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This is a scan of the Salt Print of the wet plate collodion negative I made 2 days ago as a test for this process.
This print is on Bergger COT 320 paper, and gold toned.
i tagged the winners of the print giveaway. so if you won please flickrmail me and tell me which picture you wanna have and your adress...and then i can sent them away in the next week :]
Lake Lucerne
near Weggis LU
Schweiz
Hasselblad 503 CW, Makro Planar 4/120 mm, Ilford FP4+
Lithprint onto unknown Baryta paper
Cropped to portrait format to fit my A4 scanner
I'm still discovering old prints in my basement.
Snow scenes.
I'm really excited about these pictures. I saw these markings out in the field all by themselves, with no tracks around them. Weird! What could that have been? My best guess was that a large bird (maybe a Hawk) dropped down out of the sky and got a mouse.
After I got home I searched on images of bird wing prints in the snow and this is what they look like.
Neat!
Looks like in this one, it took several shots for the bird to get the mouse.
February 20, 2021
MKT Trail, Columbia, Missouri
lumen prints with paper hanni sent me.
blowsy rose and blowsy doll
**the the doll is by Sandy Mastroni
Toyo 45G View Camera Fujinion A 240/9. Ilford FP4+ 125 rated at ASA 64. 1/125 sec F16.
Speedlight in softbox with inner baffle removed - full power, camera right. White V-flat on left.
Developed in Ilfosol-3 for 5:30 (N+1.)
Contact printed on Ilford MG Fiber paper with Ilford MG developer. 16 sec exposure with dodging of the orchid petals and burning of the upper right corner (to remove the softbox flap that was in the frame...)
Toned in selenium 1:40 dilution for seven minutes.
The initial versions were very flat and appeared underexposed. After several iterations, I achieved denser negatives by rating the film a full-stop slower, and extending the developing time to lift the whites. I also pulled back on the selenium toning.
After accounting for the bellows factor, I was at F16, which was a more open aperture than I wanted - I was maxed-out on my lighting. I tried to compensate for the shallow DOF by utilizing swing in the front standard to bring the three orchid flowers into focus - I think I achieved partial success...
Overall, I think that I could have used another stop of light. I am still finding it somewhat difficult to account for the print "dry down."
This is all new to me, and I am having a lot of fun. The next step may be to try the silver chloride paper that I recently bought - this will entail a lot of testing, since the paper is much slower than the typical "enlarger" paper that I have been using.
None of my photos are HDR or blended images, they are taken from just one shot
Sony A900 + Carl Zeiss16-35mm + ND8 filter + reverse GND8 filter
Algeciras (Cádiz - Andalucía)
More seascapes in Algeciras
Don't use this image on websites, blogs or other media without my explicit permission. © All rights reserved
My camera finds Hosta leaves more interesting when dead.
I am inclined to agree.
Lith print
Burke and James 5x7
Arista 200 in Perceptol.
Natalie Kucken and I shared some film, I shot the roll first and then wound it up and she shot it next
Her photos span over a few months, from summer bike rides to snow
this was such a beautiful experience and I have a roll from Jill that I will be doing the same with
the rest of the shots are here:
my photo is the young girl on the bottom and hers is the snow
Autumn is here...
.
Fomapan 100 in Rodinal 1:100
Voigtlander R3A, Voigtlander Norton 40/1,4
.
Print on Rollei Vintage with Moersch SE6.
Playing with the computer on how to make triptych out of the lumen prints I have made.
“I wandered lonely as a cloud
That floats on high o'er vales and hills
When all at once I saw a crowd
A host of golden daffodils
Beside the lake beneath the trees
Fluttering and dancing in the breeze.”
― William Wordsworth, I Wander'd Lonely as a Cloud
Lumen print using 11x14" Ilford MGFB warmtone photo paper.
"I see your face in every flower
Your eyes in stars above
It's just the thought of you
The very thought of you
My love" - Ray Noble from the song The Very Thought of You
At the present time it is not so easy to inspire the little ones to read. Luckily, it succeeds again and again. Nice is that our daily newspaper has a special part extra for the kids.
It is a great pleasure of mine to share with you that I am the featured photographer of Flickr Blog Chinese version. Sorry there is no translation of the report content.
今天很榮幸，被Flickr官方中文部落格專訪，如果您有興趣看全文，請按連結：
blog.flickr.net/zh/2014/10/14/photographer-spotlight-shar...
謝謝大家的長期支持！
Image source: Print screen/螢幕截圖
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Mono-printed resist and discharge dyed silk - 63cm x 63cm
This is one of several pieces that have been created through a series of processes designed to help me 'get out of my own way' with work aligned more to feelings and moods which arise as marks are made. Spontaneous responses backed up with confident experimentation.
I didn't care too much for this piece in it's earlier stages as the mono-printed ink was heavy and lacked the dynamic textures that had been created on the other pieces, but later, as the work developed, the darkness became a core feature in itself.
As with all abstract work, interpretations are personal to the viewer.
Who is the creator?
For more on this one, you could click here. davewhatt.wordpress.com/2026/07/25/yes-its-that-lino-prin...