Theater & Concert Tickets Programs & Playbills - Ephemera
View allAll Photos Tagged Programmable
tune: www.youtube.com/watch?v=mHaXDWqpHy8
The woman watching tv at the right is from deposit photos.
textures and color washes are mine.
Avatar: BeSpoke Designs - Monster Nemesis
Outfit: E.K. - JOEL Jumpsuit Orange
Pose: Lavarock Poses - Male Bento Pose Set 5
Los fariseos de los últimos días (Programa de variedades)
El cristiano Zhang Yi ha conocido el testimonio de que el Señor ha regresado, pero mientras investiga el camino verdadero, su pastor y su anciano tratan en varias ocasiones de impedírselo y evitarlo, diciéndole: “Quienes afirman que el Señor ha venido encarnado difunden una herejía y falsas enseñanzas. ¡No les hagas caso, no leas sus palabras ni tengas contacto con ellos!”. Esto confunde a Zhang Yi, pues el Señor Jesús dijo claramente: "Pero a medianoche se oyó un clamor: '¡Aquí está el novio! Salid a recibirlo'" (Mateo 25：6). "Mis ovejas oyen mi voz […]" (Juan 10：27). Según las palabras del Señor, las personas han de ser vírgenes prudentes y buscar y escuchar activamente la voz del Señor para poder recibirlo, pero su pastor y su anciano intentan de todo con tal de impedir y frenar que los creyentes oigan la voz de Dios. ¿Por qué les da miedo que los creyentes investiguen el camino verdadero? Tras debatir con su pastor y su anciano, al final Zhang Yi descubre quiénes son los fariseos de los últimos días y quién es el verdadero obstáculo que impide que los creyentes reciban al Señor.
Recomendación: He aquí yo estoy a la puerta y llamo
Las escrituras tomadas de LA BIBLIA DE LAS AMERICAS® (LBLA) Copyright © 1986, 1995, 1997 por The Lockman Foundation usado con permiso. www.LBLA.com
Program:Manual
Lens:70-300mm f/4-5.6 G VR
F:4.0
Speed:1/1250
ISO:64
Focal Length:70 mm
AF Fine Tune Adj:-1
Focus Mode:AF-C
AF Area:Dynamic Area (3D-tracking)
Shooting Mode:Single-Frame, Auto ISO, [9]
VR:Off
EV:+1/3
Metering Mode:Multi-segment
WB:Auto0
Picture Control:Neutral
Focus Distance:28.18 m
Dof:74.11 m (16.68 - 90.79)
HyperFocal:40.77 m
When CMF series 15 and 16 came out with the cyborg figs, I thought combining them together with other parts would make a good Tron program.
Z8
Z 24-120mm f/4
Last week I was in San Diego to help train some of the folks at Best Buy. One of the more extensive retail training programs I have ever seen, Best Buy takes key people out of their store for a week... flies them to someplace like San Diego. There they spend time with professional photographers and manufacturer's reps learning the gear and techniques needed to talk with you.
One of the stops was "Action".
Après avoir exposé à Anvers et à Venise, en 1999, l'entreprise a déménagé dans une nouvelle maison connue sous le nom de Kanaal, située à Wijnegem, à vingt minutes à l'est d'Anvers. Construit à l'origine en 1857, le vaste site était un ancien complexe de distillerie et de maltage. L'architecture existante comprenait des entrepôts en briques et des silos à grains en béton situés le long des rives du canal Albert.
Le développement initial du Kanaal comprenait l'installation des bureaux et des studios de l'entreprise. Cela a été rapidement suivi par l'acquisition d'installations artistiques permanentes, telles que celle d'Anish Kapoor, Au bord du monde. Un plan a été conçu pour faire de Kanaal un centre culturel et résidentiel, un processus qui a commencé au début des années 2000.
Les plans de transformation du site se sont appuyés sur le caractère et l'histoire des bâtiments d'origine pour donner à l'ensemble du quartier un nouveau souffle authentique. C'est un trait central de beaucoup de nos projets. Dick Vervoordt a mené un plan ambitieux pour combiner les efforts de trois équipes d'architectes - Bogdan & Van Broeck, Coussée & Goris, Stéphane Beel - avec le paysagiste Michel Desvigne. La qualité de vie était une priorité absolue et les plans ont été conçus pour adapter la conception de l'intérieur vers l'extérieur, convertissant les anciens bâtiments en nouveaux espaces de vie et de travail.
En 2017, la galerie anversoise déménage dans un nouvel espace au Kanaal, ouvrant par une rétrospective monumentale de Kazuo Shiraga.
Le premier programme de la galerie comprenait une spécialité dans l'art d'après-guerre et contemporain avec un accent particulier sur l'art d'Europe, du Japon et de Corée, en particulier l'art des mouvements ZERO et Gutai. L'accent mis sur Dansaekhwa a suivi, alors que le programme de la galerie et sa participation à des foires d'art mondiales ont pris de l'importance et que sa liste d'artistes s'est élargie.
After exhibiting in Antwerp and Venice, in 1999 the company moved to a new house known as Kanaal, located in Wijnegem, twenty minutes east of Antwerp. Originally built in 1857, the sprawling site was a former distillery and malting complex. The existing architecture included brick warehouses and concrete grain silos located along the banks of the Albert Canal.
The initial development of the Kanaal included the installation of corporate offices and studios. This was quickly followed by the acquisition of permanent art installations, such as Anish Kapoor's At the Edge of the World. A plan has been devised to make Kanaal a cultural and residential center, a process that began in the early 2000s.
The site's transformation plans have built on the character and history of the original buildings to give the whole area an authentic new lease of life. This is a central feature of many of our projects. Dick Vervoordt led an ambitious plan to combine the efforts of three teams of architects - Bogdan & Van Broeck, Coussée & Goris, Stéphane Beel - with landscaper Michel Desvigne. Quality of life was a top priority and plans were made to adapt the design from the inside out, converting old buildings into new living and working spaces.
In 2017, the Antwerp gallery moved to a new space at Kanaal, opening with a monumental retrospective of Kazuo Shiraga.
The gallery's first program included a specialty in post-war and contemporary art with a particular focus on art from Europe, Japan and Korea, particularly art from the ZERO and Gutai movements. The focus on Dansaekhwa followed, as the gallery's program and its participation in global art fairs grew in importance and its roster of artists grew.
Education And More is a Christian, Fair Trade charitable organization providing assistance to artisans and their families through student sponsorship educational opportunities and Fair Trade.
The artisan weavings and handcrafts that are sold by Education And More are made by several artisan groups in the villages around Lake Atitlan, Guatemala.
Education And More is a proud member of the Fair Trade Federation!
Learn more at www.educationandmore.org
My new project for the BrickLink Designer Program that could become the next set with your support.
A boy’s dream becomes reality as he and his parents spend their holidays on the farm. Explore a model full of little stories and details of the farm life. The farm comes with a big farmhouse, a barn with a garden, a tree, a van, and many accessories such as a wheelbarrow and a kite.
_______
This is a digital rendering, but I built a 'proof of concept' to make sure it works with real bricks too.
[Status Update] ={Link Gridbourne}
{linklog} - ["Detection of nearby program confirms virus presence! Current path blocked! Actions updated. Variable outcome unknown..."
Decision 1: "Lightsword Attack"
Decision 2: "Redirect + Escape"
Decision 3: "Use Item, SEO Lantern"
Decision 4: "Use Item, Save & Restore Potion"
Decision 5: " Use Item, Energy Crystal"
-end session-"]
Let me know in the comments what you think Link should do! Two decisions result in immediate termination. 😮
More #castleTRON soon!
A page from the official program of the Second Atlanta Pop Festival,1970. This program was subject to change and it did. Everyone started late and many played at a different time from what was shown here. The music went until the early hours of each morning. I was a big fan of Jethro Tull but he was a no show. The Allman Brothers did start and end the show but I did not get any pictures of them - they were no so famous in my neck of the woods at that time. Jimi Hendrix did play on the fourth of July with a big fireworks show.
This is a contemporary photo of the original tabloid size program printed on newsprint. The 4 photos of the program in this set reflect the complete program except for some advertisements that I did not photograph.
[1Jul70_35sE31]
WEEEOOOOOOO~!!!
Yikes, loud siren!
What's going on now?
"Hi! I'm AP* JR from the Paprihaven PD. You can call me JR."
Hi JR!
This is unusual for a show.
Why are all the exit doors being closed...?
"I'm not part of the show. I'm here investigating the disappearance of a performer."
I'm pretty sure most of the Planks performers quickly disappear.
They have no talent!
And the Planks, being cheap, treats us to their first and only attempt at entertainment.
"I see. This performer goes by the name of Carl Boom.** He performed here yesterday."
Carl Boom??
Oh, that was the Swarms creature.
"So, you saw him?"
We not only saw him, we-
THONK!
AAAOOOOO~~!!
"Did you just hit that person with an anvil!?"
No.
I told you that thing wasn't a turnip!
You didn't say that! You just said it was crunchy!
It tasted funny! I told you!
"What in the blue infinity are you talking about??"
...
Nothing.
Nope. Juuuust chatting.
"Did you EAT Carl Boom??"
Eat?
Oh... that's... erm.. disgusting.
Who would do that?
Well I think we just implied-
THONK!
AAAOOOOOO~!!
"You just hit that man with your anvil!!"
No. That was just Pebble Guy.
"Okay, we have the theater sealed and no one is leaving until we get to the bottom of this."
Quick! Rustle programs to cover our whispering!
...programs rustling...
We need a fall guy!
Yeah, someone to take the blame!
A scapegoat!
A whipping boy!
A stooge!
A sucker!
A mug!
A sacrificial lamb!
Would you all shut up!? I nominate Pebble Guy.
Yeah, I mean he's a guy and he's already fallen.
"What's going on! Stop slapping those programs!"
AP JR, we confess!
It was Pebble Guy that done did the deed!
"What did he do!?"
He ate the turnip!
Carl Boom.
Right, he ate Carl Boom!
"I think I'm going to be sick..."
⋅•⋅⋅•⋅⋅•⋅⊰⋅•⋅⋅•⋅⋅•⋅⋅•⋅⋅•⋅⋅•⋅⋅•⋅⋅•⋅⋅•⋅⋅•⋅⋅•⋅∙∘☽༓☾∘∙•⋅⋅•⋅⋅•⋅⋅•⋅⋅•⋅⋅•⋅⋅•⋅⋅•⋅⋅⋅•⋅⋅⊰⋅•⋅⋅•⋅⋅•⋅⋅•⋅
A year of the shows and performers of the Bijou Planks Theater.
Unidentified friction cycle
* The 'AP', or 'Automated Police' designation is for the automated members of the Paprihaven PD.
** As seen yesterday!
158/365
This is really different from the work that i have been producing lately, But it seems like i have one decent conceptual piece every week and half or so . It would be cool if i could create more conceptual photos everyday but i just cant seem to find the time to set everything up.
And i guess the concept behind this photo is all explained in the title.
I really appreciate any constructive feedback/ critiques :)
Program:Manual
Lens:24-70mm f/2.8 G VR
F:6.3
Speed:1/800
ISO:140
Focal Length:24 mm
AF Fine Tune Adj:+16
Focus Mode:AF-C
AF Area:Dynamic Area (3D-tracking)
Shooting Mode:Single-Frame, Auto ISO
VR:On
Metering Mode:Multi-segment
WB:Auto0
Picture Control:Neutral
Focus Distance:11.89 m
Dof:inf (2.43 m - inf)
HyperFocal:3.04 m
Program:Manual
Lens:70-300mm f/4-5.6 G VR
F:10.0
Speed:1/250
ISO:100
Focal Length:70.0 mm (35 mm equivalent 105.0 mm)
Focus Mode:AF-C
AF Area:Dynamic Area (3D-tracking)
Shooting Mode:Continuous
VR:On
WB:Auto1
Picture Control:Standard
Focus Distance:28.18 m
Dof:inf (13.11 m - inf)
HyperFocal:24.46 m
april 29th, 2010
nomnomnomsjkfdhsjkfdsdf I love it when my dad drives us to subway at lunch. love polish pops 4eva.
bighugelabs.com/scout.php?mode=history&id=22807611586
on Explore
Exif data
Camera
Canon PowerShot SX60 HS
Exposure P
Canon Exposure Mode
Program AE
0.005 sec (1/200)
Aperture
f/5.0
Digital Zoom Ratio
2.028169014
Focal Length
14.8 mm + 2.0x converter
aka 150 mm
ISO Speed
500
Exposure Bias
-1/3 EV
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Highest position: 498 on Saturday, November 7, 2015
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Learn about the San Diego Zoo's successful koala loan program: zoonooz.sandiegozoo.org/zoonooz/have-pouch-will-travel-2/
Program:Manual
Lens:15mm f/2.4 G
F:16.0
Speed:1/80
ISO:200
Focal Length:15.0 mm (35 mm equivalent 22.0 mm)
Focus Mode:Manual
Shooting Mode:Single-Frame, Auto ISO
VR:Off
WB:Auto1
Picture Control:Standard
Focus Distance:14.13 m
Dof:inf (0.66 m - inf)
HyperFocal:0.69 m
HUB is the control vessel of the "Program" faction. Basically it's an advanced rouge AI that can control any advanced enough device by overwriting their main code. One of these ships can control more than hundred different devices at once making it as a top priority target in any conflict. It's especially dangerous because all of the modern military vehicles use electronic assistance and that's why "HUB" can hijack tanks, planes, guided missiles etc.
The shape was inspired by the D-5 Mantis form Star Wars