View allAll Photos Tagged PrintMaking

Una ahijada perra, la Chelsea. Una boxer que le pertenece a mi cuñada

Xilografía 20 x 20

Printmaking

Photo by Eliot Wright

print from the 90s. woodcut reduction. roland

A few snaps of some of the work produced during this weekly course with Hester.

stone lithography, eureka, ca.

 

Printmaking studios

Photo by Eliot Wright

Department of English Associate Professor Nicholas Regiacorte and student assistant Lily Lauver '21 use the press at The Box to print a broadside for Friday's Caxton Club Reading.

Production from a 6-day workshop of playable paper game design with the 2nd-year students of the Aix en Provence School of Art (www.ecole-art-aix.fr). The workshop was organised by Douglas Edric Stanley and Guillaume Stagnaro of the Atelier Hypermédia and Jacques Hémery of the Atelier Sérigraphie.

In the summer (2013) we spent three days doing woodcut with Merlyn Chesterman. (I really enjoy the cutting of relief blocks but find the negative space hard to pre-plan. I think Merlyn's suggestion that I just go for it and cut was a good one because even though I had some basic ideas to incorporate I just let the pattern making grow organically.)

 

Plywood plate for Enantiomorph. The pink colour is an acrylic dye to show the cut lines.

Ex - Libris "From the Library of" - Method of bibliographical identification turned printing process turned art form.

 

Photo Credit : Claire Emery

Printmaking

Photo by Eliot Wright

Printmaking

Photo by Eliot Wright

Department of English Associate Professor Nicholas Regiacorte and student assistant Lily Lauver '21 use the press at The Box to print a broadside for Friday's Caxton Club Reading.

photogravure on Hannemuller 300gr cream-white paper

2-color woodblock print with wood veneer

Nothing but the marker, crown or cross in stone upon these graves, promise of the ribbon was all it took where only the strap would leave its mark upon these slaves

 

Offset plate lithography

  

Oakland-based artist Favianna Rodriguez gives a demonstration in the Printmaking Lab during Focus Week. April 27, 2011. Photo: Craig Sietsma '11.

Monotype background with collaged linocut

Michelle Dunn, our printmaking workshop teacher, sharing words of encouragement during a brainstorming session.

From Jo Hollier's weekend workshop

reduction linoleum print, '04

1 2 ••• 53 54 56 58 59 ••• 79 80