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Day 203 Year 2 #1 -- eating chocolate become problematic. Damn!
Teef, chocolate and bat necklace courtesy of the darlin' Miss Tiffany!! ♥♥♥
Church of Holy Trinity
Tomb of Sir Roger († after 1395) and Margaret († 1350?) de Boys, Alabaster.
The monument was long problematic, since Blomefield reported a now missing inscription requesting the viewer to pray for the souls of Roger de Bois and Lady Margaret, whose death he recorded as 1300, Sir Roger, and 1315, Lady Margaret. Pevsner noted that in style the monument belonged not to the early 1300s but to the end of the century. Recent research by Sally Badham has unravelled the confusion. She used the British Library manuscript Harleian MS 906 fol. 197 verso to establish that Sir Roger was descended from John de Boys and his wife Eustace Sandbie of Coningsby and that his wife died in 1365. There is no record of his death, suggesting that he was not a landowner in East Anglia, but since he was mentioned in other records it must have been sometime after 1394. With the old dates it was unclear why they had such a prominent tomb in the nave. Sir Roger, an otherwise obscure knight, was mentioned in the document of 1355 establishing the Church of the Holy Trinity as a chantry chapel and a priory for the Trinitarian order with. Those for whose souls the priests were to pray included, King Edward III, Sir Oliver and Lady Elizabeth Ingham, the relatives and parents of Sir Miles Stapleton, including his sister, the deceased Lady Catherine Boys and her husband John de Boys, Dame Margaret Honing. Sir roger’s wife, was not included.
The now sadly worn (and vandalised) tomb chest is set at the east end of the south aisle, originally guarded by railings, set into holes drilled into the base. Its position at the head of the nave would have made it opposite the altar in the chapel of St Mary, destroyed in 1799, an extension to the south east corner of the nave. The tomb is built around a pillar, which once supported the image of a saint, to whom Sir Roger de Boys would have looked. The figures lie side by side, now without their arms and with the detail of their costumes difficult to make out. The notes in the church suggest, on the basis of an analysis of the traces of colour, that she wore a heraldic dress. From the position of the stumps of their arms it is has been argued that they were represented holding hands, rather than in prayer. Sir Roger de Boys rests his head on a Saracen’s helmet, complete with decapitated head, perhaps sign that, as suggested below, he had been a crusader. His wife’s is set on two pillows, where a faint painted pattern can still be made out. His sword is missing but there is a hole on his right side where it was probably fixed. His statue has been convincingly compared with that a distinguished warrior knight, Sir Guy de Brian †1390, in Tewkesbury Abbey. They share the detail of the moustache, fashionably poking over the chain mail of his helmet. The figures are like caricatures, with his barrel chest and her extreme height (she must be about seven foot) and thinness, a sign of breeding (then as now) for those who could, as Professor Sandy Heslop has argued, ostensibly afford expensive food.
The base is decorated with (now blank) coats of arms set in quatrefoils and flanked by niches filled with angels, whose wings can just be made out (with some traces of colour). On the north they turn slightly to the door, a movement that culminates in the wider niche facing the entrance. Here the couple’s devotion to the Trinity, the church’s dedication, is shown in the panel. Two angels hold up their souls besides the Trinity, represented by the seated God the Father. He held a now lost crucifix with the dead Christ, supported by the (also missing) Dove of the Holy Ghost. The scheme also occurred in a roundel decorating the splendid and nearly contemporary brass memorial Sir Hugh Hastings (†1347) at Elsing.
Sir Roger de Boys was granted letters of attorney when travelling abroad between 1361-67 and again in the 1370s. At least one of these trips coincided with the crusade to capture Alexandria, called by Peter de Lusignan, King of Cyprus, in 1365, and the letters granting him permission to travel mention other crusader knights. That his death was not recorded may have been because he was not a land owner, although in 1378, together with his brother, he had given the Priory property in Worstead and Scottow. The family were established in Honing and Rollesby by the early years of the fifteenth century and their involvement with the church continued, since the arms on the tower (rebuilt in the 1450s), recorded by Blomefield, included Stapleton impaled with Boys.
Francis Blomefield, ‘House of Trinitarian canons: The priory of Ingham', A History of the County of Norfolk: Volume 2 (1906), pp. 410-412 corrected by Sally Badham 'Beautiful Remains of Antiquity': The Medieval Monuments in the Former Trinitarian Priory Church at Ingham Norfolk. Part 2: the High Tombs. CHURCH MONUMENTS VOLUME XXII 2007, esp. pp. 23-43; Sir Richard Le Scrope, edited Samuel Bentley, London 1832, De Controversia in Curia Militari Inter Ricardum Le Scrope Et Robertum Grosvenor Milites: Rege Ricardo Secundo, MCCCLXXXV-MCCCXC E Recordis in Turre Londinensi Asservatis, p. 220, googlebooks, accessed 03/08/15
detail of figure on base
Church of Holy Trinity
Tomb of Sir Roger († after 1395) and Margaret († 1350?) de Boys, Alabaster.
The monument was long problematic, since Blomefield reported a now missing inscription requesting the viewer to pray for the souls of Roger de Bois and Lady Margaret, whose death he recorded as 1300, Sir Roger, and 1315, Lady Margaret. Pevsner noted that in style the monument belonged not to the early 1300s but to the end of the century. Recent research by Sally Badham has unravelled the confusion. She used the British Library manuscript Harleian MS 906 fol. 197 verso to establish that Sir Roger was descended from John de Boys and his wife Eustace Sandbie of Coningsby and that his wife died in 1365. There is no record of his death, suggesting that he was not a landowner in East Anglia, but since he was mentioned in other records it must have been sometime after 1394. With the old dates it was unclear why they had such a prominent tomb in the nave. Sir Roger, an otherwise obscure knight, was mentioned in the document of 1355 establishing the Church of the Holy Trinity as a chantry chapel and a priory for the Trinitarian order with. Those for whose souls the priests were to pray included, King Edward III, Sir Oliver and Lady Elizabeth Ingham, the relatives and parents of Sir Miles Stapleton, including his sister, the deceased Lady Catherine Boys and her husband John de Boys, Dame Margaret Honing. Sir roger’s wife, was not included.
The now sadly worn (and vandalised) tomb chest is set at the east end of the south aisle, originally guarded by railings, set into holes drilled into the base. Its position at the head of the nave would have made it opposite the altar in the chapel of St Mary, destroyed in 1799, an extension to the south east corner of the nave. The tomb is built around a pillar, which once supported the image of a saint, to whom Sir Roger de Boys would have looked. The figures lie side by side, now without their arms and with the detail of their costumes difficult to make out. The notes in the church suggest, on the basis of an analysis of the traces of colour, that she wore a heraldic dress. From the position of the stumps of their arms it is has been argued that they were represented holding hands, rather than in prayer. Sir Roger de Boys rests his head on a Saracen’s helmet, complete with decapitated head, perhaps sign that, as suggested below, he had been a crusader. His wife’s is set on two pillows, where a faint painted pattern can still be made out. His sword is missing but there is a hole on his right side where it was probably fixed. His statue has been convincingly compared with that a distinguished warrior knight, Sir Guy de Brian †1390, in Tewkesbury Abbey. They share the detail of the moustache, fashionably poking over the chain mail of his helmet. The figures are like caricatures, with his barrel chest and her extreme height (she must be about seven foot) and thinness, a sign of breeding (then as now) for those who could, as Professor Sandy Heslop has argued, ostensibly afford expensive food.
The base is decorated with (now blank) coats of arms set in quatrefoils and flanked by niches filled with angels, whose wings can just be made out (with some traces of colour). On the north they turn slightly to the door, a movement that culminates in the wider niche facing the entrance. Here the couple’s devotion to the Trinity, the church’s dedication, is shown in the panel. Two angels hold up their souls besides the Trinity, represented by the seated God the Father. He held a now lost crucifix with the dead Christ, supported by the (also missing) Dove of the Holy Ghost. The scheme also occurred in a roundel decorating the splendid and nearly contemporary brass memorial Sir Hugh Hastings (†1347) at Elsing.
Sir Roger de Boys was granted letters of attorney when travelling abroad between 1361-67 and again in the 1370s. At least one of these trips coincided with the crusade to capture Alexandria, called by Peter de Lusignan, King of Cyprus, in 1365, and the letters granting him permission to travel mention other crusader knights. That his death was not recorded may have been because he was not a land owner, although in 1378, together with his brother, he had given the Priory property in Worstead and Scottow. The family were established in Honing and Rollesby by the early years of the fifteenth century and their involvement with the church continued, since the arms on the tower (rebuilt in the 1450s), recorded by Blomefield, included Stapleton impaled with Boys.
Francis Blomefield, ‘House of Trinitarian canons: The priory of Ingham', A History of the County of Norfolk: Volume 2 (1906), pp. 410-412 corrected by Sally Badham 'Beautiful Remains of Antiquity': The Medieval Monuments in the Former Trinitarian Priory Church at Ingham Norfolk. Part 2: the High Tombs. CHURCH MONUMENTS VOLUME XXII 2007, esp. pp. 23-43; Sir Richard Le Scrope, edited Samuel Bentley, London 1832, De Controversia in Curia Militari Inter Ricardum Le Scrope Et Robertum Grosvenor Milites: Rege Ricardo Secundo, MCCCLXXXV-MCCCXC E Recordis in Turre Londinensi Asservatis, p. 220, googlebooks, accessed 03/08/15
detail of figure on base
The long series of films, videos, engaged interventions in public space, performances, and object installations provide a consistent testimony to the power of the themes reflected. For many years, Vladimír Turner has persistently pointed out problematic, and often strongly cautionary, moments of Anthropocene civilisation in various places around the world. The enchanted mechanism of consumption-production, the deceitfulness of marketing strategies, the extraction of non-renewable resources, the brutal devastation of the landscape, mass tourism, the misconception of the possibility of shackling the organism of a big city to a structure of order, gentrification, homelessness, inhumane methods of political systems. In fact, the theme of the essence of pure humanity, personal and social responsibility towards the landscape, nature, and a sustainable way of life based on local self-sufficiency is recalled again and again. He points out the themes through matter-of-factly simple acts. This makes the awareness of the necessity of individual engagement all the more intense. Although his conceptual works have an activist character, often dealing with the subversion of paradox, the expressive power of the pure artistry cannot be ignored. Through his installation for the Veleslavín station, Vladimír Turner verbalises the sculptural situation with the themes of sustainable mobility, fossil fuels, international trade, the relationship of motoring vs. train transport, and exodus and nomadism as consequences of climate change. He chooses the form of a specifically modified Volvo car, with an appeal to the constant presence of the potential of a natural human resource. The ideas of the installation are directly related to the genesis of the artist’s intended film, in which he finds himself in the role of an aborigine, the last survivor on planet Earth, who begins to build everything necessary to live from the garbage all around him. “System Change! Not Climate Change!” (VT)
For twenty-five years London has been subject to a beautiful onslaught of criminal activity, reprehensible to some, embraced by others, colourful, witty and provocative. Street art, phenomenon of the 1990s, developed from graffiti art, a phenomenon of 1980s, is a regular occurrence on London's streets; in some areas it is ubiquitous. Its existence in London owes much to the city's cultural ties with New York, London's wealth and status and to the talent and determination of Bristol based artist Banksy, who introduced street art to London.
In London there are hives, around which street artists buzz, fanatics hunt and serendipitous locals and tourists register pieces on their mobile phones. These hives are to be found in Camden, East London and Leake Street in Waterloo. The Camden part of Regent's Canal, in 2009, hosted London's first and only street art battle between street-artist par excellence Banksy and an old time graffiti artist Robbo. In Shoreditch, East London, gallery owners, design studios and businesses, inspired by early works of Banksy, commission art on the outside of their buildings. This commissioned work is accompanied by an ever changing pastiche of gratuitous work, which has turned Shoreditch and East London into the spiritual home of street art. Leake Street, a disused railway tunnel just behind Waterloo Train Station became a hive for street artists and graffiti artists after Banksy organised a street art festival there in Spring 2008, which led to the tunnel being designated a legal space for street art and graffiti.
The Chinese say life is both yin and yang and the same can be said for the energies and motivations driving street art. Yin is an explosion of energy, an attempt to mean something to someone, a fire fuelled by a need for recognition and acceptance. Yang is a deep breath out, a chance to reflect, an opportunity to disconnect and feel one's real emotions; to disengage from the zeitgeist. For some, street art is all about the yang about free expression, emotion, creativity and the altruism of the street artist. It is part of an idealistic utopian philosophy that art should be for the people, free and accessible. However, in reality, most artists are guided by yin, fuelled by a desire to make it as an artist, to get a name, to get ahead.
All street artists experience the tension between yin and yang, it causes many to entertain delusions about the greater good of what they are doing, to hide their problematic egoistic tendencies and criminal activity. The fact is, the street artist is a psychopathic charmer, trying to seduce you with the beauty, audacity and complexity of his gift, hoping you forget he has, unilaterally, decided that his need for his art on your wall, is greater than your right to enjoy your wall, as it is, without interference. And London's heart is fluttering. The media celebrate street art, local authorities protect street art works from vandalism; the firm Pearl and Coutts, when it found out that Westminster Council wanted to remove a Banksy exhibit from one of its walls, went to the length of taking Westminster Council to court, to try, unsuccessfully, to have the image protected. In 2008, London art auctioneer Bonhams held London's first auction of street art, ; Village Undeground held an "urban art sale" and a piece by Banksy attracted a bid of £208,100. The elevated status of the street artist prompts invitations for shows from owners hoping to cash in on the cache. Like this the street artist is laundered.
The rise of the internet, which has coincided with the rise of street art, has created a virtual street art world. In the real world of street art those who happen to see the art, and enjoy it, encounter it as a moment of serendipity. Bloggers and web site owners rip the art from their geographical location and juxtapose the images next to each other. Here, viewers of street art get a concentrated experience, delivered to them through the click of a mouse, rather than the motion of their legs. Street art in the real world is transient, in the virtual world, digitally preserved, it lasts forever. The magic that might have been shared by a few, who had the luck to walk down a street at a particular point in time, can now be shared by millions in the virtual world. What we are left to ponder is whether street artists are creating street art, with a view to how this will be seen in the virtual world first, with considerations for people who and experience it in the street, coming second?
Playing with home developed negatives... The scaning is still problematic, but I shall carry on... :) Actually they were just photographed while the negaive was rdying.
"Moss rose is the gardener's choice for the hottest, driest, most problematic spots in the garden -- even a clay strawberry pot in full sun. This succulent plant thrives in heat, drought, and lousy soil, rewarding gardeners with nonstop color. Coming in sunny warm reds, oranges, magentas, and yellows, moss rose looks at home in a sun-drenched area. There's also a whole pastel color palette for moss rose -- creamy white, pink, and peach varieties. It often happily reseeds, coming back every year with gusto."
Newchurch is in the middle of a very narrow lane, which barely widens in the village, and so parking here is problematic. I managed to get a pace on the road, though I do think there is a small car park beside the church, but driving along the pavement didn't seem right to me.
All Saints sits on the edge of a cliff, and the road out of the village falls away beside it, making it a very dramatic location.
The tower, half clapboard and half soft sandy-coloured stone looks in poor repair. The clapboard, anyway. And entrance to the church is through the tower with the bellringing ropes hanging overhead.
Inside, it is a well kept church, some nice 19th century glass, a rose window in the west wall, but too high for me to get a good shot. The lectern is a fine golden Pelican in her Piety, one of the best I have seen, and hanging in the rood loft stairs, now leading nowhere, is a fine brass lamp.
As I left just before four, the church was locked, and my crawling for the day was done, so I repaired to the Pointer Inn next door for a fine pint of Hophead.
---------------------------------------------
The church celebrated its 900th anniversary in 1987 and is a fine example of a Norman Church with some remaining evidence of its pre-Norman origins.
It is one of only three English churches with an ancient sanctuary door still in place (Durham and Westminster are the other two). Over the South door there is the crest of William III (of Orange) dated 1700 with the face of the Lion Rampant being an image of King Willliam.
The Dillington Mortuary Chapel has a number tombs whose covering slabs have unusually well preserved and finely engraved crests and lettering
The following is extracted from the Quinquennial Report published in October 2011 by the Church Architect, Mr Ian G Smith.
Standing prominently at the north end of Newchurch village, All Saints Church is visible from many points in the central belt of the Island; being cruciform in plan, with a south porch and tower it dominates the Arreton Valley.
One of six Churches given by William FitzOsbern to Lyra Abbey in Normandy, it was given to the See of Bristol by Henry VIII; All Saints has throughout its life had many additions, in the 15th, 16th and 17th centuries; the Victorian restoration of 1883, by AR Barker, remodelled part of the interior.
The original Church is still quite easily identifiable in the Nave, North and South Aisles, the crossing and the north wall of the Chancel, with the later extensions of the South Transept and the Chancel evident in the treatment of the windows which are wider and of three light style.
Constructed of random stone under a steeply pitched and tiled roof, the modest exterior is off set by the surprisingly grand interior; with a soaring timber-clad Nave roof, and massive stone columns with octagonal piers; with double chamfered arches progressing to the crossing and the Chancel.
The square tower over the stone rendered South Porch, being of timber weather-boarding (around 1800) is unusual on the Island, housing the six bell peal, four of which were founded in 1810, the other two are of 16th and 17th century vintage.
Major benefactors of the Church were the Dillington family who have laid 8 vaults in the north transept and also in the south transept; and of historical interest within the Church are the oak pulpit of 1725, the oak door from the Porch, the Pelican Lectern (l7thC), the wall tablets, the stained glass east window by Kempe (1909), the Creed and Commandments boards in cusped Gothic frames on the west wall; and the panel over the south door with the royal arms of William III, and dated 1700.
Listing; Listed Grade I.
Ref SZ58NE
1352- 0/1/144
18/01/67
High Street (East Side) – Church of All Saints – Listed as Grade I
The listing in the Twenty Ninth List of Buildings of Special Architectural and Historic Interest, dated 14 February 1992, of the Isle of Wight, gives a particularly detailed description of the history of the Church, the windows, and the historic features, relying on much of the information contained in the Buildings of England, David W. Lloyd and Nikolaus Pevsner, Hampshire and the Isle of Wight this has been updated now having a separate volume on the Isle of Wight of 2006.
High Street (East side) -Dillington Sundial in All Saints Churchyard — listed Grade II
Ref: SZS8NE
1352-0/1/145
Sundial, 1678 by Robert Marks of London, Baluster shaped stone base to sundial, about 1.000mm in height on plinth of three square stone steps. The sundial is missing, the sundial originally stood on the bowling green at Knighton Gorges, but following the demolition of the great house, Squire Bisset gave it to the parish in 1826, when it was erected in the Churchyard, historical interest as one of the early relics of Knighton Gorges.
Church of Holy Trinity
Tomb of Sir Roger († after 1395) and Margaret († 1350?) de Boys, Alabaster.
The monument was long problematic, since Blomefield reported a now missing inscription requesting the viewer to pray for the souls of Roger de Bois and Lady Margaret, whose death he recorded as 1300, Sir Roger, and 1315, Lady Margaret. Pevsner noted that in style the monument belonged not to the early 1300s but to the end of the century. Recent research by Sally Badham has unravelled the confusion. She used the British Library manuscript Harleian MS 906 fol. 197 verso to establish that Sir Roger was descended from John de Boys and his wife Eustace Sandbie of Coningsby and that his wife died in 1365. There is no record of his death, suggesting that he was not a landowner in East Anglia, but since he was mentioned in other records it must have been sometime after 1394. With the old dates it was unclear why they had such a prominent tomb in the nave. Sir Roger, an otherwise obscure knight, was mentioned in the document of 1355 establishing the Church of the Holy Trinity as a chantry chapel and a priory for the Trinitarian order with. Those for whose souls the priests were to pray included, King Edward III, Sir Oliver and Lady Elizabeth Ingham, the relatives and parents of Sir Miles Stapleton, including his sister, the deceased Lady Catherine Boys and her husband John de Boys, Dame Margaret Honing. Sir roger’s wife, was not included.
The now sadly worn (and vandalised) tomb chest is set at the east end of the south aisle, originally guarded by railings, set into holes drilled into the base. Its position at the head of the nave would have made it opposite the altar in the chapel of St Mary, destroyed in 1799, an extension to the south east corner of the nave. The tomb is built around a pillar, which once supported the image of a saint, to whom Sir Roger de Boys would have looked. The figures lie side by side, now without their arms and with the detail of their costumes difficult to make out. The notes in the church suggest, on the basis of an analysis of the traces of colour, that she wore a heraldic dress. From the position of the stumps of their arms it is has been argued that they were represented holding hands, rather than in prayer. Sir Roger de Boys rests his head on a Saracen’s helmet, complete with decapitated head, perhaps sign that, as suggested below, he had been a crusader. His wife’s is set on two pillows, where a faint painted pattern can still be made out. His sword is missing but there is a hole on his right side where it was probably fixed. His statue has been convincingly compared with that a distinguished warrior knight, Sir Guy de Brian †1390, in Tewkesbury Abbey. They share the detail of the moustache, fashionably poking over the chain mail of his helmet. The figures are like caricatures, with his barrel chest and her extreme height (she must be about seven foot) and thinness, a sign of breeding (then as now) for those who could, as Professor Sandy Heslop has argued, ostensibly afford expensive food.
The base is decorated with (now blank) coats of arms set in quatrefoils and flanked by niches filled with angels, whose wings can just be made out (with some traces of colour). On the north they turn slightly to the door, a movement that culminates in the wider niche facing the entrance. Here the couple’s devotion to the Trinity, the church’s dedication, is shown in the panel. Two angels hold up their souls besides the Trinity, represented by the seated God the Father. He held a now lost crucifix with the dead Christ, supported by the (also missing) Dove of the Holy Ghost. The scheme also occurred in a roundel decorating the splendid and nearly contemporary brass memorial Sir Hugh Hastings (†1347) at Elsing.
Sir Roger de Boys was granted letters of attorney when travelling abroad between 1361-67 and again in the 1370s. At least one of these trips coincided with the crusade to capture Alexandria, called by Peter de Lusignan, King of Cyprus, in 1365, and the letters granting him permission to travel mention other crusader knights. That his death was not recorded may have been because he was not a land owner, although in 1378, together with his brother, he had given the Priory property in Worstead and Scottow. The family were established in Honing and Rollesby by the early years of the fifteenth century and their involvement with the church continued, since the arms on the tower (rebuilt in the 1450s), recorded by Blomefield, included Stapleton impaled with Boys.
Francis Blomefield, ‘House of Trinitarian canons: The priory of Ingham', A History of the County of Norfolk: Volume 2 (1906), pp. 410-412 corrected by Sally Badham 'Beautiful Remains of Antiquity': The Medieval Monuments in the Former Trinitarian Priory Church at Ingham Norfolk. Part 2: the High Tombs. CHURCH MONUMENTS VOLUME XXII 2007, esp. pp. 23-43; Sir Richard Le Scrope, edited Samuel Bentley, London 1832, De Controversia in Curia Militari Inter Ricardum Le Scrope Et Robertum Grosvenor Milites: Rege Ricardo Secundo, MCCCLXXXV-MCCCXC E Recordis in Turre Londinensi Asservatis, p. 220, googlebooks, accessed 03/08/15
Gentle enough for babies bottoms, penetrating for dry cracked man hands, and a detangling moisturizing treat for dry kinky to curly hair. Can it be true? Yup, join the green revolution!!
The Beija-Flor Naturals hemp buttercream is a luxurious concoction inspired by The Mixtress' time in Berkeley California. Hemp is naturally grown organic without pesticides and is a nutrient powerhouse rich in Omega 6, 3, and 9. Goes on smooth, absorbs instantly and lasts all day. This nourishing blend is guaranteed to leave both skin and hair buttery soft and hydrated.
Suggested Usage for Naturally Curly Hair: Beija-Flor Naturals hemp buttercream is an excellent leave-in conditioner/moisturizer. Apply Hemp Buttercream in sections to damp or dry air. Comb through and air dry. Use alone or under a gel or styler for soft and manageable hair.
Active Ingredients:
Hemp Butter
Reduces dry skin discomforts by replenishing moisture and retention by penetrating the lipid layers of skin. This fast absorbing oil is highly effective in protecting sensitive skin and repairing cell breakdown caused by dry, itchy skin.
The Omega Acids in Hemp have been found to assist in correcting dry and problematic skin; typically, psoriasis, acne, and eczema.
8oz Size, 12.00
On Tuesday 15 July 2025, officers and partners across the City of Manchester came together to patrol the city’s most problematic areas in a bid to tackle anti-social behaviour (ASB).
As part of the recently launched Home Office Safe4Summer initiative, which seeks to identify hotspot areas for ASB and tackle them with high-visibility and problem-solving policing, GMP officers and partners from Manchester City Council took to Piccadilly Gardens.
The newly formed Piccadilly Gardens Team, made up of eight police constables and Sergeant Jon Wyatt, was formed to front a multi-agency response designed to tackle ASB, and make Piccadilly Gardens hostile to criminality and a safer space for people to live, work and socialise.
During their patrol, specialist officers acted on intelligence and within minutes, uncovered two concealed bladed articles from the area. Police dog Kylo, was also on hand, aiding officers in the search for drugs and weapons.
A total of eight arrests were made within the gardens over the course of the day, for a range of offences including immigration offences, public order, robbery, and breach of Criminal Behaviour Order (CBO). Partners including Manchester City Council, CityCo, TfGM and Travelsafe joined GMP officers and staff on the ground alongside councillors Joan Davies and Pat Karney.
Councillor Garry Bridges, Deputy Leader of Manchester City Council, said: "As a council we work hard to ensure a positive experience for residents, visitors and businesses in Piccadilly Gardens, which is a much used and important gateway at the heart of the city centre.
“Together with our Neighbourhood Team, Licensing and Out of Hours Team, Anti-Social Behaviour Action Team and Cleansing Team we joined our colleagues at GMP to engage with businesses, residents and visitors in Piccadilly Gardens.
“We're really pleased to support these partnership action days with GMP, which demonstrate our joint commitment to making Piccadilly Gardens a safe and welcoming public space."
Chief Inspector Michael Tachauer co-ordinated the operation, deploying specialist officers to conduct sweeps with multiple weapons found hidden on roofs and in planters.
Chief Inspector Tachauer said: “Maintaining a good relationship with local businesses and our partners is key, as they are our eyes and ears on a daily basis. We meet and discuss issues once a week, seeking to problem-solve and focus on where we can make the biggest difference across the city.
“This day of action is just one example of the ongoing work our officers are carrying out every day, as part of our commitment to make Piccadilly Gardens a safer place for everyone who lives, works or visits the area”.
Bee In the Loop is your direct line to your neighbourhood policing team and will keep you in the loop about what is happening on your street and in your local community. Sign up now to receive free text or email alerts – www.beeintheloop.co.uk
To contact Greater Manchester Police for a less urgent matter or make a report online please visit www.gmp.police.uk.
You should call 101, the national non-emergency number, to report crime and other concerns that do not require an emergency response.
Always call 999 in an emergency, such as when a crime is in progress, violence is being used or threatened or where there is danger to life.
You can also call anonymously with information about crime to Crimestoppers on 0800 555 111. Crimestoppers is an independent charity who will not want your name, just your information. Your call will not be traced or recorded and you do not have to go to court or give evidence.
Cloe: "Excuse me! Excuse me, I have a question for you. That's okay? Um can you tell that my friend.. o.k. can you tell she was born a boy?"
Boy: "Uhm..."
Jade: "I-ii-i am a.. gir-"
Boy: "No, I can't tell."
Jade: "Oh. huehe ok."
Cloe: "Can you tell I was?"
Cloe: "Yea?"
Cloe: "Oh. Okay."
A male Ceratina species from Bee Gardens in San Francisco that are surveyed for bees by Jaime Palawek. This crisp litte bee is less than the size of a grain of rice (white, long grain) and glitters with smooth metallic blueish green colors. Glinty enough to be problematic when photographing.
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All photographs are public domain, feel free to download and use as you wish.
Photography Information: Canon Mark II 5D, Zerene Stacker, Stackshot Sled, 65mm Canon MP-E 1-5X macro lens, Twin Macro Flash in Styrofoam Cooler, F5.0, ISO 100, Shutter Speed 200
Beauty is truth, truth beauty - that is all
Ye know on earth and all ye need to know
" Ode on a Grecian Urn"
John Keats
You can also follow us on Instagram - account = USGSBIML Want some Useful Links to the Techniques We Use? Well now here you go Citizen:
Art Photo Book: Bees: An Up-Close Look at Pollinators Around the World
www.qbookshop.com/products/216627/9780760347386/Bees.html...
Basic USGSBIML set up:
www.youtube.com/watch?v=S-_yvIsucOY
USGSBIML Photoshopping Technique: Note that we now have added using the burn tool at 50% opacity set to shadows to clean up the halos that bleed into the black background from "hot" color sections of the picture.
www.youtube.com/watch?v=Bdmx_8zqvN4
PDF of Basic USGSBIML Photography Set Up:
ftp://ftpext.usgs.gov/pub/er/md/laurel/Droege/How%20to%20Take%20MacroPhotographs%20of%20Insects%20BIML%20Lab2.pdf
Google Hangout Demonstration of Techniques:
plus.google.com/events/c5569losvskrv2nu606ltof8odo
or
www.youtube.com/watch?v=4c15neFttoU
Excellent Technical Form on Stacking:
Contact information:
Sam Droege
sdroege@usgs.gov
301 497 5840
We made our annual trip to London in November. We travel down by coach from Slaithwaite and stay at The Cumberland Hotel at Marble Arch. It’s actually a weekend ladies shopping trip that is run as a fundraiser for Slaithwaite Brass Band – I’m the only bloke that goes every year! We decided ( the two of us) to stay down in London until Thursday this time as we wanted to see weekday London and be able to explore a bit further afield on foot. We covered up to 16 miles a day, which is tough going on crowded pavements with hundreds of busy roads to cross. I photographed anything that looked interesting but I bent a contact in the CF card slot, fortunately I had quite a few SD cards with me and the 5D has dual slots so I was able to carry on using it. It’s currently at Lehmann’s getting fixed.
With it being close to Christmas the decorations are up everywhere so there was plenty of colour at night. In Hyde Park the Winter Wonderland was in full swing, we’ve never bothered going to it before but I went twice at night this time. It is massive this year, I couldn’t get over how big it is and the quality of some of the attractions. The cost and effort involved must be phenomenal – it was quite expensive though. It was very difficult to photograph, with extremes of light (LED’s) and darkness and fast moving rides into the bargain. I think I have some decent usable stuff but at the time of writing I am only part way through the editing process so I don’t know for sure.
We set off at around 8.15 am every day and stayed out for at least 12 hours. The weather was poor for a day and a half with drizzle and very dull grey conditions, fortunately we had some pleasant weather (and light) along the way as well. Being based at the end of Oxford Street – Europe’s busiest shopping street – meant that I did quite a bit of night shooting on there. Although I carried a tripod everywhere I only used it once and that was during the day! Because there is always a moving element in almost every shot it seemed pointless using a tripod. I would have got some shots free of movement – or I could have gone for ultra-long exposures to eliminate people and traffic but it would have been problematic I felt. In the end I wound the ISO up and hand held – fingers crossed.
We walked out to Camden Market and Locks but it had been raining and we were a bit early as many were only just setting up for the day. We tried to follow routes that we hadn’t used before and visit new places. We paid a fortune to get in St Pauls but you can’t use cameras. This something that I fail to see the point of, ban flash if you want but if you are going to encourage tourism why ban cameras when there is nothing in particular happening in there. It’s a rule that seems to be applied arbitrarily in cities around the world. Fortunately we could take photos from the outside of the dome, which was real reason for visiting, and we had some great light. Expensive compared with a couple of euros in some famous cathedrals. I’ve wanted to walk to Canary Wharf for a number of years and this year we did. We crisscrossed the Thames a few times and tried to follow the Thames path at other times. We covered around ten miles but it was an interesting day. It was also very quiet for the last four or five miles. We got there about 12.00 and managed to get a sandwich in a café in the shopping centre at the foot of the high rise office blocks before tens of thousands of office workers descended from above. It was mayhem, packed, with snaking queues for anywhere that sold food. We crossed to the other side of The Isle of Dogs and looked across to the O2 Arena and the cable car, unfortunately there isn’t a way across for pedestrians and it was around 3.00 pm. With darkness falling at around 4.30 we decide it was too late to bother. We made our way back to the Thames Clipper pier to check the sailing times. They sail every twenty minutes so we had a couple of glasses of wine and a rest before catching the Clipper. Sailing on the Thames was a first in 15 trips to London. The Clipper is fast and smooth, the lights had come on in the city and there was a fantastic moon rise. It was nigh on impossible to get good shots at the speed we were traveling though and there were times that I wished I could be suspended motionless above the boat. Again, hopefully I will have some usable shots.
We felt that the shopping streets were a little quieter, following the Paris massacre it was to be expected, I might be wrong as we were out and about at later times than previous trips. I think I have heard that footfall is down though. It was good to get into some of the quieter backstreets and conversely to be stuck in the city business district – The Square Mile- at home time. A mass exodus of people running and speed walking to bus stops and the rail and tube stations. It was difficult to move against or across the flow of bodies rushing home.
Whilst the Northern(manufacturing) economy is collapsing, London is a giant development site, it must be the tower crane capital of Europe at the moment. It was difficult to take a shot of any landmark free of cranes, it was easier to make the cranes a feature of the photo. It’s easy to see where the wealth is concentrated – not that there was ever any doubt about it. The morons with too much money are still driving their Lambo’s and Ferraris etc. like clowns in streets that are packed with cars , cyclists and pedestrians, accelerating viciously and noisily for 50 yards. They are just sad attention seekers. From Battersea to Canary Wharf we walked the Thames Embankment, the difference between high and low tide on the river is massive, but the water was the colour of mud – brown! Not very attractive in colour. We caught a Virgin Train from Kings Cross for £14.00 each – a bargain!. We had quite a bit of time to kill around midday at Kings Cross so I checked with security that I was OK to wander around taking photos, without fear of getting jumped by armed security, and set off to photograph the station and St Pancras International Station across the road. I haven’t even looked at the results as I type this but I’ll find out if they are any good shortly. Talking of security, following Paris, there was certainly plenty of private security at most attractions, I don’t know if it was terrorism related though, I can’t say I noticed an increased police presence on the streets. It took us three hours and five minutes from Kings Cross to being back home, not bad for a journey of 200 miles. I can’t imagine that spending countless billions on HS2 or HS3 is going to make a meaningful (cost effective) difference to our journey. Improving what we have, a little faster, would be good. There are some bumpy bits along the route for a mainline and Wakefield to Huddersfield is the equivalent of a cart track – and takes over 30 minutes – it’s only a stone’s throw.
Closest remaining thing in Leeds to the problematic Leek Street Flats of Hunslet that were bulldozed within 14 years (1968 to 1982) This shared an eerily coincidental timeline to the similar and infamous Divis Flats of Belfast.
For a lot of people, #epilepsy is a very hard thing to live with. It can happen no matter where, with the results being debilitating, and for #children, this becomes problematic with their developmental issues if they have symptoms. If the #symptoms aren’t managed, it’s a problem.
According to a new study, it was found that the #cannabinoids from whole flower could help, in a way that it activates both the CB1 and the CB2 receptors, in order to help benefit this.
This paper did find that this is a great seizure treatment and may work for those children that have symptoms that don’t properly respond to other kinds of epilepsy treatments too.
How cannabis Helps
#Cannabis helps a lot of people for different reasons, and some studies have been found that for those who have epilepsy, tis can be a form of treatment.
How it works is something that is still being looked at, but there are a ton of clinical studies which show that with moderate, or even severe epilepsy, it can be a form of treatment for these disorders.
It’s even been found that cannabis may be better for relieving symptoms than even normal medications for this. The FDA even approved a drug to hep with this as well and is still being formulated and used by many people already.
Using cannabis for #spasms that happen is actually not something brand new. In fact, it’s been used for almost two millennia, in order to treat epileptic conditions, since this can help with seizures of all kinds.
There were also patients that used cannabidiol that actually helped their child with severe forms of epilepsy.
In the study, it was found that the child had a rare type of epilepsy called Dravet syndrome. The cannabinoids created life-changing results for the child, and her family was also happy with the results of this too.
While the child did pass away due to other problems, complications in different health related issues, it also has shown that the therapy behind this is legit, and it can be used with this.
The problem, however, is that because of cannabis prohibition, the endorsement of this is well, a big deal for tons of people, both adults and children with the condition.
It was found however, that it actually reduces up to 86% of outbursts and moments of epilepsy in children who use this and may prove to be a promising study for those who need it.
Children and cannabis
Children who have a diagnosed condition are allowed to access cannabis, and a parent or guardian who has access to a medical marijuana facility can possibly get their child onto the #medical #cannabis program to assist them.
Those who use this though do need to consult medical practitioners for the right recommendations and practices, and in some cases, they may need to help administer cannabis to the minor in some cases.,
If a child is using cannabis for any developmental issues of physical issues, there are also what’s called low #THC products for them to use. This is something that actually helps with the #psychoactive results that may impact a child, reducing paranoia and other issues too.
They also may use concentrated cannabis, which may be beneficial for end of life care for those minors who do need it.
Overall, cannabis can help minors who suffer from epilepsy, and help them get the care that they deserve, while also making sure that there is some benefit to this, so that children can get the help they need and reduce episodes as well.
I was quite pleased when this finally hove into view, having been due through about 30 minutes earlier. I was not aware of the trials endured on the train until much later. 45112 The Royal army Ordnance Corps drifting past the site of Hollacombe gas works near Paignton at 1319 on 22nd April 2006. The tour carried on to Kingswear, before returning to Derby (t412-31f)
Chaunograptus sp. - problematic graptolites(?) from the Ordovician of the Cincinnatian outcrop belt, USA.
Graptolites are an extinct group of hemichordates that are most commonly preserved as carbonized compressions on shale bedding planes. They are typically not glamorous fossils, but they are critically important guide fossils. Graptolites are widely used in biostratigraphy and international correlation.
The most abundant group of graptolites in the fossil record is the graptoloids. Graptoloid graptolites typically resemble small hacksaw blades. Each “tooth” of the hacksaw blades housed a tentaculate, filter-feeding organism. The entire hacksaw blade is the graptolite skeleton, known as a rhabdosome - a nonmineralized colonial skeleton. Most graptolites were planktonic.
The second most abundant group of graptolites is the dendroids. Dendroid graptolites attached to substrates and had colonial skeletons (rhabdosomes) that are generally broadly branching (conical to fan-shaped to shrub-like to flat spirals).
Other graptolite groups are very rare: the crustoids, tuboids, camaroids, and stolonoids.
The specimen seen here is a bryozoan-encrusted fossil cephalopod. The black squiggles and lines are Chaunograptus, a small, obscure, uncommon, encrusting fossil organism. The genus includes several nominal species that may or may not be true graptolites. Many of the "thecae" here are twisted and contorted, which is a characteristic of Chaunograptus contortus. However, that species is "supposed" to have very thin, thread-like stolons, which are generally not present here.
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The following is a synthesis of information about Chaunograptus that was provided by Rich Fuchs during presentations at Dry Dredgers meetings in November 1997 and May 2010:
There are 5 or 6 species of Cincinnatian Chaunograptus named. Most are Liberty Formation forms. Most are based on one specimen. Most of the holotypes are now missing (museum-wise). The Smithsonian renumbered their collections a while ago and lost the Chaunograptus. One was lost in a Dayton flood. Few holotypes are left. Chaunograptus are extremely fragile - they are not often found.
Chaunograptus is an encruster that may not be a graptolite. It is fairly rare and easily overlooked. It is more likely to be found in the Richmondian Stage (upper Cincinnatian Series, Upper Ordovician), especially encrusting brachiopod shells. Chaunograptus is classified as a dendroid graptolite or uncertain. There are several species, but some don't look like the rest. Rudolf Ruedemann listed 11 species in his 1947 book "Graptolites of North America" - 7 of these species are Upper Ordovician - 6 species are Cincinnatian. Now we're down to five species. Two of these species are synonymous, according to John Taylor's 1974 University of Cincinnati Master's thesis on Cincinnatian graptolites. Taylor's thesis says that Chaunograptus shideleri is the same as Chaunograptus delicatus. Most of the species are from the Richmondian Stage. Chaunograptus fossils have been found at the Newport Shopping Center. Rich Fuchs has found what he calls Chaunograptus contortus and Chaunograptus delicatus in the Kope Formation (Edenian Stage, lower Cincinnatian Series, Upper Ordovician). This is probably a form whose ranges are not well known.
Chaunograptus contortus - encrusting black spots on nodules. Twisted thecae with extremely thin lines (nemas). Rich Fuchs has found Chaunograptus contortus in the Kope Formation, but it was described from the Liberty Formation (Richmondian Stage, upper Cincinnatian Series, Upper Ordovician). The type specimen is missing - it couldn't be found by Taylor.
Chaunograptus delicatus - the type specimen is encrusting a nodule; thicker lines than Chaunograptus contortus; the lines trail around; occasional thecae structures; the lines move out from a central point. This species was also first described from the Liberty Formation. It occurs in the Liberty Fm. and the Whitewater Formation (upper Richmondian Stage, upper Cincinnatian Series, upper Upper Ordovician). The type specimen is known.
Chaunograptus vermiformis - Liberty Formation. The type specimen is in the Smithsonian - it's been renumbered, but it has been found.
Chaunograptus macrothecae - Grant Lake Formation (Cincinnatian Series, Upper Ordovician). Type specimen can't be found.
Chaunograptus gemmatus - Kope Formation. The type specimen (one specimen) is known.
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Classification: Animalia, Graptolithina?
Stratigraphy: unrecorded, Cincinnatian Series, Upper Ordovician
Locality: unrecorded site in the Cincinnatian outcrop belt, USA (but likely from southwestern Ohio or southeastern Indiana)
This week it snowed lot, and while it often made the journey to work a little problematic, a change in weather always seems to bring new opportunities.
This is a Russian Gaz, the equivalent of a Jeep, and I knew the moment I took it I would have an image with which I could work. It had the right composition, the building had a good paint job and the vehicle looked cute. This is not the type of vehicle I was after, as I have a request for an exhibition of Zuk vans, made here in Lublin between 1958 and 1997.
The original picture did not quite look like this, the sky was blue and there was still half an hour before the sun went down for a start. I just love painting out the detail until I reach the minimum that shows what I want and nothing that I do not want. I also had the time because Ania is in Warsaw for the weekend on exam training, and it is better to make pictures than to be reminded that she is not here.
The kit and its assembly:
This shinden-esque whif aircraft was spawned by a series of P-39 CG illustrations - modified skins for a flight simulator which depicted the Airacobra as a pusher with a canard layout. This looked very interesting, and since I had a Hobby Boss P-39Q in the stash with no real plan until now, I gave the inspiration green light and turned on the saw.
The CGs already showed some inplausibilities, though - all perspectives were carefully taken from a shallow side perspective, hiding problematic areas! So, soon it became clear that my build could not be a 1:1 copy of the virtual art, because that would either not be possible, or simply look poor in hardware form.
As consequence, the simple P-39 pusher conversion idea turned into a major kitbash and body sculpting job, that somehow looked more and more like a diminuitive Kyushu J7W Shinden!?
What went into the thing:
● Central fuselage with engine, cockpit and front end of a Hobby Boss P-39
● Wings from a revell Me 262
● Horizontal stabilizers from an Italeri Fw 190
● The twin fins are stabilizers from the Me 262, too
● The propeller comes from the MPM P-47H kit
● Landing gear was scratched from the spares box
A lucky find were the Me 262 wings: they perfectly fit in depth onto the Airacobra's fuselage, and they added the "modern" look I was looking for. The original wings were simply to straight and deep, proportions would hardly work. Unfortunatly this meant that the cutouts on the wings for the Me 262's engine nacelles had to be filled, and that the landing gear wells had to be improvised, too. The wings roots had to be re.sculpted, too, since the Me 262 wings are much thinner than the P-39's.
Another problem was the fuselage's relative length - with the tail cut off, it's just too short in order to take canards on the nose - that was already recognizable in the CGs where the front fuselage had been stretched.
I did the same, with two measures: Firstly, a 10mm plug was inserted in front of the cockpit - a massive lump of putty that was sanded into shape. Furthermore, just glueing the spinner onto the nose would not yield a proper look. So I added a P-38 nose (Airfix kit) that was reduced in height and re-scuplted the lower fuselage, adding depth. As a consequence, the front wheel well moved forward and had to be re-shaped, too. Lots of messy putty work!
A third dubious section was the propeller, or better its interesction with the fuselage. Again, the CGs did not yield any potential solution. Since pusher props call for ground clearance I decided to fix the propeller axis so high that the spinner would be flush with the aircraft's spine - the pointed XP-47H propeller (It's one massive piece, with lots of flash...) was perfect and finally found a good and unexpected use. As per usual I built a metal axis construction with a styrene tube adapter inside the fuselage for the propeller, so that it can spin freely.
In order to shape a more or less elegant transition from the oval P-39 fuselage to the round spinner I added another plug, about 5mm long and again sculpted from putty.
With that in place the overall proprotions became clearer. Next step was to clip the Me 262 wings, so that the span would match the fuselage length, and I had to devise a way to mount fins. The CG just used the P-39's stabilizers, vertically placed on the wings' trailing edge. But, again, this does not work well in hardware form. These "fins" are much too tall, and just mounting them in that place looks rather awkward.
My solution was then to add small carrier booms - actually these a massive, modern 500 lb bombs without fins, placed on the trailing edges and protruding. This makes a more plausible and stable-looking base for fins, IMHO, and after several options (including P-51 and P-47 stabilizers)I used trimmed Me 262 stabilizers. Their sweeped leading edge matches the wings' shape just well - and the Fw 190 stabilizers which were glued to the nose as canards also look in-style, and overall more modern than the P-39's rounded wing shapes.
Slowly the P-76 took more and more shape, and I was surprised how much it started to resemble the Kyushu Shinden, which was a bigger aircraft, though.
Church of Holy Trinity
Tomb of Sir Roger († after 1395) and Margaret († 1350?) de Boys, Alabaster.
The monument was long problematic, since Blomefield reported a now missing inscription requesting the viewer to pray for the souls of Roger de Bois and Lady Margaret, whose death he recorded as 1300, Sir Roger, and 1315, Lady Margaret. Pevsner noted that in style the monument belonged not to the early 1300s but to the end of the century. Recent research by Sally Badham has unravelled the confusion. She used the British Library manuscript Harleian MS 906 fol. 197 verso to establish that Sir Roger was descended from John de Boys and his wife Eustace Sandbie of Coningsby and that his wife died in 1365. There is no record of his death, suggesting that he was not a landowner in East Anglia, but since he was mentioned in other records it must have been sometime after 1394. With the old dates it was unclear why they had such a prominent tomb in the nave. Sir Roger, an otherwise obscure knight, was mentioned in the document of 1355 establishing the Church of the Holy Trinity as a chantry chapel and a priory for the Trinitarian order with. Those for whose souls the priests were to pray included, King Edward III, Sir Oliver and Lady Elizabeth Ingham, the relatives and parents of Sir Miles Stapleton, including his sister, the deceased Lady Catherine Boys and her husband John de Boys, Dame Margaret Honing. Sir roger’s wife, was not included.
The now sadly worn (and vandalised) tomb chest is set at the east end of the south aisle, originally guarded by railings, set into holes drilled into the base. Its position at the head of the nave would have made it opposite the altar in the chapel of St Mary, destroyed in 1799, an extension to the south east corner of the nave. The tomb is built around a pillar, which once supported the image of a saint, to whom Sir Roger de Boys would have looked. The figures lie side by side, now without their arms and with the detail of their costumes difficult to make out. The notes in the church suggest, on the basis of an analysis of the traces of colour, that she wore a heraldic dress. From the position of the stumps of their arms it is has been argued that they were represented holding hands, rather than in prayer. Sir Roger de Boys rests his head on a Saracen’s helmet, complete with decapitated head, perhaps sign that, as suggested below, he had been a crusader. His wife’s is set on two pillows, where a faint painted pattern can still be made out. His sword is missing but there is a hole on his right side where it was probably fixed. His statue has been convincingly compared with that a distinguished warrior knight, Sir Guy de Brian †1390, in Tewkesbury Abbey. They share the detail of the moustache, fashionably poking over the chain mail of his helmet. The figures are like caricatures, with his barrel chest and her extreme height (she must be about seven foot) and thinness, a sign of breeding (then as now) for those who could, as Professor Sandy Heslop has argued, ostensibly afford expensive food.
The base is decorated with (now blank) coats of arms set in quatrefoils and flanked by niches filled with angels, whose wings can just be made out (with some traces of colour). On the north they turn slightly to the door, a movement that culminates in the wider niche facing the entrance. Here the couple’s devotion to the Trinity, the church’s dedication, is shown in the panel. Two angels hold up their souls besides the Trinity, represented by the seated God the Father. He held a now lost crucifix with the dead Christ, supported by the (also missing) Dove of the Holy Ghost. The scheme also occurred in a roundel decorating the splendid and nearly contemporary brass memorial Sir Hugh Hastings (†1347) at Elsing.
Sir Roger de Boys was granted letters of attorney when travelling abroad between 1361-67 and again in the 1370s. At least one of these trips coincided with the crusade to capture Alexandria, called by Peter de Lusignan, King of Cyprus, in 1365, and the letters granting him permission to travel mention other crusader knights. That his death was not recorded may have been because he was not a land owner, although in 1378, together with his brother, he had given the Priory property in Worstead and Scottow. The family were established in Honing and Rollesby by the early years of the fifteenth century and their involvement with the church continued, since the arms on the tower (rebuilt in the 1450s), recorded by Blomefield, included Stapleton impaled with Boys.
Francis Blomefield, ‘House of Trinitarian canons: The priory of Ingham', A History of the County of Norfolk: Volume 2 (1906), pp. 410-412 corrected by Sally Badham 'Beautiful Remains of Antiquity': The Medieval Monuments in the Former Trinitarian Priory Church at Ingham Norfolk. Part 2: the High Tombs. CHURCH MONUMENTS VOLUME XXII 2007, esp. pp. 23-43; Sir Richard Le Scrope, edited Samuel Bentley, London 1832, De Controversia in Curia Militari Inter Ricardum Le Scrope Et Robertum Grosvenor Milites: Rege Ricardo Secundo, MCCCLXXXV-MCCCXC E Recordis in Turre Londinensi Asservatis, p. 220, googlebooks, accessed 03/08/15
This is a close-up shot of one side of the problematic ballot for this precinct. Notice that instead of filling in the ovals as the instructions say, this person put an "x" over the word to the right of the oval. None of this voters votes on this side of the ballot were counted by the machine, of course. This is technically a blank ballot for all the races on this side of the ballot.
We made our annual trip to London in November. We travel down by coach from Slaithwaite and stay at The Cumberland Hotel at Marble Arch. It’s actually a weekend ladies shopping trip that is run as a fundraiser for Slaithwaite Brass Band – I’m the only bloke that goes every year! We decided ( the two of us) to stay down in London until Thursday this time as we wanted to see weekday London and be able to explore a bit further afield on foot. We covered up to 16 miles a day, which is tough going on crowded pavements with hundreds of busy roads to cross. I photographed anything that looked interesting but I bent a contact in the CF card slot, fortunately I had quite a few SD cards with me and the 5D has dual slots so I was able to carry on using it. It’s currently at Lehmann’s getting fixed.
With it being close to Christmas the decorations are up everywhere so there was plenty of colour at night. In Hyde Park the Winter Wonderland was in full swing, we’ve never bothered going to it before but I went twice at night this time. It is massive this year, I couldn’t get over how big it is and the quality of some of the attractions. The cost and effort involved must be phenomenal – it was quite expensive though. It was very difficult to photograph, with extremes of light (LED’s) and darkness and fast moving rides into the bargain. I think I have some decent usable stuff but at the time of writing I am only part way through the editing process so I don’t know for sure.
We set off at around 8.15 am every day and stayed out for at least 12 hours. The weather was poor for a day and a half with drizzle and very dull grey conditions, fortunately we had some pleasant weather (and light) along the way as well. Being based at the end of Oxford Street – Europe’s busiest shopping street – meant that I did quite a bit of night shooting on there. Although I carried a tripod everywhere I only used it once and that was during the day! Because there is always a moving element in almost every shot it seemed pointless using a tripod. I would have got some shots free of movement – or I could have gone for ultra-long exposures to eliminate people and traffic but it would have been problematic I felt. In the end I wound the ISO up and hand held – fingers crossed.
We walked out to Camden Market and Locks but it had been raining and we were a bit early as many were only just setting up for the day. We tried to follow routes that we hadn’t used before and visit new places. We paid a fortune to get in St Pauls but you can’t use cameras. This something that I fail to see the point of, ban flash if you want but if you are going to encourage tourism why ban cameras when there is nothing in particular happening in there. It’s a rule that seems to be applied arbitrarily in cities around the world. Fortunately we could take photos from the outside of the dome, which was real reason for visiting, and we had some great light. Expensive compared with a couple of euros in some famous cathedrals. I’ve wanted to walk to Canary Wharf for a number of years and this year we did. We crisscrossed the Thames a few times and tried to follow the Thames path at other times. We covered around ten miles but it was an interesting day. It was also very quiet for the last four or five miles. We got there about 12.00 and managed to get a sandwich in a café in the shopping centre at the foot of the high rise office blocks before tens of thousands of office workers descended from above. It was mayhem, packed, with snaking queues for anywhere that sold food. We crossed to the other side of The Isle of Dogs and looked across to the O2 Arena and the cable car, unfortunately there isn’t a way across for pedestrians and it was around 3.00 pm. With darkness falling at around 4.30 we decide it was too late to bother. We made our way back to the Thames Clipper pier to check the sailing times. They sail every twenty minutes so we had a couple of glasses of wine and a rest before catching the Clipper. Sailing on the Thames was a first in 15 trips to London. The Clipper is fast and smooth, the lights had come on in the city and there was a fantastic moon rise. It was nigh on impossible to get good shots at the speed we were traveling though and there were times that I wished I could be suspended motionless above the boat. Again, hopefully I will have some usable shots.
We felt that the shopping streets were a little quieter, following the Paris massacre it was to be expected, I might be wrong as we were out and about at later times than previous trips. I think I have heard that footfall is down though. It was good to get into some of the quieter backstreets and conversely to be stuck in the city business district – The Square Mile- at home time. A mass exodus of people running and speed walking to bus stops and the rail and tube stations. It was difficult to move against or across the flow of bodies rushing home.
Whilst the Northern(manufacturing) economy is collapsing, London is a giant development site, it must be the tower crane capital of Europe at the moment. It was difficult to take a shot of any landmark free of cranes, it was easier to make the cranes a feature of the photo. It’s easy to see where the wealth is concentrated – not that there was ever any doubt about it. The morons with too much money are still driving their Lambo’s and Ferraris etc. like clowns in streets that are packed with cars , cyclists and pedestrians, accelerating viciously and noisily for 50 yards. They are just sad attention seekers. From Battersea to Canary Wharf we walked the Thames Embankment, the difference between high and low tide on the river is massive, but the water was the colour of mud – brown! Not very attractive in colour. We caught a Virgin Train from Kings Cross for £14.00 each – a bargain!. We had quite a bit of time to kill around midday at Kings Cross so I checked with security that I was OK to wander around taking photos, without fear of getting jumped by armed security, and set off to photograph the station and St Pancras International Station across the road. I haven’t even looked at the results as I type this but I’ll find out if they are any good shortly. Talking of security, following Paris, there was certainly plenty of private security at most attractions, I don’t know if it was terrorism related though, I can’t say I noticed an increased police presence on the streets. It took us three hours and five minutes from Kings Cross to being back home, not bad for a journey of 200 miles. I can’t imagine that spending countless billions on HS2 or HS3 is going to make a meaningful (cost effective) difference to our journey. Improving what we have, a little faster, would be good. There are some bumpy bits along the route for a mainline and Wakefield to Huddersfield is the equivalent of a cart track – and takes over 30 minutes – it’s only a stone’s throw.
Having a fertile male cat can be problematic. The normal thing for them to do, is to mark up their territory thoroughly with foul smelling urine. There has been some selecive breeding done om males that has lesser tendecies to spray urine everyware and Tonto is very good at keeping it in the litter box. That can change.
Strobist note Two flashes: SB26, 1/32, bare hanging above the cat and a SB25, 1/8 reflected in a white umbrella infront of the cat. Both triggered with remotes from Gadget Infinity.
A few months ago, you may recall I did an overview of a wee little figure.. the Sentinel 4inch-Nel Rockman/Mega Man X figure. You know, the cutesy one with the freaking magnets in the boots? I had mentioned at the time that it had a brother-from-another-brand, the D-Arts version, but getting it might be problematic given the aftermarket prices, as the popular figure was released way back in 2011.
Well, as always, I keep my nose to the ground for people getting rid of stuff, and $35 CAD later here we are - the D-Arts Mega Man X figure. Used and a bit scuffed, mind you, but complete and as far as I can tell, official.
So yeah.. before the Sentinel and of course the Kotobukiya kits of today, this was THE X figure to get. It retailed for 3,300 Yen back in the day, and included a decent number of accessories. You get the figure, a total of three face plates (netural, shouting, gritted teeth), a pair of fists, a pair of open palm hands, Rockbuster/Megabuster replacement forearm, replacement buster tip for use with the blast effects, a level 1 charged shot, and a rapid fire barrage of three standard shots.
The barrage effect can be folded such that the shots display in different patterns, and as such can be used for a wide variety of actions.
X certainly looks the part, and I think I might actually like the face on the D-Arts just a smidgen more than the Sentinel release. The feet are a bit bulky IMHO compared to the official game art, but the general silhouette is well done, which is more than I can say about the D-Arts OG figure release. Each are really aiming for a different aesthetic, I find, with the D-Arts definitely going for the more angular, armoured look versus the the streamlined look of the Sentinel. The colours on the two are slightly different, with the D-Arts figure having a glossier finish.
If I had to sum it up, the D-Arts finish is more like a model kit whereas the Sentinel is more like an animated character.
The Sentinel was definitely designed better in terms of joint concealment, as evident at the hips and the neck.
One other cosmetic thing the D-Arts has over the Sentinel is that the red parts are all translucent plastic with a chrome back piece, as compared to solid red paint.
From an articulation perspective, the two figure were actually surprisingly equal when looking at the lower body (ankles, knees, hips, waist). The Sentinel does feature an additional joint around mid calf that allows for a more satisfying folded leg via the double jointed knees, but functionally they're pretty close. Both have exceptional ankle articulation, especially when considering the bulk.
Upper body though, I found the trunk to be better designed on the Sentinel as I could get more ab range of motion. Arms and head were again pretty consistent with regards to display options as the joints were again pretty much the same.
Paint wise, other than the difference in colours, there really isn't much to compare to the two. QC changes a lot in the 7 year period between the figures but it is suffice to say that the D-Arts was generally very clean, and was certainly nicer than some of the other D-Arts releases of the era. Decal work isn't bad either, and was found to be crisp.
Build quality wise, again, you'd expect the newer one to be better built. But there's nothing wrong with the D-Arts, as parts fit together and finishes are generally good, with the exception of the torso popping off for me as I keep pushing it past its modest limitations of motion. The Sentinel, however, feels like it has a higher density (so basically, a higher concentration of actual material in the figure), which of course can help with balance issues.
Overall, both are great takes on the character, and cater to slightly different crowds. Unlike most cases, the "bigger is better" crowd would actually still be getting a pretty good figure, so long as slightly wonky looking joints isn't an issue, but this is offset by the inclusion of effects.
Finding these two isn't exactly needle in a haystack, but finding them for a good price is somewhat of a challenge. As you can imagine, each person will have a different tolerance for this sort of thing.
Having said that, if the latest and greatest is your thing, you can always try to get a hold of the Kotobukiya kits, which seem to offer a D-Arts-esque figure with a more rounded body, though the time and of course, paint necessary to get it done effectively are a no go for me.
The world is your oyster, friends.
Fortress Špilberk
The fortress Spielberg (Czech: Špilberk) is located in South Moravian Brno in the Czech Republic. It has a changing history as a medieval castle, fortress, barracks and prison behind it. Today are located in here exhibitions and a restaurant. The complex is a cultural and tourist destination of the Brno population. Its location on a hill offers a good view over the city.
Location
The former Spielberg fortress is situated on a hill (282 meters above sea level) above the old town of Brno.
History
Fortress
Spielberg Castle was built in the second half of the 13th century and has undergone some changes over the centuries. At first it was the Gothic castle of the Bohemian kings and seat of the Moravian margrave. In the middle of the 17th century, it was expanded into a powerful Baroque fortress. In the middle of the eighteenth century, with the then fortified city of Brno, it formed the most important bastion in Moravia.
The casemates, completed in 1742, were an important part of the fortress. They should provide protection for a 1200 man strong military corps. In the end, however, only military depots were placed here. In the year 1783, a prison was established for the most dangerous and worst criminals, in the course of the reform of the Austrian prison system by order of Emperor Joseph II. In 1785, the southern part of the casemates was also converted into a prison and called the Leopoldine tract. However, joint use as a military fortress and civilian prison was problematic.
After the destruction of important fortifications by the withdrawing Napoleonic army in 1809, the fortress lost its military importance. The whole fortress Spielberg became from 1820 a civilian prison. Under Franz Joseph I, the complex was again a military prison and barracks in 1855.
Fountain
The castle fountain is of medieval origin. In the years 1716 to 1717 its original depth was increased from 39 m to 112 m so that the ground was below the water level of the river Svratka in Old Brno. The upper part of the fountain is made of natural stone and bricks, while the lower part consists only of rocks. The average diameter is 3.5 m. The water level is 90 m, so that a water volume of more than 1,000 m³ is available. At the bottom of the well are two horizontal shafts with a length of 17 and 26 meters respectively.
By the Napoleonic troops, the well together with the destruction of the castle in 1809 was filled up but in the subsequent years it was exposed again. Above the well was a fountain house with a wooden wheel driven by convicts to bring up the water. This house was only abolished in the years 1939-1941 by the German Wehrmacht. The last cleaning work in the years 1990 and 1991 was connected with research, 308 m³ of material from the well were cleared. Interesting finds, which are exhibited in the Museum of the Castle, have been exposed. Among them is a skeleton of a soldier from the end of the 19th century. But his identity is unknown.
Near the well is a Baroque cistern, where the rain water of the surrounding roofs was caught.
Since 1990, on the rear wall of the castle courtyard, there is a clockwork consisting of 15 bells weighing between 16 kg and 220 kg.
Casemates
The casemates are laid out as a two-storey military dugout (for 1,200 men) with attached dungeon system below the castle buildings. From 1746 to 1749 Franz Freiherr von der Trenck was imprisoned here, his mortal remains are located in the crypt of the Capuchin monastery in Brno's old town. In 1783 Emperor Joseph II had the upper storey of the northern casemates rebuilt into a prison. In 1784 by imperial decree in the casemates of the lower story the sentenced for life have been quartered. In addition to this, 29 single-cells made of planks were built, in which the prisoners were forged to the wall. Spielberg became the most feared prison in the country. It was considered safe from outbreaks. Even the widely spread narrative of the only one escape from Spielberg prison castle of the very famous Czech robber Babinsky is just one of his numerous personal legends. This was spread by himself as a former Spielberg prisoner with the number 1042 after his release. In 1785, the upper storey of the southern casemates was also converted into a prison. From 1824 there was the Italian poet Silvio Pellico as a political prisoner. After his release in the autumn of 1830 he wrote his memoirs "Le mie prigioni", which made Spielberg's prison known throughout Europe.
In 1855, Emperor Franz Joseph I converted the former civil prison into a military prison. With the opening of the new penitentiary in Karthaus, 1857 the first felons were transferred there. In 1880 the casemates were made available to the public.
During the Second World War, the German army settled in in Spielberg. This led to considerable structural changes at the casemates in order to make them usable as a shelter. The Gestapo, in turn, also instituted here a notorious prison, where prisoners of resistance and opponents often died.
Today
During the years 1987 to 1992 comprehensive renovation work took place. The state of the eighteenth century was to be restored, so the time before the conversion of the fortress to the notorious dungeon of the Josephine period.
In addition to a tour of the dungeon and the casemates there are changing exhibitions and installations on the city and history with numerous documents in the castle's premises. A restaurant and a view tower in the inner part of the castle complex offer a nice panorama on parts of Brno. In the courtyard of the castle there are regularly concerts in the summer.
Festung Špilberk
Die Festung Spielberg (tschechisch: Špilberk) befindet sich im südmährischen Brünn in Tschechien. Sie hat eine wechselvolle Geschichte als mittelalterliche Burg, Festung, Kaserne und Gefängnis hinter sich. Heute befinden sich in ihr Ausstellungen und ein Restaurant. Die Anlage ist ein kultureller Ort und Ausflugsziel der Brünner Bevölkerung. Durch ihre Lage auf einer Anhöhe bietet sie einen guten Blick über die Stadt.
Lage
Grundriss der Festung Spielberg
Die ehemalige Festung Spielberg liegt auf einer Erhebung (282 m ü. NN) oberhalb der Altstadt von Brünn.
Geschichte
Festung
Die Burg Spielberg wurde in der zweiten Hälfte des 13. Jahrhunderts angelegt und machte im Laufe der Jahrhunderte einige Wandlungen durch. Anfangs war es die gotische Burg der böhmischen Könige und Sitz des mährischen Markgrafen. Mitte des 17. Jahrhunderts wurde sie zu einer mächtigen Barockfestung erweitert. Mitte des 18. Jahrhunderts bildete sie mit der damals ebenfalls befestigten Stadt Brünn das bedeutendste Bollwerk in Mähren.
Die 1742 fertiggestellten Kasematten waren ein wichtiger Teil der Festung. Sie sollten Schutz für ein 1200 Mann starkes militärisches Corps bieten. Letztlich waren hier jedoch nur Depots für militärisches Material untergebracht. Im Jahr 1783 wurde dort auf Beschluss Kaiser Josephs II., im Zuge der Reform des österreichischen Gefängniswesens ein Gefängnis für die gefährlichsten und schlimmsten Verbrecher eingerichtet. 1785 wurde auch der südliche Teil der Kasematten in ein Gefängnis umgebaut und leopoldinischer Trakt genannt. Die gemeinsame Nutzung als militärische Festung und ziviles Gefängnis war allerdings problematisch.
Nach der Zerstörung wichtiger Festungsteile durch das abziehende napoleonische Heer im Jahre 1809 verlor die Festung ihre militärische Bedeutung. Die gesamte Festung Spielberg wurde ab 1820 zu einem zivilen Gefängnis. Unter Franz Joseph I. wurde die Anlage 1855 wiederum ein Militärgefängnis und Kaserne.
Brunnen
Der Burgbrunnen ist mittelalterlichen Ursprungs. In den Jahren 1716 bis 1717 wurde seine ursprüngliche Tiefe von 39 m auf 112 m erhöht, sodass der Grund unter dem Wasserspiegel des Flusses Svratka in Alt-Brünn lag. Der obere Teil des Brunnens ist aus Naturstein und Ziegeln gemauert, während der untere Teil nur aus Felsen besteht. Der durchschnittliche Durchmesser beträgt 3,5 m. Der Wasserstand beträgt 90 m, sodass ein Wasservolumen von über 1.000 m³ zur Verfügung steht. Am Grund des Brunnens befinden sich zwei horizontale Schächte mit einer Länge von 17 bzw. 26 Metern.
Durch die napoleonischen Truppen wurde mit der Zerstörung der Burg 1809 auch der Brunnen zugeschüttet, in den Folgejahren allerdings wieder freigelegt. Oberhalb des Brunnens befand sich ein Brunnenhaus mit einem Holzrad, das von Sträflingen angetrieben wurde, um das Wasser heraufzuholen. Dieses Haus wurde erst in den Jahren 1939–1941 durch die deutsche Wehrmacht abgetragen. Die letzten Reinigungsarbeiten in den Jahren 1990 und 1991 waren mit Forschungen verbunden, dabei wurden 308 m³ Material aus dem Brunnen geräumt. Dabei wurden interessante Funde freigelegt, die im Museum der Burg ausgestellt sind. Unter diesen findet sich auch ein Skelett eines Soldaten aus dem Ende des 19. Jahrhunderts. Seine Identität ist aber unbekannt.
Nahe dem Brunnen liegt noch eine barocke Zisterne, in der das Regenwasser der umliegenden Dächer aufgefangen wurde.
Seit 1990 befindet sich an der Rückwand des Burghofes ein Glockenspiel, das aus 15 Glocken mit einem Gewicht zwischen 16 kg und 220 kg besteht.
Kasematten
Die Kasematten sind als zweistöckiger militärischer Unterstand (für 1.200 Mann) mit angeschlossener Kerkeranlage unterhalb der Burggebäude angelegt. 1746 bis 1749 wurde hier Franz Freiherr von der Trenck inhaftiert, seine sterblichen Überreste befinden sich in der Gruft des Kapuzinerklosters in der Brünner Altstadt. 1783 ließ Kaiser Joseph II. das obere Geschoss der nördlichen Kasematten in ein Gefängnis umbauen. 1784 wurden per kaiserlichem Dekret in den Kasematten des unteren Stockwerks die lebenslang Verurteilten einquartiert. Dazu entstanden 29 aus Brettern gezimmerte Einzelzellen, in denen die Gefangenen angeschmiedet wurden. Spielberg wurde zum gefürchtetsten Gefängnis des Landes. Es galt als ausbruchsicher. Selbst die landesweit verbreitete Erzählung von einem einzigen, jemals von der Burg Spielberg gelungenen Gefängnisausbruch des damals sehr berühmten tschechischen Räuber Babinsky ist nur eine seiner zahlreichen persönlichen Legenden. Diese wurde von ihm selbst als ehemaligem Spielberg-Häftling mit der Nummer 1042 nach seiner Entlassung verbreitet. 1785 wurde auch das obere Geschoss der südlichen Kasematten zum Gefängnis umgebaut. Ab 1824 war dort der italienische Dichter Silvio Pellico als politischer Gefangener. Nach seiner Freilassung im Herbst 1830 verfasste er seine Erinnerungen „Le mie prigioni“, die das Gefängnis von Spielberg in ganz Europa bekannt machten.
1855 wandelte Kaiser Franz Joseph I. das bisherige Zivil-Gefängnis in ein Militärgefängnis um. Mit der Eröffnung des neuen Zuchthauses in Karthaus wurden 1857 die ersten Schwerverbrecher dorthin überführt. 1880 wurden die Kasematten der Öffentlichkeit zugänglich gemacht.
Während des Zweiten Weltkriegs richtete sich die deutsche Wehrmacht in Spielberg ein. Diese führte an den Kasematten erhebliche bauliche Änderungen durch, um sie als Schutzkeller nutzbar zu machen. Auch die Gestapo richtete hier ein – wiederum berüchtigtes – Gefängnis ein um dort Widerstandskämpfer und Gegner einzusperren, die dort oftmals verstarben.
Heute
Während der Jahre 1987 bis 1992 fanden umfangreiche Renovierungsarbeiten statt. Es sollte der Zustand des ausgehenden 18. Jahrhunderts wiederhergestellt werden, also die Zeit vor dem Umbau der Festung zum berüchtigten Kerker der josephinischen Zeit.
Neben einem Rundgang durch den Kerker und die Kasematten befinden sich wechselnde Ausstellungen und Installationen zur Stadt und Geschichte mit zahlreichen Dokumenten in den Räumlichkeiten der Burg. Ein Restaurant und ein Aussichtsturm im inneren Teil der Burganlagen bieten ein schönes Panorama auf Teile Brünns. Im Hof der Burg finden im Sommer regelmäßig Konzerte statt.
The true nature photographer will spend many hours patiently waiting for thàt ``ultimate image.`` During those long waits, distractions become problematic. After three hours of waiting for a stupid eagle to come back to the nest with an over sized fish, skunk, poodle... whatever, I found my attention drifting...
What beautiful princess in her right friggin mind, would even contemplate setting her lips on something as ugly as this, in the hopes that it would turn into the man of her dreams. Get therapy lady..
The work focused on several problematic trees in the vicinity of Benson Bridge as part of a broader effort to remove trees burned or damaged during the 2017 Eagle Creek Fire. To protect recreational facilities and improve public safety, firefighters from the U.S. Forest Service have cleared many of the trees that pose a potential risk of decaying and falling.
Thought after hearing from Washington Policy Center, Seattle Times & finally the Seattle Transit Blog about the performance auditing finally done on Sound Transit I should post something. Figure this photo of a Sound Transit light rail train in Westlake Station with a background of paper seems appropriate. Except my border is too big!
The performance auditing by the Washington State Auditor's Office - partially by request of the Washington Policy Center - will look into faltering ridership models & election promises not kept. As somebody who enjoys using light rail, I appreciate the huge taxpayer subsidies the Seattle megalopolis is paying... and as the Seattle Transit Blog spins with declining revenue below projections, "At worst the auditor identifies something ST could do better, which is a win for everyone."
Kerry and Michele, handy-women both, trouble-shoot a problematic toilet on the main level at Portobella Estates.
for bes.c om/sit es/kristinakillgrove/2015/06/15/fresco-of-priapus-from-pompeii-depicts-problematic-genitalia/
The kit and its assembly:
This shinden-esque whif aircraft was spawned by a series of P-39 CG illustrations - modified skins for a flight simulator which depicted the Airacobra as a pusher with a canard layout. This looked very interesting, and since I had a Hobby Boss P-39Q in the stash with no real plan until now, I gave the inspiration green light and turned on the saw.
The CGs already showed some inplausibilities, though - all perspectives were carefully taken from a shallow side perspective, hiding problematic areas! So, soon it became clear that my build could not be a 1:1 copy of the virtual art, because that would either not be possible, or simply look poor in hardware form.
As consequence, the simple P-39 pusher conversion idea turned into a major kitbash and body sculpting job, that somehow looked more and more like a diminuitive Kyushu J7W Shinden!?
What went into the thing:
● Central fuselage with engine, cockpit and front end of a Hobby Boss P-39
● Wings from a revell Me 262
● Horizontal stabilizers from an Italeri Fw 190
● The twin fins are stabilizers from the Me 262, too
● The propeller comes from the MPM P-47H kit
● Landing gear was scratched from the spares box
A lucky find were the Me 262 wings: they perfectly fit in depth onto the Airacobra's fuselage, and they added the "modern" look I was looking for. The original wings were simply to straight and deep, proportions would hardly work. Unfortunatly this meant that the cutouts on the wings for the Me 262's engine nacelles had to be filled, and that the landing gear wells had to be improvised, too. The wings roots had to be re.sculpted, too, since the Me 262 wings are much thinner than the P-39's.
Another problem was the fuselage's relative length - with the tail cut off, it's just too short in order to take canards on the nose - that was already recognizable in the CGs where the front fuselage had been stretched.
I did the same, with two measures: Firstly, a 10mm plug was inserted in front of the cockpit - a massive lump of putty that was sanded into shape. Furthermore, just glueing the spinner onto the nose would not yield a proper look. So I added a P-38 nose (Airfix kit) that was reduced in height and re-scuplted the lower fuselage, adding depth. As a consequence, the front wheel well moved forward and had to be re-shaped, too. Lots of messy putty work!
A third dubious section was the propeller, or better its interesction with the fuselage. Again, the CGs did not yield any potential solution. Since pusher props call for ground clearance I decided to fix the propeller axis so high that the spinner would be flush with the aircraft's spine - the pointed XP-47H propeller (It's one massive piece, with lots of flash...) was perfect and finally found a good and unexpected use. As per usual I built a metal axis construction with a styrene tube adapter inside the fuselage for the propeller, so that it can spin freely.
In order to shape a more or less elegant transition from the oval P-39 fuselage to the round spinner I added another plug, about 5mm long and again sculpted from putty.
With that in place the overall proprotions became clearer. Next step was to clip the Me 262 wings, so that the span would match the fuselage length, and I had to devise a way to mount fins. The CG just used the P-39's stabilizers, vertically placed on the wings' trailing edge. But, again, this does not work well in hardware form. These "fins" are much too tall, and just mounting them in that place looks rather awkward.
My solution was then to add small carrier booms - actually these a massive, modern 500 lb bombs without fins, placed on the trailing edges and protruding. This makes a more plausible and stable-looking base for fins, IMHO, and after several options (including P-51 and P-47 stabilizers)I used trimmed Me 262 stabilizers. Their sweeped leading edge matches the wings' shape just well - and the Fw 190 stabilizers which were glued to the nose as canards also look in-style, and overall more modern than the P-39's rounded wing shapes.
Slowly the P-76 took more and more shape, and I was surprised how much it started to resemble the Kyushu Shinden, which was a bigger aircraft, though.
hmm, not too bad, but I detect plenty of problematic air bubbles - less than the first round for sure though.
Closest remaining thing in Leeds to the problematic Leek Street Flats of Hunslet that were bulldozed within 14 years (1968 to 1982) This shared an eerily coincidental timeline to the similar and infamous Divis Flats of Belfast.
Essentially the most commonly reported statistic regarding pot's addictiveness is 9 percent-that is, about 9 percent of individuals who attempt box can sooner or later within their lifestyles become dependent on it. But that's an amount that is very problematic. Hi just thought id say well i am
Bristol, Maine (est. 1765, pop. ~2,700), New Harbor village
• (L) Keeper's House (1857) • 20' x 34' dwelling w/ attached 10' x 12' kitchen • 1st floor now the Fisherman's Museum
• (C) (Pemaquid Light tower • original Pemaquid Light tower, commissioned by Pres. John Quincy Adams, erected in 1827 • replacement built in 1835 & upgraded with a Fresnal lamp which, still in use, can been seen 14 nautical miles away • originally powered by whale oil, later by kerosene • electrified & beacon was automated,1934, eliminating the need for a keeper
• (R) engine house (1897) • built for twin oil-burning steam engines that rang a new fog bell • took the place of a smaller bell rung by hand • the steam-powered method, apparently problematic, was replaced by a weight-powered Stevens striking mechanism two years later • the wooden pyramidal tower was built next to the engine house for the weights —lighthouse history
• lighthouse history
Newchurch is in the middle of a very narrow lane, which barely widens in the village, and so parking here is problematic. I managed to get a pace on the road, though I do think there is a small car park beside the church, but driving along the pavement didn't seem right to me.
All Saints sits on the edge of a cliff, and the road out of the village falls away beside it, making it a very dramatic location.
The tower, half clapboard and half soft sandy-coloured stone looks in poor repair. The clapboard, anyway. And entrance to the church is through the tower with the bellringing ropes hanging overhead.
Inside, it is a well kept church, some nice 19th century glass, a rose window in the west wall, but too high for me to get a good shot. The lectern is a fine golden Pelican in her Piety, one of the best I have seen, and hanging in the rood loft stairs, now leading nowhere, is a fine brass lamp.
As I left just before four, the church was locked, and my crawling for the day was done, so I repaired to the Pointer Inn next door for a fine pint of Hophead.
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The church celebrated its 900th anniversary in 1987 and is a fine example of a Norman Church with some remaining evidence of its pre-Norman origins.
It is one of only three English churches with an ancient sanctuary door still in place (Durham and Westminster are the other two). Over the South door there is the crest of William III (of Orange) dated 1700 with the face of the Lion Rampant being an image of King Willliam.
The Dillington Mortuary Chapel has a number tombs whose covering slabs have unusually well preserved and finely engraved crests and lettering
The following is extracted from the Quinquennial Report published in October 2011 by the Church Architect, Mr Ian G Smith.
Standing prominently at the north end of Newchurch village, All Saints Church is visible from many points in the central belt of the Island; being cruciform in plan, with a south porch and tower it dominates the Arreton Valley.
One of six Churches given by William FitzOsbern to Lyra Abbey in Normandy, it was given to the See of Bristol by Henry VIII; All Saints has throughout its life had many additions, in the 15th, 16th and 17th centuries; the Victorian restoration of 1883, by AR Barker, remodelled part of the interior.
The original Church is still quite easily identifiable in the Nave, North and South Aisles, the crossing and the north wall of the Chancel, with the later extensions of the South Transept and the Chancel evident in the treatment of the windows which are wider and of three light style.
Constructed of random stone under a steeply pitched and tiled roof, the modest exterior is off set by the surprisingly grand interior; with a soaring timber-clad Nave roof, and massive stone columns with octagonal piers; with double chamfered arches progressing to the crossing and the Chancel.
The square tower over the stone rendered South Porch, being of timber weather-boarding (around 1800) is unusual on the Island, housing the six bell peal, four of which were founded in 1810, the other two are of 16th and 17th century vintage.
Major benefactors of the Church were the Dillington family who have laid 8 vaults in the north transept and also in the south transept; and of historical interest within the Church are the oak pulpit of 1725, the oak door from the Porch, the Pelican Lectern (l7thC), the wall tablets, the stained glass east window by Kempe (1909), the Creed and Commandments boards in cusped Gothic frames on the west wall; and the panel over the south door with the royal arms of William III, and dated 1700.
Listing; Listed Grade I.
Ref SZ58NE
1352- 0/1/144
18/01/67
High Street (East Side) – Church of All Saints – Listed as Grade I
The listing in the Twenty Ninth List of Buildings of Special Architectural and Historic Interest, dated 14 February 1992, of the Isle of Wight, gives a particularly detailed description of the history of the Church, the windows, and the historic features, relying on much of the information contained in the Buildings of England, David W. Lloyd and Nikolaus Pevsner, Hampshire and the Isle of Wight this has been updated now having a separate volume on the Isle of Wight of 2006.
High Street (East side) -Dillington Sundial in All Saints Churchyard — listed Grade II
Ref: SZS8NE
1352-0/1/145
Sundial, 1678 by Robert Marks of London, Baluster shaped stone base to sundial, about 1.000mm in height on plinth of three square stone steps. The sundial is missing, the sundial originally stood on the bowling green at Knighton Gorges, but following the demolition of the great house, Squire Bisset gave it to the parish in 1826, when it was erected in the Churchyard, historical interest as one of the early relics of Knighton Gorges.
On the Douglas DC-9, the thrust reverser buckets when deployed were vertical- top bucket in line with the bottom bucket. This became problematic with some airlines as the lower bucket's thrust efflux would kick up all sorts of FOD that could get sucked into the engine. Air Canada had a fleet of DC-9-10s and DC-9-30s and came up with a fix by angling the lower bucket out 17 degrees which toed in the upper bucket when reverse thrust was selected. Anything kicked up by the lower bucket was blown out to the side away from the engine intake. Many other airlines picked up Air Canada's modification and McDonnell Douglas introduced the 17 degree rotation of the reverser buckets as production standard beginning with the Series 50. Any Series 30 aircraft built after the start if Series 50 production also had this fix as factory standard. So for example, all DC-9-34s have it fresh from the factory, but not all DC-9-33s did. When the MD-80 came along, that angled out reverser buckets was kept despite the newer engines as seen on this landing Mad Dog. Interestingly, despite all new engines and nacelles, the MD-95/717 also has the same angled out reversers! #Avgeek #aviation #aircraft #planeporn #nikon #d7000 #dslr #kdfw #dfw #airport #airplane_lovers #igtexas #squareready #planespotting #airlines #megaplane #instaplane #mcdonnelldouglas #md80 #american #dfwavgeek #instadfw #instagramaviation #N7537A #avgeekschoolofknowledge
This started as a problematic HDR shot, but it lends itself very well to the line art technique. I can't wait to get a print of this on my wall.
We made our annual trip to London in November. We travel down by coach from Slaithwaite and stay at The Cumberland Hotel at Marble Arch. It’s actually a weekend ladies shopping trip that is run as a fundraiser for Slaithwaite Brass Band – I’m the only bloke that goes every year! We decided ( the two of us) to stay down in London until Thursday this time as we wanted to see weekday London and be able to explore a bit further afield on foot. We covered up to 16 miles a day, which is tough going on crowded pavements with hundreds of busy roads to cross. I photographed anything that looked interesting but I bent a contact in the CF card slot, fortunately I had quite a few SD cards with me and the 5D has dual slots so I was able to carry on using it. It’s currently at Lehmann’s getting fixed.
With it being close to Christmas the decorations are up everywhere so there was plenty of colour at night. In Hyde Park the Winter Wonderland was in full swing, we’ve never bothered going to it before but I went twice at night this time. It is massive this year, I couldn’t get over how big it is and the quality of some of the attractions. The cost and effort involved must be phenomenal – it was quite expensive though. It was very difficult to photograph, with extremes of light (LED’s) and darkness and fast moving rides into the bargain. I think I have some decent usable stuff but at the time of writing I am only part way through the editing process so I don’t know for sure.
We set off at around 8.15 am every day and stayed out for at least 12 hours. The weather was poor for a day and a half with drizzle and very dull grey conditions, fortunately we had some pleasant weather (and light) along the way as well. Being based at the end of Oxford Street – Europe’s busiest shopping street – meant that I did quite a bit of night shooting on there. Although I carried a tripod everywhere I only used it once and that was during the day! Because there is always a moving element in almost every shot it seemed pointless using a tripod. I would have got some shots free of movement – or I could have gone for ultra-long exposures to eliminate people and traffic but it would have been problematic I felt. In the end I wound the ISO up and hand held – fingers crossed.
We walked out to Camden Market and Locks but it had been raining and we were a bit early as many were only just setting up for the day. We tried to follow routes that we hadn’t used before and visit new places. We paid a fortune to get in St Pauls but you can’t use cameras. This something that I fail to see the point of, ban flash if you want but if you are going to encourage tourism why ban cameras when there is nothing in particular happening in there. It’s a rule that seems to be applied arbitrarily in cities around the world. Fortunately we could take photos from the outside of the dome, which was real reason for visiting, and we had some great light. Expensive compared with a couple of euros in some famous cathedrals. I’ve wanted to walk to Canary Wharf for a number of years and this year we did. We crisscrossed the Thames a few times and tried to follow the Thames path at other times. We covered around ten miles but it was an interesting day. It was also very quiet for the last four or five miles. We got there about 12.00 and managed to get a sandwich in a café in the shopping centre at the foot of the high rise office blocks before tens of thousands of office workers descended from above. It was mayhem, packed, with snaking queues for anywhere that sold food. We crossed to the other side of The Isle of Dogs and looked across to the O2 Arena and the cable car, unfortunately there isn’t a way across for pedestrians and it was around 3.00 pm. With darkness falling at around 4.30 we decide it was too late to bother. We made our way back to the Thames Clipper pier to check the sailing times. They sail every twenty minutes so we had a couple of glasses of wine and a rest before catching the Clipper. Sailing on the Thames was a first in 15 trips to London. The Clipper is fast and smooth, the lights had come on in the city and there was a fantastic moon rise. It was nigh on impossible to get good shots at the speed we were traveling though and there were times that I wished I could be suspended motionless above the boat. Again, hopefully I will have some usable shots.
We felt that the shopping streets were a little quieter, following the Paris massacre it was to be expected, I might be wrong as we were out and about at later times than previous trips. I think I have heard that footfall is down though. It was good to get into some of the quieter backstreets and conversely to be stuck in the city business district – The Square Mile- at home time. A mass exodus of people running and speed walking to bus stops and the rail and tube stations. It was difficult to move against or across the flow of bodies rushing home.
Whilst the Northern(manufacturing) economy is collapsing, London is a giant development site, it must be the tower crane capital of Europe at the moment. It was difficult to take a shot of any landmark free of cranes, it was easier to make the cranes a feature of the photo. It’s easy to see where the wealth is concentrated – not that there was ever any doubt about it. The morons with too much money are still driving their Lambo’s and Ferraris etc. like clowns in streets that are packed with cars , cyclists and pedestrians, accelerating viciously and noisily for 50 yards. They are just sad attention seekers. From Battersea to Canary Wharf we walked the Thames Embankment, the difference between high and low tide on the river is massive, but the water was the colour of mud – brown! Not very attractive in colour. We caught a Virgin Train from Kings Cross for £14.00 each – a bargain!. We had quite a bit of time to kill around midday at Kings Cross so I checked with security that I was OK to wander around taking photos, without fear of getting jumped by armed security, and set off to photograph the station and St Pancras International Station across the road. I haven’t even looked at the results as I type this but I’ll find out if they are any good shortly. Talking of security, following Paris, there was certainly plenty of private security at most attractions, I don’t know if it was terrorism related though, I can’t say I noticed an increased police presence on the streets. It took us three hours and five minutes from Kings Cross to being back home, not bad for a journey of 200 miles. I can’t imagine that spending countless billions on HS2 or HS3 is going to make a meaningful (cost effective) difference to our journey. Improving what we have, a little faster, would be good. There are some bumpy bits along the route for a mainline and Wakefield to Huddersfield is the equivalent of a cart track – and takes over 30 minutes – it’s only a stone’s throw. Time to get back to editing.
Newchurch is in the middle of a very narrow lane, which barely widens in the village, and so parking here is problematic. I managed to get a pace on the road, though I do think there is a small car park beside the church, but driving along the pavement didn't seem right to me.
All Saints sits on the edge of a cliff, and the road out of the village falls away beside it, making it a very dramatic location.
The tower, half clapboard and half soft sandy-coloured stone looks in poor repair. The clapboard, anyway. And entrance to the church is through the tower with the bellringing ropes hanging overhead.
Inside, it is a well kept church, some nice 19th century glass, a rose window in the west wall, but too high for me to get a good shot. The lectern is a fine golden Pelican in her Piety, one of the best I have seen, and hanging in the rood loft stairs, now leading nowhere, is a fine brass lamp.
As I left just before four, the church was locked, and my crawling for the day was done, so I repaired to the Pointer Inn next door for a fine pint of Hophead.
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The church celebrated its 900th anniversary in 1987 and is a fine example of a Norman Church with some remaining evidence of its pre-Norman origins.
It is one of only three English churches with an ancient sanctuary door still in place (Durham and Westminster are the other two). Over the South door there is the crest of William III (of Orange) dated 1700 with the face of the Lion Rampant being an image of King Willliam.
The Dillington Mortuary Chapel has a number tombs whose covering slabs have unusually well preserved and finely engraved crests and lettering
The following is extracted from the Quinquennial Report published in October 2011 by the Church Architect, Mr Ian G Smith.
Standing prominently at the north end of Newchurch village, All Saints Church is visible from many points in the central belt of the Island; being cruciform in plan, with a south porch and tower it dominates the Arreton Valley.
One of six Churches given by William FitzOsbern to Lyra Abbey in Normandy, it was given to the See of Bristol by Henry VIII; All Saints has throughout its life had many additions, in the 15th, 16th and 17th centuries; the Victorian restoration of 1883, by AR Barker, remodelled part of the interior.
The original Church is still quite easily identifiable in the Nave, North and South Aisles, the crossing and the north wall of the Chancel, with the later extensions of the South Transept and the Chancel evident in the treatment of the windows which are wider and of three light style.
Constructed of random stone under a steeply pitched and tiled roof, the modest exterior is off set by the surprisingly grand interior; with a soaring timber-clad Nave roof, and massive stone columns with octagonal piers; with double chamfered arches progressing to the crossing and the Chancel.
The square tower over the stone rendered South Porch, being of timber weather-boarding (around 1800) is unusual on the Island, housing the six bell peal, four of which were founded in 1810, the other two are of 16th and 17th century vintage.
Major benefactors of the Church were the Dillington family who have laid 8 vaults in the north transept and also in the south transept; and of historical interest within the Church are the oak pulpit of 1725, the oak door from the Porch, the Pelican Lectern (l7thC), the wall tablets, the stained glass east window by Kempe (1909), the Creed and Commandments boards in cusped Gothic frames on the west wall; and the panel over the south door with the royal arms of William III, and dated 1700.
Listing; Listed Grade I.
Ref SZ58NE
1352- 0/1/144
18/01/67
High Street (East Side) – Church of All Saints – Listed as Grade I
The listing in the Twenty Ninth List of Buildings of Special Architectural and Historic Interest, dated 14 February 1992, of the Isle of Wight, gives a particularly detailed description of the history of the Church, the windows, and the historic features, relying on much of the information contained in the Buildings of England, David W. Lloyd and Nikolaus Pevsner, Hampshire and the Isle of Wight this has been updated now having a separate volume on the Isle of Wight of 2006.
High Street (East side) -Dillington Sundial in All Saints Churchyard — listed Grade II
Ref: SZS8NE
1352-0/1/145
Sundial, 1678 by Robert Marks of London, Baluster shaped stone base to sundial, about 1.000mm in height on plinth of three square stone steps. The sundial is missing, the sundial originally stood on the bowling green at Knighton Gorges, but following the demolition of the great house, Squire Bisset gave it to the parish in 1826, when it was erected in the Churchyard, historical interest as one of the early relics of Knighton Gorges.
When I said on my uploads that getting into Tilmanstone was a bugbear, how then to describe my frustration about St Anthony, as this is a church I see each time we travel up or down the Alkham valley to Folkestone.
St Anthony sits on a bluff overlooking the village and the main road, and so seems impressively tall. But up close, one finds the tower to appear short and squat.
I had driven over from Tilmanstone, I had decided to give Eythorne a miss as I really wanted to make sure I got to Alkham and the next church on the list, Acrise, before the day faded and I would lose the chance for another year.
Parking in the village is problematic, so I leave the car opposite the village hall beside the cricket pitch, which now looks like it would be perfect for a few overs. How different from the late winter, when the Drellingore was in full flood and the pitch was under a good foot of water, and houses down the hill had water bubbling up between the plants in their gardens borders.
And looking at the Drellingore itself, reveals it to be the dried up bed it always was, with just the occasional pool of still wet mud showing where once the torrent flowed.
It is quite a steep climb back to the main road and then along to the old village pub, The Marquess of Granby, now sadly rebranded as a gastropub and called simply "The Marquess".
Up beside the pub, past a pretty row of cottages and into the churchyard. My, I was puffing well, but after stopping to take a shot of the outside of the church, I walk to the porch to find both the outer and inner doors open, and the interior glowing with sunlight refracted by Victorian stained glass.
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Picturesquely situated on a quiet bluff high above the main road, the simple flint exterior of Alkham church hides a remarkable surprise. From the south the building looks little different to many others in the region, but inside it immediately presents its trump card - a north aisle/chapel built in the thirteenth century which contains the finest blank wall arcading in any Kent church. This should be compared with the contemporary chancel arcading at Cooling and Woodchurch - in each designed to emphasise the importance of the (recently rebuilt) chancel. Here it served an altogether different purpose, competing with the nearby commandery of the Knights Hospitallers at Swingfield. At the west end of the nave, filling the tower arch, is a rather heavy but fine, wooden nineteenth century screen. The east window contains some fine nineteenth century glass. West tower, nave, chancel, north aisle, south porch
www.kentchurches.info/church.asp?p=Alkham
ALKHAM is within the ECCLESIASTICAL JURISDICTION of the diocese of Canterbury, and deanry of Dover.
The church, which is dedicated to St. Anthony the Martyr, is a handsome building, consisting of three isles and two chancels, having a tower steeple, with a low pointed turret on it, in which hang three bells. The north isle is shut out by boarding from the rest of the church, and made no use of at present, to which the school now kept in the chancel might be removed, and have no kind of communication with that part of the church appropriated for divine service, which would prevent that unseemly and indecent resort which it is at present subject to. In the chancel are several memorials for the Slaters, lessees of the parsonage; and on the south side, against the wall, is an antient tomb of Bethersden marble.
The church of Alkham, with the chapel of Mauregge, or Capell as it is now called, belonging to it, was given by Hamon de Crevequer to the abbot and convent of St. Radigund, together with the advowson of it, to hold in free, pure, and perpetual alms. It was appropriated to that abbey about the 43d year of king Henry III. anno 1258, and was afterwards, anno 8 Richard II. valued among the temporalities of the abbey at fourteen pounds. In which state this church and advowson remained till the dissolution of the abbey, which happened in the 27th year of king Henry VIII. when it was suppressed by the act of that year, as being under the clear yearly value of two hundred pounds, and their lands and possessions given to the king, who granted the scite of it, with the whole of its possessions, that year, to archbishop Cranmer, in exchange for other lands, who in the same year exchanged them back again with the king, being enabled so to do by an act then specially passed for that purpose; but in the deed of exchange, among other exceptions, was that of all churches and advowsons of vicarages; by virtue of which, the appropriation of the church of Alkham, together with the advowson of the vicarage, remained part of the possessions of the see of Canterbury, as they do at this time, his grace the archbishop of Canterbury being now entitled to them.
The vicarage of Alkham, with the chapel of Ferne, alias Capell, annexed to it, is valued in the king's books at eleven pounds, and the yearly tenths at Il.2s. per annum. (fn. 4) It is now of the clear yearly certified value of 53l. 9s. 6d. In 1588 here were communicants eighty; in 1640 it was valued at sixty pounds. The vicar of it is inducted into the vicarage of Alkham, with the chapel of Capell le Ferne, alias St.Mary le Merge, annexed to it. There are three acres of glebe land belonging to the vicarage.
The great tithes of Evering ward, in this parish and Swingfield ward, part of the parsonage of Alkham, are held of the archbishop for three lives, at the yearly rent of 1l. 6s. 8d. and the parsonage for twenty-one years, at the yearly rent of twelve pounds.
Porter County Infirmary, Valparaiso, Ind.
Date: 1908
Source Type: Postcard
Publisher, Printer, Photographer: Elmer E. Starr (#61394)
Postmark: August 18, 1908, Valparaiso, Indiana
Collection: Steven R. Shook
Remark: During the mid-nineteenth century, a movement was taking place in the United States and Western Europe recognizing the plight of the poor, indigent, and mentally unstable citizens. In the United States, many counties established what were often referred to as poor houses, poor farms, infirmaries, and asylums. Generally, mentally unstable individuals were also housed at these county-established residences, though most states also erected state mental institutions to house those citizens of the state that were deemed to be more problematic for the counties to handle and maintain in an adequate state of care.
The genesis of Porter County’s “Poor Farm” took place on June 7, 1855, when the Porter County Commissioners approved the purchase of 80 acres from William C. Pennock for the sum of $3,000. This land comprised the east one-half of the southwest quarter of Section 26 in Center Township. Pennock became the first superintendent of the Porter County Poor Farm, accommodating the poor in the home already located on the newly purchased property.
On September 1, 1856, a new dwelling constructed by George C. Buel was opened on the poor farm property to house the poor. This structure was had a footprint of 32 x 45 feet and cost the county $2,482, being paid with a combination of cash and county-issued bond revenue. Residents were, for the most part, self-sufficient. Shelter and meals were provided to the residents in exchange for labor in farming and upkeep of the property.
An adjacent 80 acres directly east of the Porter County Poor Farm was purchased by the county for $3,200 in March 1866 to expand the farm to 160 acres. The farm was expanded again on June 16, 1875, when the county purchased all that part of the northeast quarter of Section 35 in Center Township which was lying north and east of Salt Creek and south of a line drawn parallel with the north line of the quarter for $1,200. On June 9, 1876, yet another purchase took place to expand the farm when the county purchased southeast quarter of the southwest quarter of Section 27 in Center Township for $1,200.
The home seen in this image was the third and final home to be located on the Porter County Poor Farm. Designed by local architect Charles F. Lembke, ground was broken for this $25,000 structure soon after the sale of county-issued bonds on August 7, 1905; construction was completed in 1906. Shortly after this building was completed, a barn was erected on the property at a cost of $4,000.
At some point in time before the construction of this building, the Porter County Poor Farm was being more often referred to as the Porter County Asylum. This suggests that the county was transitioning from housing the poor and indigent to include individuals with real and perceived mental deficiencies and what were considered, at that time, socially undesirable characteristics. As reported in early twentieth century county newspapers, the institutionalized included the truly insane, such sociopaths, psychopaths, and the delusional, as well as the poor and indigent, unemployed (bums and hobos), epileptics, adulterers, prostitutes and loose women, homosexuals, alcoholics, and drug addicts. Oftentimes, the Porter County Asylum served as a temporary housing solution before an individual was committed to the Porter County Jail, Indiana State Prison, or one of the state-operated mental institutions. As evident by the writing on this postcard, the name of institution had evolved into the Porter County Infirmary by 1907.
On November 11, 2005, this structure was heavily damaged by an arsonist using kerosene as an accelerant. The extent of the damage was so severe that it was decided to raze the building, which took place during late February and early March 2006.
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The following news item appeared in the August 14, 1903, issue of The Chesterton Tribune:
Porter County Business.
At the last meeting of the council the board of county commissioners asked for an appropriation for the erection of a new county asylum. The council passed a resolution instructing the commissioners to procure plans for such a building as was needed, and fall information as to what was expected. At the meeting held Friday [August 7, 1903], the board had present Mr. Butler, secretary of the Indiana state board of charities, who brought with him the plans of several asylums built in various parts of this state. He had examined the county asylum, and severely condemned it. He showed the plans of the Adams county asylum, which cost about $30,000 to construct. It was equipped with a hospital and insane quarters, as well as separate quarters for the sexes. Its capacity was about 40 inmates. Another plan was submitted with a capacity of about 18 inmates which would cost about three-quarters as much as the larger one. Mr. Butler imparted a great deal of valuable information to the commissioners and the council, and advised that a committee be selected to visit some of the new and modern asylums of the state. The commissioners asked for an appropriation to cover the expenses of such a committee to the amount of $125, but the council thought $60 would be sufficient for the purpose and granted this sum. The committee selected are: C. W. Benton, Frank Quick, H. Bornholt, Hail Bates and A. J. Bowser. This committee will start on its trip Friday of this week, and expects to make a report at the September meeting of the county council.
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The following news item appeared in the August 21, 1903, issue of The Chesterton Tribune:
Chesterton Chips.
The committee selected by the county council to make an investigation of various county asylums in this state, and report on the needs of this county for accommodations for its poor, left on its mission last Friday morning. The committee consisted of the three county commissioners, Bornholt, Quick and Benton, and Bowser and Bates, of the county council. They visited the asylums of Marshall, Kosciusko and Adams counties. This committee has a vast amount of work yet to do collecting information to be obtained in this county, and as soon as this is ready a report will be made to the council, probably at a special session. As the editor of the Tribune is a member of this committee, and the report is not yet made, it would be improper for us to say anything at this time. We can say, however, that after the report is made and presented to the council, it will be published in full in all the papers of the county that desire to do so, so that the people of the county will know all about the matter. The committee hops to present a plan whereby a suitable county asylum can be built without increasing taxation or issuing bonds, and after it is built, will be self-sustaining. Some idea of the magnitude of the work will be obtained from the above simple statement. How this can be done is the work the committee will be engaged upon for several days.
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The following news item appeared in the September 11, 1903, issue of The Chesterton Tribune:
COUNTY BUSINESS
County Commissioner Benton appeared before the council and reported the result of his committee investigation on the poor house matter. He said that a suitable building with the necessary barns and outbuildings could be built for about $35,000. The opinion of his committee was that the present poor farm was not suitable for the erection of such buildings. He accompanied his report with a map showing the farm, with its swamps and bad lands, and said that the committee would be in favor of waiting a year, and even three or four years before building, rather than build under present conditions. It was the sense of all the council and the board of commissioners that it would not be wise to build on the present poor farm, and the next step in the problem was whether it would be wise to try to run the poor farm on an extensive scale, and depend upon hired help to make the investment pay. Despite the claims of numerous county superintendents, poor farms were not self-sustaining, and the extra cost of management at up the profits of the farm. Not counting the interest on the money invested in a farm and buildings, the best that could be figured out was a deficiency of four or five thousand dollars per year. This amount was created by superintendent's salary, hired help, fuel, insurance, repairs and incidental expenses. The question arose whether it would not be better financiering to get away from the old fashioned idea of farming, which might have been all right in the early days, and take the interest money on the land investment and buy what was needed for the inmates. Prof. Kinsey crystalized this idea into a resolution which he offered, and which was unanimously passed, and which reads as follows:
"Resolved that is is the sentiment of the Porter County Council that it would be to the best interest of the county to sell the whole county farm holdings, and purchase a suitable site of not more than 40 acres, as being the more efficient and economical way of caring for the county's poor, and that the undertaking of extensive farming in connection with the county poor is unprofitable and expensive, and that the county commissioners are hereby instructed to look up suitable sites and prices and report to this body.
"Resolved, That Bates and Bowser, the same committee heretofore appointed to visit county farms, etc., with the three commissioners, continue with the Board of Commissioners in the investigation of sites and prices."
The effect of this resolution will be that until a suitable site can be found at a reasonable price, and some prospect of selling the present poor farm presents itself, there will be nothing doing in the poor house line. The council and commissioners are determined to proceed slowly and with caution in this matter, so that when the work is completed it will be satisfactory to the taxpayers, and of benefit to the inmates.
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The following news item appeared in the September 9, 1904, issue of The Chesterton Tribune:
Council Meeting.
The sum of $25,000 was appropriated for the erection of suitable buildings for the county asylum, the month to be raised by the sale of bonds payable in ten yearly installments of $2,500 each, with interest at 4 per cent. A levy of two cents on the one hundred dollars will meet the bonds and interest. The following resolution was passed, which explains itself.
Resolved, That there be appropriated by the Porter County Council the sum of $25,000 for the purpose of building a house and heating plant, plumbing and drainage for said building on the Porter county infirmary grounds and lands for housing the indigent poor of Porter county, to include all necessary expenses connected with such improvement, and that the Board of Commissioners of Porter county, Indiana, by proper proceedings, issue bonds for $25,000 for that purpose, as required by law, to be sold at not less than par, but that the said sum of $25,000 must not be exceeded in any event, either in bonds or in money in the expenditures for that purpose, and that the interest on said bonds must not exceed four per cent per annum on the par value of the bonds, interest payable semi-annually, and that said bonds are to run ten years in a series of ten equal payments, beginning one year after the date of issue, one-tenth thereof payable each year during such period. Said bonds not to be sold until after a contract has been let to a responsible bidder, who has given sufficient surety for the faithful performance of his contract, and whose bid shall not exceed the amount appropriated in this resolution.
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The following news item appeared in the January 12, 1905, issue of The Chesterton Tribune:
County Business.
Architect Lembke submitted drawings for the proposed new county asylum to the board. These had been drawn on suggestions offered by Commissioner Benton, and show a building 123x95, with three floors, basement, first floor and second floor. The building is to be constructed of brick, trimmed with cement block, with tile roof. It is to be heated by steam, and has nineteen rooms for inmates, eight rooms for the superintendent, besides rooms for laundry, furnace, kitchens, closets, bath rooms and six cells for insane. The plans arrange for a division of the sexes, and provide light and ventilation very amply. The height of the rooms are as follows: basement, nine feet; first floor 10 feet; second floor nine feet. The site contemplated is north and east of the present asylum buildings. The board have taken the plans under consideration, and will act on them at the first meeting in February.
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The following news item appeared in the January 26, 1905, issue of The Chesterton Tribune:
CHESTERTON ITEMS.
John F. Wing, of the firm of Wing & Mahurin, architects, Fort Wayne, heard that Porter county contemplated building a new county asylum, and he came to Valparaiso last Saturday to meet the commissioners, and lay before them a plan in the hopes of getting the job. The commissioners had looked at a plan submitted by architect Lambky [Lembke] and had decided to act on the matter at the February meeting. Since Wing has appeared on the scene and has furnished the Board with a lot of useful information, it looks now as though no hasty action would be taken in the matter. The Fort Wayne firm has built public buildings all over the state, and both Quick and Bates agreed that the plans he submitted Saturday were superior in every way to those the Valparaiso man laid before them. This plan calls for accommodations for fifty inmates, with all of the latest improvements in ventilation, hospital quarters, insane wars, etc. It has revealed the fact that no harm can be done to invite architects from all over to come and submit plans, and from the information gathered it will be possible for this county to have a good asylum. The man who furnishes the plans and superintends the work should have no connection with the concern that takes the contract. The TRIBUNE sincerely hopes that this building will be built without friction or even the suspicion of jobbery, and we believe it will. It is well enough to watch, however.
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The following news item appeared in the October 5, 1905, issue of The Chesterton Tribune:
LOCAL NEWS OF THE WEEK
The board of county commissioners went out to the county farm last Monday for dinner. Auditor Corboy and The Tribune man were taken along by Superintendent Henry to see how the new county asylum building was getting on. The work is progressing very satisfactorily, and looks as though it was being well done. The walls are up for the basement and first story, and it is expected that it will be ready for enclosure before winter sets in. It will be at least a year before the building will be ready for occupancy, and if the inmates can be quartered in the new building by this time next year, they will be lucky. Mr. Henry says he does not like the arrangement of the basement, and especially the way provided for the storage cellars on account of the inconvenience of getting to them. Mrs. Henry is worrying about the location and capacity of the cisterns, and unless it is conveniently placed it will mean much work for her. It is proposed to use the old building now used to house the superintendent and inmates for crop storage purposes, leaving them where they are, for a while at least. The poor farm crops are fine this year, and the stock is a credit to the management. Henry and his wife have worked wonders for the county in their management of the county farm, and they are entitled to credit. It will be hard to winter the inmates in their present quarters unless some repairs are made. Cracks almost big enough to throw a cat through are quite plenty and while there will be plenty of fresh air, just how the poor folks can be kept warm is the problem. Mrs. Freeland, who was taken to the asylum a few weeks ago, died recently. Her husband is here, but very feeble. Westchester's delegation seems to be getting on all right, and in fact they all seem to be comfortable. Mr. Henry has managed to get considerable work out of some of the inmates this year, giving each one something he can do. The cripples were stripping seed corn and making it ready for drying, others able to get around were cutting corn, and still others were doing the housework in the inmates' quarters. There is a class who come to the county farm that Mr. Henry wished would go elsewhere. They are those afflicted with loathsome diseases, and lousy. He has no facilities for cleansing them or doctoring them. Representatives of this class are beginning to arrive, and although Henry says he has never yet refused an applicant admittance, he does not know what he will be compelled to do if township trustees continue sending him men like the one he recently received. This individual was a living pest, so loathsome that it was almost impossible to touch him. Caring for the county poor is no snap.
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The following news item appeared in the June 7, 1906, issue of The Chesterton Tribune:
County Business
Nothing doing about accepting the County Asylum building. The contractor has finished the job, and is ready to turn the building over to the county. County Superintendent Henry is very much dissatisfied with the building, and it will not be surprising if he does not resign. Under present conditions it will be utterly impossible to keep the building warm. Commissioner Anderson visited the building Monday and made a careful inspection of the work. The ceilings are made of corrugated iron nailed to the joice [sic]. The fittings are imperfect, and Mr. Anderson will object very strongly to accepting that part of the work. He says the joice [sic] should have been stripped, and the iron nailed to the strips, and the joints tooled to place. The window sill, both wood and stone have been laid in flat, and the bottoms of the window frames are perfectly flat, the result being that every time it rains water floods the rooms. In all buildings properly constructed these sills and window frames are slanted outward, so that the water will run away from the building. The county has paid all of the contract price but $1,000, and it is a serious question whether this amount will put the building in a habitable condition. The superintendent of construction is criticized severely for permitting so much poor work to be done on the building. There is no kick on the quality of material. Mr. Anderson says that the brick and lumber in the structure is very good, but the manner in which the walls are laid in the partitions, and especially in conspicuous places, and the botch manner in which joints are made is what gets him. It is very unfortunate that this conditions [sic] exists. It seems that is is utterly impossible for Porter county to get a good piece of public work done any more.
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The following news item appeared in the June 28, 1906, issue of The Chesterton Tribune:
THE POOR HOUSE TROUBLE.
One View of It and Suggestions as to the Cause.
Patched Plans the Primary Reason of the Building's Unsatisfactory Condition.
Porter county's new asylum is just now furnishing the people of Porter county with material to talk about. The building for these wards of the county has been built, and next Monday the board of county commissioners will be asked to accept it from the contractor. It is admitted that this building is unsatisfactory, and an effort is being made to find someone upon whom to fix the blame.
Right on the start, I want to say that I do not for a moment believe that the board of county commissioners or any member of that body has done a single act from an unworthy motive. I believe that a blunder has been made which is the primary cause of all the dissatisfaction now existing. That blunder consisted in the board of county commissioners attempting to build a thirty thousand dollar building for $25,000.
The county council passed a resolution enabling the board of commissioners to build a building at a cost not to exceed $25,000. complete, and provided the money with which to do this. This resolution fully protected the taxpayers of the county against putting any more money into the building. The county council felt that this much money was ample to house a population of eighteen or twenty paupers, and do it well, if the money was judiciously expended. This far the council could go, but no farther. The providing of plans and the construction of the building was in the hands of the county commissioners.
We said a blunder was made. We also believe that Mr. Benton made this blunder. We do not believe that the mistake was made from a bad motive. Mr. Benton championed the cause of "home" talent, and went out of his way to give the people of Porter county any business Porter county had. He had employed Mr. Lembke to build himself a fine home, and Lembke did this work in a manner especially pleasing to Mr. Benton. He wanted Lembke to have the erection of the county asylum. He fully believed Lembke competent to draw the plans and do the work in a manner creditable to the county and to the board. He trusted Lembke.
Now for Lembke. This man is supposed to be a competent architect. I do not believe him to be dishonest. Neither do I believe him to be incompetent. In his zeal to give the county a fine building he forgot expense, and drew plans which could not be executed for less than $30,000. The writer had experts go over these plans and figure the cost before they were offered to the public, and was told that they could not be carried out for less than $28,500 net, without a contractor's profit. Bidders submitted estimates, and none were lower than $30,000, a fair figure. The contract could not be let. The county council was solicited to make an additional appropriation. The commissioners were told to cause plans to be made that could be carried out for the appropriation made in the resolution. Instead of doing this, they undertook to patch the plans of the $30,000 building. There [sic; this] is where the colossal blunder was made. This patching choked the life out of the original plan, and gives us the nondescript building now causing such general criticism.
The architect had pledged himself to furnish Porter county with plans that would give the county farm a building for $25,000 complete, and when he failed to do this, he should have done one of two things, withdraw from the work or prepare new pans. The board erred it agreed to accept patched plans.
The contract was let under the patched plans and specification. Conditions arose which compelled the Commissioners to ask for Mr. Lembke's resignation. He was paid for his plans, and received something like $800 for them. When he was let out, his responsibility ceased. A new man, Henry Lembster was called to complete the work. He was given the plans and specifications, and he says they have been carried out, and that the building has been built according to them. He says he followed the specifications to the letter. He is the county's accredited agent, and the county is responsible for his acts. I do not believe that there are many people in this county who will say that Henry Lembster is either incompetent or dishonest. I have found fault with the building. I pointed out the fact that the windows were set in flat, instead of being bevelled [sic], and that in consequence every time it rained, the rooms were flooded with water. Since then I have seen the specifications and working plans, and I find that the plans compelled the superintendent to have these windows placed just as they are in the building. I find many paragraphs in the specifications ambiguous and difficult to interpret the meaning of. I have questioned the contractor, Mr. Foster, and he says that he left the construction of the building entirely in the hands of the County's representative, and that he has done, is doing, and will do anything the superintendent orders him to do. He says that some of the work is defective, and that he is causing it to be replaced. He talks very reasonable.
It would seem to me, in view of the conditions for some one disinterested, say the judge of the circuit court, to appoint a competent committee, whose work shall be to investigate the whole matter, and place whatever blame there is upon the right shoulders. I do not believe that any person lacking the expert knowledge, or who has not gone thoroughly into all of the facts, can be just in this matter at this time. I have an opinion. It may be right, and it may be wrong. But after it is all said and done, I doubt very much if there is anything to be done now, further than to do the best we can, and make good the defects. The County Commissioners is a judicial body, without bond, and cannot be held legally responsible for any mistake it may make. The plans were bought and paid for, and accepted by Porter County. If these plans were faulty, there is no recourse. All that can be done is to hold the contractor to his contract, and if he has not lived up to the plans and specification, compel him to. The sole judge of this matter is Henry Lembster.
Sources:
The Chesterton Tribune, Chesterton, Porter County, Indiana; August 14, 1903; Volume 20, Number 19, Page 1, Columns 5-6. Column titled "Porter County Business."
The Chesterton Tribune, Chesterton, Porter County, Indiana; August 21, 1903; Volume 20, Number 20, Page 5, Column 5. Column titled "Chesterton Chips."
The Chesterton Tribune, Chesterton, Porter County, Indiana; September 11, 1903; Volume 20, Number 23, Page 1, Columns 6-7. Column titled "County Business."
The Chesterton Tribune, Chesterton, Porter County, Indiana; September 9, 1904; Volume 21, Number 23, Page 1, Column 7. Column titled "Council Meeting."
The Chesterton Tribune, Chesterton, Porter County, Indiana; January 12, 1905; Volume 21, Number 41, Page 6, Column 1. Column titled "County Business."
The Chesterton Tribune, Chesterton, Porter County, Indiana; January 26, 1905; Volume 21, Number 43, Page 1, Column 7. Column titled "Chesterton Items."
The Chesterton Tribune, Chesterton, Porter County, Indiana; October 5, 1905; Volume 22, Number 27, Page 5, Column 6. Column titled "Local News of the Week."
The Chesterton Tribune, Chesterton, Porter County, Indiana; June 7, 1907; Volume 23, Number 10, Page 1, Column 4. Column titled "County Business."
The Chesterton Tribune, Chesterton, Porter County, Indiana; June 28, 1907; Volume 23, Number 13, Page 1, Columns 3-4. Column titled "The Poor House Trouble."
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