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Official match programme from the Barclay's Division One (now Premier League) fixture at Carrow Road between Norwich City and Crystal Palace. Match played 7th December 1991.
I attended this match. Final score 3-3.
Interior front cover from the theatre programme for a production of "The Rebel Maid" at the Hippodrome Theatre, Keighley, staged by Keighley Amateur Operatic and Dramatic Society in October 1922. This page includes adverts for James Crabtree (family butcher) of Sandywood, North Street; Tetley & Sons (smokers' cabinets) of Cavendish Street; Whiteway's (chocolates and tobacconists) of Station Bridge; and W. Bruce Johnson (photographer and toys) of Lawkholme Crescent.
The 44-page programme was printed by The Keighley Printers Ltd. of High Street, Keighley. It measures approximately 255 mm by 193 mm (although the internal pages are slightly smaller than the cover). The programme was part of an anonymous donation given in 2022.
Laura Stewart, Kelly McShane, Michelle Abbey and Jennifer Kane from Ernst & Young, with Seamus McConomy from the University of Ulster and Gavan O'Brien from gradireland.
The Civil Society Programme took place on Wednesday 11 May and Thursday 12 May and provided an opportunity for dialogue between civil society and EBRD staff, senior management, the President and Board Directors. It was an occasion for civil society stakeholders to learn more about the Bank and discuss issues of interest and concern regarding the EBRD’s policies and investment projects.
The Programme also featured multi-stakeholder roundtable sessions on key strategic themes related to the role of civil society as an important actor in transition and development processes. Special features of the Civil Society Programme 2016 were discussions on:
•25 years of Transition - The Role of Civil Society in Central and Eastern Europe and Central Asia
•Engaging civil society to promote transparent procurement
•EBRD’s Strategy for the Promotion of Gender Equality (2016-2020): the role of civil society
•Inclusion through skills and innovatiom
In addition, a panel organised by the youth organisation AIESEC looked at the role of youth in shaping the 2030 Agenda for Sustainable Development.
25 years of Transition: The Role of Civil Society in Central and Eastern Europe and Central Asia
A fire-side chat with Sergei Guriev, Professor of Economics, Sciences Po (incoming EBRD Chief Economist)
Civil society, operating in the space between public and private sectors, has played an important role in socio-political and economic transition processes around the world, including the EBRD’s traditional countries of operations. In 25 years since the establishment of the EBRD, civil society’s contribution to transition has varied across the post-communist transition region. In some countries, the work of civil society organisations (CSOs) has contributed to more democratic political systems and more open market based economies as a ‘reputational actor’ performing a ‘watchdog’ function and as a generator of ‘social capital’ necessary to sustain the change process through the difficult early years. In other countries, the focus of CSOs has been on providing a variety of social services particularly to disadvantaged and vulnerable people negatively affected by the transition process. Many civil society actors have been operating in restrictive regulatory environments, and have relied heavily on international donor funding.
What has been civil society’s input into promoting good governance, sustainable development and economic inclusion in EBRD’s traditional region over the past few decades? What are the key lessons learned, from both its successes and failures that can be applied to other countries embarking on a transition process? What steps could be taken to increase the role of civil society in promoting positive changes in societies and economies?
The discussion looked back at the key achievements and setbacks of the civil society sector in contributing to transition since the Bank’s establishment. It also reflected upon the challenges ahead for civil society in building well-governed, sustainable and inclusive economies and societies.
This is a photograph from the Leinster Cross Country Championships which was held at Moyvalley Hotel and Golf Estate at Balyna Estate, Moyvalley, Co. Kildare, Ireland on Sunday 25th October 2015 begining at 11:00 until the final race at 14:20. The programme for today included Boys and Girls even ages, Junior male and female, Novice male and female and Masters male and female. The races were run on a superb course beside the Moyvalley hotel where the vast acres of prime farmland provided a large space to have a fair but challenging course on good firm ground.
The Leinster event was hosted by local club Na Fianna from Co. Meath. However the venue was actually just inside Co. Kildare in a part of the county where Meath and Kildare borders intersect several times along the route of the old N4/N6 road. The luxury Moyvalley Hotel & Golf resort is set amidst 550 acres of historic Kildare countryside and is easily accessed from the M6/M4 at Enfield or Kinnegad.
Results can be found at MyRunResults.com and their website www.myrunresults.com/results.html
Balyna Estate where the races were held can trace its history back to the 1500s. More recently the estate was owned by the Bewley Family of the Bewley Cafe fame. The hotel and resort were taken over by new management in 2014 who are implementing big plans to expand Moyvalley further.
Our full collection of photographs from the races today are available on Flickr at this set www.flickr.com/photos/peterm7/sets/72157659898745159
USING OUR PHOTOGRAPHS - A QUICK GUIDE AND ANSWERS TO YOUR QUESTIONS
Can I use these photographs directly from Flickr on my social media account(s)?
Yes - of course you can! Flickr provides several ways to share this and other photographs in this Flickr set. You can share directly to: email, Facebook, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile, tablet, or desktop device will also offer you several different options for sharing this photo page on your social media outlets.
BUT..... Wait there a minute....
We take these photographs as a hobby and as a contribution to the running community in Ireland. We do not charge for our photographs. Our only "cost" is that we request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, VK.com, Vine, Meetup, Tagged, Ask.fm,etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us or acknowledge us as the original photographers.
This also extends to the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
I want to download these pictures to my computer or device?
You can download this photographic image here directly to your computer or device. This version is the low resolution web-quality image. How to download will vary slight from device to device and from browser to browser. Have a look for a down-arrow symbol or the link to 'View/Download' all sizes. When you click on either of these you will be presented with the option to download the image. Remember just doing a right-click and "save target as" will not work on Flickr.
I want get full resolution, print-quality, copies of these photographs?
If you just need these photographs for online usage then they can be used directly once you respect their Creative Commons license and provide a link back to our Flickr set if you use them. For offline usage and printing all of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember when requesting photographs from us - If you are using the photographs online all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting takes a significant effort and time. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc. If you are using the photographs in newspapers or magazines we ask that you mention where the original photograph came from.
I would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers or in other circumstances we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
Let's get a bit technical: We use Creative Commons Licensing for these photographs
We use the Creative Commons Attribution-ShareAlike License for all our photographs here in this photograph set. What does this mean in reality?
The explaination is very simple.
Attribution- anyone using our photographs gives us an appropriate credit for it. This ensures that people aren't taking our photographs and passing them off as their own. This usually just mean putting a link to our photographs somewhere on your website, blog, or Facebook where other people can see it.
ShareAlike – anyone can use these photographs, and make changes if they like, or incorporate them into a bigger project, but they must make those changes available back to the community under the same terms.
Above all what Creative Commons aims to do is to encourage creative sharing. See some examples of Creative Commons photographs on Flickr: www.flickr.com/creativecommons/
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably http://www.flickr.com/peterm7/sets
The Trade Facilitation Programme (TFP) currently includes over 100 Issuing Banks in the EBRD region and more than 800 Confirming Banks worldwide. The event gave EBRD partner banks the opportunity to review and discuss industry challenges, pricing, limits and trade opportunities with key industry specialists, regulators and representatives from the World Trade Organization, the International Chamber of Commerce HQ and local National ICC Committees.
It also featured the highly popular award ceremony for ‘The Most Active EBRD TFP Banks’ and ‘The Best Transaction of 2016’.
Page from the programme for musical play "Rio Rita", performed by Keighley Amateur Operatic & Dramatic Society at the Hippodrome theatre in Keighley between 20th and 25th October 1947. The music was by Harry Tierney, with words by Joseph McCarthy, from the book by Guy Bolton and Fred Thompson. The original 1927 stage musical was turned into a RKO film in 1929, directed by Luther Reed.
The story is set on the US/Mexico border, where cabaret singer Rita Ferguson falls for Texas Ranger Captain Jim Stewart, while pursued by Mexican General Esteban. Meanwhile, Captain Stewart is seeking the notorious bandit Kinkajou, whose real identity is unknown (but could be Rita's brother Roberto!). The climax is reached onboard the pirate barge owned by Esteban, which serves as a floating cabaret...
The Keighley production starred Hylda Saville Smith as Rio Rita, Arthur Day as Captain Jim Stewart, Eric B. Boster as General Esteban, and Fred W. Pye as Roberto. Supporting roles were played by Albert E. Shepherd, Arthur Shackleton, Ernest Marsden, Dorothy M. Williams, Betty Phillips, Keith Marsden, John H. Crabtree, Pamela Fitzjohn, Victor J. Wood, Frank Hopkinson, Margaret Best and Marjorie Riley. It was produced by T. C. Wray.
The 48-page programme measures approximately 183 mm by 248 mm. It contains details of the production, with cast photographs taken by John Tobin of Keighley, and many adverts for local businesses. It was printed by The Keighley Printers Ltd. of High Street.
This page features an advert for the Keighley News newspaper - "Read in more than 25,600 homes" and "contains full, accurate and impartial reports of all that is going on in Keighley and the surrounding districts".
The item was donated to Keighley and District Local History Society by Tim Neal in 2022. The History Society also holds a second copy of the programme in its collection, given by an anonymous donor later in 2022.
Programme for Chelsea v West Ham United 29/03/86 cover fetures Doug Rougvie, Colin Pates and Graeme Sharp (Everton). Match ended 4-0 to West Ham.
The Trade Facilitation Programme (TFP) currently includes over 113 Issuing Banks in 26 countries in the EBRD region and more than 800 Confirming Banks worldwide. The event offered the opportunity to review and discuss industry challenges with leading specialists, including regulators and lawyers. It also featured the award ceremony for The Most Active EBRD TFP banks and Best Transactions of 2014.
The German Red Cross-supported Integrated Climate Change Adaptation (ICCA) programme in Uganda’s Teso and Karamoja sub-regions was designed to help the Uganda Red Cross Society strengthen community resilience and promote risk reduction and adaptation. Starting in 2013 it included a wide variety of activities, including those in this album such as a drama group in Amuria sub-county, U-Report community participation by SMS and a mini-dam in Ngariam sub-county, goat-rearing, and a village saving and loans group which invested in a flour mill in Kotido sub-county. Picture shows a mini-dam that was worked on in Ngariam sub-county. (Photos: Denis Onyodi/URCS-DRK-Climate Centre)
2 - Hugh Viney
3 - Terry Cheshire
7 - Bill Barugh
9 - Roger Maughling
10 - Vic Eastwood [ Senior ]
12 - Bob Manns
24 - Geoff Broadbent
31 - Brian Martin
35 - David Tye
38 - Frank Bentham
39 - Reg Pilling
42 - Geoff Ward
50 - John Avery
Sluishuis housing Amsterdam
At the place where urban, rural areas and water meet in Amsterdam IJburg, Sluishuis has been realised: the iconic housing project designed by Bjarke Ingels Group (BIG) and Barcode Architects. Sluishuis forms a welcoming entrance to Amsterdam IJburg. The volume is elevated on one side to allow the water into the courtyard and stepped down on the other side to make an inviting gesture towards IJburg with friendly green terraces. From every angle, you experience the Sluishuis volume differently. Whether you are standing on the dyke, motorway or bridge, walking across the jetties or public route over the roof, or even viewing the building from the air: Sluishuis knows how to surprise you from all sides. The residential programme consists of 442 apartments. Rental and owner-occupied homes alternate throughout the building and provide space for various target groups, income levels and age categories. All apartments are accessible via the central courtyard. There, the cantilever and the water welcome you to the building. Each home has optimal views and daylight thanks to the special shape of Sluishuis with its double-cut volume.
Sluishuis has a rich diversity of housing typologies, such as compact urban studios and water sports apartments. On the top two floors are duplex penthouses with both a relationship with the courtyard and a view over the IJmeer. Premium flats with luxurious and sunny wooden roof terraces with views over IJburg are located on the stepped part. Extra special are the apartments at the bottom of the cantilever, with stunning views over the IJ and directly on the water. What makes these apartments so unique is that they hang over the water and in the part of the floor that runs along with the sloping façade, there is a large window through which you can see the boats sail right underneath you. The plinth will accommodate a varied programme including a sailing school, water sports centre and restaurant with a spacious terrace in the sun. Residents and visitors enter through the courtyard. The walkway to the roof of Sluishuis offers visitors and residents a spectacular view of the water and the neighbourhood. There is also a jetty promenade with 34 houseboats around the building. The jetty landscape stimulates contact with the water with various mooring places, sitting decks, and floating gardens. The carefully designed landscape also stimulates flora and fauna with local plant species and a bird island. In this way, the plinth and the surrounding landscape form a high-quality addition to the environment.
In its materiality, the building seeks contrast but also a connection with its surroundings. In the material palette, natural materials have been chosen so that the building will have a rich and natural appearance over the years. The abstract, untreated aluminium of the façade reflects the water and gives the volume a different appearance at any time of day. In contrast, the stepped roof terraces and the jetty promenade are made of wood, which gives a tactile appearance. Sluishuis is one of the most sustainable buildings recently completed (2022). It has an energy performance coefficient (EPC) of -0.02. The building's heating requirements have been minimised by combining excellent insulation techniques, triple glazing and heat recovery from the ventilation systems and showers. The building is heated by a combination of energy-efficient district heating and heat pumps for hot water and cooling. The building's energy consumption for heating, heat pumps, ventilation and LED lighting is fully provided by approximately 2,200 m2 of solar panels. In addition to these technical aspects, a great deal of attention was paid to the greenery and water collection in the development of Sluishuis. At the front, sides and in the courtyard are gardens with local plant species. The greenery runs across the roof terraces upwards in built-in planters. On the roof, this creates a pleasant green atmosphere.
Commonwealth Youth Programme Regional Director Afu Billy shakes hands with the Duchess of Cambridge amid jokes about the tropical rain.
Copyright: Commonwealth Youth Programme
www.thecommonwealth.org/news/34580/249948/170912royalvisi...
04 February 2020, Rome, Italy - Programme Committee, FAO headquarters (King Faisal Room).
Photo credit must be given: ©FAO/Giulio Napolitano. Editorial use only. Copyright ©FAO.
Page from the theatre programme for a production of "Florodora" at the Hippodrome Theatre, Keighley, staged by Keighley Amateur Operatic and Dramatic Society in November 1926. This page includes an advert for Waterhouse's Drapery and Costume Business. The business had recently relocated from their old shop on South Street to "central and modern premises" on North Street. The advert includes an illustration of their original shop in 1805.
Keighley Amateur Operatic and Dramatic Society's production of "Florodora" played at the Hippodrome Theatre in Keighley for six nights (and a Saturday matinee) from Monday 22nd November 1926. The comic opera had music by Leslie Stuart, a libretto by Owen Hall, and lyrics by E. Boyd Jones and Paul Rubens. The KAODS production was produced and directed by G. Edward Hall, with musical director Joseph Harker.
The story takes place on the paradise-like island of Florodora and then in the Welsh castle of Abercoed. It involves an unscrupulous American Cyrus W. Gilfain (played by Arthur B. Hird) who now claims to own Florodora and has "distilled" its rare essence for exploitation purposes. The rightful owner of the island has died, and his surviving daughter Dolores (Edith Robson) is unaware of her inheritance. The Englishman handling Gilfain's distillation process is Frank Abercoed (Arthur G. Ramsden) who has fallen in love with Dolores. Her true identity is discovered by 'Professor' Anthony Tweedlepunch (Ernest Marsden) with whom she then mysteriously disappears. All the characters then reassemble at Gilfain's purchased family seat at Abercoed Castle and after much subterfuge everyone is partnered off appropriately and the secret of the island is maintained.
The show also starred Jack Crabtree, Louis G. Bacon, Alan Petty, Allan Potter, Edward Caswell, Leonard Jackson, Clarence Haigh, Jack Steele, Hilda Mitchell, Eva Robson, Mabel Feather, Elsie Butterfield, Mrs M. Asquith, Ethel Smith, Evie M. Carr, Peggy Eaton, Nellie Hardwick, Stella Dewhirst, Claire Mitchell, Elsie Pickles, Sallie Corban, Mrs John Spencer and Mrs Percy Taylor.
The 52-page programme was printed by The Keighley Printers Ltd. of High Street, Keighley. It measures approximately 190mm by 255mm, although the interior pages are slightly smaller. The programme was part of an anonymous donation given in 2022.
The Civil Society Programme took place from Thursday 14 May through Friday 15 May. The Programme in 2015 introduced a new approach to the flagship event of the EBRD engagement with civil society.
For the first time, CSOs had the chance to shape the Civil Society Programme through a social media consultation. In addition, CSOs were invited to submit proposals for the organisation of discussion panels dedicated to issues of specific interest to the Caucasus region and stakeholders in the EBRD.
The Civil Society Programme took place from Thursday 14 May through Friday 15 May. The Programme in 2015 introduced a new approach to the flagship event of the EBRD engagement with civil society.
For the first time, CSOs had the chance to shape the Civil Society Programme through a social media consultation. In addition, CSOs were invited to submit proposals for the organisation of discussion panels dedicated to issues of specific interest to the Caucasus region and stakeholders in the EBRD.
Participants in the Southeast Asia Young Leaders' Programme at the 20th IISS Shangri-La Dialogue 2023 enjoyed a lively programme of seminars and exclusive networking sessions and played a full part in the proceedings of the Dialogue’s plenary and special sessions.
The Civil Society Programme took place from Thursday 14 May through Friday 15 May. The Programme in 2015 introduced a new approach to the flagship event of the EBRD engagement with civil society.
For the first time, CSOs had the chance to shape the Civil Society Programme through a social media consultation. In addition, CSOs were invited to submit proposals for the organisation of discussion panels dedicated to issues of specific interest to the Caucasus region and stakeholders in the EBRD.
The Civil Society Programme took place from Thursday 14 May through Friday 15 May. The Programme in 2015 introduced a new approach to the flagship event of the EBRD engagement with civil society.
For the first time, CSOs had the chance to shape the Civil Society Programme through a social media consultation. In addition, CSOs were invited to submit proposals for the organisation of discussion panels dedicated to issues of specific interest to the Caucasus region and stakeholders in the EBRD.
The Civil Society Programme took place from Thursday 14 May through Friday 15 May. The Programme in 2015 introduced a new approach to the flagship event of the EBRD engagement with civil society.
For the first time, CSOs had the chance to shape the Civil Society Programme through a social media consultation. In addition, CSOs were invited to submit proposals for the organisation of discussion panels dedicated to issues of specific interest to the Caucasus region and stakeholders in the EBRD.
The London East Asia Film Festival's programme launch was held at Electric Cinema in Notting Hill on 12th September.
We are incredibly excited to have announced our programme. The Fortress is being screened as our Opening Gala at Odeon Leicester Square as an international premiere. We are thrilled to say that there will be a Q+A with Director Hwang Dong-hyuk and Actor Lee Byung-hun! Our Closing Gala, Outrage Coda, directed by Takeshi Kitano is a must see, action-packed film which we are honoured to be screening at our festival this year. LEAFF’s Festival Director, Hyejung Jeon, gave an inspiring speech at the beginning of our press launch to start out festival season off with a bang.
You can discover our full programme on our website. www.leaff.org.uk/programme-2/
The Civil Society Programme took place from Thursday 14 May through Friday 15 May. The Programme in 2015 introduced a new approach to the flagship event of the EBRD engagement with civil society.
For the first time, CSOs had the chance to shape the Civil Society Programme through a social media consultation. In addition, CSOs were invited to submit proposals for the organisation of discussion panels dedicated to issues of specific interest to the Caucasus region and stakeholders in the EBRD.
Susanne Friz, Thomas Nygren, Joanna Szczecinska, Susanne Popp, Shen Chengcheng, Terry Haydn, Miriam Hannig, Nick Kearney and Alicia García-Holgado
EHISTO project european-crossroads.eu
No Strings Theatre Company was back in Dublin City Libraries in July 2015, making appearances in Ballyfermot, Cabra, Drumcondra, Pearse Street, Phibsboro' and Rathmines Libraries.
The puppets were putting on their version of the classic story The Boy Who Cried Wolf. A very bored little boy is asked to look after his Grandfather’s prize sheep before The Best Sheep in Ireland Competition.
These are photos from the performance in Pearse Street Libraery on the 28th July, much enjoyed by the children let it be said.
programme
(I didnt actually want to go to this event, didnt think it was my scene, cuppa tea whatever you wanna call it, but I am pleased I did ... see my blog for more on the event in days to come)
Global Day of Prayer, West Ham United Football Stadium, Celebrating Pentecost
27/5/07
The Civil Society Programme took place from Thursday 14 May through Friday 15 May. The Programme in 2015 introduced a new approach to the flagship event of the EBRD engagement with civil society.
For the first time, CSOs had the chance to shape the Civil Society Programme through a social media consultation. In addition, CSOs were invited to submit proposals for the organisation of discussion panels dedicated to issues of specific interest to the Caucasus region and stakeholders in the EBRD.