View allAll Photos Tagged PosterDesign
I talk about what is inherent in each of us, absolutely, without exception. It doesn't matter who you are or where you live, your profession or hobby. I'm talking about character. There are so many people, so many differences, but exist and many coincidences. Someone by nature is very calm and balanced in the soul, and someone, is the exact opposite, explosive, fast, impatient, sometimes aggressive. One man go with the flow, in this life, another, against the current. But there are funny cases when a person combines seemingly incompatible things. It's like ice and flame.
Work at the station has recently uncovered these amazing advertising posters in non-public areas and that date from c1956 - 1959 when the station's lifts were removed and replaced by escalators. These are in an old lift passageway and will be safe.
This is a very bright poster for Pepsodent toothpaste - "you'll wonder where the yellow went"!
We will be leaving these intact - and please do not pester the station staff as the posters are wholly inaccessible - which is why they've probably survived 50 odd years!
The photos were taken officially - please do credit London Underground in any links.
HUGE THANKS TO EVERYONE WHO LIKES AND ENJOYS MY PHOTOGRAPHY! zenmountainmedia.com/product/samuel-boardman-sea-thru-tre...
Work at the station has recently uncovered these amazing advertising posters in non-public areas and that date from c1956 - 1959 when the station's lifts were removed and replaced by escalators. These are in an old lift passageway.
This shows several of the posters - and the original Central London Railway tiled walls from 1900.
We will be leaving these intact - and please do not pester the station staff as the posters are wholly inaccessible - which is why they've probably survived 50 odd years!
The photos were taken officially - please do credit London Underground in any links.
I am not a skeptic in this question, moreover, due to the recent events that we are witnessing, it seems that they have long been among us.
The Essex cherry blossoms lit from behind, Willo & Felix fine art photography gallery is located in Essex, ct. This photography art print is perfect for home or office.
Amongst the many posters for Kew Gardens issued by the then London Electric Railway's group of companies, that included the Underground, is this striking image by Clive Gardiner issued in 1926. Gardiner (1891 - 1960) worked in this very contemporary cubist style to produce this poster that was part of a series of commissions he undertook for the Underground Group that at the time was amongst the vanguard of commercial advertising, publicity and graphic design.
The poster also used the company's Johnston typeface and the UndergrounD block. The original poster was lithographed by Waddington's and this block appears in a contemporary trade journal.
This is an image I took when I was doing the still photography on a short film called WUSS on IMDB www.bing.com/images/search?view=detailV2&ccid=6ET6ibK...
Every image tells a story, but some images define a story. This portrait was chosen as the official poster image for the short film WUSS, capturing the essence of its tone and emotion. The expression in his eyes, the subtle tension in his expression/posture, and the cinematic lighting all contribute to a visual that speaks before a single word is spoken.
This image is not just a still, it’s a moment, a feeling, a preview of a larger narrative. Can a single frame capture the weight of a film? This one tries.
A remarkably modern look for this 1929 poster issued by the multi-national Nestlé company and here for the UK market in which it wasn't at the time a great player in comparison with the many, large UK chocolate makers. Issued as a 16-sheet poster this annoyingly has no artist or designer credited and may have been the work of an advertising agency. the style is very 'European' and that may not be surprising given the Swiss antecedents of the company. The artwork of the cheery chocolate eater was also used in black and white as the basis of press adverts as well.
House Targaryen
Sigil - Three Headed Dragon
Motto "Fire and Blood"
After watching the awesome Game of Thrones series I became slightly obsessed with each of the House's and their identity or sigil.
Having found the houses and their representative sigils. I set about creating a vector for each one of them and creating a poster. I hope you like them as much as I do.
A rather fine poster, issued by the Royal Society for the Prevention of Accidents in association with the Ministry of Transport, in 1965 to coincide with the introduction of the UK's new road traffic signs that year. Such posters were widely distributed to organisations and institutions such as schools and indeed this is where this copy was rescued from by D Rose who has kindly scanned this and consented to let me post this.
The new system of signage, much more based in pictograms and a new typeface, came from the deliberations of the Worboys Committee that had sat at the behest of the Ministry of Transport to consider the country's road signs. The basic designs had been in place for over 30 years but new road conditions and growing traffic saw the need to update the system, such as for the new and growing motorway network. In fact the motorways had seen a new signage system a few years earlier developed by graphic designers Margaret Calvert and Jock Kinneir, and these signs were based on a continuation of their work. Aspects such as simplicity and legibility were seen as primary attributes of the new system.
So began a programme of sweeping away the old designs and replacing them, gradually, with new. The old designs are now often fondly recalled and indeed a small number of "pre-Worboys" signs still survive on the road network (few and far between) and in some counties old style heritage fingerposts for local directions have not only survived but been replicated on a small scale. The system seen here has worked well, overall, but there are calls for a systematic overhaul as, with any system, gradual change to allow for new requirments has led to some complexities and divergence from some of the principles set out in this new design.
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Work at the station has recently uncovered these amazing advertising posters in non-public areas and that date from c1956 - 1959 when the station's lifts were removed and replaced by escalators. These are in an old lift passageway.
This poster is an official London Transport one - for party travel - and is by Victor Galbraith.
We will be leaving these intact - and please do not pester the station staff as the posters are wholly inaccessible - which is why they've probably survived 50 odd years!
The photos were taken officially - please do credit London Underground in any links.
Work at the station has recently uncovered these amazing advertising posters in non-public areas and that date from c1956 - 1959 when the station's lifts were removed and replaced by escalators. These are in an old lift passageway and will be safe.
This is a poster advertising the still popular Ideal Home Exhibition, sponsored by the Daily Mail, that was held at Olympia in March of that year. The poster is signed 'Hanna' and this is, I'm sure John Hanna (1919 - 1992), the Australian designer who lived and worked in the UK between 1947 and 1961. Starting with S H Benson's he went freelance in 1951.
We will be leaving these intact - and please do not pester the station staff as the posters are wholly inaccessible - which is why they've probably survived 50 odd years!
The photos were taken officially - please do credit London Underground in any links.
As part of the extensive celebrations of the centenary of the opening of the Liverpool & Manchester Railway, on 15 September 1830, the London Midland & Scottish Railway as successor to that company, issued a booklet written by C F Dendy Marshall. He drew on materials that he had collected as part of his "Centenary of the Liverpool & Manchester" and this slim volume also looks at the other constituents of the LMSR, such as the LNWR and MR, and closes with a description of the LMS at it was in the centenary year.
The cover, slightly chipped here, uses artwork by
P. Irwin Brown and this was also used as the basis for a poster issued concurrently. It is suitably of its day and quite clever - the chimney of Rocket, the locomotive now most associated with the opening, acting to delineate part of the cab arrangement of a modern locomotive.