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āPrinted Wordā
corner of an old nursery rhymes book,
within 2 3/4 inches, yes size matters! ;-P
Jiggety-jog!
HMM everyone!
This, is the big bang, the end of reality as it is known and the beginning of something beautiful. An explosion of light and sound to create a new universe, a slur of space dust and dead stars and a celestial glow that halos every head.
This is it.
I am afraid and I am liberated and I am alive and I am awake and at 6 o'clock this morning I remembered what it all meant to me, this is my world, my work, what I create and display, it's my perspective, my mindset, what I see when I open my eyes in the morning,
this is everything.
And I am not scared of showing it to you and I am not going to dwindle away like a dead star, only here because my light left millions of years ago, I will exist in full, like a raging nebula threatening but never reaching the peak of its existence.
I will continue to grow and thrive and be.
And I will change, I swear that I will, always for the better.
Thank you for following on my tail as I soared through space like a comet, smacking meteors and planets on my way to this point in history, meeting my end, another space rock, my end and my beginning.
When I sat in the car with Cody on the way out this morning I said I wasn't sure what to write here, and he said I didn't need to write anything except,
"I'm done."
So here we are, I am a new galaxy, a young mess of planets sprawled out across a deep black,
a metamorphosis.
sooc :)
cody smith
you have to View large On Black
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p.s. MY PHOTOS FROM THE LAST TWO DAYS MADE THE FRONT PAGE OF EXPLORE OMG
People may hear your Words,
but they feel your Attitude.
( John C. Maxwell )
š HAPPY MACRO MONDAY TO EVERYONE š
Quote (by Meher Baba) typed into a text field in āWORDā
(< 2ā x 2ā incl. neg. space) printed with an inkjet printer on paper and
taken a macro of on August 8th, 2019, uploaded for #MacroMondays #PrintedWord
Ę/2.8
4.5 mm
1/5 Sec
ISO 400
Dedicated to CRA (ILYWAMHASAM)
I try to save them when I find them dead, but they are so fragile. I had to draw on the antennae.
precious little creatures.
lumen print.
The orchid is backlit by a softbox acting as a scrim - a snoot is providing additional light on the center of the main orchid.
Toyo 45G View Camera Fujinon A 240mm f/9. Ilford FP4+ @125. 1/60 sec f/16 ASA 125.
Standard development in Ilfosol-3 @1:9 dilution.
Printed on Ilford MG Fiber Classic - Glossy. Ilford MG Developer @1+9. Six seconds exposure with dodging of the central petals and 3 seconds burning of the leaves and stem.
Despite taking all of the expected measures, my developing time for this contact print was uncomfortably fast. I have ordered some silver chloride photo paper, which is much slower, and I may experiment with one of the old school developers...
Feeling the Atmosphere in the History of the Film Festival
Interesting to see bronze hand prints of most of the celebrities on the Allee des Stars.It was somewhat like the Hollywood Walk of Fame in the US.
A selection of palm prints near the popular Palais des Festivals for the cinephiles & music lovers.
Cinephilia and Filmmaking ... Cannes April 2017
Salt Print. Hasselblad 501CM with 180mm CF T* and Kodak T-Max 100 (ASA 50) developed in Rodinal 1:50. Digital negative made with Pictorico Premium OHP Transparency Film. Printed on Hahnemuhle Platinum Rag under Edwards Engineering 18x20 UV lightbox for 8 minutes. Borders masked with Scotch removable Magic Tape.
Salt Print toned with Selenium 1:50.Intrepid Mk2 8x10 with Fujinon f/5.6 300 CM-W and Ilford HP5+ developed in PMK Pyro. Digital negative made with Pictorico Premium OHP Transparency Film. Printed on Hahnemuhle Platinum Rag under Edwards Engineering 18x20 UV lightbox.
Vandyke brownprint from digitized film negative printed on vellum paper. Contact printed for 3 minutes in direct sunlight.
Photo taken with Brownie box camera: Six-16 Brownie
Film: Verichrome Pan 616 (2.5" x 4.25" negatives), expired in 1975
Developing: Caffenol-C
OK, what is this? While sitting across from this "mix of stuff" I realized it was an interesting juxtaposition of the old, the new, and some of the tools used. In the foreground an old print of an old friend sits. She happens to be painting her mailbox at the time, and the time was mid 1970's. A b/w 8x10 print I shot on a Minolta SRT102 on Kodak Tri-X film which I had processed and printed in a darkroom I had built in my basement.
Off in the distance, "the new," a new b/w image matted and framed, and awaiting to be wrapped up and given as a gift. That one shot on the Nikon you see on the right.
The tools in the middle, an old Canon 50D, and still very useable, and many of the photos of mine seen here on Flickr were shot with it. Mounted on it is one of Canon's best L lenses, their 24-105, F/4 lens. To the right of that sits our Nikon D850, an absolute joy of a camera, and on it sits our go-to 24-70 F/2.8 Nikon lens.
As I sat and looked at all this I thought it be an interesting time machine of a shot, nothing special maybe, but interesting to me. This shot was done on an iPhone.
Classic lumen print on warmtone silver gelatine paper.
Bought this old Fotokemika paper on a Swedish net auction site. Emaks K 888 UB 24x30 cm, claimed to be unopened. It probably wasn't, as it was heavily fogged, even for lith printing. But Ag + UV light never goes wrong.
There's almost no scenario when silver gelatine papers are not usable. The last resort is lumen printing, which worked out well also in this case (warmtone papers being more "photogenic" than cold tone papers).
Photogram using a Fresh Fern + Sunlight + Silver gelatine paper, 30 min in Swedish evening sunlight.
No developer. No stop bath. No fix. No toning. Just Sun and Silver.
PS borders.
Today's theme for "Crazy Tuesday" is "embroidery". I based this on one of my chaffinch in flight photographs. The background fabrics were printed with acrylic paint and I've free motion machine embroidered and hand stitched the chaffinch.
I dig tikis and just had to make a piece to make prints. Share the tiki love.
prints and more info available at
Rodenstock imagon lens with TriX in rodinal
Printed on Adox
Developer: Moersch Sepia
Toning: Cobalt 2 min. Iron 2 min. (more or less)
the dry print was a bit darker than when he got out of the bath.
Some beautiful light over the South downs way this morning
Land-Sea-Nightscapes-Workshops-Prints
#naturallightphotography #sussex #southdownsway #naturallandscapes
Lumen print using 11x14" Ilford MGFB warmtone photo paper.
"I see your face in every flower
Your eyes in stars above
It's just the thought of you
The very thought of you
My love" - Ray Noble from the song The Very Thought of You
š¾ Shorts: Bipolar - Aina Shorts - GOAT SALE
Taxi: maps.secondlife.com/secondlife/Dark%20Winter/184/179/1022
š¾ Top: .little fox. - Mirana lingerie {reb.waifu}
I had a day full of classes and then brainstormed some ideas on my way home from campus. I have yet to use this canopy since my shoot with emily so I unwrapped it and headed out to the golf course for the first time in a long time. I had my camera under one arm and the canopy under the other and I ventured out to the furthest away point that the sun hits first when golden hour starts to sink in. I watched the shadows of the trees behind me stretch further and further down the hill in front of me as time passed. Sunlight and the way it moves across the landscape is one of the most inspiring things to me.
Also! It was a beautiful day today so many people were out and about, exercising and walking their pups. I am proud of myself because although lots of people passed while I was shooting, I kept going like they weren't even there. The light was too beautiful to risk losing over embarrassment and discomfort. Some people were polite, glancing and then continuing on their way. Some slowed down to stare. And all the while I toted my little canopy around the field, spreading it out, sprawling out on it, dragging it behind me, as if nothing else existed. It was a wonderful feeling.
Unfortunately, this fabric aka mosquito net, is made to trap bugs and trap bugs it did. I carried so many grasshoppers home with me after multiple shaking attempts wouldn't free them. I ended up spreading out the canopy on the sidewalk in front of our apartment and picking the bugs off one by one so they wouldn't be left to die in my closet. They were relocated from their homes but I am sure they won't be too upset.
I had a stressful morning and somehow the day blended into this glorious afternoon and I am so thankful for that.
Lith print, Moersch EasyLith and Jessops VC Glossy paper.
Taken with Intrepid 8x10 Fujinon 250mm f6.3 W and Fomapan 200.
š¾ - wraith - Humbug Tee - Anthem - Dec 3 - Dec 29th
TAXI: maps.secondlife.com/secondlife/Anthem/123/122/1108
š¾ Bipolar - Tina Jeans -
TAXI: maps.secondlife.com/secondlife/Dark%20Winter/184/179/1022