Description: Powwows are large social gatherings of Native Americans who follow traditional dances started centuries ago by their ancestors, and which continually evolve to include contemporary aspects. These events of drum music, dancing, singing, artistry and food, are attended by Natives and non-Natives, all of whom join in the dancing and take advantage of the opportunity to see old friends and teach the traditional ways to a younger generation. During the National Powwow, the audience see dancers in full regalia compete in several dance categories, including Men and Women's Golden Age (ages 50 and older); Men's Fancy Dance, Grass and Traditional (Northern and Southern); Women's Jingle Dress, Fancy Shawl, and Traditional (Northern and Southern); Teens (13-17); Juniors (6-12) and Tiny Tots (ages 5 and younger). The drum groups are the heart of all powwows and provide the pulsating and thunderous beats that accompany a dancer's every movement. The powwow is led by three "host drums" that showcase three distinct styles of singing (Northern, Southern and contemporary) and represent the best examples of each style. The drum contest highlights groups of 10 to 12 members each, and they sing traditional family songs that are passed down orally from one generation to the next. The National Museum of the American Indian sponsored the National Powwow in 2002, 2005, and 2007 as a way of presenting to the public the diversity and social traditions of contemporary Native cultures.

 

Creator/Photographer: Walter Larrimore

 

Medium: Digital photograph

 

Culture: American Indian

 

Geography: USA

 

Date: 2005

 

Repository: National Museum of the American Indian

 

Accession number: 081405WLPOWWOW419

Heartbeat by Charles Pétillon

Installation August-September 2015

 

Heartbeat stretches 54 metres in length and 12 metres in width, and incorporates gentle pulsating white light to symbolise the beating of a heart and reflect the history, energy and dynamism of the district.

Charles Pétillon said: “The balloon invasions I create are metaphors. Their goal is to change the way in which we see the things we live alongside each day without really noticing them. With Heartbeat I wanted to represent the Market Building as the beating heart of this area – connecting its past with the present day to allow visitors to re-examine its role at the heart of London’s life.

“Each balloon has its own dimensions and yet is part of a giant but fragile composition that creates a floating cloud above the energy of the market below. This fragility is represented by contrasting materials and also the whiteness of the balloons that move and pulse appearing as alive and vibrant as the area itself.”

[Coventgarden.london]

"Hey folks, Kaiser-Pharaoh Friedrich Thutmose IV here. Yes that's right, now that Prusso-Eg- I mean, Osirio-Preussia is back, I'm back to narrate descriptions of military vehicles again. Just like the good ol' days....

 

...not like anybody reads these anyway.

 

....ANYWAY, weitergings. Das hier is the brand new... or brand old He-619 Nachthuehner, which means Nightfowl. It's a duck. It looks like one, and it even quacks like one. No seriously, the pilots are trained to fire the 20mm miniguns in the wing roots in a sort of pulsating rhythm that makes it sound like it's quacking. I don't even know why. I guess the Luftwaffe thinks it's like, the new Jericho trumpet. It's also got four 30mm cannons, I dunno if that adds to the effect or not. But that's a lot of guns.

 

The long and the short of it is, we needed a new cheap aircraft to fulfill two roles: close air support, and forward air control. What's that, you might ask? Well there's this thing called the internet, invented by the Kimmerians, you should try using it some time, it's awful. It's really fucking slow.

 

So we took this old plane, the He-419 Uhu (or Owl), and asked Heinkel to turn it into what we wanted. Why this plane? It's a crowd favorite, and the airframe suits the role. It can carry modern weapons and is best suited for modern avionics. Despite the fact that it hardly has any. Don't ask me how that happened.

 

We have a ton of shots of it flying over the shit-stained continent that we call home, and here's the juicy stats. Hey, get used to this, I'm gonna be here for a while. There's more scheiss coming up soon. Em heset net Ra, Kameraden."

 

PERKS & QUIRKS:

Propeller Aircraft

Payload: 4 (+1)

Agility: Quick (-1)

Range: 2,000km (+1)

Speed: Yikes (-1)

Guns Blazing: +1

All-Weather: +1

Good Visibility: +1

Underpowered: -1

Faulty Ejection Seats: -1

Flames Out: -1

 

Credit to Awe for the original aircraft that this is based on, and credit to my girlfriend Amanda Vick for the nose and the paintscheme. Roast it all you want, she wants to see how bad it is.

Cheerfulness makes the heart pulsate.

  

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Concept art for an application I've got my development team working on. How can Augmented reality be used to serve NGOs, nonprofits and the developmental aid community.

 

In the image above, you see a mobile phone with a bunch of message windows covering an image. In augmented reality applications, there are two views: the real world video image, and an ‘overlay’ of data related to the things seen. This data is entered in the form of geo-cached notes. So, if you have a meeting with someone near a building and leave a geo-cached note, that note is tagged based on your exact latitude, longitude, elevation and orientation. Holding up an AR device while looking at that same spot a year later, I’d see a popup window wherever you dropped the note, time stamped for when you were there, along with whatever notes or files you uploaded to that spot. To make it even simpler, it’s like dropping pins on Google Maps, only in the real world, on real objects. This is why AR has been dubbed, ‘the web of things’ or ‘web squared’, because real-world objects are tracked, tagged and marked-up like a webpages.

 

Already people are recording audio, video, and blogging to keep donors abreast of their work in the field. Imagine making appointments for them to check in for realtime conversations to make sure everything is progressing as planned. Your phone would be a video/chatting device that would allow them to even participate in discussions on the ground in real time. In the image below you can see the AR view more clearly. The top left window has the coordinates of where you are along with the history of that location, and when your organization last visited the spot — all data that could be recorded without the field team ever even knowing it. In the top right you also have photo and video that was recorded by your team at that location at some point in the past, along with notes and files uploaded from that spot.

 

In the top left you have a ‘chat’ pane with images of people that represent donors, contacts at relevant organizations or other team members. The icons indicate that you can call, email or instant massage them while green dots indicate “presence”, if they happen to be online. You can see that one of that chat icons is glowing, indicating that someone has initiated communication. In the bottom right you can see the message they’ve sent and what needs to happen next. The person wants to send the user a file.

 

Below the chat pane, there is an area with numbers. These numbers indicate spending trends, what cash the organization or project as on hand, how much is being spent, and where it’s coming from. In some cases donors might add additional funding based on what they see, read or come to expect. Of course, this area could also show any type of data: tracking the shipment of resources, status updates from team members, emergency info.

 

In the center, a popup bubble has used facial recognition technology to pull up data bout a girl. We can see her bio (the notes someone has left about her and her family) along with her age, history of illness and life expectancy.

 

In the bottom left, we have a map showing our location with a bright red beacon pulsating to show our orientation and location in the country. The orange popup icon displays the name of the specific sub-region we’re located in, in this case the Kucikiro District of Rwanda.

 

Read more - appfrica.net/blog/2009/08/12/the-future-of-giving/

 

Poster print available at appfrica.net/blog/shop/

Co. K, 132nd ILL. Infantry

Independence Daily Reporter, Monday, April 30, 1923, Pg. 1:

 

WILLIAM T. YOE, PIONEER EDITOR DIES SATURDAY

One of Best Known Newspaper Men of Southwest

Here Since 1871

 

William T. Yoe, aged editor of the Southwest Kansas Tribune, died at his home, Saturday night, after an illness of a week. He was actively in the harness at his desk until stricken with a slight stroke of paralysis Friday, April 20.

Mr. Yoe had been confined to his home for a week. Saturday morning he suffered a slight stroke of paralysis which was followed in the afternoon by two more strokes, from which he died at 1:17 Sunday morning.

He is survived by his wife, Mrs. Jennie Yoe, three daughters, Miss Harriett of the home address, Mrs. G. W. Arey of Washington, and A. P. Bryant of Venice, California; four sons, Roy W. of Tyro; George M. of Bartlesville, Okla,; Warren W. of Chison, Washington, and Earl of this city, and ten grandchildren.

Funeral services will probably be held Thursday afternoon at 3:30 o’clock from the Methodist church of which he was the eldest member. The body will lie in state from 11 o’clock until 2 o’clock on Thursday. Those desiring to view the remains call at that time as the casket will not be opened at the church. Burial will be made in Mount Hope cemetery.

An Appreciation

By Chas. T. Erett

 

In the death of W. T. Yoe this city lost one of its real builders, a man who not only helped to blaze the way from the great social, civic, industrial and business development that marks the city’s growth and prosperity but one who performed an important and outstanding part in all those things essential to that development. But few individuals, if any, ever made a deeper and more permanent impress on the affairs of this community that did Mr. Yoe during the more than a half century services as editor, public official and active citizen. He was not an outstanding figure in the sense that he was a brilliant editorial writer, or forceful and terse paragrapher, or that he was gifted with any of the exceptional faculties that make conspicuous the noted newspaper man of today, but he was great in his vision and faith, in his ideals and principles of action, in his perception and well balance view pint, in his kindness of heart, his courtesy as a gentleman, and in his devotion to his work, his home town and its institutions and in his unfaltering adherence to those things he believed to be right and in performance of every duty as father, husband, citizen, neighbor and friend.

Denied the benefits of advanced educational advantages in his youth he learned the printer’s trade, and when in company with his brother Charles he established the Tribune in this city, his principal capital was his knowledge of the art preservation of all the arts and his willingness to make the most of his opportunities. With the exception of very few weeks for the fifty-three years he was editor of the Tribune he prepared the larger portion of the copy each week for that paper, and during these early years of struggle for existence he worked every day at the laborous tasks of a printer in a primitive print shop. The columns of the Tribune for those years present an accurate history of this city, it is a history that perhaps contain none of the finished sentence of a Macaulay or the profound analysis of a Guizot, but it is a colorful story pulsating and throbbing with the hopes and achievements, the joys and disappointments, the defeats and victories, the fights, contensions and struggles, the failures and triumphs and the weekly provisional life of a study and determined people transforming a wilderness into a garden and bringing out of wild disorder a social and civic structure marvelous in its magnitude, far reaching in its benefits and admirable in its orderly processes for continuous growth in harmony with the solid foundations on which it rests. And through this whole story so plainly told, there breathes a spirit of optimism and confidence that should be an inspiration for all time, a spirit that never compromised knowingly with wrong or doubted the final success of the right. The day will come when some writer will put the history of this community into concise and attractive form, but no writer, however gifted, can hope to give as complete picture of the past three years, with its rich provincial coloring, its “Main Street” characteristics and all those features big and little that contribute to our daily existence as is found in the weekly news of the Tribune for all that time. But few men had a wider acquaintance than Mr. Yoe in his more active years it is doubtful if there were many families in Montgomery county he was not in touch with to a greater or smaller degree, and certain it is that during those years he knew all the men and women of the country who took a leading part in its religious, educational, political, social and civic life. Generous charitable, friendly, public spirited and ever ready to aid the unfortunate, he made lasting friendships even with those who most bitterly opposed him in his political efforts. The admirable personal traits brought him into close relationship with all the elements of life in the community and enabled him to give his news that personal coloring that made it distinctive, and which gave the history he had left a human touch that the most gifted historian of the future can never hope to equal in dealing with the cold facts of the past.

And when the history of this city is written the name of W. T. Yoe, figuratively speaking, will stand out in letters of god. He may have been narrowly partisan in politics, as his opponents often charged, but when it is remembered that as a young man he was called to duty to fight for the preservation of the union, it is not surprising he tenaciously held to the political organization that developed out of the conflict that so severely tested our very existence as a nation. At the time he had reached the age when the most lasting impressions are made and his whole subsequent career was n doubt influenced by the wounds and scares and bitterness that resulted from the civil war. But however narrow may have seemed his political viewpoint, no political opponent who ever came in touch with Mr. Yoe or who had an opportunity to know of is neighborly kindness, his thoughtful consideration for others, his loyalty to his highest conceptions of duty, and his devotion to family, friends, community and country, every failed to farm for him not only a high opinion but a strong personal attachment. He was a lovable man, and his days in this city were filled with noble acts, kindly deeds and a service to the community never excelled.

In all the fifty-three years his paper never sounded a note of calamity. Its columns were marked by a faith that was sublime, by an optimism that was encouraging. He gathered essential facts and presented them in a way that made them plain to all. He believed in the church, the school, and everything that contributed to the richness and fullness of life. He was often opposed in the editorial field by men far more able as writers and often subjected to attacks from their caustic pens, but through it all he maintained his position and place and was the only one with the exception of his surviving brother to remain in the field through life.

There are but few homes in this county that have been established for a decade but that will feel his death as a personal loss, and there are many homes and countless individuals who will always cherish his memory because of timely assistance and sympathy in the hour of trouble.

It will be a matter for those more intimately associated with Mr. Yoe than the write to properly tell in detail of his useful life and pay fitting tribute to his memory. The writer for nearly forty years was connected with newspaper enterprises in this city either as printer, editor or reporter, which were to a large extent rivals in business and political fields to the Tribune and its editor, and the impressions of Mr. Yoe and his work were formed in this atmosphere. It was an environment to an inflated estimation of Mr. Yoe’s services to his community nor one conducive to fulsome flattery, but it was a place that provided an opportunity for a real appreciation of the worth of a man working in the same filed.

   

South Kansas Tribune, Wednesday, May 2, 1923, Pg. 1:

 

W. T. Yoe, Editor of The Tribune Died Sunday Morning, April 29, 1923.

W. T. Yoe

My Brother Has Gone to His Reward

 

W. T. Yoe, Editor of the Tribune, passed to his reward on Sunday morning, April 29th, at 1:15. He retired from his desk at the Tribune office on Friday, April 20th, after his day’s work was completed. He remained at home lying down and sitting around as he felt inclined, until Saturday afternoon, when he expressed a desire to go to his bed upstairs, and was assisted by his daughter and son, Harriet and Earl, who saw him safely to bed. The doctor was called but nothing could be done for him and at 1:15 he passed to his reward.

William Thomas Yoe was the son of Walter and Elizabeth William Yoe, and was born at Port Republic, Calvert County, Maryland on March 26th, 1845. He parents moving to Rushville, Illinois in 1848, where he grew to manhood, and resided until 1866. He entered the printing office at 13 to make his way through life, he continued in that business to the last except about four years. Starting for himself at 13 to make his way through life, he continued to work up to his death. His mother who was so proud of him, passed to her reward when he was only 15 years of age. He was then compelled to depend upon himself, with the careful watching of a loving father and an older brother. He looked after his two younger brothers until he went into the army in Company K, 137th Illinois Infantry. On his return home he entered the Dry Goods Store of Thomas Wilson from where he left to enter the service. Later, in 1865, he got the western fever, and with another young man went to Shelbyville, Missouri, and started in the hardware business, which was not large enough for two, and he concluded to retire and return to his printing trade, as he was competent to hold a position in any office at that time. It was not long until he had a place on the Herald at Shelbina, Missouri, the only paper in the county and it was supporting the Republican party, which had few friends in that locality. It was not long until the business increased and the owners wanted him to take an interest in the office. Without means to secure an interest they sold him a half interest on time. In February 1868 Charles Yoe came out there from their old home in Rushville, Illinois, and went into the office with him and they never separated. Frank Yoe joined his brothers at Shelbina in 1870, and moved to Independence in November 1871.

In 1867 he became associated with the Shelby County Herald at Shelbina, Mo., and in 1868 Charles Yoe became connected with him on the paper and to this time 55 years that association has been continuous. In 1870, he concluded that he would like a broader field and in company with Col. A. M. York, his partner, they visited Independence, Kansas, then a new city of little over a year old. On returning home, after a few weeks thinking the matter over, he decided to come to Independence and risk making a success of the new enterprise, and at one organized the Tribune Company, with Col. York and L. U. Humphrey, and decided to close out the Herald at Shelbina and move it to this city. In February 1871, with L. U. Humphrey , Chas. Yoe and Aura Smith, he started for this city to establish the Tribune which has continued to be issued every week since the 8th day of March, 1871. How well he succeeded we leave the public to say.

The pride of his business career was the loyal support of the employees of the Tribune office from the start down to his last day. Many of them served from twenty-one to thirty-five years and he was pleased when C. A. Connelly, a young boy, who came to the Tribune force over thirty-six years ago, and continued in its service for years, made good and became one of the partners in the business. In the last few years it was made convenient to take his son Earl A. Yoe in as one of the Company, as he had long been the head of the mechanical part of the office, and is a growing young business man. With the appointment of C. A. Connelly as Postmaster, his son Glen C. Connelly, was added to the Company and assigned a place fitting a young man of his ability. Thus the last days of his life saw the coming on of younger men to take his place in the business he had built up so successfully in his time with the aid of his partners and the force of young men and ladies that gave him their loyal support.

In October 1870, he was united in marriage to Miss Jennie E. Weatherby of Shelbina, Mo. To this union seven children survive: Miss Harriet E. Yoe, at home, who has been the constant companion of her father and mother all these years, and their every want has been looked after and he relied and looked to her as he grew older. Roy W. Yoe of Tyro; Edna May Bryant, of Venice, California; Earl A. Yoe, who has been connected with him in the Tribune office, Ruth Arey, of this city, Warren W. Yoe, of Carson, Washington and George H. Yoe, of Bartlesville, Oklahoma. These with his wife as well as two brothers, Charles and Frank Yoe, ten grandchildren and several nephews and nieces living here and in Illinois, are left to mourn his death.

As Editor of the Tribune he has expressed his thoughts and opinions on every subject as it came up each week for over fifty-two years without missing a single issue, and was the oldest newspaper man in Kansas, in constant service for fifty-five years, and fifty-two years of that in the city of Independence. No man ever had a greater pride in seeing his home town grow and advance in every way than he. Today there are but two older business men living in this city than he. He was the oldest member of the Methodist church, a leading member of the Odd Fellow Lodge in his younger days. He served his city in many ways outside of the paper. He was Postmaster in this city under President Arthur. He was a member of the board of trustees that built the present Carnegie Public Library. Under Governor Humphrey, he was appointed a member of the State Board of Charities and held over under Governor Llewelling. During Governor Stanley’s administration he was appointed member of the Board of Regents of the State Agricultural College at Manhattan. In every position he was called to fill his aim was to get the greatest results possible for the public good. He was not extravagant in any manner but wanted the result to reflect credit upon those who had charge of the undertaking.

As a brother in our life work, everything has been as one could wish, nothing but the kindliest feelings in business and social life, and at his going everything is well with us. He watched over us as a brother, always looking to our welfare and success as if it was his own. No brothers could be more in harmony and one accord that were us three, Tom, Charlie, and Frank. He left one of the cleanest records to look back upon than any man could leave to his relatives.

His wife and family that he so cherished and looked after will miss him but his going in peace and without pain is one thing that they can always look to and know that he every want was provided for and it was the way he wished life to end with him.

 

Funeral of W. T. Yoe

 

The funeral of W. T. Yoe, Editor of the Tribune, will be held from the First Methodist Church on Thursday, May 3d, at 3:30, in charge of Rev. Harry Gordon, pastor. His remains will lie in state at his home from eleven until two on Thursday, where the friends can view them. The casket will not be opened at the church.

 

From History of Montgomery County, Kansas, By Its Own People, Published by L. Wallace Duncan, Iola, Kansas, 1903, Pg. 311-312:

 

Yoe, William Thomas Bio

 

William Thomas Yoe was born in Calvert county, Maryland, March 26, 1845, and reared in a Christian home. His parents were Walter and Elizabeth (Harris) Yoe, a native Maryland and Virginia people. In 1848, the parents left their old home and established themselves among the pioneers of Rushville, Illinois. The father was a carpenter and pursued the arts of peace and won the affection and regard of the community. To the three sons, W. T., Charles and Frank F., the parents left the heritage of a good name and an inspiration to righteous and useful lives.

Thomas Yoe, as our subject is universally known, passed his childhood and youth about Rushville, Illinois, where he had some acquaintance with the common schools. His education assumed a practical turn from the age of thirteen years, when he went into a print shop, from which, as a business, he had never been separated. Toward the end of the Civil War he enlisted in Company “K”, One Hundred and Thirty-second Illinois infantry, and saw service at Memphis, Tennessee.

After the war he located at Shelbyville, Missouri, where, for a short time, he was a hardware merchant, and then at Shelbina, where he became associated with Col. A. M. York in the publication of a Republican newspaper. After nearly five years, he decided to exert his energies among the people of the progressive frontier State of Kansas.

In the winter of 1870, he founded, with others, the South Kansas Tribune, and, in February following brought the plant to Kansas and established it in the new town of Independence, in Montgomery county. L. U. Humphrey, afterward governor of Kansas, was associated with the new paper, on its editorial staff. The proprietorship of the “Tribune: came, later, into the hands of W. T. and Chas. Yoe, where, with a single exception, it has since remained.

Mr. Yoe has been a part of Montgomery county nearly a third of a century and has shared in its development work, both rural and urban. Little that has been of general interest to the county has not known his hand, or felt the influence of his voice or pen; and the confidence he thus inspired warranted the conferring of public honors and the bestowal upon him of public trusts. The practical character of his views, his mature judgment and the evident sincerity of his purpose are traits which have commended him through life and marked him as one of the prominent citizens of his city and county. He has been at the head of his newspaper since its establishment and his personal standing has given it weight and power. He has helped make governors and other state officers and furnished effective advice in the distribution of local offices which showed abundant wisdom and brought a strong current of public sentiment to his party’s approval.

As an appointee to public office, Mr. Yoe has rendered his chief public service. President Arthur appointed him postmaster of Independence and he served three years bur resigned upon the election of Mr. Cleveland. Governor Humphrey appointed him sectary of the State Board of Charities, where he remained three years, and Governor Stanley made him a member of the Board of Regents of the State Agricultural College. As a Republican he has occupied a high position in party councils. He has a single standard of honesty and applies it in business, religion and politics, alike. He is an active and leading member o the Methodist congregation in Independence, and the influence of his life is a potent one in the spiritual and material affairs of the church.

In 1870, in Shelbina, Missouri, Mr. Yoe married Jennie E. Weatherby. The issue of this union are: Harriet E, a teacher in the Deaf and Dumb Institution of Kansas; Roy W., a farmer, of Tyro, Montgomery county; Edna May, assistant in the Independence post office; Earl A., a printer in the Tribune office; and Ruth, Warren and George.

 

Contributed by Mrs. Maryann Johnson a Civil war researcher and a volunteer in the Kansas Room of the Independence Public Library, Independence, Kansas.

  

On 28 January 2013, Etna's summit craters showed clear signs of unrest. Gas emission was strong and pulsating from the New Southeast Crater (the dark cone on right side of summit area), and the Bocca Nuova produced frequent emissions of dark ash. View from southeast on the morning of 28 January 2013

Immerse yourself in the essence of contemporary Aarhus with this black and white photograph capturing a stunning example of modern architecture. The building’s curved façades and reflective surfaces blend seamlessly with the city’s dynamic, offering a visual exploration of form and urban vibrancy. This image encapsulates the fusion of architectural innovation and everyday city life, reflecting the pulsating heart of Aarhus.

at the traffic signal

begging running

behind cars thanks

to that red light

dampened by

bad luck when

the cars move away

the pulsating green

light aware of these

poor childrens plight

born to beg beggar

kids of every height

dark future despair

lit up faces when

the car lights go

bright ..dreams

born died future

out of sight ..leftovers

from stomach restaurant

sipping an empty bottle

of sprite ..poetic meanderings

clipped wings of a beggar poet

aborted mid flight ..monochromatic

melody once in color now posing

posturing as street art black n white

  

.Look at the history of human individuals, but a few decades hundreds of years, but rather look at the history of the entire human population is a few hundred thousand years, and put him constantly Expansion of the natural world to appreciate and taste.

  

Human society is not an abstract body, but a real kaleidoscope.

  

Humanity the greatest and most powerful place is not that he's tough and mana, the first that constant self-denial.

  

As long as human society, everything is forward series, regardless of the final outcome of this evolution of how loud or how ruthless .----- (Fangruida famous classic).

  

When the end of life, the first thing you say goodbye not only the life of the world, but the nature and the universe temporary farewell.

  

Like the world Colorful palette, always emit a variety of transformation, some beautiful, some haze, some wonderful, some gray.

  

The world is not eternal day regulation and order, but the world will not be a permanent disorder or chaos filled the whole planet. Always in order and disorder kept grafting seesaw. Otherwise, the whole of nature and human society will tends to destroy or complete collapse collapse .---- Fangruida classic saying.

  

Where that is the reality of the existence, the reality of it all is that there are no real existence and reality do not exist, as preposterous .------- (Fangruida famous classic)

  

God created the world, God created the world also.

  

Only human beings truly enter into the kingdom of heaven, in order to truly comprehend the beauty of paradise.

  

Desires and greed, human society is to cross a natural divide from the animal kingdom; wisdom and labor - wealth, a huge man-made bridge to cross from animal rational human society.

  

Reason and truth is eternal connection, on the contrary, connected frenzy and falsehood, not waiting for the final astray is a failure.

  

World Vientiane, everyone is in a hurry to come and go, but some passing away, but you can still figure detour back; some people do not leave, the soul has already dead ..... everyone can flirtation, history will provide wonderful variety of rodeo arena.

  

Flowers Rose Garden that the world is too bright, it was a naive and childish;. That the world is Heilongtan dark, it is a sad and incompetence of the world is a reality, but also a bit romantic and sentimental .--- - Party Investor classic saying.

  

Immature and pessimism can not create the world, only the courage and strength to the world of innovation.

  

Polar is the planet's most rare trace places where there are very beautiful views located; extreme and extreme human reason and human impulses and most dangerous areas, where the need for human reason and wisdom in order to suppress or restraint.

  

Natural enemies of human reason is ignorance, the wisdom of the world's natural enemy is extreme towards destruction.

  

There is no competition in the world and it will be like fighting, like the human heart stops beating pulse; a world without compromise and share the same liver, the heart will be like five bodies separated gradually ruin and destruction.

  

Wrestling is a chessboard and killing skills to beat his opponent first need to overcome their short-sighted and frenzy.

  

Wit is the key to rational courage strength.

  

The kingdom of heaven is human nature into heaven.

  

Natural history is the whole nature, the whole of human history is human nature and the nature of its nature and instinct completely change and transformation.

  

Wealth and wisdom definitely not double twin brother.

  

Human society and the natural world will never be the same as pure crystal, more or less all kinds of impurities and dirt to clean up the human needs step by step and removed.

  

Humans do not need to panic unfounded end of the world, how very clear need to comprehend the most basic one cognitive justice: come early if apocalyptic, only that the light of life wisdom too dim.

  

Heaven or intended fanciful dream of heaven down to earth step by step really better start struggling to create the world from hell.

  

.

Boundless universe is always a hotbed of small Earth human life.

  

Sociologists man as a social structure of humanity, human biologists placed under Senior mammals primates, philosophers put him on the broader living environment and the identification and interpretation of social reality.

  

World colorful flowers Tuyan, but that does not mean all the world to disorganized, chaotic disorder. The world and the universe is not chaos to Jiuxing flying, yin and yang imbalance; the world and the universe through its self-regulation, self-compliance with its reasoning, chaos and gradually establish a new domain.

  

Simply conquer and dominate the world, purely natural animal beast game; build the world heaven, can be completely freed from the beast game.

  

Natural human animal is not terrible, terrible is its endless sprawl and the expansion will allow the creation into destruction, so that a rational degenerated into evil, let wisdom to destroy dull. (Fangruida famous classic)

  

History of the world can not with petals woven together beautiful wreath, the whole history of the world of human history actually use the compilation of flesh and blood and sweat out of scroll painting depicting famous classic .----- Fangruida

  

Great nature, great universe, it really is the mother of all human beings and of life.

  

Numerous sequences of human history, always natural and ruthlessly presented or presented. Transposition offside and only basic sort of positive sequence appears, rebellious or dislocation will be replaced with this kind of evolved into the history of bumps and setbacks. in other words, the natural history of mankind is only positive, it will not reverse or reverse. the difference with this is the natural evolution of the universe sequence, forward and inverse often exchange.

  

Anatomy of the whole human society, that is, the anatomical structure of the human body and the whole of nature is closely related to him in this world and the interdependence of social groups and individual configuration structure.

  

If we say that the universe will collapse crashes, that is to say, in this first human society and the collapse of self-extinction. The real danger is not that the hazards and predators, but in human societies and their own shortcomings and major mistakes and I do not know and ways to overcome , which will lead itself completely destroyed.

  

Wonderful and fanciful fantasy world is illusory phantom or a mirage, and the difficult reality to create a human society is the most real world is not bad and can permanently exist. (Fangruida famous classic).

  

The world is not "Superman", the world's only permanent hard work in the vast field of labor farming husband kept it .---- (Fangruida famous classic)

  

The sun rises in the east every day, day after day, life swing. Nature has actually shifted, and the human world are moving displacement movement. Earth life can be resurrected in other planets, it is a gift from God and good luck.

  

Animal world can not rudderless, lions, tigers, wolves, sheep and horses, geese, monkeys ..... human society is the family of the group, could not disorderly, "the leader, the leading pack . "otherwise, everything will do everything to destroy or subvert the demise of the basic laws of nature, is very scary silly deteriorate even in the solar system, the sun is the king of Jiuxing; no sun, the earth, the moon will return to zero.

  

Day after day, year after year, the Earth, the moon, the sun is constantly rotated; life, the human heart is with the rotation of day and night constantly pulsates ...... Seen in this light, Once stagnation, rotating and pulsating, nature and life will be how the outcome, beat rotating planets and life, it does not mean all the success Shengongguifu nature of human society, for him, the rotation will always be unalterable..; the first thing you want to beat is the survival of human life, the human world and the natural world if radical departure, beating of human life and the entire human society will tend to collapse and die.

  

There are a variety of life perception and interpretation, some clear, some obscure, some bright, some dark. In fact, both positive and anti, right and wrong, and the world is left to posterity a valuable voice.

  

The struggle of life, wealth, power, fame, status, love, family, career, trying to brilliant pinnacle, everything can not be overstated. In fact, both reach the top or hillside, or in the foothills, is a kind of happiness and enjoyment the natural world is always bland, calm as the sea, although the human world a little more luster and warmth, but also in flat calm situation, although sometimes reveal a storm, Wu Tu from high impact or change their life trajectory.

  

Creating the world's history, rather, to create insight into the world's first deep gaze of individuals and groups. Such absence or lack of vision and the starting line, attributed to arrogance and inevitable defeat.

  

Thousands of the world, thousands of images. Thousands of pairs of eyes, thousands of hands. This masterpiece of thousands, thousands of souls. In that thousands upon thousands among the only altars and shrines in addition to the idol, and a sense of the soul money makes the sedative comfort. as everyone knows, regardless of the fate of Jian wrong, the world is still good for the good to suffer for the music, to generate Bo death, repeatedly, during the era of generations, the most common interpretation of the most extensive human history.

  

World often emerged outstanding figures of the gods can be an epoch-making, can be interpreted badly from myths and legends; but from nature and reality is often a grotesque or absurd theory only to give up.

  

People from out of nature, and not simply out of human society sector. In contrast, only out of the nature from nature, but does not come out from the world of human life. (Fangruida famous classic)

  

Look sideways world, rainbow Jinxia sky; bristling world view, if the haze over the Thunder inverted observation scene versa, haze Thunder sky, rainbow Jinxia everywhere (Jinxia ---- beautiful pink clouds)..

  

Raving nonsense and idiot, proverbs and reason is the only path to truth.

  

The unexamined not create the world, wasted years of mediocrity; only diligent, Tao chest military strategy in order to lead the world, the world of innovation.

  

Eternal life is worth, rather than length.

  

The world is mortal beings, not a genius and a saint can be replaced in no geniuses and saints, beings naturally generated, no beings, geniuses and saints will be gone.

  

No one can accurately predict the future and the natural world, but the super senior human wisdom but they can draw no less natural place universe and human society generally rough picture of the future. You can even far beyond the vision of God.

  

Human nature is present in higher animals on the natural world, although it has a strong force transformation wisdom and creativity, but not completely out of nature, after all, fundamentally fantasy or fiction instinct of human nature and the animal has been completely isolated gene molecules bodiless not fanaticism is ignorance, because he was not placed in front of infantilism is the first force manic hysteria syndrome. (Fangruida famous classic)

  

The world's greatest bible, every day open a new chapter, the key is how do you continue to write my handwriting left by their predecessors various chapters .------ (Fangruida classic saying.)

  

Wine is mellow, as long as there is revelry, pure spring water will be circulated outstanding flavor.

  

History of the universe, pure natural history of human social history, the history of humanity itself both tracks, but also inevitable historical process is full of natural and insurmountable escape various blind spots and bane. Neglect or ignore these, will make the history of human society more bizarre .------- (fangruida famous classic)

  

Regardez l'histoire des individus humains, mais quelques décennies des centaines d'années, mais plutôt regarder l'histoire de l'ensemble de la population humaine est à quelques centaines de milliers d'années, et l'ont mis constamment Expansion du monde naturel d'apprécier et de goût.

  

La société humaine est pas un corps abstrait, mais un véritable kaléidoscope.

  

L'humanité le lieu le plus grand et le plus puissant est pas qu'il est difficile et de mana, la première que l'abnégation constante.

  

Tant que la société humaine, tout est en avant la série, quel que soit le résultat final de cette évolution de la façon dont fort ou comment impitoyable .----- (Fangruida célèbre classique).

  

Lorsque la fin de la vie, la première chose que vous dire au revoir non seulement la vie du monde, mais la nature et l'univers adieu temporaire.

  

Comme la palette colorée du monde, émettent toujours une variété de transformation, de beaux, de la brume, certains merveilleux, un peu de gris.

  

Le monde est pas la réglementation de jour éternel et de l'ordre, mais le monde ne sera pas un désordre permanent ou le chaos rempli toute la planète. Toujours dans l'ordre et le désordre gardé greffage balançoire. Sinon, l'ensemble de la nature et de la volonté de la société humaine tend à détruire ou complète effondrement effondrement .---- Fangruida dicton classique.

  

Lorsque cela est la réalité de l'existence, la réalité de tout cela est qu'il n'y a pas d'existence réelle et la réalité n'existent pas, aussi absurde .------- (Fangruida célèbre classique)

  

Dieu a créé le monde, Dieu a créé le monde aussi.

  

Seuls les êtres humains entrent vraiment dans le royaume des cieux, afin de comprendre véritablement la beauté du paradis.

  

Désirs et la cupidité, la société humaine est de traverser un fossé naturel à partir du règne animal; la sagesse et le travail - la richesse, un énorme pont artificiel de traverser de la société humaine rationnelle animal.

  

La raison et la vérité est éternelle connexion, au contraire, la frénésie connecté et le mensonge, pas d'attente pour l'égarer final est un échec.

  

Monde Vientiane, tout le monde est pressé d'aller et venir, mais certains décès, mais vous pouvez toujours comprendre détour de retour; certaines personnes ne partent pas, l'âme a déjà morts ..... tout le monde peut flirt, l'histoire fournira merveilleuse variété de scène de rodéo.

  

Fleurs Rose Garden que le monde est trop lumineux, il était un naïf et enfantin ;. Que le monde est sombre Heilongtan, il est triste et l'incompétence du monde est une réalité, mais .--- aussi un peu romantique et sentimentale - dicton classique Parti investisseurs.

  

pessimisme immature et ne peut pas créer le monde, seul le courage et la force dans le monde de l'innovation.

  

Polar est plus rares endroits de trace de la planète où il y a de très belles vues situées; raison extrême et extrême humaine et impulsions humaines et les zones les plus dangereuses, où le besoin de la raison humaine et la sagesse afin de supprimer ou de retenue.

  

Les ennemis naturels de la raison humaine est l'ignorance, la sagesse de l'ennemi naturel du monde est extrême vers la destruction.

  

Il n'y a pas de concurrence dans le monde et ce sera comme les combats, comme le coeur humain cesse de battre le pouls; un monde sans compromis et partagent le même foie, le cœur sera comme cinq corps séparés ruine et la destruction progressive.

  

La lutte est un échiquier et tuant compétences pour battre son adversaire d'abord besoin de surmonter leur manque de vision et de la frénésie.

  

Wit est la clé de la force de courage rationnelle.

  

Le royaume des cieux est la nature humaine dans le ciel.

  

L'histoire naturelle est toute la nature, l'ensemble de l'histoire humaine est la nature humaine et la nature de sa nature et de l'instinct complètement changer et de transformation.

  

La richesse et la sagesse certainement pas doubler frère jumeau.

  

La société humaine et le monde naturel ne sera jamais le même que le cristal pur, plus ou moins toutes sortes d'impuretés et la saleté à nettoyer l'humain a besoin, étape par étape et enlevé.

  

Les êtres humains ne doivent pas paniquer fin sans fondement du monde, comment besoin très clair de comprendre une justice cognitive la plus fondamentale: venez tôt si apocalyptique, mais seulement que la lumière de la sagesse de vie trop faible.

  

Ciel ou rêve chimérique destinée des cieux jusqu'à l'étape de la terre à pas vraiment mieux de commencer à lutter pour créer le monde de l'enfer.

  

univers infini est toujours un foyer de petite terre la vie humaine.

  

Les sociologues l'homme comme une structure sociale de l'humanité, les biologistes humains placés sous mammifères supérieurs primates, les philosophes l'a mis sur le cadre de vie plus large et l'identification et l'interprétation de la réalité sociale.

  

Monde des fleurs colorées Tuyan, mais cela ne signifie pas que le monde entier, le désordre chaotique désorganisé. Le monde et l'univers est pas le chaos à Jiuxing vol, le yin et le yang déséquilibre; le monde et l'univers grâce à son auto-régulation, auto-respect de son raisonnement, le chaos et progressivement établir un nouveau domaine.

  

Il suffit de conquérir et de dominer le monde, purement animale naturelle jeu bête; construire le ciel du monde, peut être complètement libéré de la partie de la bête.

  

animal humain naturel est pas terrible, terrible est son étalement sans fin et l'expansion permettra la création à la destruction, de sorte qu'un rationnelle dégénéré en mal, laissez la sagesse de détruire terne. (Fangruida célèbre classique)

  

Histoire du monde ne peut pas avec des pétales tissés ensemble belle couronne, toute l'histoire du monde de l'histoire humaine en fait utiliser la compilation de chair et de sang et de sueur sur la peinture de défilement représentant célèbre classique .----- Fangruida

  

Grande nature, grand univers, il est vraiment la mère de tous les êtres humains et de la vie.

  

De nombreuses séquences de l'histoire humaine, toujours naturelle et impitoyablement présentés ou présentés. Transposition de hors-jeu et ne sorte de base de séquence positive apparaît, rebelle ou la dislocation sera remplacé par ce genre de évolué dans l'histoire de bosses et de revers. en d'autres termes, l'histoire naturelle de l'humanité est seul point positif, il ne sera pas inverse ou vice versa. la différence avec ceci est l'évolution naturelle de la séquence de l'univers, directe et inverse souvent l'échange.

  

Anatomie de l'ensemble de la société humaine, qui est, la structure anatomique du corps humain et la nature entière est étroitement liée à lui dans ce monde et l'interdépendance des groupes sociaux et de la structure de configuration individuelle.

  

Si nous disons que l'univers va effondrer accidents, à savoir, dans cette première société humaine et de l'effondrement de l'auto-extinction. Le vrai danger est pas que les dangers et les prédateurs, mais dans les sociétés humaines et leurs propres insuffisances et des erreurs majeures et je ne sais pas et les moyens de surmonter, qui sera lui-même conduire complètement détruit.

  

monde imaginaire merveilleux et de fantaisie est fantôme illusoire ou un mirage, et la réalité difficile de créer une société humaine est le monde le plus réel est pas mal et ne peut exister de façon permanente. (Fangruida célèbre classique).

  

Le monde est pas "Superman", seulement travailler dur permanente au monde dans le vaste domaine de l'agriculture du travail mari gardé .---- (Fangruida célèbre classique)

  

Le soleil se lève à l'est tous les jours, jour après jour, swing de vie. La nature a fait déplacé, et le monde humain se déplacent mouvement de déplacement. la vie de la Terre peut être ressuscité dans d'autres planètes, il est un don de Dieu et bonne chance.

  

Le monde animal ne peut pas à la dérive, les lions, les tigres, les loups, les moutons et les chevaux, oies, singes ..... société humaine est la famille du groupe, ne pouvait pas désordonnée, "le leader, le peloton de tête." Sinon, tout va tout faire pour détruire ou corrompre la disparition des lois fondamentales de la nature, est très effrayant idiot détériorer encore dans le système solaire, le soleil est le roi de Jiuxing; pas de soleil, la terre, la lune sera de retour à zéro.

  

Jour après jour, année après année, la Terre, la lune, le soleil est constamment en rotation; la vie, le cœur humain est avec la rotation de la journée et de la nuit en permanence bat ...... Vu sous cet angle, Une fois que la stagnation, la rotation et de pulsation, la nature et la vie sera de savoir comment le résultat, battre planètes et de la vie en rotation, il ne ne signifie pas que tout le succès Shengongguifu nature de la société humaine, pour lui, la rotation sera toujours inaltérable ..; la première chose que vous voulez à battre est de la survie de la vie humaine, le monde des humains et le monde naturel si radical, battement de la vie humaine et la société humaine entière aura tendance à réduire et mourir.

  

Il existe une variété de la perception de la vie et de l'interprétation, certains clair, certains obscurs, certains lumineuses, certaines sombre. En fait, est laissé à la fois positive et anti, bien et le mal, et le monde à la postérité une voix précieuse.

  

Le combat de la vie, la richesse, le pouvoir, la gloire, le statut, l'amour, la famille, la carrière, en essayant de Pinnacle brillante, tout ne peut pas être surestimée. En fait, à la fois atteindre le sommet ou en pente, ou dans les contreforts, est une sorte de bonheur et de plaisir le monde naturel est toujours fade, calme comme la mer, bien que le monde humain un peu plus d'éclat et de la chaleur, mais aussi dans le calme plat situation, bien que parfois révéler une tempête, Wu Tu, de fort impact ou de modifier leur trajectoire de vie.

  

Création de l'histoire du monde, plutôt, pour créer un aperçu de premier regard profond du monde des individus et des groupes. Cette absence ou le manque de vision et de la ligne de départ, attribué à l'arrogance et de la défaite inévitable.

  

Des milliers de monde, des milliers d'images. Des milliers de paires d'yeux, des milliers de mains. Ce chef-d'œuvre de milliers, des milliers d'âmes. En ce que des milliers et des milliers parmi les seuls autels et des sanctuaires, en plus de l'idole, et un sens de l'argent de l'âme qui fait le confort sédatif. comme chacun le sait, quel que soit le sort de Jian mal, le monde est encore bon pour le bien de souffrir pour la musique, pour générer Bo mort, à plusieurs reprises, à l'époque des générations, l'interprétation la plus courante de la plus vaste de l'histoire humaine.

  

Monde émergé souvent magnifiques figures des dieux peut être une époque de décision, peut être interprété mal de mythes et de légendes; mais de la nature et la réalité est souvent une théorie grotesque ou absurde que d'abandonner.

  

Les gens de l'extérieur de la nature, et non pas simplement sur le secteur de la société humaine. En revanche, seulement sur la nature de la nature, mais ne sort pas du monde de la vie humaine. (Fangruida célèbre classique)

  

Regardez monde côté, ciel arc Jinxia; hérissé vision du monde, si la brume sur le Thunder inversé scène d'observation versa, la brume de Thunder ciel, arc en ciel Jinxia partout (Jinxia ---- beaux nuages ​​roses) ..

  

Raving absurde et idiot proverbes et la raison est la seule voie vers la vérité.

  

Le non examinée pas créer le monde, années perdues de la médiocrité; seulement diligent, Tao poitrine stratégie militaire afin de mener le monde, le monde de l'innovation.

  

La vie éternelle est une valeur, plutôt que la longueur.

  

Le monde est êtres mortels, pas un génie et un saint peut être remplacé en aucun génies et les saints, les êtres générés naturellement, pas les êtres, les génies et les saints seront partis.

  

Personne ne peut prédire exactement l'avenir et le monde naturel, mais la sagesse humaine super senior, mais ils peuvent en tirer aucune place univers moins naturel et la société humaine en général image approximative de l'avenir. Vous pouvez même bien au-delà de la vision de Dieu.

  

La nature humaine est présente chez les animaux supérieurs sur le monde naturel, mais il a une forte sagesse de transformation de la force et de la créativité, mais pas complètement hors de la nature, après tout, fondamentalement imaginaire ou fiction instinct de la nature humaine et l'animal a été molécules de gènes complètement isolées bodiless pas le fanatisme est l'ignorance, parce qu'il n'a pas été placé en face de l'infantilisme est la première force syndrome de l'hystérie maniaque. (Fangruida célèbre classique)

  

plus grande bible du monde, tous les jours ouvrir un nouveau chapitre, la clé est de savoir comment vous continuez à écrire mon écriture laissé par leurs prédécesseurs chapitres différents .------ (dicton classique Fangruida.)

  

Le vin est moelleux, tant qu'il y est réjouissances, l'eau de source pure sera distribué saveur exceptionnelle.

  

Histoire de l'univers, l'histoire naturelle pure de l'histoire sociale de l'homme, l'histoire de l'humanité elle-même les deux pistes, mais aussi processus historique inévitable est plein d'évacuation naturelle et insurmontable différents angles morts et Bane. Négligence ou les ignorer, fera l'histoire de la société humaine plus bizarre .------- (fangruida célèbre classique)

  

ヒト個体の歴史を見て、しかし、数十年の何百年ものではなく、全体人口の歴史を見ては、千数百年であり、常に理解する自然界の拡大と味を彼を置きます。

  

人間社会は、抽象体ではなく、本物の万華鏡。

  

人類最大かつ最も強力な場所は一定の自己否定、第一、彼はタフでマナだということではありません。

  

限り人間社会など、すべてが関係なく、どのように大声またはどのように冷酷な-----（Fangruida有名なクラシック）のこの進化の最終的な結果の、フォワードシリーズです。

  

人生の終わりには、まず最初に、あなただけでなく、世界の生活が、自然や宇宙の一時的な別れさよならを言うとき。

  

世界カラフルなパレットのように、常に変換の様々な、いくつかの美しい、いくつかのヘイズ、いくつかの素晴らしい、いくつかのグレーを発します。

  

世界は永遠の日の規制や順序ではありませんが、世界は永久的な障害ではないだろうか、混乱が地球全体を満たしました。常に秩序と無秩序にシーソーをグラフト続けました。そうでなければ、自然と人間社会の意志の全体が破壊または完全な崩壊の崩壊.---- Fangruida古典的な格言する傾向があります。

  

それは存在の現実である場合、すべての現実は.-------、本当の存在と現実が存在しない存在しないこととして本末転倒である（Fangruida有名なクラシック）

  

神が世界を作成し、神はまた、世界を作成しました。

  

唯一の人間は、本当に、本当に楽園の美しさを理解するために、天の御国に入ります。

  

欲望や欲、人間社会は、動物界からの自然な分裂を横断することです。知恵と労働 - 富、動物合理的な人間社会から横断する巨大な人工の橋。

  

その理由と真実は逆に永遠の接続、接続狂乱と偽り、最終迷うのを待っていることは失敗ではありません。

  

世界ビエンチャンは、誰が来て、どこへ行く急いでいるが、一部は過ぎ去り、あなたはまだ戻って迂回把握することができます。一部の人々は魂はすでに死んで持って、残していない.....誰もが歴史はロデオアリーナの素晴らしい多様性を提供する、浮気することができます。

  

花ローズガーデン世界が明るすぎること、それはナイーブと幼稚だった;.パーティー投資家古典的な格言 - 世界はHeilongtan暗いと.---、それは悲しいです、世界の無能が現実ですが、また少しロマンチックなと感傷的。

  

未熟と悲観論は、技術革新の世界への唯一の勇気と強さを世界を作成することはできません。

  

ポーラーは、位置、非常に美しい景色がある惑星の最も希少なトレースの場所です。極端な、極端な人間の理性と人間の衝動と最も危険な地域、人間の理性と知恵の必要性を抑制するため、または拘束インチ

  

人間の理性の天敵は、世界の天敵の知恵が破壊に向かって極端で、無知です。

  

世の中には競争はありません、それは人間の心は、パルスを破って停止するように、戦うようになります。妥協のない世界と同じ肝臓を共有し、心は徐々に破滅と破壊区切られた5つの体のようになります。

  

レスリングは、チェス盤と最初には、近視眼的と狂気を克服する必要がある相手を倒すためのスキルを殺すです。

  

ウィットは、合理的な勇気の強さの鍵です。

  

天国は天国に人間の本性です。

  

自然史全体性質である、人間の歴史の全体が人間の本性とその性質の性質と完全に変更し、変換本能です。

  

富と知恵は間違い双子の弟を倍増ありません。

  

人間社会と自然界は、多かれ少なかれ、不純物や汚れのすべての種類は、ヒトをクリーンアップするために、純粋な結晶と同じになることはありませんステップと削除されたことにより、ステップを必要とします。

  

人間は世界の根拠のない終わりがパニックする必要はありません、どのように非常に明確で、最も基本的なものの認知正義を理解する必要性：終末論的な場合にのみ、人生の知恵の光が暗すぎていることを、早期に来ます。

  

天国やステップバイアースステップに天の意図空想的な夢は本当に優れて地獄から世界を作るのに苦労し始めます。

  

無限の宇宙は常に小さな地球人間生活の温床です。

  

人類の社会構造などの社会学者の男は、シニア哺乳類霊長類下に置かれた人間の生物学者は、哲学者は、より広範な生活環境と社会的現実の識別および解釈に彼を置きます。

  

世界色とりどりの花Tuyan、それは無秩序、混沌とした障害にすべての世界を意味するものではありません。世界と宇宙は音楽学院飛んで、陰と陽の不均衡に混乱はありません。世界と徐々にその推論、混沌との自己規制、自己コンプライアンスを通じて宇宙とは、新しいドメインを確立します。

  

単に世界、​​純粋な自然動物獣ゲームを征服し、支配します。世界の天国を構築し、完全に獣のゲームから解放することができます。

  

天然ヒト動物はひどいではない、ひどいは、その無限のスプロール現象であると合理的に鈍い破壊するために知恵をさせ、悪に縮退するように拡張は、破壊に作成できるようになります。 （Fangruida有名なクラシック）

  

世界の歴史美しい花輪一緒に織られた花びらで、人間の歴史の世界の全体の歴史は実際に有名な古典を描いスクロール絵画のうち、肉と血と汗のコンパイルを使用することはできません.----- Fangruida

  

大自然、素晴らしい宇宙、それは本当にすべての人間の生活の母です。

  

人類の歴史の多数のシーケンスは、情け容赦なく、常に自然と提示または提示します。正のシーケンスの転位オフサイドと基本的なソートが反抗や転位がバンプと挫折の歴史に進化のこの種に置き換えられます、表示されます。言い換えれば、人類の自然史は、それが逆転または逆にしないだろう、正のみです。これとの違いは、宇宙シーケンスの自然な進化、順方向と逆方向しばしば交換です。

  

全体の人間社会の解剖学、それは、人体の解剖学的構造であり、自然の全体がこの世界で彼に密接に関係していると社会集団と個々の構成構造の相互依存。

  

私たちは宇宙がクラッシュを崩壊すると言うなら、それはこの最初の人間社会と自己絶滅の崩壊で、と言うことです。本当の危険は危険と捕食者でなく、人間社会と自分の欠点や主要な間違いではないと私は知っていて、完全に破壊された自分自身を導くであろう、克服する方法はありません。

  

素晴らしいと架空のファンタジー世界が幻想ファントムや蜃気楼であり、人間社会を作成するのが難しい現実が最も現実の世界は悪いことではありませんし、永続的に存在することが可能です。 （Fangruida有名なクラシック）。

  

世界は「スーパーマン」ではない、労働農業夫の広大な分野における世界で唯一の永久的なハードワークは、それを保っ----（Fangruida有名なクラシック）

  

太陽は東に日、生活スイングした後、毎日、一日を上昇します。自然が実際にシフトしており、人間の世界では、変位の動きを移動しています。地球の生命は他の惑星に復活することができ、それは神と幸運からの贈り物です。

  

動物の世界では、かじ、ライオン、トラ、オオカミ、羊や馬することはできませんガチョウ、サル.....人間社会がグループの家族ではなく、無秩序でし、「リーダー、先頭のパック。」そうでなければ、すべては意志自然の基本法則の終焉を破壊もしくは破壊するためにすべての操作を行い、愚かであっても太陽系に悪化非常に怖いです、太陽は音楽学院の王です。何の日、地球は、月がゼロに戻りません。

  

翌日は、年々、地球、月が、太陽が常に回転しています。人生は、人間の心は常に......この光の中で見られる脈動昼と夜の回転にあり、停滞、回転脈動、自然と生活したら結果は、回転惑星や生命を打つ、それがないどのようになります人間社会のすべての成功Shengongguifu性を意味するものではありませ、彼のために、回転は常に不変になります..;ラジカル出発、人間の生命の鼓動と全体の人間社会が崩壊し、死亡する傾向がある場合は、ビートする最初の事は人間の生命、人間界と自然界の生存です。

  

生活の知覚と解釈、いくつかの明確な、いくつかのあいまいな、いくつかの明るい、いくつかの暗いの様々なものがあります。実際には、正と反、善悪、世界の両方の貴重な声を後世に放置されています。

  

生活、富、力、名声、地位、愛、家族、キャリア、輝かしい頂点にしようとの闘争は、すべてが誇張することはできません。実際には、両方のは、上部または丘の中腹に到達、または丘陵地帯に、人間の世界もう少し光沢と暖かさが、だけでなく、フラット穏やかで、自然界では常に、当たり障りのない海のように穏やかで幸せと楽しさの一種であります状況、時には高い衝撃から嵐、呉火を明らかにするか、自分の人生の軌道を変更しているが。

  

個人やグループの世界初の深い視線への洞察を作成するには、むしろ、世界の歴史を作成します。ビジョンとスタートラインのような非存在または欠如は、傲慢と必然的な敗北に起因します。

  

世界の何千、数千ものイメージ。目のペア、手の数千、数千。何千人も、魂の何千ものこの傑作。その中でアイドルに加えて、唯一の祭壇や神社の中で何千もの時に何千人も、そして魂のお金の感覚は鎮静快適になります。誰もが知っているように、関係なく、建間違ったの運命の、世界は良いが、世代の時代に、繰り返し、ボー死を生成するために、音楽のための最も広範な人類の歴史の中で最も一般的な解釈に苦しむためにまだ良いです。

  

世界には多くの場合、神話や伝説からひどく解釈することができる画期的なものとすることができる神の傑出した数字を浮上しました。しかし、自然や現実からだけあきらめることがしばしばグロテスクや不条理理論です。

  

自然のうちからの人々ではなく、単に人間社会セクターのうち。これとは対照的に、唯一の自然から自然のうち、人間の生命の世界から出てきません。 （Fangruida有名なクラシック）

  

横向きに世界を見て、虹Jinxiaの空。サンダーオーバーヘイズが観測シーンその逆、ヘイズサンダーの空、どこでも虹Jinxia（Jinxia ----美しいピンクの雲）を反転した場合、世界観を林立..

  

ナンセンスと馬鹿を狂乱、ことわざとその理由は、真実へのパスのみです。

  

世界、平凡の無駄な年を作成していない未調査。世界をリードするために勤勉、タオ胸軍事戦略、技術革新の世界だけ。

  

永遠の命は、むしろ長さよりも、価値があります。

  

世界は死すべき人間ではなく、天才と聖人はありません天才で交換することができ、聖人、自然に生成された人間、ない人間、天才と聖人が消えてしまいます。

  

誰も正確に未来と自然界が、スーパー・シニア人間の知恵を予測することはできませんが、彼らは少ない自然な場所の宇宙と人間社会の将来の一般ラフ絵を描くことはできません。あなたもはるかに神のビジョンを超えたことができます。

  

それは強い力変換知恵と創造性を持っていますが、完全ではない、自然のうち、すべての後、基本的にファンタジーや小説人間性の本能と動物が完全に単離された遺伝子の分子となっているが、人間の本質は、自然界での高等動物に存在しています彼は幼稚の前に置かれていなかったため、実体のないない狂信は、無知である第1の力躁ヒステリー症候群です。 （Fangruida有名なクラシック）

  

世界最大の聖書は、毎日新しい章を開いて、キーはあなたが彼らの前任各章.------によって残された私の手書きの書き込みを続行ん方法です（Fangruida古典的な格言を。）

  

ワインは限りお祭り騒ぎがあるとして、純粋な湧水が優れた風味を循環され、まろやかです。

  

宇宙の歴史、人間の社会史の純粋な自然歴史は、人類の歴史自体は両方のトラックだけでなく、必然的な歴史的プロセスは、自然と乗り越えられないエスケープ様々な盲点と破滅に満ちています。ネグレクトや、これらを無視.-------人間社会の歴史はもっと奇妙な（fangruida有名な古典的な）を行います

  

Schauen Sie sich die Geschichte der menschlichen Individuen, sondern ein paar Jahrzehnten Hunderte von Jahren, sondern Blick auf die Geschichte des gesamten menschlichen Bevölkerung ist ein paar hunderttausend Jahre, und ihn ständig Erweiterung der Natur zu schätzen und Geschmack.

  

Die menschliche Gesellschaft ist keine abstrakte Körper, sondern eine echte Kaleidoskop.

  

Die Menschheit die größte und leistungsstärkste Ort ist nicht, dass er hart und Mana, das erste, das ständige Selbstverleugnung.

  

Solange die menschliche Gesellschaft, ist alles nach vorne Serie, unabhängig vom endgültigen Ergebnis dieser Entwicklung, wie laut oder wie rücksichtslos .----- (Fangruida berühmt classic).

  

Wenn das Ende des Lebens, das erste, was Sie sagen, auf Wiedersehen nicht nur das Leben der Welt, aber die Natur und das Universum vorübergehende Abschied.

  

Wie die Welt Bunte Palette strahlen immer eine Vielzahl von Transformation, eine schöne, etwas Dunst, einige wundervolle, etwas grau.

  

Die Welt ist nicht ewig Tage-Regelung und Ordnung, aber die Welt wird nicht eine dauerhafte Störung oder Chaos den ganzen Planeten gefüllt sein. Immer in Ordnung und Unordnung gehalten Wippe Pfropfen. Ansonsten neigt die gesamte Natur und die menschliche Gesellschaft Willen zu zerstören oder vollständigen Zusammenbruch Zusammenbruch .---- Fangruida klassischen Sprichwort.

  

Ist dies der Realität der Existenz, der es der Realität Ganzen ist, dass es keine wirkliche Existenz und Wirklichkeit nicht existieren, wie absurd .------- (Fangruida berühmt classic)

  

Gott schuf die Welt, Gott auch die Welt erschaffen.

  

Nur der Mensch wirklich in das Himmelreich kommen, um wirklich die Schönheit des Paradieses begreifen.

  

Wünsche und Gier, die menschliche Gesellschaft ist ein natürliches Gefälle aus dem Tierreich zu überqueren; Weisheit und Arbeit - Wohlstand, eine riesige Menschen verursachten Brücke aus Tier rationalen menschlichen Gesellschaft zu durchqueren.

  

Vernunft und Wahrheit ist das ewige Verbindung, im Gegenteil, verbunden Raserei und Falschheit, nicht für das Finale verloren Warten ist ein Fehlschlag.

  

Welt Vientiane, jeder ist in Eile zu kommen und gehen, aber einige Vergehen, aber man kann immer noch Umweg Figur zurück; einige Leute nicht verlassen, hat sich die Seele schon tot ..... jeder Liebesspiel kann, wird die Geschichte bieten wunderbare Vielfalt der Rodeo-Arena.

  

Blumen Rosengarten, dass die Welt zu hell ist, war es ein naiv und kindisch ;. Dass die Welt Heilongtan dunkel ist, ist es eine traurige und Inkompetenz der Welt ist eine Realität, aber auch ein bisschen romantisch und sentimental .--- - Party Investor klassischen Sprichwort.

  

Unreife und Pessimismus kann die Welt nicht schaffen, nur den Mut und die Kraft in der Welt der Innovation.

  

Polar ist die seltenste Spuren Orte des Planeten, wo gibt es einen sehr schönen Ausblick gelegen; extrem und extreme menschliche Vernunft und menschlichen Triebe und gefährlichsten Bereiche, in denen die Notwendigkeit für die menschliche Vernunft und Weisheit, um zu unterdrücken oder Zurückhaltung.

  

Natürliche Feinde der menschlichen Vernunft Unwissenheit ist, die Weisheit der natürliche Feind der Welt ist extrem in Richtung Zerstörung.

  

Es gibt keine Konkurrenz in der Welt und es wird wie Bekämpfung sein, wie das menschliche Herz Puls aufhört zu schlagen; eine Welt ohne Kompromisse und die gleiche Leber teilen, wird das Herz wie fünf Leichen allmählich ruinieren und Zerstörung getrennt sein.

  

Wrestling ist ein Schachbrett und Tötung Fähigkeiten seiner Gegner zu schlagen zuerst müssen ihre kurzsichtig und Raserei zu überwinden.

  

Wit ist der Schlüssel zur rationalen Mut Stärke.

  

Das Himmelreich ist die menschliche Natur in den Himmel.

  

Naturgeschichte ist die ganze Natur, die ganze Geschichte der Menschheit ist die menschliche Natur und die Natur von ihrer Natur und Instinkt völlig ändern und Transformation.

  

Reichtum und Weisheit definitiv nicht doppelt Zwillingsbruder.

  

Die menschliche Gesellschaft und die natürliche Welt wird nie mehr dieselbe wie reiner Kristall sein, mehr oder weniger alle Arten von Verunreinigungen und Schmutz zu säubern der Mensch Schritt für Schritt benötigt und entfernt.

  

Der Mensch braucht nicht unbegründet Ende der Welt in Panik zu geraten, wie sehr klare Notwendigkeit, die grundlegendste kognitive Gerechtigkeit zu begreifen: früh kommen, wenn apokalyptisch, nur, dass das Licht des Lebens Weisheit zu dunkel.

  

Himmel oder beabsichtigt phantasievollen Traum vom Himmel auf die Erde Schritt für Schritt beginnen wirklich besser kämpfen, um die Welt aus der Hölle zu schaffen.

  

Grenzenloses Universum ist immer eine Brutstätte der kleinen Erde menschlichen Lebens.

  

Soziologen Menschen als soziale Struktur der Menschheit gestellt Humanbiologen unter Profi Säugetiere Primaten, setzte ihn Philosophen auf den breiteren Lebensumfeld und die Identifizierung und Interpretation der gesellschaftlichen Wirklichkeit.

  

Welt bunten Blumen Tuyan, aber das bedeutet nicht, die ganze Welt zu ungeordnet, chaotisch Störung. Die Welt und das Universum ist nicht Chaos Jiuxing Fliegen, Yin und Yang Ungleichgewicht; die Welt und das Universum durch seine Selbstkontrolle, Selbst Einhaltung seiner Argumentation, Chaos und allmählich eine neue Domain einzurichten.

  

Einfach erobern und die Welt, rein natürliche tier Spiel dominieren; der Welt, den Himmel zu bauen, können vollständig aus dem Tier Spiel befreit werden.

  

Natürliche menschliche Tier nicht schrecklich, schrecklich, seinen endlosen Wildwuchs und die Erweiterung wird die Schaffung ins Verderben zu ermöglichen, so dass eine rationale ins Böse degeneriert, lassen Weisheit stumpf zu zerstören. (Fangruida berühmt classic)

  

Geschichte der Welt kann nicht mit Blütenblättern miteinander verwoben schönen Kranz, die ganze Geschichte der Welt der menschlichen Geschichte tatsächlich nutzen die Zusammenstellung aus Fleisch und Blut und Schweiß von Rollbild zeigt berühmte klassische .----- Fangruida

  

Große Natur, große Universum, es ist wirklich die Mutter aller Menschen und des Lebens.

  

Zahlreiche Sequenzen der menschlichen Geschichte, immer natürlich und rücksichtslos präsentiert oder präsentiert. Umsetzung Abseits und nur grundlegende Art positive Folge erscheint, rebellisch oder Dislokation wird mit dieser Art von entwickelte sich in der Geschichte der Stöße und Rückschläge ersetzt werden. mit anderen Worten, ist die natürliche Geschichte der Menschheit nur positiv, es wird umgekehrt oder umgekehrt nicht. der Unterschied dabei ist, die natürliche Evolution des Universums Sequenz, vorwärts und inverse oft Austausch.

  

in dieser Welt und die wechselseitige Abhängigkeit von sozialen Gruppen und individuelle Konfiguration Struktur Anatomie des ganzen menschlichen Gesellschaft, die die anatomische Struktur des menschlichen Körpers und die ganze Natur mit ihm verwandt ist eng ist.

  

Wenn wir sagen, dass das Universum stürzt zusammenbrechen wird, das heißt, in dieser ersten menschlichen Gesellschaft und dem Zusammenbruch der Selbstauslöschung. Die wirkliche Gefahr ist nicht, dass die Gefahren und Raubtiere, aber in menschlichen Gesellschaften und ihre eigenen Unzulänglichkeiten und große Fehler, und ich weiß und Wege nicht zu überwinden, die sich vollständig zerstört führen wird.

  

Wunderbare und phantasievolle Fantasy-Welt ist eine Illusion Phantom oder ein Trugbild, und die schwierige Realität eine menschliche Gesellschaft ist die reale Welt ist nicht schlecht und kann dauerhaft bestehen zu erstellen. (Fangruida berühmt classic).

  

Die Welt ist nicht "Superman", die einzige dauerhafte harte Arbeit auf dem weiten Feld der Arbeitshaltung Mann der Welt gehalten es .---- (Fangruida berühmt classic)

  

Die Sonne geht im Osten auf jeden Tag, Tag für Tag, das Leben Gange. Die Natur hat tatsächlich verschoben, und die menschliche Welt bewegen Verschiebebewegung. Erde kann das Leben in anderen Planeten wiederbelebt werden, es ist ein Geschenk Gottes und viel Glück.

  

Tierwelt kann nicht ohne Ruder, Löwen, Tiger, Wölfe, Schafe und Pferde, Gänse, Affen ..... menschlichen Gesellschaft ist die Familie der Gruppe, konnte unordentlich nicht, "der Führer, der führende Packung." Sonst wird alles alles tun, um zu zerstören oder den Untergang der grundlegenden Gesetze der Natur zu untergraben, ist albern verschlechtern auch im Sonnensystem, die Sonne ist der König von Jiuxing sehr beängstigend; keine Sonne, die Erde, der Mond auf Null zurück.

  

Tag für Tag, Jahr für Jahr, an dem die Erde, den Mond, die Sonne ständig gedreht wird; Leben, das menschliche Herz mit der Drehung der Tag und Nacht ständig ...... So gesehen pulsiert, Einmal Stagnation, rotierenden und pulsierenden, Natur und Leben wird sein, wie das Ergebnis, schlagen sich drehenden Planeten und Leben, es tut bedeuten all den Erfolg Shengongguifu Natur der menschlichen Gesellschaft nicht, für ihn, die Rotation wird immer unveränderlich sein ..; das erste, was Sie ist das Überleben des menschlichen Lebens schlagen wollen, die Welt der Menschen und der Natur, wenn radikale Abkehr, Schlagen des menschlichen Lebens und der gesamten menschlichen Gesellschaft wird zusammenbrechen und sterben neigen.

  

Es gibt eine Vielzahl von Leben Wahrnehmung und Interpretation, einige klare, einem obskuren, einige hell, einige dunkel. In der Tat, sowohl positive als auch anti, richtig und falsch, und die Welt bleibt ein wertvoller Stimme der Nachwelt.

  

Der Kampf des Lebens, Reichtum, Macht, Ruhm, Status, Liebe, Familie, Karriere, versucht zu brillanten Höhepunkt, alles kann nicht überbewertet werden. In der Tat, erreichen sowohl die obere oder Hügel oder in den Ausläufern, ist eine Art von Glück und Freude die Natur immer mild, beruhigend wie das Meer ist, obwohl die menschliche Welt ein wenig mehr Glanz und Wärme, sondern auch in der Wohnung ruhig Situation, wenn auch manchmal einen Sturm zeigen, Wu Tu aus hochfestem oder ihr Leben Flugbahn ändern.

  

Erstellen der Weltgeschichte, und nicht zu schaffen, Einblick in die ersten tiefen Blick von Einzelpersonen und Gruppen weltweit. Solche Fehlen oder Mangel an Vision und die Startlinie zu Arroganz und unvermeidliche Niederlage zugeschrieben.

  

Tausende von weltweit Tausende von Bildern. Tausende von Augenpaaren, Tausende von Händen. Dieses Meisterwerk der Tausende, Tausende von Seelen. Dadurch, dass Tausende und Abertausende unter den nur Altäre und Schreine neben dem Idol, und ein Gefühl der Seele Geld macht die sedierende Komfort. wie jeder weiß, unabhängig von dem Schicksal von Jian falsch, ist die Welt noch gut für die gut für die Musik zu leiden, Bo Tod zu erzeugen, während der Ära von Generationen wiederholt, ist die häufigste Interpretation der umfangreichsten der Geschichte der Menschheit.

  

Welt entstanden oft herausragenden Figuren der Götter kann ein epochemachend sein kann schlecht von Mythen und Legenden interpretiert werden; aber von der Natur und Realität ist oft eine grotesk oder absurd Theorie nur aufgeben.

  

Menschen aus aus der Natur, und nicht einfach aus der menschlichen Gesellschaft Sektor. Im Gegensatz dazu, die Natur nur aus der Natur aus, aber nicht aus der Welt des menschlichen Lebens aus. (Fangruida berühmt classic)

  

Schauen seitwärts Welt, Regenbogen Jinxia Himmel; Weltbild gespickt, wenn der Dunst über dem Donner invertiert Beobachtungsszene kehrt, Dunst Donner Himmel, Regenbogen Jinxia überall (Jinxia ---- schöne rosa Wolken) ..

  

Raving Unsinn und Idiot, Sprichwörter und Grund ist der einzige Weg zur Wahrheit.

  

Die ungeprüfte nicht, um die Welt, verlorenen Jahre der Mittelmäßigkeit; nur fleißig, Tao Brust Militärstrategie, um die Welt, die Welt der Innovation zu führen.

  

Das ewige Leben ist wert, anstatt Länge.

  

Die Welt ist sterblichen Wesen, nicht ein Genie und ein Heiliger kann in keinem Genies und Heiligen ersetzt werden, Wesen natürlich erzeugt, keine Wesen, Geister und Heiligen wird verschwunden sein.

  

Niemand kann die Zukunft und die natürliche Welt genau vorherzusagen, aber die Super-Senior-menschliche Weisheit, aber sie können nicht weniger natürliche Ort Universum und die menschliche Gesellschaft im Allgemeinen grobes Bild der Zukunft ziehen. Sie können sogar weit über die Vision von Gott.

  

Die menschliche Natur ist in höheren Tieren auf die natürliche Welt, obwohl es eine starke Kraft Transformation Weisheit und Kreativität hat, aber nicht vollständig aus der Natur, immerhin grundsätzlich Phantasie oder Fiktion Instinkt der menschlichen Natur und das Tier vollständig isolierte Gen Moleküle gewesen körperlos nicht Fanatismus ist Unwissenheit, weil er nicht vor Infantilismus ist die erste Kraft manisch Hysterie Syndrom getätigt. (Fangruida berühmt classic)

  

Die größte Bibel der Welt, jeden Tag ein neues Kapitel zu öffnen, ist der Schlüssel, wie wollen Sie weiterhin meine Handschrift von ihren Vorgängern verschiedenen Kapiteln links zu schreiben .------ (Fangruida klassischen Sprichwort.)

  

Der Wein ist weich, solange es Gelage ist, reines Quellwasser wird hervorragende Geschmack weiterverbreitet werden.

  

Geschichte des Universums, rein natürliche Geschichte der menschlichen Sozialgeschichte, die Geschichte der Menschheit selbst beiden Spuren, sondern auch unvermeidlich historische Prozess ist voll von natürlichen und unüberwindbare Flucht verschiedene blinde Flecken und Fluch. Vernachlässigung oder ignorieren diese, wird die Geschichte der menschlichen Gesellschaft mehr bizarre .------- (fangruida berühmten klassischen) machen.

  

Посмотрите на историю человеческих индивидуумов, но в течение нескольких десятилетий сотни годы, но предпочтение рассмотрению истории всей человеческой популяции несколько сотен тысячи лет, и посадили его постоянно расширение естественного мира, чтобы оценить и вкус.

  

Человек общество не является абстрактным тела, а настоящий калейдоскоп.

  

Человечество самым большим и самым мощным место не что он жесткий и маны, первое, что постоянная самоотречение.

  

Пока человеческого общества, все вперед серии, независимо от конечного результата этого эволюции, как громко или как безжалостным .----- (Fangruida известного классика).

  

Когда в конце жизни, первое, что вы попрощаться не только жизнь мира, но природа и Вселенная временное прощание.

  

Как мировой красочная палитра, всегда излучают различные трансформации, некоторые красивые, небольшое помутнение, некоторые замечательные, некоторые серый.

  

Мир не вечен регулирование день и порядок, но мир не будет постоянным расстройство или хаос заполнили всю планету. Всегда в порядка и беспорядка хранится прививки качели. В противном случае, вся природа и воли человеческого общества имеет тенденцию к разрушению или полный крах коллапс .---- Fangruida классический высказывание.

  

Где это реальность существования, реальность всего этого является то, что нет никакой реальной существование и реальность не существует, так как нелепо .------- (Fangruida известный классический)

  

Бог создал мир, Бог создал мир также.

  

Только люди действительно войти в Царствие Небесное, чтобы по-настоящему понять красоту рая.

  

Желания и жадность, человеческое общество, чтобы пересечь естественную разрыва от животного; мудрость и труд - богатство, огромный искусственный мост, чтобы пересечь из животного рационального человеческого общества.

  

Причина и истина вечна соединение, напротив, связан безумие и ложь, не дожидаясь окончательного Astray сбой.

  

Всемирный Вьентьян, все в спешке приходить и уходить, но некоторые кончиной, но вы по-прежнему можете выяснить объезд обратно; некоторые люди не уходят, душа уже мертвого ..... каждый может флирта, история даст замечательное разнообразие родео арене.

  

Цветы Rose Garden, что мир слишком яркий, он был наивным и детским ;. То, что мир Heilongtan темно, это грустно и некомпетентность мире является реальностью, но и немного романтичным и сентиментальным .--- - партия Инвестор классический высказывание.

  

Незрелые и пессимизм не можете создать мир, только мужество и силу в мир инноваций.

  

Полярный наиболее редкие микроэлементы места планеты, где есть очень красивые виды, расположенные; экстремальный и экстремальный человеческий разум и человеческие порывы и наиболее опасные районы, где потребность в человеческий разум и мудрость для того, чтобы подавить или ограничением.

  

Естественные враги человеческого разума является невежество, мудрость естественным врагом мировым крайняя к разрушению.

  

Там нет конкуренции в мире, и это будет как боевых, как человеческое сердце перестает биться пульс; мир без компромисса и одни и те же печень, сердце будет как пять тел, разделенных постепенно разрушить и разрушение.

  

Борьба это шахматная доска и убивая навыки бить своего противника в первую очередь необходимо преодолеть близоруким и безумие.

  

Вит является ключом к рациональному силы мужества.

  

Царство Небесное человеческая природа на небо.

  

Естественная история является вся природа, вся человеческая история человеческая природа и характер своей природе и инстинкт полностью изменить и трансформация.

  

Богатство и мудрость, безусловно, не в два раза брат-близнец.

  

Человек общество и мир природы никогда не будет таким же, как чистый кристалл, более или менее всех видов примесей и грязи, чтобы убирать человек нуждается шаг за шагом и удалены.

  

Люди не нужно паниковать необоснованное конец света, как очень явная потребность осмыслить самую основную один когнитивный справедливость: пришел рано, если апокалиптический, только что свет жизненной мудрости слишком тусклым.

  

Рай или предназначены причудливые мечта небес на этапе земной за шагом действительно лучше начать борьбу, чтобы создать мир из ада.

  

Бесконечной вселенной всегда очагом небольшой человеческой жизни Земли.

  

Социологи человек как социальной структуры человечества, человека биологи, помещенные под Старший млекопитающих приматов, философы поставить его на более широком среды обитания и идентификации и интерпретации социальной реальности.

  

Мировые красочные цветы Tuyan, но это не значит, весь мир, чтобы неорганизованной, хаотическом беспорядке. Мир и Вселенная не хаосу Jiuxing полета, инь и ян дисбаланс; мир и Вселенная через саморегулирования, самоуправления соответствии с его мотивировочной, хаоса и постепенно создать новый домен.

  

Просто победить и доминировать в мире, чисто зверь игру естественного животного; построить мировую небо, может быть полностью освобождена от зверя игре.

  

Природный человек животное не ужасно, ужасно является его бесконечные разрастание и расширение позволит создать в погибель, так что рациональный выродилась зла, пусть мудрость, чтобы уничтожить скучно. (Fangruida известный классический)

  

История мира не может с лепестками сплетены красивый венок, вся история мира человеческой истории на самом деле использовать компиляцию из плоти и крови и пота из прокрутки живописи, изображающие известных классических .----- Fangruida

  

Большой природа, большой вселенной, на самом деле это мать всех человеческих существ и жизни.

  

Многочисленные последовательности человеческой истории, всегда естественным и безжалостно представлены или представлены. Перенос офсайда и только Основной род положительной последовательности появляется, мятежный или вывих будет заменен с такой превратилась в истории ударов и неудач. Другими словами, естественная история человечества только положительный, то не будет уменьшаться или наоборот. разница с этим является естественным развитием последовательности вселенной, прямого и обратного часто обмен.

  

Анатомия всего человеческого общества, то есть анатомическое строение человеческого тела и всей природы тесно связано с ним в этом мире и взаимозависимости социальных групп и индивидуальной структуры конфигурации.

  

Если мы говорим, что Вселенная рухнет аварий, то есть, в этом первом человеческом обществе и распада самоуничтожения. Реальная опасность не в том, что опасностей и хищников, но в человеческих обществах и их собственные недостатки и крупных ошибок, и я не

Duke Gardens in Durham NC - There's a very unique fountain in front of the visitors' center where the water flows over the four sides of a long rectangular table in pulsating sheets. The patterns are mesmerizing, as are the millions of bubbles.

Selena Gomez

Alcatraz - Milano

16 Settembre 2013

 

ph © Mairo Cinquetti

 

© All rights reserved. Do not use my photos without my written permission. If you would like to buy or use this photo PLEASE message me or email me at mairo.cinquetti@gmail.com

 

What do you do after striking gold with your first solo album, wrapping your third season starring in a hit series and earning raves for your movie debut? If you're Selena Gomez, you dance. At least, you get the world on its feet with "A Year Without Rain." A follow-up to "Kiss & Tell," Selena’s gold-certified Hollywood Records debut CD, "A Year Without Rain" shows Selena and her band, The Scene, in a whole new light, this one pulsating, multicolored and ready for the mirrored ball.

 

"I really wanted something that felt good to perform, but had a techno/dance vibe," Selena says. "I wanted something that had meaning and melody, and more empowering lyrics." That’s exactly what she delivers in "A Year Without Rain." Working with top producer/songwriters like Tim James & Antonina Armato, Kevin Rudolf, Toby Gad and Jonas Jeberg, Selena kept to a more quickened tempo, exploring themes of love, freedom and the joy of living for the moment.

 

Selena credits the album’s neo-techno leanings to her 2010 platinum-certified single, ‘Naturally," which pointed the way for her. That track "really helped me figure out where I want to be," she says. "There’s a feeling when I perform that song that I love, so when I was going back in the studio, I had a better understanding of where I wanted to be musically."

 

She gets right to it with the opening track, "Round & Round," an upbeat synth-driven song about reaching the limits of indecision in love. The plaintive "A Year Without Rain" may be more subdued, but its beauty impressed Selena enough to make it the title track. "When I got the song, I went through the roof," she recalls. "Everybody has that one person they can’t live without. It was exactly what I wanted to say." That goes double for the Spanish version of the song, Selena’s first recording in that language.

 

Having turned 18 this year, Selena has matured since making her professional debut at age 7, but girls still wanna have fun, which is what songs like "Spotlight" "Off the Chain" and "Summer’s Not Hot" are all about. "Rock God" features none other than Katy Perry on backing vocals, while "Intuition" boasts a duet between Selena and rapper Eric Bellinger in a tricked-out double-time salute to a positive attitude.

 

Selena slows things down on "Ghost of You," a ravishing ballad about a breakup so rough, no amount of "living crazy loud" can crush the memory. "It’s very beautiful, very raw," Selena says of the song. "Shelly Peiken co-wrote it. She knows me, knows about everything I go through, and knows how to express it in a beautiful way."

 

On the flip side, Selena comes back strong with "Sick of You," a Matt Squire-written and produced track about losing a loser ("You know fairy tales don’t come true/ Not when it comes to you"). The album ends with "Live Like There’s No Tomorrow," an epic power ballad expressing the creed by which Selena has built her life and career.

 

A Dallas native, Selena Gomez started acting at age seven when she landed a role in the popular television series "Barney & Friends," on which was a regular for two seasons. She landed her first film role in the 2003 sci-fi action adventure film "Spy Kids 3-D: Game Over." She made her mark as an actress playing girl wizard Alex Russo in the hit Disney Channel series "Wizards of Waverly Place," which premiered in 2007 and has now completed three seasons. Selena and her cast mates won a 2009 Emmy Award for Outstanding Children’s Program.

 

Selena then made an indelible impression with her starring role in 2010 comedy "Ramona and Beezus." Says Selena, "I wanted something completely different from my show. All these incredible actors, being able to learn from them and get my feet wet in the film world. It was the perfect way to get into it." Next up, a starring role in "Monte Carlo," in which she plays a teen on vacation in the romantic European principality. And of course, Selena is gearing up for the fourth season of "Wizards of Waverly Place."

 

Selena has branched out into fashion with the premiere of her new clothing line, Dream Out Loud, sold exclusively at K-Mart. But her instinct for charity remains strong. She is a proud UNICEF ambassador, and will appear for a third year at UNICEF's Trick or Treat bash, this time to kick off UNICEF's 60th anniversary. And with the new album comes a new tour with her band.

 

Having her own band has been a comfort for Selena as she hits the road with "A Year Without Rain." Scene members; Ethan Roberts (Guitar), Joey Clement (Bass), Greg Garman (Drums) and Dane Forrest (Keyboard) back her on tour and help shape her emerging sound. "On my TV show we have an ensemble cast that’s like a family," she says. "If anyone’s missing, you feel it. I wanted that family feel in my music, and we definitely have that with the Scene."

 

That family feeling had grown to include fans around the world, each of them all in when it comes to following Selena Gomez on her amazing artistic journey. Where’s she headed? She’ll let you know when she gets there. "I’m still figuring out who I am," she says. "I love expressing that through music, and through film. I feel at this moment in my life I couldn’t be happier."

2017 marks the 39th annual Carnaval San Francisco parade and festival. The Mission District transforms into an enormous celebration pulsating with dancing, drumming, live music, brilliant costumes and delicious food. The annual event attracts more than 400,000 people who come to enjoy the revelry and soak up the pageant of color and culture.

Selena Gomez

Alcatraz - Milano

16 Settembre 2013

 

ph © Mairo Cinquetti

 

© All rights reserved. Do not use my photos without my written permission. If you would like to buy or use this photo PLEASE message me or email me at mairo.cinquetti@gmail.com

 

What do you do after striking gold with your first solo album, wrapping your third season starring in a hit series and earning raves for your movie debut? If you're Selena Gomez, you dance. At least, you get the world on its feet with "A Year Without Rain." A follow-up to "Kiss & Tell," Selena’s gold-certified Hollywood Records debut CD, "A Year Without Rain" shows Selena and her band, The Scene, in a whole new light, this one pulsating, multicolored and ready for the mirrored ball.

 

"I really wanted something that felt good to perform, but had a techno/dance vibe," Selena says. "I wanted something that had meaning and melody, and more empowering lyrics." That’s exactly what she delivers in "A Year Without Rain." Working with top producer/songwriters like Tim James & Antonina Armato, Kevin Rudolf, Toby Gad and Jonas Jeberg, Selena kept to a more quickened tempo, exploring themes of love, freedom and the joy of living for the moment.

 

Selena credits the album’s neo-techno leanings to her 2010 platinum-certified single, ‘Naturally," which pointed the way for her. That track "really helped me figure out where I want to be," she says. "There’s a feeling when I perform that song that I love, so when I was going back in the studio, I had a better understanding of where I wanted to be musically."

 

She gets right to it with the opening track, "Round & Round," an upbeat synth-driven song about reaching the limits of indecision in love. The plaintive "A Year Without Rain" may be more subdued, but its beauty impressed Selena enough to make it the title track. "When I got the song, I went through the roof," she recalls. "Everybody has that one person they can’t live without. It was exactly what I wanted to say." That goes double for the Spanish version of the song, Selena’s first recording in that language.

 

Having turned 18 this year, Selena has matured since making her professional debut at age 7, but girls still wanna have fun, which is what songs like "Spotlight" "Off the Chain" and "Summer’s Not Hot" are all about. "Rock God" features none other than Katy Perry on backing vocals, while "Intuition" boasts a duet between Selena and rapper Eric Bellinger in a tricked-out double-time salute to a positive attitude.

 

Selena slows things down on "Ghost of You," a ravishing ballad about a breakup so rough, no amount of "living crazy loud" can crush the memory. "It’s very beautiful, very raw," Selena says of the song. "Shelly Peiken co-wrote it. She knows me, knows about everything I go through, and knows how to express it in a beautiful way."

 

On the flip side, Selena comes back strong with "Sick of You," a Matt Squire-written and produced track about losing a loser ("You know fairy tales don’t come true/ Not when it comes to you"). The album ends with "Live Like There’s No Tomorrow," an epic power ballad expressing the creed by which Selena has built her life and career.

 

A Dallas native, Selena Gomez started acting at age seven when she landed a role in the popular television series "Barney & Friends," on which was a regular for two seasons. She landed her first film role in the 2003 sci-fi action adventure film "Spy Kids 3-D: Game Over." She made her mark as an actress playing girl wizard Alex Russo in the hit Disney Channel series "Wizards of Waverly Place," which premiered in 2007 and has now completed three seasons. Selena and her cast mates won a 2009 Emmy Award for Outstanding Children’s Program.

 

Selena then made an indelible impression with her starring role in 2010 comedy "Ramona and Beezus." Says Selena, "I wanted something completely different from my show. All these incredible actors, being able to learn from them and get my feet wet in the film world. It was the perfect way to get into it." Next up, a starring role in "Monte Carlo," in which she plays a teen on vacation in the romantic European principality. And of course, Selena is gearing up for the fourth season of "Wizards of Waverly Place."

 

Selena has branched out into fashion with the premiere of her new clothing line, Dream Out Loud, sold exclusively at K-Mart. But her instinct for charity remains strong. She is a proud UNICEF ambassador, and will appear for a third year at UNICEF's Trick or Treat bash, this time to kick off UNICEF's 60th anniversary. And with the new album comes a new tour with her band.

 

Having her own band has been a comfort for Selena as she hits the road with "A Year Without Rain." Scene members; Ethan Roberts (Guitar), Joey Clement (Bass), Greg Garman (Drums) and Dane Forrest (Keyboard) back her on tour and help shape her emerging sound. "On my TV show we have an ensemble cast that’s like a family," she says. "If anyone’s missing, you feel it. I wanted that family feel in my music, and we definitely have that with the Scene."

 

That family feeling had grown to include fans around the world, each of them all in when it comes to following Selena Gomez on her amazing artistic journey. Where’s she headed? She’ll let you know when she gets there. "I’m still figuring out who I am," she says. "I love expressing that through music, and through film. I feel at this moment in my life I couldn’t be happier."

Selena Gomez

Alcatraz - Milano

16 Settembre 2013

 

ph © Mairo Cinquetti

 

© All rights reserved. Do not use my photos without my written permission. If you would like to buy or use this photo PLEASE message me or email me at mairo.cinquetti@gmail.com

 

What do you do after striking gold with your first solo album, wrapping your third season starring in a hit series and earning raves for your movie debut? If you're Selena Gomez, you dance. At least, you get the world on its feet with "A Year Without Rain." A follow-up to "Kiss & Tell," Selena’s gold-certified Hollywood Records debut CD, "A Year Without Rain" shows Selena and her band, The Scene, in a whole new light, this one pulsating, multicolored and ready for the mirrored ball.

 

"I really wanted something that felt good to perform, but had a techno/dance vibe," Selena says. "I wanted something that had meaning and melody, and more empowering lyrics." That’s exactly what she delivers in "A Year Without Rain." Working with top producer/songwriters like Tim James & Antonina Armato, Kevin Rudolf, Toby Gad and Jonas Jeberg, Selena kept to a more quickened tempo, exploring themes of love, freedom and the joy of living for the moment.

 

Selena credits the album’s neo-techno leanings to her 2010 platinum-certified single, ‘Naturally," which pointed the way for her. That track "really helped me figure out where I want to be," she says. "There’s a feeling when I perform that song that I love, so when I was going back in the studio, I had a better understanding of where I wanted to be musically."

 

She gets right to it with the opening track, "Round & Round," an upbeat synth-driven song about reaching the limits of indecision in love. The plaintive "A Year Without Rain" may be more subdued, but its beauty impressed Selena enough to make it the title track. "When I got the song, I went through the roof," she recalls. "Everybody has that one person they can’t live without. It was exactly what I wanted to say." That goes double for the Spanish version of the song, Selena’s first recording in that language.

 

Having turned 18 this year, Selena has matured since making her professional debut at age 7, but girls still wanna have fun, which is what songs like "Spotlight" "Off the Chain" and "Summer’s Not Hot" are all about. "Rock God" features none other than Katy Perry on backing vocals, while "Intuition" boasts a duet between Selena and rapper Eric Bellinger in a tricked-out double-time salute to a positive attitude.

 

Selena slows things down on "Ghost of You," a ravishing ballad about a breakup so rough, no amount of "living crazy loud" can crush the memory. "It’s very beautiful, very raw," Selena says of the song. "Shelly Peiken co-wrote it. She knows me, knows about everything I go through, and knows how to express it in a beautiful way."

 

On the flip side, Selena comes back strong with "Sick of You," a Matt Squire-written and produced track about losing a loser ("You know fairy tales don’t come true/ Not when it comes to you"). The album ends with "Live Like There’s No Tomorrow," an epic power ballad expressing the creed by which Selena has built her life and career.

 

A Dallas native, Selena Gomez started acting at age seven when she landed a role in the popular television series "Barney & Friends," on which was a regular for two seasons. She landed her first film role in the 2003 sci-fi action adventure film "Spy Kids 3-D: Game Over." She made her mark as an actress playing girl wizard Alex Russo in the hit Disney Channel series "Wizards of Waverly Place," which premiered in 2007 and has now completed three seasons. Selena and her cast mates won a 2009 Emmy Award for Outstanding Children’s Program.

 

Selena then made an indelible impression with her starring role in 2010 comedy "Ramona and Beezus." Says Selena, "I wanted something completely different from my show. All these incredible actors, being able to learn from them and get my feet wet in the film world. It was the perfect way to get into it." Next up, a starring role in "Monte Carlo," in which she plays a teen on vacation in the romantic European principality. And of course, Selena is gearing up for the fourth season of "Wizards of Waverly Place."

 

Selena has branched out into fashion with the premiere of her new clothing line, Dream Out Loud, sold exclusively at K-Mart. But her instinct for charity remains strong. She is a proud UNICEF ambassador, and will appear for a third year at UNICEF's Trick or Treat bash, this time to kick off UNICEF's 60th anniversary. And with the new album comes a new tour with her band.

 

Having her own band has been a comfort for Selena as she hits the road with "A Year Without Rain." Scene members; Ethan Roberts (Guitar), Joey Clement (Bass), Greg Garman (Drums) and Dane Forrest (Keyboard) back her on tour and help shape her emerging sound. "On my TV show we have an ensemble cast that’s like a family," she says. "If anyone’s missing, you feel it. I wanted that family feel in my music, and we definitely have that with the Scene."

 

That family feeling had grown to include fans around the world, each of them all in when it comes to following Selena Gomez on her amazing artistic journey. Where’s she headed? She’ll let you know when she gets there. "I’m still figuring out who I am," she says. "I love expressing that through music, and through film. I feel at this moment in my life I couldn’t be happier."

Me and My Peacock or Peacock and My Me

A dialogue Across Space and Time

(Words and Centuries)

A house, around the house a garden; in the garden, a peacock. No, let us put it this way-my heart, in the heart a house, around the house a garden, in the garden a peacock. This peacock a moving feast of colours comes to me wherever I am. The peahen pulls at my pyjamas. If I fail to take notice of her and remain preoccupied with reading, or writing she keeps teasing me, makes unintelligible accosting sounds, asking for something to eat, like a child asks his mother. If I throw the grain on the floor, she will not touch it, continues to grumble with sounds rejecting it protesting: only when I offered with my hands she eats, eyes full of lustre. And after she is appeased does not vanish but keeps moving about in my surroundings, now and then pulling at my sleeves to remind me of her presence because she seems to like that I should always take notice of her.

 

When I return home tired after my day’s work, she arrives promptly in front of me, like a rainbow into the garden of clouds. Alas! She cannot speak, she cannot express. Inside her feelings ebb like an ocean tide, waves knock at her soul for expression. Deprived of it the sea within her rebels gets enraged and furious. How torturous is this delicate bird’s; light! What inexplicable agony! How irredeemable, given even the enormous sympathy! She curses her creator for the deformity of speechlessness the foremost of all deformities.

 

One day I died, people were crying in the room. Lo, and behold hesitating the Peahen slowly moved towards the door, throwing bewildered looks all suspiciously in all directions. She was afraid yet compelled to come forward by something which she does not know or you people do not know, fear of death did not deter her: it means she did not care for death. Though I died, I was watching the peacock come. I was greatly amused. Crowds of people were falling over my dead body and they were weeping. Guy de Maupassant"s story LOVE flashed across my mind like a lightening as I lay dead. In that story a hunter kills a female bird. She falls to the ground from the sky. The hunter tells his friend:" Look this will bring the male bird also. Soon he will bag two instead of one, without any effort" soon, exactly as the hunter predicted the male bird flew in, hazarding danger, irresistibly drawn to his mate wailing even louder, with heartrending sounds, began circling the sky over the spot where his companion lay mutilated and soaked in blood. However the hunter is a hunter, unmoved and cold-blooded, his fingers pressed the trigger and the male bird was shot as he came within the range of the gun. He too fell dead by the side of his mate. Suddenly I heard a voice of hoary past and I knew it was Valmiki. It came resounding from the vaults of time. It was now cursing the hunter of Maupassant; heard dazed in my death. This Valmiki had cursed a hunter before and was cursing another one now. Does he keep cursing all the hunters all the time? How? Is it a voice raised against brutality for all ages to come? Doesn’t Valmiki die? Isn"t Valmiki dead? Is he cursing even today those tribes of hunters who have made it their life’s mission to violate humanity and propagate hate in letters of blood? Is this voice policing the highways of time day and night to shield humanity from attacks of the brute! Great minds turn into sound and thus revolve around the universe, around the world from age to age, from country to country eternally and endlessly.

 

One evening in the 21st century Albert Camus and I found ourselves in the swimming pool of a park. Swimming in that blood we were like two morning suns that rose at the same time. I said"Camus, you have said no great work has ever been been based on hatred or contempt" Now what is this blood in which we are swimming? Had not this blood in which we are swimming? Isn’t this blood shed due to the love of man? Had not this blood flown, these children today would not be playing there amongst those flowers so innocently and freely; these evenings and mornings could not have scattered these hues and passions for one and all".

 

Before Camus spoke Kafka sitting by the side of a flowering bush nearby interjected;

 

"These rivers of blood are necessary but remember that there are some who ferry their ambitions in these waters reach destinations of power: their dream is to reach those exalted peaks of fame but not a thought of ushering in or bequeathing a dawn to those who shed their blood for the cause. They do not shed one drop themselves but when others shed their blood they commemorate with songs."

 

Little further up Plato and Bhavabhuthi were admiring a painting." this is the picture of Hanuman from Thailand’, said Bhavabhuthi. Plato said this is the message of humanity teaching us across the oceans of time."

 

In the meanwhile over-hearing the words of Kafka Plato intervened;"Franz, these pirates of bloody oceans are always there, these very people made my Guru drink hemlock, and these very people after his death became the high priests of his philosophy. When were dishonest people not there? One of them last year broke the ears and nose of PIETA in the Sistine Chapel. To this day the last words of Socrates resound in my ears before he empties the cup of hemlock.’wherefore, O judges, be of good cheer about death, and know o f certainty, that no evil can happen to a good man, either in life or after death. The gods do not neglect him and his; nor has my own approaching end happened by mere chance. But I see clearly that the time had arrived when it was better for me to die and be released from trouble.

 

"I am not angry with my condemners, or with my accusers; they have done me no harm although they did not mean to do me any good; and for this I may gently blame them.

 

"Since I have a favour to ask of them." When my sons are grown up, I would ask you my friends to punish them; and would have you trouble them as I have troubled you. If they seem to care about riches, or anything, more than about virtue; or if they pretend to be something when they are really nothing then reprove them, as I have reproved you, for not caring about that for which they ought to care, and thinking that they are something when they are really nothing; and if you do this, both I and my sons will have received justice at your hands".

 

That which Socrates drank was not hemlock, that historic tragedy is touchstone of impeccable honesty-

 

Mohammed Iqbal who was listening intently intercepted;"Socretes was before time and became a martyr of time. It is after the slaughter of countless stars that dawn takes birth. –

 

After five hundred years Socrates was reborn perhaps as Christ. A hundred years before his birth he flashed like lightening in the mind of the great poet Virgil who sand the last chapter of that divine song in eclogues (1$) Now comes the final age (announced) in the cumean (Sybil’s) chant; the great succession of epochs is born anew. Now the virgin returns; now a new race descends from the heaven on high. O chaste Luciana (goddess of births) smile upon the boy just born, in whose time the race of iron shall first cease, and a race of gold shall arise through out the world."

 

That is why he is known today as the Christian before Christ.

 

On the television I saw the face of Mac Diarmid; he was singing his Third hymn to Lenin

 

Michael Roberts and and All Angels! Auden, Spender, those bhoyos.

 

All yellow twicers; not one of them with a lithe of Carlyle’s courage and integrity. Unlike those psuedos I of-not for the working class".

 

I spontaneously remarked:"wll said. Shall I narrate an interesting episode?- The other day one of my books of the 19th century French Verse disappeared from my desk, over which I was very upset. I looked for it and didn’t find it. Undoubtedly somebody had stolen it and a few days later Lo and behold! I suddenly came across it in the prose-poems of a modern poet".

 

"Who is he? Is he a telugu friend?" queried Mac Diarmid innocently.

 

One night a dream entered me, a technicoloured dream, it spread over the multidimensional screen of my mind. Jean Cocteau and I were sitting together and smoking opium.

 

"Opium is the only vegetable substance which communicates the vegetable state to us. Through it we get an idea of that other speed of plants" Picasso who was sitting across the table rejoined." the smell of opium is the least stup9id smell in the world. The only smell one can compare with it is the smell of circus or a seaport".

 

Jeau Cocteau,"The smell spreads magic; flies gather round the tray and dream, the lizards with their little mittens swoon on the ceiling above the lamp and wait for the". I said; you carried opium from our continent but we do not know the secrets of opium as much as you people do-

 

Cocteau replied: "young Asia no longer smokes because grand father smoked, Young Europe smokes because grand father did not smoke. Since, Alas, Young Asia imitates young Euorope,it is through us that opium will return to its starting point".

 

As the conversation progressed, my mind began to evaporate. Like volatile camphor it melted into the air." Why am I feeling like this" I asked aloud.

 

Cocteau:"don"nt wake up. Once a poet wakes up he is stupid I mean intelligent, where am I? he asks, like ladies who fainted. Notes written by a poet who is awake are not worth much"." Then how does one understand the writings of a poet whose head is buried in dreams" asked Cocteau" A poet, unless he is politician’’’’’ must only count on readers who know his language, the spirit of his language, the spirit of his language and the soul of his language. It is unlike a poet to crave for masses of readers." Eliot intervening said," I entirely agree with you. A political association may help to give poetry immediate attention. It is in spite of this association that the poetry will be read If it is read tomorrow. Beacause unless the political matter is humanised and transformed into poetry it deserves to be forgotten".

 

"Yes unless you become an idiot you cannot become a poet. If you smoke a few puffs of opium you wouldn’t be within yourself recommend the patient to burry his head in his arms, to glue his ears to that arm, and wait…. Cataststrophes, riots, factories blowing up, armies in fligfht, floods: the ear can detect a whole apocalypse in the the starry night of the human body."

 

By then, time and distance disappeared in me. The symphony of sounds and oceans began to rage within me. From out of those tumultuous waves arose Pablo Neruda holding out his poem"Mcchu Picchu"…

 

"Arise to birth with me, my brother" his shout rent the air, stamping his feet on the waves he cried aloud-

 

"Let me have back the slave you buried here! Wrench from these lands the stale-bread of the poor".

 

The smoke of opium spread all over the room. Flies began to dream, lizards began to swoon clutching at the walls, and the mosquitoes began to float in utter abandon. Crowds of yellow dreams and full-throated voices of brown races of the earth began to speak. Ishikawa Takuboku was reciting in his deep Japanese voice.

 

"My character is an unhappy character. I a weakling with a marvellous sword inferior to none. I can’t stand it unless I fight and yet I am unable win, that means that death is the only possible course for me. But I dislike the thought of death. I don’t want to die! Then how am I to live?"

 

Love which is another form of humanity, another name of conscientiousness, fearlessness and honesty, love which fuses unknown human being together and brings the entire mankind into the crucible of history to celebrate TIME as a saga of peace and prosperity. Love which makes man brandish his iron fists in fury against the injustice perpetrated on fellowmen, Love which makes man dig his axe into the evil force that obstruct justice and make oblations in blood to the murdered humanity in our own century. In such ddays, when love is trampled and desecrated those that ignore sentiment are setting bloody trends in poetry using it as a ladder to climb peaks of fame: exploiting the blood and sweat of the dumb millions for making crowns to adorn their own heads: hycracy, theft, envy, hatred and ignorance are spreading like epidemics in the exalted field of poetry.

 

In such times, the man in whom peaks that kiss the skies, the skies that take into their blue arms the pure winds, the innocent winds that speak in hush voices the language of flowers; the flowers that spit flaming colours on the brute and the cheat, colours that play a gentle game of hide-and-seek, make a festival of moonlight,-that man, it is better he dies. I am lucky I died. To be alive is an ugly involvement. Dead I can see the fun of all these mean men what more do I need? What more fame do I crave?

 

My poetry the winds have kissed, the flowers have drunk, the birds have sung, the hills and forests echo, the rivers and the sea gasther, the sunrises and sunsets gesticulate. It is in the sounds of the pulsating universe, in the peoples of all the nations; so goodbye to the pen.

 

Things invisible to the living become visible to the dead; sounds become visible, centuries become visible, audible songs become visible and visible colours become audible—ears do the work of eyes, eyes the work of ears, hands take over the function of legs and the legs those of hands; like this it the functions of limbs and senses are dislocated the essence of death can be realised in life and the essence of life can be realised in death. This exactly is the enviable state that I am enjoying now.

 

Jean Cocteau desired to attain this by smoking opium, he says." After five pipes an idea would become distorted diffused slowly in the water of the body with all the noble whims of Chinese ink, foreshortened like a black diver…Opium enables me to hive form to the unformed……… concepts acquire volume… Opium may make us slightly visible to the invisible, may make sceptres of us to frighten sceptres in their own haunts. After smoking the body becomes thinks… the body becomes soft, flaky the body flies… the smoker has a bird’s eye view of himself".

 

April arrived; forest flame blossomed in the garden. I was reading Sri Sri: s letter, which had just then arrived. Coffee was brought and served to Rimbaud and me. Rimbaud was sitting with me in the garden reading a book, sipping coffee I asked the bearer "is it made with powdered milk?" He replied smiling" Yes sir even buffalo’s do not wakeup before ten O’clock in Hydrerabad."

 

Rimbaud laughed, and then turned and asked me;" what did sri sri write?"

 

I read out one line-"sense, in your poetry a search for alchemy…"

 

"Does Sri Sri know alchemy"querried Rimbaud."I don’t know".

 

You might be interested to know that I wandered across many countries, like Belgium, Scandinavia, Italy, Cyprus and Abyssinia in search of Alchemy. That was s a long time ago though"." Really? P{perhaps that is the reason why there are many words, symbols and expressions in your poetry which sound mystic and are incomprehensible, something like Vemanna.""Which poem are you referring to? It is Enfance of mine?" Rimbaud asked amused." Yes and also Sonnet des voyells"

 

"In sonnet des Voyells certain concepts are akin to your Tantras. There every sound has a colour and every colour has a sound". Said Rimbaud gravely still drinking, coffee.

 

I was stupefied. A minute of silence passed before I asked,"would’nt you like to meet Vemanna?"

 

" I would like that very much, where is his ashram?"

 

"Where shall I say it is? He has a very peculiar mind. trees and forest, all the villages are his ashrams."

 

"Then how do we go?" "I do not know, let’s just go, let us launch on this adventure if you are ready."

 

We started after coffee and entered the limitless universe, and began walking through villages, forests, fields, across rivers. Passing through cities we finally came to a small village, from a distance a man could be seen in a street, beneath a tree with one leg stretched out, with the other leg drawn inwards and over it he had placed his chin with his eyes cast on the earth. I pointed vemanna to Rimbaud, we went nearer. He had nothing on his body except a loincloth. He did not sstir, kept sitting in the same position. Would not move, did not stir kept sitting in the same position. Would not move, did not look at us. On his lips a smile appeared for a moment. He was writing something on the ground with a piece of twig.

 

Rimbaud asked; "Did you achieve alchemy?"‘ Did not answer. He threw away the twig and removed his hands from what he was writing. We read what he had scribbled on the earth;’HIRANYA VARNAAM HARNEEM SUVARNA RAJATHA SRAJAAM’ surprised Rimbaud asked." How did he come to know what we had in our minds?" "Thought exists in past, present and future. To think that you have conceived the thought just now is wrong. Thought is formless. The formless becomes visible to some." Without thinking I went on uttering as though someone had possessed me, my mind, my body had been talking through me.

 

We returned,’ it is not gold that I want I want the power which is more valuable than gold. The power by which I can hear the language of flowers, the melody of stars. I must be able to speak to the evening skies. I must perceive the boiling depths of the ocean under the blue sky. I Must see the spirit of man piercing through centuries, through the tree angles of time, see the sounds and hear the colours, and hold eternity which supersedes Time and space between my brow, so I must become a Seer’ I said.

 

"Yes exactly I am also in quest after the same thing."

 

"Then let us go".

 

"Where can we find him? Can we find him at all?"

 

The sun rose, weaving nets of time and space and throwing them upon the peoples of the world, Then again the garden. Frorest flame coffee Rimbaud-Today Seshen is introspective, plunged deep into himself, only his looks are sauntering lazily over the flowers of the forest-flame;" Come come what is this silence?" Pulled up Rimbaub,’enough’- Seshen breakout in a flood of words like some Greek Oracle." A poet must be a seer. How? Commit all sins, drink all poisons, and disorder all senses. It needs great great fortitude of mind to inflict upon oneself tortures: then he becomes a great criminal a great sage, because he has arriv4ed at the unknown. While the people submerged in pleasure stagnate, where they are, this person jumps into the flames of torture comes out like molten god." Achieving gold does not please me. I want to be gold myself."(Rimbaud possessed me.)

 

A flower dropped from the forest-flame. Bhoja alighted from it and came towards us. We rose up and received him and showed him to his seat. He said" While I over heard your conversation and was tempted to come, Listen, Valmiki first committed many sins, experienced many sufferings, lived the life of a wild hunter and then realised the unknwon, reached by experience the point untraceable. At that point he is the criminal and also the curser of the criminal, and also the curser of the criminal, he is the hunter and also the hunted."ITTHAM VILAPYA VIPINE DAYITHAAM VICHINWAN RAAMO NA TATHRA DHRITHIMAAN NAHI LAXMANSCHA THAADRIK VIDHAAMAPI KATHAAM KATHAYAN SWAVAACHAA VALMEEKA JANMA MUNIREVA KATHORA CHETHAAH"

 

Rimbaud became more immersed in thoughts and said"beaudelaire is the first seer, king of kings, the real god among men". I said," look here Rimbaud it is sunrise, that itself is a sunset for another shore. These shores, these sunsets for another shore. These shores, and sunsets and sunrises they are the magic our senses: for that man, who escapes from the net of this magic Valmiki is Beaudelaire, Beaudelaire is valmiki; seer is one who is above time".

 

I rose up and began walking forward leaning on the shoulder of Rimbaud, I felt a heaviness over-powering me, my"kurta" was drenched with perspiration, the shawl was slipping off my shoulders. I was advancing towards the forest-flame not knowing what was happening. Rimbaud stood aghast where he was. Behind me were coming in crowds Bhavabhuthi, Cocteau, Leonardo, Michaelangelo, Beaudelaire, Mallarme, Kalidasa, Eliot, Pound George, Santayana, Bhasa, Bhalib, Zakkana, Sauda, Mir, Srinatha, Lorca, Iqbal, Rodin, Rilke, Virgil, Picasso, Socretes, Kawabata, Cavfy, Sefaris,and multitudes of faces in waves and generations of rays and crowds of light. I was proceeding towards the forest-flame on and on, the forest-flame did not obstruct me: I no longer exist. I went into it: it took me onto itself. I no longer exist, forest flame exists and the generations of faces, crowds coming behind me gradually each merging into a flower slowly finally the forest-flame flowered in its fullness of red blossoms. As usual April_Millons of flowers opened their lips, raised their throats and began singing in one voice.:

  

"GO BECOME DAWNS

 

IN TOMORROW"S GARDEN OF ROSES

 

BECOME DAWNS BECOME DAWNS…………."

-Seshendra Sharma

Visionary Poet of the Millennium

An Indian poet Prophet

Seshendra Sharma

October 20th, 1927 - May 30th, 2007

seshendrasharma.weebly.com/

www.facebook.com/GunturuSeshendraSharma/

 

2017 marks the 39th annual Carnaval San Francisco parade and festival. The Mission District transforms into an enormous celebration pulsating with dancing, drumming, live music, brilliant costumes and delicious food. The annual event attracts more than 400,000 people who come to enjoy the revelry and soak up the pageant of color and culture.

One of the most beautiful jellyfish of the Mediterranean Sea. The umbrella can measure 30 cm in diameter, it is very rigid and roundish in its centre, where it has a reddish or yellow color. The external part of the manubrium is motile and pulsates vigorously. Under the umbrella, the manubrium resembles a bouquet of flowers, with blue-purple buttons, inserted into stout arms. Some tentacles, also terminating with blue buttons, are inserted on the manubrium.

Cotylorhiza can have symbiotic microalgae that live in its tissues, just as those of tropical corals. Functionally it is a “plant”, even if it can feed on zooplankton.

Hot springs and geysers (including Blood Geyser) along the Artists Paint Pots trail in Yellowstone National Park Wyoming

Architects Lily Jencks and Nathanael Dorent have teamed up and fitted out a tile showroom in London to look like a psychedelic cartoon

The moon jellyfish, Aurelia Aurita (Linnaeus, 1758), aka saucer jelly, moon jelly and common sea jelly, range between 5-40 external cm in diameter. They can be recognized by their delicate and exquisite coloration, often in patterns of spots and streaks. Their behavior depends on a number of external conditions, in particular, food supply. Aurelia swim by pulsations of the bell-shaped upper part of the animal. Swimming mostly functions to keep the animal near the surface of the water rather than to make progress through the water. They swim horizontally, keeping the bell near the surface at all times. This allows the tentacles to be spread over the largest possible area, in order to better catch food. The coronal muscle allows the animal to pulsate in order to move. Impulses to contract are sent by way of the subumbrellar nerve net and are nervous in origin. The moon jelly has rhopalial centers, which allow it to control the pulsations. As the oxygen rate in the water goes down, so too does the respiratory rate of the jellyfish.

Description: Powwows are large social gatherings of Native Americans who follow traditional dances started centuries ago by their ancestors, and which continually evolve to include contemporary aspects. These events of drum music, dancing, singing, artistry and food, are attended by Natives and non-Natives, all of whom join in the dancing and take advantage of the opportunity to see old friends and teach the traditional ways to a younger generation. During the National Powwow, the audience see dancers in full regalia compete in several dance categories, including Men and Women's Golden Age (ages 50 and older); Men's Fancy Dance, Grass and Traditional (Northern and Southern); Women's Jingle Dress, Fancy Shawl, and Traditional (Northern and Southern); Teens (13-17); Juniors (6-12) and Tiny Tots (ages 5 and younger). The drum groups are the heart of all powwows and provide the pulsating and thunderous beats that accompany a dancer's every movement. The powwow is led by three "host drums" that showcase three distinct styles of singing (Northern, Southern and contemporary) and represent the best examples of each style. The drum contest highlights groups of 10 to 12 members each, and they sing traditional family songs that are passed down orally from one generation to the next. The National Museum of the American Indian sponsored the National Powwow in 2002, 2005, and 2007 as a way of presenting to the public the diversity and social traditions of contemporary Native cultures.

 

Creator/Photographer: Ken Rahaim

 

Medium: Digital photograph

 

Culture: American Indian

 

Geography: USA

 

Date: 2007

 

Repository: National Museum of the American Indian

 

Accession number: 07natl-powwow_0508

Selena Gomez

Alcatraz - Milano

16 Settembre 2013

 

ph © Mairo Cinquetti

 

© All rights reserved. Do not use my photos without my written permission. If you would like to buy or use this photo PLEASE message me or email me at mairo.cinquetti@gmail.com

 

What do you do after striking gold with your first solo album, wrapping your third season starring in a hit series and earning raves for your movie debut? If you're Selena Gomez, you dance. At least, you get the world on its feet with "A Year Without Rain." A follow-up to "Kiss & Tell," Selena’s gold-certified Hollywood Records debut CD, "A Year Without Rain" shows Selena and her band, The Scene, in a whole new light, this one pulsating, multicolored and ready for the mirrored ball.

 

"I really wanted something that felt good to perform, but had a techno/dance vibe," Selena says. "I wanted something that had meaning and melody, and more empowering lyrics." That’s exactly what she delivers in "A Year Without Rain." Working with top producer/songwriters like Tim James & Antonina Armato, Kevin Rudolf, Toby Gad and Jonas Jeberg, Selena kept to a more quickened tempo, exploring themes of love, freedom and the joy of living for the moment.

 

Selena credits the album’s neo-techno leanings to her 2010 platinum-certified single, ‘Naturally," which pointed the way for her. That track "really helped me figure out where I want to be," she says. "There’s a feeling when I perform that song that I love, so when I was going back in the studio, I had a better understanding of where I wanted to be musically."

 

She gets right to it with the opening track, "Round & Round," an upbeat synth-driven song about reaching the limits of indecision in love. The plaintive "A Year Without Rain" may be more subdued, but its beauty impressed Selena enough to make it the title track. "When I got the song, I went through the roof," she recalls. "Everybody has that one person they can’t live without. It was exactly what I wanted to say." That goes double for the Spanish version of the song, Selena’s first recording in that language.

 

Having turned 18 this year, Selena has matured since making her professional debut at age 7, but girls still wanna have fun, which is what songs like "Spotlight" "Off the Chain" and "Summer’s Not Hot" are all about. "Rock God" features none other than Katy Perry on backing vocals, while "Intuition" boasts a duet between Selena and rapper Eric Bellinger in a tricked-out double-time salute to a positive attitude.

 

Selena slows things down on "Ghost of You," a ravishing ballad about a breakup so rough, no amount of "living crazy loud" can crush the memory. "It’s very beautiful, very raw," Selena says of the song. "Shelly Peiken co-wrote it. She knows me, knows about everything I go through, and knows how to express it in a beautiful way."

 

On the flip side, Selena comes back strong with "Sick of You," a Matt Squire-written and produced track about losing a loser ("You know fairy tales don’t come true/ Not when it comes to you"). The album ends with "Live Like There’s No Tomorrow," an epic power ballad expressing the creed by which Selena has built her life and career.

 

A Dallas native, Selena Gomez started acting at age seven when she landed a role in the popular television series "Barney & Friends," on which was a regular for two seasons. She landed her first film role in the 2003 sci-fi action adventure film "Spy Kids 3-D: Game Over." She made her mark as an actress playing girl wizard Alex Russo in the hit Disney Channel series "Wizards of Waverly Place," which premiered in 2007 and has now completed three seasons. Selena and her cast mates won a 2009 Emmy Award for Outstanding Children’s Program.

 

Selena then made an indelible impression with her starring role in 2010 comedy "Ramona and Beezus." Says Selena, "I wanted something completely different from my show. All these incredible actors, being able to learn from them and get my feet wet in the film world. It was the perfect way to get into it." Next up, a starring role in "Monte Carlo," in which she plays a teen on vacation in the romantic European principality. And of course, Selena is gearing up for the fourth season of "Wizards of Waverly Place."

 

Selena has branched out into fashion with the premiere of her new clothing line, Dream Out Loud, sold exclusively at K-Mart. But her instinct for charity remains strong. She is a proud UNICEF ambassador, and will appear for a third year at UNICEF's Trick or Treat bash, this time to kick off UNICEF's 60th anniversary. And with the new album comes a new tour with her band.

 

Having her own band has been a comfort for Selena as she hits the road with "A Year Without Rain." Scene members; Ethan Roberts (Guitar), Joey Clement (Bass), Greg Garman (Drums) and Dane Forrest (Keyboard) back her on tour and help shape her emerging sound. "On my TV show we have an ensemble cast that’s like a family," she says. "If anyone’s missing, you feel it. I wanted that family feel in my music, and we definitely have that with the Scene."

 

That family feeling had grown to include fans around the world, each of them all in when it comes to following Selena Gomez on her amazing artistic journey. Where’s she headed? She’ll let you know when she gets there. "I’m still figuring out who I am," she says. "I love expressing that through music, and through film. I feel at this moment in my life I couldn’t be happier."

Selena Gomez

Alcatraz - Milano

16 Settembre 2013

 

ph © Mairo Cinquetti

 

© All rights reserved. Do not use my photos without my written permission. If you would like to buy or use this photo PLEASE message me or email me at mairo.cinquetti@gmail.com

 

What do you do after striking gold with your first solo album, wrapping your third season starring in a hit series and earning raves for your movie debut? If you're Selena Gomez, you dance. At least, you get the world on its feet with "A Year Without Rain." A follow-up to "Kiss & Tell," Selena’s gold-certified Hollywood Records debut CD, "A Year Without Rain" shows Selena and her band, The Scene, in a whole new light, this one pulsating, multicolored and ready for the mirrored ball.

 

"I really wanted something that felt good to perform, but had a techno/dance vibe," Selena says. "I wanted something that had meaning and melody, and more empowering lyrics." That’s exactly what she delivers in "A Year Without Rain." Working with top producer/songwriters like Tim James & Antonina Armato, Kevin Rudolf, Toby Gad and Jonas Jeberg, Selena kept to a more quickened tempo, exploring themes of love, freedom and the joy of living for the moment.

 

Selena credits the album’s neo-techno leanings to her 2010 platinum-certified single, ‘Naturally," which pointed the way for her. That track "really helped me figure out where I want to be," she says. "There’s a feeling when I perform that song that I love, so when I was going back in the studio, I had a better understanding of where I wanted to be musically."

 

She gets right to it with the opening track, "Round & Round," an upbeat synth-driven song about reaching the limits of indecision in love. The plaintive "A Year Without Rain" may be more subdued, but its beauty impressed Selena enough to make it the title track. "When I got the song, I went through the roof," she recalls. "Everybody has that one person they can’t live without. It was exactly what I wanted to say." That goes double for the Spanish version of the song, Selena’s first recording in that language.

 

Having turned 18 this year, Selena has matured since making her professional debut at age 7, but girls still wanna have fun, which is what songs like "Spotlight" "Off the Chain" and "Summer’s Not Hot" are all about. "Rock God" features none other than Katy Perry on backing vocals, while "Intuition" boasts a duet between Selena and rapper Eric Bellinger in a tricked-out double-time salute to a positive attitude.

 

Selena slows things down on "Ghost of You," a ravishing ballad about a breakup so rough, no amount of "living crazy loud" can crush the memory. "It’s very beautiful, very raw," Selena says of the song. "Shelly Peiken co-wrote it. She knows me, knows about everything I go through, and knows how to express it in a beautiful way."

 

On the flip side, Selena comes back strong with "Sick of You," a Matt Squire-written and produced track about losing a loser ("You know fairy tales don’t come true/ Not when it comes to you"). The album ends with "Live Like There’s No Tomorrow," an epic power ballad expressing the creed by which Selena has built her life and career.

 

A Dallas native, Selena Gomez started acting at age seven when she landed a role in the popular television series "Barney & Friends," on which was a regular for two seasons. She landed her first film role in the 2003 sci-fi action adventure film "Spy Kids 3-D: Game Over." She made her mark as an actress playing girl wizard Alex Russo in the hit Disney Channel series "Wizards of Waverly Place," which premiered in 2007 and has now completed three seasons. Selena and her cast mates won a 2009 Emmy Award for Outstanding Children’s Program.

 

Selena then made an indelible impression with her starring role in 2010 comedy "Ramona and Beezus." Says Selena, "I wanted something completely different from my show. All these incredible actors, being able to learn from them and get my feet wet in the film world. It was the perfect way to get into it." Next up, a starring role in "Monte Carlo," in which she plays a teen on vacation in the romantic European principality. And of course, Selena is gearing up for the fourth season of "Wizards of Waverly Place."

 

Selena has branched out into fashion with the premiere of her new clothing line, Dream Out Loud, sold exclusively at K-Mart. But her instinct for charity remains strong. She is a proud UNICEF ambassador, and will appear for a third year at UNICEF's Trick or Treat bash, this time to kick off UNICEF's 60th anniversary. And with the new album comes a new tour with her band.

 

Having her own band has been a comfort for Selena as she hits the road with "A Year Without Rain." Scene members; Ethan Roberts (Guitar), Joey Clement (Bass), Greg Garman (Drums) and Dane Forrest (Keyboard) back her on tour and help shape her emerging sound. "On my TV show we have an ensemble cast that’s like a family," she says. "If anyone’s missing, you feel it. I wanted that family feel in my music, and we definitely have that with the Scene."

 

That family feeling had grown to include fans around the world, each of them all in when it comes to following Selena Gomez on her amazing artistic journey. Where’s she headed? She’ll let you know when she gets there. "I’m still figuring out who I am," she says. "I love expressing that through music, and through film. I feel at this moment in my life I couldn’t be happier."

Duncan Rawlinson's work is a harmonious union of vibrant color and abstract beauty, a testament to his exceptional artistic vision. His creations illuminate the canvas with vivid hues of city lights and abstract skylines, where the cacophony of urban life converges into a symphony of colors.

 

The compositions, adorned with bold color blocks and industrial textures, bring a dynamic perspective to the urban landscape. Each image in this series stands as an emblem of Rawlinson's unique interpretation of the city's vibrant energy. His use of vibrant reds, light blues, oranges, and dark cyan, create a stunning visual narrative that transcends the boundaries of traditional art forms.

 

While technology has played a role in the creation of these pieces, the true focus remains on the vivid colors and the abstract beauty that shines through. The final compositions, reflecting the interplay of vibrant colors and abstract elements, pay a visually stunning tribute to the city's pulsating energy and the tranquil beauty inherent within abstract art.

 

Duncan.co/synthetic-perspectives

Please click on "All Sizes: Original" to view animation. (Smaller version below.)

Selena Gomez

Alcatraz - Milano

16 Settembre 2013

 

ph © Mairo Cinquetti

 

© All rights reserved. Do not use my photos without my written permission. If you would like to buy or use this photo PLEASE message me or email me at mairo.cinquetti@gmail.com

 

What do you do after striking gold with your first solo album, wrapping your third season starring in a hit series and earning raves for your movie debut? If you're Selena Gomez, you dance. At least, you get the world on its feet with "A Year Without Rain." A follow-up to "Kiss & Tell," Selena’s gold-certified Hollywood Records debut CD, "A Year Without Rain" shows Selena and her band, The Scene, in a whole new light, this one pulsating, multicolored and ready for the mirrored ball.

 

"I really wanted something that felt good to perform, but had a techno/dance vibe," Selena says. "I wanted something that had meaning and melody, and more empowering lyrics." That’s exactly what she delivers in "A Year Without Rain." Working with top producer/songwriters like Tim James & Antonina Armato, Kevin Rudolf, Toby Gad and Jonas Jeberg, Selena kept to a more quickened tempo, exploring themes of love, freedom and the joy of living for the moment.

 

Selena credits the album’s neo-techno leanings to her 2010 platinum-certified single, ‘Naturally," which pointed the way for her. That track "really helped me figure out where I want to be," she says. "There’s a feeling when I perform that song that I love, so when I was going back in the studio, I had a better understanding of where I wanted to be musically."

 

She gets right to it with the opening track, "Round & Round," an upbeat synth-driven song about reaching the limits of indecision in love. The plaintive "A Year Without Rain" may be more subdued, but its beauty impressed Selena enough to make it the title track. "When I got the song, I went through the roof," she recalls. "Everybody has that one person they can’t live without. It was exactly what I wanted to say." That goes double for the Spanish version of the song, Selena’s first recording in that language.

 

Having turned 18 this year, Selena has matured since making her professional debut at age 7, but girls still wanna have fun, which is what songs like "Spotlight" "Off the Chain" and "Summer’s Not Hot" are all about. "Rock God" features none other than Katy Perry on backing vocals, while "Intuition" boasts a duet between Selena and rapper Eric Bellinger in a tricked-out double-time salute to a positive attitude.

 

Selena slows things down on "Ghost of You," a ravishing ballad about a breakup so rough, no amount of "living crazy loud" can crush the memory. "It’s very beautiful, very raw," Selena says of the song. "Shelly Peiken co-wrote it. She knows me, knows about everything I go through, and knows how to express it in a beautiful way."

 

On the flip side, Selena comes back strong with "Sick of You," a Matt Squire-written and produced track about losing a loser ("You know fairy tales don’t come true/ Not when it comes to you"). The album ends with "Live Like There’s No Tomorrow," an epic power ballad expressing the creed by which Selena has built her life and career.

 

A Dallas native, Selena Gomez started acting at age seven when she landed a role in the popular television series "Barney & Friends," on which was a regular for two seasons. She landed her first film role in the 2003 sci-fi action adventure film "Spy Kids 3-D: Game Over." She made her mark as an actress playing girl wizard Alex Russo in the hit Disney Channel series "Wizards of Waverly Place," which premiered in 2007 and has now completed three seasons. Selena and her cast mates won a 2009 Emmy Award for Outstanding Children’s Program.

 

Selena then made an indelible impression with her starring role in 2010 comedy "Ramona and Beezus." Says Selena, "I wanted something completely different from my show. All these incredible actors, being able to learn from them and get my feet wet in the film world. It was the perfect way to get into it." Next up, a starring role in "Monte Carlo," in which she plays a teen on vacation in the romantic European principality. And of course, Selena is gearing up for the fourth season of "Wizards of Waverly Place."

 

Selena has branched out into fashion with the premiere of her new clothing line, Dream Out Loud, sold exclusively at K-Mart. But her instinct for charity remains strong. She is a proud UNICEF ambassador, and will appear for a third year at UNICEF's Trick or Treat bash, this time to kick off UNICEF's 60th anniversary. And with the new album comes a new tour with her band.

 

Having her own band has been a comfort for Selena as she hits the road with "A Year Without Rain." Scene members; Ethan Roberts (Guitar), Joey Clement (Bass), Greg Garman (Drums) and Dane Forrest (Keyboard) back her on tour and help shape her emerging sound. "On my TV show we have an ensemble cast that’s like a family," she says. "If anyone’s missing, you feel it. I wanted that family feel in my music, and we definitely have that with the Scene."

 

That family feeling had grown to include fans around the world, each of them all in when it comes to following Selena Gomez on her amazing artistic journey. Where’s she headed? She’ll let you know when she gets there. "I’m still figuring out who I am," she says. "I love expressing that through music, and through film. I feel at this moment in my life I couldn’t be happier."

Selena Gomez

Alcatraz - Milano

16 Settembre 2013

 

ph © Mairo Cinquetti

 

© All rights reserved. Do not use my photos without my written permission. If you would like to buy or use this photo PLEASE message me or email me at mairo.cinquetti@gmail.com

 

What do you do after striking gold with your first solo album, wrapping your third season starring in a hit series and earning raves for your movie debut? If you're Selena Gomez, you dance. At least, you get the world on its feet with "A Year Without Rain." A follow-up to "Kiss & Tell," Selena’s gold-certified Hollywood Records debut CD, "A Year Without Rain" shows Selena and her band, The Scene, in a whole new light, this one pulsating, multicolored and ready for the mirrored ball.

 

"I really wanted something that felt good to perform, but had a techno/dance vibe," Selena says. "I wanted something that had meaning and melody, and more empowering lyrics." That’s exactly what she delivers in "A Year Without Rain." Working with top producer/songwriters like Tim James & Antonina Armato, Kevin Rudolf, Toby Gad and Jonas Jeberg, Selena kept to a more quickened tempo, exploring themes of love, freedom and the joy of living for the moment.

 

Selena credits the album’s neo-techno leanings to her 2010 platinum-certified single, ‘Naturally," which pointed the way for her. That track "really helped me figure out where I want to be," she says. "There’s a feeling when I perform that song that I love, so when I was going back in the studio, I had a better understanding of where I wanted to be musically."

 

She gets right to it with the opening track, "Round & Round," an upbeat synth-driven song about reaching the limits of indecision in love. The plaintive "A Year Without Rain" may be more subdued, but its beauty impressed Selena enough to make it the title track. "When I got the song, I went through the roof," she recalls. "Everybody has that one person they can’t live without. It was exactly what I wanted to say." That goes double for the Spanish version of the song, Selena’s first recording in that language.

 

Having turned 18 this year, Selena has matured since making her professional debut at age 7, but girls still wanna have fun, which is what songs like "Spotlight" "Off the Chain" and "Summer’s Not Hot" are all about. "Rock God" features none other than Katy Perry on backing vocals, while "Intuition" boasts a duet between Selena and rapper Eric Bellinger in a tricked-out double-time salute to a positive attitude.

 

Selena slows things down on "Ghost of You," a ravishing ballad about a breakup so rough, no amount of "living crazy loud" can crush the memory. "It’s very beautiful, very raw," Selena says of the song. "Shelly Peiken co-wrote it. She knows me, knows about everything I go through, and knows how to express it in a beautiful way."

 

On the flip side, Selena comes back strong with "Sick of You," a Matt Squire-written and produced track about losing a loser ("You know fairy tales don’t come true/ Not when it comes to you"). The album ends with "Live Like There’s No Tomorrow," an epic power ballad expressing the creed by which Selena has built her life and career.

 

A Dallas native, Selena Gomez started acting at age seven when she landed a role in the popular television series "Barney & Friends," on which was a regular for two seasons. She landed her first film role in the 2003 sci-fi action adventure film "Spy Kids 3-D: Game Over." She made her mark as an actress playing girl wizard Alex Russo in the hit Disney Channel series "Wizards of Waverly Place," which premiered in 2007 and has now completed three seasons. Selena and her cast mates won a 2009 Emmy Award for Outstanding Children’s Program.

 

Selena then made an indelible impression with her starring role in 2010 comedy "Ramona and Beezus." Says Selena, "I wanted something completely different from my show. All these incredible actors, being able to learn from them and get my feet wet in the film world. It was the perfect way to get into it." Next up, a starring role in "Monte Carlo," in which she plays a teen on vacation in the romantic European principality. And of course, Selena is gearing up for the fourth season of "Wizards of Waverly Place."

 

Selena has branched out into fashion with the premiere of her new clothing line, Dream Out Loud, sold exclusively at K-Mart. But her instinct for charity remains strong. She is a proud UNICEF ambassador, and will appear for a third year at UNICEF's Trick or Treat bash, this time to kick off UNICEF's 60th anniversary. And with the new album comes a new tour with her band.

 

Having her own band has been a comfort for Selena as she hits the road with "A Year Without Rain." Scene members; Ethan Roberts (Guitar), Joey Clement (Bass), Greg Garman (Drums) and Dane Forrest (Keyboard) back her on tour and help shape her emerging sound. "On my TV show we have an ensemble cast that’s like a family," she says. "If anyone’s missing, you feel it. I wanted that family feel in my music, and we definitely have that with the Scene."

 

That family feeling had grown to include fans around the world, each of them all in when it comes to following Selena Gomez on her amazing artistic journey. Where’s she headed? She’ll let you know when she gets there. "I’m still figuring out who I am," she says. "I love expressing that through music, and through film. I feel at this moment in my life I couldn’t be happier."

This short video shows a Giant Cuttlefish pulsating its skin to deter other males in the vicinity. This video was taken in the shallow waters known as 'the fenceline' off Point Lowly, Whyalla South Australia in June 2009 during the Giant Cuttlefish breeding season. This area is one of only two places in the world where this spectacular annual event occurs. It is a major tourist attraction for divers from around the globe and it occurs in June each year. The site is under threat from a proposed desalination plant for an outback mining venture and new wharf facilities for another new mining proposal.

Selena Gomez

Alcatraz - Milano

16 Settembre 2013

 

ph © Mairo Cinquetti

 

© All rights reserved. Do not use my photos without my written permission. If you would like to buy or use this photo PLEASE message me or email me at mairo.cinquetti@gmail.com

 

What do you do after striking gold with your first solo album, wrapping your third season starring in a hit series and earning raves for your movie debut? If you're Selena Gomez, you dance. At least, you get the world on its feet with "A Year Without Rain." A follow-up to "Kiss & Tell," Selena’s gold-certified Hollywood Records debut CD, "A Year Without Rain" shows Selena and her band, The Scene, in a whole new light, this one pulsating, multicolored and ready for the mirrored ball.

 

"I really wanted something that felt good to perform, but had a techno/dance vibe," Selena says. "I wanted something that had meaning and melody, and more empowering lyrics." That’s exactly what she delivers in "A Year Without Rain." Working with top producer/songwriters like Tim James & Antonina Armato, Kevin Rudolf, Toby Gad and Jonas Jeberg, Selena kept to a more quickened tempo, exploring themes of love, freedom and the joy of living for the moment.

 

Selena credits the album’s neo-techno leanings to her 2010 platinum-certified single, ‘Naturally," which pointed the way for her. That track "really helped me figure out where I want to be," she says. "There’s a feeling when I perform that song that I love, so when I was going back in the studio, I had a better understanding of where I wanted to be musically."

 

She gets right to it with the opening track, "Round & Round," an upbeat synth-driven song about reaching the limits of indecision in love. The plaintive "A Year Without Rain" may be more subdued, but its beauty impressed Selena enough to make it the title track. "When I got the song, I went through the roof," she recalls. "Everybody has that one person they can’t live without. It was exactly what I wanted to say." That goes double for the Spanish version of the song, Selena’s first recording in that language.

 

Having turned 18 this year, Selena has matured since making her professional debut at age 7, but girls still wanna have fun, which is what songs like "Spotlight" "Off the Chain" and "Summer’s Not Hot" are all about. "Rock God" features none other than Katy Perry on backing vocals, while "Intuition" boasts a duet between Selena and rapper Eric Bellinger in a tricked-out double-time salute to a positive attitude.

 

Selena slows things down on "Ghost of You," a ravishing ballad about a breakup so rough, no amount of "living crazy loud" can crush the memory. "It’s very beautiful, very raw," Selena says of the song. "Shelly Peiken co-wrote it. She knows me, knows about everything I go through, and knows how to express it in a beautiful way."

 

On the flip side, Selena comes back strong with "Sick of You," a Matt Squire-written and produced track about losing a loser ("You know fairy tales don’t come true/ Not when it comes to you"). The album ends with "Live Like There’s No Tomorrow," an epic power ballad expressing the creed by which Selena has built her life and career.

 

A Dallas native, Selena Gomez started acting at age seven when she landed a role in the popular television series "Barney & Friends," on which was a regular for two seasons. She landed her first film role in the 2003 sci-fi action adventure film "Spy Kids 3-D: Game Over." She made her mark as an actress playing girl wizard Alex Russo in the hit Disney Channel series "Wizards of Waverly Place," which premiered in 2007 and has now completed three seasons. Selena and her cast mates won a 2009 Emmy Award for Outstanding Children’s Program.

 

Selena then made an indelible impression with her starring role in 2010 comedy "Ramona and Beezus." Says Selena, "I wanted something completely different from my show. All these incredible actors, being able to learn from them and get my feet wet in the film world. It was the perfect way to get into it." Next up, a starring role in "Monte Carlo," in which she plays a teen on vacation in the romantic European principality. And of course, Selena is gearing up for the fourth season of "Wizards of Waverly Place."

 

Selena has branched out into fashion with the premiere of her new clothing line, Dream Out Loud, sold exclusively at K-Mart. But her instinct for charity remains strong. She is a proud UNICEF ambassador, and will appear for a third year at UNICEF's Trick or Treat bash, this time to kick off UNICEF's 60th anniversary. And with the new album comes a new tour with her band.

 

Having her own band has been a comfort for Selena as she hits the road with "A Year Without Rain." Scene members; Ethan Roberts (Guitar), Joey Clement (Bass), Greg Garman (Drums) and Dane Forrest (Keyboard) back her on tour and help shape her emerging sound. "On my TV show we have an ensemble cast that’s like a family," she says. "If anyone’s missing, you feel it. I wanted that family feel in my music, and we definitely have that with the Scene."

 

That family feeling had grown to include fans around the world, each of them all in when it comes to following Selena Gomez on her amazing artistic journey. Where’s she headed? She’ll let you know when she gets there. "I’m still figuring out who I am," she says. "I love expressing that through music, and through film. I feel at this moment in my life I couldn’t be happier."

Nu Skin has captured the future of body care with the ageLOC Galvanic Body Spa. The new Body Spa with pulsating technology features a proprietary ageLOC body conductive surface designed to deliver 10 times more ageLOC ingredients to your skin when used with ageLOC Body Shaping Gel.

What does it mean to create a truly autonomous machine, independent from human control? And what happens when organs live outside of a body? Could this help us understand that the power of the human body lies in its ability to be different and to take on unexpected forms and identities?

 

Violently entangled within the performance space are three elements: an artificially intelligent prosthesis, out-of-body organic wombs and a human body. The prosthesis uses artificial intelligence algorithms to learn in real time how to move, exist and perform on stage. The wombs live and pulsate through the activity of microbial cultures. The sounds of the performer’s body are re-synthesised and transformed into a powerful and visceral auditory experience.

 

Credit: vog.photo

Selena Gomez

Alcatraz - Milano

16 Settembre 2013

 

ph © Mairo Cinquetti

 

© All rights reserved. Do not use my photos without my written permission. If you would like to buy or use this photo PLEASE message me or email me at mairo.cinquetti@gmail.com

 

What do you do after striking gold with your first solo album, wrapping your third season starring in a hit series and earning raves for your movie debut? If you're Selena Gomez, you dance. At least, you get the world on its feet with "A Year Without Rain." A follow-up to "Kiss & Tell," Selena’s gold-certified Hollywood Records debut CD, "A Year Without Rain" shows Selena and her band, The Scene, in a whole new light, this one pulsating, multicolored and ready for the mirrored ball.

 

"I really wanted something that felt good to perform, but had a techno/dance vibe," Selena says. "I wanted something that had meaning and melody, and more empowering lyrics." That’s exactly what she delivers in "A Year Without Rain." Working with top producer/songwriters like Tim James & Antonina Armato, Kevin Rudolf, Toby Gad and Jonas Jeberg, Selena kept to a more quickened tempo, exploring themes of love, freedom and the joy of living for the moment.

 

Selena credits the album’s neo-techno leanings to her 2010 platinum-certified single, ‘Naturally," which pointed the way for her. That track "really helped me figure out where I want to be," she says. "There’s a feeling when I perform that song that I love, so when I was going back in the studio, I had a better understanding of where I wanted to be musically."

 

She gets right to it with the opening track, "Round & Round," an upbeat synth-driven song about reaching the limits of indecision in love. The plaintive "A Year Without Rain" may be more subdued, but its beauty impressed Selena enough to make it the title track. "When I got the song, I went through the roof," she recalls. "Everybody has that one person they can’t live without. It was exactly what I wanted to say." That goes double for the Spanish version of the song, Selena’s first recording in that language.

 

Having turned 18 this year, Selena has matured since making her professional debut at age 7, but girls still wanna have fun, which is what songs like "Spotlight" "Off the Chain" and "Summer’s Not Hot" are all about. "Rock God" features none other than Katy Perry on backing vocals, while "Intuition" boasts a duet between Selena and rapper Eric Bellinger in a tricked-out double-time salute to a positive attitude.

 

Selena slows things down on "Ghost of You," a ravishing ballad about a breakup so rough, no amount of "living crazy loud" can crush the memory. "It’s very beautiful, very raw," Selena says of the song. "Shelly Peiken co-wrote it. She knows me, knows about everything I go through, and knows how to express it in a beautiful way."

 

On the flip side, Selena comes back strong with "Sick of You," a Matt Squire-written and produced track about losing a loser ("You know fairy tales don’t come true/ Not when it comes to you"). The album ends with "Live Like There’s No Tomorrow," an epic power ballad expressing the creed by which Selena has built her life and career.

 

A Dallas native, Selena Gomez started acting at age seven when she landed a role in the popular television series "Barney & Friends," on which was a regular for two seasons. She landed her first film role in the 2003 sci-fi action adventure film "Spy Kids 3-D: Game Over." She made her mark as an actress playing girl wizard Alex Russo in the hit Disney Channel series "Wizards of Waverly Place," which premiered in 2007 and has now completed three seasons. Selena and her cast mates won a 2009 Emmy Award for Outstanding Children’s Program.

 

Selena then made an indelible impression with her starring role in 2010 comedy "Ramona and Beezus." Says Selena, "I wanted something completely different from my show. All these incredible actors, being able to learn from them and get my feet wet in the film world. It was the perfect way to get into it." Next up, a starring role in "Monte Carlo," in which she plays a teen on vacation in the romantic European principality. And of course, Selena is gearing up for the fourth season of "Wizards of Waverly Place."

 

Selena has branched out into fashion with the premiere of her new clothing line, Dream Out Loud, sold exclusively at K-Mart. But her instinct for charity remains strong. She is a proud UNICEF ambassador, and will appear for a third year at UNICEF's Trick or Treat bash, this time to kick off UNICEF's 60th anniversary. And with the new album comes a new tour with her band.

 

Having her own band has been a comfort for Selena as she hits the road with "A Year Without Rain." Scene members; Ethan Roberts (Guitar), Joey Clement (Bass), Greg Garman (Drums) and Dane Forrest (Keyboard) back her on tour and help shape her emerging sound. "On my TV show we have an ensemble cast that’s like a family," she says. "If anyone’s missing, you feel it. I wanted that family feel in my music, and we definitely have that with the Scene."

 

That family feeling had grown to include fans around the world, each of them all in when it comes to following Selena Gomez on her amazing artistic journey. Where’s she headed? She’ll let you know when she gets there. "I’m still figuring out who I am," she says. "I love expressing that through music, and through film. I feel at this moment in my life I couldn’t be happier."

Selena Gomez

Alcatraz - Milano

16 Settembre 2013

 

ph © Mairo Cinquetti

 

© All rights reserved. Do not use my photos without my written permission. If you would like to buy or use this photo PLEASE message me or email me at mairo.cinquetti@gmail.com

 

What do you do after striking gold with your first solo album, wrapping your third season starring in a hit series and earning raves for your movie debut? If you're Selena Gomez, you dance. At least, you get the world on its feet with "A Year Without Rain." A follow-up to "Kiss & Tell," Selena’s gold-certified Hollywood Records debut CD, "A Year Without Rain" shows Selena and her band, The Scene, in a whole new light, this one pulsating, multicolored and ready for the mirrored ball.

 

"I really wanted something that felt good to perform, but had a techno/dance vibe," Selena says. "I wanted something that had meaning and melody, and more empowering lyrics." That’s exactly what she delivers in "A Year Without Rain." Working with top producer/songwriters like Tim James & Antonina Armato, Kevin Rudolf, Toby Gad and Jonas Jeberg, Selena kept to a more quickened tempo, exploring themes of love, freedom and the joy of living for the moment.

 

Selena credits the album’s neo-techno leanings to her 2010 platinum-certified single, ‘Naturally," which pointed the way for her. That track "really helped me figure out where I want to be," she says. "There’s a feeling when I perform that song that I love, so when I was going back in the studio, I had a better understanding of where I wanted to be musically."

 

She gets right to it with the opening track, "Round & Round," an upbeat synth-driven song about reaching the limits of indecision in love. The plaintive "A Year Without Rain" may be more subdued, but its beauty impressed Selena enough to make it the title track. "When I got the song, I went through the roof," she recalls. "Everybody has that one person they can’t live without. It was exactly what I wanted to say." That goes double for the Spanish version of the song, Selena’s first recording in that language.

 

Having turned 18 this year, Selena has matured since making her professional debut at age 7, but girls still wanna have fun, which is what songs like "Spotlight" "Off the Chain" and "Summer’s Not Hot" are all about. "Rock God" features none other than Katy Perry on backing vocals, while "Intuition" boasts a duet between Selena and rapper Eric Bellinger in a tricked-out double-time salute to a positive attitude.

 

Selena slows things down on "Ghost of You," a ravishing ballad about a breakup so rough, no amount of "living crazy loud" can crush the memory. "It’s very beautiful, very raw," Selena says of the song. "Shelly Peiken co-wrote it. She knows me, knows about everything I go through, and knows how to express it in a beautiful way."

 

On the flip side, Selena comes back strong with "Sick of You," a Matt Squire-written and produced track about losing a loser ("You know fairy tales don’t come true/ Not when it comes to you"). The album ends with "Live Like There’s No Tomorrow," an epic power ballad expressing the creed by which Selena has built her life and career.

 

A Dallas native, Selena Gomez started acting at age seven when she landed a role in the popular television series "Barney & Friends," on which was a regular for two seasons. She landed her first film role in the 2003 sci-fi action adventure film "Spy Kids 3-D: Game Over." She made her mark as an actress playing girl wizard Alex Russo in the hit Disney Channel series "Wizards of Waverly Place," which premiered in 2007 and has now completed three seasons. Selena and her cast mates won a 2009 Emmy Award for Outstanding Children’s Program.

 

Selena then made an indelible impression with her starring role in 2010 comedy "Ramona and Beezus." Says Selena, "I wanted something completely different from my show. All these incredible actors, being able to learn from them and get my feet wet in the film world. It was the perfect way to get into it." Next up, a starring role in "Monte Carlo," in which she plays a teen on vacation in the romantic European principality. And of course, Selena is gearing up for the fourth season of "Wizards of Waverly Place."

 

Selena has branched out into fashion with the premiere of her new clothing line, Dream Out Loud, sold exclusively at K-Mart. But her instinct for charity remains strong. She is a proud UNICEF ambassador, and will appear for a third year at UNICEF's Trick or Treat bash, this time to kick off UNICEF's 60th anniversary. And with the new album comes a new tour with her band.

 

Having her own band has been a comfort for Selena as she hits the road with "A Year Without Rain." Scene members; Ethan Roberts (Guitar), Joey Clement (Bass), Greg Garman (Drums) and Dane Forrest (Keyboard) back her on tour and help shape her emerging sound. "On my TV show we have an ensemble cast that’s like a family," she says. "If anyone’s missing, you feel it. I wanted that family feel in my music, and we definitely have that with the Scene."

 

That family feeling had grown to include fans around the world, each of them all in when it comes to following Selena Gomez on her amazing artistic journey. Where’s she headed? She’ll let you know when she gets there. "I’m still figuring out who I am," she says. "I love expressing that through music, and through film. I feel at this moment in my life I couldn’t be happier."

She thinks of health and strenght in life pulsating in the form of love.

Debbie Harry

"Connecting Light 2012" - A colourful line of pulsating balloons has lit up the night sky on the 73 mile (117km) length of Hadrian's Wall.

Selena Gomez

Alcatraz - Milano

16 Settembre 2013

 

ph © Mairo Cinquetti

 

© All rights reserved. Do not use my photos without my written permission. If you would like to buy or use this photo PLEASE message me or email me at mairo.cinquetti@gmail.com

 

What do you do after striking gold with your first solo album, wrapping your third season starring in a hit series and earning raves for your movie debut? If you're Selena Gomez, you dance. At least, you get the world on its feet with "A Year Without Rain." A follow-up to "Kiss & Tell," Selena’s gold-certified Hollywood Records debut CD, "A Year Without Rain" shows Selena and her band, The Scene, in a whole new light, this one pulsating, multicolored and ready for the mirrored ball.

 

"I really wanted something that felt good to perform, but had a techno/dance vibe," Selena says. "I wanted something that had meaning and melody, and more empowering lyrics." That’s exactly what she delivers in "A Year Without Rain." Working with top producer/songwriters like Tim James & Antonina Armato, Kevin Rudolf, Toby Gad and Jonas Jeberg, Selena kept to a more quickened tempo, exploring themes of love, freedom and the joy of living for the moment.

 

Selena credits the album’s neo-techno leanings to her 2010 platinum-certified single, ‘Naturally," which pointed the way for her. That track "really helped me figure out where I want to be," she says. "There’s a feeling when I perform that song that I love, so when I was going back in the studio, I had a better understanding of where I wanted to be musically."

 

She gets right to it with the opening track, "Round & Round," an upbeat synth-driven song about reaching the limits of indecision in love. The plaintive "A Year Without Rain" may be more subdued, but its beauty impressed Selena enough to make it the title track. "When I got the song, I went through the roof," she recalls. "Everybody has that one person they can’t live without. It was exactly what I wanted to say." That goes double for the Spanish version of the song, Selena’s first recording in that language.

 

Having turned 18 this year, Selena has matured since making her professional debut at age 7, but girls still wanna have fun, which is what songs like "Spotlight" "Off the Chain" and "Summer’s Not Hot" are all about. "Rock God" features none other than Katy Perry on backing vocals, while "Intuition" boasts a duet between Selena and rapper Eric Bellinger in a tricked-out double-time salute to a positive attitude.

 

Selena slows things down on "Ghost of You," a ravishing ballad about a breakup so rough, no amount of "living crazy loud" can crush the memory. "It’s very beautiful, very raw," Selena says of the song. "Shelly Peiken co-wrote it. She knows me, knows about everything I go through, and knows how to express it in a beautiful way."

 

On the flip side, Selena comes back strong with "Sick of You," a Matt Squire-written and produced track about losing a loser ("You know fairy tales don’t come true/ Not when it comes to you"). The album ends with "Live Like There’s No Tomorrow," an epic power ballad expressing the creed by which Selena has built her life and career.

 

A Dallas native, Selena Gomez started acting at age seven when she landed a role in the popular television series "Barney & Friends," on which was a regular for two seasons. She landed her first film role in the 2003 sci-fi action adventure film "Spy Kids 3-D: Game Over." She made her mark as an actress playing girl wizard Alex Russo in the hit Disney Channel series "Wizards of Waverly Place," which premiered in 2007 and has now completed three seasons. Selena and her cast mates won a 2009 Emmy Award for Outstanding Children’s Program.

 

Selena then made an indelible impression with her starring role in 2010 comedy "Ramona and Beezus." Says Selena, "I wanted something completely different from my show. All these incredible actors, being able to learn from them and get my feet wet in the film world. It was the perfect way to get into it." Next up, a starring role in "Monte Carlo," in which she plays a teen on vacation in the romantic European principality. And of course, Selena is gearing up for the fourth season of "Wizards of Waverly Place."

 

Selena has branched out into fashion with the premiere of her new clothing line, Dream Out Loud, sold exclusively at K-Mart. But her instinct for charity remains strong. She is a proud UNICEF ambassador, and will appear for a third year at UNICEF's Trick or Treat bash, this time to kick off UNICEF's 60th anniversary. And with the new album comes a new tour with her band.

 

Having her own band has been a comfort for Selena as she hits the road with "A Year Without Rain." Scene members; Ethan Roberts (Guitar), Joey Clement (Bass), Greg Garman (Drums) and Dane Forrest (Keyboard) back her on tour and help shape her emerging sound. "On my TV show we have an ensemble cast that’s like a family," she says. "If anyone’s missing, you feel it. I wanted that family feel in my music, and we definitely have that with the Scene."

 

That family feeling had grown to include fans around the world, each of them all in when it comes to following Selena Gomez on her amazing artistic journey. Where’s she headed? She’ll let you know when she gets there. "I’m still figuring out who I am," she says. "I love expressing that through music, and through film. I feel at this moment in my life I couldn’t be happier."

Summer Saturdays usually produced a high yield of visiting independents at the Canons Marsh Coach Park, down among the old goods depots and tobacco bonds of Bristol's abandoned docks. Operators from South Wales were always well represented. I think this splendid vehicle took me by surprise as I was retracing my steps to the city's pulsating nerve-centre, probably the prelude to a period of indecision as I wondered what to do with the remainder of the afternoon. This is what tended to happen when I had a Saturday rest day. I've always loathed weekends and I preferred to work them and get days off in the week. This seems to be a minority position; I've known people change jobs to be assured of their weekends off. So it was probably a toss-up between the Broadmead shops and the Queens Road-College Green "cultural" axis where lay the Museum and Art Gallery, George's Bookshop and the Central Library. My cinema-going days were long over.

As far as my personal obsessions in the matter are concerned the coach, a Leyland Leopard PSU3/3RT, carries a not quite optimal version of the Harrington Grenadier body. It lacks the up-and-down moulding above the headlights but in all other respects is Fray-compliant. It is a 36-footer, has roof corner lights and a destination screen in the "dome". It belonged to O'Sullivan Tours Ltd of Cardiff. The two previous owners had been CK Coaches Ltd, also of Cardiff, and Hazeldine Hire Services Ltd of Bilston, Staffs. I would conjecture from the destination layout that the original owner was Grey-Green and the George Ewer Group.

It looks as though the World Wine Fair was on. For some years this was an important event in the Bristol calendar. No doubt it generated a certain amount of the coach traffic, although the Welsh are not noted oenophiles. The area is much changed. Canons Marsh suffered "regeneration" in the 90s, the City Centre double roundabout was remodelled according to the very latest ideas in the design of urban spaces, the Bristol & West Building Society's head office was given a makeover and became an hotel, neighbouring Deanery Road was pedestrianised and this thoroughfare, Anchor Road, became the main "corridor" for traffic entering the city from the Clevedon, Portishead and Weston-super-Mare directions. The excitement-free buildings on either side ...once associated with the dock trades... had to go. This must now be the approximate site of the modish, unvisited @Bristol "experience".

Selena Gomez

Alcatraz - Milano

16 Settembre 2013

 

ph © Mairo Cinquetti

 

© All rights reserved. Do not use my photos without my written permission. If you would like to buy or use this photo PLEASE message me or email me at mairo.cinquetti@gmail.com

 

What do you do after striking gold with your first solo album, wrapping your third season starring in a hit series and earning raves for your movie debut? If you're Selena Gomez, you dance. At least, you get the world on its feet with "A Year Without Rain." A follow-up to "Kiss & Tell," Selena’s gold-certified Hollywood Records debut CD, "A Year Without Rain" shows Selena and her band, The Scene, in a whole new light, this one pulsating, multicolored and ready for the mirrored ball.

 

"I really wanted something that felt good to perform, but had a techno/dance vibe," Selena says. "I wanted something that had meaning and melody, and more empowering lyrics." That’s exactly what she delivers in "A Year Without Rain." Working with top producer/songwriters like Tim James & Antonina Armato, Kevin Rudolf, Toby Gad and Jonas Jeberg, Selena kept to a more quickened tempo, exploring themes of love, freedom and the joy of living for the moment.

 

Selena credits the album’s neo-techno leanings to her 2010 platinum-certified single, ‘Naturally," which pointed the way for her. That track "really helped me figure out where I want to be," she says. "There’s a feeling when I perform that song that I love, so when I was going back in the studio, I had a better understanding of where I wanted to be musically."

 

She gets right to it with the opening track, "Round & Round," an upbeat synth-driven song about reaching the limits of indecision in love. The plaintive "A Year Without Rain" may be more subdued, but its beauty impressed Selena enough to make it the title track. "When I got the song, I went through the roof," she recalls. "Everybody has that one person they can’t live without. It was exactly what I wanted to say." That goes double for the Spanish version of the song, Selena’s first recording in that language.

 

Having turned 18 this year, Selena has matured since making her professional debut at age 7, but girls still wanna have fun, which is what songs like "Spotlight" "Off the Chain" and "Summer’s Not Hot" are all about. "Rock God" features none other than Katy Perry on backing vocals, while "Intuition" boasts a duet between Selena and rapper Eric Bellinger in a tricked-out double-time salute to a positive attitude.

 

Selena slows things down on "Ghost of You," a ravishing ballad about a breakup so rough, no amount of "living crazy loud" can crush the memory. "It’s very beautiful, very raw," Selena says of the song. "Shelly Peiken co-wrote it. She knows me, knows about everything I go through, and knows how to express it in a beautiful way."

 

On the flip side, Selena comes back strong with "Sick of You," a Matt Squire-written and produced track about losing a loser ("You know fairy tales don’t come true/ Not when it comes to you"). The album ends with "Live Like There’s No Tomorrow," an epic power ballad expressing the creed by which Selena has built her life and career.

 

A Dallas native, Selena Gomez started acting at age seven when she landed a role in the popular television series "Barney & Friends," on which was a regular for two seasons. She landed her first film role in the 2003 sci-fi action adventure film "Spy Kids 3-D: Game Over." She made her mark as an actress playing girl wizard Alex Russo in the hit Disney Channel series "Wizards of Waverly Place," which premiered in 2007 and has now completed three seasons. Selena and her cast mates won a 2009 Emmy Award for Outstanding Children’s Program.

 

Selena then made an indelible impression with her starring role in 2010 comedy "Ramona and Beezus." Says Selena, "I wanted something completely different from my show. All these incredible actors, being able to learn from them and get my feet wet in the film world. It was the perfect way to get into it." Next up, a starring role in "Monte Carlo," in which she plays a teen on vacation in the romantic European principality. And of course, Selena is gearing up for the fourth season of "Wizards of Waverly Place."

 

Selena has branched out into fashion with the premiere of her new clothing line, Dream Out Loud, sold exclusively at K-Mart. But her instinct for charity remains strong. She is a proud UNICEF ambassador, and will appear for a third year at UNICEF's Trick or Treat bash, this time to kick off UNICEF's 60th anniversary. And with the new album comes a new tour with her band.

 

Having her own band has been a comfort for Selena as she hits the road with "A Year Without Rain." Scene members; Ethan Roberts (Guitar), Joey Clement (Bass), Greg Garman (Drums) and Dane Forrest (Keyboard) back her on tour and help shape her emerging sound. "On my TV show we have an ensemble cast that’s like a family," she says. "If anyone’s missing, you feel it. I wanted that family feel in my music, and we definitely have that with the Scene."

 

That family feeling had grown to include fans around the world, each of them all in when it comes to following Selena Gomez on her amazing artistic journey. Where’s she headed? She’ll let you know when she gets there. "I’m still figuring out who I am," she says. "I love expressing that through music, and through film. I feel at this moment in my life I couldn’t be happier."

The women's dance uses the same basic steps, although the posture is quite different. The restrictive kimono allows only the smallest of steps forward but a crisp kick behind, and the hand gestures are more restrained and graceful, reaching up towards the sky. Women usually dance in tight formation, poised on the ends of their geta sandals.

Budapest is the capital city of Hungary. With a unique, youthful atmosphere, world-class classical music scene as well as a pulsating nightlife increasingly appreciated among European youth, and last but not least, an exceptional offer of natural thermal baths, Budapest is one of Europe's most delightful and enjoyable cities. Due to the exceedingly scenic setting, and its architecture it is nicknamed "Paris of the East". The local pronunciation can be approximated by "boo-dah-pesht". In 1987 Budapest was added to the UNESCO World Heritage List for the cultural and architectural significance of the Banks of the Danube, the Buda Castle Quarter and Andrássy Avenue.

Selena Gomez

Alcatraz - Milano

16 Settembre 2013

 

ph © Mairo Cinquetti

 

© All rights reserved. Do not use my photos without my written permission. If you would like to buy or use this photo PLEASE message me or email me at mairo.cinquetti@gmail.com

 

What do you do after striking gold with your first solo album, wrapping your third season starring in a hit series and earning raves for your movie debut? If you're Selena Gomez, you dance. At least, you get the world on its feet with "A Year Without Rain." A follow-up to "Kiss & Tell," Selena’s gold-certified Hollywood Records debut CD, "A Year Without Rain" shows Selena and her band, The Scene, in a whole new light, this one pulsating, multicolored and ready for the mirrored ball.

 

"I really wanted something that felt good to perform, but had a techno/dance vibe," Selena says. "I wanted something that had meaning and melody, and more empowering lyrics." That’s exactly what she delivers in "A Year Without Rain." Working with top producer/songwriters like Tim James & Antonina Armato, Kevin Rudolf, Toby Gad and Jonas Jeberg, Selena kept to a more quickened tempo, exploring themes of love, freedom and the joy of living for the moment.

 

Selena credits the album’s neo-techno leanings to her 2010 platinum-certified single, ‘Naturally," which pointed the way for her. That track "really helped me figure out where I want to be," she says. "There’s a feeling when I perform that song that I love, so when I was going back in the studio, I had a better understanding of where I wanted to be musically."

 

She gets right to it with the opening track, "Round & Round," an upbeat synth-driven song about reaching the limits of indecision in love. The plaintive "A Year Without Rain" may be more subdued, but its beauty impressed Selena enough to make it the title track. "When I got the song, I went through the roof," she recalls. "Everybody has that one person they can’t live without. It was exactly what I wanted to say." That goes double for the Spanish version of the song, Selena’s first recording in that language.

 

Having turned 18 this year, Selena has matured since making her professional debut at age 7, but girls still wanna have fun, which is what songs like "Spotlight" "Off the Chain" and "Summer’s Not Hot" are all about. "Rock God" features none other than Katy Perry on backing vocals, while "Intuition" boasts a duet between Selena and rapper Eric Bellinger in a tricked-out double-time salute to a positive attitude.

 

Selena slows things down on "Ghost of You," a ravishing ballad about a breakup so rough, no amount of "living crazy loud" can crush the memory. "It’s very beautiful, very raw," Selena says of the song. "Shelly Peiken co-wrote it. She knows me, knows about everything I go through, and knows how to express it in a beautiful way."

 

On the flip side, Selena comes back strong with "Sick of You," a Matt Squire-written and produced track about losing a loser ("You know fairy tales don’t come true/ Not when it comes to you"). The album ends with "Live Like There’s No Tomorrow," an epic power ballad expressing the creed by which Selena has built her life and career.

 

A Dallas native, Selena Gomez started acting at age seven when she landed a role in the popular television series "Barney & Friends," on which was a regular for two seasons. She landed her first film role in the 2003 sci-fi action adventure film "Spy Kids 3-D: Game Over." She made her mark as an actress playing girl wizard Alex Russo in the hit Disney Channel series "Wizards of Waverly Place," which premiered in 2007 and has now completed three seasons. Selena and her cast mates won a 2009 Emmy Award for Outstanding Children’s Program.

 

Selena then made an indelible impression with her starring role in 2010 comedy "Ramona and Beezus." Says Selena, "I wanted something completely different from my show. All these incredible actors, being able to learn from them and get my feet wet in the film world. It was the perfect way to get into it." Next up, a starring role in "Monte Carlo," in which she plays a teen on vacation in the romantic European principality. And of course, Selena is gearing up for the fourth season of "Wizards of Waverly Place."

 

Selena has branched out into fashion with the premiere of her new clothing line, Dream Out Loud, sold exclusively at K-Mart. But her instinct for charity remains strong. She is a proud UNICEF ambassador, and will appear for a third year at UNICEF's Trick or Treat bash, this time to kick off UNICEF's 60th anniversary. And with the new album comes a new tour with her band.

 

Having her own band has been a comfort for Selena as she hits the road with "A Year Without Rain." Scene members; Ethan Roberts (Guitar), Joey Clement (Bass), Greg Garman (Drums) and Dane Forrest (Keyboard) back her on tour and help shape her emerging sound. "On my TV show we have an ensemble cast that’s like a family," she says. "If anyone’s missing, you feel it. I wanted that family feel in my music, and we definitely have that with the Scene."

 

That family feeling had grown to include fans around the world, each of them all in when it comes to following Selena Gomez on her amazing artistic journey. Where’s she headed? She’ll let you know when she gets there. "I’m still figuring out who I am," she says. "I love expressing that through music, and through film. I feel at this moment in my life I couldn’t be happier."

The valley of the Geysernaya river is located in 180 km to the north-east from Petropavlovsk-Kamchatsky among the volcanoes stretched along the east coastline of the peninsula near the so called East volcanic belt.

 

The Valley of geysers has all forms of hydrothermal activity including permanently active and pulsating boiling springs, hot lakes, geysers, mud pools, mud volcanoes, vapour streams, warmed grounds closely located at the small area.

Pulsating auroras, drifting patches that brighten and dim on the order of seconds to minutes, happen in the morning hours. First night back in Fairbanks after the Fort Yukon campaign. Should have left the lights on, this was a better shot with the eve and trees illuminated. Filmed at ISO3200: D7000 is impressive.

 

Click for all my aurora photos. And I has more timelapses if you like this one.

Shot @ Mosque Road,Bangalore, July 2013

  

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All Rights Reserved.2013 © Akash Bhattacharya Photography

   

Monday, Nov. 16

 

8/7c

 

Gossip Girl (CW)

Blair calls in a favor to arrange a private concert with Lady Gaga, who performs in the episode.

 

Heroes (NBC)

Samuel (guest star Robert Knepper) learns just how powerful he can become and takes dangerous measures to reach his full potential.

 

House (Fox)

House's medical license is reinstated, just in time to treat an adult film star (guest star Troy Garity) who has a pulsating pain in his ... eye.

 

9/8c

 

Trauma (NBC)

A wedding celebration at sea is interrupted by a high-speed boat collision.

 

Two and a Half Men (CBS)

When Chelsea's sexy college roommate (guest star Tricia Helfer, Battlestar Galactica) comes to stay at Charlie's house, he starts dreaming about a threesome.

   

Tuesday, Nov. 17

 

8/7c

 

90210 (CW)

Someone dies in the zip code.

 

Merry Madagascar (NBC)

 

Santa (Carl Reiner) and his sleigh unexpectedly crash-land on the island, and the old man has amnesia. So Alex (Ben Stiller), Marty (Chris Rock), Melman (David Schwimmer), and Gloria (Jada Pinkett Smith) have to save Christmas!

 

8:30/7:30c

 

The Biggest Loser (NBC)

It's the makeover episode with Project Runway's Tim Gunn and chic hair stylist Tabatha (Bravo's Tabatha's Salon Takeover), who help the remaining six contestants look fabulous.

 

9/8c

 

Melrose Place (CW)

The bitch is back! Heather Locklear returns as Amanda Woodward.

   

Wednesday, Nov. 18

 

8/7c

 

America's Next Top Model (CW)

The winner is chosen in the Cycle 13 Finale.

 

New Adventures of Old Christine

Christine sets up her ex on a blind date with a woman who works out at her gym (Dirty Dancing's Jennifer Grey). Richard's friend Tom (NewsRadio's Dave Foley) tries yet again to woo Christine. Fun fact: Grey is actually married to Christine star Clark Gregg.

 

9/8c

 

Law & Order: Special Victims Unit (NBC)

Incriminating DNA evidence implicates Detective Benson (Mariska Hargitay) in the murder of a biker. Stabler (Christopher Meloni) fights to prove his partner's innocence.

 

Modern Family (ABC)

Claire surprises Phil with a private performance by one of their favorite musicians, Izzy LaFontaine (guest star Edward Norton). Meanwhile, Mitchell and Cameron have a night on the town with their old friend, Sal (guest star Elizabeth Banks).

 

10/9c

 

CSI: NY (CBS)

Skeet Ulrich returns as the "Compass Killer." Rapper Nelly returns as an informant who assists the detectives in their investigation.

 

Eastwick (ABC)

A New York art maven (guest star Rosanna Arquette) is in town to see Roxie's work.

   

Thursday, Nov. 19

 

7/6c

 

Ugly Betty (TV Guide Network)

Betty's schoolgirl crush (guest star Adam Rodriguez) makes both Suarez sisters question falling for nice guys. Daniel introduces Amanda to the Community of the Phoenix, as he's lured deeper into its clutches by Bennett (guest star Dylan Baker) and Natalie (guest star Jamie-Lynn Sigler).

 

8/7c

 

Bones (Fox)

Booth's grandfather (guest star Ralph Waite) comes to live with him.

 

Community (NBC)

Jeff befriends Señor Chang to get him to lighten up on the homework.

 

10/9c

 

The Mentalist (CBS)

Jane and Lisbon grudgingly team up with Sam Bosco (guest star Terry Kinney) to find a kidnapped young woman.

This is a combination of two different pictures, thus the waves might look a bit unrealistic if considered rhythmic (like mother earth and the waves pulsate), unless of course one would expand the thought that water arrives in different speeds from the top and from the opening in the right.

 

These were combined to simply give more dramatic / powerful look.

 

Lens: EBC X-Fujinon-T 135mm f3.5 DM.