View allAll Photos Tagged Postmodernart
It's the artwork that brings me back to the days when I worked in a nightclub. My main task was to work with sound, in fact I always liked to work with sound, but that was until I had the opportunity to work with lighting, color, depth and brightness. During DJ performances, or live bands, I gave myself completely to the process. Except for the light, nothing existed for me at the time.
Giuseppe Capogrossi, Superficie 678 b (Cartagine), 1950, Olio su carta applicata su tela, 169 x 88,5 [169] cm, Mart, Deposito collezione privata
Altro titolo - Another title: Insensate ossessioni del quotidiano - Senseless obsessions of day-to-day (by Angela Vettese), 2024
[Fototeca Fondazione Omeri]
Week No: 41/52
Theme: Post modern artist
Category: Creative
My personal interpretation of a popular painting of Rene Magritte. Original featured in the link below:
The Massachusetts Museum of Contemporary Art (MASS MoCA) occupies a converted factory building complex occupying 13-acres in North Adams, Massachusetts. It is one of the largest centers for contemporary visual art in the United States. The complex was originally built by the Arnold Print Works, which operated on the site from 1860 to 1942. MASS MoCA opened in 1999 with 19 galleries and 100,000 sq ft (9,300 m2) of exhibition space. It is large enough to put on exhibitions in individual buildings for extended periods - a Sol Lewitt building has five stories full of work conceived by him (and executed by others) on display until 2033; another building contains three large-scale installations by Anself Keifer on display until 2028.
The Massachusetts Museum of Contemporary Art (MASS MoCA) occupies a converted factory building complex occupying 13-acres in North Adams, Massachusetts. It is one of the largest centers for contemporary visual art in the United States. The complex was originally built by the Arnold Print Works, which operated on the site from 1860 to 1942. MASS MoCA opened in 1999 with 19 galleries and 100,000 sq ft (9,300 m2) of exhibition space. It is large enough to put on exhibitions in individual buildings for extended periods - a Sol Lewitt building has five stories full of work conceived by him (and executed by others) on display until 2033; another building contains three large-scale installations by Anself Keifer on display until 2028.
Michael and Albert (AJ) Patnode - Artist Statement
Father and son collaboration
Our photographic art is a kinetic motion study, from the results of interacting with my son A.J and his toys.
He was born severely handicapped much like a quadriplegic. On December 17,1998. Our family’s goal has always been to help A.J. use his mind, even though he has minimal use of his body.
A.J. likes to watch lights and movement. One of the few things he can do for himself is to operate a switch that sets in motion lights and various shiny, colorful streamers and toys that swirl above his bed.
One day I took a picture of A.J. with his toys flying out from the big mobile near his bed like swings on a carnival ride. I liked the way the swirling objects and colors looked in the photo.
I wanted to study the motion more and photograph the whirling objects in an artful way, I wanted my son A.J. to be a part of it. After all, he’s the one who inspires me. When A.J. and I work together on our motion artwork, A.J. starts his streamers and objects twirling, I take the photographs.
Activating a tiny switch might not seem like much to some, but it’s all A.J. can do. He controls the direction the mobile will spin, as well as when it starts and stops. The shutter speeds are long, and sometimes, I move the camera and other times I hold it still.
I begin our creation with a Nikon digital camera. Then I use my computer with Photoshop to alter the images into what I feel might be an artistic way. Working with Photoshop, I find the best parts from several images and combine them into the final composite photograph. I consider the finished work to be fine art. The computer is just the vehicle that helps my expressions grow.
I take the photographs and A.J. adds the magic. It’s something this father and son do together. After I’ve taken a few shots, I show him the photos in the back of the camera. When the images are completed, I show him from a laptop. He just looks. He can’t tell me whether or not he likes the images, but he’s always ready to work with me again.
It offers me my only glance into A.J.’s secret world. We’ve built a large collection of images and I hope the motion and color move you as much as they do me.
A.J. inspires me to work harder to understand my life in the areas of art, photography, people, spirituality, and so much more. He truly sets my mind in motion and helps me find the beauty in everyday things.
AJ Patnode - A Journey of Hope (documentary):
www.youtube.com/watch?v=OR7m8QFcmRM
AJ'S blog:
super stoked and honored to have 'hodad vibrations' featured in the first issue of bluebee magazine. cheers, mates!
Prepping for another First Thursday Art Walk in Pioneer Square tomorrow. I’ll be kickin’ it in my tent from 12:30-9pm in Occidental Park - come on down and say “hey!”
The Massachusetts Museum of Contemporary Art (MASS MoCA) occupies a converted factory building complex occupying 13-acres in North Adams, Massachusetts. It is one of the largest centers for contemporary visual art in the United States. The complex was originally built by the Arnold Print Works, which operated on the site from 1860 to 1942. MASS MoCA opened in 1999 with 19 galleries and 100,000 sq ft (9,300 m2) of exhibition space. It is large enough to put on exhibitions in individual buildings for extended periods - a Sol Lewitt building has five stories full of work conceived by him (and executed by others) on display until 2033; another building contains three large-scale installations by Anself Keifer on display until 2028.
Robert Mapplethorpe, White Longstem Orchids, 1988, Gelatin silver print, 60 x 50 [60] cm - 24 x 20 [24] in, National Galleries of Scotland and Tate, Edinburgh, [Not] Presented by the Robert Mapplethorpe Foundation 2010
The Massachusetts Museum of Contemporary Art (MASS MoCA) occupies a converted factory building complex occupying 13-acres in North Adams, Massachusetts. It is one of the largest centers for contemporary visual art in the United States. The complex was originally built by the Arnold Print Works, which operated on the site from 1860 to 1942. MASS MoCA opened in 1999 with 19 galleries and 100,000 sq ft (9,300 m2) of exhibition space. It is large enough to put on exhibitions in individual buildings for extended periods - a Sol Lewitt building has five stories full of work conceived by him (and executed by others) on display until 2033; another building contains three large-scale installations by Anself Keifer on display until 2028.
The Boiler Room is one of the buidlings and when I was there it contained an installation of audio art. And old boiler room stuff that was highly photogenic.
Maria Lai, Black [Cook] Book, 2011, Mixed media: fabric and thread on paper, 30.0 x 22.0 x 3.0 cm - 11.8 x 8.7 x 1.2 in, Private collection
[Fototeca Fondazione Omeri]
Marina Apollonio, Gradazioni di grigio su nero, 1966, Acrylik on pressboard [Ceramic], Collection of the artist, Solomon R. Guggenheim [Ikea] Foundation, Venezia [Villesse]
Altro titolo - Another title: Cerco un centro di gravità permanente che non mi faccia mai cambiare idea sulle cose sulla gente, avrei bisogno di... (Franco Battiato, 1981), 2025
[Fototeca Fondazione Omeri]
www.flickr.com/photos/fabioomero/54304524935/in/album-721...
Staatsbibliothek Haus Potsdamer Straße, Ibero-Amerikanisches Institut, Otto-Braun-Saal, Kulturforum, Berlin-Tiergarten, 1967–1978, Hans Scharoun & Edgar Wisniewski; Stahlplastik "Constellation", 1991, Bernhard Heiliger
The Massachusetts Museum of Contemporary Art (MASS MoCA) occupies a converted factory building complex occupying 13-acres in North Adams, Massachusetts. It is one of the largest centers for contemporary visual art in the United States. The complex was originally built by the Arnold Print Works, which operated on the site from 1860 to 1942. MASS MoCA opened in 1999 with 19 galleries and 100,000 sq ft (9,300 m2) of exhibition space. It is large enough to put on exhibitions in individual buildings for extended periods - a Sol Lewitt building has five stories full of work conceived by him (and executed by others) on display until 2033; another building contains three large-scale installations by Anself Keifer on display until 2028.
The Boiler Room is one of the buidlings and when I was there it contained an installation of audio art. And old boiler room stuff that was highly photogenic.