View allAll Photos Tagged Professionals
The PBR Tour - Professional Bull Riding - came to Chicago on January 12, 2018. It is definitely one of the coolest sporting events I have ever been to live. Bull riding is exciting, exciting, exciting.
I haven't re-bodied many Fashionista's in the past few years since the Looks dolls were released. This one was just too cute to pass up though.
Fuji GA645 Professional (1995)
Fujinon Super-EBC f=60mm 1:4
120/220 film, 6x4,5cm
Dual active/passive auto-focus focus lock and manual zone focus.
Programmed and aperture-priority Auto-exposure and manual mode.
Exposure compensation.
Auto-loading whit film sensing.
Automatic 120/220 changeover.
Data printing outside the frame, date/time or shutter speed/aperture/shooting mode.
Popup fill flash.
You can see this one at Camerapedia
Here are some photos taken with this camera.
professional F1 photographer at the first corner of İstanbul Park.
I think, he can take also your rontgen with this toy :-)
Ella: Ludmila Bonvino
Fashion producer: Luli Ochoa
Film Maker: Victoria Marano
Make up: Luli Ochoa
+ Mirá el video acá: vimeo.com/211727564
These require the forgotten AP-41 develop process.
Does anybody know if there is any way that i can use/develop them? Thanks!
Following on from my last upload, Saturday was definitely not overcast, it was hot and sunny, a few brave souls were in the water. This was one of the lifeguards on patrol, very impressive, pretty sure I wouldn't look this graceful!
#photography #beauty #fashion #studio
Fotografía: Pedro Burgos
Modelo: Aran Fhotography
Maquilladora: Rebeca Saeort
Peluquera: Rebeca Saeort
Well folks, my hard work payed off.
As of today, I am really and truly an official professional. I made myself an office and got straight to work designing my stationery.
Camera: Leica M3 DS
Lens: Elmar 50mm f2.8
Film: Ilford Delta 400 shot @800
Developer: Ilfotec DD-X , 10,5 min @ 20°C
ye ould chromie MX with winder and Pentax-A 50mm 1.4. small, light fast, smooth but quiet? not so much. :)
23 inches Holdsworth Professional with Campag dropouts chrome forks 1/2 rear triangle, no braze-ons the main triangle, rivetted on metal head badge. White block Helvetica lettering with red edging (much worn). Frame number 37849. Reputed Holdsworth team bike from 1968-1971. Campag small flange hubs and Mavic Monthlery Pro rims with tubs, Campag headset, Dura Ace chainset, Shimano 600 gears, Colnago brakes (hex nut), Cinelli bars, 3TTT stem, Laprade SR seat post. Just bought it - and trying to learn more about its history.
The previous owner picked it up at a cycle jumble in 1981. Vendor at that time suggested this was Bob Addy's 1968 Tour bike - but that's very unlikely (Bob Addy's size was 23.5"). This bike looks to be a factory (rather than shop) Professional - thinner seat stay wraparound, riveted head badge, Campag allen key seat bolt.
Curious forks (Shimano drop-outs when the rear drop-outs are Campag) and the eclectic group-set might suggest a DIY build by some who bought this frame-only. I'm trying to get a better date on the frame - horizontal rear brake bridge suggests this wasn't based on the 1967/68 Mistral (curved bridge on these, I think). Full Campag equipped on team Professionals came in 1971 I believe, so might have team provenance if before then.
Nikon D00E Photos of Alana Blanchard Free Surfing in Sexy Black Wetsuit Huntington Beach Pier Van's US Open. Shot with the awesome Sigma 150-500mm f/5-6.3 AF APO DG OS HSM Telephoto Zoom Lens for Nikon Digital SLR Cameras. She's a professional swimsuit model too!
I was strolling down the beach when I spotted pretty surf girl goddess (Sports Illustrated Swimsuit Model & Rip Curl Bikini Model) Alana Blanchard freesurfing in a sexy black wetsuit, warming up for her heat!
And here're some epic video of pretty goddess Alanna Blanchard I shot at the same time with the Panasonic X900MK 3MOS 3D Full HD SD Camcorder with 32GB Internal Memory mounted on my Nikon D800E via the 45surfer configuration.
www.youtube.com/watch?v=-5LLePW95N0
www.youtube.com/watch?v=ANM70cBDNVo
www.youtube.com/watch?v=HIqA-0TOkjk
www.youtube.com/watch?v=GVEcj3bTdeQ
Last year I was shooting with a Nikon D4 with a 600mm F4 Prime monster Nikkor lens mounted on the tripod:
www.flickr.com/photos/herosjourneymythology45surf/8555104...
This year I wanted to be more nimble and work the whole area (shoot surfers warming up down the beach, coming and goring, running, hanging out/watching/etc.), so I opted to shoot with a Nikon D800E with the Sigma 150-500m lens mounted on a monopod. It can be tough to move tripod around with a 600mm F4 Prime monster Nikkor lens on a crowded beach, and it would be easy to upset folks each time you tried to set it up! There's a good chance they would say "enough" and throw you and all your equipment in the water! There's a common etiquette that one ought arrive early to claim a good spot, set up there, and keep it for the day. Latecomers are not welcome to set up on the main beach once it has filled up. But it's OK to walk around with a smaller setup as long as you stay out of everyone's way. Generally you can hug the water/shoreline with your feet and monopod in the water, as you're down low enough so that you don't block anyone's view from higher up on the beach, where all the tripods are mounted. The Sigma 150-500mm lens also allowed me to zoom out when surfers ran down the beach or got in and out of the water, and I also had a Nikon D800E with the 28-300 mm lens strapped around my neck. And both cameras had video cameras mounted to them in my famous 45surfer configuration! Needless to say, it can be a bit scary standing knee-deep in water with all that equipment, with large waves breaking. You wouldn't want to fall in!
Well, hope you enjoy the surf goddess photography!
All the best on your epic hero's journey from Johnny Ranger McCoy! :)
P.S. There's nothing like shooting the nikon D4 with the 600mm prime for quality, but I felt it was cool to give up a bit of quality for far more variety this year! Plus I do not want to become a pixel-peeper! :)