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Camera collection, no. 9.
Pentax Super Program c.1980
Here's one more camera I adopted from my brother-in-law, John. I don't remember shooting with this one back in the day, but she's loaded with film now. I started shooting pictures on the roll a few years ago. Really, I need to shoot more film.
Program:Manual
Lens:24-70mm f/2.8 G VR
F:2.8
Speed:1/250
ISO:125
Focal Length:70 mm
AF Fine Tune Adj:+16
Focus Mode:AF-C
AF Area:Dynamic Area (3D-tracking)
Shooting Mode:Single-Frame, Auto ISO, [9]
VR:On
EV:-1/3
Metering Mode:Multi-segment
WB:Auto0
Picture Control:Neutral
Focus Distance:5.96 m
Dof:1.22 m (5.41 - 6.63)
HyperFocal:58.24 m
Program:Manual
Lens:70-300mm f/4-5.6 G VR
F:8.0
Speed:1/320
ISO:280
Focal Length:300 mm
AF Fine Tune Adj:-1
Focus Mode:AF-C
AF Area:Dynamic Area (3D-tracking)
Shooting Mode:Single-Frame, [3], Auto ISO, [9]
VR:On
Metering Mode:Multi-segment
WB:Auto0
Picture Control:Flat
Focus Distance:14.13 m
Dof:1.04 m (13.62 - 14.67)
HyperFocal:374.42 m
Purchased a Holiday Meal Bag for the FoodBank to distribute.
Jimmy Sumas Holiday Meal Bags Program 2020
www.youtube.com/watch?v=efzJuEKFvZE
The Sumas Family Story
Given this by a Widow who was a member of Brentwood Photographic Club -- her Husband died 1993 in his darkroom -- she is still sorting out gear from the garage ! This was covered in DUST and 50mm lens had the start of 'Fungus Flecks' in front and rear surfaces which I cleaned off just in time due to many years in damp garage. She owns NIKON FE cameras so I have serviced them as much as I can for her. The OLYMPUS Spot Program is supposed to ' Eat Batteries' so I am taking them out when not being used.
it has to start somewhere
it has to start sometime
what better place than here
what better time than now ...
Prompted on World Parrot Day, and with the extraordinary co-operative effort of the photographer, here we have a rare find.
This kākāpō chick was in the able care of hands from the Kākāpō Recovery Program . The photographer was the enthralled witness to this scene.
Please don't ask for more details as refusal may offend…or I might have to cook my own dinner.
Pronunciation tip: it sounds like car-car-paw
Program:Manual
Lens:15mm f/2.4 G
F:2.4
Speed:1/2000
ISO:160
Focal Length:15 mm
AF Fine Tune Adj:0
Focus Mode:Manual
Shooting Mode:Single-Frame, [3], Auto ISO, [9]
VR:Off
EV:-1/3
Metering Mode:Multi-segment
WB:Auto0
Picture Control:Neutral
Focus Distance:14.13 m
Dof:inf (2.56 m - inf)
HyperFocal:3.12 m
Program:Aperture-priority AE
Lens:35mm f/1.8 G
F:1.8
Speed:1/60
ISO:100
Focal Length:35.0 mm (35 mm equivalent 52.0 mm)
AF Fine Tune Adj:+4
Focus Mode:AF-C
AF Area:Dynamic Area (3D-tracking)
Shooting Mode:Single-Frame
VR:Off
Metering Mode:Spot
WB:Auto1
Picture Control:Standard
Focus Distance:0.38 m
Dof:0.008 m (0.372 - 0.380)
HyperFocal:33.65 m
Inspired by the Architectural wonders of Andreas, KingBrick and Stijn Oom.
I wanted to primarily test destruction in this build, but one thing led to another and I ended up making something with much more life and flavour than I had originally intended to create.
White Columbine (Aquilegia).
This is another image of the white Aquilegia flower that was rescued for me by my wife on one of her walks around the village. I previously published a straightforward version, but it was around the time of the Flickr transfer hiatus so it wasn’t widely circulated at the time.
But this one is totally reimagined for Sliders Sunday. The objective I set myself here was to create colour from very little without resorting to my usual tricks of gradient mapping or filters.
This one was done more or less entirely by mucking about with Curves tool in LAB mode. LAB is like RGB but separates the colour (channels A and B) from the luminosity L, hence LAB. The advantage here is you can mangle the lightness without affecting the colour at all, or vice versa.
Both Photoshop and Affinity Photo allow you to mess with the Curves tool in LAB mode without converting the document from RGB. LAB is used internally by these programs anyway as it is easier for them to process image alterations in LAB - so they convert back an forth internally when you use tools like Brightness or Vibrance.
Forget the theory though - LAB is just a rich playground for toytime :)
This is based on a focus stack of ten images to start with. I’ll post a link to one of them so you can see how far we came.
Thank you for taking the time to look. I hope you enjoy the image. Happy Sliders Sunday :)
[Tripod; delayed shutter; natural light indoors. Black card background.
Focus stack of ten images in Affinity Photo.
First the basic set up: Levels to take out the grey background; Unsharp mask and Clarity for sharpening; ordinary Curves layer in LAB mode tweaking the Luminosity curve in LAB mode to get a range of tones.
The colouring and solarisation was done in another Curves layer also in LAB mode dragging the three channels all over the place.
I also needed to tidy up the background using the Inpainting tool.
Finally a simple frame.
It sounds complicated but basically it was just messing about looking for pretty results :) If you’re mad enough to want to see the Affinity Photo layer stack just ask and I’ll work out a way to send you the Affinity file…]
Wannabe Warmer Wednesday
Lincoln Park South Lawn, Chicago
Does it get any better than reading a book on a Chicago Summer Day in Lincoln Park? Oh, never mind :)
API, originally Advanced Programming Interface but now more commonly known by its near synonym, Application Programming Interface, is any defined inter-program interface. Más info aquí
foto de mga
It's been fully film tested and it's in my camera shop CC Design Studios at www.ccstudio2380.com
Thanks, Chris
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