View allAll Photos Tagged ProductionStill
Mito wakes up
Radio Gibbon will be broadcast on BBC2 8pm, 9th December 2009
Good Morning Kalimantan 6 x 30 BBC Series TBA
"Gibbons, the elusive singing apes of South East Asia. At dawn, their magical love songs herald the start of each new day. Now, in Borneo, their songs are falling silent as their forest home is destroyed. But help is at hand from an unexpected source. Meet Chanee: a young Frenchman who, using music, matchmaking, and a unique radio station, is dedicating his life to saving Borneo's gibbons."
Publicity still from press kit. 12.6 x 17.7 cm.
Bought from an eBay seller in Braunschweig, Germany.
Andrzej Wajda (1926-), Polish film and theatre director. - en.wikipedia.org/wiki/Andrzej_Wajda
Janusz Korczak, pen name of Dr. Henryk Goldszmit (1878 or 1879-1942), Polish-Jewish educator, children's author, and pediatrician - en.wikipedia.org/wiki/Janusz_Korczak
Watch my short film here:
Canon A-1, 50mm f/1.4 FD, Kodak Tri-X @1600
Productions still from my short film Barry, starring Andrew Maddock, written and directed by Myself and Kieran Lefort.
Behind the scenes of Dust, part 8. See all the photos on my website: raybernoff.com/2017/08/20/behind-the-scenes-of-howard-woolfs-dust-part-8/
Watch my short film here:
Canon AV-1, 50mm f/1.4 FD, Fujifilm Superia X-tra 1600
Productions still from my short film Barry, starring Andrew Maddock, written and directed by Myself and Kieran Lefort.
Watch my short film here:
Canon AV-1, 50mm f/1.4 FD, Fujifilm Superia X-tra 1600
Productions still from my short film Barry, starring Andrew Maddock, written and directed by Myself and Kieran Lefort.
Writer / Director: Nicholas Verso
Producer: Nicholas Colla, Lucy Hayes & John Tummino
CAST
Bailey McMillan-Power
Josh Damman
Amber Clayton
Fletcher Humphrys
Cinematographer: Edward Goldner
Production Design: Nathan Wentworth
Costume Design: Alexis De Silva
Make-Up: Eloise Loxton
Watch my short film here:
Canon AV-1, 50mm f/1.4 FD, Fujifilm Superia X-tra 1600
Productions still from my short film Barry, starring Andrew Maddock, written and directed by Myself and Kieran Lefort.
I didn't take this photo, just the photo of the photo. But...
This could very well be a photograph taken by Stanley Kubrick himself. It appears to be taken with a Widelux camera, one of Kubrick's many "toys," which he liked to have with him on his sets. The "2001" sets lent themselves to this particular kind of camera: a fixed super-wide angle lens that offered a panoramic view. I believe Kubrick loaded his camera with Ektachrome film, which may be why this enlargement at the exhibit still looks good and hasn't suffered any color degradation. This is Gary Lockwood as Frank Poole, monitoring Dave Bowman (Keir Dullea) as he does his EVA to replace the alleged faulty AE-35 unit.
Writer / Director: Nicholas Verso
Producer: Nicholas Colla, Lucy Hayes & John Tummino
CAST
Bailey McMillan-Power
Josh Damman
Amber Clayton
Fletcher Humphrys
Cinematographer: Edward Goldner
Production Design: Nathan Wentworth
Costume Design: Alexis De Silva
Make-Up: Eloise Loxton
Hi there!
What’s a Wyndotte? Good question. We have an answer for that and this seems like as good a time as any to explain ourselves.
Short answer: It’s a chicken. Specifically a pageant bird. Your Hunny-Boo-Boo of chickens.
It’s...
film: "Family Business"
YouTube: www.youtube.com/watch?v=CfKOGqrqe4g
writer / director: Hattie Lemon
director of photography: Terry Thomas
camera: Nikon D3S
lens: Nikkor 50mm f/1.4 (wide open)
ISO: 12,800
white balance: Incandescent
I based the lighting on what was existing around midnight when we shot the scene. I let the D3S capture the light from the city in the far background bouncing off the low clouds. I knew if I added too much of my own lighting I would need to use a smaller f-stop and if I did that I would not see the city lights.
Then I added only two of my own lights to illuminate the scene.
One was a bare 40 watt light bulb on the screened porch. I plugged it into a cheap US $12 hardware store dimmer that I carry in my grip kit. I dialed back the dimmer so the light level looked "real". Otherwise the screened porch would have been much too dark.
I wanted to simulate a street light from camera left so I put up one of my tallest light stands and placed one of my Lowel DP tungsten lights that had a 650 watt bulb installed. To break up the light and make it seem as though the light was being obstructed by tree branches, I added a second tall light stand on top of which I clamped a bunch of dead weeds and twigs that I found in an empty lot nearby.
There was too much light on the vehicles. So I clamped a black 20x30 inch foamcore board to a third light stand in order to throw a large shadow onto the vehicles.
... and ... Action!
a production still I created on the set of the film "Psychopathia Sexualis"
actor: Ashlyn DiNardo (as Anne-Marie Thomas)
camera & lens: Minolta DiMage A2
tripod: Gitzo
lighting: movie set
Behind the scenes of Dust, part 8. See all the photos on my website: raybernoff.com/2017/08/20/behind-the-scenes-of-howard-woolfs-dust-part-8/