View allAll Photos Tagged Polyester
This vintage lot is up for grabs--as a lot. Vintage dresses, skirts, blouses, ties, luggage, and findings.
If you are interested contact me via my etsy shop. I never seem to get any of my flickr alerts.
polyester/nylon blend printed sheer
100% linen
Inspired by the dresses of Donna Ricco and June 2006 trip to NYC.
Flat pattern Method.
Empire waist with a hankerchief hem.
1.Color: Linen, Black or White
2.Water-Resistant Polyester
3.Holes at top are stitched the stainless steel rings to eliminate the possibility of rusting grommets.
4.Curtain is handmade. Measurements may vary ± 1
5.Weight about 90 Gram/Square meter
6.Sizes: 1220 X 2140 MM
This vintage lot is up for grabs--as a lot. Vintage dresses, skirts, blouses, ties, luggage, and findings.
If you are interested contact me via my etsy shop. I never seem to get any of my flickr alerts.
This vintage lot is up for grabs--as a lot. Vintage dresses, skirts, blouses, ties, luggage, and findings.
If you are interested contact me via my etsy shop. I never seem to get any of my flickr alerts.
BU ÜRÜNE WEB SİTEMİZDEN YADA CEP TEFONUMUZDAN ULAŞABİLİRSİNİZ
WEB: www.polyesterurunleri.com
Cep: 0537 566 59 17
- Mỗi chiếc áo hoodie của Chiếc áo hoodie này đều được làm từ chất liệu polyester pha trộn cao cấp, cực kỳ mềm mại và vô cùng thoải mái.
- Ứng dụng nhiệt độ sấy cao đặc biệt bảo dưỡng màu tươi lâu ngay cả sau khi rửa máy.
- Vải bền và nhăn, co và rút hồng.
- Mỗi chiếc áo hoodie đều được cắt và may riêng cho bạn; Khi bạn đặt hàng, có thể có một số điểm khác biệt nhỏ về thiết kế ở đường may và/hoặc cánh tay do tính chất tùy chỉnh của sản phẩm sản xuất.
Bảng kích thước Áo hoodie & Áo hoodie có khóa kéo (Chiều dài x Ngực x Vai x Áo tay)
- S (28,74 x 24,80 x 19 x 27,55 inch)
- M (29,92 x 25,98 x 20,47 x 27,95 inch)
- Dài (30,70 x 26,77 x 21,25 x 28,74 inch)
- XL (31,49 x 27,55 x 21,65 x 29,52 inch)
- 2XL (32,67 x 28,74 x 22,44 x 30,70 inch)
- 3XL (33,85 x 29,52 x 23,22 x 31,49 inch)
- 4XL (34,64 x 30,31 x 24,01 x 31,49 inch)
- 5XL (35,82 x 31,49 x 24,80 x 32,67 inch)
Phông chữ bảng kích thước (Chiều dài x Ngực x Vai)
- XS (27,16 x 20,47 x 16,53 inch)
- S (28,34 x 21,25 x 17,32 inch)
- M (29,13 x 22,04 x 17,71 inch)
- Dài (30,31 x 22,83 x 18,50 inch)
- XL (31,49 x 23,62 x 18,89 inch)
- 2XL (32,28 x 24,40 x 19,68 inch)
- 3XL (33,46 x 25,19 x 20,47 inch)
- 4XL (34,25 x 25,98 x 20,86 inch)
- 5XL (35,43 x 26,37 x 21,65 inch)
viprogifts.com/product/skull-fire-all-over-t-shirt-which-...
- Mỗi chiếc áo hoodie của Chiếc áo hoodie này đều được làm từ chất liệu polyester pha trộn cao cấp, cực kỳ mềm mại và vô cùng thoải mái.
- Ứng dụng nhiệt độ sấy cao đặc biệt bảo dưỡng màu tươi lâu ngay cả sau khi rửa máy.
- Vải bền và nhăn, co và rút hồng.
- Mỗi chiếc áo hoodie đều được cắt và may riêng cho bạn; Khi bạn đặt hàng, có thể có một số điểm khác biệt nhỏ về thiết kế ở đường may và/hoặc cánh tay do tính chất tùy chỉnh của sản phẩm sản xuất.
Bảng kích thước Áo hoodie & Áo hoodie có khóa kéo (Chiều dài x Ngực x Vai x Áo tay)
- S (28,74 x 24,80 x 19 x 27,55 inch)
- M (29,92 x 25,98 x 20,47 x 27,95 inch)
- Dài (30,70 x 26,77 x 21,25 x 28,74 inch)
- XL (31,49 x 27,55 x 21,65 x 29,52 inch)
- 2XL (32,67 x 28,74 x 22,44 x 30,70 inch)
- 3XL (33,85 x 29,52 x 23,22 x 31,49 inch)
- 4XL (34,64 x 30,31 x 24,01 x 31,49 inch)
- 5XL (35,82 x 31,49 x 24,80 x 32,67 inch)
Phông chữ bảng kích thước (Chiều dài x Ngực x Vai)
- XS (27,16 x 20,47 x 16,53 inch)
- S (28,34 x 21,25 x 17,32 inch)
- M (29,13 x 22,04 x 17,71 inch)
- Dài (30,31 x 22,83 x 18,50 inch)
- XL (31,49 x 23,62 x 18,89 inch)
- 2XL (32,28 x 24,40 x 19,68 inch)
- 3XL (33,46 x 25,19 x 20,47 inch)
- 4XL (34,25 x 25,98 x 20,86 inch)
- 5XL (35,43 x 26,37 x 21,65 inch)
A poyester quilt made for one of my children in the 70's. Each square is 6 inches. It is also tied at each corner. It has a solid backing.
This vintage lot is up for grabs--as a lot. Vintage dresses, skirts, blouses, ties, luggage, and findings.
If you are interested contact me via my etsy shop. I never seem to get any of my flickr alerts.
6mm polyester marine rope
this is the Bend version of the Locked Left Hand Bowline
joining the ends of 2 ropes together. with the first rope, start with a marlinspike hitch, bring the bight of the S.Part up, thr., and to the r.h.s, crossing point side.
from that same side, tuck the 2nd line thr., O,U,O
and hold it downwards as shown
pull both ends of the M.Spike hitch, this will fold the 2nd line into shape.
at the back we see a u-fold shape.
loosening the knot we can see its overall hook-like shape. in forum discussion it's been referred to as a u-fold hook.
if i untie the tail back 1 tuck, we see a L.H Sheet Bend,
the folding mechanism of the modified marlinspike hitch has caused the tail of the L.H Sheet Bend to do a u-turn and run back alongside itself,
forming a Left Hand Sheet Bend with a U-fold lock.
www.zx-tex.com/product/polyester-spandex-fabric/50-cd-50-...
We are equipped with professional merchandisers in the cooperative dyeing factory. Up to now, 8 masters rich experience in tracking the order production process, quality control and order delivery time control. With strong communication skills, hard-working, and team work, the company's technology and products can be continuously updated and improved.
The cactus fibre shown is combined with a polyester matrix to create a bio composite material. Bio-composites are desirable due to their sustainable manufacturing processes. This cactus fibre image generated from X-ray CT shows a complete cross section of the fibres in high resolution.
This allows the fibre orientation and structural morphology to be analysed to determine how these relate to the material properties. The settings used for this particular CT scan were selected considering the low density of the sample and the need for a high resolution to identify fibre orientations and pathways within the natural material. A high exposure and a low power x-ray beam ensured a high signal to noise ratio in the CT data, and a voxel resolution of 8.86 microns.
Prism, 2018
Repurposed quilt, printed chiffon, polyester organza, printed polyester, polyester satin, polyester batting, nylon ribbon, vintage appliqués, vintage whimsies, vintage brass stamping, rhinestone appliqués, vintage beaded hair barrette, assorted glass, plastic and stone beads, artificial sinew and tipi poles
Speak to Me so That I Can Understand, 2018
Acrylic paint on canvas, vintage Seminole patchwork, plastic beads, glass beads, nylon, water-based ink on sublimated polyester, metal jingles, tipi poles and deer hide
We Play Endlessly, 2018
Neoprene, printed polyester, silk, printed chiffon, canvas, polyester satin, brass grommets, nylon ribbon, acrylic paint, polyester laces, glass and plastic beads, artificial sinew and tipi poles
People Like Us, 2019
Vinyl, neoprene, printed polyester, glass beads, brass grommets, nylon, printed cotton, acrylic paint, deer hide and tipi poles
Gibson draws on his Choctaw-Cherokee heritage and the Native American women in his family whose textile work sustained them. These four works were partly inspired by garments worn by dancers in Native American powwow ceremonies, particularly those worn by the Northern Paiute people as spiritual protection in the pacifist Ghost Dance movement of the late nineteenth century. They also incorporate contemporary references: the phrase ‘People Like Us’ derives from a 1965 print by artist and nun Sister Corita Kent, while ‘We Play Endlessly’ pays homage to Icelandic rock band Sigur Rós. Gibson embraces hybridity, seeing his practice as ‘a mash-up of intertribal aesthetics’ in resistance to essentialist understandings of Indigeneity. Gibson links overcoming his rejection of craft as a student to coming to terms with his sexuality as a gay man. He highlights ‘the nonbinary gender roles found in many indigenous cultures’ and his garments are deliberately ungendered. Vibrating with colour, texture and animated potential, they have previously been installed hanging in procession-like formations, as shown here, or activated by performers.*
From the exhibition
Unravel: The Power and Politics of Textiles in Art
(February – May 2024)
Textiles are vital to our lives. We are swaddled in them when we’re born, we wrap our bodies in them every day, and we’re shrouded in them when we die.
What does it mean to imagine a needle, a loom or a garment as a tool of resistance? How can textiles unpack, question, unspool, unravel and therefore reimagine the world around us?
Since the 1960s, textiles have become increasingly present in artistic practices for subversive ends. This is significant as the medium has been historically undervalued within the hierarchies of Western art history. Textiles have been considered ‘craft’ in opposition to definitions of ‘fine art’, gendered as feminine and marginalised by scholars and the art market. The 50 international artists in this show challenge these classifications, harnessing the medium to speak powerfully about intimate, everyday stories as well as wider socio-political narratives, teasing out these entangled concerns through a stitch, a knot, a braid, through the warp and the weft. These artists defy traditional expectations of textiles, embracing abstraction or figuration to push the boundaries of the medium. They draw on its material history to reveal ideas relating to gender, labour, value, ecology, ancestral knowledge, and histories of oppression, extraction and trade.
Rather than dictating a chronological history of fibre art, the exhibition is organised in thematic dialogues between artists — across both generations and geographies — to explore how artists have embraced textiles to critique or push up against regimes of power. Some artists work alone with solitary, near-meditative practices, while others reflect the shared approach that the medium often invites, working with collaborators in acts of community and solidarity. Spanning intimate hand-crafted pieces to large-scale sculptural installations, these artworks communicate multi-layered stories about lived experience, invoking the vital issues embedded in fibre and thread.
[*Barbican Centre]
Taken at the Barbican Centre