View allAll Photos Tagged Persistent,
With the posts leaning every which way it is hard to fathom how this barn still stands.
Near Dunrobin, Ontario
Photos displaying on either side of this one in the Prints & Photographs Online Catalog may yield clues—view the neighboring photos: www.loc.gov/pictures/related/?&pk=hec2013006616&s...
Harris & Ewing,, photographer.
[Woman seated with a psychograph, a phrenology machine, on her head]
[1931]
1 negative : glass ; 4 x 5 in. or smaller
Notes:
Title information from Flickr Commons Project, 2015.
Date based on date of negatives in same range.
Gift; Harris & Ewing, Inc. 1955.
Subjects:
United States.
Format: Glass negatives.
Rights Info: No known restrictions on publication.
Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print
Part Of: Harris & Ewing Collection (Library of Congress)
General information about the Harris & Ewing Collection is available at hdl.loc.gov/loc.pnp/pp.hec
Higher resolution image is available (Persistent URL): hdl.loc.gov/loc.pnp/hec.36580
Call Number: LC-H2- B-4880
Chatwick Chronicles
A Persistent Saga
Intro
The Doctoral Candidate
^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
From Chatwick SL
The study below was derived from facts uncovered while doing research for the following Doctoral dissertation:
Light to the shadows of their mind:
Criminal tactics and strategies
Criminology Department .
Chatwick University
Case Study 48
Accounts derived from a series of meetings clandestinely conducted with the subject.
***
She had never had interviewed anyone quite like this one, even Angelica!
She was in the twilight of a doctoral thesis that had been in the works for almost three years now. The research she was doing centered on career criminals, trying to pinpoint in her studies of how they operated, trying to establish motives that may have been compelling enough for them to have lived the lives they did. Her conjectures were that by understanding their thought processes, a series of tests could be developed that could be used on younger subjects to determine their rehabilitation attainment perspective.
She had interviewed dozens of career criminals from assorted paths in life. Most of whom had been hardened ,elderly, and had paid their dues, or were in the process of doing so( Prison). It had not been an easy time of it, a rough road of hurt, treachery and deceit, running the gauntlet from muggers, to pickpockets, to burglars, to various other thieves. Gathering information from them, weeding fact from fiction through checking histories, deciding whether or not to use what she had gathered it in her research , testing the results and writing them up! The last 3 years had certainly been a rollercoaster ride, a whirlwind of activity, number crunching, and pages upon pages of notes:. then, amongst all this controlled chaos of her work, He had come into her life
This One had been different. He had contacted her, never revealing exactly why, or how He had heard of her and her project. She had gone into it blind, not knowing anything about the man, what he did, or really even if it was at all relevant to her research. She had only the subjects assurance, through an intermediary( A Priest), that it would be to her benefit to interview him.
She had already made plans to go out that evening when abruptly informed of the time of meeting she had been trying to coordinate with him. She was under the impression that it was a one shot deal, and would not last for more than a couple of hours.
Since she would already be in the city, she convinced her date to act as chaperone, and then they would leave after the interview for their night out clubbing. She had thought nothing of wearing her favorite party dress to the interview. It was a pretty thing, a russet velvet top and bronze taffeta skirt. She had even worn her good jewelry, gold with inset pearls, wearing her long hair down, but tied back so the long earrings of the set could dangle freely.
She remembered clearly the evening of their first encounter; it had almost seemed ominous when she and her companion had pulled up to the address given to her. It was an old lime stoned church, with gothic overlays, the stone darkened black with age. All it needed was a group of villagers with torches and pitchforks to make the picture complete, her friend had joked, but she had not found it funny.
She had gone inside with some reservation, it all seemed too much like something out of a film noir bit of theatre. She remembered thinking that thought as , just before opening one of the old oak doors to the church, as she was brushing back a wisp of her hair, her fingers touching a long pearled gold earring. She also had remembered thinking, as she had been going through her notes weeks afterwards, how much differently she would have approached the interview if she had been aware of the most peculiar nature of the Man waiting inside for her!
She may have given more thought to how she had dressed, if she had known the type of man she was interviewing! But as it turned out, her idea to kill 2 birds with one stone that evening may have been quite fortuitous indeed.
The Priest, vicar of the church, met the two of them as they came into the church. He was a cheerful man in his mid-fifties with reddish hair and beard , complete with a deep Irish brogue and twinkling green eyes, He had had her companion go up into the choir loft, where there were refreshments of scones, tea and/or wine. The good father indicated that once she was situated at the interview, he would join her date in the loft to keep her companion company. This would become the practice with rest of her various escorts from the University; sitting with the Vicar in the choir loft as the priest kept an ever watchful eye on the activities going on below in the nave of his church.
Otherwise the church was deserted, except for Him. She never did meet with Him face to face. They used , appropriately enough, one of the old oak confessionals. Although He could see her through the screen , all she could see was a darkened shadowy figure. Later she would learn that the confessional had a secret door, with a monk’s passage that led out somewhere in the bowls of the catacombs below the church. She was never to find out where it went, came out, or was ever offered to explore the passage by the Vicar.
Her subject possessed a deep, sing-song voice had a light eastern welsh accent, with his carefully selected words spoken crisply, succinctly, and right to the point, very little emotion behind anything he told her. She guessed his age at around fifty,( based on the priests age) and it would always vex her to know if he was that age, younger, or if he was as handsome as he sounded, she had to admit to herself.
He was polite, obviously well educated, and listened to her questions seemingly with deep interest. On her own part she found herself paying rapt attention at what he told her, writing down his words in a note book, using the dim light from the church coming into the confessional doorway way she kept open. She was not permitted to tape the interviews, and she felt compelled to make as many notes as she could.
She had approached the whole affair holding a grain of salt. It could be all something of a hoax, a bit of tom foolery designed to lead her on. She knew of one or two individuals capable of such deceptions, willing to go to such lengths to play with her mind a bit, so it was not totally with a blind eye that she first came into these interviews.
It was quite soon into their first meeting that all her fears of this being a put on were quelled, it was no hoax, the cold reality was that the man on the other side of the screen, authentically was for real. He himself, almost like reading her mind, had been the first to give voice to her secret concerns about it being a hoax. It was first of many times when he appeared to anticipate one of her questions. He was for real, the real Mccoy as an American acquaintance had been found of saying. Her new subject ended up providing her with a wealth of information, and left her with almost as many unanswered questions.
He did not beat around the bush, informing her of what he was without hesitation or regret.
He was a person in a character mold that she had never quite encountered or classified before. An accomplished sleight of hand street Magician, who never made magic a profession; His career instead was that of an expert jewel thief: both a pickpocket and cat burglar, who appeared ( without actually stating) to have arisen to the upper echelons of his chosen field. He never indicated that he had ever been caught, or incarcerated, although it was clear he had not been totally unsuspected. But she had been given an impression that he was now retired, for the most part, and had done quite well by himself financially, albeit, his earnings were tainted( her opinion) by the methods he had employed to accumulate his fortune.
He talked about his life in singular, mentioning only sparsely people he had befriended, including the Irish vicar, or at least one Irish priest whom she assumed was the one present during the interviews. He had mentioned several women by description as lovers and partners, although she had given them different names, she had a strong impression that they all may have been one and the same Lady. She wanted to believe that she, if she had indeed existed, was still a part of his guarded life, and he was protecting her from any possible repercussions of his conducting this interview...
The strange thing was, and as a Psych Major she was unable to fully explain her actions, she found herself becoming enveloped in his story, like she had been almost a player in his escapades. She had never experienced that, not even with the charming female pickpocket, Angelica.
He had given the impression that he had only wanted to be interviewed once, and that there were to be limited questions. But he didn’t follow that course, seemingly encouraging her to ask questions, and it was he, himself, asking her if they could meet again. She had jumped on the opportunity. She found herself looking forward to his interviews, even dressing up for them, even going so far as wearing her pearls on several occasions. He seemed to open up more when she did, and she began to wonder sometimes, as she was alone in her room transcribing the information, if perhaps he saw in her potential prey. It was for this reason that she always took inventory of her jewelry after the interview was over, feeling just a wee bit silly in the process!
And so, sometimes as he talked, she was finding herself secretly hoping he was watching her, maybe even…. Well nothing ever came about anyway of course, she was a professional herself. And he had left her life after that final interview as he had come into it… a mystery man. She later came to the conclusion that it was all because she could not see his face, was unable to see how his eyes moved, his expressions, and so, she had begun invented things from her own deep personal fantasies to fill in the gaps, and despite her training, had begun to allow herself to come under the spell of her own imagination. It would never happen again, she promised herself, in her field of study, it could spell disaster!
So, afterwards, she just concentrated on putting it all together, trying to keep her emotions in check. As an outlet she began to write down some of his narratives, a chronicle of his life as she had been allowed to delve into. She had asked, and from the dark shadows of the confessional, had received his voiced blessing to do so.
The accounts below are derived from those chronicles.
That first meeting, as she had gotten her things together, she had automatically started off by asking him for a first name, he hadn’t answered , and she never did receive a proper one. But then, as she was gathering her things to leave, he had said, in his pleasantly rolling welsh accent;
Luv, just call me Chatwick …..
SEE :
Anatomy of a Jewel Thief
For part Duex of the Chatwick Chronicles
**************************************************************************************************************************************************************************
Persistent URL: www.floridamemory.com/items/show/267728
Title: Mermaid Turtle Race - Weeki Wachee
Date of film: ca. 1963
Physical descrip: B&W; silent; original length: 1.32
Local call number: V-251; AA536;
General note: This silent film shows three Weeki Wachee mermaids putting on fins and heading into the spring to find a turtle. Each mermaid finds a turtle and brings it onto the bank for a race. At the end of the race, the other mermaids congratulate the winner and her turtle.
To see full-length versions of this and other videos from the State Archives of Florida, visit www.floridamemory.com/video/.
Repository: State Library and Archives of Florida, 500 S. Bronough St., Tallahassee, FL 32399-0250 USA. Contact: 850.245.6700. Archives@dos.myflorida.com
Persistent URL: floridamemory.com/items/show/93656
Local call number: COM02854
Title: Cockatoo riding a bicycle at Parrot Jungle - Miami
Date: February 1980
Physical descrip: 1 slide - col.
Series Title: Department of Commerce Collection
Repository: State Library and Archives of Florida
500 S. Bronough St., Tallahassee, FL, 32399-0250 USA, Contact: 850.245.6700, Archives@dos.myflorida.com
Persistent snow during summer in the Pyrénées (Port Vieux de Sallent / Col de Peyrelue).
This photo has been shared for the #TwitterTuesday #Patterns [Jan. 20th, 2015].
If you would like to view some of my earlier shots of Echinacea, please click "here"
Echinacea is a genus, or group of herbaceous flowering plants in the daisy family. The Echinacea genus has nine species, which are commonly called purple coneflowers. They are found only in eastern and central North America, where they are found growing in moist to dry prairies and open wooded areas. They have large, showy heads of composite flowers, blooming from early to late summer. These flowering plants and their parts have different uses. Some species are cultivated in gardens for their showy flowers. Echinacea purpurea is used in folk medicine. Two of the species, E. tennesseensis and E. laevigata, are listed in the United States as endangered species. Echinacea species are herbaceous, drought-tolerant perennial plants growing up to 140 cm or 4 feet, in height. They grow from taproots, except E. purpurea, which grows from a short caudex with fibrous roots. They have erect stems that in most species are unbranched. Both the basal and cauline (stem) leaves are arranged alternately. The leaves are normally hairy with a rough texture, having uniseriate trichomes (1-4 rings of cells) but sometimes they lack hairs. The basal leaves and the lower stem leaves have petioles, and as the leaves progress up the stem the petioles often decrease in length. The leaf blades in different species may have one, three or five nerves. Some species have linear to lanceolate leaves, and others have elliptic- to ovate-shaped leaves; often the leaves decrease in size as they progress up the stems. Leaf bases gradually increase in width away from the petioles or the bases are rounded to heart shaped. Most species have leaf margins that are entire, but sometimes they are dentate or serrate. The flowers are collected together into single rounded heads at the ends of long peduncles. The inflorescences have crateriform to hemispheric shaped involucres which are 12–40 mm wide. The phyllaries, or bracts below the flower head, are persistent and number 15–50. The phyllaries are produced in a 2–4 series. The receptacles are hemispheric to conic. The paleae (chaffs on the receptacles of many Asteraceae) have orange to reddish purple ends, and are longer than the disc corollas. The paleae bases partially surrounding the cypselae, and are keeled with the apices abruptly constricted to awn-like tips. The ray florets number 8–21 and the corollas are dark purple to pale pink, white, or yellow. The tubes of the corolla are hairless or sparsely hairy, and the laminae are spreading, reflexed, or drooping in habit and linear to elliptic or obovate in shape. The abaxial faces of the laminae are glabrous or moderately hairy. The flower heads have typically 200-300 fertile, bisexual disc florets but some have more. The corollas are pinkish, greenish, reddish-purple or yellow and have tubes shorter than the throats. The pollen is normally yellow in most species, but usually white in E. pallida. The three or four-angled fruits (cypselae), are tan or bicolored with a dark brown band distally. The pappi are persistent and variously crown-shaped with 0 to 4 or more prominent teeth. x = 11. Like all members of the sunflower family, the flowering structure is a composite inflorescence, with rose-colored (rarely yellow or white) florets arranged in a prominent, somewhat cone-shaped head – "cone-shaped" because the petals of the outer ray florets tend to point downward (are reflexed) once the flower head opens, thus forming a cone. Plants are generally long lived, with distinctive flowers. The common name "cone flower" comes from the characteristic center "cone" at the center of the flower head. The generic name Echinacea is rooted in the Greek word ἐχῖνος (echinos), meaning hedgehog, it references the spiky appearance and feel of the flower heads.
From Wikipedia, the free encyclopedia
Persistent URL: www.floridamemory.com/items/show/253342
Title: Musical Moments at Miami's Seaquarium - Miami
Date of film: ca. 1975
Physical descrip: color; sound; original length: 7:47
Local call number: BA434; S. 828
General note: In this film, a synthesized musical soundtrack accompanies footage of the dolphin, whale and seal shows at the Miami Seaquarium theme park.
To see full-length versions of this and other videos from the State Archives of Florida, visit www.floridamemory.com/video/.
Repository: State Library and Archives of Florida, 500 S. Bronough St., Tallahassee, FL 32399-0250 USA. Contact: 850.245.6700. Archives@dos.myflorida.com
Persistent URL: www.floridamemory.com/items/show/253090
Title: Florida Santa
Date of film: December 19, 1963
Physical descrip: b&w; silent; original length: 1:16
Local call number: V-234; S. 828
General note: A Florida Santa presents gifts to two young girls and their mother near a palm tree in Cypress Gardens. He then departs in a small boat loaded with presents. Produced by the Florida Development Commission.
To see full-length versions of this and other videos from the State Archives of Florida, visit www.floridamemory.com/video/.
Repository: State Library and Archives of Florida, 500 S. Bronough St., Tallahassee, FL 32399-0250 USA. Contact: 850.245.6700. Archives@dos.myflorida.com
Persistent URL: www.floridamemory.com/items/show/253415
Title: Reflections of the Good Life
Date of film: ca. 1970
Physical descrip: color; sound; original length: 13:31
Local call number: V-67 CA139; S. 828
General note: This film shows the good life in Palm Beach, including all the fun in the sun activities, as well as a giant slide, lawn bowling, ice skating, hockey, roller derby, the pari-mutuels, baseball spring training and polo. Viewers see electronics industries, a research submarine, agriculture, cattle, horses, commercial growing, churches, shopping and Flagler Museum. There are shots of a dune buggy at the beginning and end. The film also shows Lion Country Safari, Norton Gallery of Art and an airboat. Produced by Prout Film Productions; sponsored by the Palm Beach County Development Board.
To see full-length versions of this and other videos from the State Archives of Florida, visit www.floridamemory.com/video/.
Repository: State Library and Archives of Florida, 500 S. Bronough St., Tallahassee, FL 32399-0250 USA. Contact: 850.245.6700. Archives@dos.myflorida.com
Persistent URL: floridamemory.com/items/show/115766
Local call number: FP83182A
Title: Girls competing in a watermelon eating contest on July 4th: White Springs, Florida
Date: July 4, 1983
Physical descrip: 1 photonegative - b&w - 35 mm.
Series Title: Folklife Collection
Repository: State Library and Archives of Florida, 500 S. Bronough St., Tallahassee, FL 32399-0250 USA. Contact: 850.245.6700. Archives@dos.myflorida.com
Ausdauernde Blütenstände der Kletterhortensie sind den ganzen Winter über dekorativ.
---
The florescences of the climbing hydrangea are very decorative still snow covered.
Bain News Service,, publisher.
Denishawn dancers
[between ca. 1920 and ca. 1925]
1 negative : glass ; 5 x 7 in. or smaller.
Notes:
Title from unverified data provided by the Bain News Service on the negatives or caption cards.
Forms part of: George Grantham Bain Collection (Library of Congress).
Format: Glass negatives.
Rights Info: No known restrictions on publication. For more information, see George Grantham Bain Collection - Rights and Restrictions Information www.loc.gov/rr/print/res/274_bain.html
Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print
Part Of: Bain News Service photograph collection (DLC) 2005682517
General information about the George Grantham Bain Collection is available at hdl.loc.gov/loc.pnp/pp.ggbain
Higher resolution image is available (Persistent URL): hdl.loc.gov/loc.pnp/ggbain.35103
Call Number: LC-B2- 5854-12
Persistent URL: floridamemory.com/items/show/77113
Local call number: C031950
Title: Jeanette Hand and Lee Lee Arnold pose with Florida advertisements - Tallahassee
Date: February 1960
Physical descrip: 1 photoprint - b&w - 4 x 5 in.
Series Title: Department of Commerce Collection
Repository: State Library and Archives of Florida
500 S. Bronough St., Tallahassee, FL, 32399-0250 USA, Contact: 850.245.6700, Archives@dos.myflorida.com
This is my mother. I´m trying to push myself to use different people in my photographs, something that can be rather scary when you´re used to having all the control yourself. I think the hardest part is to direct the model, but with this I had the picture clear in my head, and that always makes it much easier.
I have had no luck finding a plant growing out of a rock, it's too early for most plants here. So this is a weed growing between the concrete edgers of my garden.
ANSH #8
Dans son autobiographie, La Vie secrète de Salvador Dali, l’auteur explique qu’un soir, ayant fini son repas par un camembert coulant, il s’est intéressé «aux problèmes posés par le «super mou»
Dali annule la fonction première d’une montre qui est d’indiquer l’heure et de voir l’écoulement du temps.
Elles symbolisent donc l’inutilité de mesurer le temps.
Dali suggère de se libérer des contraintes matérielles et de la rigidité du monde en se libérant du temps qui passe.
Sans montre, le temps devient éternel et tout devient possible
comme dans les rêves.
Persistent URL: www.floridamemory.com/items/show/253506
Title: Silversides the Tarpon
Date of film: ca. 1958
Physical descrip: color; sound; original length: 8:30
Local call number: V-43 BA008; S. 828
General note: This film shows tarpon fishing near Islamorada from a small outboard boat. The fish are magnificent. The editing is rough and the narration by the filmmaker is "home movie" style. It has wonderful photography, including a glimpse of a great white shark. Produced by E.W. Dutton.
To see full-length versions of this and other videos from the State Archives of Florida, visit www.floridamemory.com/video/.
Repository: State Library and Archives of Florida, 500 S. Bronough St., Tallahassee, FL 32399-0250 USA. Contact: 850.245.6700. Archives@dos.myflorida.com
"Persistent legend"
Village de Lanslevillard (Savoie - Vallée de la Maurienne)
The dahu (sometimes spelled dahut) is an imaginary wild animal living in mountainous areas, the environment that affected his physical evolution over generations. The existence of dahu is usually mentioned in rural and joke with particularly naïve individuals and citizens unfamiliar with the mountain fauna. (from Wikipedia).
Le dahu (parfois orthographié dahut) est un animal sauvage imaginaire vivant dans les zones montagneuses, environnement qui a influé sur son évolution physique au fil des générations. L'existence du dahu est généralement évoquée en milieu rural et par plaisanterie auprès de personnes particulièrement naïves et de citadins peu au fait de la faune montagnarde. (extrait de Wikipédia).
Slideshow "Lanslevillard village" : www.flickr.com/photos/pat21/sets/72157626432365584/show/
Website : www.fluidr.com/photos/pat21
picssr.com/photos/pat21?ref=user
"Copyright © – Patrick Bouchenard
The reproduction, publication, modification, transmission or exploitation of any work contained here in for any use, personal or commercial, without my prior written permission is strictly prohibited. All rights reserved."
Bain News Service,, publisher.
Curtiss glider, 9/11/22
9/11/22 (date created or published later by Bain)
1 negative : glass ; 5 x 7 in. or smaller.
Notes:
Title from unverified data provided by the Bain News Service on the negatives or caption cards.
Forms part of: George Grantham Bain Collection (Library of Congress).
Format: Glass negatives.
Rights Info: No known restrictions on publication. For more information, see George Grantham Bain Collection - Rights and Restrictions Information www.loc.gov/rr/print/res/274_bain.html
Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print
Part Of: Bain News Service photograph collection (DLC) 2005682517
General information about the George Grantham Bain Collection is available at hdl.loc.gov/loc.pnp/pp.ggbain
Higher resolution image is available (Persistent URL): hdl.loc.gov/loc.pnp/ggbain.34903
Call Number: LC-B2- 5822-3A
Technical Details:
Camera: Canon EOS 5D Mark II
Lens: EF 17-40mm f/4 L USM
Exposure: 70 second
Aperture: f/22.0
Focal Length: 34 mm
ISO Speed: 100
Filter: B+W ND110
Processing Tool: CS5 + Silver Efex Pro
!!! Please, do not leave award or faving without a comment, a small comment will make my day. Thank you !!!
Persistent URL: www.floridamemory.com/items/show/323908
Title: Four Corners of the Earth
Date of film: 1983-1984
Physical descrip: color; sound; original length: 27:40
Local call number: FV-113
General note: This documentary was the result of the Seminole Video Project (1983-1984), a joint effort between the Florida Folklife Program and WFSU -TV. The film profiles Seminole craftswoman and tribal representative Ethel Santiago and addresses issues such as cultural retention within contemporary society; the role of women in Seminole Society; traditional Seminole foods, arts and medicine; and the changing emphasis on clan affiliations. Produced by Peggy A. Bulger and directed by Mike Dunn, with fieldwork assistance by folklorist Merri Belland and Blanton Owen. Financed by a grant from the Florida Endowment for the Humanities with the support of the Seminole Tribe of Florida.
To see full-length versions of this and other videos from the State Archives of Florida, visit www.floridamemory.com/video/.
Repository: State Library and Archives of Florida, 500 S. Bronough St., Tallahassee, FL 32399-0250 USA. Contact: 850.245.6700. Archives@dos.myflorida.com
Persistent URL: digital.lib.muohio.edu/u?/tradecards,4673
Subject (TGM): Animals in human situations; Amphibians; Frogs; Firearms; Handguns; Picture frames; Pictures;
NASA image captured Jan. 29-31, 2011
An active region continued to blast a couple more solar storm events over three days (Jan. 29-31, 2011) and two of these events, as they did for the three earlier days as well, sent waves across much of the Sun. The region was out of sight of other spacecraft, but due to its position ahead of Earth the STEREO (Ahead) spacecraft could see it and capture it in extreme UV light. The largest event (shown in the still) sent a compression wave that raced down and to the left, leaving a dark area behind it. It will be interesting to see if that spot is still as active when it rotates back around to face Earth in about eight days.
Credit: NASA/GSFC/STEREO
NASA Goddard Space Flight Center enables NASA’s mission through four scientific endeavors: Earth Science, Heliophysics, Solar System Exploration, and Astrophysics. Goddard plays a leading role in NASA’s accomplishments by contributing compelling scientific knowledge to advance the Agency’s mission.
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Persistent freezing fog over the moors at Greenhow produced some spectacular effects such as rime icing and this fogbow. The temperature was minus 4 Celsius at 1.30pm.
Way down under the mud is a metal ring to which a strong rope is tied. This dog was trying to recover the rope producing a semi-circle of footprints in the process, his teeth must be strong!
Copyright Geoff Dowling: All rights reserved
Persistent URL: floridamemory.com/items/show/70607
Local call number: C015387
Title: Models at Lido Beach - Sarasota
Date: ca. 1951
Physical descrip: 1 photoprint - b&w - 4 x 5 in.
Series Title: Department of Commerce Collection
Repository: State Library and Archives of Florida
500 S. Bronough St., Tallahassee, FL, 32399-0250 USA, Contact: 850.245.6700, Archives@dos.myflorida.com
Bain News Service,, publisher.
[Chief] Bald Eagle on RECRUIT
[between ca. 1915 and ca. 1920]
1 negative : glass ; 5 x 7 in. or smaller.
Notes:
Title from unverified data provided by the Bain News Service on the negatives or caption cards.
Forms part of: George Grantham Bain Collection (Library of Congress).
Format: Glass negatives.
Rights Info: No known restrictions on publication.
Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print
General information about the Bain Collection is available at hdl.loc.gov/loc.pnp/pp.ggbain
Higher resolution image is available (Persistent URL): hdl.loc.gov/loc.pnp/ggbain.25012
Call Number: LC-B2- 4285-9
Digital ID: DEN_0237V. Sarony, Otto -- Photographer. 1910
Notes: National Endowment for the Arts Millennium Project.
Source: Denishawn Collection (more info)
Repository: The New York Public Library. The New York Public Library for the Performing Arts. Jerome Robbins Dance Division.
See more information about this image and others at NYPL Digital Gallery.
Persistent URL: digitalgallery.nypl.org/nypldigital/id?DEN_0237V
Rights Info: No known copyright restrictions; may be subject to third party rights (for more information, click here)
Brown Pelican (breeding)
Pelecanus occidentalis
Camp Del Mar Marina
Camp Pendleton, CA
13 March 2015
This was one of two or three Pelicans that had the Boat Basin/Marina all to themselves and were fishing away merrily in the morning. I watched them crash-dive after dive, catching fish after fish for about an hour before I had to get back to work.