View allAll Photos Tagged Polyester
This vintage lot is up for grabs--as a lot. Vintage dresses, skirts, blouses, ties, luggage, and findings.
If you are interested contact me via my etsy shop. I never seem to get any of my flickr alerts.
This vintage lot is up for grabs--as a lot. Vintage dresses, skirts, blouses, ties, luggage, and findings.
If you are interested contact me via my etsy shop. I never seem to get any of my flickr alerts.
1.Color: Linen, Black or White
2.Water-Resistant Polyester
3.Holes at top are stitched the stainless steel rings to eliminate the possibility of rusting grommets.
4.Curtain is handmade. Measurements may vary ± 1
5.Weight about 90 Gram/Square meter
6.Sizes: 1220 X 2140 MM
This vintage lot is up for grabs--as a lot. Vintage dresses, skirts, blouses, ties, luggage, and findings.
If you are interested contact me via my etsy shop. I never seem to get any of my flickr alerts.
This vintage lot is up for grabs--as a lot. Vintage dresses, skirts, blouses, ties, luggage, and findings.
If you are interested contact me via my etsy shop. I never seem to get any of my flickr alerts.
BU ÃœRÃœNE WEB SÄ°TEMÄ°ZDEN YADA CEP TEFONUMUZDAN ULAÅžABÄ°LÄ°RSÄ°NÄ°Z
WEB: www.polyesterurunleri.com
Cep: 0537 566 59 17
A poyester quilt made for one of my children in the 70's. Each square is 6 inches. It is also tied at each corner. It has a solid backing.
This vintage lot is up for grabs--as a lot. Vintage dresses, skirts, blouses, ties, luggage, and findings.
If you are interested contact me via my etsy shop. I never seem to get any of my flickr alerts.
6mm polyester marine rope
this is the Bend version of the Locked Left Hand Bowline
joining the ends of 2 ropes together. with the first rope, start with a marlinspike hitch, bring the bight of the S.Part up, thr., and to the r.h.s, crossing point side.
from that same side, tuck the 2nd line thr., O,U,O
and hold it downwards as shown
pull both ends of the M.Spike hitch, this will fold the 2nd line into shape.
at the back we see a u-fold shape.
loosening the knot we can see its overall hook-like shape. in forum discussion it's been referred to as a u-fold hook.
if i untie the tail back 1 tuck, we see a L.H Sheet Bend,
the folding mechanism of the modified marlinspike hitch has caused the tail of the L.H Sheet Bend to do a u-turn and run back alongside itself,
forming a Left Hand Sheet Bend with a U-fold lock.
www.zx-tex.com/product/polyester-spandex-fabric/50-cd-50-...
We are equipped with professional merchandisers in the cooperative dyeing factory. Up to now, 8 masters rich experience in tracking the order production process, quality control and order delivery time control. With strong communication skills, hard-working, and team work, the company's technology and products can be continuously updated and improved.
Prism, 2018
Repurposed quilt, printed chiffon, polyester organza, printed polyester, polyester satin, polyester batting, nylon ribbon, vintage appliqués, vintage whimsies, vintage brass stamping, rhinestone appliqués, vintage beaded hair barrette, assorted glass, plastic and stone beads, artificial sinew and tipi poles
Speak to Me so That I Can Understand, 2018
Acrylic paint on canvas, vintage Seminole patchwork, plastic beads, glass beads, nylon, water-based ink on sublimated polyester, metal jingles, tipi poles and deer hide
We Play Endlessly, 2018
Neoprene, printed polyester, silk, printed chiffon, canvas, polyester satin, brass grommets, nylon ribbon, acrylic paint, polyester laces, glass and plastic beads, artificial sinew and tipi poles
People Like Us, 2019
Vinyl, neoprene, printed polyester, glass beads, brass grommets, nylon, printed cotton, acrylic paint, deer hide and tipi poles
Gibson draws on his Choctaw-Cherokee heritage and the Native American women in his family whose textile work sustained them. These four works were partly inspired by garments worn by dancers in Native American powwow ceremonies, particularly those worn by the Northern Paiute people as spiritual protection in the pacifist Ghost Dance movement of the late nineteenth century. They also incorporate contemporary references: the phrase ‘People Like Us’ derives from a 1965 print by artist and nun Sister Corita Kent, while ‘We Play Endlessly’ pays homage to Icelandic rock band Sigur Rós. Gibson embraces hybridity, seeing his practice as ‘a mash-up of intertribal aesthetics’ in resistance to essentialist understandings of Indigeneity. Gibson links overcoming his rejection of craft as a student to coming to terms with his sexuality as a gay man. He highlights ‘the nonbinary gender roles found in many indigenous cultures’ and his garments are deliberately ungendered. Vibrating with colour, texture and animated potential, they have previously been installed hanging in procession-like formations, as shown here, or activated by performers.*
From the exhibition
Unravel: The Power and Politics of Textiles in Art
(February – May 2024)
Textiles are vital to our lives. We are swaddled in them when we’re born, we wrap our bodies in them every day, and we’re shrouded in them when we die.
What does it mean to imagine a needle, a loom or a garment as a tool of resistance? How can textiles unpack, question, unspool, unravel and therefore reimagine the world around us?
Since the 1960s, textiles have become increasingly present in artistic practices for subversive ends. This is significant as the medium has been historically undervalued within the hierarchies of Western art history. Textiles have been considered ‘craft’ in opposition to definitions of ‘fine art’, gendered as feminine and marginalised by scholars and the art market. The 50 international artists in this show challenge these classifications, harnessing the medium to speak powerfully about intimate, everyday stories as well as wider socio-political narratives, teasing out these entangled concerns through a stitch, a knot, a braid, through the warp and the weft. These artists defy traditional expectations of textiles, embracing abstraction or figuration to push the boundaries of the medium. They draw on its material history to reveal ideas relating to gender, labour, value, ecology, ancestral knowledge, and histories of oppression, extraction and trade.
Rather than dictating a chronological history of fibre art, the exhibition is organised in thematic dialogues between artists — across both generations and geographies — to explore how artists have embraced textiles to critique or push up against regimes of power. Some artists work alone with solitary, near-meditative practices, while others reflect the shared approach that the medium often invites, working with collaborators in acts of community and solidarity. Spanning intimate hand-crafted pieces to large-scale sculptural installations, these artworks communicate multi-layered stories about lived experience, invoking the vital issues embedded in fibre and thread.
[*Barbican Centre]
Taken at the Barbican Centre
Material:100% polyester
Density:15*19
Yarns:500D nylon*500D nylon
Width:150CM
Usage:Tent, high-end luggage
Weight:135 GSM
Price($):2.94
Color:Any Pantone Color Number
Customized:Accepted
Digital printing design:Customized
As a famous China Cordura Nylon Oxford Fabrics Manufacturers and Tent Fabric Factory,our company in line with excelsior, continuous efforts to develop new cordura fabric to give back to new and old customers, hope to work with you together.
www.baiketextile.com/product/nylon/nylon-oxford/cordura-n...
ZOMG!! Amelia is way too awesome and sent me a present in the mail! CHECK IT OUT!
TRICLOPS CAT IS YOUR FRIEND
In addition to being a versatile material, POLYESTER DOPE DYED yarns are widely used for garments. These fabrics include consumer and home textiles, as well as clothing. They are suitable for many different weaving processes. Depending on the type of application, these polyester yarns are versatile. They can be applied to various types of materials, such as cloth, curtains, socks, labels, and shoes.
Polymer dope dyed yarns are a relatively new product category. This type of textile is created through a one-step process. A masterbatch colorant is added to a polymer melt before it is spun into a yarn. The dye is added at the end of the spinning process. This process results in dope dyed yarns. These can be used for a variety of textile applications.
The process of manufacturing polyester dope dyed yarns is environmentally-friendly. It requires no water and lowers production costs. Furthermore, it reduces pollution and water consumption. Aside from being more sustainable, it saves money by using less chemicals. As a result, dope dyed yarns have a positive impact on the environment. By reducing production and waste, this product is a great choice for the textile industry.