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Death Valley, California, USA
For comparaison, original picture by Ansel Adams here: www.seagravegallery.com/privateviews/3ece40422f2cee9faf5e...
This is the shot that Tonia and I went back for once Gertrude got a new tranny. (just reshod her too also to the tune of $850 bucks, bring on the Forest Service roads!)
We had the lake to ourselves. there was almost no color in the next shot, it goes fast.
Picture Lake, Mount Baker National Forest.
I'm off to work nights and then headed for Mount Adams area as soon as I get up and get moving tomorrow. See y'all on the other side. :-)
acrylic/graphite on panel
from my new show "Wishing Well" at Cerasoli Gallery
you can preview all of the artwork from the show here:
cerasoligallery.com/privateview/jennifer_davis.html
wishing well
new paintings by jennifer davis
at cerasoli gallery
may 16- june10, 2009
reception may 16th
so lots of people came to the opening with lots of good vibes - was nice!
photos thanks to - www.itdrewitself.com/
I was incredibly proud to exhibit some of my work at SG5Art's current exhibition, "Mayhem" see more images from the private view party. These are two of Tina's paintings and us before eveyone arrived.
yesterday i joined the private view of the exhibition of gerhard glück, a german cartoon painter.
more information here: www.caricatura-museum.de/262.html
i really love his work and his kind of humour!
If you are in the area, my show starts at the WING Gallery, Wadhurst East Sussex on Thursday 14 April 2022. The gallery is open late for the PrivateView so that will run roughly from 5-8 pm Here also is the Gallery website
12x16"
acrylic/graphite on panel
from my new show "Wishing Well" at Cerasoli Gallery
you can preview all of the artwork from the show here:
cerasoligallery.com/privateview/jennifer_davis.html
wishing well
new paintings by jennifer davis
at cerasoli gallery
may 16- june10, 2009
reception may 16th
Installation composée d'éléments de claviers d'ordinateur et de bouchons de tubes de dentifrice.
Installation composed of computer keyboard elements and toothpaste tube caps.
12x16"
acrylic/graphite on panel
you can preview all of the artwork from the show here:
cerasoligallery.com/privateview/jennifer_davis.html
wishing well
new paintings by jennifer davis
at cerasoli gallery
may 16- june10, 2009
reception may 16th
12x16"
acrylic/graphite on panel
you can preview all of the artwork from the show here:
cerasoligallery.com/privateview/jennifer_davis.html
wishing well
new paintings by jennifer davis
at cerasoli gallery
may 16- june10, 2009
reception may 16th
12x16"
acrylic/graphite on panel
from my new show "Wishing Well" at Cerasoli Gallery
you can preview all of the artwork from the show here:
cerasoligallery.com/privateview/jennifer_davis.html
wishing well
new paintings by jennifer davis
at cerasoli gallery
may 16- june10, 2009
reception may 16th
Since the 1920s, when the Mayor Gallery opened in Cork Street, in the central London district of Mayfair has been famed for being a famed thorough fair of art galleries; reach a peak of popularity in the 1960s and 1970s.
Expressionist painter Stephen B Whatley used to visit with his portfolio, fresh out of art school in the 1980s; finally, after exhibitions elsewhere in London over the years, staging a vibrant exhibition in Cork Street called Hollywood Icons to Royal Gems at the Arndean Gallery in September 2007.
A sign of the times, this gallery, along with several of the galleries have disappeared; and this week, it is reported that the street and its galleries are under threat of developers wishing to convert the buildings into luxury apartments.
London's Evening Standard newspaper (November 14, 2012) reported:
"...Gallery owners, artists and buyers have now launched a campaign to save Cork Street, with more than 12,000 people signing a petition against the plans, including comedian Graham Norton, actor Bill Nighy, Mary Portas, novelist Alan Hollinghurst and illustrator Quentin Blake. Lady Antonia Fraser says: “I had my first job in Cork Street working for Weidenfeld & Nicolson: it’s a paradise for the arts and should stay that way,” while novelist A S Byatt called the proposals an “act of vandalism”..."
Enchanted by the street - that runs northward behind the Royal Academy of Arts - Stephen B Whatley made drawings on location in 2003 ' lamenting the fortunes of the art world' - already several well known galleries had closed, including the Odette Gilbert - with a view to producing a painting of the street ; at some future date.
The internet has perhaps taken over from galleries from being the initial source to visit to view works; but it would be very sad if the lights in this avenue of art were to go out.
Stephen B Whatley is pictured here, in Cork Street, as his 2007 Private View was beginning; with TV presenter & art collector, Sarah Greene.
Behind them is casting director,Paul de Freitas - who owns 7 of the artists's paintings - his painting of Kensington Palace (now in a private collection) & an array of oil paintings - including his painting of the Crown Jewels (on loan from the Tower of London) & his painting of Buckingham Palace (on loan from the Royal Collection).
12x16"
acrylic/graphite on panel
from my new show "Wishing Well" at Cerasoli Gallery
you can preview all of the artwork from the show here:
cerasoligallery.com/privateview/jennifer_davis.html
wishing well
new paintings by jennifer davis
at cerasoli gallery
may 16- june10, 2009
reception may 16th
Oui, je sais c'est complètement dingue, je dépose cette photo pour vous montrer que vous pouvez également être artiste avec vos chaussures.
Yes, I know it's completely crazy, I'm posting this photo to show you that you can also be an artist with your shoes.
15th October 2008.
Emma Watson is pictured here at the Frieze Art Fair Private View at Regents Park, London, UK
Credit: Davidson/GoffPhotos.com Ref: KGC-42
*NO UK SALES*
12x16"
acrylic/graphite on panel
from my new show "Wishing Well" at Cerasoli Gallery
you can preview all of the artwork from the show here:
cerasoligallery.com/privateview/jennifer_davis.html
wishing well
new paintings by jennifer davis
at cerasoli gallery
may 16- june10, 2009
reception may 16th
He didn't do a wee on the floor or anything, because Hammo is a good boy.
Though he does like to wave his pants at us. Mind you, it's better than a bumcrack. I tried my best to keep my bumcrack out of sight, whilst setting up the show, but failed a few times. Tasha helpfully pointed this out by strolling past me and saying "Crack kills, Laurie".
I even wore my pink kitten pants, knowing that trousers tend to creep down whilst doing drawing-on-walls things. I thought, if they fall down when I have pretty pants on, it will be much nicer for everybody.
12x16"
acrylic/graphite on panel
from my new show "Wishing Well" at Cerasoli Gallery
you can preview all of the artwork from the show here:
cerasoligallery.com/privateview/jennifer_davis.html
wishing well
new paintings by jennifer davis
at cerasoli gallery
may 16- june10, 2009
reception may 16th
Les œuvres de la série Candlesticks sont composées de deux structures verticales jumelles qui résultent de l’accumulation de milliers de bouteilles de vin, éclairées de l’intérieur. Les deux structures monumentales subvertissent l’échelle domestique des objets référencés – chandeliers ou porte-bouteilles – en acquérant une forme et une dimension architecturales.
Ces pièces font allusion au premier Ready-made de Duchamp – Porte-Bouteilles, 1914 – et renvoient aux plaisirs de la table et aux processus d’identité nationale associés à la gastronomie. La première œuvre de la série Candlesticks – Message in a Bottle, 2006 – a été présentée au Japon et est constituée de bouteilles de saké : Blue Champagne – a été conçue avec des bouteilles de champagne pour les jardins du château de Versailles, où l’artiste a présenté une grande exposition personnelle en 2012, puis Lafite – réalisée avec des bouteilles de vin Château Lafite pour Waddedon Manor, en Angleterre.
The works in the Candlesticks series are composed of two twin vertical structures that result from the accumulation of thousands of wine bottles, lit from within. The two monumental structures subvert the domestic scale of the objects referenced – candlesticks or bottle holders – by acquiring an architectural form and dimension.
These pieces allude to Duchamp’s first Ready-made – Bottle Holders, 1914 – and refer to the pleasures of the table and the processes of national identity associated with gastronomy. The first work in the Candlesticks series – Message in a Bottle, 2006 – was presented in Japan and is made of sake bottles: Blue Champagne – was designed with champagne bottles for the gardens of the Palace of Versailles, where the artist presented a major solo exhibition in 2012, then Lafite – made with bottles of Château Lafite wine for Waddedon Manor, in England.
12x17.5"
acrylic/graphite on panel
from my new show "Wishing Well" at Cerasoli Gallery
you can preview all of the artwork from the show here:
cerasoligallery.com/privateview/jennifer_davis.html
wishing well
new paintings by jennifer davis
at cerasoli gallery
may 16- june10, 2009
reception may 16th
Artist Stephen B Whatley at the Albemarle Gallery, London W1 - with Heather Wells, production Manager of The London Magazine, the UK's oldest (since 1732) literature & arts magazine. This was a special reception ( packed with people - this was about the only space to breathe!) for the summer editions of the magazine - & Stephen was invited as Heather had contacted him to obtain permission to use his Tower Bridge (2000) painting on the cover of August/September issue. On show, the extraordinary iconic works of famed - but reclusive ( he was not there) Pakistani artist Jamil Naksh whose paintings included these small paintings - inspired by arabic calligraphy and entitled The 99 Names of God. A Syrian poet read poignant verse & esteemed art critic Edward Lucie- Smith, to whom the artist was privileged to be introduced, made an eloquent speech.
Photo Credit: The London Magazine
Pictured at this week's Private View of a unique vibrant exhibition in central London, expressionist artist Stephen B Whatley is pictured with two of the guests, star of stage and screen, Siân Phillips CBE( one of Whatley's favourite portrait-sitters; painted in 1997) & her close friend, London osteopath, Fabi Waisbort.
The ever-elegant actress, a lady of great warmth and tenderness, chose to be photographed beneath her favourite painting in the show, The Passion of Christ, painted on Good Friday 2003.
Staged at the grand Rectory of St James's Church, Spanish Place, at 22 George Street, London W1 Paintings From Prayer (which runs from 17 April until 18 May 2013) is a powerful exhibition of 19 works of art, painted with great passion in prayer, that span over a decade of artistic expressions of faith - all never before exhibited.
They include iconic depictions of Baby Jesus (painted on Christmas Day 2000), devotions to the Blessed Virgin Mary ( including Our Lady of Guadalupe & Our Lady of Lourdes) & several Saints; from such traditionally loved as , St Mary Magdalene, St Anthony and St Clare of Assisi to lesser known as St Lucy, Patron Saint of the Blind, and St Kateri Tekakwitha - the first Native American Saint.
Also on show for the first time is Whatley's 2010 popular painting, The Sacred Heart of Jesus; and his Glory of Christ, painted Easter Day 2008.
All of the paintings can be seen online throughout this photostream.
These modern Catholic icons shine out from the grand walls like lights and most are available to purchase; with 30% of proceeds being devoted to St James's Church.
The visitors book is already being inscribed with overwhelmed compliments...come and take the opportunity to be uplifted. One great admirer of the artist's work, the writer Erin Brierley of Georgia USA - and owner of Whatley's 2011 painting of St Therese of Lisieux - wrote to the artist from America,
"....it can be overwhelming to take all your work together, for example, if you look at all the paintings at once, you see all the life and colour going on, but it's when you really contemplate each one, really concentrating and letting it draw you in (Ruth's words, she kept saying your paintings just 'draw you in') that you begin to see the genius and the presence of God in each one, the layer upon layer of symbolism and mysticism, really. They really are icons in a modern form, because as I've said before, they are more than paintings, they are windows through which we glimpse into heaven, and Heaven smiles back at us. "