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These miniature posters (around 30 mm, only about 15 mm visible) are taken from my latest dollhouse that i recently did. I build miniature houses so small that everything is super tiny and cute. The whole house is about 20 cm.
I still have some plants left to create but otherwise all the 3 floors are done. I really like the little poster container that believe it or not takes about half an hour to assemble, considering the amount of time the glue has to dry in each layer and part.
Happy MM!!
Poster, Amsterdam
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Disc File 2012-05-27
Image: DSCF9592
Lawton Arts For All Festival Poster (2007)
Artist Credit: Jerry Ellis, Carthage Missouri
note: cropped in Flickr Photo Editor
Another in a series of posters, celebrating how a basic color is important in my culture. (and yours)
Yellow has been used in art for a long time!
Thanks for looking.
Photo By: Cate Infinity
Shot in Second Life Official Viewer in Ultra. No edit.
Location: Drone Haven
Drone Haven stands as a somber monument to humanity’s fleeting reign, a forsaken city overtaken by the relentless march of nature. Towering, rusted skyscrapers—once symbols of progress—now crumble into the earth, their skeletal frames bound in a suffocating embrace of vines and moss. Faded posters and the echoes of forgotten graffiti serve as grim premonitions: “The End is Near!” On the fringes, a last-ditch survivalist camp briefly defied extinction. Dreamers, with fragile hope, planted gardens and built shelters in a futile act of defiance. But disease, depletion, and discord swiftly snatched away their fleeting defiance, leaving only silence and creeping green. At the city's heart, the butcher shop—a relic of human industry—stands decayed and broken. Its walls, softened by moss and pierced by vines, speak of a once-vibrant world now swallowed by time. The eerie message lingers: “The End is Near!” A grim echo of human ambition, now lost in nature’s quiet dominion. Among the ruins, drones—mechanical phantoms—still wander, remnants of their creators' ambition. They dutifully plant life during the Echocycle, maintaining the city as both a testament to human legacy and nature's quiet triumph. But even these tireless machines, bound by the limits of their energy, will one day cease. The paradox is clear: humanity’s imprint, though indelible, is as ephemeral as the machines it birthed. Drone Haven whispers a haunting truth: humankind, for all its perceived significance, is but a fleeting echo against the eternal backdrop of nature’s vast, unyielding cycles. In the city’s rust and bloom, it mourns the inevitable collapse, the fragility of life, and the inescapable reality that all things—natural or artificial—are bound to fade into silence.
Magenta Flúor + Preto
Apenas um pedacinho do pack que o Jackson está levando para a Argentina no TMDG esta semana.
Quem quiser é só falar com ele, é certeza que a mochila vai estar repleta.
save your pesos $ __ $
hasta luego.
"Certezas e esperanças pra trocar
Por dores e tristezas que bem sei,
Um dia ainda vão findar!"
...Longe. Por mais que se ande...
Por mais distante que se vá!
Por mais que a gente comande...
À pressa pra chegar lá!
Não chega! À distância é grande...
Bem pra lá de Bagdá!
Sua lonjura se expande...
E vai além de Al di lá!
Nunca! É um lugar triste,
Lá! Nenhum sonho existe...
Desejo! A fé levar até lá!
Itinerante!...
Lá vou eu!... ... ...
(poema de Vania Dramis Pimenta)
Limited edition silk screen posters available only from www.uniteditions.com. There are 50 grey and 50 white.
I don't suppose this means that from January to March and May to December safety at work can be forgotten...
This is a poster I designed for a hypothetical exhibit of Georgia O'Keeffe paintings at the New Mexico Museum of Art. The close-up of the flower depicted in the poster is a rendering of a photo that I took a few years ago, inspired by O'Keeffe's paintings of flowers.
a silhouetted woman walks through a tunnel of posters in Bristol.
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