View allAll Photos Tagged RECREATES
“We seem to be made to suffer. It’s our lot in life.”
darthjenni brought them along.
Twenty Mule Team Wash
Death Valley National Park
Berlin, Glienicke Palace Garden: Right Faun-and-Panther Group on the pedestal of the Ildefonso Group in the garden courtyard of Glienicke Palace
Im März 2024 ist die Gruppe nach längerer Restaurierung wieder an ihren Platz zurückgekehrt. Bei der Ildefonso-Gruppe handelt es sich um einen Bronzeguss nach der Antike von Christoph Heinrich Fischer (1800-1868) aus dem Jahr 1828. Neu hinzu kommen die 2022 entstandenen Bronzenachgüsse zweier Faun- und Panther-Gruppen. Diese nach antiken Motiven gestalteten Figuren modellierte der Berliner Bildhauer Bernhard Afinger (1813-1882). Für Glienicke wurden sie um 1850 von Simeon Pierre Devaranne (1789-1859) in Zink gegossen, sandsteinfarben gefasst und auf die seitlichen Podeste des Ildefonso-Sockels platziert. Von den Originalen hatten sich im Depot der Stiftung Preußische Schlösser und Gärten Berlin-Brandenburg (SPSG) die meisten Teile erhalten, die Köpfe waren jedoch verschwunden. Die Rekonstruktion der Faun- und Panther-Gruppen für den Branitzer Pückler-Park, wo es sie vor 1945 ebenfalls gab, dann jedoch komplett verloren gingen, waren der Anlass, die Gruppen auch für den Glienicker Gartenhof nachzufertigen und das Ensemble wieder zu vervollständigen. Somit wurde das gesamte Ensemble in den Blick genommen, Sockel, Ildefonso-Gruppe, Wanne und Wasserspeiermaske bewertet und restauriert.
www.spsg.de/presse-foto-film/presse-infos-2024/2024-03-20...
In March 2024, the group returned to its place after a lengthy restoration. The Ildefonso group is a bronze cast based on antiquity by Christoph Heinrich Fischer (1800-1868) from 1828. The bronze recasts of two faun and panther groups, created in 2022, are new additions. The Berlin sculptor Bernhard Afinger (1813-1882) modelled these figures after antique motifs. For Glienicke, they were cast in zinc around 1850 by Simeon Pierre Devaranne (1789-1859), painted in sandstone colour and placed on the side pedestals of the Ildefonso plinth. Most of the originals had been preserved in the depot of the Prussian Palaces and Gardens Foundation Berlin-Brandenburg (SPSG), but the heads had disappeared. The reconstruction of the faun and panther groups for the Branitz Pückler Park in Cottbus, where they also existed before 1945 but were then completely lost, was the reason to recreate the groups for the Glienicke garden courtyard and to complete the ensemble again. The entire ensemble was therefore considered, and the plinth, Ildefonso group, tub and gargoyle mask were assessed and restored.
www.spsg.de/presse-foto-film/presse-infos-2024/2024-03-20...
Recreating the Somerset & Dorset in Sussex, with BR 5MT 73087 "Linette" and Rebuilt Battle of Britain 34059 "Sir Archibald Sinclair" hauling their train towards Horsted Keynes. Seen during a Jon Bowers/75H Charters photographic day at the Bluebell Railway.
Locomotives: British Railways Standard Class 5MT 4-6-0 73082 "Camelot" re-numbered as 73087 "Linette" and Rebuilt Bulleid Battle of Britain Class 4-6-2 34059 "Sir Archibald Sinclair".
Location: Freshfield Curve, on the border between East and West Sussex.
A Russ Hillier photo charter of 14.4.2011 on the GCR with two GWR heavy freight 2-8-0 locomotives, numbers 2807 and 3850 recreating a common scene from the 1950's. Photo taken in the cutting north of Rothley station.
Recreating a scene which could easily have been taken 30 years ago are three superbly turned out former Northern General buss: nearest to the camera, an MCW Mk2 Metrobus, then an ECW bodied Leyland Olympian and on the end a Roe bodied Leyland Atlantean. The former bus station is used as a car park these days.
Class 37, brake tender and vans, all presented by the Great Central Railway. what a great job they do. location is the very well known Kinchley Lane at the 2023 autumn gala.
© 2009 Tim Johnson - All Rights Reserved
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This was posted for the tutorial on how to re-create a "haunted forest"
Strobist:
1x AB800 with bare 7" reflector (shown in photo, texture added to replicate moon). Fired via CyberSyncs.
The Falkirk Wheel, Falkirk, Scotland, UK.
The Falkirk Wheel is a rotating boat lift located in Scotland, UK, connecting the Forth and Clyde Canal with the Union Canal. Opened in 2002, it is named after the nearby town of Falkirk, which is in central Scotland. The two canals were previously connected by a series of 11 locks, but by the 1930s these had fallen into disrepair, were filled in and the land built upon.
The plan to regenerate the canals of central Scotland to reconnect Glasgow with Edinburgh was led by British Waterways with support and funding from seven local authorities, the Scottish Enterprise Network, the European Regional Development Fund and the Millennium Commission. It was decided to create a dramatic 21st century landmark structure to reconnect the canals, instead of simply recreating the historic lock flight. Designs were submitted for a boat lift to link the canals, with the Falkirk Wheel design winning. As with many Millennium Commission projects, the site includes a visitors' centre containing a shop, café and exhibition centre.
The difference in the levels of the two canals at the wheel is 24 metres (79 ft), roughly equivalent to the height of an eight-storey building. The Union Canal, however, is 11m higher than the aqueduct which meets the wheel, and boats must pass through a pair of locks to descend from this canal onto the aqueduct at the top of the wheel. The aqueduct could not have been positioned higher due to conflicts with the nearby, historically important, Antonine Wall.
The structure is located near the Rough Castle Fort and the closest village is Tamfourhill. On 24 May 2002, Queen Elizabeth II opened the Falkirk Wheel as part of her Golden Jubilee celebrations. The opening was delayed by a month due to flooding caused by vandals, who forced open the Wheel's gates.
I wanted to recreate my Day 1 photo to show the difference of having 365 days in between.
What a year.
I've been inspired by tons of artists, awed by many and attempted a few of my own on my 365.
In the search of finding my self, I dived into worlds that were once foreign, worlds that only exist in our imagination.
I learned to not worry so much about the outcome, but to concentrate on the step I was on and to try to do it with the best that I'm capable of.
What's so humbling with doing a 365 project is that you get to thoroughly evaluate your every day more. There's nothing more important than being able to live in the present and to be thankful with what ever comes your way. And to be in awareness (even for a fleeting moment) is such a beautiful thing.
Thank you for joining me in my adventures, my worlds, and my sometimes random rants/thoughts.
Thank you for inviting me into yours.
I sincerely appreciate all the warm friendships that I've encountered.
Sending lots of love your way.
See you tomorrow.
Again, same thing: we were trying to mimic the style of the American Eagle/Aerie ads.
I'm sure she'll have a few of me on her photostream soon, as well, if you stay tuned. ;)
Erin's Flickr: www.flickr.com/photos/erinrene/
With prior arrangement from the crew, 7029 is opened from a crawling start at Hall Green Station, with all its retro structures on the 21st of December 2024.
"I will give my life to protect the Child... but he will not be safe until he masters his abilities."
A recreation of the licensed poster released by Trends over the summer which depicted Luke Skywalker training Grogu with a yellow kyber crystal ✨
Despite being an official Lucasfilm-approved design, as of now this concept basically amounts to fan art by @russellwalks
Still, the original poster was just too cool not to recreate with my own custom LEGO minifigs! Also happy to finally offer a look at the new hairpiece I sculpted for Luke too 👍
12/53
I picked the "Circe Invidiosa" by John William Waterhouse.
I'm going to be honest and let go of the raw fact that I've been avoiding to think about this theme since it has been drawn out at the beginning of this project. I am completely opposites to the kind of paintings that appeal to my heart the most, but I had inevitably to pick a painting with a human presence in it, or it would be too abstract and it would be too hard to possibly physically represent it.
I've been wanting to do a recreation of Ophelia since I started to take self-portraits. As I was almost deciding to go into a small lagoon for it, I had to adult and accept that has been way too cold lately and without assistance it was going to be almost impossible to be left happy with the result so I picked yet another option - which inevitably also included stepping into cold waters while raining a lot. It seems I never learn.
And in fact I selected two paintings and recreated both but this is the one I decided to pick for this week's theme. The other one will be shared during the next few days, possibly, or sometime soon.
I find J.W. Waterhouse a painter so modern for its age. I love the way he portrays women. They are not always fragile as most painters from the 19th century would portray them - they are portrayed importantly and godly, as if in the center of the story, the protagonists of it. They are fierce and emotional and quite magnificent by emanating those atributes instead of just the most obvious ones such a beauty or wealth.
I love it how accurately timeless the characters seem to be in his paintings. They could have been painted yesterday. They are so feminine and bold and strong. His paintings are mystical, but yet they are so current as well. And I find that to be quite refreshing for a Pre-Raphaelite painter. To be honest I do not know much about paintings, but his work always spoke to me somehow and I decided to go with his depiction of Circe. A strong, bold, powerful character.
If I could pick something to suddenly, out of the blue, be able to excel at, it would probably be painting. It's magical. 🌿
The Palais de la Porte Dorée is an exhibit hall located on the edge of the Bois de Vincennes. The building's cellar is home to the Dorée Tropical Aquarium, which contains about 5,000 animals representing 350 species in a variety of tanks ranging from 100 to 37,000 liters in size.
Source: Wikipedia
Recreating Ogata Kenzan (尾形 乾山, 1663–1743) Challenge - September / October - 2020
The new Challenge in our Recreating masters Group :
* Recreating Ogata Kenzan (尾形 乾山, 1663–1743) Challenge - September / October - 2020
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Banner challenge composition based in :
Ogata Kenzan - Evening Glories in Wikipedia (Public Domain) :
upload.wikimedia.org/wikipedia/commons/thumb/4/4f/Ogata_K...
Portrait of Ogata Kenzan by Bernard Leach (British, 1887–1979)
www.christies.com/lotfinderimages/D57319/bernard_leach_po...
Ogata Kenzan signature
75/366 Recreate (American Gothic)
Too windy to set up the tripod outside today so, inside the farmhouse it is! And while we are improvising, let's just throw in a little bit of Whistler's Mother while we're at it! And I kept the fork!!! 😜
34072 '257 Squadron' has been redressed to represent long lost classmate 34066 'Spitfire'.
34066 hauled the RCTS/LCGB "Sussex Downsman" railtour on the 22-3-1964. Southern Locomotives Ltd very kindly agreed to the temporary change to help recreate the event 60 years on. Image from Leamlands, near Groombridge. Photo manipulated with three additional coaches added to train.
Recreated in LEGO using appr 6800 parts.
For more LEGO creations, and more frequent updates, follow me on Instagram: instagram.com/bremlerbrick
Never recreate places from your memories...
Always imagine new places.
www.youtube.com/watch?v=RxabLA7UQ9k
Building a dream from your memory is the easiest way of losing your grasp on what's real and what is a dream.
Dominic Cobb , Inception (2010)
© All rights reserved Anna Kwa. Please do not use this image on websites, blogs or any other media without my explicit written permission
Recreating Isaac Levitan (1860-1900) Challenge - June 2020
Enter and participate in our new Challenge - Recreating Isaac Levitan (1860-1900) in our group Recreating Masters :
* Recreating Isaac Levitan (1860-1900) Challenge - June 2020 - LINK HERE
In this challenge we pay tribute to the tremendous contribution that Russian artists have made to impressionist and realist art.
For this month we choose one of the most iconic Russian landscape painters Isaac Ilyich Levitan (1860-1900) who advanced the genre of the "mood landscape".
Isaac Levitan (Исаа́к Ильи́ч Левита́н) work was a profound response to the lyrical charm of the Russian landscape, created the special variant of the "landscape of mood", in which the shape and condition of nature are spiritualized, transmuting the states of the human soul.
For details see the discussion below in our group Recreating Masters :
www.flickr.com/groups/recreatingmasters/discuss/721577145...
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Work based in images of paintings (*) of Isaac Levitan (1860-1900) in Wikipedia in Public Domain :
* Self Portrait (1880)
upload.wikimedia.org/wikipedia/commons/e/ef/Isaac_Levitan...
* Bridge. Savvinskaya sloboda near Zvenigorod (1884)
upload.wikimedia.org/wikipedia/commons/d/df/Zbvenigorod_S...
