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Here is a mashup of my process. I used old fabric I had, bright pink yarn that was a giveaway, and some old yellow trim!
Read more here!
This was an assignment for an alternative colour photography course at my local community college. This is shot on Fuji RTP II – an ISO 64 tungsten balanced transparency film that I had developed as negative film. Love what is going on with the colour shifts and the contrast.
It's been so long that I can't remember how we lit this anymore. My apologies on that front.
Fa traditional chief and president of the Timber Association focused on wood works. There are several sections of the operation: reception of wood, wood processing and sales displays (Counter). The wood comes from the forests but also the UTB (government processing unit), sawmills and community forests and unknown sources. The processing is done on a per-order basis. We would like to replant our forests, but for now it is not possible. Yaoundé - Cameroon.
Photo by Ollivier Girard/CIFOR
If you use one of our photos, please credit it accordingly and let us know. You can reach us through our Flickr account or at: cifor-mediainfo@cgiar.org and m.edliadi@cgiar.org
The task was to choose a painting by a favorite artist or by one of the artists proposed: Gustav Klimt, Paul Klee, Theo van Doesburg, Wassily Kandinsky and to recreate it with. The piece could be a variation of the artwork which was provided. I rethought about Wassily Kandinsky‘s – Several Circles painting. I used one geometrical rule: random intersecting ellipses and keyPressed function to draw freely the picture each time. www.openprocessing.org/visuals/?visualID=17214
For further information of this and other projects go to:
Near the end of the summer, I was asked by the publishers of Popular Science magazine to produce a visualization piece that explored the archive of their publication. PopSci has a history that spans almost 140 years, so I knew there would be plenty of material to draw from. Working with Mark Hansen, I ended up making a graphic that showed how different technical and cultural terms have come in and out of use in the magazine since it's inception.
One frame from an art piece that will hopefully be projected on a dome screen. Image is created with Processing.
The photo shows the tools I used to hold a 2x4 against the ceiling of my garage. I was attaching 2x4s to the ceiling to make it easier to hang things and brace things (like free-standing shelves).
The picture was taken part-way through the process of pressing the board to the ceiling. I was acting alone. Based on something I saw in a magazine, and heavily influenced by my make-it-as-complicated-as-possible philosophy, the method I used was this:
1. Mark location on ceiling for the 2x4 ceiling board (hereafter referred to as "ceiling board").
2. Nail two small string cradles to the ceiling near the ends of the proposed position of the ceiling board. The ceiling board will hang temporarily in these cradles.
3. Insert one end of the ceiling board into one cradle, then the other end into the other cradle. Result: the ceiling board is hanging in the two cradles about two inches (5cm) below the ceiling.
4. Place two clamps within easy reach of each end of the ceiling board. They will be used later.
5. Grab two other boards: a pre-cut board that is almost as long as the floor-to-ceiling distance and a short board. These, clamped together, will act as temporary supports for the ceiling board. Stand on a stool under one end of the ceiling board, holding the two supports together vertically.
6. Keeping the supports pressed together, move the short board upward as far as possible, elevating the end of the ceiling board. Clamp the two supports together. RESULT: the very end of the ceiling board is pressed against the ceiling. The other end of the ceiling board is still lying in its cradle.
7. Repeat the raising process at the other end of the ceiling board. RESULT: this end of the ceiling board is now pressed against the ceiling, but the other end is still a bit loose.
8. Return to the first end of the ceiling board, loosen the clamps, repeat the raising process, and re-clamp the supports. RESULT: this end of the hanging board is tight enough against the ceiling to require no more raising.
9. Return (again) to the second end and repeat the raising process there. RESULT: the ceiling board is pressed tightly enough against the ceiling to allow drilling of pilot holes for the screws that will attach the ceiling board to the ceiling.
10. Drill holes, install screws, remove the hanging cradles and supports.
The process is tedious to say the least. But it worked: I attached four 2x4s to the ceiling in this manner. After this work was finished I realized I could have simplified this process by using my stepladders as bases for holding the 2x4s in place. One can buy devices called "third hands" (often used by carpenters and drywall installers) to hold things in place, but I am too cheap to shell out $50 for a tool that gets little use.
I am in a rare fit of industriousness in the garage. That's why I've been inactive on Flickr lately. The goal is to create a better working environment on my side of the garage and enough additional storage space that we can park my wife's Jeep in the garage again.
Some of my buddies heard I was processing film in my underwear and they requested a photo (of course). Since I'm more than a little bit of a smart-ass this is what they got. :p
修正版 將濾鏡改為30Y 10M就好很多 其它4張放大都以此數據來放大 !
拍攝
Bessa R2M+Voigtlander Nokton35mm/F1.2 ASPH +KODAK EB3
沖片
ISO設100 顯影 富士 C-41系統 自家暗房沖片
放大
PAPER：富士普光面
Enlarger ：OMEGA D-5 Dichroic Color Head
LENS：RODENSTOCK APO- RODAGON N 80mm/4
照片掃瞄
EPSON V500 PHOTO
Using Peter Kirkeskov Rasmussen's photo 'return the cart' as the source [ www.flickr.com/photos/peterras/15732813631 ] & a bit of Processing code to swaps blocks of pixels inside the image continually . . . the little app creates decay in the image. I'm continuing a series of works meditating on forgetting, recognition, loss, avoidance, etc.
Shot with a Mamiya 645 Pro TL & 80mm f/2.8 lens... Fuji Velvia 50, Cross Processed...Scanned with my Epson 4490
Model:
Laura Lee
Creative Director:
Christina Tang
Hair / Makeup Stylist:
Angela Sun
Lighting Director:
Scott Prince
Photographer:
Jeremy Lim
Post-Production:
Jeremy Lim
An image processed into a mozaic. Each square contains a circle which covers half the square. The square (background) and the circle are colored different colors which average to the average color of the image in that square. The goal was to select colors as dissimilar as possible, but that is not quite what is done here, since one extremity will always be a "corner" color, of which there are only 8, and so the result would lack the color variety that this one has.
Made with processing.org .