View allAll Photos Tagged Proactive
“When you experience a negative circumstance or event, do not dwell on it. Be proactive — put your attention on what you need to do to bring the situation to a positive result.”
― Rodolfo Costa, Advice My Parents Gave Me: and Other Lessons I Learned from My Mistakes
Peacekeepers serving with the United Nations Organization Stabilization Mission in the Democratic Republic of the Congo (MONUSCO) patrol a town in North Kivu Province. Proactive military and police posture, mindset and operations serve to prevent and deter threats from materializing, while taking all efforts to minimize harm to civilians. (2013)
(Photo by Sylvain Liechti)
let's find constellations
in the most hidden places.
(please note that i will not be appearing in the next proactive commercial,
those are freckles.)
Wishing you all a merry Christmas & prosperous New year !
Have fun, be proactive !
info:
Its Gangtok, Sikkim & kanjanjunga in the back ground. (Taken from Hanuman Tok, Gangtok)
DSC_1140_1
Paph. delenatii x P. Supersuk (William Mathews x sukhakulii)
Orchidaceae (Orchid family)
Closeup of staminode
www.flickr.com/photos/dweickhoff/4735149010/in/photolist-...
Registered by David W. Eickhoff and named for my wife Cindy. HAPPY 34th!
**NOTE**
While I enjoy orchids, as an environmentally conscious orchid grower in Hawaiʻi, I am proactive when it comes to removing and properly destroying any and all seed pods from the plants so as not to encourage their spreading into our fragile native Hawaiian forests.
OK, so I haven't got great focus or IQ (image quality) here. Let's call it a work in progress. But I couldn't NOT post this up.
How many birds will hassle gulls and crows? Not many I know of. Except peregrines!
The peregrine took offence at this gull for some reason and flew out from the nest in fighter jet attack mode: "yeek yeek yeek"! The falcon made a dive past the gull, as if to hand out a warning. But then the gull seemed to call back cockily, so the falcon dived again, but this time grabbed the gull and dragged it for a moment. (I'm not sure of that, but the photo seems to show it.) The gull wasn't so cocky after that. I wonder if the falcons are being so proactive at the moment because they've got chicks? I think this gull was being handed a firm warning! I guess the falcons ramp up the ante quicker than most birds, especially when they have chicks.
I'd love to get better focus and thus IQ, but it's going to be difficult. It all happens so fast. I tried to track on the peregrine, but they turn fast and dive fast. Which is an understatement!
The action around the falcons seems to kick off in the evenings. I caught this just after 7pm. A couple of evenings ago the falcons hassled the crows in the same kind of way. One crow even flew through the leaves and small branches of a tree to avoid the attacking falcon. That's a desperate course of action.
The amazing thing is that this can go on over a city, over people's heads, and no-one notices. And why should they? We're so used to hearing the shrieks of Herring Gulls! But now I'm hearing those shrieks and wondering what they mean.
Another strange thing is that people notice me watching the falcons, and they lament: 'pity they're not still there!' I went right up to the church yesterday and watched the male falcon ripping up a pigeon, feathers swirling out everywhere on the breeze. And an old woman stopped for a moment and said 'they moved the nesting box for em a couple of years back and they haven't been back since.' And there was the male falcon, just 50 feet above us, raining pigeon feathers down on us. I pointed him out, but she was disinterested, eyes on the ground by her feet. She was happier with her 'pity they've gone' script. People eh! Jesus!
(P.S. I know a couple of people who think that peregrines are small and lightweight birds. They're not. You can see the muscular power of the bird in this shot. A Herring Gull isn't a small and dainty bird to hassle.)
We had looked at the Metro schedules and noted that two Metro trains met at Deerfield at 3:21 PM. After both those trains departed, we read about the station history from the photos on the wall. The Meta schedule does not include Amtrak trains because they don't stop here - we were taken by surprise by the movement of the Empire Builder headed by a new Siemens ALC-42 in the new Amtrak color scheme followed by P-42 # 30 and a 9 car consist. That apparently did not train us up either because we were again not proactive in watching the signals and we missed an Amtrak Hiawatha after going back to the car prematurely.
Getting out and shooting is everything when your trying to improve your photography but if your anything like me there are a lot of other things that take precedence over what is essentially a hobby. A hobby I'm passionate about but in the end a hobby nonetheless.
Lately rather than bemoaning the fact I can't get out and shoot I've been using the small snippets of time I can carve out to spend on photography on educating myself. Formal courses, short tips on youtube or just looking at others work they've all contributed to what I feel are the improved and more consistent results I am getting from those few chances I do get to go out and shoot.
Of course there will always be things that are only going to improve by getting out and shooting. The diversity of what I'm shooting and composition to name but two but it's nice to be proactive in whatever way I can rather than bemoan the lack of time with camera in hand.
Cheers, Chris
Department store Brown Thomas have been very proactive with their window displays since the lock down, between messages of hope during the closure & now, as the shop gets ready to re open this coming week, some positive messages have appeared on the windows in the form of Irish proverbs.
Full kudos to them for their efforts & updates.
A Heartfelt Thank You
We are very pleased to announce that in line with the Irish Government Reopening Plan we will reopen our Dublin store on Wednesday 10th June ( 2020 ) and our Cork, Limerick and Galway stores on Thursday 11th June. ( 2020 )
On behalf of the Brown Thomas family we wish to express our utmost gratitude to our customers, partners and team members whose kindness, loyalty and support has made this day possible.
Mayor Bill de Blasio announces the newly created Tenant Support Unit resolved its 1,000th tenant case since it launched in July 2015, keeping tenants in their homes and protecting affordable housing in fast-changing neighborhoods. The proactive unit goes door-to-door in neighborhoods across the city, informing tenants of their rights, documenting building violations, soliciting complaints related to harassment and eviction, and making referrals to free legal support whenever necessary. Northern Manhattan Improvement Corporation, Washington Heights. Monday, February 29, 2016. Credit: Ed Reed/Mayoral Photography Office.
This photograph is provided by the New York City Mayoral Photography Office (MPO) for the benefit of the general public and for dissemination by members of the media. The photograph may not be manipulated in any way and may not be used in commercial materials, advertisements, emails, products or promotions that in any way suggests approval or endorsement of the City of New York, the Mayoral administration, or the de Blasio family without prior consent from the MPO (PhotoOffice@cityhall.nyc.gov). Any use or reprinting of official MPO photographs must use the following credit language and style: “Photographer/Mayoral Photography Office”, as listed at the end of each caption.
Google Form: forms.gle/qc3mQAr4utvqS9TZA
Hi, we have some exciting news for LTH!!! We are now accepting a couple positions on sim to help our sim be proactive, more engaging, feel safer, and have coordinated gatherings and events. These positions are not for community members who just want power for powers sake but for those who wish to step up and be even more involved in LTH. We (the co-owners) are also open to questions about these positions and if your not sure if something would be the right fit for you feel free to inquire more about the position. Also know if you apply it is not cut and dry and there is no sacrificing of a unicorn or blood offering... so you can always apply and we can reach out to possibly ask additional questions or discuss things further. This Google form has a lot of information but we by no means wish it to be intimidating or a contract by filling it out.
Also: LTH is getting close to the re-opening, we are sorry it has taken so long but we want to make sure we are fully pre-pared for our members and can give you the best experience on sim possible. We have improved on a lot of features and added things as well and we hope that everyone enjoys the sim as much as we do! Stay tuned for more info on opening :)
~The Little Things Hangout~
Flickr: www.flickr.com/groups/thelittethingshangout/
Facebook: www.facebook.com/groups/2192744924327775/
Discord: discord.gg/HDeb4FG
Group: secondlife:///app/group/440643ed-89d8-8aef-e504-aa96800b2439/about
Bonkers asleep on my chair (proactively covered with a wee-wee mat in case the cats get, uh, excited).
I liked the decorative placards for each of the offices... as seen at their San Franscisco HQ today.
I also saw Soft Wired, a pre-print of the founder's new book on brain plasticity and how to proactively sculpt the sensory cortex to be a better learner
I was reminded of an interesting article I read recently in the MIT Tech Review on Daniela Schiller's research on memory consolidation and fear training:
"memories are reshaped and rewritten every time we recall an event. And, the research suggested, if mitigating information about a traumatic or unhappy event is introduced within a narrow window of opportunity after its recall—during the few hours it takes for the brain to rebuild the memory in the biological brick and mortar of molecules—the emotional experience of the memory can essentially be rewritten."
In animal studies, a Pavlovian response can be erased with one ECT timed to occur right after the trigger event. And by interfering with protein synthesis in the amygdala, memories could be erased after their recall.
The biochemical work suggested that "memories essentially had to be neurally rewritten every time they were recalled."
And "intervening during the brief window when the brain was rewriting its memory offered a chance to revise the initial memory itself while diminishing the emotion (fear) that came with it. By mastering the timing, the NYU group had essentially created a scenario in which humans could rewrite a fearsome memory and give it an unfrightening ending. And this new ending was robust: when Schiller and her colleagues called their subjects back into the lab a year later, they were able to show that the fear associated with the memory was still blocked."
And the enigmatic conclusion: "if we are all rewriting our memories every time we recall an event, the memory exists not as a file in our brain but only as the most recent rewrite of a scenario. Every memoir is fabricated, and the past is nothing more than our last retelling of it. Archival memory data is mixed with whatever new information helps shape the way we think—and feel—about it. “My conclusion,” says Schiller, “is that memory is what you are now. Not in pictures, not in recordings. Your memory is who you are now.”
“The safest memories are those you never remember.”
And that, well, that blew my mind.
The graduation of four officers of the 19th Mounted Patrol Academy ceremony took place on Friday, April 29, 2016 at the Mounted Patrol facility located at 2089 Indian River Road.
During the ten-week Basic Riding Academy, officers learned equitation and sensory riding skills along with how to enforce and apprehend criminals while mounted on their horse. Each officer and horse is carefully matched according to his or her personalities and temperaments to form a good partner relationship.
The Virginia Beach Mounted Patrol Unit operates year round and performs many valuable functions for the department and the citizens of Virginia Beach. Throughout the tourist season, you will see the officers on horseback patrolling the oceanfront and resort areas on proactive, high visibility patrol. They assist with crowd management, finding lost children and providing enhanced public relations. Throughout the rest of the year, Mounted Patrol officers are active in patrolling many other areas of the city as possible such as town center, major shopping districts during the holiday season and neighborhoods where necessary due to crime concerns and citizen requests.
Photography - Craig McClure
16155
© 2016
ALL Rights reserved by City of Virginia Beach.
Contact photo[at]vbgov.com for permission to use. Commercial use not allowed.
Graffiti (plural; singular graffiti or graffito, the latter rarely used except in archeology) is art that is written, painted or drawn on a wall or other surface, usually without permission and within public view. Graffiti ranges from simple written words to elaborate wall paintings, and has existed since ancient times, with examples dating back to ancient Egypt, ancient Greece, and the Roman Empire (see also mural).
Graffiti is a controversial subject. In most countries, marking or painting property without permission is considered by property owners and civic authorities as defacement and vandalism, which is a punishable crime, citing the use of graffiti by street gangs to mark territory or to serve as an indicator of gang-related activities. Graffiti has become visualized as a growing urban "problem" for many cities in industrialized nations, spreading from the New York City subway system and Philadelphia in the early 1970s to the rest of the United States and Europe and other world regions
"Graffiti" (usually both singular and plural) and the rare singular form "graffito" are from the Italian word graffiato ("scratched"). The term "graffiti" is used in art history for works of art produced by scratching a design into a surface. A related term is "sgraffito", which involves scratching through one layer of pigment to reveal another beneath it. This technique was primarily used by potters who would glaze their wares and then scratch a design into them. In ancient times graffiti were carved on walls with a sharp object, although sometimes chalk or coal were used. The word originates from Greek γράφειν—graphein—meaning "to write".
The term graffiti originally referred to the inscriptions, figure drawings, and such, found on the walls of ancient sepulchres or ruins, as in the Catacombs of Rome or at Pompeii. Historically, these writings were not considered vanadlism, which today is considered part of the definition of graffiti.
The only known source of the Safaitic language, an ancient form of Arabic, is from graffiti: inscriptions scratched on to the surface of rocks and boulders in the predominantly basalt desert of southern Syria, eastern Jordan and northern Saudi Arabia. Safaitic dates from the first century BC to the fourth century AD.
Some of the oldest cave paintings in the world are 40,000 year old ones found in Australia. The oldest written graffiti was found in ancient Rome around 2500 years ago. Most graffiti from the time was boasts about sexual experiences Graffiti in Ancient Rome was a form of communication, and was not considered vandalism.
Ancient tourists visiting the 5th-century citadel at Sigiriya in Sri Lanka write their names and commentary over the "mirror wall", adding up to over 1800 individual graffiti produced there between the 6th and 18th centuries. Most of the graffiti refer to the frescoes of semi-nude females found there. One reads:
Wet with cool dew drops
fragrant with perfume from the flowers
came the gentle breeze
jasmine and water lily
dance in the spring sunshine
side-long glances
of the golden-hued ladies
stab into my thoughts
heaven itself cannot take my mind
as it has been captivated by one lass
among the five hundred I have seen here.
Among the ancient political graffiti examples were Arab satirist poems. Yazid al-Himyari, an Umayyad Arab and Persian poet, was most known for writing his political poetry on the walls between Sajistan and Basra, manifesting a strong hatred towards the Umayyad regime and its walis, and people used to read and circulate them very widely.
Graffiti, known as Tacherons, were frequently scratched on Romanesque Scandinavian church walls. When Renaissance artists such as Pinturicchio, Raphael, Michelangelo, Ghirlandaio, or Filippino Lippi descended into the ruins of Nero's Domus Aurea, they carved or painted their names and returned to initiate the grottesche style of decoration.
There are also examples of graffiti occurring in American history, such as Independence Rock, a national landmark along the Oregon Trail.
Later, French soldiers carved their names on monuments during the Napoleonic campaign of Egypt in the 1790s. Lord Byron's survives on one of the columns of the Temple of Poseidon at Cape Sounion in Attica, Greece.
The oldest known example of graffiti "monikers" found on traincars created by hobos and railworkers since the late 1800s. The Bozo Texino monikers were documented by filmmaker Bill Daniel in his 2005 film, Who is Bozo Texino?.
In World War II, an inscription on a wall at the fortress of Verdun was seen as an illustration of the US response twice in a generation to the wrongs of the Old World:
During World War II and for decades after, the phrase "Kilroy was here" with an accompanying illustration was widespread throughout the world, due to its use by American troops and ultimately filtering into American popular culture. Shortly after the death of Charlie Parker (nicknamed "Yardbird" or "Bird"), graffiti began appearing around New York with the words "Bird Lives".
Modern graffiti art has its origins with young people in 1960s and 70s in New York City and Philadelphia. Tags were the first form of stylised contemporary graffiti. Eventually, throw-ups and pieces evolved with the desire to create larger art. Writers used spray paint and other kind of materials to leave tags or to create images on the sides subway trains. and eventually moved into the city after the NYC metro began to buy new trains and paint over graffiti.
While the art had many advocates and appreciators—including the cultural critic Norman Mailer—others, including New York City mayor Ed Koch, considered it to be defacement of public property, and saw it as a form of public blight. The ‘taggers’ called what they did ‘writing’—though an important 1974 essay by Mailer referred to it using the term ‘graffiti.’
Contemporary graffiti style has been heavily influenced by hip hop culture and the myriad international styles derived from Philadelphia and New York City Subway graffiti; however, there are many other traditions of notable graffiti in the twentieth century. Graffiti have long appeared on building walls, in latrines, railroad boxcars, subways, and bridges.
An early graffito outside of New York or Philadelphia was the inscription in London reading "Clapton is God" in reference to the guitarist Eric Clapton. Creating the cult of the guitar hero, the phrase was spray-painted by an admirer on a wall in an Islington, north London in the autumn of 1967. The graffito was captured in a photograph, in which a dog is urinating on the wall.
Films like Style Wars in the 80s depicting famous writers such as Skeme, Dondi, MinOne, and ZEPHYR reinforced graffiti's role within New York's emerging hip-hop culture. Although many officers of the New York City Police Department found this film to be controversial, Style Wars is still recognized as the most prolific film representation of what was going on within the young hip hop culture of the early 1980s. Fab 5 Freddy and Futura 2000 took hip hop graffiti to Paris and London as part of the New York City Rap Tour in 1983
Commercialization and entrance into mainstream pop culture
Main article: Commercial graffiti
With the popularity and legitimization of graffiti has come a level of commercialization. In 2001, computer giant IBM launched an advertising campaign in Chicago and San Francisco which involved people spray painting on sidewalks a peace symbol, a heart, and a penguin (Linux mascot), to represent "Peace, Love, and Linux." IBM paid Chicago and San Francisco collectively US$120,000 for punitive damages and clean-up costs.
In 2005, a similar ad campaign was launched by Sony and executed by its advertising agency in New York, Chicago, Atlanta, Philadelphia, Los Angeles, and Miami, to market its handheld PSP gaming system. In this campaign, taking notice of the legal problems of the IBM campaign, Sony paid building owners for the rights to paint on their buildings "a collection of dizzy-eyed urban kids playing with the PSP as if it were a skateboard, a paddle, or a rocking horse".
Tristan Manco wrote that Brazil "boasts a unique and particularly rich, graffiti scene ... [earning] it an international reputation as the place to go for artistic inspiration". Graffiti "flourishes in every conceivable space in Brazil's cities". Artistic parallels "are often drawn between the energy of São Paulo today and 1970s New York". The "sprawling metropolis", of São Paulo has "become the new shrine to graffiti"; Manco alludes to "poverty and unemployment ... [and] the epic struggles and conditions of the country's marginalised peoples", and to "Brazil's chronic poverty", as the main engines that "have fuelled a vibrant graffiti culture". In world terms, Brazil has "one of the most uneven distributions of income. Laws and taxes change frequently". Such factors, Manco argues, contribute to a very fluid society, riven with those economic divisions and social tensions that underpin and feed the "folkloric vandalism and an urban sport for the disenfranchised", that is South American graffiti art.
Prominent Brazilian writers include Os Gêmeos, Boleta, Nunca, Nina, Speto, Tikka, and T.Freak. Their artistic success and involvement in commercial design ventures has highlighted divisions within the Brazilian graffiti community between adherents of the cruder transgressive form of pichação and the more conventionally artistic values of the practitioners of grafite.
Graffiti in the Middle East has emerged slowly, with taggers operating in Egypt, Lebanon, the Gulf countries like Bahrain or the United Arab Emirates, Israel, and in Iran. The major Iranian newspaper Hamshahri has published two articles on illegal writers in the city with photographic coverage of Iranian artist A1one's works on Tehran walls. Tokyo-based design magazine, PingMag, has interviewed A1one and featured photographs of his work. The Israeli West Bank barrier has become a site for graffiti, reminiscent in this sense of the Berlin Wall. Many writers in Israel come from other places around the globe, such as JUIF from Los Angeles and DEVIONE from London. The religious reference "נ נח נחמ נחמן מאומן" ("Na Nach Nachma Nachman Meuman") is commonly seen in graffiti around Israel.
Graffiti has played an important role within the street art scene in the Middle East and North Africa (MENA), especially following the events of the Arab Spring of 2011 or the Sudanese Revolution of 2018/19. Graffiti is a tool of expression in the context of conflict in the region, allowing people to raise their voices politically and socially. Famous street artist Banksy has had an important effect in the street art scene in the MENA area, especially in Palestine where some of his works are located in the West Bank barrier and Bethlehem.
There are also a large number of graffiti influences in Southeast Asian countries that mostly come from modern Western culture, such as Malaysia, where graffiti have long been a common sight in Malaysia's capital city, Kuala Lumpur. Since 2010, the country has begun hosting a street festival to encourage all generations and people from all walks of life to enjoy and encourage Malaysian street culture.
The modern-day graffitists can be found with an arsenal of various materials that allow for a successful production of a piece. This includes such techniques as scribing. However, spray paint in aerosol cans is the number one medium for graffiti. From this commodity comes different styles, technique, and abilities to form master works of graffiti. Spray paint can be found at hardware and art stores and comes in virtually every color.
Stencil graffiti is created by cutting out shapes and designs in a stiff material (such as cardboard or subject folders) to form an overall design or image. The stencil is then placed on the "canvas" gently and with quick, easy strokes of the aerosol can, the image begins to appear on the intended surface.
Some of the first examples were created in 1981 by artists Blek le Rat in Paris, in 1982 by Jef Aerosol in Tours (France); by 1985 stencils had appeared in other cities including New York City, Sydney, and Melbourne, where they were documented by American photographer Charles Gatewood and Australian photographer Rennie Ellis
Tagging is the practice of someone spray-painting "their name, initial or logo onto a public surface" in a handstyle unique to the writer. Tags were the first form of modern graffiti.
Modern graffiti art often incorporates additional arts and technologies. For example, Graffiti Research Lab has encouraged the use of projected images and magnetic light-emitting diodes (throwies) as new media for graffitists. yarnbombing is another recent form of graffiti. Yarnbombers occasionally target previous graffiti for modification, which had been avoided among the majority of graffitists.
Theories on the use of graffiti by avant-garde artists have a history dating back at least to the Asger Jorn, who in 1962 painting declared in a graffiti-like gesture "the avant-garde won't give up"
Many contemporary analysts and even art critics have begun to see artistic value in some graffiti and to recognize it as a form of public art. According to many art researchers, particularly in the Netherlands and in Los Angeles, that type of public art is, in fact an effective tool of social emancipation or, in the achievement of a political goal
In times of conflict, such murals have offered a means of communication and self-expression for members of these socially, ethnically, or racially divided communities, and have proven themselves as effective tools in establishing dialog and thus, of addressing cleavages in the long run. The Berlin Wall was also extensively covered by graffiti reflecting social pressures relating to the oppressive Soviet rule over the GDR.
Many artists involved with graffiti are also concerned with the similar activity of stenciling. Essentially, this entails stenciling a print of one or more colors using spray-paint. Recognized while exhibiting and publishing several of her coloured stencils and paintings portraying the Sri Lankan Civil War and urban Britain in the early 2000s, graffitists Mathangi Arulpragasam, aka M.I.A., has also become known for integrating her imagery of political violence into her music videos for singles "Galang" and "Bucky Done Gun", and her cover art. Stickers of her artwork also often appear around places such as London in Brick Lane, stuck to lamp posts and street signs, she having become a muse for other graffitists and painters worldwide in cities including Seville.
Graffitist believes that art should be on display for everyone in the public eye or in plain sight, not hidden away in a museum or a gallery. Art should color the streets, not the inside of some building. Graffiti is a form of art that cannot be owned or bought. It does not last forever, it is temporary, yet one of a kind. It is a form of self promotion for the artist that can be displayed anywhere form sidewalks, roofs, subways, building wall, etc. Art to them is for everyone and should be showed to everyone for free.
Graffiti is a way of communicating and a way of expressing what one feels in the moment. It is both art and a functional thing that can warn people of something or inform people of something. However, graffiti is to some people a form of art, but to some a form of vandalism. And many graffitists choose to protect their identities and remain anonymous or to hinder prosecution.
With the commercialization of graffiti (and hip hop in general), in most cases, even with legally painted "graffiti" art, graffitists tend to choose anonymity. This may be attributed to various reasons or a combination of reasons. Graffiti still remains the one of four hip hop elements that is not considered "performance art" despite the image of the "singing and dancing star" that sells hip hop culture to the mainstream. Being a graphic form of art, it might also be said that many graffitists still fall in the category of the introverted archetypal artist.
Banksy is one of the world's most notorious and popular street artists who continues to remain faceless in today's society. He is known for his political, anti-war stencil art mainly in Bristol, England, but his work may be seen anywhere from Los Angeles to Palestine. In the UK, Banksy is the most recognizable icon for this cultural artistic movement and keeps his identity a secret to avoid arrest. Much of Banksy's artwork may be seen around the streets of London and surrounding suburbs, although he has painted pictures throughout the world, including the Middle East, where he has painted on Israel's controversial West Bank barrier with satirical images of life on the other side. One depicted a hole in the wall with an idyllic beach, while another shows a mountain landscape on the other side. A number of exhibitions also have taken place since 2000, and recent works of art have fetched vast sums of money. Banksy's art is a prime example of the classic controversy: vandalism vs. art. Art supporters endorse his work distributed in urban areas as pieces of art and some councils, such as Bristol and Islington, have officially protected them, while officials of other areas have deemed his work to be vandalism and have removed it.
Pixnit is another artist who chooses to keep her identity from the general public. Her work focuses on beauty and design aspects of graffiti as opposed to Banksy's anti-government shock value. Her paintings are often of flower designs above shops and stores in her local urban area of Cambridge, Massachusetts. Some store owners endorse her work and encourage others to do similar work as well. "One of the pieces was left up above Steve's Kitchen, because it looks pretty awesome"- Erin Scott, the manager of New England Comics in Allston, Massachusetts.
Graffiti artists may become offended if photographs of their art are published in a commercial context without their permission. In March 2020, the Finnish graffiti artist Psyke expressed his displeasure at the newspaper Ilta-Sanomat publishing a photograph of a Peugeot 208 in an article about new cars, with his graffiti prominently shown on the background. The artist claims he does not want his art being used in commercial context, not even if he were to receive compensation.
Territorial graffiti marks urban neighborhoods with tags and logos to differentiate certain groups from others. These images are meant to show outsiders a stern look at whose turf is whose. The subject matter of gang-related graffiti consists of cryptic symbols and initials strictly fashioned with unique calligraphies. Gang members use graffiti to designate membership throughout the gang, to differentiate rivals and associates and, most commonly, to mark borders which are both territorial and ideological.
Graffiti has been used as a means of advertising both legally and illegally. Bronx-based TATS CRU has made a name for themselves doing legal advertising campaigns for companies such as Coca-Cola, McDonald's, Toyota, and MTV. In the UK, Covent Garden's Boxfresh used stencil images of a Zapatista revolutionary in the hopes that cross referencing would promote their store.
Smirnoff hired artists to use reverse graffiti (the use of high pressure hoses to clean dirty surfaces to leave a clean image in the surrounding dirt) to increase awareness of their product.
Graffiti often has a reputation as part of a subculture that rebels against authority, although the considerations of the practitioners often diverge and can relate to a wide range of attitudes. It can express a political practice and can form just one tool in an array of resistance techniques. One early example includes the anarcho-punk band Crass, who conducted a campaign of stenciling anti-war, anarchist, feminist, and anti-consumerist messages throughout the London Underground system during the late 1970s and early 1980s. In Amsterdam graffiti was a major part of the punk scene. The city was covered with names such as "De Zoot", "Vendex", and "Dr Rat". To document the graffiti a punk magazine was started that was called Gallery Anus. So when hip hop came to Europe in the early 1980s there was already a vibrant graffiti culture.
The student protests and general strike of May 1968 saw Paris bedecked in revolutionary, anarchistic, and situationist slogans such as L'ennui est contre-révolutionnaire ("Boredom is counterrevolutionary") and Lisez moins, vivez plus ("Read less, live more"). While not exhaustive, the graffiti gave a sense of the 'millenarian' and rebellious spirit, tempered with a good deal of verbal wit, of the strikers.
I think graffiti writing is a way of defining what our generation is like. Excuse the French, we're not a bunch of p---- artists. Traditionally artists have been considered soft and mellow people, a little bit kooky. Maybe we're a little bit more like pirates that way. We defend our territory, whatever space we steal to paint on, we defend it fiercely.
The developments of graffiti art which took place in art galleries and colleges as well as "on the street" or "underground", contributed to the resurfacing in the 1990s of a far more overtly politicized art form in the subvertising, culture jamming, or tactical media movements. These movements or styles tend to classify the artists by their relationship to their social and economic contexts, since, in most countries, graffiti art remains illegal in many forms except when using non-permanent paint. Since the 1990s with the rise of Street Art, a growing number of artists are switching to non-permanent paints and non-traditional forms of painting.
Contemporary practitioners, accordingly, have varied and often conflicting practices. Some individuals, such as Alexander Brener, have used the medium to politicize other art forms, and have used the prison sentences enforced on them as a means of further protest. The practices of anonymous groups and individuals also vary widely, and practitioners by no means always agree with each other's practices. For example, the anti-capitalist art group the Space Hijackers did a piece in 2004 about the contradiction between the capitalistic elements of Banksy and his use of political imagery.
Berlin human rights activist Irmela Mensah-Schramm has received global media attention and numerous awards for her 35-year campaign of effacing neo-Nazi and other right-wing extremist graffiti throughout Germany, often by altering hate speech in humorous ways.
In Serbian capital, Belgrade, the graffiti depicting a uniformed former general of Serb army and war criminal, convicted at ICTY for war crimes and crimes against humanity, including genocide and ethnic cleansing in Bosnian War, Ratko Mladić, appeared in a military salute alongside the words "General, thank to your mother". Aleks Eror, Berlin-based journalist, explains how "veneration of historical and wartime figures" through street art is not a new phenomenon in the region of former Yugoslavia, and that "in most cases is firmly focused on the future, rather than retelling the past". Eror is not only analyst pointing to danger of such an expressions for the region's future. In a long expose on the subject of Bosnian genocide denial, at Balkan Diskurs magazine and multimedia platform website, Kristina Gadže and Taylor Whitsell referred to these experiences as a young generations' "cultural heritage", in which young are being exposed to celebration and affirmation of war-criminals as part of their "formal education" and "inheritance".
There are numerous examples of genocide denial through celebration and affirmation of war criminals throughout the region of Western Balkans inhabited by Serbs using this form of artistic expression. Several more of these graffiti are found in Serbian capital, and many more across Serbia and Bosnian and Herzegovinian administrative entity, Republika Srpska, which is the ethnic Serbian majority enclave. Critics point that Serbia as a state, is willing to defend the mural of convicted war criminal, and have no intention to react on cases of genocide denial, noting that Interior Minister of Serbia, Aleksandar Vulin decision to ban any gathering with an intent to remove the mural, with the deployment of riot police, sends the message of "tacit endorsement". Consequently, on 9 November 2021, Serbian heavy police in riot gear, with graffiti creators and their supporters, blocked the access to the mural to prevent human rights groups and other activists to paint over it and mark the International Day Against Fascism and Antisemitism in that way, and even arrested two civic activist for throwing eggs at the graffiti.
Graffiti may also be used as an offensive expression. This form of graffiti may be difficult to identify, as it is mostly removed by the local authority (as councils which have adopted strategies of criminalization also strive to remove graffiti quickly). Therefore, existing racist graffiti is mostly more subtle and at first sight, not easily recognized as "racist". It can then be understood only if one knows the relevant "local code" (social, historical, political, temporal, and spatial), which is seen as heteroglot and thus a 'unique set of conditions' in a cultural context.
A spatial code for example, could be that there is a certain youth group in an area that is engaging heavily in racist activities. So, for residents (knowing the local code), a graffiti containing only the name or abbreviation of this gang already is a racist expression, reminding the offended people of their gang activities. Also a graffiti is in most cases, the herald of more serious criminal activity to come. A person who does not know these gang activities would not be able to recognize the meaning of this graffiti. Also if a tag of this youth group or gang is placed on a building occupied by asylum seekers, for example, its racist character is even stronger.
By making the graffiti less explicit (as adapted to social and legal constraints), these drawings are less likely to be removed, but do not lose their threatening and offensive character.
Elsewhere, activists in Russia have used painted caricatures of local officials with their mouths as potholes, to show their anger about the poor state of the roads. In Manchester, England, a graffitists painted obscene images around potholes, which often resulted in them being repaired within 48 hours.
In the early 1980s, the first art galleries to show graffitists to the public were Fashion Moda in the Bronx, Now Gallery and Fun Gallery, both in the East Village, Manhattan.
A 2006 exhibition at the Brooklyn Museum displayed graffiti as an art form that began in New York's outer boroughs and reached great heights in the early 1980s with the work of Crash, Lee, Daze, Keith Haring, and Jean-Michel Basquiat. It displayed 22 works by New York graffitists, including Crash, Daze, and Lady Pink. In an article about the exhibition in the magazine Time Out, curator Charlotta Kotik said that she hoped the exhibition would cause viewers to rethink their assumptions about graffiti.
From the 1970s onwards, Burhan Doğançay photographed urban walls all over the world; these he then archived for use as sources of inspiration for his painterly works. The project today known as "Walls of the World" grew beyond even his own expectations and comprises about 30,000 individual images. It spans a period of 40 years across five continents and 114 countries. In 1982, photographs from this project comprised a one-man exhibition titled "Les murs murmurent, ils crient, ils chantent ..." (The walls whisper, shout and sing ...) at the Centre Georges Pompidou in Paris.
In Australia, art historians have judged some local graffiti of sufficient creative merit to rank them firmly within the arts. Oxford University Press's art history text Australian Painting 1788–2000 concludes with a long discussion of graffiti's key place within contemporary visual culture, including the work of several Australian practitioners.
Between March and April 2009, 150 artists exhibited 300 pieces of graffiti at the Grand Palais in Paris.
Spray paint has many negative environmental effects. The paint contains toxic chemicals, and the can uses volatile hydrocarbon gases to spray the paint onto a surface.
Volatile organic compound (VOC) leads to ground level ozone formation and most of graffiti related emissions are VOCs. A 2010 paper estimates 4,862 tons of VOCs were released in the United States in activities related to graffiti.
In China, Mao Zedong in the 1920s used revolutionary slogans and paintings in public places to galvanize the country's communist movement.
Based on different national conditions, many people believe that China's attitude towards Graffiti is fierce, but in fact, according to Lance Crayon in his film Spray Paint Beijing: Graffiti in the Capital of China, Graffiti is generally accepted in Beijing, with artists not seeing much police interference. Political and religiously sensitive graffiti, however, is not allowed.
In Hong Kong, Tsang Tsou Choi was known as the King of Kowloon for his calligraphy graffiti over many years, in which he claimed ownership of the area. Now some of his work is preserved officially.
In Taiwan, the government has made some concessions to graffitists. Since 2005 they have been allowed to freely display their work along some sections of riverside retaining walls in designated "Graffiti Zones". From 2007, Taipei's department of cultural affairs also began permitting graffiti on fences around major public construction sites. Department head Yong-ping Lee (李永萍) stated, "We will promote graffiti starting with the public sector, and then later in the private sector too. It's our goal to beautify the city with graffiti". The government later helped organize a graffiti contest in Ximending, a popular shopping district. graffitists caught working outside of these designated areas still face fines up to NT$6,000 under a department of environmental protection regulation. However, Taiwanese authorities can be relatively lenient, one veteran police officer stating anonymously, "Unless someone complains about vandalism, we won't get involved. We don't go after it proactively."
In 1993, after several expensive cars in Singapore were spray-painted, the police arrested a student from the Singapore American School, Michael P. Fay, questioned him, and subsequently charged him with vandalism. Fay pleaded guilty to vandalizing a car in addition to stealing road signs. Under the 1966 Vandalism Act of Singapore, originally passed to curb the spread of communist graffiti in Singapore, the court sentenced him to four months in jail, a fine of S$3,500 (US$2,233), and a caning. The New York Times ran several editorials and op-eds that condemned the punishment and called on the American public to flood the Singaporean embassy with protests. Although the Singapore government received many calls for clemency, Fay's caning took place in Singapore on 5 May 1994. Fay had originally received a sentence of six strokes of the cane, but the presiding president of Singapore, Ong Teng Cheong, agreed to reduce his caning sentence to four lashes.
In South Korea, Park Jung-soo was fined two million South Korean won by the Seoul Central District Court for spray-painting a rat on posters of the G-20 Summit a few days before the event in November 2011. Park alleged that the initial in "G-20" sounds like the Korean word for "rat", but Korean government prosecutors alleged that Park was making a derogatory statement about the president of South Korea, Lee Myung-bak, the host of the summit. This case led to public outcry and debate on the lack of government tolerance and in support of freedom of expression. The court ruled that the painting, "an ominous creature like a rat" amounts to "an organized criminal activity" and upheld the fine while denying the prosecution's request for imprisonment for Park.
In Europe, community cleaning squads have responded to graffiti, in some cases with reckless abandon, as when in 1992 in France a local Scout group, attempting to remove modern graffiti, damaged two prehistoric paintings of bison in the Cave of Mayrière supérieure near the French village of Bruniquel in Tarn-et-Garonne, earning them the 1992 Ig Nobel Prize in archeology.
In September 2006, the European Parliament directed the European Commission to create urban environment policies to prevent and eliminate dirt, litter, graffiti, animal excrement, and excessive noise from domestic and vehicular music systems in European cities, along with other concerns over urban life.
In Budapest, Hungary, both a city-backed movement called I Love Budapest and a special police division tackle the problem, including the provision of approved areas.
The Anti-social Behaviour Act 2003 became Britain's latest anti-graffiti legislation. In August 2004, the Keep Britain Tidy campaign issued a press release calling for zero tolerance of graffiti and supporting proposals such as issuing "on the spot" fines to graffiti offenders and banning the sale of aerosol paint to anyone under the age of 16. The press release also condemned the use of graffiti images in advertising and in music videos, arguing that real-world experience of graffiti stood far removed from its often-portrayed "cool" or "edgy'" image.
To back the campaign, 123 Members of Parliament (MPs) (including then Prime Minister Tony Blair), signed a charter which stated: "Graffiti is not art, it's crime. On behalf of my constituents, I will do all I can to rid our community of this problem."
In the UK, city councils have the power to take action against the owner of any property that has been defaced under the Anti-social Behaviour Act 2003 (as amended by the Clean Neighbourhoods and Environment Act 2005) or, in certain cases, the Highways Act. This is often used against owners of property that are complacent in allowing protective boards to be defaced so long as the property is not damaged.
In July 2008, a conspiracy charge was used to convict graffitists for the first time. After a three-month police surveillance operation, nine members of the DPM crew were convicted of conspiracy to commit criminal damage costing at least £1 million. Five of them received prison sentences, ranging from eighteen months to two years. The unprecedented scale of the investigation and the severity of the sentences rekindled public debate over whether graffiti should be considered art or crime.
Some councils, like those of Stroud and Loerrach, provide approved areas in the town where graffitists can showcase their talents, including underpasses, car parks, and walls that might otherwise prove a target for the "spray and run".
Graffiti Tunnel, University of Sydney at Camperdown (2009)
In an effort to reduce vandalism, many cities in Australia have designated walls or areas exclusively for use by graffitists. One early example is the "Graffiti Tunnel" located at the Camperdown Campus of the University of Sydney, which is available for use by any student at the university to tag, advertise, poster, and paint. Advocates of this idea suggest that this discourages petty vandalism yet encourages artists to take their time and produce great art, without worry of being caught or arrested for vandalism or trespassing.[108][109] Others disagree with this approach, arguing that the presence of legal graffiti walls does not demonstrably reduce illegal graffiti elsewhere. Some local government areas throughout Australia have introduced "anti-graffiti squads", who clean graffiti in the area, and such crews as BCW (Buffers Can't Win) have taken steps to keep one step ahead of local graffiti cleaners.
Many state governments have banned the sale or possession of spray paint to those under the age of 18 (age of majority). However, a number of local governments in Victoria have taken steps to recognize the cultural heritage value of some examples of graffiti, such as prominent political graffiti. Tough new graffiti laws have been introduced in Australia with fines of up to A$26,000 and two years in prison.
Melbourne is a prominent graffiti city of Australia with many of its lanes being tourist attractions, such as Hosier Lane in particular, a popular destination for photographers, wedding photography, and backdrops for corporate print advertising. The Lonely Planet travel guide cites Melbourne's street as a major attraction. All forms of graffiti, including sticker art, poster, stencil art, and wheatpasting, can be found in many places throughout the city. Prominent street art precincts include; Fitzroy, Collingwood, Northcote, Brunswick, St. Kilda, and the CBD, where stencil and sticker art is prominent. As one moves farther away from the city, mostly along suburban train lines, graffiti tags become more prominent. Many international artists such as Banksy have left their work in Melbourne and in early 2008 a perspex screen was installed to prevent a Banksy stencil art piece from being destroyed, it has survived since 2003 through the respect of local street artists avoiding posting over it, although it has recently had paint tipped over it.
In February 2008 Helen Clark, the New Zealand prime minister at that time, announced a government crackdown on tagging and other forms of graffiti vandalism, describing it as a destructive crime representing an invasion of public and private property. New legislation subsequently adopted included a ban on the sale of paint spray cans to persons under 18 and increases in maximum fines for the offence from NZ$200 to NZ$2,000 or extended community service. The issue of tagging become a widely debated one following an incident in Auckland during January 2008 in which a middle-aged property owner stabbed one of two teenage taggers to death and was subsequently convicted of manslaughter.
Graffiti databases have increased in the past decade because they allow vandalism incidents to be fully documented against an offender and help the police and prosecution charge and prosecute offenders for multiple counts of vandalism. They also provide law enforcement the ability to rapidly search for an offender's moniker or tag in a simple, effective, and comprehensive way. These systems can also help track costs of damage to a city to help allocate an anti-graffiti budget. The theory is that when an offender is caught putting up graffiti, they are not just charged with one count of vandalism; they can be held accountable for all the other damage for which they are responsible. This has two main benefits for law enforcement. One, it sends a signal to the offenders that their vandalism is being tracked. Two, a city can seek restitution from offenders for all the damage that they have committed, not merely a single incident. These systems give law enforcement personnel real-time, street-level intelligence that allows them not only to focus on the worst graffiti offenders and their damage, but also to monitor potential gang violence that is associated with the graffiti.
Many restrictions of civil gang injunctions are designed to help address and protect the physical environment and limit graffiti. Provisions of gang injunctions include things such as restricting the possession of marker pens, spray paint cans, or other sharp objects capable of defacing private or public property; spray painting, or marking with marker pens, scratching, applying stickers, or otherwise applying graffiti on any public or private property, including, but not limited to the street, alley, residences, block walls, and fences, vehicles or any other real or personal property. Some injunctions contain wording that restricts damaging or vandalizing both public and private property, including but not limited to any vehicle, light fixture, door, fence, wall, gate, window, building, street sign, utility box, telephone box, tree, or power pole.
To help address many of these issues, many local jurisdictions have set up graffiti abatement hotlines, where citizens can call in and report vandalism and have it removed. San Diego's hotline receives more than 5,000 calls per year, in addition to reporting the graffiti, callers can learn more about prevention. One of the complaints about these hotlines is the response time; there is often a lag time between a property owner calling about the graffiti and its removal. The length of delay should be a consideration for any jurisdiction planning on operating a hotline. Local jurisdictions must convince the callers that their complaint of vandalism will be a priority and cleaned off right away. If the jurisdiction does not have the resources to respond to complaints in a timely manner, the value of the hotline diminishes. Crews must be able to respond to individual service calls made to the graffiti hotline as well as focus on cleanup near schools, parks, and major intersections and transit routes to have the biggest impact. Some cities offer a reward for information leading to the arrest and prosecution of suspects for tagging or graffiti related vandalism. The amount of the reward is based on the information provided, and the action taken.
When police obtain search warrants in connection with a vandalism investigation, they are often seeking judicial approval to look for items such as cans of spray paint and nozzles from other kinds of aerosol sprays; etching tools, or other sharp or pointed objects, which could be used to etch or scratch glass and other hard surfaces; permanent marking pens, markers, or paint sticks; evidence of membership or affiliation with any gang or tagging crew; paraphernalia including any reference to "(tagger's name)"; any drawings, writing, objects, or graffiti depicting taggers' names, initials, logos, monikers, slogans, or any mention of tagging crew membership; and any newspaper clippings relating to graffiti crime.
November and December of 2018 saw ASDA get quite proactive in getting in new Matchbox cases though yet again its an anxious wait to see what 2019 batches they start on! I was very happy when Case L appeared and meant grabbing a cheeky few of their new 2009 International eStar electric van.
More of a novelty than anything else as it can hardly be described as a looker, I do rather like its self congratulatory full on MATCHBOX logo and the fact they have actually modelled this very short-lived exercise in future transportation of goods. Quite a simple casting really but its metal content is pretty high and I do like its chrome disc wheels.
Bought back in November. Mint and boxed.
My first 52 week installment into the new year. It feels glorious.
In the last picture I uploaded on Flickr I made mention that I was going to make French Onion Soup today. Being the proactive fellow that I am, I made a grocery run yesterday evening in preparation for today.
One of the main ingredients in this "French Onion soup" is well ... onions. Recently, I've been dreading cutting onions because the caustic fumes have been killing my eyes (never really bothered me before). Hey, I'm here to keep it real. I ain't no chump, but this little bulbous root kicked my butt! The onions don't even necessarily make me cry, though sometimes my eyes do get watery; more than anything, my eyes burn. Last time my eyes burned so bad, I found myself in the bathroom flushing my eyes out with water for ten minutes. Bad times.*
Now that you all know about the lovely attachment I have to onions, I can easily say that I was naturally a bit hesitant to cut three large onions for todays soup. Maybe it wouldn't be that bad this time around. I was wrong. So wrong.
My eyes burned for a good while (only one onion in!). My tears were invisible, believe me. But it had to be done. This soup was not about to make itself, right? Right! Marching onwards, soon as I got these bad boys [onions] all chopped up I sautéed them for half an hour. They smelled so good as they slowly began to caramelize.
To make a long story short, the soup turned out awesome. My mom liked it too -and this says a lot. My mom and I ended up having this soup for dinner with a some mean grilled cheese sandwiches we whipped up. In addition to the soup, I toasted some slices of french bread topped with a melted a parmesan and gruyere cheese mix.
What is your favorite soup? French Onion soup is pretty high on my list, next to fresh clam chowder!
I am getting a bit excited for a trip to Las Vegas -I will be leaving for on the 15th of this month.
I haven't been there since I was ... four feet tall, haha. I am going with Molly, and her sister. Quite frankly, I don't remember much of anything pertaining to Las Vegas. So I have that to look forward to later this month.
I hope this new year has started off well for all of you! I also look forward to following all of you this year! Keep shootin' everyone!
Oh, and by the way, while on the brief topic of shooting. I thought it might be kind of cool to meet some of you. Maybe, some of you fellow Flickr-roo's from the Bay Area. Not that I don't want to meet those of you who don't hail from the Bay Area (I would love to), but understand I'm coming from a reasonable local point of view for convenience and practicality sake. We should all get together and shoot sometime.
*insert face palm
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Lighting: Ambient from skylight pictured, window subject right camera left, Canon 430EX immediate camera right shoot thru @ 1/4 triggered via poverty wizards.
Special constables were out in force on Friday 15 November 2013 to highlight the vital role they play in police operations.
Over 50 special constables from Greater Manchester Police (GMP) assisted throughout the day with various operations across the North Manchester area. They targeted the small groups of people who bring harm to our communities.
There was a large element of proactive work undertaken coupled with high visibility reassurance patrols, especially during the evening.
Special Chief Inspector Michael Walmsley, who coordinated the resources for the day said: "This is a way of highlighting the varied work that special constables undertake within our communities. The additional police resources provided by the special constabulary were utilised for intelligence lead operations and executing warrants.”
The special constabulary are trained volunteers who provide a valuable link between the public and the police, having the same powers, training, uniform and equipment as regular police officers.
Chief Superintendent for North Manchester, Nick Adderley, said: “The commitment and dedication that our specials have to policing is inspirational. Their volunteering provides additional police resources to keep our communities safe.
“Being a special enables individuals to gain hands on experience in dealing with challenging situations, something they may not encounter in any other career.”
There was also a recruitment event at The Arndale Centre running from 10am-6pm where people could find out more information about becoming a special constable in GMP.
Rob Kelly has been a special constable since January 2012. He described his experience: “As a retired Fire-fighter. I needed to keep busy, so what better way than to give something back to the community and serve as a special.
“I really enjoy the variety of jobs we go to, working with great people and good friends and working within a neighbourhood policing team gives you the confidence to go out and help the public."
For more information on becoming a special constable please visit www.gmp.police.uk or email special.constabulary@gmp.police.uk.
To find out more about Greater Manchester Police please visit our website.
You should call 101, the new national non-emergency number, to report crime and other concerns that do not require an emergency response.
Always call 999 in an emergency, such as when a crime is in progress, violence is being used or threatened or where there is danger to life.
You can also call anonymously with information about crime to Crimestoppers on 0800 555 111. Crimestoppers is an independent charity who will not want your name, just your information. Your call will not be traced or recorded and you do not have to go to court or give a statement.
Proactive Acne Treatment Vending Machine, 9/2014, by Mike Mozart of TheToyChannel and JeepersMedia on YouTube.
DNS Associates is a national accounting company offering specialist accounting services to contractors. Our proactive approach and expert guidance will guarantee you the best results. Learn more at: www.dnsassociates.co.uk/
During December, Network Rail discovered that the cutting here was prone to a catastrophic landslip and emergency works were undertaken to strengthen the earthworks. Fortunately, most of the work took place when traffic levels reduced around the Christmas and New Year period, as two of the four running lines had to be closed off.
As I write this, the works should have now been completed, but today there is disruption on the SWR network as very high winds have brought a number of trees down.
Woking, Surrey
29th December 2023
20231229 IMG_3754
We no longer live in or accept being a proactive society, we rather have a reactive society which is guided by emotions and slower progress than a proactive society that can move faster.
Week #47
This week, I had another opportunity to work on a fashion photoshoot.
Laurelle got in touch in september asking me if I was interested shooting with her. Well if you have a look on her portfolio, you'll see that she is the kind of model that make your life easy on set. She is very proactive, need very little direction and bring a real presence in front of the camera.
Unfortunately I couldn't make it in September so we booked something for October.
I build a team around this project with Kim (the makeup Artist) and Weena (the hairstylist).
I wanted to work with Kim for a while and I'm happy we finally had a chance to work together on this project. And Weena…well, she is just amazing. She continues to amaze me since our first gig last week.
So everything was perfect. I even got some time to go out and scout for location.
We met a the studio for the makeup and hair (and some clean studio shots) and then we moved to the location. The only parameter that was wrong was…the WEATHER! Yes again!
It was freezing and there was an insane wind… Believe me really insane. Did I mentioned that at some point, the rain decided to join us?
No need to say that we had some tough times.
Anyway we were able to do 3 different looks and to pull something out of it!
Thanks again to Kim and Weena who also helped me with the lights.
Have a nice week
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Semaine #47
Cette semaine, j'ai encore eu l'opportunité de réaliser un photoshoot fashion.
Laurelle m'a contacté au mois de septembre me demandant si j'étais intéressé à shooter avec elle. Et bien si vous jetez un coup d'oeil à son portfolio, vous verrez que c'est le genre de model qui vous rend la vie facile sur un shoot. Elle est très proactive, n'a presque pas besoin d'être dirigée, et a une vraie présence devant la caméra.
Malheureusement, je ne pouvais pas en Septembre, du coup on a booké quelque chose pour le mois d'octobre.
J'ai construit mon équipe autour de ce projet avec Kim (la maquilleuse) et Weena (la coiffeuse).
Je voulais travailler avec Kim depuis un moment et je suis heureux que nos agenda aient finalement pu coïncider. Et Weena…eh bien, elle est juste extraordinaire. Son travail n'arrête pas de m'impressionner depuis notre premier shoot la semaine dernière.
Tout était donc parfait. J'avais même eu un peu de temps pour aller repérer l'endroit du shoot.
On s'est retrouvé au studio pour le maquillage et la coiffure (et quelques images clean en studio), puis nous nous sommes rendus au lieu du shoot. Le seul paramètre qui n'était pas comme on le souhaitait était…la MÉTÉO! Oui encore!
Il faisait froid and il avait un de ces vents de folie… croyez-moi un vent de folie. Ai-je mentionné que la pluie s'est jointe aux festivités à un moment?
Pas besoin de vous dire qu'on a galéré.
Enfin, on a quand même pu shooter 3 looks et en sortir quelque chose de potable!
Merci encore à Kim et Weena qui m'ont également assisté avec les lumières.
Passez une bonne semaine.
Model: Laurelle
Makeup: Kim Lachapelle
Hair: Weena Jerome
Strobist info
Key Light 430EX @ 24mm, 1/4 power with full CTO gel in a 43" Westcott Qpollo Orb, camera left @8:00
Kick Light 430 EXII @50mm, 1/4 power with blue gel, camera right @3:00
Triggered by Pixel Pawn
Canon 5D MKII + EF 35MM F1.4 L | F1.4 | 1/30 | Iso 400
Your comments and favs are always appreciated!
Cancer is a disease of the mind, body, and spirit. A proactive and positive spirit will help the cancer warrior be a survivor. Anger, unforgiveness and bitterness put the body into a stressful and acidic environment. Learn to have a loving and forgiving spirit. Learn to relax and enjoy life.
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It's so sad to read some posts in flickr wherein our big brothers are misinterpreted. They
are just by all means want to share bright ideas in order to get into explore which somehow makes flickring more inspiring, exciting, enjoyable and rewarding-- not just like other sites. What's wrong with learning with other people? What's wrong with growing up with them? What's wrong with finding new friends? I have encountered secret terrorists accounts in flickr, mentally harassing me and even destroyed my friendships with other groups. I was so young in flickr then that in a way, the said accounts affected me.
I took the advice of Mr. CEO who is in flickr...that was just to IGNORE them. Many thanks to my flickrmates and flickr who made swift action to discipline them.
I can proudly say that through flickr with the help of my flickrmates I myself have improved much in the field of photography. I become more interested in this field as proven by my great interest in reading magazines about photography. My curiosity of some terms (in photography) being used is awakened --improving my vocabulary..hehehe, such as bokeh, macro, depth-of-field,..etc.
I only hope that flickr will be more fair in imposing discipline among us.
Biker&buildings, reflected in a puddle in Amsterdam.
This biker is a typical specimen/woman of us proud, proactive Amsterdammers, we bike through the toughest Winters, we pass&ignore hundreds of pretty Prostitutes sitting in their windows, waving their merchandise at us and we smash into the ever-present&stoned tourists when they stumble into our path on a daily basis, while all we want to do is bike home and chill out on the couch!
One personal piece of advise for all the visitors to Amsterdam: If you hear the 'Bell-of-death' playing her old song in your back, jump aside and save both of us ugly scenes in our beloved streets in the best city in the world ;-P
Graffiti (plural; singular graffiti or graffito, the latter rarely used except in archeology) is art that is written, painted or drawn on a wall or other surface, usually without permission and within public view. Graffiti ranges from simple written words to elaborate wall paintings, and has existed since ancient times, with examples dating back to ancient Egypt, ancient Greece, and the Roman Empire (see also mural).
Graffiti is a controversial subject. In most countries, marking or painting property without permission is considered by property owners and civic authorities as defacement and vandalism, which is a punishable crime, citing the use of graffiti by street gangs to mark territory or to serve as an indicator of gang-related activities. Graffiti has become visualized as a growing urban "problem" for many cities in industrialized nations, spreading from the New York City subway system and Philadelphia in the early 1970s to the rest of the United States and Europe and other world regions
"Graffiti" (usually both singular and plural) and the rare singular form "graffito" are from the Italian word graffiato ("scratched"). The term "graffiti" is used in art history for works of art produced by scratching a design into a surface. A related term is "sgraffito", which involves scratching through one layer of pigment to reveal another beneath it. This technique was primarily used by potters who would glaze their wares and then scratch a design into them. In ancient times graffiti were carved on walls with a sharp object, although sometimes chalk or coal were used. The word originates from Greek γράφειν—graphein—meaning "to write".
The term graffiti originally referred to the inscriptions, figure drawings, and such, found on the walls of ancient sepulchres or ruins, as in the Catacombs of Rome or at Pompeii. Historically, these writings were not considered vanadlism, which today is considered part of the definition of graffiti.
The only known source of the Safaitic language, an ancient form of Arabic, is from graffiti: inscriptions scratched on to the surface of rocks and boulders in the predominantly basalt desert of southern Syria, eastern Jordan and northern Saudi Arabia. Safaitic dates from the first century BC to the fourth century AD.
Some of the oldest cave paintings in the world are 40,000 year old ones found in Australia. The oldest written graffiti was found in ancient Rome around 2500 years ago. Most graffiti from the time was boasts about sexual experiences Graffiti in Ancient Rome was a form of communication, and was not considered vandalism.
Ancient tourists visiting the 5th-century citadel at Sigiriya in Sri Lanka write their names and commentary over the "mirror wall", adding up to over 1800 individual graffiti produced there between the 6th and 18th centuries. Most of the graffiti refer to the frescoes of semi-nude females found there. One reads:
Wet with cool dew drops
fragrant with perfume from the flowers
came the gentle breeze
jasmine and water lily
dance in the spring sunshine
side-long glances
of the golden-hued ladies
stab into my thoughts
heaven itself cannot take my mind
as it has been captivated by one lass
among the five hundred I have seen here.
Among the ancient political graffiti examples were Arab satirist poems. Yazid al-Himyari, an Umayyad Arab and Persian poet, was most known for writing his political poetry on the walls between Sajistan and Basra, manifesting a strong hatred towards the Umayyad regime and its walis, and people used to read and circulate them very widely.
Graffiti, known as Tacherons, were frequently scratched on Romanesque Scandinavian church walls. When Renaissance artists such as Pinturicchio, Raphael, Michelangelo, Ghirlandaio, or Filippino Lippi descended into the ruins of Nero's Domus Aurea, they carved or painted their names and returned to initiate the grottesche style of decoration.
There are also examples of graffiti occurring in American history, such as Independence Rock, a national landmark along the Oregon Trail.
Later, French soldiers carved their names on monuments during the Napoleonic campaign of Egypt in the 1790s. Lord Byron's survives on one of the columns of the Temple of Poseidon at Cape Sounion in Attica, Greece.
The oldest known example of graffiti "monikers" found on traincars created by hobos and railworkers since the late 1800s. The Bozo Texino monikers were documented by filmmaker Bill Daniel in his 2005 film, Who is Bozo Texino?.
In World War II, an inscription on a wall at the fortress of Verdun was seen as an illustration of the US response twice in a generation to the wrongs of the Old World:
During World War II and for decades after, the phrase "Kilroy was here" with an accompanying illustration was widespread throughout the world, due to its use by American troops and ultimately filtering into American popular culture. Shortly after the death of Charlie Parker (nicknamed "Yardbird" or "Bird"), graffiti began appearing around New York with the words "Bird Lives".
Modern graffiti art has its origins with young people in 1960s and 70s in New York City and Philadelphia. Tags were the first form of stylised contemporary graffiti. Eventually, throw-ups and pieces evolved with the desire to create larger art. Writers used spray paint and other kind of materials to leave tags or to create images on the sides subway trains. and eventually moved into the city after the NYC metro began to buy new trains and paint over graffiti.
While the art had many advocates and appreciators—including the cultural critic Norman Mailer—others, including New York City mayor Ed Koch, considered it to be defacement of public property, and saw it as a form of public blight. The ‘taggers’ called what they did ‘writing’—though an important 1974 essay by Mailer referred to it using the term ‘graffiti.’
Contemporary graffiti style has been heavily influenced by hip hop culture and the myriad international styles derived from Philadelphia and New York City Subway graffiti; however, there are many other traditions of notable graffiti in the twentieth century. Graffiti have long appeared on building walls, in latrines, railroad boxcars, subways, and bridges.
An early graffito outside of New York or Philadelphia was the inscription in London reading "Clapton is God" in reference to the guitarist Eric Clapton. Creating the cult of the guitar hero, the phrase was spray-painted by an admirer on a wall in an Islington, north London in the autumn of 1967. The graffito was captured in a photograph, in which a dog is urinating on the wall.
Films like Style Wars in the 80s depicting famous writers such as Skeme, Dondi, MinOne, and ZEPHYR reinforced graffiti's role within New York's emerging hip-hop culture. Although many officers of the New York City Police Department found this film to be controversial, Style Wars is still recognized as the most prolific film representation of what was going on within the young hip hop culture of the early 1980s. Fab 5 Freddy and Futura 2000 took hip hop graffiti to Paris and London as part of the New York City Rap Tour in 1983
Commercialization and entrance into mainstream pop culture
Main article: Commercial graffiti
With the popularity and legitimization of graffiti has come a level of commercialization. In 2001, computer giant IBM launched an advertising campaign in Chicago and San Francisco which involved people spray painting on sidewalks a peace symbol, a heart, and a penguin (Linux mascot), to represent "Peace, Love, and Linux." IBM paid Chicago and San Francisco collectively US$120,000 for punitive damages and clean-up costs.
In 2005, a similar ad campaign was launched by Sony and executed by its advertising agency in New York, Chicago, Atlanta, Philadelphia, Los Angeles, and Miami, to market its handheld PSP gaming system. In this campaign, taking notice of the legal problems of the IBM campaign, Sony paid building owners for the rights to paint on their buildings "a collection of dizzy-eyed urban kids playing with the PSP as if it were a skateboard, a paddle, or a rocking horse".
Tristan Manco wrote that Brazil "boasts a unique and particularly rich, graffiti scene ... [earning] it an international reputation as the place to go for artistic inspiration". Graffiti "flourishes in every conceivable space in Brazil's cities". Artistic parallels "are often drawn between the energy of São Paulo today and 1970s New York". The "sprawling metropolis", of São Paulo has "become the new shrine to graffiti"; Manco alludes to "poverty and unemployment ... [and] the epic struggles and conditions of the country's marginalised peoples", and to "Brazil's chronic poverty", as the main engines that "have fuelled a vibrant graffiti culture". In world terms, Brazil has "one of the most uneven distributions of income. Laws and taxes change frequently". Such factors, Manco argues, contribute to a very fluid society, riven with those economic divisions and social tensions that underpin and feed the "folkloric vandalism and an urban sport for the disenfranchised", that is South American graffiti art.
Prominent Brazilian writers include Os Gêmeos, Boleta, Nunca, Nina, Speto, Tikka, and T.Freak. Their artistic success and involvement in commercial design ventures has highlighted divisions within the Brazilian graffiti community between adherents of the cruder transgressive form of pichação and the more conventionally artistic values of the practitioners of grafite.
Graffiti in the Middle East has emerged slowly, with taggers operating in Egypt, Lebanon, the Gulf countries like Bahrain or the United Arab Emirates, Israel, and in Iran. The major Iranian newspaper Hamshahri has published two articles on illegal writers in the city with photographic coverage of Iranian artist A1one's works on Tehran walls. Tokyo-based design magazine, PingMag, has interviewed A1one and featured photographs of his work. The Israeli West Bank barrier has become a site for graffiti, reminiscent in this sense of the Berlin Wall. Many writers in Israel come from other places around the globe, such as JUIF from Los Angeles and DEVIONE from London. The religious reference "נ נח נחמ נחמן מאומן" ("Na Nach Nachma Nachman Meuman") is commonly seen in graffiti around Israel.
Graffiti has played an important role within the street art scene in the Middle East and North Africa (MENA), especially following the events of the Arab Spring of 2011 or the Sudanese Revolution of 2018/19. Graffiti is a tool of expression in the context of conflict in the region, allowing people to raise their voices politically and socially. Famous street artist Banksy has had an important effect in the street art scene in the MENA area, especially in Palestine where some of his works are located in the West Bank barrier and Bethlehem.
There are also a large number of graffiti influences in Southeast Asian countries that mostly come from modern Western culture, such as Malaysia, where graffiti have long been a common sight in Malaysia's capital city, Kuala Lumpur. Since 2010, the country has begun hosting a street festival to encourage all generations and people from all walks of life to enjoy and encourage Malaysian street culture.
The modern-day graffitists can be found with an arsenal of various materials that allow for a successful production of a piece. This includes such techniques as scribing. However, spray paint in aerosol cans is the number one medium for graffiti. From this commodity comes different styles, technique, and abilities to form master works of graffiti. Spray paint can be found at hardware and art stores and comes in virtually every color.
Stencil graffiti is created by cutting out shapes and designs in a stiff material (such as cardboard or subject folders) to form an overall design or image. The stencil is then placed on the "canvas" gently and with quick, easy strokes of the aerosol can, the image begins to appear on the intended surface.
Some of the first examples were created in 1981 by artists Blek le Rat in Paris, in 1982 by Jef Aerosol in Tours (France); by 1985 stencils had appeared in other cities including New York City, Sydney, and Melbourne, where they were documented by American photographer Charles Gatewood and Australian photographer Rennie Ellis
Tagging is the practice of someone spray-painting "their name, initial or logo onto a public surface" in a handstyle unique to the writer. Tags were the first form of modern graffiti.
Modern graffiti art often incorporates additional arts and technologies. For example, Graffiti Research Lab has encouraged the use of projected images and magnetic light-emitting diodes (throwies) as new media for graffitists. yarnbombing is another recent form of graffiti. Yarnbombers occasionally target previous graffiti for modification, which had been avoided among the majority of graffitists.
Theories on the use of graffiti by avant-garde artists have a history dating back at least to the Asger Jorn, who in 1962 painting declared in a graffiti-like gesture "the avant-garde won't give up"
Many contemporary analysts and even art critics have begun to see artistic value in some graffiti and to recognize it as a form of public art. According to many art researchers, particularly in the Netherlands and in Los Angeles, that type of public art is, in fact an effective tool of social emancipation or, in the achievement of a political goal
In times of conflict, such murals have offered a means of communication and self-expression for members of these socially, ethnically, or racially divided communities, and have proven themselves as effective tools in establishing dialog and thus, of addressing cleavages in the long run. The Berlin Wall was also extensively covered by graffiti reflecting social pressures relating to the oppressive Soviet rule over the GDR.
Many artists involved with graffiti are also concerned with the similar activity of stenciling. Essentially, this entails stenciling a print of one or more colors using spray-paint. Recognized while exhibiting and publishing several of her coloured stencils and paintings portraying the Sri Lankan Civil War and urban Britain in the early 2000s, graffitists Mathangi Arulpragasam, aka M.I.A., has also become known for integrating her imagery of political violence into her music videos for singles "Galang" and "Bucky Done Gun", and her cover art. Stickers of her artwork also often appear around places such as London in Brick Lane, stuck to lamp posts and street signs, she having become a muse for other graffitists and painters worldwide in cities including Seville.
Graffitist believes that art should be on display for everyone in the public eye or in plain sight, not hidden away in a museum or a gallery. Art should color the streets, not the inside of some building. Graffiti is a form of art that cannot be owned or bought. It does not last forever, it is temporary, yet one of a kind. It is a form of self promotion for the artist that can be displayed anywhere form sidewalks, roofs, subways, building wall, etc. Art to them is for everyone and should be showed to everyone for free.
Graffiti is a way of communicating and a way of expressing what one feels in the moment. It is both art and a functional thing that can warn people of something or inform people of something. However, graffiti is to some people a form of art, but to some a form of vandalism. And many graffitists choose to protect their identities and remain anonymous or to hinder prosecution.
With the commercialization of graffiti (and hip hop in general), in most cases, even with legally painted "graffiti" art, graffitists tend to choose anonymity. This may be attributed to various reasons or a combination of reasons. Graffiti still remains the one of four hip hop elements that is not considered "performance art" despite the image of the "singing and dancing star" that sells hip hop culture to the mainstream. Being a graphic form of art, it might also be said that many graffitists still fall in the category of the introverted archetypal artist.
Banksy is one of the world's most notorious and popular street artists who continues to remain faceless in today's society. He is known for his political, anti-war stencil art mainly in Bristol, England, but his work may be seen anywhere from Los Angeles to Palestine. In the UK, Banksy is the most recognizable icon for this cultural artistic movement and keeps his identity a secret to avoid arrest. Much of Banksy's artwork may be seen around the streets of London and surrounding suburbs, although he has painted pictures throughout the world, including the Middle East, where he has painted on Israel's controversial West Bank barrier with satirical images of life on the other side. One depicted a hole in the wall with an idyllic beach, while another shows a mountain landscape on the other side. A number of exhibitions also have taken place since 2000, and recent works of art have fetched vast sums of money. Banksy's art is a prime example of the classic controversy: vandalism vs. art. Art supporters endorse his work distributed in urban areas as pieces of art and some councils, such as Bristol and Islington, have officially protected them, while officials of other areas have deemed his work to be vandalism and have removed it.
Pixnit is another artist who chooses to keep her identity from the general public. Her work focuses on beauty and design aspects of graffiti as opposed to Banksy's anti-government shock value. Her paintings are often of flower designs above shops and stores in her local urban area of Cambridge, Massachusetts. Some store owners endorse her work and encourage others to do similar work as well. "One of the pieces was left up above Steve's Kitchen, because it looks pretty awesome"- Erin Scott, the manager of New England Comics in Allston, Massachusetts.
Graffiti artists may become offended if photographs of their art are published in a commercial context without their permission. In March 2020, the Finnish graffiti artist Psyke expressed his displeasure at the newspaper Ilta-Sanomat publishing a photograph of a Peugeot 208 in an article about new cars, with his graffiti prominently shown on the background. The artist claims he does not want his art being used in commercial context, not even if he were to receive compensation.
Territorial graffiti marks urban neighborhoods with tags and logos to differentiate certain groups from others. These images are meant to show outsiders a stern look at whose turf is whose. The subject matter of gang-related graffiti consists of cryptic symbols and initials strictly fashioned with unique calligraphies. Gang members use graffiti to designate membership throughout the gang, to differentiate rivals and associates and, most commonly, to mark borders which are both territorial and ideological.
Graffiti has been used as a means of advertising both legally and illegally. Bronx-based TATS CRU has made a name for themselves doing legal advertising campaigns for companies such as Coca-Cola, McDonald's, Toyota, and MTV. In the UK, Covent Garden's Boxfresh used stencil images of a Zapatista revolutionary in the hopes that cross referencing would promote their store.
Smirnoff hired artists to use reverse graffiti (the use of high pressure hoses to clean dirty surfaces to leave a clean image in the surrounding dirt) to increase awareness of their product.
Graffiti often has a reputation as part of a subculture that rebels against authority, although the considerations of the practitioners often diverge and can relate to a wide range of attitudes. It can express a political practice and can form just one tool in an array of resistance techniques. One early example includes the anarcho-punk band Crass, who conducted a campaign of stenciling anti-war, anarchist, feminist, and anti-consumerist messages throughout the London Underground system during the late 1970s and early 1980s. In Amsterdam graffiti was a major part of the punk scene. The city was covered with names such as "De Zoot", "Vendex", and "Dr Rat". To document the graffiti a punk magazine was started that was called Gallery Anus. So when hip hop came to Europe in the early 1980s there was already a vibrant graffiti culture.
The student protests and general strike of May 1968 saw Paris bedecked in revolutionary, anarchistic, and situationist slogans such as L'ennui est contre-révolutionnaire ("Boredom is counterrevolutionary") and Lisez moins, vivez plus ("Read less, live more"). While not exhaustive, the graffiti gave a sense of the 'millenarian' and rebellious spirit, tempered with a good deal of verbal wit, of the strikers.
I think graffiti writing is a way of defining what our generation is like. Excuse the French, we're not a bunch of p---- artists. Traditionally artists have been considered soft and mellow people, a little bit kooky. Maybe we're a little bit more like pirates that way. We defend our territory, whatever space we steal to paint on, we defend it fiercely.
The developments of graffiti art which took place in art galleries and colleges as well as "on the street" or "underground", contributed to the resurfacing in the 1990s of a far more overtly politicized art form in the subvertising, culture jamming, or tactical media movements. These movements or styles tend to classify the artists by their relationship to their social and economic contexts, since, in most countries, graffiti art remains illegal in many forms except when using non-permanent paint. Since the 1990s with the rise of Street Art, a growing number of artists are switching to non-permanent paints and non-traditional forms of painting.
Contemporary practitioners, accordingly, have varied and often conflicting practices. Some individuals, such as Alexander Brener, have used the medium to politicize other art forms, and have used the prison sentences enforced on them as a means of further protest. The practices of anonymous groups and individuals also vary widely, and practitioners by no means always agree with each other's practices. For example, the anti-capitalist art group the Space Hijackers did a piece in 2004 about the contradiction between the capitalistic elements of Banksy and his use of political imagery.
Berlin human rights activist Irmela Mensah-Schramm has received global media attention and numerous awards for her 35-year campaign of effacing neo-Nazi and other right-wing extremist graffiti throughout Germany, often by altering hate speech in humorous ways.
In Serbian capital, Belgrade, the graffiti depicting a uniformed former general of Serb army and war criminal, convicted at ICTY for war crimes and crimes against humanity, including genocide and ethnic cleansing in Bosnian War, Ratko Mladić, appeared in a military salute alongside the words "General, thank to your mother". Aleks Eror, Berlin-based journalist, explains how "veneration of historical and wartime figures" through street art is not a new phenomenon in the region of former Yugoslavia, and that "in most cases is firmly focused on the future, rather than retelling the past". Eror is not only analyst pointing to danger of such an expressions for the region's future. In a long expose on the subject of Bosnian genocide denial, at Balkan Diskurs magazine and multimedia platform website, Kristina Gadže and Taylor Whitsell referred to these experiences as a young generations' "cultural heritage", in which young are being exposed to celebration and affirmation of war-criminals as part of their "formal education" and "inheritance".
There are numerous examples of genocide denial through celebration and affirmation of war criminals throughout the region of Western Balkans inhabited by Serbs using this form of artistic expression. Several more of these graffiti are found in Serbian capital, and many more across Serbia and Bosnian and Herzegovinian administrative entity, Republika Srpska, which is the ethnic Serbian majority enclave. Critics point that Serbia as a state, is willing to defend the mural of convicted war criminal, and have no intention to react on cases of genocide denial, noting that Interior Minister of Serbia, Aleksandar Vulin decision to ban any gathering with an intent to remove the mural, with the deployment of riot police, sends the message of "tacit endorsement". Consequently, on 9 November 2021, Serbian heavy police in riot gear, with graffiti creators and their supporters, blocked the access to the mural to prevent human rights groups and other activists to paint over it and mark the International Day Against Fascism and Antisemitism in that way, and even arrested two civic activist for throwing eggs at the graffiti.
Graffiti may also be used as an offensive expression. This form of graffiti may be difficult to identify, as it is mostly removed by the local authority (as councils which have adopted strategies of criminalization also strive to remove graffiti quickly). Therefore, existing racist graffiti is mostly more subtle and at first sight, not easily recognized as "racist". It can then be understood only if one knows the relevant "local code" (social, historical, political, temporal, and spatial), which is seen as heteroglot and thus a 'unique set of conditions' in a cultural context.
A spatial code for example, could be that there is a certain youth group in an area that is engaging heavily in racist activities. So, for residents (knowing the local code), a graffiti containing only the name or abbreviation of this gang already is a racist expression, reminding the offended people of their gang activities. Also a graffiti is in most cases, the herald of more serious criminal activity to come. A person who does not know these gang activities would not be able to recognize the meaning of this graffiti. Also if a tag of this youth group or gang is placed on a building occupied by asylum seekers, for example, its racist character is even stronger.
By making the graffiti less explicit (as adapted to social and legal constraints), these drawings are less likely to be removed, but do not lose their threatening and offensive character.
Elsewhere, activists in Russia have used painted caricatures of local officials with their mouths as potholes, to show their anger about the poor state of the roads. In Manchester, England, a graffitists painted obscene images around potholes, which often resulted in them being repaired within 48 hours.
In the early 1980s, the first art galleries to show graffitists to the public were Fashion Moda in the Bronx, Now Gallery and Fun Gallery, both in the East Village, Manhattan.
A 2006 exhibition at the Brooklyn Museum displayed graffiti as an art form that began in New York's outer boroughs and reached great heights in the early 1980s with the work of Crash, Lee, Daze, Keith Haring, and Jean-Michel Basquiat. It displayed 22 works by New York graffitists, including Crash, Daze, and Lady Pink. In an article about the exhibition in the magazine Time Out, curator Charlotta Kotik said that she hoped the exhibition would cause viewers to rethink their assumptions about graffiti.
From the 1970s onwards, Burhan Doğançay photographed urban walls all over the world; these he then archived for use as sources of inspiration for his painterly works. The project today known as "Walls of the World" grew beyond even his own expectations and comprises about 30,000 individual images. It spans a period of 40 years across five continents and 114 countries. In 1982, photographs from this project comprised a one-man exhibition titled "Les murs murmurent, ils crient, ils chantent ..." (The walls whisper, shout and sing ...) at the Centre Georges Pompidou in Paris.
In Australia, art historians have judged some local graffiti of sufficient creative merit to rank them firmly within the arts. Oxford University Press's art history text Australian Painting 1788–2000 concludes with a long discussion of graffiti's key place within contemporary visual culture, including the work of several Australian practitioners.
Between March and April 2009, 150 artists exhibited 300 pieces of graffiti at the Grand Palais in Paris.
Spray paint has many negative environmental effects. The paint contains toxic chemicals, and the can uses volatile hydrocarbon gases to spray the paint onto a surface.
Volatile organic compound (VOC) leads to ground level ozone formation and most of graffiti related emissions are VOCs. A 2010 paper estimates 4,862 tons of VOCs were released in the United States in activities related to graffiti.
In China, Mao Zedong in the 1920s used revolutionary slogans and paintings in public places to galvanize the country's communist movement.
Based on different national conditions, many people believe that China's attitude towards Graffiti is fierce, but in fact, according to Lance Crayon in his film Spray Paint Beijing: Graffiti in the Capital of China, Graffiti is generally accepted in Beijing, with artists not seeing much police interference. Political and religiously sensitive graffiti, however, is not allowed.
In Hong Kong, Tsang Tsou Choi was known as the King of Kowloon for his calligraphy graffiti over many years, in which he claimed ownership of the area. Now some of his work is preserved officially.
In Taiwan, the government has made some concessions to graffitists. Since 2005 they have been allowed to freely display their work along some sections of riverside retaining walls in designated "Graffiti Zones". From 2007, Taipei's department of cultural affairs also began permitting graffiti on fences around major public construction sites. Department head Yong-ping Lee (李永萍) stated, "We will promote graffiti starting with the public sector, and then later in the private sector too. It's our goal to beautify the city with graffiti". The government later helped organize a graffiti contest in Ximending, a popular shopping district. graffitists caught working outside of these designated areas still face fines up to NT$6,000 under a department of environmental protection regulation. However, Taiwanese authorities can be relatively lenient, one veteran police officer stating anonymously, "Unless someone complains about vandalism, we won't get involved. We don't go after it proactively."
In 1993, after several expensive cars in Singapore were spray-painted, the police arrested a student from the Singapore American School, Michael P. Fay, questioned him, and subsequently charged him with vandalism. Fay pleaded guilty to vandalizing a car in addition to stealing road signs. Under the 1966 Vandalism Act of Singapore, originally passed to curb the spread of communist graffiti in Singapore, the court sentenced him to four months in jail, a fine of S$3,500 (US$2,233), and a caning. The New York Times ran several editorials and op-eds that condemned the punishment and called on the American public to flood the Singaporean embassy with protests. Although the Singapore government received many calls for clemency, Fay's caning took place in Singapore on 5 May 1994. Fay had originally received a sentence of six strokes of the cane, but the presiding president of Singapore, Ong Teng Cheong, agreed to reduce his caning sentence to four lashes.
In South Korea, Park Jung-soo was fined two million South Korean won by the Seoul Central District Court for spray-painting a rat on posters of the G-20 Summit a few days before the event in November 2011. Park alleged that the initial in "G-20" sounds like the Korean word for "rat", but Korean government prosecutors alleged that Park was making a derogatory statement about the president of South Korea, Lee Myung-bak, the host of the summit. This case led to public outcry and debate on the lack of government tolerance and in support of freedom of expression. The court ruled that the painting, "an ominous creature like a rat" amounts to "an organized criminal activity" and upheld the fine while denying the prosecution's request for imprisonment for Park.
In Europe, community cleaning squads have responded to graffiti, in some cases with reckless abandon, as when in 1992 in France a local Scout group, attempting to remove modern graffiti, damaged two prehistoric paintings of bison in the Cave of Mayrière supérieure near the French village of Bruniquel in Tarn-et-Garonne, earning them the 1992 Ig Nobel Prize in archeology.
In September 2006, the European Parliament directed the European Commission to create urban environment policies to prevent and eliminate dirt, litter, graffiti, animal excrement, and excessive noise from domestic and vehicular music systems in European cities, along with other concerns over urban life.
In Budapest, Hungary, both a city-backed movement called I Love Budapest and a special police division tackle the problem, including the provision of approved areas.
The Anti-social Behaviour Act 2003 became Britain's latest anti-graffiti legislation. In August 2004, the Keep Britain Tidy campaign issued a press release calling for zero tolerance of graffiti and supporting proposals such as issuing "on the spot" fines to graffiti offenders and banning the sale of aerosol paint to anyone under the age of 16. The press release also condemned the use of graffiti images in advertising and in music videos, arguing that real-world experience of graffiti stood far removed from its often-portrayed "cool" or "edgy'" image.
To back the campaign, 123 Members of Parliament (MPs) (including then Prime Minister Tony Blair), signed a charter which stated: "Graffiti is not art, it's crime. On behalf of my constituents, I will do all I can to rid our community of this problem."
In the UK, city councils have the power to take action against the owner of any property that has been defaced under the Anti-social Behaviour Act 2003 (as amended by the Clean Neighbourhoods and Environment Act 2005) or, in certain cases, the Highways Act. This is often used against owners of property that are complacent in allowing protective boards to be defaced so long as the property is not damaged.
In July 2008, a conspiracy charge was used to convict graffitists for the first time. After a three-month police surveillance operation, nine members of the DPM crew were convicted of conspiracy to commit criminal damage costing at least £1 million. Five of them received prison sentences, ranging from eighteen months to two years. The unprecedented scale of the investigation and the severity of the sentences rekindled public debate over whether graffiti should be considered art or crime.
Some councils, like those of Stroud and Loerrach, provide approved areas in the town where graffitists can showcase their talents, including underpasses, car parks, and walls that might otherwise prove a target for the "spray and run".
Graffiti Tunnel, University of Sydney at Camperdown (2009)
In an effort to reduce vandalism, many cities in Australia have designated walls or areas exclusively for use by graffitists. One early example is the "Graffiti Tunnel" located at the Camperdown Campus of the University of Sydney, which is available for use by any student at the university to tag, advertise, poster, and paint. Advocates of this idea suggest that this discourages petty vandalism yet encourages artists to take their time and produce great art, without worry of being caught or arrested for vandalism or trespassing.[108][109] Others disagree with this approach, arguing that the presence of legal graffiti walls does not demonstrably reduce illegal graffiti elsewhere. Some local government areas throughout Australia have introduced "anti-graffiti squads", who clean graffiti in the area, and such crews as BCW (Buffers Can't Win) have taken steps to keep one step ahead of local graffiti cleaners.
Many state governments have banned the sale or possession of spray paint to those under the age of 18 (age of majority). However, a number of local governments in Victoria have taken steps to recognize the cultural heritage value of some examples of graffiti, such as prominent political graffiti. Tough new graffiti laws have been introduced in Australia with fines of up to A$26,000 and two years in prison.
Melbourne is a prominent graffiti city of Australia with many of its lanes being tourist attractions, such as Hosier Lane in particular, a popular destination for photographers, wedding photography, and backdrops for corporate print advertising. The Lonely Planet travel guide cites Melbourne's street as a major attraction. All forms of graffiti, including sticker art, poster, stencil art, and wheatpasting, can be found in many places throughout the city. Prominent street art precincts include; Fitzroy, Collingwood, Northcote, Brunswick, St. Kilda, and the CBD, where stencil and sticker art is prominent. As one moves farther away from the city, mostly along suburban train lines, graffiti tags become more prominent. Many international artists such as Banksy have left their work in Melbourne and in early 2008 a perspex screen was installed to prevent a Banksy stencil art piece from being destroyed, it has survived since 2003 through the respect of local street artists avoiding posting over it, although it has recently had paint tipped over it.
In February 2008 Helen Clark, the New Zealand prime minister at that time, announced a government crackdown on tagging and other forms of graffiti vandalism, describing it as a destructive crime representing an invasion of public and private property. New legislation subsequently adopted included a ban on the sale of paint spray cans to persons under 18 and increases in maximum fines for the offence from NZ$200 to NZ$2,000 or extended community service. The issue of tagging become a widely debated one following an incident in Auckland during January 2008 in which a middle-aged property owner stabbed one of two teenage taggers to death and was subsequently convicted of manslaughter.
Graffiti databases have increased in the past decade because they allow vandalism incidents to be fully documented against an offender and help the police and prosecution charge and prosecute offenders for multiple counts of vandalism. They also provide law enforcement the ability to rapidly search for an offender's moniker or tag in a simple, effective, and comprehensive way. These systems can also help track costs of damage to a city to help allocate an anti-graffiti budget. The theory is that when an offender is caught putting up graffiti, they are not just charged with one count of vandalism; they can be held accountable for all the other damage for which they are responsible. This has two main benefits for law enforcement. One, it sends a signal to the offenders that their vandalism is being tracked. Two, a city can seek restitution from offenders for all the damage that they have committed, not merely a single incident. These systems give law enforcement personnel real-time, street-level intelligence that allows them not only to focus on the worst graffiti offenders and their damage, but also to monitor potential gang violence that is associated with the graffiti.
Many restrictions of civil gang injunctions are designed to help address and protect the physical environment and limit graffiti. Provisions of gang injunctions include things such as restricting the possession of marker pens, spray paint cans, or other sharp objects capable of defacing private or public property; spray painting, or marking with marker pens, scratching, applying stickers, or otherwise applying graffiti on any public or private property, including, but not limited to the street, alley, residences, block walls, and fences, vehicles or any other real or personal property. Some injunctions contain wording that restricts damaging or vandalizing both public and private property, including but not limited to any vehicle, light fixture, door, fence, wall, gate, window, building, street sign, utility box, telephone box, tree, or power pole.
To help address many of these issues, many local jurisdictions have set up graffiti abatement hotlines, where citizens can call in and report vandalism and have it removed. San Diego's hotline receives more than 5,000 calls per year, in addition to reporting the graffiti, callers can learn more about prevention. One of the complaints about these hotlines is the response time; there is often a lag time between a property owner calling about the graffiti and its removal. The length of delay should be a consideration for any jurisdiction planning on operating a hotline. Local jurisdictions must convince the callers that their complaint of vandalism will be a priority and cleaned off right away. If the jurisdiction does not have the resources to respond to complaints in a timely manner, the value of the hotline diminishes. Crews must be able to respond to individual service calls made to the graffiti hotline as well as focus on cleanup near schools, parks, and major intersections and transit routes to have the biggest impact. Some cities offer a reward for information leading to the arrest and prosecution of suspects for tagging or graffiti related vandalism. The amount of the reward is based on the information provided, and the action taken.
When police obtain search warrants in connection with a vandalism investigation, they are often seeking judicial approval to look for items such as cans of spray paint and nozzles from other kinds of aerosol sprays; etching tools, or other sharp or pointed objects, which could be used to etch or scratch glass and other hard surfaces; permanent marking pens, markers, or paint sticks; evidence of membership or affiliation with any gang or tagging crew; paraphernalia including any reference to "(tagger's name)"; any drawings, writing, objects, or graffiti depicting taggers' names, initials, logos, monikers, slogans, or any mention of tagging crew membership; and any newspaper clippings relating to graffiti crime.
Dublin City - Official Policy For Removal of Trees - Trees are removed only when necessary as a last resort.
The criteria for tree removal are:
1 The tree is dead, dying or is considered hazardous due to its poor structural or biological condition,. Hazardous conditions may exist above and/or below ground and may include significant root, trunk or crown decay, split trunks and crotches, and large dead limbs.
2 The tree has declined beyond the point of recovery and is no longer meeting the functional or aesthetic requirements of a street tree. Typically, a tree with 30 percent or less of its foliage remaining would meet this criterion.
3 Fatally diseased trees (eg. Ash dieback, Fireblight Disease) may be removed before they reach the primary threshold in order to prevent the spread of disease to healthy trees.
4 To allow space for development of nearby trees that may be more desirable for retention
5 To allow space for new planting
6 To make way for any approved engineering or building works when unavoidable construction work will immediately compromise the stability or viability of the tree.
7 Tree proven to be causing significant structural damage that cannot be reasonably addressed by an alternative solution and proactive tree management has had no mitigating effect.
8 To abate actionable nuisance
9 The trunk of the tree is within 2m of a public lighting column and the long term viability of the tree if retained in its location would be compromised by a requirement for ongoing maintenance in order to maintain the effectiveness of the adjoining street light.
If a site where a tree was removed is suitable to support a new tree, the site may be replanted with a suitable tree species. Because the stump has to be placed on a stump removal list and sufficient time needs to elapse to allow breakdown of residual underground root material, the
process from removal to replanting may take up to 3-5 years. Replacement tree planting will only take place during the dormant season.
A total of 120 firearms were taken off the streets of Greater Manchester in the last year as police continue to tackle the use of lethal weapons by organised crime groups.
Between April 2020 and the end of March this year, scores of firearms were seized as a result of proactive operations and planned raids supported by our Serious and Organised Crime Firearms Investigation Team (SOC FIT), who were launched in 2018 dedicated to tackling the use of illegal firearms in Greater Manchester.
The huge haul includes self-loaded pistols, shotguns and imitation firearms held by criminals to be converted into viable weapons including top-venting imitation guns, which GMP has seized 30 converted replicas of since April 2020.
Working alongside the North West Regional Organised Crime Unit (NWROCU), we continue to tackle the conversion and supply of such legal blank-firing firearms into illegal, lethal ones.
Our response includes a proactive operation - codenamed Lyra - which was formed in July 2020 to investigate the supply and possession of such weapons.
Seven people have been arrested so far, and Scott Robinson, 43, from Oldham, was sentenced to a total of five years for possession of a converted imitation firearm in January.
Two further suspects have been charged as part of the operation and await trial later this year accused of conspiracy to supply firearms.
The crackdown has seen discharges in the county reduced from 85 to 71 during the last 12 months - equating to 16%.
One of the most significant district decreases was in Salford (-40%) after the inception of the Operation Naseby disruption hub over a year ago.
The SOC FIT supported a further six boroughs where shootings at least halved in 2020/21, including Wigan (down from nine to two), Bolton (down from five to one) and Tameside (down from four to one).
In Manchester, an increase in recorded discharges saw 10 in the first three months of 2021 in the north of the city alone, which led to a dedicated response between the SOC Firearms team and detectives from the City of Manchester North division.
It included a three-week blitz on organised crime at the end of March where several warrants were executed and 11 arrests were made, yielding three firearms, ammunition, over £150,000 in cash, and 10 kilos of class A and B drugs.
Twenty arrests have been made in total during the offensive, including Jack Modlinsky, 24, of Cheetham Hill, who was jailed for over five-and-a-half years last month when officers found £134,000 in cash, £8,000's worth of cocaine, and a knife during a warrant at his address as part of the action.
There has been just one discharge in the north of the city during the last 10 weeks since our robust response.
Officers continue to work alongside local partners to continue reducing gun crime in the region by targeting and disrupting organised crime activity across Greater Manchester.
Detective Inspector Simon Akker, head of GMP's Serious and Organised Crime Firearms Investigation Team, said: "We've been working relentlessly in SOC FIT to really drive a wedge between organised crime groups and the possession, supply and use of weapons in Greater Manchester, which is one of GMP's top priorities.
"By seizing more firearms than there have been discharges in the last year or so, it shows that we are proactively taking the fight back to organised criminals to stamp out the use of guns on our streets.
"While we can quantify the amount of weapons we've recovered and the decrease in discharges, what we can't count is the amount of incidents that we have prevented as a result of the action we have taken - but I can confidently say we have stopped people getting shot.
"That said, three men lost their lives on the streets of Greater Manchester due to gun crime last year which is three too many and we know that our work must continue to intensify to reduce these incidents further.
"The vast majority of incidents are targeted and are not a threat to the wider public, but that does not reduce the level of fear and anxiety they feel when acts of gun violence occur in their community and we have a duty to ensure that the public remain safe - each of these guns recovered is another potentially lethal incident stopped.
"Our focus remains on taking strong action against those in society who brazenly involve themselves in the use, trade and criminal conversion of firearms in Greater Manchester and we will ensure that those we suspect of having such involvement will face prosecution and be taken from our streets."
Anyone with concerns or information about suspicious activity should report it to police online, if able, at www.gmp.police.uk or via 101. Always call 999 in an emergency.
Details can be passed anonymously to the independent charity Crimestoppers on 0800 555 111.
Our Proactive Property Crimes Unit wrapped up another busy week with the arrest of two residential burglary suspects and the recovery of a stolen gun in #SouthHill. Last week, the victims called to report that their house had been burglarized and several items had been taken. The suspects had pried open the back door to gain entry. A neighbor’s surveillance video captured the suspects arriving and leaving in a white Cadillac sedan.
One of the victims later found her fiancé’s unique pair of Jordan shoes listed for sale online. The seller’s account also had a listing for the victim’s laptop, but it showed the laptop had already been sold. Deputies from the Proactive Property Crimes Unit contacted the seller and arranged to purchase the Jordan shoes. The seller told deputies he would be waiting for them at a parking lot in a white Cadillac sedan.
When deputies arrived and approached the car, they saw one of the suspects shoving a gun between the seats. The suspects were taken out of the car at gunpoint and arrested. One of them complained that cops are crazy for wasting time with small-time criminals like them.
The suspects had attempted to scratch the serial number off of the gun, but deputies were still able to read it. The gun had been reported stolen one week earlier.
#NotInOurCounty
Another 365 days to let the dust settle. To revel in complacency and apathetic affectations. A year to accomplish nothing, to waylay achievement and allow proactivity to deteriorate. Twelve months to stymie action and productivity... a vacation from propagation where the wheels fail to roll. To set upon garbage heaps and declare ourselves kings of passivity, vacationeers of privilege, pioneers of indifference. Another calendar's cycle to hide from accomplishment and disregard our individual hemispheres. Blankets of deception and false comfort.
But maybe for some others a time to grasp our lives and make them into something purer and better thought. Good intentions acted upon and selflessly carried out. Adopting causes, compassion, activity, and empathy. Aspiring to be more than what we are, and better than we know ourselves to be. A coming year to strive for achievment... to embrace fellowship and better our relationships. A time during which we can spend reflecting on our spirits, and compelling ourselves to be a model. To stand out, to impress without self-flattery or expect reward. To inpsire and fulfill not just goals but spiritual challenges and curb distress.
It's easy to get caught up in the former rather than work to live up to the latter.
"A painful awakening hurting like never before
How to process the pressure and stress?
How to give everyone more than they can take?
We are terrified to live... We are terrified to die"
Mayor Bill de Blasio announces the newly created Tenant Support Unit resolved its 1,000th tenant case since it launched in July 2015, keeping tenants in their homes and protecting affordable housing in fast-changing neighborhoods. The proactive unit goes door-to-door in neighborhoods across the city, informing tenants of their rights, documenting building violations, soliciting complaints related to harassment and eviction, and making referrals to free legal support whenever necessary. Northern Manhattan Improvement Corporation, Washington Heights. Monday, February 29, 2016. Credit: Ed Reed/Mayoral Photography Office.
This photograph is provided by the New York City Mayoral Photography Office (MPO) for the benefit of the general public and for dissemination by members of the media. The photograph may not be manipulated in any way and may not be used in commercial materials, advertisements, emails, products or promotions that in any way suggests approval or endorsement of the City of New York, the Mayoral administration, or the de Blasio family without prior consent from the MPO (PhotoOffice@cityhall.nyc.gov). Any use or reprinting of official MPO photographs must use the following credit language and style: “Photographer/Mayoral Photography Office”, as listed at the end of each caption.
The graduation of four officers of the 19th Mounted Patrol Academy ceremony took place on Friday, April 29, 2016 at the Mounted Patrol facility located at 2089 Indian River Road.
During the ten-week Basic Riding Academy, officers learned equitation and sensory riding skills along with how to enforce and apprehend criminals while mounted on their horse. Each officer and horse is carefully matched according to his or her personalities and temperaments to form a good partner relationship.
The Virginia Beach Mounted Patrol Unit operates year round and performs many valuable functions for the department and the citizens of Virginia Beach. Throughout the tourist season, you will see the officers on horseback patrolling the oceanfront and resort areas on proactive, high visibility patrol. They assist with crowd management, finding lost children and providing enhanced public relations. Throughout the rest of the year, Mounted Patrol officers are active in patrolling many other areas of the city as possible such as town center, major shopping districts during the holiday season and neighborhoods where necessary due to crime concerns and citizen requests.
Photography - Craig McClure
16155
© 2016
ALL Rights reserved by City of Virginia Beach.
Contact photo[at]vbgov.com for permission to use. Commercial use not allowed.
Today in Ireland and in the US new regulations relating to drones has been introduced [effective from the 21st of December 2015]. There are many similarities in the regulations but there is one major differences in that here in Ireland they have not mention the penalties for failure to register but in the US the cost of failure to register appears to be rather extreme … “civil penalties up to $27,500, or criminal penalties up to 3 years in prison and $250,000.” According to the minister the aim here in Ireland is to encourage drone users to be responsible citizens.
I have included the press releases from both administrations, have a read and see what you think.
Thursday, 17th December 2015: The Irish Aviation Authority (IAA) today announced a new drone regulation which includes the mandatory registration of all drones weighing 1kg or more from Monday, 21st December 2015.
The use of drones worldwide is expanding rapidly and there are estimated to be between 4,000 – 5,000 drones already in use in Ireland. Ireland has taken a proactive role in this fast emerging area and is currently one of only a handful of EU Member states that has legislation governing the use of drones.
The new legislation is intended to further enhance safety within Ireland and specifically addresses the safety challenges posed by drones.
From 21st December 2015, all drones weighing 1kg or more must be registered with the IAA via www.iaa.ie/drones. Drone registration is a simple two-step process. To register a drone, the registrant must be 16 years of age or older (Drones operated by those under 16 years of age must be registered by a parent or legal guardian). A nominal fee will apply from February 2016 but this has been initially waived by the IAA in order to encourage early registration.
Mr Ralph James, IAA Director of Safety Regulation, said
“Ireland is already recognised worldwide as a centre of excellence for civil aviation and the drone sector presents another major opportunity for Ireland. We’re closely working with industry to facilitate its successful development here. At the same time, safety is our top priority and we must ensure that drones are used in a safe way and that they do not interfere with all other forms of aviation.
Mr James explained that drone registration has been made a mandatory requirement as this will help the IAA to monitor the sector in the years ahead. The IAA encourages all drone operators to take part in training courses which are available through a number of approved drone training organisations.
“We would strongly encourage drone operators to register with us as quickly as possible, to complete a training course and to become aware of their responsibilities. People operating drones must do so in safe and responsible manner and in full compliance with the new regulations”, he said.
Welcoming the introduction of drone regulation, Minister for Transport, Tourism and Sport, Paschal Donohoe TD highlighted the importance of the new legislation and commended the IAA for the efficient manner to have the new registration system in place so quickly.
“The core safety message promoted today advocates the safe use of drones in civilian airspace. The development of drone technology brings opportunities as well as challenges for businesses and services in Ireland. I expect hundreds if not thousands of drones to be bought as presents this Christmas so getting the message to ensure that new owners and operators are aware of their responsibilities and the requirement to register all drones over 1 kg from 21st December 2015 is key. Tremendous potential exists for this sector and Ireland is at the forefront of its development. The speedy response by the IAA to this fast developing aviation area will make sure that drones are properly regulated and registered for use. As a result, Ireland is well placed to exploit the drone sector and to ensure industry growth in this area,” he said.
The new legislation prohibits users from operating their drones in an unsafe manner. This includes never operating a drone:
• if it will be a hazard to another aircraft in flight
• over an assembly of people
• farther than 300m from the operator
• within 120m of any person, vessel or structure not under the operator’s control
• closer than 5km from an aerodrome
• in a negligent or reckless manner so as to endanger life or property of others
• over 400ft (120m) above ground level
• over urban areas
• in civil of military controlled airspace
• in restricted areas (e.g. military installations, prisons, etc.)
• unless the operator has permission from the landowner for takeoff and landing.
For further information please visit www.iaa.ie/drones and see the IAA’s detailed Q&A sheet.
The Federal Aviation Administration has officially launched the drone registration program first reported in October. Drone operators are required to register their UAVs with the Unmanned Aircraft System registry starting December 21. Failure to register could result in criminal and civil penalties.
Under the new system, all aircraft must be registered with the FAA including those 'operated by modelers and hobbyists.' Once registered, drone operators must carry the registration certificate during operation. This new system only applies to drones weighing more than 0.55lbs/250g and less than 55lbs/25kg. The only exception to the registration requirement is indoor drone flights.
Required registration information includes a mailing address and physical address, email address, and full names; however, no information on the drone's make, model, or serial number is required from recreational users. Non-recreational users will need to provide drone information, including serial number, when that particular registration system goes live.
Failure to register could result in civil penalties up to $27,500, or criminal penalties up to 3 years in prison and $250,000. A $5 registration charge is applied, but will be refunded to those who register before January 20. The registration certificate is sent in an email to be printed at home.
The Ministry of Health’s committee on Zika in Trinidad has determined that any pregnant woman that tests positive for Zika is to be referred to the Mount Hope Women’s Hospital, a hospital that dedicates itself to obstetrics. Mothers and babies are monitored on a weekly basis to detect any anomaly in the fetus that might have been caused by the virus. The Ministry of Health’s committee on Zika has been proactively informing the general population on how to prevent the spread of the virus and how to eradicate breeding sites, with a special emphasis on informing pregnant women or women planning to get pregnant. So far, only one case of Zika has been referred to this hospital.
DI Simon Akker alongside some of the firearms we've recovered since April 2020
A total of 120 firearms were taken off the streets of Greater Manchester in the last year as police continue to tackle the use of lethal weapons by organised crime groups.
Between April 2020 and the end of March this year, scores of firearms were seized as a result of proactive operations and planned raids supported by our Serious and Organised Crime Firearms Investigation Team (SOC FIT), who were launched in 2018 dedicated to tackling the use of illegal firearms in Greater Manchester.
The huge haul includes self-loaded pistols, shotguns and imitation firearms held by criminals to be converted into viable weapons including top-venting imitation guns, which GMP has seized 30 converted replicas of since April 2020.
Working alongside the North West Regional Organised Crime Unit (NWROCU), we continue to tackle the conversion and supply of such legal blank-firing firearms into illegal, lethal ones.
Our response includes a proactive operation - codenamed Lyra - which was formed in July 2020 to investigate the supply and possession of such weapons.
Seven people have been arrested so far, and Scott Robinson, 43, from Oldham, was sentenced to a total of five years for possession of a converted imitation firearm in January.
Two further suspects have been charged as part of the operation and await trial later this year accused of conspiracy to supply firearms.
The crackdown has seen discharges in the county reduced from 85 to 71 during the last 12 months - equating to 16%.
One of the most significant district decreases was in Salford (-40%) after the inception of the Operation Naseby disruption hub over a year ago.
The SOC FIT supported a further six boroughs where shootings at least halved in 2020/21, including Wigan (down from nine to two), Bolton (down from five to one) and Tameside (down from four to one).
In Manchester, an increase in recorded discharges saw 10 in the first three months of 2021 in the north of the city alone, which led to a dedicated response between the SOC Firearms team and detectives from the City of Manchester North division.
It included a three-week blitz on organised crime at the end of March where several warrants were executed and 11 arrests were made, yielding three firearms, ammunition, over £150,000 in cash, and 10 kilos of class A and B drugs.
Twenty arrests have been made in total during the offensive, including Jack Modlinsky, 24, of Cheetham Hill, who was jailed for over five-and-a-half years last month when officers found £134,000 in cash, £8,000's worth of cocaine, and a knife during a warrant at his address as part of the action.
There has been just one discharge in the north of the city during the last 10 weeks since our robust response.
Officers continue to work alongside local partners to continue reducing gun crime in the region by targeting and disrupting organised crime activity across Greater Manchester.
Detective Inspector Simon Akker, head of GMP's Serious and Organised Crime Firearms Investigation Team, said: "We've been working relentlessly in SOC FIT to really drive a wedge between organised crime groups and the possession, supply and use of weapons in Greater Manchester, which is one of GMP's top priorities.
"By seizing more firearms than there have been discharges in the last year or so, it shows that we are proactively taking the fight back to organised criminals to stamp out the use of guns on our streets.
"While we can quantify the amount of weapons we've recovered and the decrease in discharges, what we can't count is the amount of incidents that we have prevented as a result of the action we have taken - but I can confidently say we have stopped people getting shot.
"That said, three men lost their lives on the streets of Greater Manchester due to gun crime last year which is three too many and we know that our work must continue to intensify to reduce these incidents further.
"The vast majority of incidents are targeted and are not a threat to the wider public, but that does not reduce the level of fear and anxiety they feel when acts of gun violence occur in their community and we have a duty to ensure that the public remain safe - each of these guns recovered is another potentially lethal incident stopped.
"Our focus remains on taking strong action against those in society who brazenly involve themselves in the use, trade and criminal conversion of firearms in Greater Manchester and we will ensure that those we suspect of having such involvement will face prosecution and be taken from our streets."
Anyone with concerns or information about suspicious activity should report it to police online, if able, at www.gmp.police.uk or via 101. Always call 999 in an emergency.
Details can be passed anonymously to the independent charity Crimestoppers on 0800 555 111.
we no longer live in or accept being a proactive society, we rather have a reactive society which is guided by emotions and slower progress than a proactive society that can move faster.
Proactive Acne Treatment Vending Machine, 9/2014, by Mike Mozart of TheToyChannel and JeepersMedia on YouTube.
A Tameside policing operation has cracked down on ASB with proactive patrols tackling everything from drug use to problematic street drinking.
A proactive policing operation was launched in June, with funding providing extra patrols across Ashton-under-Lyne and surrounding areas identified as having repeat offences, including local transport hubs and shopping spots.
Officers target these areas at peak times and further undertake disruption visits to pre-emptively stop incidents.
The operation has seen a crackdown and multiple actions and positive outcomes. July, August, and September saw a range of results in Ashton town centre, including 12 arrests, 28 stop-searches, 33 public space protection order warnings issued, and 30 logs responded to.
As an example of the reduction in quarter three of this year, August reported 30 incidents of ASB, while September recorded 10 – showing the positive effects of the ongoing work.
The operation has meant more patrols have been targeting the issues that the public care about and ensuring that criminals and anti-social behaviour are stopped in their tracks.
Tameside work.
As part of anti-social behaviour week, on Wednesday, neighbourhood officers in Ashton town centre secured two arrests on suspicion of possession of a Class B drug, which resulted in street cautions.
Further cautions were issued for someone smoking cannabis in public, while other people were provided with words of advice.
Sergeant Rob Froggatt, from GMP’s Tameside district, said: “People want to see officers out and about in the community, engaging with the public, and locking up those who disrupt their lives. Our operation is delivering exactly that.
“We know and appreciate just how much anti-social behaviour can disrupt people’s lives – whether it’s people taking drugs in public or intimidating people in town centres – and our work is designed to crack down on exactly those sort of offences.
“In addition to our own work, we liaise closely with partners in the community, including local charities and services, to ensure we stop ASB from progressing into more serious offences. Likewise, by conducting preventative engagement work, we can stop the offences from ever happening.
“If you are having issues with ASB, I would urge you to get in touch with your local team, who will be best-placed to offer advice and support on the issues you are having.”
You should call 101, the national non-emergency number, to report crime and other concerns that do not require an emergency response.
Always call 999 in an emergency, such as when a crime is in progress, violence is being used or threatened or where there is danger to life.
You can also call anonymously with information about crime to Crimestoppers on 0800 555 111. Crimestoppers is an independent charity who will not want your name, just your information. Your call will not be traced or recorded and you do not have to go to court or give a statement.
You can access many of our services online at www.gmp.police.uk
ah such beautiful weather here... trying to pull myself out of my listlessness. being proactive. and i think i just convinced my parents to send my amazing dog jack out for the summer and they'll pick him up when they come out for my birthday. *fingers crossed* i miss him so much!!!
{ july alphabet soup }
B is for bubbles!!
The 12C is a sports car with rear-wheel drive layout with a longitudinally-placed mid-engine. The 12C features a double wishbone and hydraulic suspension, the latter referred to as the ProActive Chassis Control. The car uses rack-and-pinion and electric power steering. The standard front brakes of the car feature a four-piston fixed calliper configuration, paired with a two-piece front rotor. The 12C uses a 3.8-litre twin-turbocharged V8 engine codenamed "M838T", which was produced by Ricardo PLC in West Sussex, England. It produces a power output of 453 kilowatts (616 PS) at 7,500 revolutions per minute (rpm) and a torque output of 601 newton-metres (443 lb⋅ft) at 3,000 rpm, sufficient to give the car a 0–97 km/h (0–60 mph) acceleration time of 3.1 seconds and a maximum speed of 333 km/h (207 mph).
The 12C Spider is a convertible version of the MP4-12C with a retractable hardtop. Because the coupe was designed from the outset with a convertible version in mind, no additional strengthening was needed for the Spider and it weighs only 40 kg (88 lb) more than the coupe. McLaren has worked to keep the Spider's top speed 204 mph (328 km/h) close to the coupé's 207 mph (333 km/h) top speed and up to 196 mph (315 km/h) is possible roof down. Meanwhile, the dihedral doors of the coupé are retained