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Tooth pain: What to do
Do not let the transient nature of a toothache discomfort fool you. The extent of a tooth pain could vary from mild and persistent to sharp and extremely painful.
A tooth pain could be induced by level of sensitivity to cold or hot or a much more significant problem like a tooth decay, oral abscess, a cracked/fractured tooth, a subjected tooth origin or gum disease. One point's for certain: If you have actually had a bad tooth pain for greater than a couple of days, you need to view your dental practitioner!
Below are many Frequently Asked Question's about tooth pain: www.dentistcudahyca.com/toothache-faqs/
A photographic answer to a friend's question. The sword in this case is just a prop, the hat is the answer. My mother made this for me perhaps 25 years or so ago. I was seriously into Dungeons & Dragons at the time, so for Christmas one year I asked her to crochet a viking helmet for me. It is one of my most treasured possessions, especially now that my mother has passed on.
Whether to swipe, scroll or type, the way we use our hands is evolving. Yet the desire to keep restless fingers busy is nothing new. From using tools, to communication, comfort and care, our hands allow us to make connections and manipulate the world around us. At this Friday Late, visitors questioned the ritual of handshaking, explored the language of hands through dance, and used emoji gestures to decode the narrative of paintings; they explored the future of prosthetic hand design, helped their fingers cope with smartphone withdrawal, and used embroidery to consider the hand’s symbolic status.
Photo © Hydar Dewachi
Edited Hubble Space Telescope image of the galaxy NGC 5559 where supernova 2001co exploded in 2001. Color/processing variant.
Original caption: Like firecrackers lighting up the sky on New Year’s Eve, the majestic spiral arms of NGC 5559 are alight with new stars being born. NGC 5559 is a spiral galaxy, with spiral arms filled with gas and dust sweeping out around the bright galactic bulge. These arms are a rich environment for star formation, dotted with a festive array of colours including the newborn stars glowing blue as a result of their immensely high temperatures. NGC 5559 was discovered by astronomer William Herschel in 1785 and lies approximately 240 million light-years away in the northern constellation of Boötes (the herdsman) In 2001, a calcium-rich supernova called 2001co was observed in NGC 5559. Calcium-rich supernovae (Ca-rich SNe) are described as “fast-and-faint”, as they're less luminous than other types of supernovae and also evolve more rapidly, to reveal spectra dominated by strong calcium lines. 2001co occurred within the disc of NGC 5559 near star-forming regions, but Ca-rich SNe are often observed at large distances from the nearest galaxy, raising curious questions about their progenitors.
Interview
Sanan Aleskerov, the “biophile” photographer
One of the features that make photography particularly interesting is that it is halfway between informative documentary and artistic creation. It is this bivalency that makes it so enriching, in particular when the photographs in question reflect the life of a country such as Azerbaijan.
Sanan Aleskerov is one of the towering figures of Azerbaijani photography. Here he tells us of his career up until now and gives us his point of view on photographic creation in Azerbaijan and the rest of the world. For Aleskerov, only truth must be predominant in art…
The learning years
Sanan Aleskerov was born in Baku in 1956. With a smile, he adds that he has always lived here and always will. After graduation from the school of journalism, he joined the TASS news agency as a photographer. After a year and a half, he decided to leave this job and give up documentary photography in order to turn to artistic photography. During his brief experience as a photographer-journalist, Aleskerov had been, like all his colleagues, subject to orders from the State. In Soviet society, there were very clear dividing lines between what was “good” and what was “evil”. This made the ever-present censorship oppressive and therefore unbearable for the young photographer.
The famous Azerbaijani photographer says that he has never benefited from any real training, despite his university education. He was given his first camera at the age of 12: it was a birthday gift from his mother. For a long time, the camera was barely every used. He was bitten by the photography bug during his military service. Like many other young conscripts, Sanan Aleskerov read pornographic magazines. The photos of naked women fascinated him because of the aesthetics of the lines, the curves, the colors and the interplay of light and shadow. The young man then chose to pursue his interest in photographic art by reading specialist reviews, many of which came from abroad (Czechoslovakia, United States, etc.). It is for this reason that Aleskerov regards himself as self-taught. Moreover, artistic photography as a discipline was not taught at university and was indeed almost banned in the Soviet Union.
Teacher-photographer
Today, Sanan Aleskerov’s renown is international. He has traveled widely and presented exhibitions all over the world. Having said that, over the last ten years or so, he has been participating steadily less in this kind of international event. He explains that his photos are somewhat out of place when compared to what is currently fashionable. He has taken to getting his pleasure from transmitting his know-how to the younger generations, through a workshop he runs and in which he gives private lessons.
His work method is based on a total freedom of action. For him, the photographer must be guided by spontaneity, must be able to make the most of the little things that life throws up. Aleskerov never plans his work, never functions on the basis of a project. The themes are born of themselves. Often photos taken on the spur of the moment remain something of a mystery for the photographer himself. Then, with time, the artist finds the key to interpret the images, these little vignettes of life.
Nowadays, the University of Baku provides real courses in photography, but they are still somewhat basic and are not very popular, because photographic art is still an expensive pleasure… The training provided by Sanan Aleskerov is classical in nature. He believes that the basics are primordial and that solid technical and historical competence is essential for the budding professional. Even the Soviet period should not be set aside. It gave rise to a tradition, whether good or bad, but which is now an integral part of the contemporary reality and one that must not remain hidden. For some time, there was a photography school, linked to the school of journalism, and a great many photographers were trained there. It is these photographers who provided all the material for the photographic reviews and publications. Even though the general tendency was ideological, and therefore more oriented towards documentary and social aspects, some experimentation went on, and technical advances were made. Aleskerov played a huge part in this non-official reflection.
A quest for truth…
When Aleskerov left the TASS news agency, he soon joined up with artists looking out for a new form of artistic expression. Informal circles were created, and saw the creation of a number of projects that were innovative for Azerbaijan. This type of artistic circle is still in existence and Aleskerov is only too happy to continue to play a part. In particular, he has joined the “Labyrinth” artists’ collective, run by Azerbaijani artist Sabina Shikhlinskaya. He committed himself to this adventure because he felt first of all that “Labyrinth” would act as a channel for the creative inspiration of the upcoming generation of artists and secondly that it would look at subjects that were important to him, such as the environment and refugees. Alongside this, by becoming more involved in local artistic activities and pursuing his own work within the same paradigm, he has come to see the “void” that is so integral to major international events. This meeting of personalities suddenly seemed to him to be nothing but a “bourgeois salon” where he was simply out of place…
During the ten years of perestroika, photography ceased to be of much interest to most people. Political upheaval and wars became the maid fodder for television bulletins and the press. Purely documentary photography did not suffer in the same way, but the photography that had kept closer ties with its artistic tradition struggled to make an impact. Gradually, this tendency was reversed. Weary of the horrors of war, many photographers began to search for another form of truth, something with a broader horizon. That is not to say that the representation of death or misery disappeared completely, simply that the means by which these themes were dealt with changed considerably. This was particularly the case for Sanan Aleskerov who, since the beginning of his career, has been on a quest for Truth. The reality of the world we live in must be represented with emotion and sincerity. Aleskerov recounts how he took many photographs of particularly tragic scenes, the burials of war victims for example. Each time, he looked through both lens and tears.
The quest for the True or more precisely the authentic is something that Aleskerov feels is missing in so-called “Western creation”. This is a tradition with a strong interest in the macabre, so much so that it has become a dominant theme of reflection. Aleskerov combats both this taste for “necrophilia” and the system that seeks to standardize art. In his view, the “biophile” approach is the only productive one, because it is a true reflection of life, it transmits the very essence of human existence. The photo may represent a corpse, but this image must give off a pure sense of authenticity by being a part of human reality. Against the standardization, and therefore the globalization of art, Aleskerov proposes a “sideways look” at the world. To do so means being free and aware of one’s choices and desires. This required the development of an inner strength. This artist-photographer has found his by burning towards religion, or more precisely towards God, because he claims not to belong to any church.
1TASS is pretty much the equivalent of the French AFP (Agence France Presse), or Reuters.
Go to Page 423 in the Internet Archive
Title: Manual of gynecology
Creator: Hart, D. Berry (David Berry), 1851-1920
Creator: Barbour, A. H. Freeland (Alexander Hugh Freeland), 1856-
Publisher: New York : J.H. Vail
Sponsor: Open Knowledge Commons and Harvard Medical School
Contributor: Francis A. Countway Library of Medicine
Date: 1883
Language: eng
If you have questions concerning reproductions, please contact the Contributing Library.
Note: The colors, contrast and appearance of these illustrations are unlikely to be true to life. They are derived from scanned images that have been enhanced for machine interpretation and have been altered from their originals.
Read/Download from the Internet Archive
Savages and Bo NIngen, do a special questions and answer session to promote thier joint collaboration at Rough Trade East, London, 18th November 2014
If you were carrying around a small aluminum foil ball in your pocket, what would you imagine it to be? I give my thoughts on my blog at: www.spudart.org/blogs/randomthoughts_comments/3918_0_3_0_C/
Questions on any subject the government is responsible for are put to the government in the chamber. A government minister or spokesperson answers and members follow up with supplementary questions.
Learn more about how the Lords checks and challenges government decision and actions.
This image may be used with credit for non-commercial purposes. Credit: Copyright House of Lords 2019 / Photography by Roger Harris
Email hlinfo@parliament.uk to request use for commercial purposes.
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What Was She Wearing.
Im sick of the question How was she dressed?.
Show me the man slumped over the counter with a bullet in his headjoin .
Dressed like someone who deserves to be dead. .
Tell me the 6 year old girl assaulted in church was asking for it..
Or the girl raped in gym class looked like a slut in those sweat pants..
What clothes pulled from what rack.
Will prevent an attack?Patriarchy, State,.
Tell me the store and Ill go back.
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Gender Violence : .
And buy the right clothes this minute The outfit that prevents rape if youre in it. Tasks Ahead See I didnt understand I didnt understand that I could buy a shirt that says I deserve to be hurt speakers I had no clue I could put on a shoeThat says do whatever you want to do to meNivedita Menon JNU See, your needs come first.
Suddhabrata Sengupta .
After all I am wearing a tight skirtInstead of the assault-proof dressSarai, CSDS And I notice that you have the fault-proof vestSo its my fault I guessKavita Krishnan Apparently I didnt say No as loud as my clothes could say Yes national secy AIPWA, See I didnt know that my No wasnt enough formerJNUSU Jt Secy I didnt understand that my body became less precious Cause certain dresses made me look hot And I guess if Im wearing the wrong top2 Jan TodayThen my yes is the same as my Stop Shipra MessAnd you shouldnt have to, just because I begged you to .
3.00pm .
Im begging you, tell me the magic outfit and Ill buy it Apparently my No wasnt heard even when I screamed So I need my clothes to be quiet. -Steve Connell .
ACT NOW: End Gender Violence! Carry Forward the Struggle for Womens Freedom and Equality! .
The 23-year-old Delhi gang-rape victim finally succumbed to her injuries on 29 December morning after battling on bravely for 13 days. The unknown young woman will go down in history as one of Indias most memorable fighters for the cause of justice and freedom for Indias women freedom without the fear of violence and fetters of patriarchal domination. .
The courage of that brave fighter has unleashed spontaneous waves of movements on the streets. But now, the political class and the government, after the most callous apathy and repression, has begun to respond with a range of token gestures and palliatives. Can the scar inflicted by the brutal gang-rape be healed by such hollow gestures? .
Is rape an alien cancer in mainstream society? Or in fact, is it the most violent and sordid expression of a deep-seated prejudice and structural discrimination against women that defines mainstream society and culture in India today? Even at this height of the ongoing country wide protest, that a range of political leaders of various ruling parties could make vicious sexist comments and then get away with token apology and the respective parties refusing to take any action against them, are a shocking pointer to the misogynist mindset of the ruling elite. Similarly, leaders of several parties have made comments blaming the rape victim herself. .
Further, casteist rape, communal rape, and custodial rape all very often sponsored by and patronised by the State and dominant social groups, is shameful reminder that rape remains a favoured weapon by dominant sections or by the State on marginalised and oppressed people. The two previous landmarks of the womens movement against sexual violence in India have both been custodial rapes the Mathura rape case in which policemen raped an adivasi teenager and then were acquitted by a court which held that Mathura had been habituated to sex; and the powerful movement spearheaded by Manipuri women in 2004 against the AFSPA following the rape and murder of Thangjam Manorama. .
The Government is attempting to address the ongoing agitation with some flashy and sensational solutions, divorced from the actual tough questions asked by the womens movement. It is important to foreground those tough questions and refuse to allow them to be deflected by a high-pitched debate on extraneous issues. .
Changes in rape laws and other laws dealing with discrimination and violence against women, and more importantly with the mechanism of implementation and the justice delivery system, are of urgent importance and the government must be forced to adopt an inclusive and transparent democratic process in proper consultation with womens movement to bring about much-needed and much-awaited changes in this direction. .
But the impetus generated by the December upsurge in Delhi and across the country cannot and must not be allowed to be lost in a battle exclusively concerned with legal provisions for justice to rape victims. Already we have seen the protests target instances of victim-blaming and rape culture. In the latest instance, a successful campaign took place against the offensive rape-celebrating lyrics of rapper Honey Singh. We need to face and question every aspect of patriarchal culture that fosters rape and other forms of violence against women. The movement must remain alive, and become part of the daily life breath of our society, doing daily battle with entrenched patriarchal common sense. .
Shweta Raj Student Representative to GSCASH Minakshi JNUSU Representative to GSCASH .
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"I dream of a better world, where chickens can cross the road without having their motives questioned"
sign on the square in Denton, Texas, haha
Gray scale image of a student (a young boy) in a plaid shirt (as viewed from behind), sitting at a school desk with his right hand raised as if to ask a question of his teacher; with a stack of books and an apple at his feet. I scanned this tiny image from an advertisement. Origin unknown.
This is a photograph from the Edenderry 10KM Road Race and Fun Run which was held in at Castleview, Edenderry, Co. Offaly, Ireland on Friday 14th August 2015 at 19:00. The race is the final race in the Offaly AAI County Board Summer Road League. The race started at the rear of St. Mary's Secondary School and finsihed close by at Edenderry Primary School for Boys. The slightly earlier start time of 19:00 was to facilitate the safety of runners due to the fading light on late August evenings.
The race started at St. Mary's Secondary School and then takes in one of the most well known and well traveled running routes in Edenderry and is well known to local joggers, walkers and runners. Proceeding from the start onto St. Mary's Street the race moves along this street north to Father Kearns' Street and to the O'Connel Square before it takes a right turn to head south along Father Paul Murphy Street which is also known colloquially as 'the Tunnel Road'. After about a kilometer the race passes through the short tunnel under the Grand Canal on 'the Bog Road' to Rathangan. Shortly after emerging from the tunnel the race turns right again into Cloncanon/Drumcooly are which brings runners to The Hill or Furey's Hill which sees a quick elevation rise of over 90 meters. The Hill rises above the surrounding bogland on all sides. However there is some great downhill to enjoy after reaching the top and runners then join the R401 to Rathangan and begin to turn back in towards Edenderry. The race then crosses the Grand Canal this time on the Tullamore/Daingean road. The final mile goes back down along St. Mary's street until the left turn up the hill at Schoolhouse Lane to the finish at Edenderry Primary School for Boys. The weather was perfect for running with just a light breeze in the warm August evening.
There is a complete set of photographs from tonight's race here on Flickr in the following photostream album: www.flickr.com/photos/peterm7/albums/72157657215156322
GPS trace and Map Overlay of the 10KM Route: www.walkjogrun.net/routes/current_route.cfm?rid=1E7CB16A-...
USING OUR PHOTOGRAPHS - A QUICK GUIDE AND ANSWERS TO YOUR QUESTIONS
Can I use these photographs directly from Flickr on my social media account(s)?
Yes - of course you can! Flickr provides several ways to share this and other photographs in this Flickr set. You can share directly to: email, Facebook, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile, tablet, or desktop device will also offer you several different options for sharing this photo page on your social media outlets.
BUT..... Wait there a minute....
We take these photographs as a hobby and as a contribution to the running community in Ireland. We do not charge for our photographs. Our only "cost" is that we request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, VK.com, Vine, Meetup, Tagged, Ask.fm,etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us or acknowledge us as the original photographers.
This also extends to the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
I want to download these pictures to my computer or device?
You can download this photographic image here directly to your computer or device. This version is the low resolution web-quality image. How to download will vary slight from device to device and from browser to browser. Have a look for a down-arrow symbol or the link to 'View/Download' all sizes. When you click on either of these you will be presented with the option to download the image. Remember just doing a right-click and "save target as" will not work on Flickr.
I want get full resolution, print-quality, copies of these photographs?
If you just need these photographs for online usage then they can be used directly once you respect their Creative Commons license and provide a link back to our Flickr set if you use them. For offline usage and printing all of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember when requesting photographs from us - If you are using the photographs online all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting takes a significant effort and time. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc. If you are using the photographs in newspapers or magazines we ask that you mention where the original photograph came from.
I would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers or in other circumstances we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
Let's get a bit technical: We use Creative Commons Licensing for these photographs
We use the Creative Commons Attribution-ShareAlike License for all our photographs here in this photograph set. What does this mean in reality?
The explaination is very simple.
Attribution- anyone using our photographs gives us an appropriate credit for it. This ensures that people aren't taking our photographs and passing them off as their own. This usually just mean putting a link to our photographs somewhere on your website, blog, or Facebook where other people can see it.
ShareAlike – anyone can use these photographs, and make changes if they like, or incorporate them into a bigger project, but they must make those changes available back to the community under the same terms.
Above all what Creative Commons aims to do is to encourage creative sharing. See some examples of Creative Commons photographs on Flickr: www.flickr.com/creativecommons/
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably http://www.flickr.com/peterm7/sets
Photo taken August 4, 2017 at Starwood Motors in Dallas, Texas. After following Starwood Motors on twitter and youtube for over a year, my son talked me into visiting their showroom in far north Dallas. It’s impressive to say the least. This place is like Disneyland for anyone interested in custom Jeeps, high-end exotics or American muscle cars. The showroom is enormous and filled with candy-colored Ferraris, Lamborghinis and Porsches not to mention bad to the bone Jeeps. As soon as we parked out front, he started recognizing some of the Jeeps he’d seen them showcase in youtube videos. They made us feel at home the minute we walked in the door and also answered a ton of questions. Cool place. Shown is a 2016 Jeep Wrangler Rubicon “Full Metal Jacket”. It has a 3.6L V6 24v VVT engine. Photo by Clif Bosler, copyright 2017.
Question - What do you make when you want to make some cupcakes but have no flour?
Answer - Cheese Cake Cupcakes
Play the Game 2005
Governance in Sport - The Good, The Bad, and The Ugly
Play the Game 2005 was the 4th world communication conference organised by Play the Game. It was a five days conference with 85 presentations, almost 300 particpants from all corners of the world, and many, many conversations, debates, questions and suggestions. The conference took place 6-10 November 2005 in Copenhagen, Denmark.
Find more information about Play the Game 2005 on our website: playthegame.org/conferences/play-the-game-2005/
Photo taken by photographer Niels Nyholm. This photo is free to download and use for press or other non-commercial purposes, provided both Play the Game and Niels Nyholm are credited (Photo: Niels Nyholm/Play the Game). We would very much like to hear where photos are used so please send us your links.
Visit our homepage at www.playthegame.org/ for more information on Play the Game.
Mémoire2cité il existe de nos jours, de nombreux photographes qui privilégient la qualité artistique de leurs travaux cartophiles. A vous de découvrir ces artistes inconnus aujourd’hui, mais qui seront peut-être les grands noms de demain. archipostcard.blogspot.com/search?updated-max=2009-02-13T... - museedelacartepostale.fr/periode-semi-moderne/ - archipostalecarte.blogspot.com/ - museedelacartepostale.fr/blog/ - museedelacartepostale.fr/exposition-permanente/ - www.queenslandplaces.com.au/category/headwords/brisbane-c... - collection-jfm.fr/t/cartes-postales-anciennes/france#.XGe... - www.cparama.com/forum/la-collection-de-cpa-f1.html - www.dauphinomaniac.org/Cartespostales/Francaises/Cartes_F... - furtho.tumblr.com/archive
le Logement Collectif* 50,60,70's, dans tous ses états..Histoire & Mémoire d'H.L.M. de Copropriété Renouvellement Urbain-Réha-NPNRU., twitter.com/Memoire2cite tout içi sig.ville.gouv.fr/atlas/ZUS/ - media/InaEdu01827/la-creatio" rel="noreferrer nofollow">fresques.ina.fr/jalons/fiche-media/InaEdu01827/la-creatio Bâtir mieux plus vite et moins cher 1975 l'industrialisation du bâtiment et ses innovations : www.dailymotion.com/video/xyjudq?playlist=x34ije la préfabrication en usine www.dailymotion.com/video/xx6ob5?playlist=x34ije , le coffrage glissant www.dailymotion.com/video/x19lwab?playlist=x34ije ... De nouvelles perspectives sont nées dans l'industrie du bâtiment avec les principes de bases de l'industrialisation du bâtiment www.dailymotion.com/video/x1a98iz?playlist=x34ije ,
www.dailymotion.com/video/xk6xui?playlist=x34ije , www.dailymotion.com/video/xk1dh2?playlist=x34ije : mécanisation, rationalisation et élaboration industrielle de la production. Des exemples concrets sont présentés afin d'illustrer l'utilisation des différentes innovations : les coffrages outils, coffrage glissant, le tunnel, des procédés pour accélérer le durcissement du béton. Le procédé dit de coffrage glissant est illustré sur le chantier des tours Pablo Picasso à Nanterre. Le principe est de s'affranchir des échafaudages : le coffrage épouse le contour du bâtiment, il s'élève avec la construction et permet de réaliser simultanément l'ensemble des murs verticaux. Au centre du plancher de travail, une grue distribue en continu le ferraillage et le béton. Sur un tel chantier les ouvriers se relaient 24h / 24 , www.dailymotion.com/video/xwytke?playlist=x34ije , www.dailymotion.com/video/x1bci6m?playlist=x34ije
Le reportage se penche ensuite sur la préfabrication en usine. Ces procédés de préfabrication en usine selon le commentaire sont bien adaptés aux pays en voie de développement, cela est illustré dans le reportage par une réalisation en Libye à Benghazi. Dans la course à l'allégement des matériaux un procédé l'isola béton est présenté. Un chapitre sur la construction métallique explique les avantage de ce procédé. La fabrication de composants ouvre de nouvelles perspectives à l'industrie du bâtiment.
Lieux géographiques : la Grande Borne 91, le Vaudreuil 27, Avoriaz, Avenue de Flandres à Paris, tours Picasso à Nanterre, vues de la défense, Benghazi Libye
www.dailymotion.com/playlist/x34ije_territoiresgouv_cinem... - mémoire2cité - le monde de l'Architecture locative collective et bien plus encore - mémoire2cité - Bâtir mieux plus vite et moins cher 1975 l'industrialisation du bâtiment et ses innovations : www.dailymotion.com/video/xyjudq?playlist=x34ije la préfabrication en usine www.dailymotion.com/video/xx6ob5?playlist=x34ije , le coffrage glissant www.dailymotion.com/video/x19lwab?playlist=x34ije ... De nouvelles perspectives sont nées dans l'industrie du bâtiment avec les principes de bases de l'industrialisation du bâtiment www.dailymotion.com/video/x1a98iz?playlist=x34ije ,
Le Joli Mai (Restauré) - Les grands ensembles BOBIGNY l Abreuvoir www.youtube.com/watch?v=eUY9XzjvWHE … et la www.youtube.com/watch?v=hK26k72xIkU … www.youtube.com/watch?v=xCKF0HEsWWo …
Genève Le Grand Saconnex & la Bulle Pirate - architecte Marçel Lachat -
Un film de Julien Donada içi www.youtube.com/watch?time_continue=1&v=4E723uQcpnU … … .Genève en 1970. pic.twitter.com/1dbtkAooLM è St-Etienne - La muraille de Chine, en 1973 ce grand immeuble du quartier de Montchovet, existait encore photos la Tribune/Progres.
www.youtube.com/watch?v=AJAylpe8G48 …, - la tour 80 HLM située au 1 rue Proudhon à Valentigney dans le quartier des Buis Cette tour emblématique du quartier avec ces 15 étages a été abattu par FERRARI DEMOLITION (68). VALENTIGNEY (25700) 1961 - Ville nouvelle-les Buis 3,11 mn www.youtube.com/watch?v=C_GvwSpQUMY … - Au nord-Est de St-Etienne, aux confins de la ville, se dresse une colline Montreynaud la ZUP de Raymond Martin l'architecte & Alexandre Chemetoff pour les paysages de St-Saens.. la vidéo içi * Réalisation : Dominique Bauguil www.youtube.com/watch?v=Sqfb27hXMDo … … - www.dailymotion.com/video/xk6xui?playlist=x34ije , www.dailymotion.com/video/xk1dh2?playlist=x34ije : mécanisation, rationalisation et élaboration industrielle de la production. Des exemples concrets sont présentés afin d'illustrer l'utilisation des différentes innovations : les coffrages outils, coffrage glissant, le tunnel, des procédés pour accélérer le durcissement du béton. Le procédé dit de coffrage glissant est illustré sur le chantier des tours Pablo Picasso à Nanterre. Le principe est de s'affranchir des échafaudages : le coffrage épouse le contour du bâtiment, il s'élève avec la construction et permet de réaliser simultanément l'ensemble des murs verticaux. Au centre du plancher de travail, une grue distribue en continu le ferraillage et le béton. Sur un tel chantier les ouvriers se relaient 24h / 24 , www.dailymotion.com/video/xwytke?playlist=x34ije , www.dailymotion.com/video/x1bci6m?playlist=x34ije
Le reportage se penche ensuite sur la préfabrication en usine. Ces procédés de préfabrication en usine selon le commentaire sont bien adaptés aux pays en voie de développement, cela est illustré dans le reportage par une réalisation en Libye à Benghazi. Dans la course à l'allégement des matériaux un procédé l'isola béton est présenté. Un chapitre sur la construction métallique explique les avantage de ce procédé. La fabrication de composants ouvre de nouvelles perspectives à l'industrie du bâtiment.
la Grande Borne 91, le Vaudreuil 27, Avoriaz, Avenue de Flandres à Paris, tours Picasso à Nanterre, vues de la défense, Benghazi Libye 1975 Réalisateur : Sydney Jézéquel, Karenty
la construction des Autoroutes en France - Les liaisons moins dangereuses 1972 www.dailymotion.com/video/xxi0ae?playlist=x34ije - Ministère de l'Équipement et de l'Aménagement du Territoire - Dotation par la France d'autoroutes modernes "nécessité vitale" pour palier à l'inadaptation du réseau routier de l'époque voué à la paralysie : le reportage nous montre des images d'embouteillages. Le ministre de l'Équipement et de l'Aménagement du Territoire dans les deux gouvernements de Pierre Messmer, de 1972 à 1974, Olivier Guichard explique les ambitions du programme de construction qui doit atteindre 800 km par ans en 1978. L'ouverture de section nouvelles va bon train : Nancy / Metz par exemple. Le reportage nous montre l'intérieur des bureaux d'études qui conçoivent ces autoroute dont la conception est assistée par ordinateurs dont le projet d'ensemble en 3D est visualisé sur un écran. La voix off nous informe sur le financement de ces équipements. Puis on peut voir des images de la construction du pont sur la Seine à Saint Cloud reliant l'autoroute de Normandie au périphérique, de l'échangeur de Palaiseau sur 4 niveau : record d'Europe précise le commentaire. Le reportage nous informe que des sociétés d'économies mixtes ont étés crées pour les tronçons : Paris / Lille, Paris / Marseille, Paris / Normandie. Pour accélérer la construction l’État a eu recours à des concessions privées par exemple pour le tronçon Paris / Chartres. "Les autoroutes changent le visage de la France : artères économiques favorisant le développement industriel elles permettent de revitaliser des régions en perte de vitesse et de l'intégrer dans le mouvement général de l'expansion" Sur le plan européen elles vont combler le retard de la France et réaliser son insertion. Images de l'inauguration de l'autoroute entre Paris et Bruxelles par le président Georges Pompidou. Le reportage rappel que l'autre fonction capitale des autoroute est de favoriser la sécurité. La question de la limitation de vitesse est posée au ministre de l’Équipement, qui n'y est favorable que sur certains tronçons. Un des facteur de sécurité selon le commentaire est l'humanisation des autoroutes : aires de repos, restaurants, signalisation touristiques... "Rien n'est impossible aux techniques modernes" nous apprend la voix off qui prend comme exemple le déplacement sur rail de 65 mètres d'un château classé afin de faire passer l'autoroute Lille / Dunkerque.Durée : 4 minutes 30 secondes
Sur les routes de France les ponts renaissent 1945 reconstruction de la France après la Seconde Guerre mondiale www.dailymotion.com/video/xuxrii?playlist=x34ije , Quelques mois après la fin de la Seconde Guerre mondiale, un triste constat s'impose : 5 944 passages sont coupés, soit plus de 110 km de brèches ; de nombreuses villes se trouvent isolées.Les chantiers s'activent dans toute la France pour "gagner la bataille des communications routières". Mais outre la pénurie de main d’œuvre, il faut faire face au manque de matériaux (béton, métal) et donc déployer des trésors d'imagination pour reconstruire les ponts détruits. Si le savoir faire des tailleurs de pierre est exploité, le plus spectaculaire est le relevage des ponts, comme le pont de Galliéni à Lyon, où 7 à 800 tonnes d'acier sont sorti de l'eau avec des moyens de l'époque. En avril 1945, il reste 5 700 ponts à reconstruire soit 200 000 tonnes d'acier, 600 000 tonnes de ciment, 250 000 m3 de bois, 10 millions de journées d'ouvrier, prix de l'effort de reconstruction.1945
Auteurs / réalisateurs : images : G.Delaunay, A.Pol, son : C.Gauguier Production : Direction Technique des Services des Ponts et Chaussées / Ministère des Travaux Publics et des Transports Support original : 16 mm noir et blanc Durée : 14 min Thèmes principaux : infrastructures-ouvrages d'art Mot clés : chantier, pont, Reconstruction, restauration, béton précontraint, ministère des travaux publics et des transports
Lieux : Lyon, Tournon, Caen - Le Bosquel, un village renait 1947 l'album cinématographique de la reconstruction, réalisation Paul de Roubaix production ministère de la Reconstruction et de l'Urbanisme, village prototype, architecte Paul Dufournet, www.dailymotion.com/video/xx5tx8?playlist=x34ije - Demain Paris 1959 dessin animé présentant l'aménagement de la capitale dans les années 60, Animation, dessin animé à vocation pédagogique visant à promouvoir la politique d’aménagement suivie dans les années 60 à Paris. Un raccourci historique sur l’extension de Paris du Moyen Âge au XIXe siècle (Lutèce, œuvres de Turgot, Napoléon, Haussmann), ce dessin animé retrace la naissance de la banlieue et de ses avatars au XXe siècle. Il annonce les grands principes d’aménagement des villes nouvelles et la restructuration du centre de Paris (référence implicite à la charte d’Athènes). Le texte est travaillé en rimes et vers. Une chanson du vieux Paris conclut poétiquement cette vision du futur. Thèmes principaux : Aménagement urbain / planification-aménagement régional Mots-clés : Banlieue, extension spatiale, histoire, quartier, ville, ville nouvelle Lieu géographique : Paris 75 Architectes ou personnalités : Eugène Haussmann, Napoléon, Turgot Réalisateurs : André Martin, Michel Boschet Production : les films Roger Leenhardt
www.dailymotion.com/video/xw6lak?playlist=x34ije - Rue neuve 1956 la reconstruction de la France dix ans après la fin de la seconde guerre mondiale, villes, villages, grands ensembles réalisation : Jack Pinoteau , Panorama de la reconstruction de la France dix ans après la fin de la seconde guerre mondiale, ce film de commande évoque les villes et villages français détruits puis reconstruits dans un style respectant la tradition : Saint-Malo, Gien, Thionville, Ammerschwihr, etc. ainsi que la reconstruction en rupture avec l'architecture traditionnelle à Châtenay-Malabry, Arles, Saint Étienne, Évreux, Chambéry, Villeneuve-Saint-Georges, Abbeville, Le Havre, Marseille, Boulogne-sur-Mer, Dunkerque. Le documentaire explique par exemple la manière dont a été réalisée la reconstruction de Saint-Malo à l'intérieur des rempart de la vieille ville : "c'est la fidélité à l'histoire et la force du souvenir qui a guidé l'architecte". Dans le même esprit à Gien, au trois quart détruite en 1940, seul le château construit en 1494 pour Anne de Beaujeu, fille aînée de Louis XI, fut épargné par les bombardements. La ville fut reconstruite dans le style des rares immeubles restant. Gien est relevé de ses ruines et le nouvel ensemble harmonieux est appelé « Joyau de la Reconstruction française ». Dans un deuxième temps est abordé le chapitre de la construction des cités et des grands ensembles, de l’architecture du renouveau qualifiée de "grandiose incontestablement". S’il est précisé "on peut aimer ou de ne pas aimer ce style", l’emporte au final l’argument suivant : les grands ensembles, c'est la campagne à la ville, un urbanisme plus aéré, plus vert." les films caravelles 1956, Réalisateur : Jack Pinoteau (connu pour être le metteur en scène du film Le Triporteur 1957 qui fit découvrir Darry Cowl) www.dailymotion.com/video/xuz3o8?playlist=x34ije , Film d'archive actualités de 1952 Reconstruction de la France sept ans après la fin de la seconde guerre mondiale état des lieux de la crise du logement , Actualités de 1952. Sept ans après la fin de la seconde guerre Mondiale état des lieux de la reconstruction de la France et de la crise du logement à l’œuvre, pénurie de logement, logements insalubres. Les actualités montrent des images d'archives de la destruction de la France, les Chars de la division Leclerc qui défilent sur les Champs Elysees. Le commentaire dénonce la lenteur de la reconstruction et notamment des manifestations qui ont eu lieue à Royan afin d''accélérer la reconstruction de la ville détruite.Le film montre à Strasbourg, Mulhouse, des réalisation moderne de grands ensembles et des images d'archive de la reconstruction du Havre de Saint Nazaire.Le film se termine à Marseille sur les réalisation nouvelles autour du vieux port puis on assiste à l'inauguration de la Cité Radieuse par le ministre de la Reconstruction et de l'Urbanisme Eugène Claudius-Petit en présence de son architecte Le Corbusier à qui le ministre remet la cravate de commandeur de la légion d'honneur. www.dailymotion.com/video/xk1g5j?playlist=x34ije Brigitte Gros - Urbanisme - Filmer les grands ensembles 2016 - par Camille Canteux chercheuse au CHS -Centre d'Histoire Sociale - Jeanne Menjoulet - Ce film du CHS daté de 2014 www.youtube.com/watch?v=VDUBwVPNh0s … L'UNION SOCIALE POUR L'HABITAT le Musée des H.L.M. musee-hlm.fr/ union-habitat.org/ - EXPOSITION :LES 50 ANS DE LA RESIDENCe SALMSON POINT-Du JOUR
www.salmsonlepointdujour.fr/pdf/Exposition_50_ans.pdf - Sotteville Construction de l’Anjou, le premier immeuble de la Zone Verte sottevilleaufildutemps.fr/2017/05/04/construction-de-limm... - www.20minutes.fr/paris/diaporama-7346-photo-854066-100-an... - www.ladepeche.fr/article/2010/11/02/940025-140-ans-en-arc... dreux-par-pierlouim.over-blog.com/article-chamards-1962-9... missionphoto.datar.gouv.fr/fr/photographe/7639/serie/7695...
Deputy President Cyril Ramaphosa engages with National Assembly in question and answer session (Photo: GCIS
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14 September 1978. Public Questions Forum: "Who are the Polluters" Speakers: Lord Mayor Frank Arkell and University of Wollongong senior Physics lecturer Dr. K. Ausburn.
Any questions?
I'll be out for awhile enjoying some time in the tropics. Everybody have yourself a happy holiday filled with trippy lights trails, pink stars, yellow moons, green clovers, and other forms of good cheer.
jah
Had a male Northern Cardinal in the yard today with some interesting coloration. Face, bill and crest were the usual reddish color. Black mask was OK too. But the rest of the bird's body was a combination of gray, peach, light orange, sort-of-bluish, and whitish colors. In other words, the facial area looked fine for a male Cardinal, but the rest of the feathers looked a little "different". Young male not quite transitioned to adult male plumage? Partially leucistic bird? Artifact of late afternoon light?
Question Mark. Aus der Serie „Satzzeichen“ 2014
Rotierende Skulptur aus Lianen Findling, fluoriszierendes Klebeband, schwarze Totenkopf Büchse und Schwarz Licht
Skulptur, Objekt, Video, Installation, Fotografie
Markus Wintersberger 2014
A member of the audience asks a question during the side event, Enhancing Capacity for Low Emission Development Strategies, at the U.S. Center at COP-16 in Cancun, Mexico, on December 2, 2010. USAID's Ashley Allen is standing to the right of the individual asking the question. [State Department photo/ Public Domain]
Volunteer Bitsy Schultz looking for dry Holmgren's milkvetch pods to collect. Photos from a day-long volunteer event, to collect seeds from the endangered Holmgren’s milkvetch (Astragalus holmgreniorum), on Utah SITLA land near St. George, UT. Along with volunteers from the Utah Native Plant Society were researchers from Utah Valley University, and partners at the U.S. Fish & Wildlife Service, and Red Butte Garden. The goal was to collect all the mature seed pods from the site, in order to best represent the genetic diversity of this population in the seed bank. Genetic testing may show that this population is appropriate to be used to diversify other populations on BLM land. The largest population of the endangered plant, Holmgren’s milkvetch (Astragalus holmgreniorum), grows on SITLA land (Utah School and Institutional Trust Lands Administration). If SITLA develops the land nearly all the plants will be destroyed, putting the future of the species in question. SITLA granted a permit to collect seeds from plants in May 2015. Along with photos of the collection event are photos of other flora and fauna found on the SITLA land. Participants / U.S. Bureau of Land Managment: Dustin Rooks, Samuel Fiek, Ellie Becklund, Bob Douglas / U.S. Fish & WIldlife Service: Jena Lewinshon, Nathan Brown / Utah Valley University: Renée Van Buren, Ally Searle / Other: Susan Meyer, Mathew Baker, Nick Eyre, Jonathan Barth, Bitsy Schultz, Stephen Dahl, Nicola Dahl.
This is a photograph from the 5th annual running the East of Ireland Marathons Staplestown Marathon and Half Marathon road races which were held in the village of Staplestown, Donadea, Naas, Co. Kildare, Ireland on Saturday 21st January 2017 at 09:00. The event is organised by East of Ireland Marathons with local support and input. The races all started and ended in the village of Staplestown which is about 2 miles from the entrance to Donadea Forest Park. All races were held on the same loop of approximately 10KM in distance where the marathon runners covered 4 loops plus a short out and back sections. The half marathoners covered 2 loops and some out and back. The loop is well known to local runners as it connects the village of Staplestown with the larger village of Properous, Co. Kildare. Weather conditions were very cold as a night frost brought ground temperatures down to well below zero degrees celsius.
A set of photographs is available here [https://www.flickr.com/photos/peterm7/albums/72157677913591700]
USING OUR PHOTOGRAPHS - A QUICK GUIDE AND ANSWERS TO YOUR QUESTIONS
Can I use these photographs directly from Flickr on my social media account(s)?
Yes - of course you can! Flickr provides several ways to share this and other photographs in this Flickr set. You can share directly to: email, Facebook, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile, tablet, or desktop device will also offer you several different options for sharing this photo page on your social media outlets.
BUT..... Wait there a minute....
We take these photographs as a hobby and as a contribution to the running community in Ireland. We do not charge for our photographs. Our only "cost" is that we request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Instagram, Snapchat, Twitter,LinkedIn, Google+, VK.com, Vine, Meetup, Tagged, Ask.fm,etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us or acknowledge us as the original photographers.
This also extends to the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
I want to download these pictures to my computer or device?
You can download this photographic image here directly to your computer or device. This version is the low resolution web-quality image. How to download will vary slight from device to device and from browser to browser. Have a look for a down-arrow symbol or the link to 'View/Download' all sizes. When you click on either of these you will be presented with the option to download the image. Remember just doing a right-click and "save target as" will not work on Flickr.
I want get full resolution, print-quality, copies of these photographs?
If you just need these photographs for online usage then they can be used directly once you respect their Creative Commons license and provide a link back to our Flickr set if you use them. For offline usage and printing all of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember when requesting photographs from us - If you are using the photographs online all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting takes a significant effort and time. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc. If you are using the photographs in newspapers or magazines we ask that you mention where the original photograph came from.
I would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers or in other circumstances we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
Let's get a bit technical: We use Creative Commons Licensing for these photographs
We use the Creative Commons Attribution-ShareAlike License for all our photographs here in this photograph set. What does this mean in reality?
The explaination is very simple.
Attribution- anyone using our photographs gives us an appropriate credit for it. This ensures that people aren't taking our photographs and passing them off as their own. This usually just mean putting a link to our photographs somewhere on your website, blog, or Facebook where other people can see it.
ShareAlike – anyone can use these photographs, and make changes if they like, or incorporate them into a bigger project, but they must make those changes available back to the community under the same terms.
Above all what Creative Commons aims to do is to encourage creative sharing. See some examples of Creative Commons photographs on Flickr: www.flickr.com/creativecommons/
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably http://www.flickr.com/peterm7/sets
Miss Southern Africa UK Beauty Pageant Contest Grand Final Fashion Models in Evening Wear Interview Questions by Host DJ Tich Mataz ZTV Radio 3 at The Temple Nightclub Tottenham London 25th August 2000