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(on analog photo paper, Orwo PN 111)

(on photo paper, Adox MCP 312)

Salt Print toned with Selenium 1:50. Hasselblad 501CM with 120mm Makro Planar and T-Max 100 developed in Rodinal 1:50. Digital negative made with Pictorico Premium OHP Transparency Film. Printed on Hahnemuhle Platinum Rag under Edwards Engineering 18x20 UV lightbox.

www.kirtecarterfineartphotography.com

"Why make it blue when it can be pink?" xoxo

Style Info & Photos

lumen print with ORWO BS 1 paper from hanni.

  

it's still winter.

This is a scan of the Salt Print of the wet plate collodion negative I made 2 days ago as a test for this process.

This print is on Bergger COT 320 paper, and gold toned.

Feeling the Atmosphere in the History of the Film Festival

 

Interesting to see bronze hand prints of most of the celebrities on the Allee des Stars.It was somewhat like the Hollywood Walk of Fame in the US.

 

A selection of palm prints near the popular Palais des Festivals for the cinephiles & music lovers.

 

Cinephilia and Filmmaking ... Cannes April 2017

The Point

WH: public art

lumen prints

 

**jones the basenji is feeling poorly and I am worried and at a loss for him.

Lake Lucerne

near Weggis LU

Schweiz

 

Hasselblad 503 CW, Makro Planar 4/120 mm, Ilford FP4+

Lithprint onto unknown Baryta paper

Cropped to portrait format to fit my A4 scanner

 

I'm still discovering old prints in my basement.

OK, what is this? While sitting across from this "mix of stuff" I realized it was an interesting juxtaposition of the old, the new, and some of the tools used. In the foreground an old print of an old friend sits. She happens to be painting her mailbox at the time, and the time was mid 1970's. A b/w 8x10 print I shot on a Minolta SRT102 on Kodak Tri-X film which I had processed and printed in a darkroom I had built in my basement.

 

Off in the distance, "the new," a new b/w image matted and framed, and awaiting to be wrapped up and given as a gift. That one shot on the Nikon you see on the right.

 

The tools in the middle, an old Canon 50D, and still very useable, and many of the photos of mine seen here on Flickr were shot with it. Mounted on it is one of Canon's best L lenses, their 24-105, F/4 lens. To the right of that sits our Nikon D850, an absolute joy of a camera, and on it sits our go-to 24-70 F/2.8 Nikon lens.

 

As I sat and looked at all this I thought it be an interesting time machine of a shot, nothing special maybe, but interesting to me. This shot was done on an iPhone.

Snow scenes.

 

I'm really excited about these pictures. I saw these markings out in the field all by themselves, with no tracks around them. Weird! What could that have been? My best guess was that a large bird (maybe a Hawk) dropped down out of the sky and got a mouse.

 

After I got home I searched on images of bird wing prints in the snow and this is what they look like.

 

Neat!

 

Looks like in this one, it took several shots for the bird to get the mouse.

 

February 20, 2021

MKT Trail, Columbia, Missouri

This is a Christmas print for a friend who lost her dog this year,

lumen prints with paper hanni sent me.

 

blowsy rose and blowsy doll

  

**the the doll is by Sandy Mastroni

Linocut print and chine colle on paper 10 x 15 cm

lumen print on portriga rapid paper

inside under the light

My camera finds Hosta leaves more interesting when dead.

I am inclined to agree.

Lith print

Burke and James 5x7

Arista 200 in Perceptol.

Autumn is here...

.

Fomapan 100 in Rodinal 1:100

Voigtlander R3A, Voigtlander Norton 40/1,4

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Print on Rollei Vintage with Moersch SE6.

 

Rodenstock imagon lens with TriX in rodinal

Printed on Adox

Developer: Moersch Sepia

Toning: Cobalt 2 min. Iron 2 min. (more or less)

the dry print was a bit darker than when he got out of the bath.

A technician refilling printer cartridges, in Didcot, Oxfordshire

 

Shot with a Nikon D7000 and a Nikkor AFS DX 35mm F/1.8 lens, processed in GIMP and tweaked in Photoscape.

Explore #170

 

I printed pictures today then I decided to fix my study table. Haha.

 

formspring.me/merphi

View On Black

 

unsure about this, I am going to continue to rotate it until I am happy with it

copic multiliner sp 0.03 mm on mini (3.5 inchs by 5 inchs) moleskine

Playing with the computer on how to make triptych out of the lumen prints I have made.

 

“I wandered lonely as a cloud

That floats on high o'er vales and hills

When all at once I saw a crowd

A host of golden daffodils

Beside the lake beneath the trees

Fluttering and dancing in the breeze.”

― William Wordsworth, I Wander'd Lonely as a Cloud

Lumen print using 11x14" Ilford MGFB warmtone photo paper.

 

"I see your face in every flower

Your eyes in stars above

It's just the thought of you

The very thought of you

My love" - Ray Noble from the song The Very Thought of You

At the present time it is not so easy to inspire the little ones to read. Luckily, it succeeds again and again. Nice is that our daily newspaper has a special part extra for the kids.

{EXPLORED: May 20, 2021}

4x5 negative contact printed on 5x7 Ilford MGFB Classic photographic paper. Ilford MG developer at usual concentration of 1:9.

 

Initial exposure for 7 secs (one second underexposed) with burning of center for one second. Development for 25 secs - 10 second water bath - re-exposure to light for two seconds - then development continued for 95 additional seconds. Stop, Fix, and Wash.

 

The finished print was photographed with the Nikon D850 and Nikkor 105mm/2.8D Macro lens. The WB was checked with a gray card, and there was no B&W conversion. There are minor adjustments to the Black and White points - otherwise, no global changes to contrast were made, and there was no local dodging and burning.

 

Solarization, as rediscovered and practiced by Man Ray and Lee Miller, is a technique in which the partially developed positive image is briefly re-exposed to light, leading to interesting effects which include a partial reversal of tonality, particularly in the light tones (which contain less exposed silver halide.) Strong black or white "Mackie" lines may occur at borders between areas of high contrast.

 

The Sabattier effect, discovered in 1862, is similar but is said to have been produced in photo prints only partially developed, as opposed to the full development practiced by Man Ray. Solarization of negative film is a somewhat different process in which very long exposures lead to complete tone reversal.

 

This project (and it was a project...) arose from a discussion at the Brooklin, Maine Camera Club. Thanks to Stephen Greenberg and Russell Kaye.

  

It is a great pleasure of mine to share with you that I am the featured photographer of Flickr Blog Chinese version. Sorry there is no translation of the report content.

今天很榮幸,被Flickr官方中文部落格專訪,如果您有興趣看全文,請按連結:

blog.flickr.net/zh/2014/10/14/photographer-spotlight-shar...

謝謝大家的長期支持!

 

Image source: Print screen/螢幕截圖

Oil-based ink on Japanese paper, about A4 in size.

For more on this one, you could click here. davewhatt.wordpress.com/2023/02/28/the-earlier-lino-print...

My posts are also on Instagram

 

Prints are available at my Webstore EU and Webstore US or feel free to contact me :)

 

Free shipping available

 

With all respect, No Awards and post 1 comment etc & self promoting signatures (high risk for permanent ban)

 

Visit my website : Reinier

 

Photographer Spotlight Nov 2024 : Blog

 

ND Awards Brons Medal :

 

ndawards.net/winners-gallery/nd-awards-2024/non-professio...

   

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