View allAll Photos Tagged Problematic
The Kane County Audubon "ramble" explored Fermi Lab this morning. We found this problematic warbler. Is it a Pine, a Bay-breasted, or a Blackpoll? Flanks appear quite clear, and undertail coverts appearr whitish, something I would not expect in a Bay-breasted, which should have dusky or buffy flanks in any plumage. I think there are a few streaks on the sides of the breast, which favors Pine or Blackpoll. There seems to be fairly high contrast between the wings and the white coverts, whcih may be more consistent with Blackpoll. It was foraging in a deciduous tree, while Pine would be expected to be in a coniferous tree. Photos are heavily cropped and backlighted. I modified only light and sharpness, did not change any color settings.
It, too, has the motley, dark-grey areas of flesh around the seeds, which makes the flavour unacceptable. The white-fleshed areas near the skin are still acceptable to eat.
Synopsis
The old man pointed to the flower-like woman and said, “Call her mother from now on.” He then pointed to a flower-bud-like girl and said, “This is your sister.”
My younger sister was not cute.
She was arrogant, taciturn and weird, but she knew how to please our parents.
She was two-faced and deceitful, but it seemed like she only treated me that way.
I cared for her, tried to please her as much as I can, but she still disliked me.
Until one day, I found out her secret, our relationship began to get a little bit weird…
read novels online here: quicknovels.net/comic/problematic-little-sister-fell-in-l...
All The Latest Comic, Action, Romance ...Novels and Free to Read: quicknovels.net
Problematic to update if you move places, I know.
Posted by Second Life Resident Torley Olmstead. Visit Cilix.
Northbound shots in the afternoon are problematic on this line at the best of times and I was praying for some cloud-cover. However, it was not to be on this occasion and within minutes of 0Z50 passing, the 'nuke' headed by 37218 / 37604 appeared 'going hell for leather' seen passed Bankers Bridge, Bromsgrove. Well, not the best image but it did provide for an 'atmospheric' image!
The problem is quite clear. And so the solution must therefore be clear too...
My clear solution of choice would be gin & tonic, but you could always opt for boring old water if it's still morning.
*cough* err.... I meant if it's still before 6pm obviously.
These beautiful tumblers are hand crafted by Jacqui using a secret recipe of delicate papers and oil based paints... She'll probably spill the beans in exchange for chocolate though, should you want to know exactly how she does it...
Washable but not dishwashable.
9cm in height.
£10 (set of 2)
Beautiful, yet sometimes problematic, the morning glory or pōhue vine can choke out other plants if not controlled. NPS Photo/Janice Wei
Air pollution in Vietnam's cities is more than just a prophecy or forewarning, it is a confirmed and problematic reality. Vietnam is listed amongst the top ten countries with the worst air pollution in the world, according to the 2012 Environmental Performance Index (EPI) released during this year's World Economic Forum in Switzerland.
The major source of air pollution is transport, construction, and industrial activities according to the national environment report 2010. Transport activities contribute approximately seventy percent of air pollution, eighty five percent of CO (carbon oxide), and ninety five percent of volatile organic compounds (VOCs) as released by The Vietnam Environment Observing Centre.
According to experts, exposure to this heightened degree of air pollution is linked to fatalities like heart disease, lung cancer, asthma, and respiratory contamination.
Deputy Minister of Natural Resources and Environment Bui Cach Tuyen admitted that the quality of air in many big cities in Vietnam is declining. The conclusion of EPI 2012, however, still needs to be verified. Vietnam is currently interested in dealing with water pollution rather than air pollution because it is easier to recognize. Despite this, Tuyen is on the record stating that the Ministry of Natural Resources and Environment will develop a national air quality control plan, focusing on Hanoi, HCM City and other large urban centers in the future.
english.vietnamnet.vn/en/environment/18816/fatal-perils-f...
ph.news.yahoo.com/vietnam-top-10-worst-air-pollution-0540...
Carley Gordon for Channel 4 News (WSMV) interviews Clarksville Mayor Johnny Piper.
Clarksville, Tennessee flooding, May 3, 2010
I am the last advocate for reducing texts, scriptures and languages to mere graphic forms. The whole dimension of the text's meaning, histories, combinations, connotations, sound and craft is disregarded. What is more problematic is that I am ignoring the power of words to move and persuade people.
After first year and my first internship, I felt slightly disillusioned and confused by what Architecture meant to me. I took a trip to Myanmar and the trip recalibrated a lot things. I found it particularly grounding and inspiring for some of the things that I want to achieve in the future.
The spatial and formal organisation of the Burmese language in signage was something I found very compelling. At least with the handwritten texts, so much thought and effort was put into crafting every character. You see pencil marks, underlays, brush strokes and outlines. There is a combination of type faces and textures to create visual impact in different programmatic contexts that I find fascinating.
The Burmese name for the round script is "ca-lonh", literally translating to "round text". There are 33 main characters in the Myanmar language. Instead of words that are formed by a combination of alphabets (like in English), this language makes use of additional vowel shift symbols, tonal change symbols and consonant modification symbols. The rounded form of the characters is a result of the use of palm laves a the traditional writing material. Straight lines and forms would tear the leaves.
By compiling this, I am exposing my status as alien and an outsider. However, the focus on the visuals may have the inverse effect of celebrating the text, for text's sake, specifically, it is celebrated as visual form and not just a sign that says "eggs", or something.
Regardless, I tried to interpret the scope of "text" in a broad but focused way - text, in its literal form, text in prayer, text in recitation, text in architectural program (the stupas of Kuthodaw Pagoda). Photos are arranged in chronological order. The journey started in Yangon, then upstream along the Ayarwaddy river, to Mandalay and Bagan, then back again to Yangon.
These photos aren't really anything special in terms of photography, and I am not going to attempt to make sweeping claims about directing a new visual order, but as a composite they attempt to represent my yearning to celebrate a culture of appreciation for the process driven intensity in text making and in the creation of form.
A hideously problematic photo but it gave me lots of understanding on ND filters and their impact on exposure. This one has been shot through a Hoya NDX400 HMC, a Cokin P164 circular polariser, and a Cokin G1 P120 ND gradual filter to bring down the sky a bit more. Out of focus and all sorts of crappy, but it's my first of the sort. Moving on from here.
This morning I noticed some new signs at the long-problematic crosswalk where the Paint Branch Parkway meets the College Park Trolley Trail. Despite the button-activated flashing lights, there have been a number of accidents at the crosswalk. Various solutions -- a stoplight, speed cameras -- have been proposed, but instead we get this sign (and another one on the other side attached to the flashing lights).
Three things occur to me about these signs.
1) The advice is probably sound.
2) That's not how a crosswalk is supposed to work.
3) They provide a way of blaming the next pedestrian or cyclist who is hit by a car. "Clearly, he didn't wait for the vehicle to stop, or he wouldn't have been hit."
Jim encounters some problems.
Complex AI finds killing animals to be problematic; causing hesitation.
I am the last advocate for reducing texts, scriptures and languages to mere graphic forms. The whole dimension of the text's meaning, histories, combinations, connotations, sound and craft is disregarded. What is more problematic is that I am ignoring the power of words to move and persuade people.
After first year and my first internship, I felt slightly disillusioned and confused by what Architecture meant to me. I took a trip to Myanmar and the trip recalibrated a lot things. I found it particularly grounding and inspiring for some of the things that I want to achieve in the future.
The spatial and formal organisation of the Burmese language in signage was something I found very compelling. At least with the handwritten texts, so much thought and effort was put into crafting every character. You see pencil marks, underlays, brush strokes and outlines. There is a combination of type faces and textures to create visual impact in different programmatic contexts that I find fascinating.
The Burmese name for the round script is "ca-lonh", literally translating to "round text". There are 33 main characters in the Myanmar language. Instead of words that are formed by a combination of alphabets (like in English), this language makes use of additional vowel shift symbols, tonal change symbols and consonant modification symbols. The rounded form of the characters is a result of the use of palm laves a the traditional writing material. Straight lines and forms would tear the leaves.
By compiling this, I am exposing my status as alien and an outsider. However, the focus on the visuals may have the inverse effect of celebrating the text, for text's sake, specifically, it is celebrated as visual form and not just a sign that says "eggs", or something.
Regardless, I tried to interpret the scope of "text" in a broad but focused way - text, in its literal form, text in prayer, text in recitation, text in architectural program (the stupas of Kuthodaw Pagoda). Photos are arranged in chronological order. The journey started in Yangon, then upstream along the Ayarwaddy river, to Mandalay and Bagan, then back again to Yangon.
These photos aren't really anything special in terms of photography, and I am not going to attempt to make sweeping claims about directing a new visual order, but as a composite they attempt to represent my yearning to celebrate a culture of appreciation for the process driven intensity in text making and in the creation of form.
Aquest pont està a Cerdanyola del Vallés; i quan ja estava mig fet l’alcaldessa va parar la seua construcció ja que l’altura estava un metre per baix de la cota inundable, de forma que la passarel·la s’havia convertit en un obstacle per al riu i en cas de crescuda podria desbordar-se i inundar alguns carrers del barri.
A més a més, després de la paralització de les obres, no tenia clar si podrien desfer el que s’havia fet i continuar les obres per falta de diners.
Al final, com podeu veure, es va finalitzar aquest pas, tot i que els veïns no estaven d’acord des de el principi en la seua construcció, ja que es troba entre dos ponts separats per menys de mig quilòmetre i que ja servien per unir els carrers de les dues bandes del riu.
Mary Kwena x 2 displaying a problematic wild finger millet in their finger millet crop in Matungu Sub-County of Kakamega County. For more, see 'The Finger Millet Advocates of Western Kenya' at bit.ly/2CJSbKx. Photo: Michael Major/Crop Trust
Nikkormat FTn | Soligor 28mm | Kodak Tri-X
A better photo and more info: www.brownstoner.com/brownstoner/archives/2008/06/efforts_...
Regent Theater, Bedford Stuyvesant, Brooklyn, NY
After a chaotic and problematic week with work I decided to have saturday off.
Leaving the hotel early in Delft I stepped on a train, off the train and onto another and found myself here....
Zaandam.
Zaandam Station and Inntel Hotel . The hotel opened in 2010 in Zaandam . It is a striking building because the exterior consists entirely of a stack of almost seventy loose Zaanse houses, executed in four colors Zaans groen. The building was designed by Wilfried van Winden. The area of the station, hotel and Gedempte Gracht was redeveloped into a multi level modern complex but harking back in its design to the Netherlands of the past.
I am the last advocate for reducing texts, scriptures and languages to mere graphic forms. The whole dimension of the text's meaning, histories, combinations, connotations, sound and craft is disregarded. What is more problematic is that I am ignoring the power of words to move and persuade people.
After first year and my first internship, I felt slightly disillusioned and confused by what Architecture meant to me. I took a trip to Myanmar and the trip recalibrated a lot things. I found it particularly grounding and inspiring for some of the things that I want to achieve in the future.
The spatial and formal organisation of the Burmese language in signage was something I found very compelling. At least with the handwritten texts, so much thought and effort was put into crafting every character. You see pencil marks, underlays, brush strokes and outlines. There is a combination of type faces and textures to create visual impact in different programmatic contexts that I find fascinating.
The Burmese name for the round script is "ca-lonh", literally translating to "round text". There are 33 main characters in the Myanmar language. Instead of words that are formed by a combination of alphabets (like in English), this language makes use of additional vowel shift symbols, tonal change symbols and consonant modification symbols. The rounded form of the characters is a result of the use of palm laves a the traditional writing material. Straight lines and forms would tear the leaves.
By compiling this, I am exposing my status as alien and an outsider. However, the focus on the visuals may have the inverse effect of celebrating the text, for text's sake, specifically, it is celebrated as visual form and not just a sign that says "eggs", or something.
Regardless, I tried to interpret the scope of "text" in a broad but focused way - text, in its literal form, text in prayer, text in recitation, text in architectural program (the stupas of Kuthodaw Pagoda). Photos are arranged in chronological order. The journey started in Yangon, then upstream along the Ayarwaddy river, to Mandalay and Bagan, then back again to Yangon.
These photos aren't really anything special in terms of photography, and I am not going to attempt to make sweeping claims about directing a new visual order, but as a composite they attempt to represent my yearning to celebrate a culture of appreciation for the process driven intensity in text making and in the creation of form.
I am the last advocate for reducing texts, scriptures and languages to mere graphic forms. The whole dimension of the text's meaning, histories, combinations, connotations, sound and craft is disregarded. What is more problematic is that I am ignoring the power of words to move and persuade people.
After first year and my first internship, I felt slightly disillusioned and confused by what Architecture meant to me. I took a trip to Myanmar and the trip recalibrated a lot things. I found it particularly grounding and inspiring for some of the things that I want to achieve in the future.
The spatial and formal organisation of the Burmese language in signage was something I found very compelling. At least with the handwritten texts, so much thought and effort was put into crafting every character. You see pencil marks, underlays, brush strokes and outlines. There is a combination of type faces and textures to create visual impact in different programmatic contexts that I find fascinating.
The Burmese name for the round script is "ca-lonh", literally translating to "round text". There are 33 main characters in the Myanmar language. Instead of words that are formed by a combination of alphabets (like in English), this language makes use of additional vowel shift symbols, tonal change symbols and consonant modification symbols. The rounded form of the characters is a result of the use of palm laves a the traditional writing material. Straight lines and forms would tear the leaves.
By compiling this, I am exposing my status as alien and an outsider. However, the focus on the visuals may have the inverse effect of celebrating the text, for text's sake, specifically, it is celebrated as visual form and not just a sign that says "eggs", or something.
Regardless, I tried to interpret the scope of "text" in a broad but focused way - text, in its literal form, text in prayer, text in recitation, text in architectural program (the stupas of Kuthodaw Pagoda). Photos are arranged in chronological order. The journey started in Yangon, then upstream along the Ayarwaddy river, to Mandalay and Bagan, then back again to Yangon.
These photos aren't really anything special in terms of photography, and I am not going to attempt to make sweeping claims about directing a new visual order, but as a composite they attempt to represent my yearning to celebrate a culture of appreciation for the process driven intensity in text making and in the creation of form.
After a chaotic and problematic week with work I decided to have saturday off.
Leaving the hotel early in Delft I stepped on a train, off the train and onto another and found myself here....
Zaandam.
Zaandam Station and Inntel Hotel . The hotel opened in 2010 in Zaandam . It is a striking building because the exterior consists entirely of a stack of almost seventy loose Zaanse houses, executed in four colors Zaans groen. The building was designed by Wilfried van Winden. The area of the station, hotel and Gedempte Gracht was redeveloped into a multi level modern complex but harking back in its design to the Netherlands of the past.
here, i tried to desaturate one of the more problematic Ektar negatives... not great, lost lots of detail... really not worth the effort i put into it, but that's alright.
cheers.
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My new photography blog has yummy ice cream you can download! And fuel additives you can add to your car to triple your mileage!
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If you’d like to view my images larger… While I only allow my contacts to view my larger images (I generally upload at least 800px images on the long axis)…
a quick workaround I might suggest is to view my photostream as a slideshow. Works well for me. This is frequently how I view others’ ‘streams, and it will put a large image on black. just click the projector screen icon next to the stream or set. : )
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on 01 jan 2010, I began a new journey w/ a flickr 365 group that i formed. The idea is that I strive to push myself daily; by exploring techniques, ideas, and experiments.
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It's problematic taking shots klike these close up to buildings - unless you have a wide-angle lens and at a time when few people are around.
So I took 4 shots and stitched them together. Trouble is people have a habit of moving, so stitching has ghosts which have to be resolved. But with a little tinkering it seems now to have turned out OK.
Parking is becoming problematic in Seattle. I don't have kids, or huge hounds, so I really don't need a back seat. A cute little number like this is beginning to become more and more attractive to me.
I'm 99% sure this is the Mazda Miata with the hardtop. I'd rather have the hardtop than the convertible, as I'd rather not have some thief slicing the soft top to steal from me.
I am the last advocate for reducing texts, scriptures and languages to mere graphic forms. The whole dimension of the text's meaning, histories, combinations, connotations, sound and craft is disregarded. What is more problematic is that I am ignoring the power of words to move and persuade people.
After first year and my first internship, I felt slightly disillusioned and confused by what Architecture meant to me. I took a trip to Myanmar and the trip recalibrated a lot things. I found it particularly grounding and inspiring for some of the things that I want to achieve in the future.
The spatial and formal organisation of the Burmese language in signage was something I found very compelling. At least with the handwritten texts, so much thought and effort was put into crafting every character. You see pencil marks, underlays, brush strokes and outlines. There is a combination of type faces and textures to create visual impact in different programmatic contexts that I find fascinating.
The Burmese name for the round script is "ca-lonh", literally translating to "round text". There are 33 main characters in the Myanmar language. Instead of words that are formed by a combination of alphabets (like in English), this language makes use of additional vowel shift symbols, tonal change symbols and consonant modification symbols. The rounded form of the characters is a result of the use of palm laves a the traditional writing material. Straight lines and forms would tear the leaves.
By compiling this, I am exposing my status as alien and an outsider. However, the focus on the visuals may have the inverse effect of celebrating the text, for text's sake, specifically, it is celebrated as visual form and not just a sign that says "eggs", or something.
Regardless, I tried to interpret the scope of "text" in a broad but focused way - text, in its literal form, text in prayer, text in recitation, text in architectural program (the stupas of Kuthodaw Pagoda). Photos are arranged in chronological order. The journey started in Yangon, then upstream along the Ayarwaddy river, to Mandalay and Bagan, then back again to Yangon.
These photos aren't really anything special in terms of photography, and I am not going to attempt to make sweeping claims about directing a new visual order, but as a composite they attempt to represent my yearning to celebrate a culture of appreciation for the process driven intensity in text making and in the creation of form.
A conversation starting shirt. Change My Mind: Feminism is Problematic.
This is a women's heavy cotton tee. The length runs long. Great tee for all body types.
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BUY HERE -> www.loyalnineapparel.com/products/feminism-is-problematic...
the LP on two legs, since today i had more needles in me than a record .
For some reason veins are getting harder for doctors to get at ,
where it wasn't before .
and todays cat scan problems , totally missed the vein for saline and Iodine,, viola Micky Mouse hand .
They couldn't tell till they saw the swelling something missed and i told them the right hand wasn't a good choice since C7 still damage a nerve shutting feeling to the index finger that still hasn't come back being permanently numb .
Pain I still suffer pain in my spine, back and stomach and hand at times , but its the internal floating pain that's still making work unbearable being "a mule".
I thought with the removal of my gallbladder my internal pain would end at least i dont feel as sick with it gone but the internal pain goes on.
Todays Cat Scan might show what's going on for my surgeon
and if this fails to show for my internal floating pains then
its more than likely spinal damage other than arthritis in C4- 5
and crushed nerve in C7 .
I'm just a continuing mess.
I cant think of ending restorations of mechanical interlocking shit while the stuff isn't light.
I have a bad feeling ill never feel like i did prior to 2015 again
At least the hand isnt as morbid as it looked when i was at the hospital.
Problematic Windows in safe mode at Stockholm Arlanda airport does not make you feel any safer boarding the plane.
Every millimeter counted. Previous JBS canopies were cancelled due to the problem of the ceiling beam.
I am the last advocate for reducing texts, scriptures and languages to mere graphic forms. The whole dimension of the text's meaning, histories, combinations, connotations, sound and craft is disregarded. What is more problematic is that I am ignoring the power of words to move and persuade people.
After first year and my first internship, I felt slightly disillusioned and confused by what Architecture meant to me. I took a trip to Myanmar and the trip recalibrated a lot things. I found it particularly grounding and inspiring for some of the things that I want to achieve in the future.
The spatial and formal organisation of the Burmese language in signage was something I found very compelling. At least with the handwritten texts, so much thought and effort was put into crafting every character. You see pencil marks, underlays, brush strokes and outlines. There is a combination of type faces and textures to create visual impact in different programmatic contexts that I find fascinating.
The Burmese name for the round script is "ca-lonh", literally translating to "round text". There are 33 main characters in the Myanmar language. Instead of words that are formed by a combination of alphabets (like in English), this language makes use of additional vowel shift symbols, tonal change symbols and consonant modification symbols. The rounded form of the characters is a result of the use of palm laves a the traditional writing material. Straight lines and forms would tear the leaves.
By compiling this, I am exposing my status as alien and an outsider. However, the focus on the visuals may have the inverse effect of celebrating the text, for text's sake, specifically, it is celebrated as visual form and not just a sign that says "eggs", or something.
Regardless, I tried to interpret the scope of "text" in a broad but focused way - text, in its literal form, text in prayer, text in recitation, text in architectural program (the stupas of Kuthodaw Pagoda). Photos are arranged in chronological order. The journey started in Yangon, then upstream along the Ayarwaddy river, to Mandalay and Bagan, then back again to Yangon.
These photos aren't really anything special in terms of photography, and I am not going to attempt to make sweeping claims about directing a new visual order, but as a composite they attempt to represent my yearning to celebrate a culture of appreciation for the process driven intensity in text making and in the creation of form.