View allAll Photos Tagged PrintedFabric
There’s a lot of repetition going on here! From the repeating squares of the quilt to the many owl’s on Junie’s dress. I decided to use the owl print as a border also. 😀😀💕💕
I really like dairy, so I thought it only fitting to stitch up this beautiful cow :)
Pattern purchased from Andrea Zuill aka Badbird.
Smile on Saturday theme: Fancy fabrics😊
Thanks to everyone who took the time to view, comment, and fave my photo. It’s really appreciated. 😊
© All Rights Reserved Please don't use this image on websites, blogs or other media without my explicit permission. best on black. click image to view on flickr black or see it somewhere on my stream in flickriver: www.flickriver.com/photos/msdonnalee/
Almost there!
Some Robert Kaufman - Toy Chest 1, Toy Chest Florals, Sweetheart and other prints from different collections.
It seems they go well together.
William Morris (English, 1834-1896)
Periods of wallpaper and printed textile design for William Morris and Morris & Co.:
1st – Morris produced 17 patterns between 1872-1876 after move to Kelmscott Manor
2nd – 1876-1882 Morris produced 16 patterns for wallpaper and 22 patterns for textiles
3rd – 1883-1890 influenced by WM research at the Victoria and Albert Museum
4th – 1890-1896+ final period of WM life, focused on Kelmscott Press; pattern design and/or execution increasingly delegated to Dearle
Printed Fabrics
Fruit (original name Pomegranate), 1864 – one of Morris’ first three designs for wallpaper (others were Daisy and Trellis), later adapted for block printing of fabrics; hand-printed with 12 blocks; motifs of ripe and opened pomegranates over a repeating pattern of blossoming branches; naïve, simple, stylized rather than naturalistic [parchment/bayleaf]
Vine, 1873-1874 [1st period] – original wallpaper design adapted for hand-printed fabrics; repeat pattern features clusters of grapes and grapevines against a foliage background [dark olive]
Tulip, 1875 [1st period] – designed for hand-printing of cotton fabric by Wardle using 12 carved blocks [bullrush/slate]
Acanthus, 1876 [1st period] – wallpaper design also later used for block-printed fabric (originally velveteen); hand-printed with 30 blocks, 15 separate colors; scrolling foliage with large-scale interlocking leaves create a pattern with a simulated 3-D effect [charcoal/gray; blue/thyme variants]
Little Chintz, ca. 1876 [2nd period] – from a group of patterns inspired by cotton and linen Indian textiles; design features stylized pomegranates and foliage; for printing by Thomas Wardle (1831-1909) at the Hencroft Dye Works, Leek, Staffordshire [teal/saffron]
Snakeshead, 1876-1877 [2nd period] –Morris’ personal favorites among his wallpaper/fabric designs; hand-printed on cotton by Wardle using 4 carved blocks; design features clusters of snakeshead fritillaries against a complex foliage ground [black/bullrush]
Peacock and Dragon, 1878 [2nd period] – originally designed by Morris to be jacquard woven in wool twill on hand looms; large scale repeat pattern possibly inspired by phoenix motifs in Chinese textiles [black/bullrush]
Strawberry Thief, 1883 [3rd period] – among the most popular of Morris’ designs; inspired by WM observation of thrushes in the garden trellis at Kelmscott Manor; Philip Webb contributed the refined bird drawings; originally intended for woven wool double cloth, later adapted for wallpaper and hand-printing of cotton fabric at Merton Abbey using 24 carved blocks
[crimson/slate; indigo/mineral]
Cray, 1884 [3rd period] – design for block-printed cotton and linen fabrics, hand-printed with 34 blocks (regarded as the most complex of Morris’ fabric patterns); printed at Merton Abbey; design inspired by a 17th century pattern Morris had studied at the Victoria and Albert Museum [biscuit/brick]
Wandle, 1884 [3rd period] – one of Morris’ “river chintzes” inspired by his study of historic precedents displayed in the Victoria and Albert Museum; hand-printed in cotton at Merton Abbey using 32 carved blocks (also used for wallpaper); design features flowers emerging from continuous meandering diagonal stems with offshoots; named for the Wandle River, location of Merton Abbey [indigo/carmine]
Compton, 1896 [4th period] – design by John Henry Dearle based on preliminary sketches by William Morris; originally a wallpaper design also later used for block-printed cotton fabric primarily for use in upholstery; name for Compton Hall, Wolverhampton, West Midlands; hand-printed with 34 blocks at Merton Abbey [terracotta/multi variant]
LC – Morris, William, 1834-1896.
LC – Textile design – England – History – 19th century.
LC – Arts and crafts movement – Great Britain.
Black blouse........La Redoute
Black vest............Asda
Belt......................La Redoute
Wrap skirt............Home made from a market stall off cut.
All together less than £20. The most expensive item was the belt.
In her purple radiance during the summer's heat, she strides through the local market among other shoppers. Timbuktu, Mali, Sub-Sahara, W. Africa
A twist on traditional celtic bind-runes, these 2 runes are bound together on a single circuit-board, which itself is bound with thread to printed fabric stretched over a 4x6 card and framed.
If you like the style of this work, I can do custom celtic rune (or demonic rune!) combinations. Just check out the embroidered circuit-boards commissions page on my unicoherent.com sales site.
Or just buy this one if you want a charm to help ensure your relationship endures for all time, through all seasons. Change will come, but through it all the love you share shall remain steadfast and plentiful.
Photo by Naomi Sakamoto
namintom x mayako nakamura Cotton linen / printed fabric Hanhaba obi "Thunder and Lightening Sky・White Little Lies・Lemon Soda・Snow Rabbit"
namintom x mayako nakamura
コットンリネン プリントファブリック半幅帯
ゆきうさぎ・ホワイト ライ・雷の空・レモンソーダ
namintom x mayako nakamura
今年の ”アートを纏う" のご案内です。
坂本呉服店オリジナルブランド namintom @namintom.sakamoto529 と 中村眞弥子 @nakamuramayako のコラボレーション "アートを纏う"。今年は、地元八王子の奥田染工場 @okudaprint さんの捺染です。眞弥子の原画を 地と図とにじみの３版の型に落とし込み
ペパーミントとダークグリーンの2色を制作。仕上げに眞弥子がそれぞれにパールとシルバーを
添えさせていただきました。
素材は、綿100%。
夏の着物としても浴衣としてもお使いいただけます。
⭐︎ペパーミント
Crystallized Violet
エリザベート皇妃も愛し好んで食したと言われる、スミレをクリスタリゼしたウィーンの伝統菓子「すみれの花の砂糖漬け」。
パールの輝きとともに、ミント色の野原とすみれの花が広がります。
★ダークグリーン
After Eight
「アフターエイト」は午後８時以降にリラックスしながらお菓子やリキュールをいただくイギリスの伝統的習慣のこと。
シルバーの星の輝きの中で、ミント入りチョコレートを楽しみます。
・・・
坂本呉服店 @sakamoto529
お店でお手に取ってご覧いただけましたら幸いです。どうぞよろしくお願いいたします。
I got an order from a lovely person for a custom Tshirt MSD size, after discussion we decided that it was better to have the fabric printed ^ç^
Custom tshirts are available at Dollheimr.etsy.com
my aim is true...
this fabric was such an amazing find for me. i found it in PA "yard sailin" with my family. so fun to search through stacks of fabric and find something so unique and special...
new piece in my shop, see my profile for link
I have never seen this quilt in all of my life. My mom has kept it in a cedar chest all these years and unveiled it to me as a present last week. It was made by my great Granny over 100 years ago and is in perfect condition. Being a jacquard and print designer by trade, man I was blown away. It is just so cool because of the history and age but also the craftsmanship of the quilt. Thanks mom!!
This sweet little pouch is made of Pocket Carnival organic cotton fabric, printed with best friends forever and the text 'we love each other'.
Cute!
See my profile for more info.
namintom × mayako nakamura
kimono collectin 2023
発売イベントのお知らせ☆
坂本呉服店のオリジナルハウスブランド
namintom と 中村眞弥子の
コラボレーションによる
「アートを纏う」をコンセプトにした着物コーデ。
今年のテーマは "Living Room"
会期：
4月15日（土）11:00〜18:00
16日（日）13:30〜18:00
17日（月）11:00〜17:00
会場：
cafe・gallery MODESTE
192-0063 東京都八王子市元横山町3－5－4－101
TEL/FAX：042-686-0758
(発売日からの3日間は、会場を坂本呉服店ではなく、
八王子のカフェギャラリーにて展示します。)
イベントでは、今回の新作着物をはじめ、namintom × mayako の半幅帯や、耳飾り、帯留め、オリジナルファブリックを使用したインナーなどもご紹介します。
また、会期中 店内のカフェギャラリーでは、コーヒー、紅茶、フィナンシェやタルトなども召し上がれますので、のんびり、ゆっくりとお出かけください☆
坂本呉服店
I saw the movie; I loved it. I couldn't stop myself. Since I was having some fabric printed I made a bunch of Tshirt for the shop ^ç^ Dollheimr.etsy.com