View allAll Photos Tagged Proportion
Sony A7R2 Bishop California Fine Art Autumn Landscapes! Dr. Elliot McGucken Fine Art Photography!
Been busy traveling and shooting landscapes and working on my books The Golden Hero's Odyssey about the golden rectangle and divine proportion I use in a lot of my compositions! Also working on my physics book on Dynamic Dimensions Theory! The equation dx4/dt=ic is on a lot of the 45surf swimsuit and shirts and all! :)
Follow me & 45surf!!
www.facebook.com/45surfAchillesOdysseyMythology/
www.facebook.com/elliot.mcgucken
My fine art landscape lenses for the A7RII are the Sony 16-35mm Vario-Tessar T FE F4 ZA OSS E-Mount Lens and the Sony FE 24-240mm f/3.5-6.3 OSS Lens ! Love the Carl Zeiss and super sharp Sony Glass!
Working on a book titled THE GOLDEN HERO'S ODYSSEY!
Check out my epic album: Golden Rectangle, Golden Ratio, Golden Spiral, Phi Grid, and Fibonacci Spiral in Fine Art Photography Compositions!
www.flickr.com/photos/herosjourneymythology45surf/albums/...
Divine Proportion on a Divine Goddess! Golden Rectangle Goddess! Fibonacci Spiral Composition for Classical Goddess and Exalted Fine Art!
Pretty Greek Goddesses! Artemis, Athena, Hera, and Aphrodite! Venus, Minerva, and Ares, Demeter, and Nike!
Pretty Swimsuit Bikini Model Goddess Nikon D800 Super Sharp AF-S NIKKOR 70-200mm f/2.8G ED VR II
All of the new Gold 45 Revolver and 45SURF logos and designs are inspired by the golden number phi and divine proportion! Just as my landscapes oft employ the golden rectangle and fibonacci spiral in composition, all the bikinis, shirts, and lingerie designs are made with the golden section and gold number Phi (1.618) in mind! The golden grids, rectangles, pentagons, and spirals make a far better system for compositions than does the rule of thirds! And too, the golden mean and divine proportion are found in every model--in her pretty face and in the divine proportions of the 45surf goddess's heavenly body! I'm working on a book on all this beautitful craziness in fine art landscapes and models called The Golden Hero's Odyssey, which also ties it to my physics theory Dynamic Dimenions theory (dx4/dt=ic). :)
More of the epic Greek goddess bikini swimsuit models on instagram!
I have been traveling around in Zion, Yosemite, the Grand Canyon, and Bryce Canyon! Will share soon! :)
ALL THE BEST on your Epic Hero's Odyssey from Johnny Ranger McCoy!
Follow me & 45surf!!
www.facebook.com/45surfAchillesOdysseyMythology/
Beautiful Swimsuit Bikini Surfer Girl Athletic Model Goddess ! Sexy, hot, tall, thin, tan,toned, tan, and fit!
Working on a photography book too--Hero's Odyssey Photography! It focuses on my greatest hits while telling the tsory behind each one, thusly teaching how to shoot epic landscapes, ballerinas, and models!
All the best on your Epic Hero's Odyssey!
45SURF! Celebrating epic, heroic poetry, classic goddess beauty and the classical soul! Shakespeare, Homer's Iliad & Odyssey, and Moby Dick!
All the best on your epic hero's odyssey!
On a whim I submitted this shot into a local photo challenge. It did better than I expected and ended up in fifth place out of 24 entries. The subject of the challenge was "proportion" or "ratio", depending on how you translate it.
"Luton, normally a very sensible constituency with a high proportion of people who aren't a bit silly, has gone completely ga-ga."
Well I was shooting fall colors in Zion National PArk when I saw that they had forecast snow for Bryce Canyon, so instead of heading back to LA, I headed out to Bryce Canyon! And I was treated to snow, sun, clouds, snowstorm, and then a glorious sunrise over the s-capped hoo-doos in Bryce! :)
Sony A7RII Bryce Canyon & Zion National Park Autumn Dr. Elliot McGucken Fine Art Landscapes
Been busy traveling and shooting landscapes and working on my books The Golden Hero's Odyssey about the golden rectangle and divine proportion I use in a lot of my compositions! Also working on my physics book on Dynamic Dimensions Theory! The equation d4/dt=ic is on a lot of the 45surf swimsuit and shirts and all! :)
Follow me & 45surf!!
www.facebook.com/45surfAchillesOdysseyMythology/
www.facebook.com/elliot.mcgucken
Beautiful snow covered hoo-doos in Bryce Canyon! Bryce Canyon hoodoos all covered in snow! Beautiful Bryce Canyon Fine Art Sunrise!
My fine art landscape lenses for the A7RII are the Sony 16-35mm Vario-Tessar T FE F4 ZA OSS E-Mount Lens and the Sony FE 24-240mm f/3.5-6.3 OSS Lens ! Love the Carl Zeiss and super sharp Sony Glass!
Working on a book titled THE GOLDEN HERO'S ODYSSEY!
Check out my epic album: Golden Rectangle, Golden Ratio, Golden Spiral, Phi Grid, and Fibonacci Spiral in Fine Art Photography Compositions!
www.flickr.com/photos/herosjourneymythology45surf/albums/...
Divine Proportion on a Divine Goddess! Golden Rectangle Goddess! Fibonacci Spiral Composition for Classical Goddess and Exalted Fine Art!
Pretty Greek Goddesses! Artemis, Athena, Hera, and Aphrodite! Venus, Minerva, and Ares, Demeter, and Nike!
Pretty Swimsuit Bikini Model Goddess Nikon D800 Super Sharp AF-S NIKKOR 70-200mm f/2.8G ED VR II
All of the new Gold 45 Revolver and 45SURF logos and designs are inspired by the golden number phi and divine proportion! Just as my landscapes oft employ the golden rectangle and fibonacci spiral in composition, all the bikinis, shirts, and lingerie designs are made with the golden section and gold number Phi (1.618) in mind! The golden grids, rectangles, pentagons, and spirals make a far better system for compositions than does the rule of thirds! And too, the golden mean and divine proportion are found in every model--in her pretty face and in the divine proportions of the 45surf goddess's heavenly body! I'm working on a book on all this beautitful craziness in fine art landscapes and models called The Golden Hero's Odyssey, which also ties it to my physics theory Dynamic Dimenions theory (dx4/dt=ic). :)
More of the epic Greek goddess bikini swimsuit models on instagram!
I have been traveling around in Zion, Yosemite, the Grand Canyon, and Bryce Canyon! Will share soon! :)
ALL THE BEST on your Epic Hero's Odyssey from Johnny Ranger McCoy!
Follow me & 45surf!!
www.facebook.com/45surfAchillesOdysseyMythology/
Beautiful Swimsuit Bikini Surfer Girl Athletic Model Goddess ! Sexy, hot, tall, thin, tan,toned, tan, and fit!
Working on a photography book too--Hero's Odyssey Photography! It focuses on my greatest hits while telling the tsory behind each one, thusly teaching how to shoot epic landscapes, ballerinas, and models!
All the best on your Epic Hero's Odyssey!
45SURF! Celebrating epic, heroic poetry, classic goddess beauty and the classical soul! Shakespeare, Homer's Iliad & Odyssey, and Moby Dick!
All the best on your epic hero's odyssey!
A little Andersons critter has a hold of 5 covered hoppers in NS Sumner Street yard in Toledo, OH. 6/6/15
El Paso (/ɛl ˈpæsoʊ/; Spanish: [el ˈpaso] "the pass") is a city in and the county seat of El Paso County in the far western part of the U.S. state of Texas. The 2020 population of the city from the U.S. Census Bureau was 678,815, making it the 23rd-largest city in the United States, the sixth-largest city in Texas, and the second-largest city in the Southwest behind Phoenix, Arizona. El Paso ranks 5th in the nation with the largest proportion of Hispanic population. Its metropolitan statistical area covers all of El Paso and Hudspeth counties in Texas, and had a population of 843,725 in 2019.
El Paso stands on the Rio Grande across the Mexico–United States border from Ciudad Juárez, the most-populous city in the Mexican state of Chihuahua with over 1.4 million people. Las Cruces, in the neighboring U.S. state of New Mexico, has a population of 215,579. On the U.S. side, the El Paso metropolitan area forms part of the larger El Paso-Las Cruces combined statistical area, with a population of 1,060,397.
These three cities form a combined international metropolitan area sometimes referred to as the Paso del Norte or the Borderplex. The region of 2.5 million people constitutes the largest bilingual and binational work force in the Western Hemisphere.
The city is home to three publicly traded companies, and former Western Refining, now Marathon Petroleum, as well as home to the Medical Center of the Americas, the only medical research and care provider complex in West Texas and Southern New Mexico, and the University of Texas at El Paso, the city's primary university. The city hosts the annual Sun Bowl college football postseason game, the second-oldest bowl game in the country.
El Paso has a strong federal and military presence. William Beaumont Army Medical Center, Biggs Army Airfield, and Fort Bliss are located in the area. Fort Bliss is one of the largest military complexes of the United States Army and the second largest training area in the United States behind nearby White Sands Missile Range. The fort is headquartered in El Paso but a large part of the training area is in New Mexico.[16] Also headquartered in El Paso are the Drug Enforcement Administration domestic field division 7, El Paso Intelligence Center, Joint Task Force North, United States Border Patrol El Paso Sector, and U.S. Border Patrol Special Operations Group.
El Paso is a five-time All-America City Award winner, winning in 1969, 2010, 2018, 2020, and 2021, and Congressional Quarterly ranked it in the top-three safest large cities in the United States between 1997 and 2014, including holding the title of safest city between 2011 and 2014.
Geography
El Paso is located at the intersection of three states (Texas, New Mexico, and Chihuahua) and two countries (the U.S. and Mexico). It is the only major Texas city on Mountain Time. Ciudad Juarez was once in Central Time,[44] but both cities are now on Mountain Time.
El Paso is closer to the capital cities of four other states – Phoenix, Arizona (345 miles (555 km) away); Santa Fe, New Mexico (273 miles (439 km) away); Ciudad Chihuahua, Chihuahua, (218 miles (351 km) away), and Hermosillo, Sonora (325 miles (523 km) away) – than it is to the capital of its own state, Austin (528 miles (850 km) away). It is closer to Los Angeles, California (700 miles (1,100 km) away) than it is to Orange (858 miles (1,381 km) away), the easternmost town in the state.
El Paso is located within the Chihuahuan Desert, the easternmost section of the Basin and Range Region. The Franklin Mountains extend into El Paso from the north and nearly divide the city into two sections; the west side forms the beginnings of the Mesilla Valley, and the east side expands into the desert and lower valley. They connect in the central business district at the southern end of the mountain range.
The city's elevation is 3,800 ft (1,200 m) above sea level. North Franklin Mountain is the highest peak in the city at 7,192 ft (2,192 m) above sea level. The peak can be seen from 60 mi (100 km) in all directions. Additionally, this mountain range is home to the famous natural red-clay formation, the Thunderbird, from which the local Coronado High School gets its mascot's name. According to the United States Census Bureau, the city has a total area of 256.3 sq mi (663.7 km2).
The 24,000-acre (9,700 ha) Franklin Mountains State Park, one of the largest urban parks in the United States, lies entirely in El Paso, extending from the north and dividing the city into several sections along with Fort Bliss and El Paso International Airport.
The Rio Grande Rift, which passes around the southern end of the Franklin Mountains, is where the Rio Grande flows. The river defines the border between El Paso and Ciudad Juárez to the south and west until the river turns north of the border with Mexico, separating El Paso from Doña Ana County, New Mexico. Mt. Cristo Rey, an example of a pluton, rises within the Rio Grande Rift just to the west of El Paso on the New Mexico side of the Rio Grande. Nearby volcanic features include Kilbourne Hole and Hunt's Hole, which are Maar volcanic craters 30 miles (50 km) west of the Franklin Mountains.
Climate
El Paso has a transitional climate between cold desert climate (Köppen BWk) and hot desert climate (Köppen BWh) featuring hot summers, with little humidity, and cool to mild dry winters. Rainfall averages 8.8 in (220 mm) per year, much of which occurs from June through September, and is predominantly caused by the North American Monsoon. During this period, southerly and southeasterly winds carry moisture from the Pacific, the Gulf of California, and the Gulf of Mexico into the region. When this moisture moves into the El Paso area and places to the southwest, orographic lift from the mountains, combined with strong daytime heating, causes thunderstorms, some severe enough to produce flash flooding and hail, across the region.
The sun shines 302 days per year on average in El Paso, 83% of daylight hours, according to the National Weather Service; from this, the city is nicknamed "The Sun City". Due to its arid, windy climate, El Paso often experiences sand and dust storms during the dry season, particularly during the springtime between March and early May. With an average wind speed often exceeding 30 mph (50 km/h) and gusts that have been measured at over 75 mph (120 km/h), these wind storms kick up large amounts of sand and dust from the desert, causing loss of visibility.
El Paso and the nearby mountains also receive snow. Weather systems have produced over 1 ft (30 cm) of snow on several occasions. In the 1982–1983 winter season, three major snowstorms produced record seasonal snowfall. On December 25–26, 1982, 6.0 in (15 cm) of snow fell, producing a white Christmas for the city. This was followed by another 7.0 in (18 cm) on December 30–31, 1982. On April 4–7, 1983, 16.5 in (42 cm) of snow fell on El Paso, bringing the seasonal total to nearly 30 in (76 cm). On December 13–14, 1987, a record storm dumped over 22 in (56 cm) of snow on El Paso, and two weeks later (December 25–26), another 3 in (7.6 cm) fell, bringing the monthly total for December 1987 to an all-time record high of 25.9 in (66 cm) of snow. The average annual snowfall for the city varies widely between different neighborhoods at different elevations, but is 2.6 in (6.6 cm) at the airport (but with a median of 0, meaning most years see no snow at all). Snow is most rare around Ysleta and the eastern valley area, which usually include large numbers of palm trees; in the higher neighborhoods, palm trees are more vulnerable to snow and cold snaps and are often seen with brown, frost-damaged fronds.
One example of El Paso's varying climate at its most extreme was the damaging winter storm of early February 2011, which caused closures of schools, businesses, and City Hall. The snow, which was light, stopped after about a day, but during the ensuing cold episode, municipal utilities went into a crisis. The high temperature on February 2, 2011, was 15 °F (−9 °C), the lowest daily maximum on record. In addition, the low temperature on February 3 was 1 °F (−17 °C), breaking the 5 °F (−15 °C) monthly record low set during the cold wave of 1899. Loss of desert vegetation, such as Mexican/California palm trees, oleanders, and iceplants to the cold weather was one of the results. Two local power plants failed, forcing El Paso Electric to institute rolling blackouts over several days, and electric wires were broken, causing localised blackouts. Many water utility pipes froze, causing areas of the city to be without water for several days.
Monthly means range from 46.1 °F (7.8 °C) in December to 84.4 °F (29.1 °C) in July, but high temperatures typically peak in June before the monsoon arrives, while daily low temperatures typically peak in July or early August with the higher humidity the monsoon brings (translating to warmer nights). On average, 42 night lows are at or below freezing, with 118 days of 90 °F (32 °C)+ highs and 28 days of 100 °F (38 °C)+ highs annually; extremely rarely do temperatures stay below the freezing mark all day. The city's record high is 114 °F (46 °C) on June 30, 1994, and its record low is −8 °F (−22 °C) on January 11, 1962; the highest daily minimum was 85 °F (29 °C) on July 1 and 3, 1994, with weather records for the area maintained by the National Weather Service since 1879.
(Wikipedia)
El Paso ist die sechstgrößte Stadt in Texas und der Verwaltungssitz des gleichnamigen El Paso County. In der Statistik des US Census Bureau steht El Paso in der Liste der US-amerikanischen Großstädte an 19. Stelle. Die Handels-, Universitäts- und Garnisonsstadt im äußersten Westen von Texas an der Grenze zu New Mexico und Mexiko hatte 2018 geschätzte 682.669 Einwohner.
Mit umliegenden Gemeinden und ihrer am südlichen Ufer des Rio Grande gelegenen mexikanischen Schwesterstadt Ciudad Juárez mit ihren rund 1,3 Mio. Einwohnern bildet sie einen Metropolkomplex von etwa 2,0 Mio. Einwohnern.
El Paso ist Sitz des Bistums El Paso.
Lage
El Paso liegt 1078 km nordwestlich von Houston, 909 km südwestlich von Dallas und 1142 km südlich von Denver an den südlichsten Ausläufern der Rocky Mountains – den Franklin Mountains. Die Stadt liegt im westlichsten Zipfel von Texas und somit an den Grenzen zu Mexiko und zum US-Bundesstaat New Mexico. Der Rio Grande umfließt El Paso aus Nordnordwest kommend an Süd- und Südostseite und bildet hier und im weiteren Verlauf die Grenze zwischen den Vereinigten Staaten und dem mexikanischen Bundesstaat Chihuahua.
Klima
Durch die Lage inmitten der Chihuahua-Wüste mit heißem, trockenem Klima genießt El Paso heiße Sommer mit geringen Niederschlägen und milde Winter. Die Höchsttemperaturen erreichen in der Hochsommerperiode im Juni und Juli Werte um 40 °C. Die historische Höchsttemperatur wurde 1995 mit 45,5 °C erreicht.
Von Juli bis September kennt die Stadt eine anhaltende Wetterperiode, in der durch öfter auftretende teils heftige Sommergewitter signifikante Regenmengen fallen können. Das ist auch die Zeit, in der die Stadt den Großteil ihrer jährlichen durchschnittlichen Niederschlagsmenge von rund 220 mm verzeichnet.
Die Winterperiode ist relativ mild mit Temperaturen, die nur selten unter den Gefrierpunkt fallen. Schnee ist selten zu beobachten, trotzdem wurden in der Vergangenheit schon ergiebige Schneefälle verzeichnet, was in der Regel zu teilweise erheblichen Behinderungen in der Stadt führt.
Von den hohen Temperaturen im Sommer abgesehen sind extreme Wetterphänomene wie zum Beispiel Tornados in der Gegend nahezu unbekannt. El Paso wird bei starken Regenfällen jedoch gelegentlich von lokalen Überschwemmungen einzelner Stadtteile betroffen. Hier wurde durch Bau entsprechender Regenwasserrückhaltebecken und Drainagekanäle Abhilfe geschaffen. Durch die wüstenähnlichen Verhältnisse (karge Bodenbedeckung mit kurzem Strauchbewuchs, Wassermangel durch wenig Niederschlag) außerhalb der besiedelten Bereiche kommt es bei höheren Windgeschwindigkeiten leicht zu vereinzelten Staub- und Sandstürmen.
Insgesamt gesehen wird das Klima El Pasos von Bevölkerung und Besuchern überwiegend als angenehm betrachtet. Über das Jahr verzeichnet die Stadt durchschnittlich 302 Sonnentage, woraus El Paso seinen Beinamen „Sun City“ bezieht.
Bevölkerung
Mit über 70 % stellen die Hispanics den größten Anteil der Bevölkerung El Pasos. Wie in weiten Teilen des Südwestens der Vereinigten Staaten (und Florida) stellt somit eine USA-weite ethnische Minderheit hier die Mehrheit der Bevölkerung. In weiten Bereichen von Wirtschaft und Verwaltung ist Zweisprachigkeit wichtiges Einstellungskriterium.
Die Stadt erlebt derzeit aufgrund der wirtschaftlichen Entwicklung, seiner Lage als Knotenpunkt für Waren- und Personenverkehr an der Grenze zu Mexiko und dem Ausbau des Militärstandorts Fort Bliss und Biggs Army Airfield einen rasanten Anstieg der Bevölkerung.
(Wikipedia)
One of the keys to shooting Epic Landscape Photography is exalting the photograph's soul via golden ratio compositions, thusly wedding the photographic art to the divine proportion by which life itself was designed and exalted.
Dr. Elliot McGucken's Golden Number Ratio Fine Art Landscape & Nature Photography Composition Studies!
instagram.com/goldennumberratio
www.facebook.com/goldennumberratio/
Greetings flickr friends! I am working on several books on "epic photography," and I recently finished a related one titled: The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography: An Artistic and Scientific Introduction to the Golden Mean . Message me on facebook for a free review copy!
www.facebook.com/goldennumberratio/
The Golden Ratio also informs the design of the golden revolver on all the swimsuits and lingerie, as well as the 45surf logo!
The Golden Number Ratio Principle: Dr. E’s Golden Ratio Principle: The golden ratio exalts beauty because the number is a characteristic of the mathematically and physically most efficient manners of growth and distribution, on both evolutionary and purely physical levels. The golden ratio ensures that the proportions and structure of that which came before provide the proportions and structure of that which comes after. Robust, ordered growth is naturally associated with health and beauty, and thus we evolved to perceive the golden ratio harmonies as inherently beautiful, as we saw and felt their presence in all vital growth and life—in the salient features and proportions of humans and nature alike, from the distribution of our facial features and bones to the arrangements of petals, leaves, and sunflowers seeds. As ratios between Fibonacci Numbers offer the closest whole-number approximations to the golden ratio, and as seeds, cells, leaves, bones, and other physical entities appear in whole numbers, the Fibonacci Numbers oft appear in nature’s elements as “growth’s numbers.” From the dawn of time, humanity sought to salute their gods in art and temples exalting the same proportion by which all their vital sustenance and they themselves had been created—the golden ratio.
Ansel Adams is not only my favorite photographer, but he is one of the greatest photographers and artists of all time. And just like great artists including Michelangelo, Monet, Degas, Renoir, Leonardo da Vinci, Vermeer, Rembrandt, Botticelli, and Picasso, Ansel used the golden ratio and divine proportions in his epic art.
Not so long ago I discovered golden regions in many of his famous public domain his 8x10 aspect ratio photographs. I call these golden harmony regions "regions of golden action" or "ROGA"S, as seen here:
www.facebook.com/media/set/?set=a.1812448512351066.107374...
And too, I created some videos highlighting Ansel's use of the golden harmonies. Enjoy!
www.youtube.com/watch?v=AGnxOAhK3os
www.youtube.com/watch?v=WFlzAaBgsDI
www.youtube.com/watch?v=D3eJ86Ej1TY
More golden ratio and epic photography composition books soon! Best wishes for the Holiday Season! Dr. Elliot McGucken :)
One of the keys to shooting Epic Landscape Photography is exalting the photograph's soul via golden ratio compositions, thusly wedding the photographic art to the divine proportion by which life itself was designed and exalted.
Dr. Elliot McGucken's Golden Number Ratio Fine Art Landscape & Nature Photography Composition Studies!
instagram.com/goldennumberratio
www.facebook.com/goldennumberratio/
Greetings flickr friends! I am working on several books on "epic photography," and I recently finished a related one titled: The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography: An Artistic and Scientific Introduction to the Golden Mean . Message me on facebook for a free review copy!
www.facebook.com/goldennumberratio/
The Golden Ratio also informs the design of the golden revolver on all the swimsuits and lingerie, as well as the 45surf logo!
The Golden Number Ratio Principle: Dr. E’s Golden Ratio Principle: The golden ratio exalts beauty because the number is a characteristic of the mathematically and physically most efficient manners of growth and distribution, on both evolutionary and purely physical levels. The golden ratio ensures that the proportions and structure of that which came before provide the proportions and structure of that which comes after. Robust, ordered growth is naturally associated with health and beauty, and thus we evolved to perceive the golden ratio harmonies as inherently beautiful, as we saw and felt their presence in all vital growth and life—in the salient features and proportions of humans and nature alike, from the distribution of our facial features and bones to the arrangements of petals, leaves, and sunflowers seeds. As ratios between Fibonacci Numbers offer the closest whole-number approximations to the golden ratio, and as seeds, cells, leaves, bones, and other physical entities appear in whole numbers, the Fibonacci Numbers oft appear in nature’s elements as “growth’s numbers.” From the dawn of time, humanity sought to salute their gods in art and temples exalting the same proportion by which all their vital sustenance and they themselves had been created—the golden ratio.
Ansel Adams is not only my favorite photographer, but he is one of the greatest photographers and artists of all time. And just like great artists including Michelangelo, Monet, Degas, Renoir, Leonardo da Vinci, Vermeer, Rembrandt, Botticelli, and Picasso, Ansel used the golden ratio and divine proportions in his epic art.
Not so long ago I discovered golden regions in many of his famous public domain his 8x10 aspect ratio photographs. I call these golden harmony regions "regions of golden action" or "ROGA"S, as seen here:
www.facebook.com/media/set/?set=a.1812448512351066.107374...
And too, I created some videos highlighting Ansel's use of the golden harmonies. Enjoy!
www.youtube.com/watch?v=AGnxOAhK3os
www.youtube.com/watch?v=WFlzAaBgsDI
www.youtube.com/watch?v=D3eJ86Ej1TY
More golden ratio and epic photography composition books soon! Best wishes for the Holiday Season! Dr. Elliot McGucken :)
Sony A7R2 Bishop California Fine Art Autumn Landscapes! Dr. Elliot McGucken Fine Art Photography!
Been busy traveling and shooting landscapes and working on my books The Golden Hero's Odyssey about the golden rectangle and divine proportion I use in a lot of my compositions! Also working on my physics book on Dynamic Dimensions Theory! The equation dx4/dt=ic is on a lot of the 45surf swimsuit and shirts and all! :)
Follow me & 45surf!!
www.facebook.com/45surfAchillesOdysseyMythology/
www.facebook.com/elliot.mcgucken
My fine art landscape lenses for the A7RII are the Sony 16-35mm Vario-Tessar T FE F4 ZA OSS E-Mount Lens and the Sony FE 24-240mm f/3.5-6.3 OSS Lens ! Love the Carl Zeiss and super sharp Sony Glass!
What is a portrait?
From the very first pictured pictures on wet plates by nineteenth - century photography pioneers to the latest images recorded as digital files on the computer, people have always been the most popular subject for photography. For amateurs, the most common reason for taking out their cameras is to record for posterity, both the individuals who are important to them, and the special moments of their life. In the world of professional photography, portraits represent a significant proportion of commissioned work.
But what do we mean by a “portrait?” One English-language dictionary defines it as a “likeness of an individual, specially of the face.” But while that definition is certainly one with which many would agree, it doesn’t really do justice to the multitude of ways in which people can be portrayed in a picture.
Lighting Matters
If you don’t have much time then sophisticated lighting setups are obviously out. Setting up a single umbrella or a softbox is relatively quick procedure. Once you’ve use it a couple of times and if you maintain the same distance, you may not even need to take a meter reading, since the camera settings will be in mind already. Keeping it simple has another advantage. The result looks clean and contemporary. Style change and picture date. You need only a glance at a picture for hair light, for instance, to see immediately that it’s old-fashioned.
Another reason for simple approach is that one light is also surprisingly versatile, depending on where you place it in relation to the subject, and whether or not you add a reflector to soften the shadow. With two lights you have more control over ratios, but also run the risk of over lighting the subject. Tried and tested setups include one above the camera and one below for “beauty lighting” and either side of the camera at 45 degrees for even coverage. Naturally there will be times when you want to use more than 2 lights, but think carefully about what each light is contributing to the finished picture. If it adds nothing, don’t use it.
Sometimes, though, you don’t need to add any additional lighting at all because the ambient illumination is perfect. Both indoor and outdoor daylight have many moods, and with a bit of help from a poly board, they can give you a quality that’s hard to reproduce artificially.
Making Light Works
understanding, measuring, and using light to create exciting and memorable images
Light is the single most important element in any picture. You try taking a picture without any! And the way you use light that often makes the difference between success and failure. You can have the most attractive or interesting model in the world, get your focus right and exposure perfectly, but if the lighting’s not good you can forget it. However, it’s astonishing how few photographers pay any real attention to light. Even professionals can be so eager to press the shutter release and get the shot in the bag, they don’t really think about how to make the light work for them. Getting to know light, and being able to use it creatively, are essential skills for any photographer. One of the best ways of developing and deepening that understanding is to monitor the many moods of daylight. You might find yourself noticing how beautiful the light is on the shady side of a building , or coming in through a small window, or dappled by a foliage of a tree. The most amazing thing about light is its sheer diversity; sometimes harsh, sometimes soft; sometimes neutral, sometimes pinkish or blue.
More doesn’t mean better
Taking picture is easy when there’s lots of light. You’re free to choose whatever combination of shutter speed and aperture you like without worry about camera shake or subject movement.
But don’t be confuse quantity with quality. He blinding you’ll find outdoor at noon on a sunny day or bursting out of a bare studio head maybe intense, but it’s far from ideal for most kind of photography. More evocative results are generally achieved when light is modified in some ways, with overall levels often much lower.
Controlling the contrast
For some situations and subjects you will want light that is hard and contrasty, with strong, distinct shadows and crisp, sharp highlights. Outdoor when it’s sunny, the shadows are darker and shorter around noon, and softer and longer when it’s earlier and later in the day. Contrasty lighting can result in strong, vivid images. However, the long tonal range you get in such conditions can be difficult to capture either digitally or in film. Care must be taken when shooting in such light so that no important detail is lost in light or dark areas.
The kind of strong contrast treatment is not always appropriate or suitable, however, and for many subjects and situations a light with a more limited tonal range that gives softer result may work better. Where you want to show the maximum amount of detail, or create a mood of lightness and airiness, with minimum of shadows, the soft lighting of an overcast day or a large softbox is unbeatable. The degree of contrast also depends on the direction from which the light is coming in every picture you are using light to reveal something about the subject (texture, forms, shapes, weight, color, or even translucency). So look carefully at what you are going to photograph, and consider what you want to convey about the subject, then start to organize the illumination accordingly.
Here are some of our shots and the lighting setup we did for them
The flowers of late winter and early spring occupy places in our hearts well out of proportion to their size.
Gertrude S. Wister
textures thanks to BMK photography and Boccacino.
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Nikon D810 with the Nikon MB-D12 Multi Battery Power Pack / Grip for D800 and D810 Digital Cameras allows one to shoot at a high to catch the action FPS! Ballerina Dance Goddess Photos! Pretty, Tall Ballet Swimsuit Bikini Model Ballerina Goddess! Captured with the 50mm F1.4 Art Lens and the Nikon 70-200mm f/2.8G ED VR II AF-S Nikkor Zoom Lens! Ballerina dancer dancing ballet in pointe shoes! Jete! Arabesque!
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Ballerina dancing ballet! Pretty ballerina girl with dark brown hair and black eyes!
A pretty goddess straight out of Homer's Iliad & Odyssey!
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Pretty, Tall Bikini Swimsuit Model Goddess!
New blog!
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She was a beauty--a gold 45 goddess for sure! A Gold 45 Goddess exalts the archetypal form of Athena--the Greek Goddess of wisdom, warfare, strategy, heroic endeavour, handicrafts and reason. A Gold 45 Goddess guards the beauty of dx4/dt=ic and embodies 45SURF's motto "Virtus, Honoris, et Actio Pro Veritas, Amor, et Bellus, (Strength, Honor, and Action for Truth, Love, and Beauty," and she stands ready to inspire and guide you along your epic, heroic odyssey into art and mythology. It is Athena who descends to call Telemachus to Adventure in the first book of Homer's Odyssey--to man up, find news of his true father Odysseus, and rid his home of the false suitors, and too, it is Athena who descends in the first book of Homer's Iliad, to calm the Rage of Achilles who is about to draw his sword so as to slay his commander who just seized Achilles' prize, thusly robbing Achilles of his Honor--the higher prize Achilles fought for. And now Athena descends once again, assuming the form of a Gold 45 Goddess, to inspire you along your epic journey of heroic endeavour.
ALL THE BEST on your Epic Hero's Odyssey from Johnny Ranger McCoy!
Been busy traveling and shooting landscapes and working on my books The Golden Hero's Odyssey about the golden rectangle and divine proportion I use in a lot of my compositions! Also working on my physics book on Dynamic Dimensions Theory! The equation d4/dt=ic is on a lot of the 45surf swimsuit and shirts and all! :)
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The Indian peafowl (Pavo cristatus), also known as the common peafowl, and blue peafowl, is a peafowl species native to the Indian subcontinent. It has been introduced to many other countries. Male peafowl are referred to as peacocks, and female peafowl are referred to as peahens, although both sexes are often referred to colloquially as a "peacock".
Indian peafowl display a marked form of sexual dimorphism. The peacock is brightly coloured, with a predominantly blue fan-like crest of spatula-tipped wire-like feathers and is best known for the long train made up of elongated upper-tail covert feathers which bear colourful eyespots. These stiff feathers are raised into a fan and quivered in a display during courtship. Despite the length and size of these covert feathers, peacocks are still capable of flight. Peahens lack the train, have a white face and iridescent green lower neck, and dull brown plumage. The Indian peafowl lives mainly on the ground in open forest or on land under cultivation where they forage for berries, grains but also prey on snakes, lizards, and small rodents. Their loud calls make them easy to detect, and in forest areas often indicate the presence of a predator such as a tiger. They forage on the ground in small groups and usually try to escape on foot through undergrowth and avoid flying, though they fly into tall trees to roost.
The function of the peacock's elaborate train has been debated for over a century. In the 19th century, Charles Darwin found it a puzzle, hard to explain through ordinary natural selection. His later explanation, sexual selection, is widely but not universally accepted. In the 20th century, Amotz Zahavi argued that the train was a handicap, and that males were honestly signalling their fitness in proportion to the splendour of their trains. Despite extensive study, opinions remain divided on the mechanisms involved.
The bird is celebrated in Hindu and Greek mythology, and is the national bird of India. The Indian peafowl is listed as of Least Concern on the IUCN Red List.
Taxonomy and naming
Carl Linnaeus in his work Systema Naturae in 1758 assigned to the Indian peafowl the technical name of Pavo cristatus (means "crested peafowl" in classical Latin).
The earliest usage of the word in written English is from around 1300 and spelling variants include pecok, pekok, pecokk, peacocke, peacock, pyckock, poucock, pocok, pokok, pokokke, and poocok among others. The current spelling was established in the late 17th century. Chaucer (1343–1400) used the word to refer to a proud and ostentatious person in his simile "proud a pekok" in Troilus and Criseyde (Book I, line 210).
The Sanskrit, later Pali, and modern Hindi term for the animal is maur. It is debated that the nomenclature of the Maurya Empire, whose first emperor Chandragupta Maurya was raised and influenced by peacock farmers was named after the terminology.
The Greek word for peacock was taos and was related to the Persian "tavus" (as in Takht-i-Tâvus for the famed Peacock Throne). The Ancient Hebrew word tuki (plural tukkiyim) has been said to have been derived from the Tamil tokei but sometimes traced to the Egyptian tekh. In modern Hebrew the word for peacock is "tavas". In Sanskrit, the peacock is known as Mayura and is associated with the killing of snakes.
Description
Male neck detail
Peacocks are a larger sized bird with a length from bill to tail of 100 to 115 cm (39 to 45 in) and to the end of a fully grown train as much as 195 to 225 cm (77 to 89 in) and weigh 4–6 kg (8.8–13.2 lb). The females, or peahens, are smaller at around 95 cm (37 in) in length and weigh 2.75–4 kg (6.1–8.8 lb). Indian peafowl are among the largest and heaviest representatives of the Phasianidae. So far as is known, only the wild turkey grows notably heavier. The green peafowl is slightly lighter in body mass despite the male having a longer train on average than the male of the Indian species. Their size, colour and shape of crest make them unmistakable within their native distribution range. The male is metallic blue on the crown, the feathers of the head being short and curled. The fan-shaped crest on the head is made of feathers with bare black shafts and tipped with bluish-green webbing. A white stripe above the eye and a crescent shaped white patch below the eye are formed by bare white skin. The sides of the head have iridescent greenish blue feathers. The back has scaly bronze-green feathers with black and copper markings. The scapular and the wings are buff and barred in black, the primaries are chestnut and the secondaries are black. The tail is dark brown and the "train" is made up of elongated upper tail coverts (more than 200 feathers, the actual tail has only 20 feathers) and nearly all of these feathers end with an elaborate eye-spot. A few of the outer feathers lack the spot and end in a crescent shaped black tip. The underside is dark glossy green shading into blackish under the tail. The thighs are buff coloured. The male has a spur on the leg above the hind toe.
The adult peahen has a rufous-brown head with a crest as in the male but the tips are chestnut edged with green. The upper body is brownish with pale mottling. The primaries, secondaries and tail are dark brown. The lower neck is metallic green and the breast feathers are dark brown glossed with green. The remaining underparts are whitish. Downy young are pale buff with a dark brown mark on the nape that connects with the eyes. Young males look like the females but the wings are chestnut coloured.
The most common calls are a loud pia-ow or may-awe. The frequency of calling increases before the Monsoon season and may be delivered in alarm or when disturbed by loud noises. In forests, their calls often indicate the presence of a predators such as the tiger. They also make many other calls such as a rapid series of ka-aan..ka-aan or a rapid kok-kok. They often emit an explosive low-pitched honk! when agitated.
Mutations and hybrids
This leucistic mutation is commonly mistaken for an albino.
There are several colour mutations of Indian peafowl. These very rarely occur in the wild, but selective breeding has made them common in captivity. The black-shouldered or Japanned mutation was initially considered as a subspecies of the Indian peafowl (P. c. nigripennis) (or even a separate species (P. nigripennis)) and was a topic of some interest during Darwin's time. Others had doubts about its taxonomic status, but the English naturalist and biologist Charles Darwin (1809–1882) presented firm evidence for it being a variety under domestication, which treatment is now well established and accepted. It being a colour variation rather than a wild species was important for Darwin to prove, as otherwise it could undermine his theory of slow modification by natural selection in the wild. It is, however, only a case of genetic variation within the population. In this mutation, the adult male is melanistic with black wings. Young birds with the nigripennis mutation are creamy white with fulvous-tipped wings. The gene produces melanism in the male and in the peahen it produces a dilution of colour with creamy white and brown markings. Other forms include the pied and white mutations, all of which are the result of allelic variation at specific loci.
Crosses between a male green peafowl (Pavo muticus) and a female Indian peafowl (P. cristatus) produce a stable hybrid called a "Spalding", named after Mrs. Keith Spalding, a bird fancier in California. There can be problems if birds of unknown pedigree are released into the wild, as the viability of such hybrids and their offspring is often reduced (see Haldane's rule and outbreeding depression).
Distribution and habitat
The Indian peafowl is a resident breeder across the Indian subcontinent and inhabits the drier lowland areas of Sri Lanka. In the Indian subcontinent, it is found mainly below an elevation of 1,800 m (5,900 ft) and in rare cases seen at about 2,000 m (6,600 ft). It is found in moist and dry-deciduous forests, but can adapt to live in cultivated regions and around human habitations and is usually found where water is available. In many parts of northern India, they are protected by religious practices and will forage around villages and towns for scraps. Some have suggested that the peacock was introduced into Europe by Alexander the Great, while others say the bird had reached Athens by 450 BCE and may have been introduced even earlier. It has since been introduced in many other parts of the world and has become feral in some areas.
The Indian peafowl has been introduced to the United States, the United Kingdom, United Arab Emirates, France, Mexico, Honduras, Costa Rica, Colombia, Guyana, Suriname, Brazil, Uruguay, Argentina, South Africa, Spain, Portugal, Greece, Italy, Madagascar, Mauritius, Réunion, Indonesia, Papua New Guinea, Australia, New Zealand, Croatia and the island of Lokrum.
Genome sequencing
The first whole-genome sequencing of Indian peafowl identified a total of 15,970 protein-coding sequences, along with 213 tRNAs, 236 snoRNAs, and 540 miRNAs. The peacock genome was found to have less repetitive DNA (8.62%) than that of the chicken genome (9.45%). PSMC analysis suggested that the peacock suffered at least two bottlenecks (around four million years ago and again 450,000 years ago), which resulted in a severe reduction in its effective population size.
Behaviour and ecology
Peafowl are best known for the male's extravagant display feathers which, despite actually growing from their back, are thought of as a tail. The "train" is in reality made up of the enormously elongated upper tail coverts. The tail itself is brown and short as in the peahen. The colours result not from any green or blue pigments but from the micro-structure of the feathers and the resulting optical phenomena. The long train feathers (and tarsal spurs) of the male develop only after the second year of life. Fully developed trains are found in birds older than four years. In northern India, these begin to develop each February and are moulted at the end of August. The moult of the flight feathers may be spread out across the year.
Peafowl forage on the ground in small groups, known as musters, that usually have a cock and 3 to 5 hens. After the breeding season, the flocks tend to be made up only of females and young. They are found in the open early in the mornings and tend to stay in cover during the heat of the day. They are fond of dust-bathing and at dusk, groups walk in single file to a favourite waterhole to drink. When disturbed, they usually escape by running and rarely take to flight.
Peafowl produce loud calls especially in the breeding season. They may call at night when alarmed and neighbouring birds may call in a relay like series. Nearly seven different call variants have been identified in the peacocks apart from six alarm calls that are commonly produced by both sexes.
Peafowl roost in groups during the night on tall trees but may sometimes make use of rocks, buildings or pylons. In the Gir forest, they chose tall trees in steep river banks. Birds arrive at dusk and call frequently before taking their position on the roost trees. Due to this habit of congregating at the roost, many population studies are made at these sites. The population structure is not well understood. In a study in northern India (Jodhpur), the number of males was 170–210 for 100 females but a study involving evening counts at the roost site in southern India (Injar) suggested a ratio of 47 males for 100 females.
Sexual selection
The colours of the peacock and the contrast with the much duller peahen were a puzzle to early thinkers. Charles Darwin wrote to Asa Gray that the "sight of a feather in a peacock's tail, whenever I gaze at it, makes me sick!" as he failed to see an adaptive advantage for the extravagant tail which seemed only to be an encumbrance. Darwin developed a second principle of sexual selection to resolve the problem, though in the prevailing intellectual trends of Victorian Britain, the theory failed to gain widespread attention.
The American artist Abbott Handerson Thayer tried to show, from his own imagination, the value of the eyespots as disruptive camouflage in a 1907 painting. He used the painting in his 1909 book Concealing-Coloration in the Animal Kingdom, denying the possibility of sexual selection and arguing that essentially all forms of animal colouration had evolved as camouflage. He was roundly criticised in a lengthy paper by Theodore Roosevelt, who wrote that Thayer had only managed to paint the peacock's plumage as camouflage by sleight of hand, "with the blue sky showing through the leaves in just sufficient quantity here and there to warrant the author-artists explaining that the wonderful blue hues of the peacock's neck are obliterative because they make it fade into the sky."
In the 1970s a possible resolution to the apparent contradiction between natural selection and sexual selection was proposed. Amotz Zahavi argued that peacocks honestly signalled the handicap of having a large and costly train. However, the mechanism may be less straightforward than it seems – the cost could arise from depression of the immune system by the hormones that enhance feather development.
Male courting female
The ornate train is believed to be the result of sexual selection by the females. Males use their ornate trains in a courtship display: they raise the feathers into a fan and quiver them. However, recent studies have failed to find a relation between the number of displayed eyespots and mating success. Marion Petrie tested whether or not these displays signaled a male's genetic quality by studying a feral population of peafowl in Whipsnade Wildlife Park in southern England. She showed that the number of eyespots in the train predicted a male's mating success, and this success could be manipulated by cutting the eyespots off some of the male's ornate feathers.
Although the removal of eyespots makes males less successful in mating, eyespot removal substantially changes the appearance of male peafowls. It is likely that females mistake these males for sub-adults, or perceive that the males are physically damaged. Moreover, in a feral peafowl population, there is little variation in the number of eyespots in adult males. It is rare for adult males to lose a significant number of eyespots. Therefore, females' selection might depend on other sexual traits of males' trains. The quality of train is an honest signal of the condition of males; peahens do select males on the basis of their plumage. A recent study on a natural population of Indian peafowls in the Shivalik area of India has proposed a "high maintenance handicap" theory. It states that only the fittest males can afford the time and energy to maintain a long tail. Therefore, the long train is an indicator of good body condition, which results in greater mating success. While train length seems to correlate positively with MHC diversity in males, females do not appear to use train length to choose males. A study in Japan also suggests that peahens do not choose peacocks based on their ornamental plumage, including train length, number of eyespots and train symmetry. Another study in France brings up two possible explanations for the conflicting results that exist. The first explanation is that there might be a genetic variation of the trait of interest under different geographical areas due to a founder effect and/or a genetic drift. The second explanation suggests that "the cost of trait expression may vary with environmental conditions," so that a trait that is indicative of a particular quality may not work in another environment.
Fisher's runaway model proposes positive feedback between female preference for elaborate trains and the elaborate train itself. This model assumes that the male train is a relatively recent evolutionary adaptation. However, a molecular phylogeny study on peacock-pheasants shows the opposite; the most recently evolved species is actually the least ornamented one. This finding suggests a chase-away sexual selection, in which "females evolve resistance to male ploys". A study in Japan goes on to conclude that the "peacocks' train is an obsolete signal for which female preference has already been lost or weakened".
However, some disagreement has arisen in recent years concerning whether or not female peafowl do indeed select males with more ornamented trains. In contrast to Petrie's findings, a seven-year Japanese study of free-ranging peafowl came to the conclusion that female peafowl do not select mates solely on the basis of their trains. Mariko Takahashi found no evidence that peahens expressed any preference for peacocks with more elaborate trains (such as trains having more ocelli), a more symmetrical arrangement, or a greater length. Takahashi determined that the peacock's train was not the universal target of female mate choice, showed little variance across male populations, and, based on physiological data collected from this group of peafowl, do not correlate to male physical conditions. Adeline Loyau and her colleagues responded to Takahashi's study by voicing concern that alternative explanations for these results had been overlooked, and that these might be essential for the understanding of the complexity of mate choice. They concluded that female choice might indeed vary in different ecological conditions.
A 2013 study that tracked the eye movements of peahens responding to male displays found that they looked in the direction of the upper train of feathers only when at long distances and that they looked only at the lower feathers when males displayed close to them. The rattling of the tail and the shaking of the wings helped in keeping the attention of females.
Breeding
Peacocks are polygamous, and the breeding season is spread out but appears to be dependent on the rains. Peafowls usually reach sexual maturity at the age of 2 to 3 years old. Several males may congregate at a lek site and these males are often closely related. Males at leks appear to maintain small territories next to each other and they allow females to visit them and make no attempt to guard harems. Females do not appear to favour specific males. The males display in courtship by raising the upper-tail coverts into an arched fan. The wings are held half open and drooped and it periodically vibrates the long feathers, producing a ruffling sound. The cock faces the hen initially and struts and prances around and sometimes turns around to display the tail. Males may also freeze over food to invite a female in a form of courtship feeding. Males may display even in the absence of females. When a male is displaying, females do not appear to show any interest and usually continue their foraging.
The peak season in southern India is April to May, January to March in Sri Lanka and June in northern India. The nest is a shallow scrape in the ground lined with leaves, sticks and other debris. Nests are sometimes placed on buildings and, in earlier times, have been recorded using the disused nest platforms of the white-rumped vultures. The clutch consists of 4–8 fawn to buff white eggs which are incubated only by the female. The eggs take about 28 days to hatch. The chicks are nidifugous and follow the mother around after hatching. Downy young may sometimes climb on their mothers' back and the female may carry them in flight to a safe tree branch. An unusual instance of a male incubating a clutch of eggs has been reported.
Feeding
Peafowl are omnivorous and eat seeds, insects (including termites), worms, fruits, small mammals, frogs, and reptiles (such as lizards). They feed on small snakes but keep their distance from larger ones. In the Gir forest of Gujarat, a large percentage of their food is made up of the fallen berries of Zizyphus. They also feed on tree and flower buds, petals, grain, and grass and bamboo shoots. Around cultivated areas, peafowl feed on a wide range of crops such as groundnut, tomato, paddy, chili and even bananas. Around human habitations, they feed on a variety of food scraps and even human excreta. In the countryside, it is particularly partial to crops and garden plants.
Mortality factors
Large animals such as leopards, dholes, golden jackals, and tigers can ambush adult peafowls. However, only leopards regularly prey upon peafowls as adult peafowls are difficult to catch since they can usually escape ground predators by flying into trees. They are also sometimes hunted by large birds of prey such as the changeable hawk-eagle and rock eagle-owl. Chicks are somewhat more prone to predation than adult birds. Adults living near human habitations are sometimes hunted by domestic dogs or by humans in some areas (southern Tamil Nadu) for folk remedies involving the use of "peacock oil".
Foraging in groups provides some safety as there are more eyes to look out for predators. They also roost on high tree tops to avoid terrestrial predators, especially leopards.
In captivity, birds have been known to live for 23 years but it is estimated that they live for only about 15 years in the wild.
Conservation and status
Indian peafowl are widely distributed in the wild across South Asia and protected both culturally in many areas and by law in India. Conservative estimates of the population put them at more than 100,000. Illegal poaching for meat, however, continues and declines have been noted in parts of India. Peafowl breed readily in captivity and as free-ranging ornamental fowl. Zoos, parks, bird-fanciers and dealers across the world maintain breeding populations that do not need to be augmented by the capture of wild birds.
Poaching of peacocks for their meat and feathers and accidental poisoning by feeding on pesticide treated seeds are known threats to wild birds. Methods to identify if feathers have been plucked or have been shed naturally have been developed, as Indian law allows only the collection of feathers that have been shed.
In parts of India, the birds can be a nuisance to agriculture as they damage crops. Its adverse effects on crops, however, seem to be offset by the beneficial role it plays by consuming prodigious quantities of pests such as grasshoppers. They can also be a problem in gardens and homes where they damage plants, attack their reflections (thereby breaking glass and mirrors), perch and scratch cars or leave their droppings. Many cities where they have been introduced and gone feral have peafowl management programmes. These include educating citizens on how to prevent the birds from causing damage while treating the birds humanely.
In culture
Prominent in many cultures, the peacock has been used in numerous iconic representations, including being designated the national bird of India in 1963. The peacock, known as mayura in Sanskrit, has enjoyed a fabled place in India since and is frequently depicted in temple art, mythology, poetry, folk music and traditions. A Sanskrit derivation of mayura is from the root mi for kill and said to mean "killer of snakes". It is also likely that the Sanskrit term is a borrowing from Proto-Dravidian *mayVr (whence the Tamil word for peacock மயில் (mayil)) or a regional Wanderwort. Many Hindu deities are associated with the bird, Krishna is often depicted with a feather in his headband, while worshippers of Shiva associate the bird as the steed of the God of war, Kartikeya (also known as Skanda or Murugan). A story in the Uttara Ramayana describes the head of the Devas, Indra, who unable to defeat Ravana, sheltered under the wing of peacock and later blessed it with a "thousand eyes" and fearlessness from serpents. Another story has Indra who after being cursed with a thousand ulcers was transformed into a peacock with a thousand eyes and this curse was removed by Vishnu.
In Buddhist philosophy, the peacock represents wisdom. Peacock feathers are used in many rituals and ornamentation. Peacock motifs are widespread in Indian temple architecture, old coinage, textiles and continue to be used in many modern items of art and utility. A folk belief found in many parts of India is that the peacock does not copulate with the peahen but that she is impregnated by other means. The stories vary and include the idea that the peacock looks at its ugly feet and cries whereupon the tears are fed on by the peahen causing it to be orally impregnated while other variants incorporate sperm transfer from beak to beak. Similar ideas have also been ascribed to Indian crow species. In Greek mythology the origin of the peacock's plumage is explained in the tale of Hera and Argus. The main figure of the Yazidi religion Yezidism, Melek Taus, is most commonly depicted as a peacock. Peacock motifs are widely used even today such as in the logos of the US NBC and the PTV television networks and the Sri Lankan Airlines.
These birds were often kept in menageries and as ornaments in large gardens and estates. In medieval times, knights in Europe took a "Vow of the Peacock" and decorated their helmets with its plumes. In several Robin Hood stories, the titular archer uses arrows fletched with peacock feathers. Feathers were buried with Viking warriors and the flesh of the bird was said to cure snake venom and many other maladies. Numerous uses in Ayurveda have been documented. Peafowl were said to keep an area free of snakes. In 1526, the legal issue as to whether peacocks were wild or domestic fowl was thought sufficiently important for Cardinal Wolsey to summon all the English judges to give their opinion, which was that they are domestic fowl.
In Anglo-Indian usage of the 1850s, to peacock meant making visits to ladies and gentlemen in the morning. In the 1890s, the term "peacocking" in Australia referred to the practice of buying up the best pieces of land ("picking the eyes") so as to render the surrounding lands valueless. The English word "peacock" has come to be used to describe a man who is very proud or gives a lot of attention to his clothing.
Main article: Di Goldene Pave
A golden peacock (in Yiddish, Di Goldene Pave) is considered by some as a symbol of Ashkenazi Jewish culture, and is the subject of several folktales and songs in Yiddish. Peacocks are frequently used in European heraldry. Heraldic peacocks are most often depicted as facing the viewer and with their tails displayed. In this pose, the peacock is referred to as being "in his pride". Peacock tails, in isolation from the rest of the bird, are rare in British heraldry, but see frequent use in German systems.
The American television network NBC uses a stylized peacock as a legacy of its early introduction of color television, alluding to the brilliant color of a peacock, and continues to promote the bird as a trademark of its broadcasting and streaming services.
A fair proportion of the wiring of the switch panel for the new tram layout is now done. As soon as I have the time, it will be installed in the layout cabinet and wired to the track.
The picture shows front and rear views of the panel.
This week I've been studying photography (and art in general) a lot.
This picture was inspired by this video: rclvideolibrary.com/2012/12/08/why-beauty-matters/
I think I like the grotesque the same proportion I appreciate beauty even though I don't really know the size of impact which one causes in our lives. The end.
One of the keys to shooting Epic Landscape Photography is exalting the photograph's soul via golden ratio compositions, thusly wedding the photographic art to the divine proportion by which life itself was designed and exalted.
Dr. Elliot McGucken's Golden Number Ratio Fine Art Landscape & Nature Photography Composition Studies!
instagram.com/goldennumberratio
www.facebook.com/goldennumberratio/
Greetings flickr friends! I am working on several books on "epic photography," and I recently finished a related one titled: The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography: An Artistic and Scientific Introduction to the Golden Mean . Message me on facebook for a free review copy!
www.facebook.com/goldennumberratio/
The Golden Ratio also informs the design of the golden revolver on all the swimsuits and lingerie, as well as the 45surf logo!
The Golden Number Ratio Principle: Dr. E’s Golden Ratio Principle: The golden ratio exalts beauty because the number is a characteristic of the mathematically and physically most efficient manners of growth and distribution, on both evolutionary and purely physical levels. The golden ratio ensures that the proportions and structure of that which came before provide the proportions and structure of that which comes after. Robust, ordered growth is naturally associated with health and beauty, and thus we evolved to perceive the golden ratio harmonies as inherently beautiful, as we saw and felt their presence in all vital growth and life—in the salient features and proportions of humans and nature alike, from the distribution of our facial features and bones to the arrangements of petals, leaves, and sunflowers seeds. As ratios between Fibonacci Numbers offer the closest whole-number approximations to the golden ratio, and as seeds, cells, leaves, bones, and other physical entities appear in whole numbers, the Fibonacci Numbers oft appear in nature’s elements as “growth’s numbers.” From the dawn of time, humanity sought to salute their gods in art and temples exalting the same proportion by which all their vital sustenance and they themselves had been created—the golden ratio.
Ansel Adams is not only my favorite photographer, but he is one of the greatest photographers and artists of all time. And just like great artists including Michelangelo, Monet, Degas, Renoir, Leonardo da Vinci, Vermeer, Rembrandt, Botticelli, and Picasso, Ansel used the golden ratio and divine proportions in his epic art.
Not so long ago I discovered golden regions in many of his famous public domain his 8x10 aspect ratio photographs. I call these golden harmony regions "regions of golden action" or "ROGA"S, as seen here:
www.facebook.com/media/set/?set=a.1812448512351066.107374...
And too, I created some videos highlighting Ansel's use of the golden harmonies. Enjoy!
www.youtube.com/watch?v=AGnxOAhK3os
www.youtube.com/watch?v=WFlzAaBgsDI
www.youtube.com/watch?v=D3eJ86Ej1TY
More golden ratio and epic photography composition books soon! Best wishes for the Holiday Season! Dr. Elliot McGucken :)
One of the keys to shooting Epic Landscape Photography is exalting the photograph's soul via golden ratio compositions, thusly wedding the photographic art to the divine proportion by which life itself was designed and exalted.
Dr. Elliot McGucken's Golden Number Ratio Fine Art Landscape & Nature Photography Composition Studies!
instagram.com/goldennumberratio
www.facebook.com/goldennumberratio/
Greetings flickr friends! I am working on several books on "epic photography," and I recently finished a related one titled: The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography: An Artistic and Scientific Introduction to the Golden Mean . Message me on facebook for a free review copy!
www.facebook.com/goldennumberratio/
The Golden Ratio also informs the design of the golden revolver on all the swimsuits and lingerie, as well as the 45surf logo!
The Golden Number Ratio Principle: Dr. E’s Golden Ratio Principle: The golden ratio exalts beauty because the number is a characteristic of the mathematically and physically most efficient manners of growth and distribution, on both evolutionary and purely physical levels. The golden ratio ensures that the proportions and structure of that which came before provide the proportions and structure of that which comes after. Robust, ordered growth is naturally associated with health and beauty, and thus we evolved to perceive the golden ratio harmonies as inherently beautiful, as we saw and felt their presence in all vital growth and life—in the salient features and proportions of humans and nature alike, from the distribution of our facial features and bones to the arrangements of petals, leaves, and sunflowers seeds. As ratios between Fibonacci Numbers offer the closest whole-number approximations to the golden ratio, and as seeds, cells, leaves, bones, and other physical entities appear in whole numbers, the Fibonacci Numbers oft appear in nature’s elements as “growth’s numbers.” From the dawn of time, humanity sought to salute their gods in art and temples exalting the same proportion by which all their vital sustenance and they themselves had been created—the golden ratio.
Ansel Adams is not only my favorite photographer, but he is one of the greatest photographers and artists of all time. And just like great artists including Michelangelo, Monet, Degas, Renoir, Leonardo da Vinci, Vermeer, Rembrandt, Botticelli, and Picasso, Ansel used the golden ratio and divine proportions in his epic art.
Not so long ago I discovered golden regions in many of his famous public domain his 8x10 aspect ratio photographs. I call these golden harmony regions "regions of golden action" or "ROGA"S, as seen here:
www.facebook.com/media/set/?set=a.1812448512351066.107374...
And too, I created some videos highlighting Ansel's use of the golden harmonies. Enjoy!
www.youtube.com/watch?v=AGnxOAhK3os
www.youtube.com/watch?v=WFlzAaBgsDI
www.youtube.com/watch?v=D3eJ86Ej1TY
More golden ratio and epic photography composition books soon! Best wishes for the Holiday Season! Dr. Elliot McGucken :)
Here are my notes to the class that convened on Saint Patrick's Day at PicNic. The value sketches to illustrate value in proportion are below this demo.
hi Watercolorists,
Thanks for another fun class. For those of you who were traveling or otherwise unable to join us, we missed you!
But we plowed ahead with our ranunculus, radicchios and other delicious subjects. And once again, great strides were made.
Here is my demo of a still life of lovely values, colors and shapes that Lisa arranged with a mildly pesky cloth under the fruit!
I woke up the other night and realized that not one of you has begun any of your paintings by drawing in pencil first. That is remarkable, and terrific. When I acknowledged it on Saturday, the class said "But you told us not to!!" Did I? I don't remember that! I know that I don't do it as drawing first can tighten things, and I am delighted and proud that each of you has braved this method. Drawing is the foundation of all art making. It never ever hurts to draw, but I love leaving it out of watercolors. So much can be lifted from watercolors, but once wet, pencil lines simply won't budge. To rely on your brushes to convey what you see is like climbing on a two wheeler and sailing forward without the tricycle stage. Direct attack! Bravo!
We talked about value and proportion.
Value is simply the lightness or darkness of ANY color. Yellow and violet - or any color- can hold the same value if mixed with the right amounts of water. It is hard to take color out of the conversation about watercolor, but the only way to really make your paintings soar is to have a strong sense of composition. That goes for any work of art in any medium.
*The strongest compositions have distinctive value choices in varying proportions.*
Below are some simple sketches to illustrate this. I took three basic values: light, medium and dark, and used them in three primary proportions- proportions being the amount of space each one gets on the sheet- calling those proportions minor, intermediate and major.
This takes some time to really understand, and longer to apply.
Can you tell which proportions the values in my color demo above hold? Squint your eyes to see them.
I love seeking and exalting the golden harmonies in my fine art!
Join me! Exalt your photography with golden ratio compositions and join the golden ratio renaissance!
facebook.com/goldennumberratio
Enjoy my books on Golden Ratio Compositions & Epic Landscape Photography!
Golden Ratio Compositions & Secret Sacred Geometry for Photography, Fine Art, & Landscape Photographers: How to Exalt Art with Leonardo da Vinci's, Michelangelo's, ... Hero's Odyssey Mythology Photography)
www.amazon.com/Compositions-Geometry-Photography-Landscap...
Epic Golden Ratio T-shirts!
Epic Landscape Photography: A Simple Guide to the Principles of Fine Art Nature Photography: Master Composition, Lenses, Camera Settings, Aperture, ISO, ... Hero's Odyssey Mythology Photography)
www.amazon.com/Epic-Landscape-Photography-Principles-Comp...
Photographing Women Models: Portrait, Swimsuit, Lingerie, Boudoir, Fine Art, & Fashion Photography Exalting the Venus Goddess Archetype: How to Shoot Epic ... Odyssey Mythology Photography Book 3)
www.amazon.com/Photographing-Women-Models-Photography-Arc...
Exalt your work with the Divine Proportion!!!