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8148 with 8146 on the rear departs Troy Jn with 5825 Werris Creek to Gilgandra grain train.
2022-05-02 Pacific National 8146 North of Troy Jn 5825 - 8148 on rear
BITH'S JUKEBOX # 011
GARBAGE "PUSH IT"
Drop a coin in the slot :
www.youtube.com/watch?v=z-CHEnJ7gnc
Alternative video as the lawyers got to the first one :
www.youtube.com/watch?v=2jqOeGm1j-w
"I was angry when I met you
I think I'm angry still
We can try to talk it over
If you say you'll help me out
Don't worry baby
No need to fight
Don't worry baby
We'll be alright
This is the noise that keeps me awake
My head explodes and my body aches
Push it (make the beats go harder)
Push it (make the beats go harder)
I'm sorry that I hurt you
Please don't ask me why
I want to see you happy
I want to see you shine
Don't worry baby
Don't be uptight
Don't worry baby
We'll stay up all night
This is the noise…………
Come on push it you can do it
Come on prove it nothing to it
Come on use it let's get through it
Come on push it you can do it
This is the noise that keeps me awake
My head explodes and my body aches
Push it (make the beats go harder)
Push it (make the beats go harder)"
Garbage rolled a succession of hot singles through the mid-90's. The photograph is part of the original "Push it" cd single sleeve.
BNSF 5264 pushes a monster stack train over the rise between Toluca and La Rose, Illinois. Photographed with a Nikon F on Ilford Delta 100.
So I take a quick walk down the strip to see what I could take for today's daily photo. While waiting for the cross walk I noticed a tag on it. Not anything great by any means but I thought it would make a nice "urbanish" shot for today.
Setup shot can be found here.
Strobist info:
1 430EX 1/16 power snoot grid high camera right pointed at the tag on the crosswalk button.
The wind was really kicking up and I could see my light stand sway back and forth :eek:
I made - and then manipulated - this shot nearly ten years ago, but resisted posting to Flickr because it generally doesn't fit with the body of work here. Most of my work is in focus, with attention paid to detail. Not much detail to be found here!
I think this image is closer to cave paintings than 21st Century photography. Well... that was my intent. For the next week or so I'm going to be posting shots that break the mold, crack the cosmic egg, fly in the face of everything I used to teach when I taught nature and wildlife photography. They'll either work for you or they won't.
I knew that with each of these attempts I was risking failure, and that to fail is a good thing. If we don't shoot a lot of really bad stuff, we probably aren't trying hard enough to push through and past our limitations. When I used to teach photography, sometimes I would insist on seeing bad photos from my students. This was a way of getting them more deeply into process without worrying about trying to be perfect; seeing comes before technique. Let's see what you can see today! And because I always (or usually) take my own advice... here are some results that I do like from all of my shoving and thrashing inside the box over the years. Gathered together so they won't seem out of place. Early in the new year I'll return to my wildlife ways. Promise. For now, a little fun.
Photographed near Val Marie, Saskatchewan (Canada) with a slow shutter to intentionally blur my subject, then heavily manipulated in Photoshop. Don't use this image on websites, blogs, or other media without explicit permission © 2009 James R. Page - all rights reserved.
If there is a button that says On and it is in the Off position people just have to flick it to see what it does.
Part of Brighton's Mural Madness in New Brighton, Christchurch, NZ.
Sorry for the blur, but this is severely cropped after being shot from 100 ft. (30 m) away. Just had to try to capture her tentative steps as she waded deeper and deeper into the stream testing the limits of what her boots could do.
Haven't we all tried to push limits also?
Please - lightbox.
Thanks.
p.s. #380 in Fluidr Explore
Facebook : Aegir Photography
500px : 500px.com/photo/171387201/push-flow-by-glenn-crouch
Ocean waterfall at Lights Beach, near Denmark, Western Australia.
Nikon D810 & Nikkor 16-35mm, Breakthrough 6 stop filter. PP in PS CC using Nik Software and luminosity masks.