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Mouse on The keys : www.myspace.com/mouseonthekeys
Party Program : www.party-program.com/blog/
La Malterie, Lille : www.lamalterie.com/
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Washington, DC, USA September 28, 2015
Wall Street Journal middle market conference.
Photo by Ian Wagreich / © Ian Wagreich Photography
#tieto #code #programming #coding #ad #wroclaw #Wrocław #joke
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violettakk: cos za pozno na niego trafiles
2016 SCCA National Championship Runoffs by Garmin VIRB
Mid-Ohio Sports Car Course - Lexington, OH
SCCA Club Racing
* This is not a program but instead, just an event media guide, as there were no programs from the event.
The Ceramics Program, Office for the Arts at Harvard will present its 2018 Spring Show and Sale May 10-13 in its state-of-the art facility at 224 Western Avenue, Allston, MA.
More than fifty artists will present an extraordinary selection of ceramic work. From functional dinnerware to sculptural masterpieces, this popular exhibition has something for everyone and attracts several thousand visitors each year. It’s the perfect place to find Mother’s Day gifts.
All are invited to join us for light refreshments at our Opening Reception on Thursday, May 10 from 4:00 – 8:00 pm. The Spring Show and Sale continues Friday through Mother’s Day Sunday, May 11-13, from 10:00 am–7:00 pm.
Gallery 224, the Ceramics Program’s exhibition space, will feature work by the Ceramics Program’s fifteen Resident Artists. We celebrate this group of artists who have maintained their own workspaces within our community studio at 224 Western Ave for a four-year, juried term from 2014-2018.
A touchstone for the arts within Barry’s Corner, Allston, the Ceramics Program provides a creative studio environment for the Harvard, greater Boston, and international communities. Courses of all levels are offered over three terms a year. Recognized internationally for its leadership in the field, the Ceramics Program hosts lectures, master classes, symposia and demonstrations by visiting artists, curators and scholars from all over the world.
The Ceramics Program studio is wheelchair accessible.
Limited free parking is available in the lot directly behind the studio.
For more information or directions, please call 617.495.8680 or visit our website: ofa.fas.harvard.edu/ceramics
Prihatin Timbalan Ketua Menteri 1, YB Mohamad Fairus Khairuddinmelawat warga PPRT di Kampung Batu Uban
Program Masyarakat Madani di Perkampungan Batu Uban dirasmikan oleh Timbalan Ketua Menteri 1, YB Mohamad Fairus Khairuddin dan ADUN Batu Uban, YB Raveentharan
I had the privilege to create all of the artwork for the Annapolis Opera 2019-2020 Season. This includes artwork for their mainstage production of Puccini’s Tosca. The next slides in the album feature every spread in the 36-page program. the program was set up in Adobe InDesign and features elements from Photoshop and Illustrator. I worked hard to infuse the show's branding wherever possible.
Tosca was the most challenging of the seven productions to create artwork for because I had so much to work with. The artwork for Susannah leapt fully formed from my mind onto the computer canvas, while the artwork for Tosca had many rounds of revisions and went back to the drawing board on several occasions.
I worked on the artwork for the two mainstage shows first and in tandem because this branding would be carried through the entire season. The result of their marriage is dark and brooding artwork that combines the themes and iconography from the two seemingly unrelated operas. Lust, loss of innocence and faith – strong women are torn down by their corrupt and supposedly religious leaders in both shows.
Annapolis Opera’s production of Tosca is set in Mussolini-era Rome, as opposed to the traditional year 1800 Napoleonic setting. This new World War II setting added yet another layer of meaning to an already emotionally complex show. Because I had plenty to work with, it was at first hard to narrow down what I wanted the focus of the artwork to be.
The artwork for Tosca relies heavily on fabric and grunge textures. The color palette contains a full range of blues, violets and purples as well as two distinct shades of red: fresh blood and drying blood. Both of these are distinctly different than the warm red-orange that dominated the palette of the 2018-2019 season. Besides the hand-lettered title lockup, the other fonts used for the show are Rhodes for subheadings and Gotham for all body copy.
The end result has the title of Tosca larger than life, hand-lettered in a way that is reminiscent of World War II propaganda posters. The “T” in Tosca is the dagger that is used to kill Scarpia, and it drips blood onto a cross designed to resemble the German Iron Cross. The dagger itself is modeled after one owned by Benito Mussolini. In this production Mussolini is represented in the ruthless Scarpia. I wanted to include the figures of Tosca and Scarpia in the artwork but ended up choosing to exclude them so as to keep the messaging clear and uncluttered.
Foto: André Filgueira
Solenidade de abertura do início do Doutorado no Programa de Pós-Graduação em Gestão da Informação (PPGGI) e Aula magna com a Prof.ª Dr.ª Sarita Albagli (Pesquisadora IBICT - UFRJ).
Confira a matéria no portal da UFPR:
www.ufpr.br/portalufpr/noticias/aula-magna-da-1a-turma-de...
11.23. -- Photo by SONJ -- Special Olympics New Jersey offered Opening Eyes, a screening which provides comprehensive eye assessments, prescription eyewear, sunglasses, and sports goggles; along with Special Smiles, which offers comprehensive oral health care information, free dental screenings and instructions on proper brushing and flossing techniques.