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Poster of the book designed for IR Dub Streetz exhibitions. The design was printed with woodcut thecnic in Colombia.
More IR60 info:
starring Leonardo DiCaprio, Jennifer Connelly, and Djimon Hounsou, the movie is about conflict diamonds, which are mined in war zones and sold to finance conflicts, and thereby profit warlords and diamond companies across the world.
Set in Sierra Leone, the movie depicts the 1991-2002 civil war and the atrocities committed by the various rebel and Govt factions fighting for control
Made in Procreate with the prime scene being the unlikely partnership between Dicaprio and Dhiman as they chase down the biggest conflict diamond of them all
Karl-Heinz Drescher (* October 7, 1936 in Quirl; † May 19, 2011 in Berlin) was a graphic artist working at Bertolt Brecht’s world famous theater Berliner Ensemble as a graphic designer for almost 40 years. In addition to his work at this house, Drescher also worked for other organizers, museums, galleries, and theaters, amongst others the Akademie der Künste der DDR, the Maxim-Gorki-Theater, and the Deutsche Staatsoper in Berlin. His catalog of works today comprises over 400 posters, about one third printed with letterpress.
In a one-year research, the designer Markus Lange contacted Drescher’s family and conducted various interviews with companions and friends to find out more about this talented designer, who studied from 1955 to 1960 in the former GDR at the same school as he did (Burg Giebichenstein, formerly Hochschule für industrielle Formgestaltung).
For the first time, this book summarizes most of Drescher’s (typographic) posters in one comprehensive volume and contains texts and interviews by various authors such as Dr. Friedrich Diekmann, Dr. Sylke Wunderlich, Helmut Brade, Niklaus Troxler, Gerd Fleischmann, Jamie Murphy, Erik Spiekermann, Ferdinand Ulrich, Götz Gramlich, Peter Kammerer, Vera Tenschert, Cesarina and Alessandro Drescher. “Karl-Heinz Drescher—Berlin Typo Posters, Texts, and Interviews” serves as a review of the life of an extraordinary theater graphic designer but also as an inspiration for the here and now.
Publisher: Slanted Publishers
Editor & Design: Markus Lange
Final Artwork and Production: Julia Kahl, Clara Weinreich
Project management publisher: Lars Harmsen, Julia Kahl
Release: February 2020
Format: 19,5 × 26,5 × 2,5 cm
Volume: 272 pages
Language: English, German
Printing & Embossing: Stober
Cover material: WestRock Crescendo, C1S 300 g/sm by WestRock
Paper: Holmen TRND 2.0, 80 g/sm by Holmen Paper
On Koh Chang, they have a large party every year on the Chinese New Year, which this year happen to be the same day as Valentine's. These poster's were hung all around the island, and had some pretty great illustration and typography.
Part of a poster series developed for a Winnipeg Based theatre production called "For Tea and Country" by The Naughty Sailboat.
More Details at www.naughtysailboat.com
Karl-Heinz Drescher (* October 7, 1936 in Quirl; † May 19, 2011 in Berlin) was a graphic artist working at Bertolt Brecht’s world famous theater Berliner Ensemble as a graphic designer for almost 40 years. In addition to his work at this house, Drescher also worked for other organizers, museums, galleries, and theaters, amongst others the Akademie der Künste der DDR, the Maxim-Gorki-Theater, and the Deutsche Staatsoper in Berlin. His catalog of works today comprises over 400 posters, about one third printed with letterpress.
In a one-year research, the designer Markus Lange contacted Drescher’s family and conducted various interviews with companions and friends to find out more about this talented designer, who studied from 1955 to 1960 in the former GDR at the same school as he did (Burg Giebichenstein, formerly Hochschule für industrielle Formgestaltung).
For the first time, this book summarizes most of Drescher’s (typographic) posters in one comprehensive volume and contains texts and interviews by various authors such as Dr. Friedrich Diekmann, Dr. Sylke Wunderlich, Helmut Brade, Niklaus Troxler, Gerd Fleischmann, Jamie Murphy, Erik Spiekermann, Ferdinand Ulrich, Götz Gramlich, Peter Kammerer, Vera Tenschert, Cesarina and Alessandro Drescher. “Karl-Heinz Drescher—Berlin Typo Posters, Texts, and Interviews” serves as a review of the life of an extraordinary theater graphic designer but also as an inspiration for the here and now.
Publisher: Slanted Publishers
Editor & Design: Markus Lange
Final Artwork and Production: Julia Kahl, Clara Weinreich
Project management publisher: Lars Harmsen, Julia Kahl
Release: February 2020
Format: 19,5 × 26,5 × 2,5 cm
Volume: 272 pages
Language: English, German
Printing & Embossing: Stober
Cover material: WestRock Crescendo, C1S 300 g/sm by WestRock
Paper: Holmen TRND 2.0, 80 g/sm by Holmen Paper
Karl-Heinz Drescher (* October 7, 1936 in Quirl; † May 19, 2011 in Berlin) was a graphic artist working at Bertolt Brecht’s world famous theater Berliner Ensemble as a graphic designer for almost 40 years. In addition to his work at this house, Drescher also worked for other organizers, museums, galleries, and theaters, amongst others the Akademie der Künste der DDR, the Maxim-Gorki-Theater, and the Deutsche Staatsoper in Berlin. His catalog of works today comprises over 400 posters, about one third printed with letterpress.
In a one-year research, the designer Markus Lange contacted Drescher’s family and conducted various interviews with companions and friends to find out more about this talented designer, who studied from 1955 to 1960 in the former GDR at the same school as he did (Burg Giebichenstein, formerly Hochschule für industrielle Formgestaltung).
For the first time, this book summarizes most of Drescher’s (typographic) posters in one comprehensive volume and contains texts and interviews by various authors such as Dr. Friedrich Diekmann, Dr. Sylke Wunderlich, Helmut Brade, Niklaus Troxler, Gerd Fleischmann, Jamie Murphy, Erik Spiekermann, Ferdinand Ulrich, Götz Gramlich, Peter Kammerer, Vera Tenschert, Cesarina and Alessandro Drescher. “Karl-Heinz Drescher—Berlin Typo Posters, Texts, and Interviews” serves as a review of the life of an extraordinary theater graphic designer but also as an inspiration for the here and now.
Publisher: Slanted Publishers
Editor & Design: Markus Lange
Final Artwork and Production: Julia Kahl, Clara Weinreich
Project management publisher: Lars Harmsen, Julia Kahl
Release: February 2020
Format: 19,5 × 26,5 × 2,5 cm
Volume: 272 pages
Language: English, German
Printing & Embossing: Stober
Cover material: WestRock Crescendo, C1S 300 g/sm by WestRock
Paper: Holmen TRND 2.0, 80 g/sm by Holmen Paper
Paper matters, and the first and last word in fine papers is French. Sadly, too many large volume presses have few incentives to work with a wide range of papers and, for small runs on digital presses, designers are often limited to a depressingly small range of papers from which to choose. Chattanooga’s Wonder Press is the exception to the rule, offering a wide range of fine papers for high-quality low-run digital printing. Widgets & Stone worked with Wonder Press to seed a formal partnership with French Paper through a series of posters inspired by the work of mid-century graphic artist Weimer Pursell – all printed on French Papers, of course!
Creative Direction: Paul Rustand, Art Direction: Matt Greenwell, Design: Ben Horner, Writing: Caleb Ludwick.
*All original artwork by commercial artist Weimer Pursell*
Karl-Heinz Drescher (* October 7, 1936 in Quirl; † May 19, 2011 in Berlin) was a graphic artist working at Bertolt Brecht’s world famous theater Berliner Ensemble as a graphic designer for almost 40 years. In addition to his work at this house, Drescher also worked for other organizers, museums, galleries, and theaters, amongst others the Akademie der Künste der DDR, the Maxim-Gorki-Theater, and the Deutsche Staatsoper in Berlin. His catalog of works today comprises over 400 posters, about one third printed with letterpress.
In a one-year research, the designer Markus Lange contacted Drescher’s family and conducted various interviews with companions and friends to find out more about this talented designer, who studied from 1955 to 1960 in the former GDR at the same school as he did (Burg Giebichenstein, formerly Hochschule für industrielle Formgestaltung).
For the first time, this book summarizes most of Drescher’s (typographic) posters in one comprehensive volume and contains texts and interviews by various authors such as Dr. Friedrich Diekmann, Dr. Sylke Wunderlich, Helmut Brade, Niklaus Troxler, Gerd Fleischmann, Jamie Murphy, Erik Spiekermann, Ferdinand Ulrich, Götz Gramlich, Peter Kammerer, Vera Tenschert, Cesarina and Alessandro Drescher. “Karl-Heinz Drescher—Berlin Typo Posters, Texts, and Interviews” serves as a review of the life of an extraordinary theater graphic designer but also as an inspiration for the here and now.
Publisher: Slanted Publishers
Editor & Design: Markus Lange
Final Artwork and Production: Julia Kahl, Clara Weinreich
Project management publisher: Lars Harmsen, Julia Kahl
Release: February 2020
Format: 19,5 × 26,5 × 2,5 cm
Volume: 272 pages
Language: English, German
Printing & Embossing: Stober
Cover material: WestRock Crescendo, C1S 300 g/sm by WestRock
Paper: Holmen TRND 2.0, 80 g/sm by Holmen Paper
Poster for quickly-gaining-legendary-status quarterly 60s soul garage mod night in Brisbane, Australia. Getting further down the rabbit hole…
Karl-Heinz Drescher (* October 7, 1936 in Quirl; † May 19, 2011 in Berlin) was a graphic artist working at Bertolt Brecht’s world famous theater Berliner Ensemble as a graphic designer for almost 40 years. In addition to his work at this house, Drescher also worked for other organizers, museums, galleries, and theaters, amongst others the Akademie der Künste der DDR, the Maxim-Gorki-Theater, and the Deutsche Staatsoper in Berlin. His catalog of works today comprises over 400 posters, about one third printed with letterpress.
In a one-year research, the designer Markus Lange contacted Drescher’s family and conducted various interviews with companions and friends to find out more about this talented designer, who studied from 1955 to 1960 in the former GDR at the same school as he did (Burg Giebichenstein, formerly Hochschule für industrielle Formgestaltung).
For the first time, this book summarizes most of Drescher’s (typographic) posters in one comprehensive volume and contains texts and interviews by various authors such as Dr. Friedrich Diekmann, Dr. Sylke Wunderlich, Helmut Brade, Niklaus Troxler, Gerd Fleischmann, Jamie Murphy, Erik Spiekermann, Ferdinand Ulrich, Götz Gramlich, Peter Kammerer, Vera Tenschert, Cesarina and Alessandro Drescher. “Karl-Heinz Drescher—Berlin Typo Posters, Texts, and Interviews” serves as a review of the life of an extraordinary theater graphic designer but also as an inspiration for the here and now.
Publisher: Slanted Publishers
Editor & Design: Markus Lange
Final Artwork and Production: Julia Kahl, Clara Weinreich
Project management publisher: Lars Harmsen, Julia Kahl
Release: February 2020
Format: 19,5 × 26,5 × 2,5 cm
Volume: 272 pages
Language: English, German
Printing & Embossing: Stober
Cover material: WestRock Crescendo, C1S 300 g/sm by WestRock
Paper: Holmen TRND 2.0, 80 g/sm by Holmen Paper
Be like a #pineapple 🍍: Stand tall, wear a #crown 👑 and be #sweet on the inside. #helloworld #posterdesign #conflutech . . . . . #design #art #designer #illustration #love #artist #instagood #graphicdesign #artwork #creative #drawing #color #graphic #inspiration #beauty #followme #followtrain #artistsoninstagram #handmade #graphicdesigner #follow via Conflutech ift.tt/2wdrdZ7
A digital painting. VIEW LARGE, for full effect. It's painterly. Maybe uniquely so. This is my own invented, hands-on computer method that results in a specialized technique. I have yet to see any robotic commercial program accomplish a stylized image with this look and feel. I call the technique, PooterPainting.
Glaze: v.t., to coat, as pottery, with a glasslike surface applied by baked-on fusing...unless you are a winter tree. In that case, you get yours by way of freezing rain.
Karl-Heinz Drescher (* October 7, 1936 in Quirl; † May 19, 2011 in Berlin) was a graphic artist working at Bertolt Brecht’s world famous theater Berliner Ensemble as a graphic designer for almost 40 years. In addition to his work at this house, Drescher also worked for other organizers, museums, galleries, and theaters, amongst others the Akademie der Künste der DDR, the Maxim-Gorki-Theater, and the Deutsche Staatsoper in Berlin. His catalog of works today comprises over 400 posters, about one third printed with letterpress.
In a one-year research, the designer Markus Lange contacted Drescher’s family and conducted various interviews with companions and friends to find out more about this talented designer, who studied from 1955 to 1960 in the former GDR at the same school as he did (Burg Giebichenstein, formerly Hochschule für industrielle Formgestaltung).
For the first time, this book summarizes most of Drescher’s (typographic) posters in one comprehensive volume and contains texts and interviews by various authors such as Dr. Friedrich Diekmann, Dr. Sylke Wunderlich, Helmut Brade, Niklaus Troxler, Gerd Fleischmann, Jamie Murphy, Erik Spiekermann, Ferdinand Ulrich, Götz Gramlich, Peter Kammerer, Vera Tenschert, Cesarina and Alessandro Drescher. “Karl-Heinz Drescher—Berlin Typo Posters, Texts, and Interviews” serves as a review of the life of an extraordinary theater graphic designer but also as an inspiration for the here and now.
Publisher: Slanted Publishers
Editor & Design: Markus Lange
Final Artwork and Production: Julia Kahl, Clara Weinreich
Project management publisher: Lars Harmsen, Julia Kahl
Release: February 2020
Format: 19,5 × 26,5 × 2,5 cm
Volume: 272 pages
Language: English, German
Printing & Embossing: Stober
Cover material: WestRock Crescendo, C1S 300 g/sm by WestRock
Paper: Holmen TRND 2.0, 80 g/sm by Holmen Paper