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People may hear your Words,
but they feel your Attitude.
( John C. Maxwell )
😄 HAPPY MACRO MONDAY TO EVERYONE 😄
Quote (by Meher Baba) typed into a text field in “WORD”
(< 2” x 2” incl. neg. space) printed with an inkjet printer on paper and
taken a macro of on August 8th, 2019, uploaded for #MacroMondays #PrintedWord
ƒ/2.8
4.5 mm
1/5 Sec
ISO 400
Dedicated to CRA (ILYWAMHASAM)
This is a scan of the Salt Print of the wet plate collodion negative I made 2 days ago as a test for this process.
This print is on Bergger COT 320 paper, and gold toned.
Feeling the Atmosphere in the History of the Film Festival
Interesting to see bronze hand prints of most of the celebrities on the Allee des Stars.It was somewhat like the Hollywood Walk of Fame in the US.
A selection of palm prints near the popular Palais des Festivals for the cinephiles & music lovers.
Cinephilia and Filmmaking ... Cannes April 2017
i tagged the winners of the print giveaway. so if you won please flickrmail me and tell me which picture you wanna have and your adress...and then i can sent them away in the next week :]
Snow scenes.
I'm really excited about these pictures. I saw these markings out in the field all by themselves, with no tracks around them. Weird! What could that have been? My best guess was that a large bird (maybe a Hawk) dropped down out of the sky and got a mouse.
After I got home I searched on images of bird wing prints in the snow and this is what they look like.
Neat!
Looks like in this one, it took several shots for the bird to get the mouse.
February 20, 2021
MKT Trail, Columbia, Missouri
Toyo 45G View Camera Fujinion A 240/9. Ilford FP4+ 125 rated at ASA 64. 1/125 sec F16.
Speedlight in softbox with inner baffle removed - full power, camera right. White V-flat on left.
Developed in Ilfosol-3 for 5:30 (N+1.)
Contact printed on Ilford MG Fiber paper with Ilford MG developer. 16 sec exposure with dodging of the orchid petals and burning of the upper right corner (to remove the softbox flap that was in the frame...)
Toned in selenium 1:40 dilution for seven minutes.
The initial versions were very flat and appeared underexposed. After several iterations, I achieved denser negatives by rating the film a full-stop slower, and extending the developing time to lift the whites. I also pulled back on the selenium toning.
After accounting for the bellows factor, I was at F16, which was a more open aperture than I wanted - I was maxed-out on my lighting. I tried to compensate for the shallow DOF by utilizing swing in the front standard to bring the three orchid flowers into focus - I think I achieved partial success...
Overall, I think that I could have used another stop of light. I am still finding it somewhat difficult to account for the print "dry down."
This is all new to me, and I am having a lot of fun. The next step may be to try the silver chloride paper that I recently bought - this will entail a lot of testing, since the paper is much slower than the typical "enlarger" paper that I have been using.
Darkroom print of 6x6 negative. I don't remember the paper.
Film & cam: Fomapan 100 shot by Franka Solida II and developed in D76 1:1.
Croatia, april 2022
My camera finds Hosta leaves more interesting when dead.
I am inclined to agree.
Lith print
Burke and James 5x7
Arista 200 in Perceptol.
Contact Print - 4x5 Film Negative - Sanders LPL enlarger - Dektol 1+2 - Ilford Galerie Paper
I recently was juried into a winter residency at the Penland School of Craft, I spent two weeks in their amazing darkroom printing nonstop.
Some beautiful light over the South downs way this morning
Land-Sea-Nightscapes-Workshops-Prints
#naturallightphotography #sussex #southdownsway #naturallandscapes
Autumn is here...
.
Fomapan 100 in Rodinal 1:100
Voigtlander R3A, Voigtlander Norton 40/1,4
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Print on Rollei Vintage with Moersch SE6.
I had a day full of classes and then brainstormed some ideas on my way home from campus. I have yet to use this canopy since my shoot with emily so I unwrapped it and headed out to the golf course for the first time in a long time. I had my camera under one arm and the canopy under the other and I ventured out to the furthest away point that the sun hits first when golden hour starts to sink in. I watched the shadows of the trees behind me stretch further and further down the hill in front of me as time passed. Sunlight and the way it moves across the landscape is one of the most inspiring things to me.
Also! It was a beautiful day today so many people were out and about, exercising and walking their pups. I am proud of myself because although lots of people passed while I was shooting, I kept going like they weren't even there. The light was too beautiful to risk losing over embarrassment and discomfort. Some people were polite, glancing and then continuing on their way. Some slowed down to stare. And all the while I toted my little canopy around the field, spreading it out, sprawling out on it, dragging it behind me, as if nothing else existed. It was a wonderful feeling.
Unfortunately, this fabric aka mosquito net, is made to trap bugs and trap bugs it did. I carried so many grasshoppers home with me after multiple shaking attempts wouldn't free them. I ended up spreading out the canopy on the sidewalk in front of our apartment and picking the bugs off one by one so they wouldn't be left to die in my closet. They were relocated from their homes but I am sure they won't be too upset.
I had a stressful morning and somehow the day blended into this glorious afternoon and I am so thankful for that.
Lumen print using 11x14" Ilford MGFB warmtone photo paper.
"I see your face in every flower
Your eyes in stars above
It's just the thought of you
The very thought of you
My love" - Ray Noble from the song The Very Thought of You
"The job of the artist is always to deepen the mystery." - Francis Bacon
5x7" Title: "S8 LXXV"
Make This Original Painting Yours at www.etsy.com/listing/274052750/original-acrylic-abstract-...
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Oil-based ink on Japanese paper, about A4 in size.
For more on this one, you could click here. davewhatt.wordpress.com/2023/02/28/the-earlier-lino-print...
Mono-printed resist and discharge dyed silk - 63cm x 63cm
This is one of several pieces that have been created through a series of processes designed to help me 'get out of my own way' with work aligned more to feelings and moods which arise as marks are made. Spontaneous responses backed up with confident experimentation.
I didn't care too much for this piece in it's earlier stages as the mono-printed ink was heavy and lacked the dynamic textures that had been created on the other pieces, but later, as the work developed, the darkness became a core feature in itself.
As with all abstract work, interpretations are personal to the viewer.
Who is the creator?