is now a tradename for "double low" (low erucic acid and low glucosinolate) rapeseed.[5]
The rapeseed is the valuable, harvested component of the crop. The crop is also grown as a winter-cover crop. It provides good coverage of the soil in winter, and limits nitrogen run-off. The plant is ploughed back in the soil or used as bedding. On some organic operations, livestock such as sheep or cattle are allowed to graze on the plants.
Processing of rapeseed for oil production produces rapeseed meal as a byproduct. The byproduct is a high-protein animal feed, competitive with soya.[citation needed] The feed is mostly employed for cattle feeding, but also for pigs and chickens (though less valuable for these). The meal has a very low content of the glucosinolates responsible for metabolism disruption in cattle and pigs.[6] Neither canola nor soy is recommended as feed for organic animal products, as both are predominantly GMO (some estimates are now at 90%), which is prohibited by organic standards.[citation needed]
Rapeseed "oil cake" is also used as a fertilizer in China, and may be used for ornamentals, such as bonsai, as well.[citation needed]
Rapeseed leaves and stems are also edible, similar to those of the related bok choy or kale. Some varieties of rapeseed (called 油菜, yóu cài, lit. "oil vegetable" in Chinese; yau choy in Cantonese; cải dầu in Vietnamese; phak kat kan khao [ผักกาดก้านขาว] in Thai; and nanohana [菜の花]/nabana [菜花] in Japanese) are sold as greens, primarily in Asian groceries, including those in California, where it is known as yao choy or tender greens. They are eaten as sag (spinach) in Indian and Nepalese cuisine, usually stir-fried with salt, garlic and spices.
Rapeseed produces great quantities of nectar, and honeybees produce a light-colored, but peppery honey from it. It must be extracted immediately after processing is finished, as it will quickly granulate in the honeycomb and will be impossible to extract. The honey is usually blended with milder honeys, if used for table use or sold as bakery grade. Rapeseed growers contract with beekeepers for the pollination of the crop.
"Total loss" chain and bar oil for chainsaws have been developed which are typically 70% or more canola/rapeseed oil. These lubricants are claimed to be less harmful to the environment and less hazardous to users than traditional mineral oil products,[7] although they are currently typically two to five times more expensive, leading some to use inexpensive cooking oil instead. Some countries, such as Austria, have banned the use of petroleum-based chainsaw oil.[8] These "biolubricants" are generally reported to be functionally comparable to traditional mineral oil products, with some reports claiming one or other is superior,[8] but with no overall consensus yet evident.
Rapeseed has also been researched as means of containing radionuclides that contaminated the soil after the Chernobyl disaster.[9][10][11] It was discovered by researchers at the Belarusian Research Institute for Soil Science and Agrochemistry that rapeseed has a rate of uptake up to three times more efficient than other grains, and only about 3 to 6% of the radionuclides goes into the parts of the plant that could potentially enter the food chain. As oil repels radionuclides, it could be produced canola oil free from contaminants being concentrated in other parts of the plant – the straw, the roots, the seed pods, etc., which then can be ploughed back into the soil and create a recycling process.[9]
Biodiesel
Rapeseed oil is used as diesel fuel, either as biodiesel, straight in heated fuel systems, or blended with petroleum distillates for powering motor vehicles. Biodiesel may be used in pure form in newer engines without engine damage and is frequently combined with fossil-fuel diesel in ratios varying from 2% to 20% biodiesel. Owing to the costs of growing, crushing, and refining rapeseed biodiesel, rapeseed-derived biodiesel from new oil costs more to produce than standard diesel fuel, so diesel fuels are commonly made from the used oil. Rapeseed oil is the preferred oil stock for biodiesel production in most of Europe, accounting for about 80% of the feedstock,[12] partly because rapeseed produces more oil per unit of land area compared to other oil sources, such as soybeans, but primarily because canola oil has a significantly lower Gel point (petroleum) than most other vegetable oils. An estimated 66% of total rapeseed oil supply in the European Union is expected to be used for biodiesel production in the 2010-2011 year.[12]
Rapeseed is currently grown with a high level of nitrogen-containing fertilisers, and the manufacture of these generates N2O, a potent greenhouse gas with 296 times the global warming potential of CO2. An estimated 3-5% of nitrogen provided as fertilizer for rapeseed is converted to N2O.[13]
Cultivars
Canola was originally a trademark, but is now a generic term in North America for edible varieties of rapeseed oil. In Canada, an official definition of canola is codified in Canadian law.
Rapeseed oil had a distinctive taste and a greenish colour due to the presence of chlorophyll. It also contained a high concentration[specify] of erucic acid.
A variety of rapeseed developed in 1998 is considered to be the most disease- and drought-resistant canola. This and other recent varieties have been produced by using genetic engineering. In 2009, 90% of the rapeseed crops planted in Canada were GM (genetically modified), herbicide-tolerant canola varieties.[14]
Health effects
Rapeseed oil is one of the oldest vegetable oils, but historically was used in limited quantities due to high levels of erucic acid, which is damaging to cardiac muscle, and glucosinolates, which made it less nutritious in animal feed.[15] Unmodified rapeseed oil can contain up to 45% erucic acid.[16] Food-grade canola oil derived from rapeseed cultivars, also known as rapeseed 00 oil, low erucic acid rapeseed oil, LEAR oil, and rapeseed canola-equivalent oil, has been generally recognized as safe by the United States Food and Drug Administration.[17] Canola oil is limited by government regulation to a maximum of 2% erucic acid by weight in the USA[17] and 5% in the EU,[18] with special regulations for infant food. These low levels of erucic acid are not believed to cause harm in human neonates.[17][18]
In 1981, a deadly outbreak of disease in Spain, known as toxic oil syndrome,[19] was caused by the consumption of rapeseed oil for industrial use that was fraudulently sold as cooking oil.
Rapeseed pollen contains known allergens.[20][21] Whether rape pollen causes hay fever has not been well established, because rape is an insect-pollinated (entomophilous) crop, whereas hay fever is usually caused by wind-pollinated plants. The inhalation of oilseed rape dust may cause asthma in agricultural workers.[22]
Production
Worldwide production of rapeseed (including canola) has increased sixfold between 1975 and 2007. The production of canola and rapeseed 00 since 1975 has opened up the edible oil market for rapeseed oil. Since 2002, production of biodiesel has been steadily increasing in EU and USA to 6 million metric tons in 2006. Rapeseed oil is positioned to supply a good portion of the vegetable oils needed to produce that fuel. World production is thus expected to trend further upward between 2005 and 2015 as biodiesel content requirements in Europe go into effect.[23] Every ton of rapeseed yields about 400 kg of oil.
Top rapeseed producers
(million metric ton)
Country19651975198519952000200520072009
China
1.11.55.69.811.313.010.513.5
Canada
0.51.83.56.47.29.49.611.8
India
1.52.33.15.85.87.67.47.2
Germany
0.30.61.23.13.65.05.36.3
France
0.30.51.42.83.54.54.75.6
Poland
0.50.71.11.41.01.42.12.5
United Kingdom
<0.0070.060.91.21.21.92.12.0
Australia
<0.007<0.060.10.61.81.41.11.9
Ukraine
<0.007<0.06<0.03<0.10.10.31.01.9
Czech Republic
0.070.10.30.70.80.71.01.1
United States
<0.007<0.06<0.030.20.90.70.70.7
Russia
N/AN/AN/A0.10.10.30.60.7
Denmark
0.050.10.50.30.30.30.60.6
Belarus
N/AN/AN/A0.030.070.10.20.6
Hungary
0.0080.10.10.10.20.30.50.6
Romania
0.010.020.040.040.10.10.40.6
European Union
-------19.3
World Total5.28.819.234.239.546.450.561.6
Source:
UN Food & Agriculture Organisation (FAO)[24]
Pests and diseases
Animal pests
•Bertha armyworms (Mamestra configurata)
•Bronzed field beetle (Adelium brevicorne) larvae
•Cyst nematode (Heterodera schachtii)
•Diamondback moths (Plutella xylostella)
•Flea beetles (Phyllotreta sp.)
•Grasshoppers (order Orthoptera)
•Harlequin bug (Murgantia histrionica)
•Lygus bugs (Lygus spp.)
•Pollen beetle (Meligethes aeneus)
•Root maggots (Delia spp.)
•Snails and slugs
Diseases
•Beet western yellows virus (Luteoviridae family)
•Blackleg (caused by the fungus species Leptosphaeria maculans)
•Clubroot (caused by the protist Plasmodiophora brassicae)
•Sclerotinia white stem rot (caused by the fungus genus Sclerotinia)
•White rust disease (caused by the fungus species Albugo candida)
Genome sequencing and genetics
Bayer Cropscience (in collaboration with BGI-Shenzhen, China, Keygene N.V., the Netherlands and the University of Queensland, Australia) announced it had sequenced the entire genome of Brassica napus and its constituent genomes present in Brassica rapa and Brassica oleracea in 2009. The "A" genome component of the amphidiploid rapeseed species B. napus is currently being sequenced by the Multinational Brassica Genome Project.[25][dated info]
GMO (genetically modified organism) controversy[edit]
The Monsanto Company has genetically engineered new cultivars of rapeseed to be resistant to the effects of its herbicide, Roundup. They have sought compensation from farmers found to have the Roundup Ready gene in canola in their fields without paying a license fee. These farmers have claimed the Roundup Ready gene was blown into their fields and crossed with unaltered canola. Other farmers claim that after spraying Roundup in non-canola fields to kill weeds before planting, Roundup Ready volunteers are left behind, causing extra expense to rid their fields of the weeds.
In a closely followed legal battle, the Supreme Court of Canada found in favor of Monsanto's patent infringement claim for unlicensed growing of Roundup Ready in its 2004 ruling on Monsanto Canada Inc. v. Schmeiser. The case garnered international controversy, as a court-sanctioned legitimation for the global patent protection of genetically modified crops. However, Schmeiser was not required to pay damages, as he did not benefit financially from the GMO crop in his field.[citation needed]
In March 2008, an out-of-court settlement between Monsanto and Schmeiser has an agreement for Monsanto to clean up the entire GMO-canola crop on Schmeiser's farm at a cost of $660.
沖繩那霸首里城
世界遺產琉球王國之城跡及相關遺產群
Shurijo Castle, Naha, Okinawa, Japan
Gusuku Sites and Related Properties of the Kingdom of Ryukyu
The World Heritage
The leafy sea dragon, Phycodurus eques, is a marine fish related to the seahorse. It is the only member of the genus Phycodurus. These creatures are native to the waters around southern and western Australia and generally remain in shallow, temperate waters. Their name comes from their appearance, with long leaf-like protrusions coming from all over the body. These protrusions are not used for propulsion; they serve only as camouflage. The leafy sea dragon propels itself by means of a pectoral fin on the ridge of its neck and a dorsal fin on its back closer to the tail end. These small fins are almost completely transparent and difficult to see as they undulate minutely to move the creature sedately through the water, completing the illusion of floating seaweed.
Much like the seahorse, their name comes from a chance resemblance to a known (in this case mythical) creature. While not large by sea monster standards, they are very large for sea horses, growing at least 18 inches (45 cm). They feed on plankton, algae, and other small flotsam, and are not preyed upon by any species other than humans. Females deposit eggs on the tail of the male where they grow to maturity. They have become endangered through pollution and industrial runoff as well as collection by fascinated divers who are entranced by their unique appearance. In response to these dangers they have been officially protected by the Australian government.
A related species is the weedy sea dragon, which is green and grows weed-like fins and can be much smaller than the leafy sea dragon, although according to the November 2006 issue of National Geographic magazine, leafy and weedy sea dragons may be the same species residing in a wide range.
Citing Wikipedia:
Leafy seadragon. (2017, July 20). In Wikipedia, The Free Encyclopedia. Retrieved
19:02, August 24, 2017
, from en.wikipedia.org/w/index.php?title=Leafy_seadragon&ol...
Leafy Dragon Seahorse, Dallas World Aquarium.
Purple Gallinules are brilliantly colored waterbirds related to rails and coots. In Florida, they are year-round residents throughout the southern two-thirds of the state. They also breed in the panhandle and northern part of the state, but individuals head south to escape the cold winter weather. Depending on locale, they can be easy to find walking on lily pads, or they also may skulk in dense aquatic vegetation where they are easier to detect by their cackling, chicken-like sounds. Purple Gallinules feed on seeds, fruits and invertebrates.
Found this one along Heron Hideout, at Circle B Bar Reserve. Polk County, Florida.
One of Australia’s most striking animals, the koala or inaccurately ‘koala bear’ (Phascolarctos cinereus), is bear-like in appearance, but in fact a tree-dwelling marsupial, related to kangaroos and wombats.
The Koala has many nicknames, include bangaroo, New Holland sloth, cullawine, and koolawong.
The fur is silver grey to light brown, being lighter and shorter in the warmer north of its range, where the koala is also smaller. An adult male koala can weigh 8 to 14 kg and a female 5 to 11 kg, the body length is 60 to 85 cm. Koalas have sharp claws which help them climb trees and large noses that are coloured pink or black.
Koalas live in the eucalyptus woodlands and forests of eastern and south-eastern Australia and range from northern Queensland to southwestern Victoria. They have been introduced in western Australia and nearby islands.
Koalas are nocturnal marsupials famous for spending most of their lives asleep in trees. During the day they doze, tucked into forks or nooks in the trees, sleeping for up to 20 hours. When not asleep a koala feeds on eucalyptus leaves, especially at night. Koalas do not drink much water and they get most of their moisture from these leaves. In Aborigine language, the word ‘koala’ means ‘no water’.
This picture was taken in Zoo Duisburg, Germany.
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De koala of buidelbeer (Phascolarctos cinereus) is een buideldier uit de familie koala's (Phascolarctidae) die voorkomt in het oosten van Australië. De koala is geen beer, maar een buideldier, nauw verwant aan de kangoeroes. Vandaar ook de bijnaam: Bangaroo.
De naam "Koala" komt uit een uitgestorven aboriginaltaal die rond Sydney werd gesproken. Het zou zoiets betekenen als "drinkt niet", verwijzend naar het feit dat de koala zelden drinkt.
Het mannetje weegt zo'n 12 kg, het vrouwtje 8 kg. Ze worden ongeveer 60 à 85 cm lang. In het noordelijke verspreidingsgebied wegen koala's bijna de helft minder. Zuidelijke koala's hebben een dikkere vacht dan die in het warmere noorden. De kleuren van de vachten variëren sterk per individu en worden lichter naarmate koala's ouder worden, maar de meeste zijn grijs met wit op de kin, borst, voorpoten en romp. Koala's hebben een korte staart, die geen functie lijkt te hebben.
Koala's komen voor in de eucalyptusbossen van de vier oostelijke deelstaten van Australië, Queensland, Nieuw-Zuid-Wales, Victoria en Zuid-Australië.
Koala's eten bijna uitsluitend bladeren van de eucalyptusboom. De bladeren zijn vezelrijk en bevatten gif dat voor de meeste andere dieren gevaarlijk is. Ze drinken bijna niet. Vocht wordt uit het voedsel gehaald. Omdat koala's een langzaam vertering hebben, slapen koala's zo'n 20 uur per etmaal, vaak in een boom.
Deze foto is gemaakt in Zoo Duisburg in Duitsland.
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All rights reserved. Copyright © Martien Uiterweerd (Foto Martien). All my images are protected under international authors copyright laws and may not be downloaded, reproduced, copied, transmitted or manipulated without my written explicit permission.
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Graffiti (plural; singular graffiti or graffito, the latter rarely used except in archeology) is art that is written, painted or drawn on a wall or other surface, usually without permission and within public view. Graffiti ranges from simple written words to elaborate wall paintings, and has existed since ancient times, with examples dating back to ancient Egypt, ancient Greece, and the Roman Empire (see also mural).
Graffiti is a controversial subject. In most countries, marking or painting property without permission is considered by property owners and civic authorities as defacement and vandalism, which is a punishable crime, citing the use of graffiti by street gangs to mark territory or to serve as an indicator of gang-related activities. Graffiti has become visualized as a growing urban "problem" for many cities in industrialized nations, spreading from the New York City subway system and Philadelphia in the early 1970s to the rest of the United States and Europe and other world regions
"Graffiti" (usually both singular and plural) and the rare singular form "graffito" are from the Italian word graffiato ("scratched"). The term "graffiti" is used in art history for works of art produced by scratching a design into a surface. A related term is "sgraffito", which involves scratching through one layer of pigment to reveal another beneath it. This technique was primarily used by potters who would glaze their wares and then scratch a design into them. In ancient times graffiti were carved on walls with a sharp object, although sometimes chalk or coal were used. The word originates from Greek γράφειν—graphein—meaning "to write".
The term graffiti originally referred to the inscriptions, figure drawings, and such, found on the walls of ancient sepulchres or ruins, as in the Catacombs of Rome or at Pompeii. Historically, these writings were not considered vanadlism, which today is considered part of the definition of graffiti.
The only known source of the Safaitic language, an ancient form of Arabic, is from graffiti: inscriptions scratched on to the surface of rocks and boulders in the predominantly basalt desert of southern Syria, eastern Jordan and northern Saudi Arabia. Safaitic dates from the first century BC to the fourth century AD.
Some of the oldest cave paintings in the world are 40,000 year old ones found in Australia. The oldest written graffiti was found in ancient Rome around 2500 years ago. Most graffiti from the time was boasts about sexual experiences Graffiti in Ancient Rome was a form of communication, and was not considered vandalism.
Ancient tourists visiting the 5th-century citadel at Sigiriya in Sri Lanka write their names and commentary over the "mirror wall", adding up to over 1800 individual graffiti produced there between the 6th and 18th centuries. Most of the graffiti refer to the frescoes of semi-nude females found there. One reads:
Wet with cool dew drops
fragrant with perfume from the flowers
came the gentle breeze
jasmine and water lily
dance in the spring sunshine
side-long glances
of the golden-hued ladies
stab into my thoughts
heaven itself cannot take my mind
as it has been captivated by one lass
among the five hundred I have seen here.
Among the ancient political graffiti examples were Arab satirist poems. Yazid al-Himyari, an Umayyad Arab and Persian poet, was most known for writing his political poetry on the walls between Sajistan and Basra, manifesting a strong hatred towards the Umayyad regime and its walis, and people used to read and circulate them very widely.
Graffiti, known as Tacherons, were frequently scratched on Romanesque Scandinavian church walls. When Renaissance artists such as Pinturicchio, Raphael, Michelangelo, Ghirlandaio, or Filippino Lippi descended into the ruins of Nero's Domus Aurea, they carved or painted their names and returned to initiate the grottesche style of decoration.
There are also examples of graffiti occurring in American history, such as Independence Rock, a national landmark along the Oregon Trail.
Later, French soldiers carved their names on monuments during the Napoleonic campaign of Egypt in the 1790s. Lord Byron's survives on one of the columns of the Temple of Poseidon at Cape Sounion in Attica, Greece.
The oldest known example of graffiti "monikers" found on traincars created by hobos and railworkers since the late 1800s. The Bozo Texino monikers were documented by filmmaker Bill Daniel in his 2005 film, Who is Bozo Texino?.
In World War II, an inscription on a wall at the fortress of Verdun was seen as an illustration of the US response twice in a generation to the wrongs of the Old World:
During World War II and for decades after, the phrase "Kilroy was here" with an accompanying illustration was widespread throughout the world, due to its use by American troops and ultimately filtering into American popular culture. Shortly after the death of Charlie Parker (nicknamed "Yardbird" or "Bird"), graffiti began appearing around New York with the words "Bird Lives".
Modern graffiti art has its origins with young people in 1960s and 70s in New York City and Philadelphia. Tags were the first form of stylised contemporary graffiti. Eventually, throw-ups and pieces evolved with the desire to create larger art. Writers used spray paint and other kind of materials to leave tags or to create images on the sides subway trains. and eventually moved into the city after the NYC metro began to buy new trains and paint over graffiti.
While the art had many advocates and appreciators—including the cultural critic Norman Mailer—others, including New York City mayor Ed Koch, considered it to be defacement of public property, and saw it as a form of public blight. The ‘taggers’ called what they did ‘writing’—though an important 1974 essay by Mailer referred to it using the term ‘graffiti.’
Contemporary graffiti style has been heavily influenced by hip hop culture and the myriad international styles derived from Philadelphia and New York City Subway graffiti; however, there are many other traditions of notable graffiti in the twentieth century. Graffiti have long appeared on building walls, in latrines, railroad boxcars, subways, and bridges.
An early graffito outside of New York or Philadelphia was the inscription in London reading "Clapton is God" in reference to the guitarist Eric Clapton. Creating the cult of the guitar hero, the phrase was spray-painted by an admirer on a wall in an Islington, north London in the autumn of 1967. The graffito was captured in a photograph, in which a dog is urinating on the wall.
Films like Style Wars in the 80s depicting famous writers such as Skeme, Dondi, MinOne, and ZEPHYR reinforced graffiti's role within New York's emerging hip-hop culture. Although many officers of the New York City Police Department found this film to be controversial, Style Wars is still recognized as the most prolific film representation of what was going on within the young hip hop culture of the early 1980s. Fab 5 Freddy and Futura 2000 took hip hop graffiti to Paris and London as part of the New York City Rap Tour in 1983
Commercialization and entrance into mainstream pop culture
Main article: Commercial graffiti
With the popularity and legitimization of graffiti has come a level of commercialization. In 2001, computer giant IBM launched an advertising campaign in Chicago and San Francisco which involved people spray painting on sidewalks a peace symbol, a heart, and a penguin (Linux mascot), to represent "Peace, Love, and Linux." IBM paid Chicago and San Francisco collectively US$120,000 for punitive damages and clean-up costs.
In 2005, a similar ad campaign was launched by Sony and executed by its advertising agency in New York, Chicago, Atlanta, Philadelphia, Los Angeles, and Miami, to market its handheld PSP gaming system. In this campaign, taking notice of the legal problems of the IBM campaign, Sony paid building owners for the rights to paint on their buildings "a collection of dizzy-eyed urban kids playing with the PSP as if it were a skateboard, a paddle, or a rocking horse".
Tristan Manco wrote that Brazil "boasts a unique and particularly rich, graffiti scene ... [earning] it an international reputation as the place to go for artistic inspiration". Graffiti "flourishes in every conceivable space in Brazil's cities". Artistic parallels "are often drawn between the energy of São Paulo today and 1970s New York". The "sprawling metropolis", of São Paulo has "become the new shrine to graffiti"; Manco alludes to "poverty and unemployment ... [and] the epic struggles and conditions of the country's marginalised peoples", and to "Brazil's chronic poverty", as the main engines that "have fuelled a vibrant graffiti culture". In world terms, Brazil has "one of the most uneven distributions of income. Laws and taxes change frequently". Such factors, Manco argues, contribute to a very fluid society, riven with those economic divisions and social tensions that underpin and feed the "folkloric vandalism and an urban sport for the disenfranchised", that is South American graffiti art.
Prominent Brazilian writers include Os Gêmeos, Boleta, Nunca, Nina, Speto, Tikka, and T.Freak. Their artistic success and involvement in commercial design ventures has highlighted divisions within the Brazilian graffiti community between adherents of the cruder transgressive form of pichação and the more conventionally artistic values of the practitioners of grafite.
Graffiti in the Middle East has emerged slowly, with taggers operating in Egypt, Lebanon, the Gulf countries like Bahrain or the United Arab Emirates, Israel, and in Iran. The major Iranian newspaper Hamshahri has published two articles on illegal writers in the city with photographic coverage of Iranian artist A1one's works on Tehran walls. Tokyo-based design magazine, PingMag, has interviewed A1one and featured photographs of his work. The Israeli West Bank barrier has become a site for graffiti, reminiscent in this sense of the Berlin Wall. Many writers in Israel come from other places around the globe, such as JUIF from Los Angeles and DEVIONE from London. The religious reference "נ נח נחמ נחמן מאומן" ("Na Nach Nachma Nachman Meuman") is commonly seen in graffiti around Israel.
Graffiti has played an important role within the street art scene in the Middle East and North Africa (MENA), especially following the events of the Arab Spring of 2011 or the Sudanese Revolution of 2018/19. Graffiti is a tool of expression in the context of conflict in the region, allowing people to raise their voices politically and socially. Famous street artist Banksy has had an important effect in the street art scene in the MENA area, especially in Palestine where some of his works are located in the West Bank barrier and Bethlehem.
There are also a large number of graffiti influences in Southeast Asian countries that mostly come from modern Western culture, such as Malaysia, where graffiti have long been a common sight in Malaysia's capital city, Kuala Lumpur. Since 2010, the country has begun hosting a street festival to encourage all generations and people from all walks of life to enjoy and encourage Malaysian street culture.
The modern-day graffitists can be found with an arsenal of various materials that allow for a successful production of a piece. This includes such techniques as scribing. However, spray paint in aerosol cans is the number one medium for graffiti. From this commodity comes different styles, technique, and abilities to form master works of graffiti. Spray paint can be found at hardware and art stores and comes in virtually every color.
Stencil graffiti is created by cutting out shapes and designs in a stiff material (such as cardboard or subject folders) to form an overall design or image. The stencil is then placed on the "canvas" gently and with quick, easy strokes of the aerosol can, the image begins to appear on the intended surface.
Some of the first examples were created in 1981 by artists Blek le Rat in Paris, in 1982 by Jef Aerosol in Tours (France); by 1985 stencils had appeared in other cities including New York City, Sydney, and Melbourne, where they were documented by American photographer Charles Gatewood and Australian photographer Rennie Ellis
Tagging is the practice of someone spray-painting "their name, initial or logo onto a public surface" in a handstyle unique to the writer. Tags were the first form of modern graffiti.
Modern graffiti art often incorporates additional arts and technologies. For example, Graffiti Research Lab has encouraged the use of projected images and magnetic light-emitting diodes (throwies) as new media for graffitists. yarnbombing is another recent form of graffiti. Yarnbombers occasionally target previous graffiti for modification, which had been avoided among the majority of graffitists.
Theories on the use of graffiti by avant-garde artists have a history dating back at least to the Asger Jorn, who in 1962 painting declared in a graffiti-like gesture "the avant-garde won't give up"
Many contemporary analysts and even art critics have begun to see artistic value in some graffiti and to recognize it as a form of public art. According to many art researchers, particularly in the Netherlands and in Los Angeles, that type of public art is, in fact an effective tool of social emancipation or, in the achievement of a political goal
In times of conflict, such murals have offered a means of communication and self-expression for members of these socially, ethnically, or racially divided communities, and have proven themselves as effective tools in establishing dialog and thus, of addressing cleavages in the long run. The Berlin Wall was also extensively covered by graffiti reflecting social pressures relating to the oppressive Soviet rule over the GDR.
Many artists involved with graffiti are also concerned with the similar activity of stenciling. Essentially, this entails stenciling a print of one or more colors using spray-paint. Recognized while exhibiting and publishing several of her coloured stencils and paintings portraying the Sri Lankan Civil War and urban Britain in the early 2000s, graffitists Mathangi Arulpragasam, aka M.I.A., has also become known for integrating her imagery of political violence into her music videos for singles "Galang" and "Bucky Done Gun", and her cover art. Stickers of her artwork also often appear around places such as London in Brick Lane, stuck to lamp posts and street signs, she having become a muse for other graffitists and painters worldwide in cities including Seville.
Graffitist believes that art should be on display for everyone in the public eye or in plain sight, not hidden away in a museum or a gallery. Art should color the streets, not the inside of some building. Graffiti is a form of art that cannot be owned or bought. It does not last forever, it is temporary, yet one of a kind. It is a form of self promotion for the artist that can be displayed anywhere form sidewalks, roofs, subways, building wall, etc. Art to them is for everyone and should be showed to everyone for free.
Graffiti is a way of communicating and a way of expressing what one feels in the moment. It is both art and a functional thing that can warn people of something or inform people of something. However, graffiti is to some people a form of art, but to some a form of vandalism. And many graffitists choose to protect their identities and remain anonymous or to hinder prosecution.
With the commercialization of graffiti (and hip hop in general), in most cases, even with legally painted "graffiti" art, graffitists tend to choose anonymity. This may be attributed to various reasons or a combination of reasons. Graffiti still remains the one of four hip hop elements that is not considered "performance art" despite the image of the "singing and dancing star" that sells hip hop culture to the mainstream. Being a graphic form of art, it might also be said that many graffitists still fall in the category of the introverted archetypal artist.
Banksy is one of the world's most notorious and popular street artists who continues to remain faceless in today's society. He is known for his political, anti-war stencil art mainly in Bristol, England, but his work may be seen anywhere from Los Angeles to Palestine. In the UK, Banksy is the most recognizable icon for this cultural artistic movement and keeps his identity a secret to avoid arrest. Much of Banksy's artwork may be seen around the streets of London and surrounding suburbs, although he has painted pictures throughout the world, including the Middle East, where he has painted on Israel's controversial West Bank barrier with satirical images of life on the other side. One depicted a hole in the wall with an idyllic beach, while another shows a mountain landscape on the other side. A number of exhibitions also have taken place since 2000, and recent works of art have fetched vast sums of money. Banksy's art is a prime example of the classic controversy: vandalism vs. art. Art supporters endorse his work distributed in urban areas as pieces of art and some councils, such as Bristol and Islington, have officially protected them, while officials of other areas have deemed his work to be vandalism and have removed it.
Pixnit is another artist who chooses to keep her identity from the general public. Her work focuses on beauty and design aspects of graffiti as opposed to Banksy's anti-government shock value. Her paintings are often of flower designs above shops and stores in her local urban area of Cambridge, Massachusetts. Some store owners endorse her work and encourage others to do similar work as well. "One of the pieces was left up above Steve's Kitchen, because it looks pretty awesome"- Erin Scott, the manager of New England Comics in Allston, Massachusetts.
Graffiti artists may become offended if photographs of their art are published in a commercial context without their permission. In March 2020, the Finnish graffiti artist Psyke expressed his displeasure at the newspaper Ilta-Sanomat publishing a photograph of a Peugeot 208 in an article about new cars, with his graffiti prominently shown on the background. The artist claims he does not want his art being used in commercial context, not even if he were to receive compensation.
Territorial graffiti marks urban neighborhoods with tags and logos to differentiate certain groups from others. These images are meant to show outsiders a stern look at whose turf is whose. The subject matter of gang-related graffiti consists of cryptic symbols and initials strictly fashioned with unique calligraphies. Gang members use graffiti to designate membership throughout the gang, to differentiate rivals and associates and, most commonly, to mark borders which are both territorial and ideological.
Graffiti has been used as a means of advertising both legally and illegally. Bronx-based TATS CRU has made a name for themselves doing legal advertising campaigns for companies such as Coca-Cola, McDonald's, Toyota, and MTV. In the UK, Covent Garden's Boxfresh used stencil images of a Zapatista revolutionary in the hopes that cross referencing would promote their store.
Smirnoff hired artists to use reverse graffiti (the use of high pressure hoses to clean dirty surfaces to leave a clean image in the surrounding dirt) to increase awareness of their product.
Graffiti often has a reputation as part of a subculture that rebels against authority, although the considerations of the practitioners often diverge and can relate to a wide range of attitudes. It can express a political practice and can form just one tool in an array of resistance techniques. One early example includes the anarcho-punk band Crass, who conducted a campaign of stenciling anti-war, anarchist, feminist, and anti-consumerist messages throughout the London Underground system during the late 1970s and early 1980s. In Amsterdam graffiti was a major part of the punk scene. The city was covered with names such as "De Zoot", "Vendex", and "Dr Rat". To document the graffiti a punk magazine was started that was called Gallery Anus. So when hip hop came to Europe in the early 1980s there was already a vibrant graffiti culture.
The student protests and general strike of May 1968 saw Paris bedecked in revolutionary, anarchistic, and situationist slogans such as L'ennui est contre-révolutionnaire ("Boredom is counterrevolutionary") and Lisez moins, vivez plus ("Read less, live more"). While not exhaustive, the graffiti gave a sense of the 'millenarian' and rebellious spirit, tempered with a good deal of verbal wit, of the strikers.
I think graffiti writing is a way of defining what our generation is like. Excuse the French, we're not a bunch of p---- artists. Traditionally artists have been considered soft and mellow people, a little bit kooky. Maybe we're a little bit more like pirates that way. We defend our territory, whatever space we steal to paint on, we defend it fiercely.
The developments of graffiti art which took place in art galleries and colleges as well as "on the street" or "underground", contributed to the resurfacing in the 1990s of a far more overtly politicized art form in the subvertising, culture jamming, or tactical media movements. These movements or styles tend to classify the artists by their relationship to their social and economic contexts, since, in most countries, graffiti art remains illegal in many forms except when using non-permanent paint. Since the 1990s with the rise of Street Art, a growing number of artists are switching to non-permanent paints and non-traditional forms of painting.
Contemporary practitioners, accordingly, have varied and often conflicting practices. Some individuals, such as Alexander Brener, have used the medium to politicize other art forms, and have used the prison sentences enforced on them as a means of further protest. The practices of anonymous groups and individuals also vary widely, and practitioners by no means always agree with each other's practices. For example, the anti-capitalist art group the Space Hijackers did a piece in 2004 about the contradiction between the capitalistic elements of Banksy and his use of political imagery.
Berlin human rights activist Irmela Mensah-Schramm has received global media attention and numerous awards for her 35-year campaign of effacing neo-Nazi and other right-wing extremist graffiti throughout Germany, often by altering hate speech in humorous ways.
In Serbian capital, Belgrade, the graffiti depicting a uniformed former general of Serb army and war criminal, convicted at ICTY for war crimes and crimes against humanity, including genocide and ethnic cleansing in Bosnian War, Ratko Mladić, appeared in a military salute alongside the words "General, thank to your mother". Aleks Eror, Berlin-based journalist, explains how "veneration of historical and wartime figures" through street art is not a new phenomenon in the region of former Yugoslavia, and that "in most cases is firmly focused on the future, rather than retelling the past". Eror is not only analyst pointing to danger of such an expressions for the region's future. In a long expose on the subject of Bosnian genocide denial, at Balkan Diskurs magazine and multimedia platform website, Kristina Gadže and Taylor Whitsell referred to these experiences as a young generations' "cultural heritage", in which young are being exposed to celebration and affirmation of war-criminals as part of their "formal education" and "inheritance".
There are numerous examples of genocide denial through celebration and affirmation of war criminals throughout the region of Western Balkans inhabited by Serbs using this form of artistic expression. Several more of these graffiti are found in Serbian capital, and many more across Serbia and Bosnian and Herzegovinian administrative entity, Republika Srpska, which is the ethnic Serbian majority enclave. Critics point that Serbia as a state, is willing to defend the mural of convicted war criminal, and have no intention to react on cases of genocide denial, noting that Interior Minister of Serbia, Aleksandar Vulin decision to ban any gathering with an intent to remove the mural, with the deployment of riot police, sends the message of "tacit endorsement". Consequently, on 9 November 2021, Serbian heavy police in riot gear, with graffiti creators and their supporters, blocked the access to the mural to prevent human rights groups and other activists to paint over it and mark the International Day Against Fascism and Antisemitism in that way, and even arrested two civic activist for throwing eggs at the graffiti.
Graffiti may also be used as an offensive expression. This form of graffiti may be difficult to identify, as it is mostly removed by the local authority (as councils which have adopted strategies of criminalization also strive to remove graffiti quickly). Therefore, existing racist graffiti is mostly more subtle and at first sight, not easily recognized as "racist". It can then be understood only if one knows the relevant "local code" (social, historical, political, temporal, and spatial), which is seen as heteroglot and thus a 'unique set of conditions' in a cultural context.
A spatial code for example, could be that there is a certain youth group in an area that is engaging heavily in racist activities. So, for residents (knowing the local code), a graffiti containing only the name or abbreviation of this gang already is a racist expression, reminding the offended people of their gang activities. Also a graffiti is in most cases, the herald of more serious criminal activity to come. A person who does not know these gang activities would not be able to recognize the meaning of this graffiti. Also if a tag of this youth group or gang is placed on a building occupied by asylum seekers, for example, its racist character is even stronger.
By making the graffiti less explicit (as adapted to social and legal constraints), these drawings are less likely to be removed, but do not lose their threatening and offensive character.
Elsewhere, activists in Russia have used painted caricatures of local officials with their mouths as potholes, to show their anger about the poor state of the roads. In Manchester, England, a graffitists painted obscene images around potholes, which often resulted in them being repaired within 48 hours.
In the early 1980s, the first art galleries to show graffitists to the public were Fashion Moda in the Bronx, Now Gallery and Fun Gallery, both in the East Village, Manhattan.
A 2006 exhibition at the Brooklyn Museum displayed graffiti as an art form that began in New York's outer boroughs and reached great heights in the early 1980s with the work of Crash, Lee, Daze, Keith Haring, and Jean-Michel Basquiat. It displayed 22 works by New York graffitists, including Crash, Daze, and Lady Pink. In an article about the exhibition in the magazine Time Out, curator Charlotta Kotik said that she hoped the exhibition would cause viewers to rethink their assumptions about graffiti.
From the 1970s onwards, Burhan Doğançay photographed urban walls all over the world; these he then archived for use as sources of inspiration for his painterly works. The project today known as "Walls of the World" grew beyond even his own expectations and comprises about 30,000 individual images. It spans a period of 40 years across five continents and 114 countries. In 1982, photographs from this project comprised a one-man exhibition titled "Les murs murmurent, ils crient, ils chantent ..." (The walls whisper, shout and sing ...) at the Centre Georges Pompidou in Paris.
In Australia, art historians have judged some local graffiti of sufficient creative merit to rank them firmly within the arts. Oxford University Press's art history text Australian Painting 1788–2000 concludes with a long discussion of graffiti's key place within contemporary visual culture, including the work of several Australian practitioners.
Between March and April 2009, 150 artists exhibited 300 pieces of graffiti at the Grand Palais in Paris.
Spray paint has many negative environmental effects. The paint contains toxic chemicals, and the can uses volatile hydrocarbon gases to spray the paint onto a surface.
Volatile organic compound (VOC) leads to ground level ozone formation and most of graffiti related emissions are VOCs. A 2010 paper estimates 4,862 tons of VOCs were released in the United States in activities related to graffiti.
In China, Mao Zedong in the 1920s used revolutionary slogans and paintings in public places to galvanize the country's communist movement.
Based on different national conditions, many people believe that China's attitude towards Graffiti is fierce, but in fact, according to Lance Crayon in his film Spray Paint Beijing: Graffiti in the Capital of China, Graffiti is generally accepted in Beijing, with artists not seeing much police interference. Political and religiously sensitive graffiti, however, is not allowed.
In Hong Kong, Tsang Tsou Choi was known as the King of Kowloon for his calligraphy graffiti over many years, in which he claimed ownership of the area. Now some of his work is preserved officially.
In Taiwan, the government has made some concessions to graffitists. Since 2005 they have been allowed to freely display their work along some sections of riverside retaining walls in designated "Graffiti Zones". From 2007, Taipei's department of cultural affairs also began permitting graffiti on fences around major public construction sites. Department head Yong-ping Lee (李永萍) stated, "We will promote graffiti starting with the public sector, and then later in the private sector too. It's our goal to beautify the city with graffiti". The government later helped organize a graffiti contest in Ximending, a popular shopping district. graffitists caught working outside of these designated areas still face fines up to NT$6,000 under a department of environmental protection regulation. However, Taiwanese authorities can be relatively lenient, one veteran police officer stating anonymously, "Unless someone complains about vandalism, we won't get involved. We don't go after it proactively."
In 1993, after several expensive cars in Singapore were spray-painted, the police arrested a student from the Singapore American School, Michael P. Fay, questioned him, and subsequently charged him with vandalism. Fay pleaded guilty to vandalizing a car in addition to stealing road signs. Under the 1966 Vandalism Act of Singapore, originally passed to curb the spread of communist graffiti in Singapore, the court sentenced him to four months in jail, a fine of S$3,500 (US$2,233), and a caning. The New York Times ran several editorials and op-eds that condemned the punishment and called on the American public to flood the Singaporean embassy with protests. Although the Singapore government received many calls for clemency, Fay's caning took place in Singapore on 5 May 1994. Fay had originally received a sentence of six strokes of the cane, but the presiding president of Singapore, Ong Teng Cheong, agreed to reduce his caning sentence to four lashes.
In South Korea, Park Jung-soo was fined two million South Korean won by the Seoul Central District Court for spray-painting a rat on posters of the G-20 Summit a few days before the event in November 2011. Park alleged that the initial in "G-20" sounds like the Korean word for "rat", but Korean government prosecutors alleged that Park was making a derogatory statement about the president of South Korea, Lee Myung-bak, the host of the summit. This case led to public outcry and debate on the lack of government tolerance and in support of freedom of expression. The court ruled that the painting, "an ominous creature like a rat" amounts to "an organized criminal activity" and upheld the fine while denying the prosecution's request for imprisonment for Park.
In Europe, community cleaning squads have responded to graffiti, in some cases with reckless abandon, as when in 1992 in France a local Scout group, attempting to remove modern graffiti, damaged two prehistoric paintings of bison in the Cave of Mayrière supérieure near the French village of Bruniquel in Tarn-et-Garonne, earning them the 1992 Ig Nobel Prize in archeology.
In September 2006, the European Parliament directed the European Commission to create urban environment policies to prevent and eliminate dirt, litter, graffiti, animal excrement, and excessive noise from domestic and vehicular music systems in European cities, along with other concerns over urban life.
In Budapest, Hungary, both a city-backed movement called I Love Budapest and a special police division tackle the problem, including the provision of approved areas.
The Anti-social Behaviour Act 2003 became Britain's latest anti-graffiti legislation. In August 2004, the Keep Britain Tidy campaign issued a press release calling for zero tolerance of graffiti and supporting proposals such as issuing "on the spot" fines to graffiti offenders and banning the sale of aerosol paint to anyone under the age of 16. The press release also condemned the use of graffiti images in advertising and in music videos, arguing that real-world experience of graffiti stood far removed from its often-portrayed "cool" or "edgy'" image.
To back the campaign, 123 Members of Parliament (MPs) (including then Prime Minister Tony Blair), signed a charter which stated: "Graffiti is not art, it's crime. On behalf of my constituents, I will do all I can to rid our community of this problem."
In the UK, city councils have the power to take action against the owner of any property that has been defaced under the Anti-social Behaviour Act 2003 (as amended by the Clean Neighbourhoods and Environment Act 2005) or, in certain cases, the Highways Act. This is often used against owners of property that are complacent in allowing protective boards to be defaced so long as the property is not damaged.
In July 2008, a conspiracy charge was used to convict graffitists for the first time. After a three-month police surveillance operation, nine members of the DPM crew were convicted of conspiracy to commit criminal damage costing at least £1 million. Five of them received prison sentences, ranging from eighteen months to two years. The unprecedented scale of the investigation and the severity of the sentences rekindled public debate over whether graffiti should be considered art or crime.
Some councils, like those of Stroud and Loerrach, provide approved areas in the town where graffitists can showcase their talents, including underpasses, car parks, and walls that might otherwise prove a target for the "spray and run".
Graffiti Tunnel, University of Sydney at Camperdown (2009)
In an effort to reduce vandalism, many cities in Australia have designated walls or areas exclusively for use by graffitists. One early example is the "Graffiti Tunnel" located at the Camperdown Campus of the University of Sydney, which is available for use by any student at the university to tag, advertise, poster, and paint. Advocates of this idea suggest that this discourages petty vandalism yet encourages artists to take their time and produce great art, without worry of being caught or arrested for vandalism or trespassing.[108][109] Others disagree with this approach, arguing that the presence of legal graffiti walls does not demonstrably reduce illegal graffiti elsewhere. Some local government areas throughout Australia have introduced "anti-graffiti squads", who clean graffiti in the area, and such crews as BCW (Buffers Can't Win) have taken steps to keep one step ahead of local graffiti cleaners.
Many state governments have banned the sale or possession of spray paint to those under the age of 18 (age of majority). However, a number of local governments in Victoria have taken steps to recognize the cultural heritage value of some examples of graffiti, such as prominent political graffiti. Tough new graffiti laws have been introduced in Australia with fines of up to A$26,000 and two years in prison.
Melbourne is a prominent graffiti city of Australia with many of its lanes being tourist attractions, such as Hosier Lane in particular, a popular destination for photographers, wedding photography, and backdrops for corporate print advertising. The Lonely Planet travel guide cites Melbourne's street as a major attraction. All forms of graffiti, including sticker art, poster, stencil art, and wheatpasting, can be found in many places throughout the city. Prominent street art precincts include; Fitzroy, Collingwood, Northcote, Brunswick, St. Kilda, and the CBD, where stencil and sticker art is prominent. As one moves farther away from the city, mostly along suburban train lines, graffiti tags become more prominent. Many international artists such as Banksy have left their work in Melbourne and in early 2008 a perspex screen was installed to prevent a Banksy stencil art piece from being destroyed, it has survived since 2003 through the respect of local street artists avoiding posting over it, although it has recently had paint tipped over it.
In February 2008 Helen Clark, the New Zealand prime minister at that time, announced a government crackdown on tagging and other forms of graffiti vandalism, describing it as a destructive crime representing an invasion of public and private property. New legislation subsequently adopted included a ban on the sale of paint spray cans to persons under 18 and increases in maximum fines for the offence from NZ$200 to NZ$2,000 or extended community service. The issue of tagging become a widely debated one following an incident in Auckland during January 2008 in which a middle-aged property owner stabbed one of two teenage taggers to death and was subsequently convicted of manslaughter.
Graffiti databases have increased in the past decade because they allow vandalism incidents to be fully documented against an offender and help the police and prosecution charge and prosecute offenders for multiple counts of vandalism. They also provide law enforcement the ability to rapidly search for an offender's moniker or tag in a simple, effective, and comprehensive way. These systems can also help track costs of damage to a city to help allocate an anti-graffiti budget. The theory is that when an offender is caught putting up graffiti, they are not just charged with one count of vandalism; they can be held accountable for all the other damage for which they are responsible. This has two main benefits for law enforcement. One, it sends a signal to the offenders that their vandalism is being tracked. Two, a city can seek restitution from offenders for all the damage that they have committed, not merely a single incident. These systems give law enforcement personnel real-time, street-level intelligence that allows them not only to focus on the worst graffiti offenders and their damage, but also to monitor potential gang violence that is associated with the graffiti.
Many restrictions of civil gang injunctions are designed to help address and protect the physical environment and limit graffiti. Provisions of gang injunctions include things such as restricting the possession of marker pens, spray paint cans, or other sharp objects capable of defacing private or public property; spray painting, or marking with marker pens, scratching, applying stickers, or otherwise applying graffiti on any public or private property, including, but not limited to the street, alley, residences, block walls, and fences, vehicles or any other real or personal property. Some injunctions contain wording that restricts damaging or vandalizing both public and private property, including but not limited to any vehicle, light fixture, door, fence, wall, gate, window, building, street sign, utility box, telephone box, tree, or power pole.
To help address many of these issues, many local jurisdictions have set up graffiti abatement hotlines, where citizens can call in and report vandalism and have it removed. San Diego's hotline receives more than 5,000 calls per year, in addition to reporting the graffiti, callers can learn more about prevention. One of the complaints about these hotlines is the response time; there is often a lag time between a property owner calling about the graffiti and its removal. The length of delay should be a consideration for any jurisdiction planning on operating a hotline. Local jurisdictions must convince the callers that their complaint of vandalism will be a priority and cleaned off right away. If the jurisdiction does not have the resources to respond to complaints in a timely manner, the value of the hotline diminishes. Crews must be able to respond to individual service calls made to the graffiti hotline as well as focus on cleanup near schools, parks, and major intersections and transit routes to have the biggest impact. Some cities offer a reward for information leading to the arrest and prosecution of suspects for tagging or graffiti related vandalism. The amount of the reward is based on the information provided, and the action taken.
When police obtain search warrants in connection with a vandalism investigation, they are often seeking judicial approval to look for items such as cans of spray paint and nozzles from other kinds of aerosol sprays; etching tools, or other sharp or pointed objects, which could be used to etch or scratch glass and other hard surfaces; permanent marking pens, markers, or paint sticks; evidence of membership or affiliation with any gang or tagging crew; paraphernalia including any reference to "(tagger's name)"; any drawings, writing, objects, or graffiti depicting taggers' names, initials, logos, monikers, slogans, or any mention of tagging crew membership; and any newspaper clippings relating to graffiti crime.
The last of the Lego-related photos I took while home. A few Batman villains that weren't so far down the ladder... and one Superman foe.
I feel like Superman C-listers are on par with lousy gimmicks as Bat-Villains, yet here we are. Maybe the Prankster will stumble his way on here.
The Ten-Eyed Man: Saw Allo's use of the eyeball tile pieces and put them on a version from a Batman Rebirth issue called "Rooftops", an issue that sprung up an idea for a project that I may or may not further: Voldemort Torso
Allergent: What's his story you ask? Wanted to destroy all plant life, yadda yadda, escapes Ivy, caught by Lock-Up in his debut. Never seen again after that whole ordeal. Almost passes for a quick Heatwave: Old helmet I'll get back to labelling, Indiana Jones Russian head, and an old stormtrooper torso.
Cavalier: You notice there are quite a few villains that have the gimmick of believing they're from history or a story?: CMF Musketeer hat and sword, POTC Jack Sparrow head, and Avatar Sokka torso.
Signalman: I couldn't wait longer for me to order the MM Iron Man, but more so wanted to try out the cape idea on him, since this design's been done almost as much as the Cavalier:
Iron Fist Head, Bart Simpson torso, CMF Wizard Cape, and CMF Hula Girl Legs.
Great White Shark: The torso was pretty much the reason for him. Also him being a pretty decent closet C-lister: Voldemort head, Harry Potter (?) torso.
Funnyface: Well, he's here: CMF LM Bad Cop head, Eraser torso, and Trickster Legs.
A few of these were practice for a "Rooftops" project I had. However, I need to find an actual werewolf head... as well as a few other rogues.
Werewolf: There's no fig formula here but Batman just fights pretty much anything, including a werewolf that he's fine with it lurking around Gotham: CMF Werewolf fig.
At first glance this bird resembles a vulture but it is actually more closely related to ducks. It is a Southern Screamer (Chauna torquata) from South America, one of three extant species of Screamer that are an evolutionary oddity as they lack the small projections found on other birds' ribs (called uncinate processes). Game birds and ducks are closely related and Screamers (Anhimidae) are an early offshoot of this ancient evolutionary family. Their feet and beaks are very gamebird-like but apparently they are closer to ducks. You can also see a fearsome-looking spur sticking out from the front of each wing, that they use for fighting, and sometimes they snap off in other birds, but they grow back. They also have air-sacs beneath the skin which makes them unpleasant to eat (apparently). The generic name Chauna means spongy, referring to these air-sacs. Latham in 1785 wrote "When any part of the skin is touched by hand a crackling is felt" so I presume the air-sac skin must be rather like bubble-wrap, though I have never touched a Screamer. And the name Screamer, obviously comes from their call, which sounds rather goose-like: xeno-canto.org/494930
I took this photo at Costanera Sur wetland reserve in Buenos Aries. This is a photo that I have had for ages so have just started a new Argentina album for this and others.
"As a woman I have no country.
As a woman I want no country.
As a woman, my country is the whole world."
(Virginia Woolf - English writer, 1882–1941)
This lady was changing clothes after having a bath in the holy waters of the Ganges in Varanasi (Benaras).
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Au temps jadis, alors que dans toutes les régions de notre pays, les hommes œuvraient et défrichaient, elfes et fées s'étaient réfugiés en un lieu qu'ils avaient rendu inaccessible. C'était une haute vallée entourée d'une ceinture de montagnes hérissées de forêts enchevêtrées. Là, dans un décor charmant, un lac ravissant clapotait, tandis que, sur ses rives, fleurissait un éternel printemps.
Il y croissait les fleurs les plus délicates, aux couleurs irisées. Les elfes, tout menus et gracieux, voltigeaient d'une corolle à l'autre, en compagnie de papillons bigarrés. Les fées, aux longues robes diaprées, dansaient sur l'eau les soirs de clair de lune, au son d'une musique harmonieuse et légère. Flora lyse, la reine des fées, régnait sur ce domaine enchanté.
Or, un jour que tout ce petit monde s'ébattait joyeusement, une biche survient, hors d'haleine.
- Alerte! Les forêts vont s'ouvrir et les hommes envahiront votre royaume! Aussitôt on l'entoure. Les questions pleuvent:
- Quand? - Comment? - Pourquoi? - Les hommes, merci ! On se passe de leur société! La reine Flora lyse saura bien lancer aux alentours des sortilèges qui empêcheront leur intrusion! Toutefois, elle, qui vient de discourir longuement avec la biche, secoue gravement la tête. Non, aucune magie ne pourra agir en l'occurrence: ceux qui projettent de venir dans la vallée sont des moines. Dieu les protège.
- Dans ce cas, remarque Prunet, l'elfe aux ailes violettes, ils ne nous feront pas de mal! - Non, certainement pas, admet la reine. Mais en abattant une partie des forêts, ils ouvriront un passage aux vents et aux l'hiver pénétrera derrière eux. Puis, peu à peu, d’autres hommes viendront et s'établiront sur nos rives. qu'allons-nous devenir? disent les elfes en s'asseyant par terre, prêts à pleurer.
- Ne commencez pas à pleurnicher, protestent Luciole et Myrtille, les fées qui vivent à la lisière des bois. Si les hommes sont vraiment trop rudes pour le petit peuple que nous sommes, nous nous retirerons au fond du lac, voilà tout! Qu'en pense notre gracieuse souveraine?
- La première chose à faire, décide Floralyse, en dressant fièrement sa tête mignonne couronnée de fleurs d'or, est d'envoyer des messagers qui, à leur insu, observeront les hommes s'apprêtant à envahir notre vallée. S'ils se révèlent moins frustes que nous le supposons, il y aura peut-être possibilité de communiquer avec eux.
- Et si ce sont des rustres? interroge Liseron, le fragile elfe bleu à la voix cristalline.
- Dans ce cas, comme l'ont dit Luciole et Myrtille, il faudra nous résoudre à disparaître dans les demeures souterraines où nous créerons un palais qui abritera fleurs rares, insectes trop fragiles, oiseaux et animaux désirant nous accompagner dans notre exil.
Sans tarder davantage, le petit peuple commence ses investigations. Liseron et Prunet, les plus hardis parmi les elfes, se proposent comme observateurs. L'un quitte la vallée guidé par un rouge-gorge, l'autre s'en va dans la direction opposée, accompagné d'une abeille expérimentée.
Ils reparaissent le lendemain, épuisés de fatigue et stupéfaits de ce qu'ils ont vu et entendu. Elfes et fées les écoutent, consternés, tandis qu'ils présentent leurs rapports à la reine Floralyse.
- Hélas! Majesté, annonce Prunet, à mon avis, nous ne pouvons cohabiter avec les hommes. Jamais ils ne nous comprendront. Ils ne savent ni voir, ni entendre ce que la nature leur dispense, et cherchent le bonheur je ne sais où, sans remarquer toutes les joies qu'ils ont à leur portée.
- J'ai chanté pour eux mes plus douces mélodies, se désole Liseron, personne n'y a pris garde.
- J'ai dansé dans un rayon de lune et nul ne l'a remarqué, s'indigne Prunet.
- Comment est-ce possible! murmurent tous les assistants. En êtes-vous sûrs?
- Je crois, dit alors la reine Floralyse, que ces faits sont tristement exacts. Toutefois, avant de prendre une décision, je vais tenter quelques expériences et me rendre en personne sur les lieux. Que l'on amène mon char volant!
Anxieux, le petit peuple voit s'éloigner sa souveraine, dans un pétale de rose traîné par des libellules. Heureusement, elle ne tarde pas à reparaître.
- Non, crie-t-elle avant même d'atterrir, ne nous mêlons pas à de pareilles gens. J'ai fait éclore pour eux des fleurettes exquises et ils les ont foulées aux pieds. Vite, au travail, quittons la surface de la terre!
Lorsque les hommes arrivèrent à la vallée qu'ils nommèrent « Joux » à cause de ses forêts, le petit peuple vivait heureux dans un palais souterrain dont on voit toujours les orifices. Le rocher qui émerge parfois dans le lac n'est autre que le sommet de sa tour.
In olden days, whereas in all regions of our country, the men were working and cleared, elves and fairies had taken refuge in a place they had rendered inaccessible. It was a high valley surrounded by a ring of mountains bristling with tangled forests. There, in a charming setting, a beautiful lake lapped, while on its banks, flourishing an eternal spring.
There grew the most delicate flowers, iridescent colors. The elves, all menus and graceful, fluttering from a corolla to another, accompanied by colorful butterflies. The fairies, the variegated robes, danced on the water in the evening moonlight, the sound of harmonious music and light. Flora lysis, the fairy queen, ruled this enchanted domain.
But one day that all this little world frolicked happily, a deer comes out of breath.
- Warning! The forests are open and men invade your kingdom! Immediately surrounding it. The questions rained:
- When? - How? - Why? - Men, thank you! It happens to their company! Queen Flora lysis will run well around the spells that will prevent their intrusion! However, she comes to talk at length with the doe, shaking his head gravely. No, no magic can act in this case: those who plan to come to the valley are monks. God protects them.
- In this case, note Prunet, the elf with purple wings, they will do us no harm! - No, certainly not the queen admits. But by breaking down some of the forests, they will open a passage to winds and winter penetrate behind. Then, gradually, other people will come and settle on our shores. what are we becoming? say elves sitting on the floor, ready to cry.
- Do not start whining, protesting and Blueberry Firefly, fairies living at the edge of the woods. If men are really too harsh for the little people we are, we will remove the lake bottom, that's all! What does our gracious sovereign?
- The first thing to do, decides Floralyse, standing proudly in his cute head crowned with golden flowers, is to send messengers who, unbeknownst to them, observe the men preparing to invade our valley. If they are less crude than we suppose, there might be able to communicate with them.
- And if they are clowns? Bindweed questioned the fragile elf blue crystalline voice.
- In this case, as stated Firefly and Bilberry, we must resign ourselves to disappear into the underground dwellings where we will create a palace to house rare flowers, insects too fragile birds and animals who wish to accompany us in our exile.
Without further delay, the little people begin its investigations. Bindweed and Prunet, the boldest among the elves, offer themselves as observers. One leaves the valley guided by a robin, the other goes in the opposite direction, with an experienced bee.
They reappeared the next day, exhausted from fatigue and amazed at what they saw and heard. Elves and fairies are listening, dismayed, as they present their reports to the queen Floralyse.
- Alas! Majesty announced Prunet, in my opinion, we can not live with men. They never understand us. They can neither see nor hear what nature provides them, and seek happiness I know not where, but notice all the joy they have at their disposal.
- I sang for them my sweetest melodies, laments bindweed, nobody has noticed.
- I danced in the moonlight and no one has noticed, indignant Prunet.
- How is it possible? murmur all present. Are you sure?
- I think, "said the queen Floralyse that these facts are sadly true. However, before making a decision, I will try some experiments and go in person to the scene. Whether you take my flying car!
Anxious, the small nation's sovereignty is further away, in a rose petal drawn by dragonflies. Fortunately, it does not take long to reappear.
- No, cried even before she landed, we did not mingle with such people. I hatched for them exquisite flowers and they were trampled. Quick, to work, leaving the surface of the earth!
When the men arrived at the valley which they named "Joux" because of its forests, the little people lived happily in an underground palace which we always see the holes. The rock which sometimes emerges in the lake is just the top of his tower.
Domi
A dragonfly is an insect belonging to the order Odonata, infraorder Anisoptera (from Greek ἄνισος anisos, "unequal" and πτερόν pteron, "wing", because the hindwing is broader than the forewing). Adult dragonflies are characterized by large, multifaceted eyes, two pairs of strong, transparent wings, sometimes with coloured patches, and an elongated body. Dragonflies can be mistaken for the related group, damselflies (Zygoptera), which are similar in structure, though usually lighter in build; however, the wings of most dragonflies are held flat and away from the body, while damselflies hold their wings folded at rest, along or above the abdomen. Dragonflies are agile fliers, while damselflies have a weaker, fluttery flight. Many dragonflies have brilliant iridescent or metallic colours produced by structural colouration, making them conspicuous in flight. An adult dragonfly's compound eyes have nearly 24,000 ommatidia each.
Fossils of very large dragonfly-like insects, sometimes called griffinflies, are found from 325 million years ago (Mya) in Upper Carboniferous rocks; these had wingspans up to about 750 mm (30 in), but were only distant ancestors, not true dragonflies. About 3,000 extant species of true dragonfly are known. Most are tropical, with fewer species in temperate regions. Loss of wetland habitat threatens dragonfly populations around the world.
Dragonflies are predators, both in their aquatic nymphs stage (also known as naiads) and as adults. In some species, the nymphal stage lasts for up to five years, and the adult stage may be as long as ten weeks, but most species have an adult lifespan in the order of five weeks or less, and some survive for only a few days. They are fast, agile fliers, sometimes migrating across oceans, and often live near water. They have a uniquely complex mode of reproduction involving indirect insemination, delayed fertilization, and sperm competition. During mating, the male grasps the female at the back of the head, and the female curls her abdomen under her body to pick up sperm from the male's secondary genitalia at the front of his abdomen, forming the "heart" or "wheel" posture.
Dragonflies are represented in human culture on artefacts such as pottery, rock paintings, statues and Art Nouveau jewellery. They are used in traditional medicine in Japan and China, and caught for food in Indonesia. They are symbols of courage, strength, and happiness in Japan, but seen as sinister in European folklore. Their bright colours and agile flight are admired in the poetry of Lord Tennyson and the prose of H. E. Bates.
Evolution
Dragonflies and their relatives are similar in structure to an ancient group, meganisoptera, from the 325 Mya Upper Carboniferous of Europe, a group that included the largest insect that ever lived, Meganeuropsis permiana from the Early Permian, with a wingspan around 750 mm (30 in);. Known informally as "griffinflies", their fossil record ends with the Permian–Triassic extinction event (about 247 Mya). The Protanisoptera, another ancestral group that lacks certain wing vein characters found in modern Odonata, lived from the Early to Late Permian age until the end Permian event, and are known from fossil wings from current-day United States, Russia, and Australia, suggesting they might have been cosmopolitan in distribution. While both of those groups are sometimes referred to as "giant dragonflies", in fact true dragonflies/odonata are more modern insects that had not evolved yet.
Modern dragonflies do retain some traits of their distant predecessors, and are in a group known as palaeoptera, ancient-winged. They, like the gigantic pre-dinosaur griffinflies, lack the ability to fold their wings up against their bodies in the way modern insects do, although some evolved their own different way to do so. The forerunners of modern Odonata are included in a clade called the Panodonata, which include the basal Zygoptera (damselflies) and the Anisoptera (true dragonflies). Today, some 3,000 species are extant around the world.
The relationships of anisopteran families are not fully resolved as of 2013, but all the families are monophyletic except the Corduliidae; the Gomphidae are a sister taxon to all other Anisoptera, the Austropetaliidae are sister to the Aeshnoidea, and the Chlorogomphidae are sister to a clade that includes the Synthemistidae and Libellulidae. On the cladogram, dashed lines indicate unresolved relationships; English names are given (in parentheses)
Distribution and diversity
About 3,012 species of dragonflies were known in 2010; these are classified into 348 genera in 11 families. The distribution of diversity within the biogeographical regions are summarized below (the world numbers are not ordinary totals, as overlaps in species occur).
Dragonflies live on every continent except Antarctica. In contrast to the damselflies (Zygoptera), which tend to have restricted distributions, some genera and species are spread across continents. For example, the blue-eyed darner Rhionaeschna multicolor lives all across North America, and in Central America; emperors Anax live throughout the Americas from as far north as Newfoundland to as far south as Bahia Blanca in Argentina, across Europe to central Asia, North Africa, and the Middle East. The globe skimmer Pantala flavescens is probably the most widespread dragonfly species in the world; it is cosmopolitan, occurring on all continents in the warmer regions. Most Anisoptera species are tropical, with far fewer species in temperate regions.
Some dragonflies, including libellulids and aeshnids, live in desert pools, for example in the Mojave Desert, where they are active in shade temperatures between 18 and 45 °C (64.4 to 113 °F); these insects were able to survive body temperatures above the thermal death point of insects of the same species in cooler places.
Dragonflies live from sea level up to the mountains, decreasing in species diversity with altitude. Their altitudinal limit is about 3700 m, represented by a species of Aeshna in the Pamirs.
Dragonflies become scarce at higher latitudes. They are not native to Iceland, but individuals are occasionally swept in by strong winds, including a Hemianax ephippiger native to North Africa, and an unidentified darter species. In Kamchatka, only a few species of dragonfly including the treeline emerald Somatochlora arctica and some aeshnids such as Aeshna subarctica are found, possibly because of the low temperature of the lakes there. The treeline emerald also lives in northern Alaska, within the Arctic Circle, making it the most northerly of all dragonflies.
General description
Dragonflies (suborder Anisoptera) are heavy-bodied, strong-flying insects that hold their wings horizontally both in flight and at rest. By contrast, damselflies (suborder Zygoptera) have slender bodies and fly more weakly; most species fold their wings over the abdomen when stationary, and the eyes are well separated on the sides of the head.
An adult dragonfly has three distinct segments, the head, thorax, and abdomen, as in all insects. It has a chitinous exoskeleton of hard plates held together with flexible membranes. The head is large with very short antennae. It is dominated by the two compound eyes, which cover most of its surface. The compound eyes are made up of ommatidia, the numbers being greater in the larger species. Aeshna interrupta has 22650 ommatidia of two varying sizes, 4500 being large. The facets facing downward tend to be smaller. Petalura gigantea has 23890 ommatidia of just one size. These facets provide complete vision in the frontal hemisphere of the dragonfly. The compound eyes meet at the top of the head (except in the Petaluridae and Gomphidae, as also in the genus Epiophlebia). Also, they have three simple eyes or ocelli. The mouthparts are adapted for biting with a toothed jaw; the flap-like labrum, at the front of the mouth, can be shot rapidly forward to catch prey. The head has a system for locking it in place that consists of muscles and small hairs on the back of the head that grip structures on the front of the first thoracic segment. This arrester system is unique to the Odonata, and is activated when feeding and during tandem flight.
The thorax consists of three segments as in all insects. The prothorax is small and is flattened dorsally into a shield-like disc, which has two transverse ridges. The mesothorax and metathorax are fused into a rigid, box-like structure with internal bracing, and provide a robust attachment for the powerful wing muscles inside. The thorax bears two pairs of wings and three pairs of legs. The wings are long, veined, and membranous, narrower at the tip and wider at the base. The hindwings are broader than the forewings and the venation is different at the base. The veins carry haemolymph, which is analogous to blood in vertebrates, and carries out many similar functions, but which also serves a hydraulic function to expand the body between nymphal stages (instars) and to expand and stiffen the wings after the adult emerges from the final nymphal stage. The leading edge of each wing has a node where other veins join the marginal vein, and the wing is able to flex at this point. In most large species of dragonflies, the wings of females are shorter and broader than those of males. The legs are rarely used for walking, but are used to catch and hold prey, for perching, and for climbing on plants. Each has two short basal joints, two long joints, and a three-jointed foot, armed with a pair of claws. The long leg joints bear rows of spines, and in males, one row of spines on each front leg is modified to form an "eyebrush", for cleaning the surface of the compound eye.
The abdomen is long and slender and consists of 10 segments. Three terminal appendages are on segment 10; a pair of superiors (claspers) and an inferior. The second and third segments are enlarged, and in males, on the underside of the second segment has a cleft, forming the secondary genitalia consisting of the lamina, hamule, genital lobe, and penis. There are remarkable variations in the presence and the form of the penis and the related structures, the flagellum, cornua, and genital lobes. Sperm is produced at the 9th segment, and is transferred to the secondary genitalia prior to mating. The male holds the female behind the head using a pair of claspers on the terminal segment. In females, the genital opening is on the underside of the eighth segment, and is covered by a simple flap (vulvar lamina) or an ovipositor, depending on species and the method of egg-laying. Dragonflies having simple flaps shed the eggs in water, mostly in flight. Dragonflies having ovipositors use them to puncture soft tissues of plants and place the eggs singly in each puncture they make.
Dragonfly nymphs vary in form with species, and are loosely classed into claspers, sprawlers, hiders, and burrowers. The first instar is known as a prolarva, a relatively inactive stage from which it quickly moults into the more active nymphal form. The general body plan is similar to that of an adult, but the nymph lacks wings and reproductive organs. The lower jaw has a huge, extensible labium, armed with hooks and spines, which is used for catching prey. This labium is folded under the body at rest and struck out at great speed by hydraulic pressure created by the abdominal muscles. Whereas damselfly nymphs have three feathery external gills, dragonfly nymphs have internal gills, located around the fourth and fifth abdominal segments. Water is pumped in and out of the abdomen through an opening at the tip. The naiads of some clubtails (Gomphidae) that burrow into the sediment, have a snorkel-like tube at the end of the abdomen enabling them to draw in clean water while they are buried in mud. Naiads can forcefully expel a jet of water to propel themselves with great rapidity.
Colouration
Many adult dragonflies have brilliant iridescent or metallic colours produced by structural colouration, making them conspicuous in flight. Their overall colouration is often a combination of yellow, red, brown, and black pigments, with structural colours. Blues are typically created by microstructures in the cuticle that reflect blue light. Greens often combine a structural blue with a yellow pigment. Freshly emerged adults, known as tenerals, are often pale-coloured and obtain their typical colours after a few days, some have their bodies covered with a pale blue, waxy powderiness called pruinosity; it wears off when scraped during mating, leaving darker areas.
Some dragonflies, such as the green darner, Anax junius, have a noniridescent blue that is produced structurally by scatter from arrays of tiny spheres in the endoplasmic reticulum of epidermal cells underneath the cuticle.
The wings of dragonflies are generally clear, apart from the dark veins and pterostigmata. In the chasers (Libellulidae), however, many genera have areas of colour on the wings: for example, groundlings (Brachythemis) have brown bands on all four wings, while some scarlets (Crocothemis) and dropwings (Trithemis) have bright orange patches at the wing bases. Some aeshnids such as the brown hawker (Aeshna grandis) have translucent, pale yellow wings.
Dragonfly nymphs are usually a well-camouflaged blend of dull brown, green, and grey.
Biology
Ecology
Dragonflies and damselflies are predatory both in the aquatic nymphal and adult stages. Nymphs feed on a range of freshwater invertebrates and larger ones can prey on tadpoles and small fish. Adults capture insect prey in the air, making use of their acute vision and highly controlled flight. The mating system of dragonflies is complex, and they are among the few insect groups that have a system of indirect sperm transfer along with sperm storage, delayed fertilization, and sperm competition.
Adult males vigorously defend territories near water; these areas provide suitable habitat for the nymphs to develop, and for females to lay their eggs. Swarms of feeding adults aggregate to prey on swarming prey such as emerging flying ants or termites.
Dragonflies as a group occupy a considerable variety of habitats, but many species, and some families, have their own specific environmental requirements. Some species prefer flowing waters, while others prefer standing water. For example, the Gomphidae (clubtails) live in running water, and the Libellulidae (skimmers) live in still water. Some species live in temporary water pools and are capable of tolerating changes in water level, desiccation, and the resulting variations in temperature, but some genera such as Sympetrum (darters) have eggs and nymphs that can resist drought and are stimulated to grow rapidly in warm, shallow pools, also often benefiting from the absence of predators there. Vegetation and its characteristics including submerged, floating, emergent, or waterside are also important. Adults may require emergent or waterside plants to use as perches; others may need specific submerged or floating plants on which to lay eggs. Requirements may be highly specific, as in Aeshna viridis (green hawker), which lives in swamps with the water-soldier, Stratiotes aloides. The chemistry of the water, including its trophic status (degree of enrichment with nutrients) and pH can also affect its use by dragonflies. Most species need moderate conditions, not too eutrophic, not too acidic; a few species such as Sympetrum danae (black darter) and Libellula quadrimaculata (four-spotted chaser) prefer acidic waters such as peat bogs, while others such as Libellula fulva (scarce chaser) need slow-moving, eutrophic waters with reeds or similar waterside plants.
Behaviour
Many dragonflies, particularly males, are territorial. Some defend a territory against others of their own species, some against other species of dragonfly and a few against insects in unrelated groups. A particular perch may give a dragonfly a good view over an insect-rich feeding ground; males of many species such as the Pachydiplax longipennis (blue dasher) jostle other dragonflies to maintain the right to alight there. Defending a breeding territory is common among male dragonflies, especially in species that congregate around ponds. The territory contains desirable features such as a sunlit stretch of shallow water, a special plant species, or the preferred substrate for egg-laying. The territory may be small or large, depending on its quality, the time of day, and the number of competitors, and may be held for a few minutes or several hours. Dragonflies including Tramea lacerata (black saddlebags) may notice landmarks that assist in defining the boundaries of the territory. Landmarks may reduce the costs of territory establishment, or might serve as a spatial reference. Some dragonflies signal ownership with striking colours on the face, abdomen, legs, or wings. The Plathemis lydia (common whitetail) dashes towards an intruder holding its white abdomen aloft like a flag. Other dragonflies engage in aerial dogfights or high-speed chases. A female must mate with the territory holder before laying her eggs. There is also conflict between the males and females. Females may sometimes be harassed by males to the extent that it affects their normal activities including foraging and in some dimorphic species females have evolved multiple forms with some forms appearing deceptively like males. In some species females have evolved behavioural responses such as feigning death to escape the attention of males. Similarly, selection of habitat by adult dragonflies is not random, and terrestrial habitat patches may be held for up to 3 months. A species tightly linked to its birth site utilises a foraging area that is several orders of magnitude larger than the birth site.
Reproduction
Mating in dragonflies is a complex, precisely choreographed process. First, the male has to attract a female to his territory, continually driving off rival males. When he is ready to mate, he transfers a packet of sperm from his primary genital opening on segment 9, near the end of his abdomen, to his secondary genitalia on segments 2–3, near the base of his abdomen. The male then grasps the female by the head with the claspers at the end of his abdomen; the structure of the claspers varies between species, and may help to prevent interspecific mating. The pair flies in tandem with the male in front, typically perching on a twig or plant stem. The female then curls her abdomen downwards and forwards under her body to pick up the sperm from the male's secondary genitalia, while the male uses his "tail" claspers to grip the female behind the head: this distinctive posture is called the "heart" or "wheel"; the pair may also be described as being "in cop".
Egg-laying (ovipositing) involves not only the female darting over floating or waterside vegetation to deposit eggs on a suitable substrate, but also the male hovering above her or continuing to clasp her and flying in tandem. The male attempts to prevent rivals from removing his sperm and inserting their own, something made possible by delayed fertilisation and driven by sexual selection. If successful, a rival male uses his penis to compress or scrape out the sperm inserted previously; this activity takes up much of the time that a copulating pair remains in the heart posture. Flying in tandem has the advantage that less effort is needed by the female for flight and more can be expended on egg-laying, and when the female submerges to deposit eggs, the male may help to pull her out of the water.
Egg-laying takes two different forms depending on the species. The female in some families has a sharp-edged ovipositor with which she slits open a stem or leaf of a plant on or near the water, so she can push her eggs inside. In other families such as clubtails (Gomphidae), cruisers (Macromiidae), emeralds (Corduliidae), and skimmers (Libellulidae), the female lays eggs by tapping the surface of the water repeatedly with her abdomen, by shaking the eggs out of her abdomen as she flies along, or by placing the eggs on vegetation. In a few species, the eggs are laid on emergent plants above the water, and development is delayed until these have withered and become immersed.
Life cycle
Dragonflies are hemimetabolous insects; they do not have a pupal stage and undergo an incomplete metamorphosis with a series of nymphal stages from which the adult emerges. Eggs laid inside plant tissues are usually shaped like grains of rice, while other eggs are the size of a pinhead, ellipsoidal, or nearly spherical. A clutch may have as many as 1500 eggs, and they take about a week to hatch into aquatic nymphs or naiads which moult between six and 15 times (depending on species) as they grow. Most of a dragonfly's life is spent as a nymph, beneath the water's surface. The nymph extends its hinged labium (a toothed mouthpart similar to a lower mandible, which is sometimes termed as a "mask" as it is normally folded and held before the face) that can extend forward and retract rapidly to capture prey such as mosquito larvae, tadpoles, and small fish. They breathe through gills in their rectum, and can rapidly propel themselves by suddenly expelling water through the anus. Some naiads, such as the later stages of Antipodophlebia asthenes, hunt on land.
The nymph stage of dragonflies lasts up to five years in large species, and between two months and three years in smaller species. When the naiad is ready to metamorphose into an adult, it stops feeding and makes its way to the surface, generally at night. It remains stationary with its head out of the water, while its respiration system adapts to breathing air, then climbs up a reed or other emergent plant, and moults (ecdysis). Anchoring itself firmly in a vertical position with its claws, its skin begins to split at a weak spot behind the head. The adult dragonfly crawls out of its nymph skin, the exuvia, arching backwards when all but the tip of its abdomen is free, to allow its exoskeleton to harden. Curling back upwards, it completes its emergence, swallowing air, which plumps out its body, and pumping haemolymph into its wings, which causes them to expand to their full extent.
Dragonflies in temperate areas can be categorized into two groups, an early group and a later one. In any one area, individuals of a particular "spring species" emerge within a few days of each other. The springtime darner (Basiaeschna janata), for example, is suddenly very common in the spring, but disappears a few weeks later and is not seen again until the following year. By contrast, a "summer species" emerges over a period of weeks or months, later in the year. They may be seen on the wing for several months, but this may represent a whole series of individuals, with new adults hatching out as earlier ones complete their lifespans.
Sex ratios
The sex ratio of male to female dragonflies varies both temporally and spatially. Adult dragonflies have a high male-biased ratio at breeding habitats. The male-bias ratio has contributed partially to the females using different habitats to avoid male harassment. As seen in Hine's emerald dragonfly (Somatochlora hineana), male populations use wetland habitats, while females use dry meadows and marginal breeding habitats, only migrating to the wetlands to lay their eggs or to find mating partners. Unwanted mating is energetically costly for females because it affects the amount of time that they are able to spend foraging.
Flight
Dragonflies are powerful and agile fliers, capable of migrating across the sea, moving in any direction, and changing direction suddenly. In flight, the adult dragonfly can propel itself in six directions: upward, downward, forward, backward, to left and to right. They have four different styles of flight: A number of flying modes are used that include counter-stroking, with forewings beating 180° out of phase with the hindwings, is used for hovering and slow flight. This style is efficient and generates a large amount of lift; phased-stroking, with the hindwings beating 90° ahead of the forewings, is used for fast flight. This style creates more thrust, but less lift than counter-stroking; synchronised-stroking, with forewings and hindwings beating together, is used when changing direction rapidly, as it maximises thrust; and gliding, with the wings held out, is used in three situations: free gliding, for a few seconds in between bursts of powered flight; gliding in the updraft at the crest of a hill, effectively hovering by falling at the same speed as the updraft; and in certain dragonflies such as darters, when "in cop" with a male, the female sometimes simply glides while the male pulls the pair along by beating his wings.
The wings are powered directly, unlike most families of insects, with the flight muscles attached to the wing bases. Dragonflies have a high power/weight ratio, and have been documented accelerating at 4 G linearly and 9 G in sharp turns while pursuing prey.
Dragonflies generate lift in at least four ways at different times, including classical lift like an aircraft wing; supercritical lift with the wing above the critical angle, generating high lift and using very short strokes to avoid stalling; and creating and shedding vortices. Some families appear to use special mechanisms, as for example the Libellulidae which take off rapidly, their wings beginning pointed far forward and twisted almost vertically. Dragonfly wings behave highly dynamically during flight, flexing and twisting during each beat. Among the variables are wing curvature, length and speed of stroke, angle of attack, forward/back position of wing, and phase relative to the other wings.
Flight speed
Old and unreliable claims are made that dragonflies such as the southern giant darner can fly up to 97 km/h (60 mph). However, the greatest reliable flight speed records are for other types of insects. In general, large dragonflies like the hawkers have a maximum speed of 36–54 km/h (22–34 mph) with average cruising speed of about 16 km/h (9.9 mph). Dragonflies can travel at 100 body-lengths per second in forward flight, and three lengths per second backwards.
Motion camouflage
n high-speed territorial battles between male Australian emperors (Hemianax papuensis), the fighting dragonflies adjust their flight paths to appear stationary to their rivals, minimizing the chance of being detected as they approach.[a] To achieve the effect, the attacking dragonfly flies towards his rival, choosing his path to remain on a line between the rival and the start of his attack path. The attacker thus looms larger as he closes on the rival, but does not otherwise appear to move. Researchers found that six of 15 encounters involved motion camouflage.
Temperature control
The flight muscles need to be kept at a suitable temperature for the dragonfly to be able to fly. Being cold-blooded, they can raise their temperature by basking in the sun. Early in the morning, they may choose to perch in a vertical position with the wings outstretched, while in the middle of the day, a horizontal stance may be chosen. Another method of warming up used by some larger dragonflies is wing-whirring, a rapid vibration of the wings that causes heat to be generated in the flight muscles. The green darner (Anax junius) is known for its long-distance migrations, and often resorts to wing-whirring before dawn to enable it to make an early start.
Becoming too hot is another hazard, and a sunny or shady position for perching can be selected according to the ambient temperature. Some species have dark patches on the wings which can provide shade for the body, and a few use the obelisk posture to avoid overheating. This behaviour involves doing a "handstand", perching with the body raised and the abdomen pointing towards the sun, thus minimising the amount of solar radiation received. On a hot day, dragonflies sometimes adjust their body temperature by skimming over a water surface and briefly touching it, often three times in quick succession. This may also help to avoid desiccation.
Feeding
Adult dragonflies hunt on the wing using their exceptionally acute eyesight and strong, agile flight. They are almost exclusively carnivorous, eating a wide variety of insects ranging from small midges and mosquitoes to butterflies, moths, damselflies, and smaller dragonflies. A large prey item is subdued by being bitten on the head and is carried by the legs to a perch. Here, the wings are discarded and the prey usually ingested head first. A dragonfly may consume as much as a fifth of its body weight in prey per day. Dragonflies are also some of the insect world's most efficient hunters, catching up to 95% of the prey they pursue.
The nymphs are voracious predators, eating most living things that are smaller than they are. Their staple diet is mostly bloodworms and other insect larvae, but they also feed on tadpoles and small fish. A few species, especially those that live in temporary waters, are likely to leave the water to feed. Nymphs of Cordulegaster bidentata sometimes hunt small arthropods on the ground at night, while some species in the Anax genus have even been observed leaping out of the water to attack and kill full-grown tree frogs.
Eyesight
Dragonfly vision is thought to be like slow motion for humans. Dragonflies see faster than we do; they see around 200 images per second. A dragonfly can see in 360 degrees, and nearly 80 percent of the insect's brain is dedicated to its sight.
Predators
Although dragonflies are swift and agile fliers, some predators are fast enough to catch them. These include falcons such as the American kestrel, the merlin, and the hobby; nighthawks, swifts, flycatchers and swallows also take some adults; some species of wasps, too, prey on dragonflies, using them to provision their nests, laying an egg on each captured insect. In the water, various species of ducks and herons eat dragonfly nymphs and they are also preyed on by newts, frogs, fish, and water spiders. Amur falcons, which migrate over the Indian Ocean at a period that coincides with the migration of the globe skimmer dragonfly, Pantala flavescens, may actually be feeding on them while on the wing.
Parasites
Dragonflies are affected by three major groups of parasites: water mites, gregarine protozoa, and trematode flatworms (flukes). Water mites, Hydracarina, can kill smaller dragonfly nymphs, and may also be seen on adults. Gregarines infect the gut and may cause blockage and secondary infection. Trematodes are parasites of vertebrates such as frogs, with complex life cycles often involving a period as a stage called a cercaria in a secondary host, a snail. Dragonfly nymphs may swallow cercariae, or these may tunnel through a nymph's body wall; they then enter the gut and form a cyst or metacercaria, which remains in the nymph for the whole of its development. If the nymph is eaten by a frog, the amphibian becomes infected by the adult or fluke stage of the trematode.
Dragonflies and humans
Conservation
Most odonatologists live in temperate areas and the dragonflies of North America and Europe have been the subject of much research. However, the majority of species live in tropical areas and have been little studied. With the destruction of rainforest habitats, many of these species are in danger of becoming extinct before they have even been named. The greatest cause of decline is forest clearance with the consequent drying up of streams and pools which become clogged with silt. The damming of rivers for hydroelectric schemes and the drainage of low-lying land has reduced suitable habitat, as has pollution and the introduction of alien species.
In 1997, the International Union for Conservation of Nature set up a status survey and conservation action plan for dragonflies. This proposes the establishment of protected areas around the world and the management of these areas to provide suitable habitat for dragonflies. Outside these areas, encouragement should be given to modify forestry, agricultural, and industrial practices to enhance conservation. At the same time, more research into dragonflies needs to be done, consideration should be given to pollution control and the public should be educated about the importance of biodiversity.
Habitat degradation has reduced dragonfly populations across the world, for example in Japan. Over 60% of Japan's wetlands were lost in the 20th century, so its dragonflies now depend largely on rice fields, ponds, and creeks. Dragonflies feed on pest insects in rice, acting as a natural pest control. Dragonflies are steadily declining in Africa, and represent a conservation priority.
The dragonfly's long lifespan and low population density makes it vulnerable to disturbance, such as from collisions with vehicles on roads built near wetlands. Species that fly low and slow may be most at risk.
Dragonflies are attracted to shiny surfaces that produce polarization which they can mistake for water, and they have been known to aggregate close to polished gravestones, solar panels, automobiles, and other such structures on which they attempt to lay eggs. These can have a local impact on dragonfly populations; methods of reducing the attractiveness of structures such as solar panels are under experimentation.
In culture
A blue-glazed faience dragonfly amulet was found by Flinders Petrie at Lahun, from the Late Middle Kingdom of ancient Egypt.
Many Native American tribes consider dragonflies to be medicine animals that had special powers. For example, the southwestern tribes, including the Pueblo, Hopi, and Zuni, associated dragonflies with transformation. They referred to dragonflies as "snake doctors" because they believed dragonflies followed snakes into the ground and healed them if they were injured. For the Navajo, dragonflies symbolize pure water. Often stylized in a double-barred cross design, dragonflies are a common motif in Zuni pottery, as well as Hopi rock art and Pueblo necklaces.: 20–26
As a seasonal symbol in Japan, the dragonflies are associated with season of autumn. In Japan, they are symbols of rebirth, courage, strength, and happiness. They are also depicted frequently in Japanese art and literature, especially haiku poetry. Japanese children catch large dragonflies as a game, using a hair with a small pebble tied to each end, which they throw into the air. The dragonfly mistakes the pebbles for prey, gets tangled in the hair, and is dragged to the ground by the weight.: 38
In Chinese culture, dragonflies symbolize both change and instability. They are also symbols in the Chinese practices of Feng Shui, where placements of dragonfly statues and artwork in parts of a home or office are believed to bring new insights and positive changes.
In both China and Japan, dragonflies have been used in traditional medicine. In Indonesia, adult dragonflies are caught on poles made sticky with birdlime, then fried in oil as a delicacy.
Images of dragonflies are common in Art Nouveau, especially in jewellery designs. They have also been used as a decorative motif on fabrics and home furnishings. Douglas, a British motorcycle manufacturer based in Bristol, named its innovatively designed postwar 350-cc flat-twin model the Dragonfly.
Among the classical names of Japan are Akitsukuni (秋津国), Akitsushima (秋津島), Toyo-akitsushima (豊秋津島). Akitsu is an old word for dragonfly, so one interpretation of Akitsushima is "Dragonfly Island". This is attributed to a legend in which Japan's mythical founder, Emperor Jimmu, was bitten by a mosquito, which was then eaten by a dragonfly.
In Europe, dragonflies have often been seen as sinister. Some English vernacular names, such as "horse-stinger", "devil's darning needle", and "ear cutter", link them with evil or injury. Swedish folklore holds that the devil uses dragonflies to weigh people's souls.: 25–27 The Norwegian name for dragonflies is Øyenstikker ("eye-poker"), and in Portugal, they are sometimes called tira-olhos ("eyes-snatcher"). They are often associated with snakes, as in the Welsh name gwas-y-neidr, "adder's servant". The Southern United States terms "snake doctor" and "snake feeder" refer to a folk belief that dragonflies catch insects for snakes or follow snakes around and stitch them back together if they are injured. Interestingly, the Hungarian name for dragonfly is szitakötő ("sieve-knitter").
The watercolourist Moses Harris (1731–1785), known for his The Aurelian or natural history of English insects (1766), published in 1780, the first scientific descriptions of several Odonata including the banded demoiselle, Calopteryx splendens. He was the first English artist to make illustrations of dragonflies accurate enough to be identified to species (Aeshna grandis at top left of plate illustrated), though his rough drawing of a nymph (at lower left) with the mask extended appears to be plagiarised.[b]
More recently, dragonfly watching has become popular in America as some birdwatchers seek new groups to observe.
In heraldry, like other winged insects, the dragonfly is typically depicted tergiant (with its back facing the viewer), with its head to chief.
In poetry and literature
Lafcadio Hearn wrote in his 1901 book A Japanese Miscellany that Japanese poets had created dragonfly haiku "almost as numerous as are the dragonflies themselves in the early autumn." The poet Matsuo Bashō (1644–1694) wrote haiku such as "Crimson pepper pod / add two pairs of wings, and look / darting dragonfly", relating the autumn season to the dragonfly. Hori Bakusui (1718–1783) similarly wrote "Dyed he is with the / Colour of autumnal days, / O red dragonfly."
The poet Lord Tennyson, described a dragonfly splitting its old skin and emerging shining metallic blue like "sapphire mail" in his 1842 poem "The Two Voices", with the lines "An inner impulse rent the veil / Of his old husk: from head to tail / Came out clear plates of sapphire mail."
The novelist H. E. Bates described the rapid, agile flight of dragonflies in his 1937 nonfiction book Down the River:
I saw, once, an endless procession, just over an area of water-lilies, of small sapphire dragonflies, a continuous play of blue gauze over the snowy flowers above the sun-glassy water. It was all confined, in true dragonfly fashion, to one small space. It was a continuous turning and returning, an endless darting, poising, striking and hovering, so swift that it was often lost in sunlight.
In technology
A dragonfly has been genetically modified with light-sensitive "steering neurons" in its nerve cord to create a cyborg-like "DragonflEye". The neurons contain genes like those in the eye to make them sensitive to light. Miniature sensors, a computer chip and a solar panel were fitted in a "backpack" over the insect's thorax in front of its wings. Light is sent down flexible light-pipes named optrodes[c] from the backpack into the nerve cord to give steering commands to the insect. The result is a "micro-aerial vehicle that's smaller, lighter and stealthier than anything else that's manmade".
[Credit: en.wikipedia.org/]
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Preface _ Three Hundred Sixty Five Project :
BANGLADESH, a Land of Fertility and Dhaka is the capital city a Country of Land, boat /river , hills and sea, The Longest sea beach Cox Bazar and Famous Mangrove Sundorban is the tourist attraction with heritage of Old days makes One Nostalgic. BANGLADESH is born out of series of political movements ,Those Started with Language movement in 1952 , followed by Non cooperation Movement in 1969 and finally ended up with Liberation war in 1971,
Jute , The Golden Fiber of Bangladesh is world wide famous while now Garmentsbecame the economical backbone of the country, Bangladesh has a Long rich cultural and Literatures heritage, with our noble Laurent Poet Nobel Laurent Rabindranath Tagore., Followed by Kazi Nazrul Islam and Jibanananda Das.
The country BANGLASDESH is a land of fertility for Agriculture, while Livestock’s are the main driving force for the rural life, Education had been the prime concerned for people of these days . Bangladesh has the glory to Inaugurate ICC World cup Cricket in 2011 at Mirpur stadium,
Season has Lot of credit in photography , along with the landscape. Heritage. Rivers cape, and Life style, People here enjoy festival in Bangladesh almost every month, Sometimes they are religious an most of the time seasonal, thus allow good subjects for Image capturing,
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The nigh 15/16 JUN 2011 here in BANGLADSH WAS Cloudy AND AT LATE NIGH IT WAS RAINING , SO The Capturing,lunar eclipse form BANGLADESH AT LEAST FROM Dhaka was too dificult, Just to remeber this Histoy in near future I have Uploaded this, plz see below the one taken by BBC Photgrpaher , and also see other two image to see the sky condition on night15/16th jun 2011 here at BANGLDESH
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There are several things related to robins in the brambles, including a card, a coaster, and a winter scene art print..Robins are opportunistic nesters, choosing a spot low down in ivy, brambles and hedging - they have even been found making a home for themselves in wellington boots, coat pockets, watering cans and post boxes, and will happily make use of an open-fronted nest box.
During the restrictions related to the coronavirus, the church closure allowed an opportunity for the painting of the walls and ceilings and columns to be done, as planned beforehand. The lighting was also redone.
All was part of a plan to return the church to an interior design closer to the original.
The church was redone also about 20 years ago in lighter tones and after an update from the modernization changes which occurred secondary to Vatican II before that.
The current tones now are a bit darker than the last update, and includes painting, in some places, the ceiling a deep blue with gold stars, a hint of the "heavens".
These photos were taken on a Saturday morning; one of the first since the church has been opened after the pandemic closings in our state of Michigan. I took these photos to document the changes.
St. Thomas the Apostle Catholic Church. Ann Arbor, Michigan. Diocese of Lansing. Washtenaw County.
June 13, 2020.
IMG_2027 WM
Marsh Tit
The marsh tit (Poecile palustris) is a passerine bird in the tit family Paridae and genus Poecile, closely related to the willow, Père David's and Songar tits. It is small (around 12 cm long and weighing 12 g) with a black crown and nape, pale cheeks, brown back and greyish-brown wings and tail. Between 8 and 11 subspecies are recognised. This bird's close resemblance to the willow tit can cause identification problems, especially in the United Kingdom where the local subspecies of the two are very similar (there, they were not recognised as separate species until 1897).
Globally, the marsh tit is classified as Least Concern, although there is evidence of a decline in numbers (in the UK, numbers have dropped by more than 50% since the 1970s, for example). It can be found throughout temperate Europe and northern Asia and, despite its name, it occurs in a range of habitats including dry woodland. The marsh tit is omnivorous; its food includes caterpillars, spiders and seeds. It nests in tree holes, choosing existing hollows to enlarge, rather than excavating its own. A clutch of 5–9 eggs is laid.
Nominate race palustris: Black cap and nape with a blue sheen visible at close quarters. The black 'bib' below the bill is rather small; the cheeks are white, turning dusky brown on the ear coverts. The upperparts, tail and wings are greyish-brown, with slightly paler fringes to the tertials. The underparts are off-white with a buff or brown tinge strongest on the flanks and undertail coverts. The bill is black and the legs dark grey. Juveniles are very similar to adults, but with a duller black cap and bib, more greyish upperparts and paler underparts; they moult into adult plumage by September.
These tea time stickers are by one of my favourite Artists - Mary Engelbreit. You can see I've used some of these :-)
Tomorrow Baby Mountain (this time Karima Walker and myself) head out on a short tour related to a couple of events related to my visual art. Our first gig is tomorrow evening in Minneapolis which is where we'll be picking up copies of a new book on my work from SHAPCO printing. On Saturday we will be playing a set following a panel discussion about this new book at the Visual Arts Center of the Washington Pavilion in Sioux Falls, South Dakota: which is where I currently have a large exhibition (through January 26). Below is a listing of the shows we will be playing and pertinent links. Copies of the new book will be available at all of the concerts.
Thursday, November 7, 7 pm @ Prospect Park UMC, 22 Orlin Avenue SE, Minneapolis, MN
www.facebook.com/events/613919222004512
Saturday, November 9, 7 pm @ the Washington Pavilion, Sioux Falls, South Dakota ***
www.facebook.com/events/173532292843017 (there are a number of other activities related to the exhibition listed here)
Sunday, November 10, 7:30 pm at Dakota State University in Madison, South Dakota ***
www.facebook.com/events/408572895931364
Monday, November 11, 7 pm @ University of Northern Iowa, Cedar Falls, Iowa - I will be doing an artist talk followed by our performance at 8 pm Graham Hall, (which is room #111 in Russell Hall).
Sunday, November 17, 3 pm @ Bethany UMC, Itasca, IL.
*** for these shows we will be joined by sonic wizard Nathan Edwards
"Despondency never takes into account the firmament."
Alda Merini
“Lo sconforto non tiene mai conto del firmamento.”
Alda Merini
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click to activate the icon of slideshow: the small triangle inscribed in the small rectangle, at the top right, in the photostream;
or…. Press the “L” button to zoom in the image;
clicca sulla piccola icona per attivare lo slideshow: sulla facciata principale del photostream, in alto a destra c'è un piccolo rettangolo (rappresenta il monitor) con dentro un piccolo triangolo nero;
oppure…. premi il tasto “L” per ingrandire l'immagine;
www.worldphoto.org/sony-world-photography-awards/winners-...
www.fotografidigitali.it/gallery/2726/opere-italiane-segn...
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A history of Taormina.
Her name was Cheryl and she was 65, he was called Christopher and he was 59, they both came from Australia; before reaching Taormina, in Sicily, they had traveled far and wide in various European countries, finally they came to Italy to visit some cities of art and tourism such as Florence, Rome, Sorrento, Amalfi ... the reason for this great to wander? The answer will be known after their tragic ending: to look for a "beautiful place" where they can die ... They weren't married, they didn't behave like lovers or boyfriends do, they certainly were good friends, or maybe they were simply a so-called open couple. Physically and temperamentally they were the exact opposite: Cheryl was sunny, cheerful, decidedly nice, a little chubby, overweight, she loved to wear large handkerchiefs which she then tied on top of her head to form showy bows, Christopher instead was a bit skittish , closed and sad, of few words, thin, tall, with possibly gay attitudes, but both were very friendly, so much so that they had made friends above all with the hotel staff, indeed, to be honest, they made small gifts, they were objects of good workmanship that they had brought with them and bought somewhere, demonstrating their sincere attachment (they had chosen a famous hotel in Taormina, staying in a Junior Suite - Sea View, in Taormina they should have stayed a week, later they would go to Syracuse). On the day of departure, 02-October -2013, at 14.00, Cheryl and Christopher do not show up in the hall to hand over the keys to the room, with extreme embarrassment the assistant manager of the hotel and the housekeeper go to knock on their door , over and over again, and seeing that they do not answer, they open the door with the electronic passe-partout: as soon as they enter they see reflected in the mirror the shape of their bodies that appear stretched out in bed, motionless: quick and convulsive thousand questions pile up in the mind of the two women, the housekeeper is terrified and runs away, while the lady assistant director must be able to understand what is happening and approaches, what she sees is a surreal scene: they are clearly dead, lying and rigid on the bed, they are not hugging each other , however, they are lying next to each other, under them, to cover the blankets and sheets of the bed, they have placed a large sheet of cellophane, like the one used by painters, to prevent any the humors freed from lifeless bodies, could dirty; on the back of the bed hung a row of Halloween flags, with printed skulls, and, among these, other flags, those used for birthday parties, each with a letter forming the phrase "dance of death"; on the bedside table there were two empty bottles (200 - 300 ml), which each contained a lethal substance, there were keys (for the locks of the suitcases), and a letter, in which they reported their last wishes: they left the money to honor the hotel expenses, they donated the contents of their suitcases to the hotel, and finally asked forgiveness for the inconvenience that their extreme action would certainly have caused to the hotel. The scant news on the web at the time (all photocopies of a single article) reported that both suffered from serious health problems, but that was not the case, certainly there was some minor ailment, but nothing really serious and unsolvable. Cheryl and Cristopher now lie in the cemetery of Taormina, higher up, closer to the sky than to the earth, even with the high ladder it is not easy to get close, even if only to lay a flower, the Australian embassy was contacted, but no one asked that their bodies were repatriated to their homeland, Australia.
Saint Augustine does not seem to say "those who sing, pray twice", but it would be nice to think that I, in posting my photos and dedicating them to them, maybe I am praying for them.
Post Scriptum: I thank Mrs. Luisa, without her I would never have been able to reconstruct the last hours of their lives with some accuracy, the news on the web is imprecise and laconic; many thanks to mr. Bambara, a funeral director, who having buried their bodies in 2013, showed me, accompanying me in person, where exactly their location is.
All the photos I present were taken in the town of Taormina and its surroundings (Sicily); I made photos related to "street photography";
I tried to capture the essence of minimal photographic stories, collected walking down the street ... in search of fleeting moments ...
For some photographs I used a particular photographic technique at the time of shooting, which in addition to capturing the surrounding space, also "inserted" a temporal dimension, with photos characterized by being moved because the exposure times were deliberately lengthened, they are confused -focused-imprecise-undecided ... the Anglo-Saxon term that encloses this photographic genre with a single word is "blur", these images were thus created during the shooting phase, and not as an effect created subsequently, in retrospect, in the post-production.
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Una storia di Taormina.
Lei si chiamava Cheryl ed aveva 65 anni, lui si chiamava Christopher ed aveva 59 anni, entrambi provenivano dall’Australia; prima di giungere a Taormina, in Sicilia, avevano girato in lungo ed in largo in vari paesi d’Europa, infine giunsero in Italia per visitare alcune città d’arte e turismo come Firenze, Roma, Sorrento, Amalfi… il motivo di questo gran girovagare? La risposta si saprà dopo il loro tragico epilogo: cercare un “posto bello” dove poter morire…Non erano sposati, non si comportavano come fanno gli amanti od i fidanzati, certamente erano dei buoni amici, o forse erano semplicemente una cosiddetta coppia aperta. Fisicamente e caratterialmente erano l’esatto opposto: Cheryl era solare, allegra, decisamente simpatica, un po’ pienotta, sovrappeso, amava indossare dei grandi fazzoletti che poi annodava in cima al capo a formare dei vistosi fiocchi, Christopher invece era un po’ ombroso, chiuso e triste, di poche parole, magro, segaligno, alto, con atteggiamenti forse da gay, però entrambi erano molto cordiali, tant’è che avevano fatto amicizia soprattutto col personale d’albergo, anzi, a dirla tutta, acostoro facevano dei piccoli regali, erano oggetti di buona fattura che avevano portato con se ed acquistati chissà dove, a dimostrazione del loro sincero attaccamento (avevano scelto un famoso albergo di Taormina, alloggiando in una Junior Suite –Vista Mare, a Taormina sarebbero dovuti restare una settimana, dopo si sarebbero recati a Siracusa). Il giorno della partenza, il 02-ottobre -2013, alle ore 14,00, Cheryl e Christopher non si presentano nella hall a consegnare le chiavi della stanza, con estremo imbarazzo la vicedirettrice dell’albergo e la governante vanno a bussare alla loro porta, più e più volte, e, vedendo che non rispondono, aprono la porta con il passe-partout elettronico: appena entrate vedono riflessa nello specchio la sagoma dei loro corpi che appaiono distesi nel letto, immobili: rapide e convulse mille domande si affastellano nella mente delle due donne, la governante è terrorizzata e fugge via, mentre la vicedirettrice deve poter capire cosa sta succedendo e si avvicina, quello che vede è una scena surreale: loro sono chiaramente morti, distesi e rigidi sul letto, non sono tra loro abbracciati, però sono coricati l’uno accanto all’altra, sotto di loro, a coprire le coperte e le lenzuola del letto, hanno posto un grande foglio di cellophane, come quello che usano gli imbianchini, per evitare che eventuali umori liberatisi dai corpi esanimi, potessero sporcare; sulla spalliera del letto era appesa una fila di bandierine di Halloween, coi teschi stampati, e, tra queste, altre bandierine, quelle che si usano per le feste di compleanno, ognuna con una lettera a formare la frase “dance of death” (la danza della morte); sul comodino c’erano due flaconi (200 – 300 ml) svuotati, che contenevano ognuno una sostanza letale, c’erano delle chiavi (per le serrature delle valigie), ed una lettera, nella quale riportavano le loro ultime volontà: lasciavano i soldi per onorare le spese dell’albergo, donavano all’albergo il contenuto delle loro valigie, ed infine chiedevano perdono per il disagio che il loro gesto estremo avrebbe certamente arrecato all’albergo. Le scarne notizie sul web di allora (tutti articoli fotocopia di un solo articolo) riportarono che entrambi soffrivano di gravi problemi di salute, ma le cose non stavano così, certo qualche piccolo malanno c’era, ma nulla di veramente grave ed irrisolvibile. Cheryl e Cristopher adesso giacciono nel cimitero di Taormina, in alto, più vicini al cielo che alla terra, neanche con la scala alta è facile avvicinarsi, anche solo per deporvi un fiore, fu contattata l’ambasciata australiana, ma nessuno chiese che i loro corpi venissero rimpatriati nella loro patria, l’Australia.
Sant’Agostino sembra non disse “chi canta prega due volte”, ma sarebbe bello pensare che io, nel postare le mie foto e nel dedicarle a loro, forse io stia ugualmente pregando per loro.
Post Scriptum: ringrazio la signora Luisa, senza di lei non sarei mai riuscito a ricostruire con una certa accuratezza le ultime ore della loro vita, sul web le notizie sono imprecise e laconiche; ringrazio il sig. Bambara, impresario di pompe funebri, che avendone tumulato i loro corpi nell’anno 2013, mi ha indicato, accompagnandomi di persona, dove si trova esattamente la loro ubicazione.
Tutte le foto che presento sono state realizzate nella cittadina di Taormina e nei suoi dintorni (Sicilia);
ho realizzato foto riconducibili alla “street photography”;
ho cercato di cogliere al volo l’essenza di storie fotografiche minime, raccolte camminando per la strada ... alla ricerca di attimi fugaci s-fuggenti ...
Ho utilizzato per alcune fotografie una tecnica fotografica particolare al momento dello scatto, che oltre a catturare lo spazio circostante, ha "inserito" anche una dimensione temporale, con foto caratterizzate dall’essere mosse poiché volutamente sono stati allungati i tempi di esposizione, sono confuse-sfocate-imprecise-indecise...il termine anglosassone che racchiude con una sola parola questo genere fotografico è "blur", queste immagini sono state così realizzate in fase di scatto, e non come un effetto creato successivamente, a posteriori, in fase di post-produzione.
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["I'm not free, but I'm working on it "] - Stevie Wonder
Free like the river
Flowin' freely through infinity
Free to be sure of
What I am and who I need not be
Free from all worries
Worries prey on oneself's troubled mind
Freer than the clock's hands
Tickin' way the times
Freer than the meaning of free that man defines
Life running through me
Till I feel my father God has called
Me having nothin'
But possessing riches more than all
And I'm free
To be nowhere
But in every place I need to be
Freer than a sunbeam
Shinning through my soul
Free from feelin' heat or knowing bitter cold
Free from conceiving the beginning
For that's the infinite start
I'm gone - gone but still living
Life goes on without a beating heart
Free like a vision
That the mind of only you can see
Freer than a raindrop
Falling from the sky
Freer than a smile in a baby's sleepin' eyes
I'm free like a river
Flowin' freely to infinity
I'm free to be sure of what
I am and who I need not be
I'm much freer - like the meaning of the word free that
crazy man defines
Free - free like the vision that
The mind of only you are ever gonna see
Free like the river my life
Goes on and on through infinity
After a morning of non-train related activites in Chicago in the afternoon we headed off for several hours of checking a few storied railroad locations I'd long known of but had never seen for myself. High on that list was the famed 'Racetrack' as it is colloquially known. Officially BNSF's Chicago Subdivision it is also Metra's busiest (in terms of total ridership) line featuring countless 'dinkys' along with Amtrak regional and long distance trains. This impressive stretch of railroad was historically the Chicago, Burlington and Quincy Railroad's entry into the railroad capital of the US.
Despite it being a weekend and Metra still operating a reduced covid schedule, I had no issue finding trains to shoot. And in the gap between the hourly commuter trains we found a couple fun little breweries in these charming western suburban towns including the fabulous Milk Money Brewing just a couple blocks down off to the right of where I shot this.
Here is Aurora bound train 2011 behind the standard EMD F40PHM-3 (METX 201 blt. Jun. 1992) wearing the current Metra scheme. They are crossing LaGrange Road at MP 13.73 after making a quick stop beside the tidy circa 1916 brick Suburban Station that also serves Amtrak's Illinois Zephyr and Carl Sandberg trains that operate to and from Quincy.
LaGrange, Illinois
Saturday July 3, 2021
Christmas Greetings Photo Set Preview, the rest of the juicy delicious pictures at
Related blog post Sasara Kusugawa Dollfie Peach Pai Temptation IV [NSFW] Santa Lady ver
Blog post related to Dollfie Dream DD Kusugawa Sasara 久寿川ささら
More doll info at www.wolfheinrich.com
What is a Dollfie Dream?
Dress made by Cool Cat Collection
A picture
can
Conjure a thousand words
Mental Heath day today
1/5 canadians are faced with this affliction !
Thanks Michael Landsberg, Clara Hughes & Stéphane Richer for speaking out on the topic
Rio De Janeiro Blues - Randi Crawford & Joe Sample
www.youtube.com/watch?v=QylzShXgzRY&feature=related
g
Montreal