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Alright Gary. Here's my starting point. I wanted the tile to be level to the floor so we tore up a raised section someone had added hoping the floor underneath could be used. What we found was a 5 inch deep hole in the floor! Here it's been filled and the beginning frame work is in place. The brick will remain exposed and we're adding a couple of sconces then the hard part. Deciding the design of the mantel. I've changed my mind about a dozen times already!
This is the forth image from my research project, this is from the first shoot I did with the creative dance group Perth Improvisational Practice, you have a basic idea what you want but the results are never known until the shot has been taken, I was very pleased with this shot, as with all the photography in this series (except for one composite) this is only one exposure, the fact that the same person appears in the left and right of the shot is because they moved from one side to the next whilst the image was being produced.
The Lowbrow Tarot Project
Lowbrow Tarot Collectors Book & Deck:
auniakahn.bigcartel.com/product/lowbrow-tarot-book-deck
The Lowbrow Tarot Project showcased 23 amazing artists who used their creative genius and unique style to take on the 22 Major Arcana [+ the card back] and create 23 new works of art in the rugged glow of the lowbrow art movement that was displayed in an exhibition at La Luz de Jesus on October 1, 2010. With the completion of this project, we celebrate the 2 year anniversary with the release of the Lowbrow Tarot Book & Deck.
The books and deck features 23 new and original works, while the book has been expand to showcase 314 color & black/white works by renowned and accomplished artists: Carrie Ann Baade, Christopher Ulrich, Edith Lebeau, Cate Rangel, Kris Kuksi, Chris Mars, Christopher Umana, Chris Conn, Brian M. Viveros, Claudia Drake, Heather Watts, Molly Crabapple, David Stoupakis, Laurie Lipton, Patrick “Star 27” Deignan, Chet Zar, Jessica Joslin, Danni Shinya Luo, Jennybird Alcantara, Angie Mason, Scott G. Brooks, Aunia Kahn and Daniel Martin Diaz.
South Africa: Ithuba Writing Project .
South African schoolchildren are enjoying more than 2.3 million books written in their home languages to advance literacy for learners in grades 4 to 6.
The learning materials were authored and illustrated by 140 South African educators trained by USAID-sponsored experts in response to the South African Department of Education’s request to improve learners’ reading and writing skills. The Ithuba Writing Project partnership involved the University of Texas at San Antonio collaborating with South African organizations—READ Educational Trust and The Molteno Project, supported by the Universities of Pretoria and Limpopo. The content relates to children’s daily lives and covers three learning areas: Life Orientation, Mathematics and Natural Sciences, written in all 11 official South African languages.
SpirosK is the wonderful photographer for this henna project, and Danai Gourd the marvellous model. We shot in an abandoned hotel in the mountains north of Athens, Greece. The hotel was really moody, surreal, post-apocalyptic fairy in a mad maxish setting. This was one of the most fun projects I have worked on with a great crew - assistants, make up artists, everyone gave 110% of their energy to do this.
Henna was a challenge for me, not my normal style. Tried to make it thorny, not too flowery, tribally, but not too tribal, and the raggedy faerie wings were accented with water color pencil.
The cast and crew are:
Spiros K. = Photographer
Kree Arvanitas = Henna artist
Danai Gourd = Model
Jennifer Rage = Makeup Artist
Magdalini = Artist Assistant
Anastasia = Model Assistant
Altered and embellished vintage dress.
Blogged at: teteenlair-headintheclouds.blogspot.com/2011/04/project-r...
I have been wanting to start a group for a while. Something to bring photographers together for support and motivation. Project Focus will start this Monday, and the first project is an A-Z challenge. Check it out if you're interested and would like to start shooting more.
Im working on a project, to photograph people with tattoo's and scars with a story. I interview them and writing a blog on my website about it. im starting the shoot with really business dressed clothes and then showing what's under their clothes. Im also want to photograph people with scars to let the world and insecure people see that its like a beautiful gift. you wearing it like jewelry and behind every scar there's a story. im doing this because I have a lot of scars and im accepting it but a lot op people don't, I want to help them Follow me for the tattoo pics! it amazing! :)
This is Lizette, and she'd really liked to working with me on this beautiful project :) she have tattoo's and scars.
A trip into Nottingham with no other purpose than to add to my stranger project proved to be fruitful. As I slowly ambled along the streets my eyes fell on a young lady walking towards me. Her black attire, and black red hair produced a striking look, so I stepped forward and introduced the project to her.
I photographed Katie exactly where we met, asking her to lean on a concrete post so I could use a building as the backdrop to her portrait. The day was overcast with a little brightness coming from my left which produced some gentle modelling to Katie’s face. It was also windy, and that caused a few problems with Katie’s hair blowing across her face, so it was just a matter of taking a few more images than I normally would to ensure I got some photographs with hardly any flyaway hairs crossing her face.
Katie is a student in her second year of studying politics. She told me she’d like to work in the charity sector once qualified.
When not studying, Katie likes to play video games and read fantasy novels.
What can’t Katie live without? “My dog, Indi,” she replied, then told me, “She’s a Red Lakeland Jack Russel cross.”
I asked Katie to describe herself in one word. Vibrant, was her answer.
What is Katie’s guilty pleasure? Katie smiled and then said, “eating chocolate when there is no one else around, especially Cadbury’s Chocolate Buttons.”
Thank-you for saying yes to being photographed for my stranger project Katie. I hope you like your portrait.
This picture is number 340 in my 100 Strangers project, yes, I’ve decided to do a fourth round. Find out more about the project and see pictures taken by other photographers at the 100 Strangers Flickr Group page
This is my 312th submission to the Human Family Group. To view more street portraits and stories visit www.flickr.com/groups/thehumanfamily/
Hands free kit ( Early Christmas Gift ) NZ laws changed recently making talking on cell phones illegal while driving! (can still take photos while driving however) also testing my new 36 feet shutter release!!. (It works!)
Lamborghini Aventador Project.
Due to impossible hard bits and unorganized lego, terminated until an indefinite period of time.
Back in the 70's many artists were able to gather inspiration from herbal medication, and it's still true today in our generation.
No. 1 - 5: Exploring Canterbury.
Canterbury Cathedral
The Great Cloister.
CLOISTER (Lat. claustrum; Fr. cloitre; Ital. chiostro; Span. claustro; Ger. Kloster). The word "cloister," though now restricted to the four-sided enclosure, surrounded with covered ambulatories, usually attached to coventual and cathedral churches, and sometimes to colleges, or by a still further limitation to the ambulatories themselves, originally signified the entire monastery. In this sense it is of frequent occurrence in earlier English literature (e.g. Shakespeare, Meas. for Meas. i. 3, " This day my sister should the cloister enter"), and is still employed in poetry. The Latin claustrum, as its derivation implies, primarily denoted no more than the enclosing wall of a religious house, and then came to be used for the whole building enclosed within the wall. To this sense the German "Kloster" is still limited, the covered walks, or cloister in the modern sense, being called "Klostergang," or "Kreuzgang." In French the word cloitre retains the double sense.
d k In the special sense now most common, the word "cloister" enotes the quadrilateral area in a monastery or college of canons, round which the principal buildings are ranged, and which is usually provided with a covered way or ambulatory running all round, and affording a means of communication between the various centres of the ecclesiastical life, without exposure to the weather. According to the Benedictine arrangement, which from its suitability to the requirements of monastic life was generally adopted in the West, one side of the cloister was formed by the church, the refectory occupying the side opposite to it, that the worshippers might have the least annoyance from the noise or smell of the repasts. On the eastern side the chapter-house was placed, with other apartments belonging to the common life of the brethren adjacent to it, and, as a common rule, the dormitory occupied the whole of the upper story. On the opposite or western side were generally the cellarer's lodgings, with the cellars and store-houses, in which the provisions necessary for the sustenance of the confraternity were housed. In Cistercian monasteries the western side was usually occupied by the "domus conversorum," or lodgings of the lay-brethren, with their day-rooms and workshops below, and dormitory above. The cloister, with its surrounding buildings, generally stood on the south side of the church, to secure as much sunshine as possible. A very early example of this disposition is seen in the plan of the monastery of St Gall. Local requirements, in some instances, caused the cloister to be placed to the north of the church. This is the case in the English cathedrals, formerly Benedictine abbeys, of Canterbury,
Although the covered ambulatories are absolutely essential to the completeness of a monastic cloister, a chief object of which was to enable the inmates to pass from one part of the monastery to another without inconvenience from rain, wind, or sun, it appears that they were sometimes wanting.
We learn from Osbern's account of the conflagration of the monastery of Christ Church, Canterbury, 1067, that a cloister with covered ways existed at that time, affording communication between the church, the dormitory and the refectory. We learn from an early drawing of the monastery of Canterbury that this cloister was formed by an arcade of Norman arches supported on shafts, and covered by a shed roof. A fragment of an arcaded cloister of this pattern is still found on the eastern side of the infirmarycloister of the same foundation.
The older design was preserved in the South, where "the cloister is never a window, or anything in the least approaching to it in design, but a range of small elegant pillars, sometimes single, sometimes coupled, and supporting arches of a light and elegant design, all the features being of a character suited to the place where they are used, and to that only"
The cloister of a religious house was the scene of a large part of the life of the inmates of a monastery. It was the place of education for the younger members, and of study for the elders.
At Canterbury the monks' school was in the western ambulatory,
For this purpose small studies, known as "carrols," i.e. a ring or enclosed space, were often found in the recesses of the windows. Of this arrangement there are examples at Gloucester, Chester and elsewhere. The use of these studies is thus described in the Rites of Durham: - " In every wyndowe" in the north alley "were iii pewes or carrells, where every one of the olde monkes had his carrell severally by himselfe, that when they had dyned they dyd resorte to that place of cloister, and there studyed upon their books, every one in his carrell all the afternonne unto evensong tyme. This was there exercise every daie." On the opposite wall were cupboards full of books for the use of the students in the carrols. The cloister arrangements at Canterbury were similar to those just described.
The larger monastic establishments had more than one cloister; there was usually a second connected with the infirmary, of which there are examples at Westminster Abbey and at Canterbury; and sometimes one giving access to the kitchen and other domestic offices.
Extracts from Classic Encyclopedia
To see this Large:- farm5.static.flickr.com/4005/4370396300_ae46519c75_b.jpg
Taken on
October 5, 2007 at 12:27
75 Years of How We Listened to Our Music. A 33 1/3 phonograph, a turntable, a CD player and a MP3 player. All hi-tech for the day.
SpirosK is the wonderful photographer for this henna project, and Danai Gourd the marvellous model. We shot in an abandoned hotel in the mountains north of Athens, Greece. The hotel was really moody, surreal, post-apocalyptic fairy in a mad maxish setting. This was one of the most fun projects I have worked on with a great crew - assistants, make up artists, everyone gave 110% of their energy to do this.
Henna was a challenge for me, not my normal style. Tried to make it thorny, not too flowery, tribally, but not too tribal, and the raggedy faerie wings were accented with water color pencil.
The cast and crew are:
Spiros K. = Photographer
Kree Arvanitas = Henna artist
Danai Gourd = Model
Jennifer Rage = Makeup Artist
Magdalini = Artist Assistant
Anastasia = Model Assistant
I added the wheels with the hubs and I will try to add the whitewalls myself, I don't know who they will turn out. I will dry fit everything to ensure all components go together before the painting process starts.
SpirosK is the wonderful photographer for this henna project, and Danai Gourd the marvellous model. We shot in an abandoned hotel in the mountains north of Athens, Greece. The hotel was really moody, surreal, post-apocalyptic fairy in a mad maxish setting. This was one of the most fun projects I have worked on with a great crew - assistants, make up artists, everyone gave 110% of their energy to do this.
Henna was a challenge for me, not my normal style. Tried to make it thorny, not too flowery, tribally, but not too tribal, and the raggedy faerie wings were accented with water color pencil.
The cast and crew are:
Spiros K. = Photographer
Kree Arvanitas = Henna artist
Danai Gourd = Model
Jennifer Rage = Makeup Artist
Magdalini = Artist Assistant
Anastasia = Model Assistant
Untitled Music Project play at The Sunflower Lounge in Birmingham, 23 November 2013.
| Band | Promoter | Venue | Publication | Event photos |
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