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The Fulbright Program honored their 2019-2020 Top Producing Institutions and 2018-2019 HBCU Institutional Leaders with an event featuring remarks by ECA Principal Deputy Assistant Secretary Matthew Lussenhop, Deputy Assistant Secretary for Academics Caroline Casagrande, Robert Jones (Chancellor, University of Illinois at Urbana-Champaign), Cynthia Jackson-Hammond (President, Central State University), and Johnathan Holifield (Executive Director of the White House Initiative on Historically Black Colleges and Universities).
Johnson and Tsinghua colleagues just before the press ceremony to launch the new dual degree program.
Como sesión incluida dentro del Programa Grupal a cargo de la interna Fernanda Mardones.
El CCR hace variar las sesiones del Programa Grupal según las experticias de las personas a cargo. Ademas de esta se han realizado actividades como Acondicionamiento fÃsico, Aerobox, Baile Entretenido y otros
For their second day on the program, the ladies visited the Womens Basketball Hall of Fame. At the facility they played some wake up games and then toured the museum. After this, they enjoyed a luncheon and panel where they shared a little about themselves and heard a wonderful message from olympic swimmer Kate Ziegler. After the wonderful meal, the girls gathered for a time of curriculum to begin thinking about the state of women and sports in their communities.
All photos property of the U.S. Dept. of State. Photos must be attributed as: U.S. Dept. of State in cooperation with University of Tennessee Center for Sport, Peace, & Society with the Lakeshore Foundation as the key host/supporter for this exchange. Photographer: Jaron Johns
On April 22, 14 girls and two coaches from Brazil who are a part of "Las Estrellas," a sports, leadership and English program, came to Knoxville, TN as part of the U.S. Department of State Empowering Women and Girls through Sports Initiative. After the first day, they had already experienced University culture by participating in Dr. Ashleigh Huffman's Service-Learning class and eating in the cafeteria.
So here's how it works:
> Turning the aperture ring raises the "Diaphragm Bar" behind the lens. At f/2.8 it's completely below the lens opening, and at f/22 it's just below the lens centerline.
> When the mirror rises, it drags this panel up with it; the odd shaped hole in the middle is the shutter opening. The mirror/shutter rises just as fast as its spring can whack it, and returns at the same speed as soon as it reaches the top.
> At f/2.8, the shutter is open for the entire distance of travel shown in green above - it takes about 1/60 second to cover this distance. But at f/22, with the DIaphragm Bar up where the purple line indicates, the shutter doesn't open until it reaches that line, and it closes as soon as it passes that line on the way down. The entire movement takes the same time as before, but the open time is only the time that it takes to travel the distance shown by the purple arrows. Assuming that the speed at f/2.8 was 1/60, this works out to about 1/500 second.
> The aperture at f/22 (and at all other settings except for f/2.8) is in the shape of a triangle with its point at the top - the top 2 sides are the edges of the "roof" part of the shutter opening, and the bottom side is provided by the Diaphragm bar.
It's actually just a little more complicated than this. In the above description, the f/22 opening is not centered on the same axis as the f/2.8 opening, and in fact if the Diaphragm Bar actually went as high as the purple line it would block off the center of the lens. So, in addition to all of the above, at the smaller apertures, the mirror/shutter is actually stopping its upward travel earlier than it does at full aperture. How does it do this? In the view of the Diaphragm Bar at www.flickr.com/photos/rick_oleson/53225547915/in/dateposted/, there is a second, gold colored bar that's coupled to the Diaphragm Bar, with a bent-up tab at its tip. As the Diaphragm Bar rises, this gold bar comes down - the tab at the end is the stop that the mirror strikes against to stop its upward travel. The two bars are coupled together so that the mirror's stopping position produces a centered triangular aperture opening at all settings. Dang.
Whoever did this will probably never be famous - but he was good.
The FIU Accounting Bridge program is a 2-day summer program for selected college-bound students. During the 2 days participants will have the opportunity to meet professionals who studied in accounting and now have lucrative, secure, and fascinating jobs.
Stencil for the graphic representation of Computer Programs
1960s or 1970s
Scanned with Canon LIDE110
© Dirk HR Spennemann 2014, All Rights Reserved
Access all my images via the Collections Page
This guy goes with me everywhere these days. Was giving him a rest while I took a few digital shots today. Currently loaded with Kodak Ektar 100.
It wasn't until just recently that I saw Tron Legacy and finally understood what the costumes these dancers wear in Electronica were supposed to be. Now that I know, I don't really care either way. I do like photographing them though.
Touring production of The NationalTheatre and The Bristol Old Vic. -1989 -with Edward Petherbridge and Sian Thomas
Dance Programme on January 31, 2014 5:30 pm - 7:30 pm in Vivekananda Auditorium, Ramakrishna Mission, Delhi.
Performed by children of Sri Nruthya Kala Nilayam, Anantpur, Andhra Pradesh.
Jean Kellogg, Merola Executive Director, Joan Kelly, James Kelly
Spring Benefit Gala 2015
A Waltz Down the Blue Danube
Photography by Kristen Loken
Jean Kellogg, Merola Executive Director, Joan Kelly
Spring Benefit Gala 2015
A Waltz Down the Blue Danube
Photography by Kristen Loken
Purple wedding program on purple mums
Ceremony
Colonial Avenue Baptist Church
Roanoke, Virginia
Reception
Holiday Inn Valley View
Roanoke Virginia
Wedding Coordination
Diamond Events
Stephanie Hughes
540-558-8143
DJ
RSP Entertainment
Photographer
Bert Reed Photography
Florist
Petal Pushers
Cake Baker
Kelly Cakes
Susan Kelly
(540) 977-5349