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This little bugger can survive any terrain or conditions, making it suitable for any planet. It currently has stealth mode on, making it invisible to a naked eye or Infra-red.
date: March 25th, 2012
model: Amanda
vehicle: Ford Probe aero art car
vehicle courtesy of: Tyler Linner
location: Detroit, MI
date: March 25th, 2012
model: Amanda
vehicle: Ford Probe aero art car
vehicle courtesy of: Tyler Linner
location: Detroit, MI
Probe zu "Primavera del Flamenco 12.04.2013"
Nikon D4, Sigma 50/1.4 DG EX HSM + Nikkor AF-S 85/1.8 G
date: March 25th, 2012
model: Amanda
vehicle: Ford Probe aero art car
vehicle courtesy of: Tyler Linner
location: Detroit, MI
Registration P875CJR
Make FORD
Model PROBE
Description 16V
Date of Liability 01 10 2011
Date of First Registration 18 04 1997
Year of Manufacture 1997
Cylinder Capacity (cc) 1991CC
CO2 Emissions Not Available
Fuel Type Petrol
Export Marker Not Applicable
Vehicle Status Licence Not Due
Vehicle Colour BLUE
Build Date: 18.06.1996
Vehicle Line: Probe 93
One from last Spring in Yellowstone`s Lamar Valley as this lone Grey Wolf travels along the valley in amongst the large bison herds looking for any wayward Bison Calves,as can be seen in this shot the parent Bison has its youngster nice and close!
A behind the scenes look of our setup to capture an HDRI probe of our scene to give us real world lighting in 3D.
Part of a new improved design probe for tracking co-designer experiences when purchasing mass customised products
I am a big fan of the Probe. I know they were one of the least popular Ford's ever made, but there's something about them that really appeals to me. I hope to own one someday, preferably a 24v 2.5 V6 like this one, but I would have a 2.0 16v if need be.
The Mazda V6 engine is known for being tappy even when properly maintained and they do have other problems, but it's definately on my 'must have one at some point' list.
I remember coming back from Manchester in a white N-reg 24v Probe with a car dealer friend of mine, back in about 2004 and thinking what a lovely car it was. He'd bought it at BCA Belle Vue for about £1500, of course they're worth nothing like that now, even for a nice example.
Próbę postawienia diagnozy stanu komunikacji w mediach i polityce podjęto w Senacie 19 marca 2019 r., podczas konferencji „Etyka w komunikacji: jak naprawić debatę publiczną w Polsce?”, zorganizowanej przez Komisję Kultury i Środków Przekazu we współpracy z Zespołem Etyki Słowa Rady Języka PAN. fot. Katarzyna Czerwińska / Kancelaria Senatu
This is a moisture probe used by the carpet people to tell where the carpet is wet. It has two spikes on the end, which can be stabbed into the carpet, the drywall, or anything else you want to probe for moisture. It has a pistol-grip handle (at the bottom in this picture), and the spikes are retractable. It beeps like a stud finder when it detects moisture.
I think it would be cool if it also shot, say, disruptor waves. But it probably doesn't.
Probably one of the most unique theaters at least from the outside I have ever seen. Beautiful detail
Performed on his self-made organ Mercurius Wagen [with Joop van Brakel]
Rites for a New Utopia
Grote Kerk, Den Haag 2015
Utopieën zijn per definitie plekken die niet bestaan. Desondanks zijn er hele werkelijke overblijfselen van utopische projecten uit het verleden die nog steeds onze verbeelding en verlangens beïnvloeden. Radicale kunstpraktijken hebben vaker de sociale en materiele produktiemethoden gezien als een speelveld voor bredere maatschappelijk verandering.
Rites for a New Utopia is een theatraal evenement dat voortkomt uit twee verlangens: de droom om de traditionele hiërarchieën en rigide scheiding tussen componist, uitvoerder, instrumentmaker en publiek te negeren en de ambitie om terug te gaan naar de vroegere eenheid van de kunsten door beeld, geluid, ruimte, beweging en het lichaam te verenigen in de esthetische ervaring.
Het programma zal bestaan uit nieuw werk voor het 17e eeuwse carillon van de Grote Kerk van Lars Kynde. Het werk van Lars zal electroakoestisch worden verwerkt door Ángel Faraldo binnen in de Grote kerk. Verder zijn er site-specific performances met nieuwe instrumenten en geluidssculpturen van Mariska de Groot, Matteo Marangoni en Dieter Vandoren. De avond wordt afgesloten met een speciale uitvoering van Partita for Variable Air Compression van Horst Rickels. Dit Nederlandse geluidskunstwerk werd voor het eerst opgevoerd in Den Haag in 1989 en zal nu opnieuw worden uitgevoerd door Rickels op zijn zelfgemaakte orgel Mercurius Wagen.
Rites for a New Utopia wordt gepresenteerd door het kunstenaarscollectief platform iii in samenwerking met Het Nutshuis. Het programma is onderdeel van de viering van het 25 jarig bestaan van de ArtScience Interfaculty. Het programma wordt mogelijk gemaakt met de aanvullende steun van Dag in de Branding, de Gemeente Den Haag, het Prins Bernard Cultuurfonds en Danish Arts Foundation.
Utopias are by definition places that do not exist. Nevertheless the very real remains of past utopian projects are all around us and keep informing our imagination and aspirations. In the process of creating models of the world as it could be rather then of how it is, radical art practices have often reinvented social and material modes of production as a playground for broader social change.
Rites for a New Utopia is a theatrical event that responds to two aspirations: the dream of abolishing traditional social hierarchies, enacted by refusing to accept the rigid separation between composer, performer, instrument maker and audience, and the ambition of returning to an ancestral unity of the arts by combining image, sound, space, movement and the body within the continuum of esthetic experience.
The program will feature two new works for the 17th century carillon of the Grote Kerk by Lars Kynde and Ángel Faraldo and performed by Gijsbert Kok, exposing the particular overtone structure of the church bells from different spatial perspectives. Mariska de Groot, Matteo Marangoni and Dieter Vandoren will explore new forms of interaction between performers, audience and the hosting space through a swarm of artificial creatures which will mingle with the audience, and Matteo Marangoni will present a new site-specific iteration of his kinetic sculptures employing free aerophones to probe the boundaries of the heard and the unheard sound spectrum. The evening will end with a special performance of Partita for Variable Air Compression by Horst Rickels, a seminal work of Dutch sound art which was first presented in The Hague in 1989 and which will be performed by Rickels on his self-made organ Mercurius Wagen.
Rites for a New Utopia is presented by the artist-run platform iii in cooperation with Het Nutshuis and Dag in de Branding and is part of the celebrations for the 25th anniversary of the ArtScience Interfaculty. The program is made possible with the additional support of the Municipality of The Hague, Prins Bernhard Cultuurfonds, the Creative Industries Fund NL and the Danish Arts Foundation.