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The instantly recognisable gondolier’s look usually brings to mind black and white stripes — but red is just as official. Gondoliers in Venice are permitted to wear either red-and-white or navy-and-white striped shirts, depending on personal preference or seasonal variation. While some say red is favoured in summer and blue in cooler months, others suggest it’s simply a matter of style. Either way, there’s no rank or seniority encoded in the colour — just a maritime tradition with flair. And this handsome oarsman wears his stripes with Venetian confidence and just a hint of swagger.
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L’uniforme classique du gondolier vénitien évoque souvent les rayures bleu marine… mais les versions rouge et blanc sont tout aussi officielles. À Venise, les gondoliers peuvent librement choisir entre les deux couleurs, souvent en fonction de la saison ou de leur goût personnel. Aucune différence de grade n’est associée à ces variantes : c’est simplement une tradition qui laisse place à un peu de panache. Et ce gondolier-ci, rayé de rouge, manie sa rame avec une élégance assurée — typiquement vénitienne.
mamiya 6MF + 50mm f/4 + kodak portra 400, exposed at 200. lab: the icon, los angeles, ca. scan: epson V750. exif tags: lenstagger.
(more details later, as time permits)
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Sometime in 2014, I created Flickr album for photos that I had started taking with my iPhone5s; and a year later, in the fall of 2014, I started a new Flickr album for photos that I’ve begun taking with my iPhone6, and iPhone6+. But progress doesn’t stop (at least with Apple): as of October 2015, I’ve upgraded once again, to the iPhone6s and 6s+ (yes, both of them) and this new album contains photos created with those camera-phones
In last year’s Flickr album, I wrote, “Whether you’re an amateur or professional photographer, it’s hard to walk around with a modern smartphone in your pocket, and not be tempted to use the built-in camera from time-to-time. Veteran photographers typically sneer at such behavior, and most will tell you that they can instantly recognize an iPhone photo, which they mentally reject as being unworthy of any serious attention.
“After using many earlier models of smartphones over the past several years, I was inclined to agree; after all, I always (well, almost always) had a “real” camera in my pocket (or backpack or camera-bag), and it was always capable of taking a much better photographic image than the mediocre, grainy images shot with a camera-phone.
“But still … there were a few occasions when I desperately wanted to capture some photo-worthy event taking place right in front of me, and inevitably it turned out to be the times when I did not have the “real” camera with me. Or I did have it, but it was buried somewhere in a bag, and I knew that the “event” would have disappeared by the time I found the “real" camera and turned it on. By contrast, the smart-phone was always in my pocket (along with my keys and my wallet, it’s one of the three things I consciously grab every time I walk out the door). And I often found that I could turn it on, point it at the photographic scene, and take the picture much faster than I could do the same thing with a “traditional” camera.
“Meanwhile, smartphone cameras have gotten substantially better in the past few years, from a mechanical/hardware perspective; and the software “intelligence” controlling the camera has become amazingly sophisticated. It’s still not on the same level as a “professional” DSLR camera, but for a large majority of the “average” photographic situations we’re likely to encounter in the unplanned moments of our lives, it’s more and more likely to be “good enough.” The old adage of “the best camera is the one you have with you” is more and more relevant these days. For me, 90% of the success in taking a good photo is simply being in the right place at the right time, being aware that the “photo opportunity” is there, and having a camera — any camera — to take advantage of that opportunity. Only 10% of the time does it matter which camera I’m using, or what technical features I’ve managed to use.
“And now, with the recent advent of the iPhone5s, there is one more improvement — which, as far as I can tell, simply does not exist in any of the “professional” cameras. You can take an unlimited number of “burst-mode” shots with the new iPhone, simply by keeping your finger on the shutter button; instead of being limited to just six (as a few of the DSLR cameras currently offer), you can take 10, 20, or even a hundred shots. And then — almost magically — the iPhone will show you which one or two of the large burst of photos was optimally sharp and clear. With a couple of clicks, you can then delete everything else, and retain only the very best one or two from the entire burst.
“With that in mind, I’ve begun using my iPhone5s for more and more “everyday” photo situations out on the street. Since I’m typically photographing ordinary, mundane events, even the one or two “optimal” shots that the camera-phone retains might not be worth showing anyone else … so there is still a lot of pruning and editing to be done, and I’m lucky if 10% of those “optimal” shots are good enough to justify uploading to Flickr and sharing with the rest of the world. Still, it’s an enormous benefit to know that my editing work can begin with photos that are more-or-less “technically” adequate, and that I don’t have to waste even a second reviewing dozens of technically-mediocre shots that are fuzzy, or blurred.
“Oh, yeah, one other minor benefit of the iPhone5s (and presumably most other current brands of smartphone): it automatically geotags every photo and video, without any special effort on the photographer’s part. Only one of my other big, fat cameras (the Sony Alpha SLT A65) has that feature, and I’ve noticed that almost none of the “new” mirrorless cameras have got a built-in GPS thingy that will perform the geotagging...
“I’ve had my iPhone5s for a couple of months now, but I’ve only been using the “burst-mode” photography feature aggressively for the past couple of weeks. As a result, the initial batch of photos that I’m uploading are all taken in the greater-NYC area. But as time goes on, and as my normal travel routine takes me to other parts of the world, I hope to add more and more “everyday” scenes in cities that I might not have the opportunity to photograph in a “serious” way.”
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Okay, so now it’s October of 2015, and I’ve got the iPhone 6s/6s+. The the camera now has a 12-megapixel lens (instead of the older 8 MP version), and that the internal camera-related hardware/firmware/software is better, too. Obviously, I’ve got the newer iOS9, too, and even on the “old” phones, it now supports time-lapse videos along with everything else.
I’ve still got my pocket camera (an amazing little Sony RX-100 Mark IV, which replaces the Mark III I had last year), and two larger cameras (Sony RX-10 II, and Sony A7 II), but I have a feeling that I won’t even be taking them out of the camera bag when I’m out on the street for ordinary day-to-day walking around.
That will depend, obviously, on what kind of photos and videos the iPhone6s/6s+ camera actually capable of taking … so I’m going to try to use at leas one of them every day, and see what the results look like …
Like I said last year, “stay tuned…”
another lovely walk around the fields surrounding our village of Emley, West Yorkshire, UK. Milo loves this weather and his dog walks now that spring is here.
#lockdown week 5
Buscando mariposas que me permitan ir puliendo de a poco mi técnica para aproximarme a ellas, visitamos Pance, cerca a la entrada del Parque Nacional Natural Farallones de Cali. Allí tampoco nos acompañó el sol que necesitábamos, pero pude fotografiar algunas especies.
Esta es la Adelpha leucophthalma, una mariposa de la familia Nymphalidae, subfamilia Limenitidinae, tribu Limenitidini.
Como siempre, vuelvo a recurrir a "learnaboutbutterflies" en busca de algo de información que me permita conocer mejor los sujetos que quiero fotografiar. Este sitio web ha resultado de gran utilidad en ese sentido, por lo que lo recomiendo sin dudarlo.
"Se conocen 85 especies de Adelpha, todas ellas, excepto dos, limitadas a América Central y del Sur. Las mariposas se caracterizan por tener un distintivo patrón jaspeado negruzco superpuesto a un color de fondo marrón; y por la presencia de una amplia banda naranja o blanca en las alas delanteras. Las alas traseras de la mayoría de las especies tienen una banda mediana blanca".
"La Adelpha leucophthalma es una especie de bosque nublado, que se encuentra en elevaciones de entre 800 y 1700 m".
(more details later, as time permits)
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As I reported in a separate Flickr album a couple months ago, most of my business trips have involved air travel from New York City; I’ve seen the insides of more airports and more airplanes than I care to remember.
But most of my trips along the eastern corridor of the U.S. have involved trains, and I find them to be a very relaxing and enjoyable contrast. These trips almost always start with a subway ride to Penn Station, rather than a taxi ride to JFK or LGA or EWR; and they are followed by a relatively pleasant journey along the East Coast on an Amtrak Acela train that has a much greater chance of departing and arriving on time than most of my airplane journeys.
I took a recent trip to Philadelphia in August 2015 and then another one (for a different client) in October 2015. In both cases, my journey began with a subway ride from 96th Street to Penn Station; and then a train trip from the Amtrak terminal in NYC’s Penn Station to the architecturally interesting Amtrak station in Philadelphia, before reaching my client’s office for a day-long meeting. At the end of the day, the journey reversed itself, and I was back home shortly after dinner.
I took a few photos and videos along the way; the ones I’ve uploaded here are representative of the trip...
This was taken at the northwest corner of Broadway and 96th Street
(more details later, as time permits)
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This is the continuation of a photo-project that I began in the summer of 2008 (which you can see in this Flickr set), and continued throughout 2009-2014 (as shown in this Flickr set, this Flickr set, this Flickr set, this Flickr set, this Flickr set), this Flickr set), and this Flickr set): a random collection of "interesting" people in a broad stretch of the Upper West Side of Manhattan -- between 72nd Street and 104th Street, especially along Broadway and Amsterdam Avenue. These are the people in my neighborhood, aka "peeps in the 'hood."
As I indicated when I first started this project six years ago, I don't like to intrude on people's privacy, so I normally use a zoom telephoto lens in order to photograph them while they're still 50-100 feet away from me; but that means I have to continue focusing my attention on the people and activities half a block away, rather than on what's right in front of me. Sometimes I find an empty bench on a busy street corner, and just sit quietly for an hour, watching people hustling past on the other side of the street; they're almost always so busy listening to their iPod, or talking on their cellphone, or daydreaming about something, that they never look up and see me aiming my camera in their direction.
I've also learned that, in many cases, the opportunities for an interesting picture are very fleeting -- literally a matter of a couple of seconds, before the person(s) in question move on, turn away, or stop doing whatever was interesting. So I've learned to keep my camera switched on, and not worry so much about zooming in for a perfectly-framed picture ... after all, once the digital image is uploaded to my computer, it's pretty trivial to crop out the parts unrelated to the main subject. Indeed, some of my most interesting photos have been so-called "hip shots," where I don't even bother to raise the camera up to my eye; I just keep the zoom lens set to the maximum wide-angle aperture, point in the general direction of the subject, and take several shots. As long as I can keep the shutter speed fairly high (which sometimes requires a fairly high ISO setting), I can usually get some fairly crisp shots -- even if the subject is walking in one direction, and I'm walking in the other direction, while I'm snapping the photos.
With only a few exceptions, I've generally avoided photographing bums, drunks, crazies, and homeless people. There are plenty of them around, and they would certainly create some dramatic pictures; but they generally don't want to be photographed, and I don't want to feel like I'm taking advantage of them. There have been a few opportunities to take some "sympathetic" pictures of such people, which might inspire others to reach out and help them. This is one example, and here is another example.
The other thing I've noticed, while carrying on this project for the past six years, is that while there are lots of interesting people to photograph, there are far, far, far more people who are not so interesting. They're probably fine people, and they might even be more interesting than the ones I've photographed ... unfortunately, there was just nothing memorable about them. They're all part of this big, crowded city; but for better or worse, there are an awful lot that you won't see in these Flickr sets of mine...
© All rights reserved to Hanan MH. All pictures in my photostream may not be used in any way without written permition. In case any one wants to use them please contact me on flickr mail.
This is a relatively new little shop on East Broadway just down the hill from Fraser Street. I hope they can hang in there during this economic downturn. The space had been home to one the city's many pot shops but I guess they closed up with all the new regulations and permit requirements since marijuana actually became legalized.
(more details later, as time permits)
Note: I've blogged about these cars in Rapid City, as well as other photography-related topics, on my Tumblr photography blog at
www.tumblr.com/blog/yourdonphotography
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In early July, we ventured out to Spearfish, SD for a family reunion with a large contingent of my extended family; you can see photos of the gathering here on Flickr:
www.flickr.com/photos/yourdon/albums/72157653622664043
Before and after the reunion, we stayed at the stately old Alex Johnson Hotel
in downtown Rapid City, and I happened to stumble upon an amazing display of graffiti-covered walls along a block-long stretch of alley on one side of the hotel. It’s called “Artist’s Alley.” You can see some of the scenes here on Flickr:
www.flickr.com/photos/yourdon/albums/72157657185019741
When the reunion ended, we drove back into Rapid City to spend a final night at the Alex Johnson hotel … and were taken by surprise when the streets surrounding the hotel were blocked off, forcing us to park a couple blocks away and haul our suitcases down to the hotel’s front entrance. It turns out that the streets had been blocked for a vintage car show — which consisted of dozens of brightly-painted, highly-buffed and polished old cars parked along the streets all around the hotel. After we had checked in, I went out to photograph the artist’s alley in more detail than had been possible when we first arrived a couple days later; and then, for good measure, I walked around the block a couple times,and photographed all of the fancy cars.
I should point out that I don’t even own a car at this point in my life; there’s no need for one in New York City, and on the rare occasions when I need to drive someplace away from the Center of the Universe, there is always ZipCar (or Hertz, if it’s a longer trip). Though I have owned various cars throughout my adult life, they’ve all been fairly modest contraptions. I don’t consider myself an automobile aficionado, and I really couldn’t identify most of the makes and models of cars that I saw. Some were more obvious than others, but many were attractive (to me) simply because they were so bright and shiny.
It’s hard to imagine that these cars ever operated in the bright colors on display today, not even when they were first built in the 1960s, 50s, or before. In any case, they are certainly different than today’s cars, which are typically a muted gray or blue, and almost indistinguishable from one another. Indeed, the cars on display here reminded me of the bright, snazzy 1950’s-style autos that I saw all over Havana on a trip down to Cuba in late 2011; you can see some of those cars (and other scenes of Havana) in this Flickr album:
www.flickr.com/photos/yourdon/albums/72157628422219911
From a photographer’s perspective, I had another problem with the cars — at least these cars, sitting out on the street: they were “static,” and thus fairly uninteresting. Obviously, they show no expression or emotion; if you photograph them now, and then five minutes later, they’re exactly the same. So I tended to photograph them all somewhat quickly and sloppily, without thinking very much about the details.
In retrospect, I now realize I should have done a more careful job — if only because it’s unlikely that I’ll ever go back to Rapid City (boo hoo), and I’ll probably never see those cars again. I should have photographed every car from multiple angles and perspectives, up close and far back, so I could have chosen the most interesting one. As you’ll see from the photos in this album, it was also difficult to get an unobstructed photo of many cars, because they were parked so close together … but I’m sure I could have done a better job if I had tried harder.
So there’s something to be learned from every photographic “adventure,” and that was my lesson from this group of photos: if you’re going to bother photographing something, you might as well do the best job you can. You might never have another chance to photograph the scene again; and ten years from now, you might be stuck looking at a bit of history you’ll wish you had captured more artfully.
(more details later, as time permits)
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Another year has elapsed since I last photographed the tango dancers gathering on Pier 45 (where Christopher Street runs into the Hudson River in New York City's West Village), on the weekend before Labor Day, late-August 2014. But the sun was shining one weekend in early June of 2015, and I decided to venture down to Greenwich Village once again...
As I've mentioned in other Flickr sets, I have now met a few of the dancers at previous tango event over the past several; years, and I used to make a point of introducing myself to some of them, handing out business cards with my Flickr address so that people would be able to find these pictures without too much difficulty. But the dancers have good reason to be more interested in the music, and the movement of their partners, than a guy on the sideline with a camera -- so most of them have simply ignored me…
Altogether, I've now taken a dozen sets of tango-related photos, and you can see a thumbnail overview of them in this Flickr collection. And if you'd like to watch some other examples NYC tango dancing, check out Richard Lipkin's Guide to Argentine Tango in New York City.
Even though the dancers seem fresh and enthusiastic each time I come down here to Pier 45, I have a definite sense of deja vu: arguably, I’ve seen it all, I’ve photographed it all, I’ve heard all the tango music several times before. So I decided to do something different this time: I took all of the photos with my iPhone6+ camera. I used the “burst mode” feature on the camera-phone, so even though I took some 4,000 separate images, there were only about 400 “bursts,” and the iPhone hardware was kind enough to tell me which one or two images were reasonably sharp in each burst. From that smaller subset, I was eventually able to whittle things down to 50 images that I thought were okay for uploading to Flickr; that’s what you’ll see here.
Actually, the reason I was motivated to do all of this was not Flickr, but Instagram: for reasons that I can only assume are a stubborn testament to the “culture” of its community, Instagram insists on a “square” format, rather than the 3:2 or 4:3 aspect ratio favored by most DSLR and point-and-shoot cameras. Even worse, it insists that the photos be uploaded one-at-a-time from a mobile device. Ironically, this last restriction may prove to be too much; I’m uploading the photos to Flickr from my desktop Mac, but I don’t know if I’ll have the patience to upload them individually to Instagram…
Aside from that, I’ve concluded that the iPhone6+ is a handy little device for casual, ad hoc photos and videos; but it really doesn’t have the features I’ve come to depend on for the photos I want to publish. I won’t go into all of the technical details; chances are that you either don’t know, or don’t care, about those details. And if you do, chances are that you’ve made up your mind one way or another. As for me, I will definitely keep using the iPhone for some of my photos — especially the ones that really are casual, unplanned, ad hoc photos when I’ve got no other equipment that I can use. But with sophisticated little “pocket cameras” like the Sony RX-100 and Canon G7X, those moments are pretty rare for me … still, it was an interesting experiment.
As I've also pointed out in some previous Flickr albums, you can see a video version of the tango dancers from 2011, complete with music (which isn’t really tango music, but that’s okay), on my YouTube page; it’s here: www.youtube.com/watch?v=rqmnTQuwn54&list=UUUXim5Er2O4...
The 66th UK Coach Rally took place over the weekend of April 9th/10th 2022 and was attended by 46 coaches out of a permitted 55. I visited both days and grabbed a few shots of the coaches in all their glory.
I had a permit to visit Crewe Work's and came up from Birmingham with 86007. I was hoping to get a few pictures of Class40's there were 16 at Works that Sunday 40006/8/40/43/46/67/68/80/92/96/105/106/143/155/158/166. With 40013/28/30/52/79/109, seen in the station area. Above coming off the Chester line is 40159 with a freightliner train. I took a few picture's in the station before heading home with 86207. A good Sunday's photography with 40159 as a bonus. Great Day's KC. 25/07/1976.
Kevin Connolly - All rights reserved so please do no use this image without my explicit permission.
(more details later, as time permits)
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When we first arrived in Rapid City, South Dakota for a family reunion in July 2015, we stayed at the main downtown “Alex Johnson” hotel; and we walked along Sixth Street to dinner that evening with two of our family members. On the way back after dinner, I happened to notice the garish glow of graffiti on a side alley next to the hotel, and I took a couple of quick photos in the twilight, thinking that it might be worth exploring in more detail the next day.
Indeed, I did go back for a quick second look the next morning, but then we had to pack up and check out of the hotel, in order to drive to the rendezvous point near Spearfish (near Deadwood and Sturgis, and in the general vicinity of Mt. Rushmore and the Black Hills) where dozens of members of our extended family were planning to meet us. But when the reunion was over a few days later we drove back to Rapid City, and changed our hotel plans in order to stay at the Alex Johnson for one last night before our early flight back to New York City the next morning.
As a result, I had time for a much more thorough walk-through of the alley and its rich display of art on my final afternoon. I asked the front-desk clerk at the hotel if she knew anything about it, and she pointed me to a young man at the valet parking desk near the front entrance; there I learned that Rapid City is one of only three such spots in the country, where artist-inspired graffiti is not only tolerated, but legally allowed. Here is the website that explains more:
www.visitrapidcity.com/things-to-do/arts-culture/art-alle...
The Website provides much more detail, and in much more cogent form, than I could in these notes; so if you’re curious, I urge you to click on the link. But if you would like to see what the art looks like, in all its vivid colors, take a look at the images in this album.
This was taken at the southwest corner of Broadway and 92nd St.
(more details later, as time permits)
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This is the continuation of a photo-project that I began in the summer of 2008 (which you can see in this Flickr set), and continued throughout 2009-2014 (as shown in this Flickr set, this Flickr set, this Flickr set, this Flickr set, this Flickr set)
), this Flickr set)
), and this Flickr set)
): a random collection of "interesting" people in a broad stretch of the Upper West Side of Manhattan -- between 72nd Street and 104th Street, especially along Broadway and Amsterdam Avenue. These are the people in my neighborhood, aka "peeps in the 'hood."
As I indicated when I first started this project six years ago, I don't like to intrude on people's privacy, so I normally use a zoom telephoto lens in order to photograph them while they're still 50-100 feet away from me; but that means I have to continue focusing my attention on the people and activities half a block away, rather than on what's right in front of me. Sometimes I find an empty bench on a busy street corner, and just sit quietly for an hour, watching people hustling past on the other side of the street; they're almost always so busy listening to their iPod, or talking on their cellphone, or daydreaming about something, that they never look up and see me aiming my camera in their direction.
I've also learned that, in many cases, the opportunities for an interesting picture are very fleeting -- literally a matter of a couple of seconds, before the person(s) in question move on, turn away, or stop doing whatever was interesting. So I've learned to keep my camera switched on, and not worry so much about zooming in for a perfectly-framed picture ... after all, once the digital image is uploaded to my computer, it's pretty trivial to crop out the parts unrelated to the main subject. Indeed, some of my most interesting photos have been so-called "hip shots," where I don't even bother to raise the camera up to my eye; I just keep the zoom lens set to the maximum wide-angle aperture, point in the general direction of the subject, and take several shots. As long as I can keep the shutter speed fairly high (which sometimes requires a fairly high ISO setting), I can usually get some fairly crisp shots -- even if the subject is walking in one direction, and I'm walking in the other direction, while I'm snapping the photos.
With only a few exceptions, I've generally avoided photographing bums, drunks, crazies, and homeless people. There are plenty of them around, and they would certainly create some dramatic pictures; but they generally don't want to be photographed, and I don't want to feel like I'm taking advantage of them. There have been a few opportunities to take some "sympathetic" pictures of such people, which might inspire others to reach out and help them. This is one example, and here is another example.
The other thing I've noticed, while carrying on this project for the past six years, is that while there are lots of interesting people to photograph, there are far, far, far more people who are not so interesting. They're probably fine people, and they might even be more interesting than the ones I've photographed ... unfortunately, there was just nothing memorable about them. They're all part of this big, crowded city; but for better or worse, there are an awful lot that you won't see in these Flickr sets of mine...
(more details later, as time permits)
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A couple years ago, I created Flickr album for photos that I had started taking with my iPhone5s, which I then followed up with a Flickr album of photos that I had taken with my iPhone6 and iPhone6+. This is a new vintage-2015 album for the ongoing photos and videos that I’m shooting with my iPhone 6/6+ … until the iPhone7 comes out this fall (drool, lust…)
In my first such album, I wrote, "Whether you’re an amateur or professional photographer, it’s hard to walk around with a modern smartphone in your pocket, and not be tempted to use the built-in camera from time-to-time. Veteran photographers typically sneer at such behavior, and most will tell you that they can instantly recognize an iPhone photo, which they mentally reject as being unworthy of any serious attention.
"After using many earlier models of smartphones over the past several years, I was inclined to agree; after all, I always (well, almost always) had a “real” camera in my pocket (or backpack or camera-bag), and it was always capable of taking a much better photographic image than the mediocre, grainy images shot with a camera-phone.
"But still … there were a few occasions when I desperately wanted to capture some photo-worthy event taking place right in front of me, and inevitably it turned out to be the times when I did not have the “real” camera with me. Or I did have it, but it was buried somewhere in a bag, and I knew that the “event” would have disappeared by the time I found the “real" camera and turned it on. By contrast, the smart-phone was always in my pocket (along with my keys and my wallet, it’s one of the three things I consciously grab every time I walk out the door). And I often found that I could turn it on, point it at the photographic scene, and take the picture much faster than I could do the same thing with a “traditional” camera.
"Meanwhile, smartphone cameras have gotten substantially better in the past few years, from a mechanical/hardware perspective; and the software “intelligence” controlling the camera has become amazingly sophisticated. It’s still not on the same level as a “professional” DSLR camera, but for a large majority of the “average” photographic situations we’re likely to encounter in the unplanned moments of our lives, it’s more and more likely to be “good enough.” The old adage of “the best camera is the one you have with you” is more and more relevant these days. For me, 90% of the success in taking a good photo is simply being in the right place at the right time, being aware that the “photo opportunity” is there, and having a camera — any camera — to take advantage of that opportunity. Only 10% of the time does it matter which camera I’m using, or what technical features I’ve managed to use.
"And now, with the recent advent of the iPhone5s, there is one more improvement — which, as far as I can tell, simply does not exist in any of the “professional” cameras. You can take an unlimited number of “burst-mode” shots with the new iPhone, simply by keeping your finger on the shutter button; instead of being limited to just six (as a few of the DSLR cameras currently offer), you can take 10, 20, or even a hundred shots. And then — almost magically — the iPhone will show you which one or two of the large burst of photos was optimally sharp and clear. With a couple of clicks, you can then delete everything else, and retain only the very best one or two from the entire burst.
"With that in mind, I’ve begun using my iPhone5s for more and more “everyday” photo situations out on the street. Since I’m typically photographing ordinary, mundane events, even the one or two “optimal” shots that the camera-phone retains might not be worth showing anyone else … so there is still a lot of pruning and editing to be done, and I’m lucky if 10% of those “optimal” shots are good enough to justify uploading to Flickr and sharing with the rest of the world. Still, it’s an enormous benefit to know that my editing work can begin with photos that are more-or-less “technically” adequate, and that I don’t have to waste even a second reviewing dozens of technically-mediocre shots that are fuzzy, or blurred.
"Oh, yeah, one other minor benefit of the iPhone5s (and presumably most other current brands of smartphone): it automatically geotags every photo and video, without any special effort on the photographer’s part. Only one of my other big, fat cameras (the Sony Alpha SLT A65) has that feature, and I’ve noticed that almost none of the “new” mirrorless cameras have got a built-in GPS thingy that will perform the geotagging...
"I’ve had my iPhone5s for a couple of months now, but I’ve only been using the “burst-mode” photography feature aggressively for the past couple of weeks. As a result, the initial batch of photos that I’m uploading are all taken in the greater-NYC area. But as time goes on, and as my normal travel routine takes me to other parts of the world, I hope to add more and more “everyday” scenes in cities that I might not have the opportunity to photograph in a “serious” way."
In September of 2014, I got the iPhone 6 and the 6+. They say that the camera is better, and that the internal camera-related hardware/firmware/software is better, too. Obviously, I’ve got the newer iOS, too, and even on the “old” phones, it now supports time-lapse videos along with everything else.
I’ve still got my pocket camera (an amazing little Canon G7X, which was an upgrade/replacement of an equally amazing Sony ERX-100 Mark III), and two larger cameras (Sony RX-10, and Sony A7), but I have a feeling that I won’t even be taking them out of the camera bag when I’m out on the street for ordinary day-to-day walking around.
Like I said last year, “stay tuned…"
Yesterday, 15 April 2015, my parking lot was going to be spring-cleaned, which meant that all cars had to be out of the lot by 7:30 am. I don't have a 2015 street parking permit, so I had to leave home at 7:30 and find something that would use up the few hours before my volunteer shift. I didn't want to risk being late for that, so decided to stay within the city rather than go driving some backroads. The owls in Fish Creek Park ended up being my destination. I had only been there twice in many weeks and seen Mom on my first visit and then Mom with two of her three owlets on the second. When I arrived yesterday morning, there was no sign of the "paparazzi" - I had been expecting there to be at least a few photographers and people out for a walk. This time, I was able to see all three owlets as well as Mom and Dad. Late afternoon, after my volunteer shift, I called in again for a while on my way home.
The strong shadow in this image was unfortunate, but at least most of this adult female Great Horned Owl's face is lit by sunshine. Not sure if her right eye is completely closed or, as is so often the case with an owl, one eye or both could be just the tiniest bit open.
This is a busy Mom with three young ones. Dad sits in one or other of the nearby trees, keeping careful watch over his mate and owlets. He hunts at night and brings food to the rest of his family.
"With its long, earlike tufts, intimidating yellow-eyed stare, and deep hooting voice, the Great Horned Owl is the quintessential owl of storybooks. This powerful predator can take down birds and mammals even larger than itself, but it also dines on daintier fare such as tiny scorpions, mice, and frogs. It’s one of the most common owls in North America, equally at home in deserts, wetlands, forests, grasslands, backyards, cities, and almost any other semi-open habitat between the Arctic and the tropics.
Great Horned Owls are nocturnal. You may see them at dusk sitting on fence posts or tree limbs at the edges of open areas, or flying across roads or fields with stiff, deep beats of their rounded wings. Their call is a deep, stuttering series of four to five hoots." From AllAboutBirds.
(more details later, as time permits)
********************************
As I reported in a separate Flickr album a couple months ago, most of my business trips have involved air travel from New York City; I’ve seen the insides of more airports and more airplanes than I care to remember.
But most of my trips along the eastern corridor of the U.S. have involved trains, and I find them to be a very relaxing and enjoyable contrast. These trips almost always start with a subway ride to Penn Station, rather than a taxi ride to JFK or LGA or EWR; and they are followed by a relatively pleasant journey along the East Coast on an Amtrak Acela train that has a much greater chance of departing and arriving on time than most of my airplane journeys.
I took a recent trip to Philadelphia in August 2015 and then another one (for a different client) in October 2015. In both cases, my journey began with a subway ride from 96th Street to Penn Station; and then a train trip from the Amtrak terminal in NYC’s Penn Station to the architecturally interesting Amtrak station in Philadelphia, before reaching my client’s office for a day-long meeting. At the end of the day, the journey reversed itself, and I was back home shortly after dinner.
I took a few photos and videos along the way; the ones I’ve uploaded here are representative of the trip...
(more details later, as time permits)
********************************
I'm spending the winter months of 2014-2015 in a warm spot on the beach in Indialantic, FL (if I have Internet access, it doesn't matter too much where I'm physically located).
I'm trying to get up about an hour before sunrise every morning, and be out on the beach for a morning walk just as the sun peeks up above the horizon.
On the very first morning, and every morning thereafter, I've immediately noticed that I was not the only person on the beach. There are joggers and walkers out getting their exercise, and *lots* of fishermen casting their lines out into the surf. But down by the 5th Avenue boardwalk -- where you can park your car and get a cup of coffee/latte/whatever from the local Starbucks -- there are lots and lots of people who clearly come down here just to watch the sunrise
These are some of the people... and some of the birds ...
title.
Unnamed street. Morning.
Several pieces from tomorrow.
I will return to Italy. They are 2005.
:)
It is unpublished.
:)
Paris. France. 2012. shot … 6 / 6
(Today's picture. That's unannounced.)
( ( Lumix G3 shot ) )
Images.
Zepherin Saint & Miranda Nicole … Butterflies (Tribe Vocal Mix)
Do you want to hear my voice?
:)
I updated Youtube.
It is only in Japanese.
I explained comments on photos etc.
If your time is permitted, please look.
:)
1
About the composition of the picture posted to Flicker. First type.
2
About the composition of the picture posted to Flicker. Second type.
3
About when I started Fotolog. Architect 's point of view.
Four
Why did not you have a camera so far?
Five
What is the coolest thing? The photo is as it is.
6
About the current YouTube bar. I also want to tell, I want to leave.
7
About Japanese photographers. Japanese YouTube bar is Pistols.
8
The composition of the photograph is sensibility. Meet the designers in Milan. Two questions.
9
What is a good composition? What is a bad composition?
Ten
What is the time to point the camera? It is slow if you are looking into the viewfinder or display.
11
Family photos. I can not take pictures with others. The inside of the subject.
12
About YouTube 's photographer. Camera technology etc. Sensibility is polished by reading books.
13
About the Japanese newspaper. A picture of a good newspaper is Reuters. If you continue to look at useless photographs, it will be useless.
14
About Japanese photographers. About the exhibition.
Summary. I wrote a novel etc. What I want to tell the most.
_________________________________
_________________________________
Profile.
In November 2014, we caught the attention of the party selected to undertake the publicity for a mobile phone that changed the face of the world with just a single model, and will conclude a confidentiality agreement with them.
stealaway.cocolog-nifty.com/stealaway/2018/03/tokyo-big-s...
_________________________________
_________________________________
Interviews and novels.
About my book.
I published a book in old days.
At that time, I was uploading my interview on the net on the net.
That Japanese and English.
I will make it public for free.
Details were explained to the Amazon site.
How to write a novel.
How to take pictures.
Distance to the work.
They all have a common item.
I made a sentence about what I felt, and left it.
I hope that my text can be read by many people.
Thank you.
Mitsushiro.
1 Interview in English
「interview_eng.pdf」
stealaway.cocolog-nifty.com/stealaway/2018/08/interviews-...
2 novels. unforgettable 'English version.(This book is Dedicated to the future artist.)
「novel_unforgettable_eng.pdf」
stealaway.cocolog-nifty.com/stealaway/2018/08/interviews-...
3 Interview Japanese version
drive.google.com/file/d/1w5l2hrV5a6lraDiC_Lz2tG_HqatqUCO5...
stealaway.cocolog-nifty.com/stealaway/2018/08/interviews-...
4 novels. unforgettable ' JPN version.
「novel_unforgettable_jpn.pdf」
stealaway.cocolog-nifty.com/stealaway/2018/08/interviews-...
5 A streamlined trajectory. only Japanese.
「streamlined_trajectory.pdf」
stealaway.cocolog-nifty.com/stealaway/2018/08/interviews-...
_________________________________
_________________________________
iBooks. Electronic Publishing. It is free now.
0.about the iBooks.
stealaway.cocolog-nifty.com/stealaway/2017/03/about-digit...
1.unforgettable '(ENG.ver.)(This book is Dedicated to the future artist.)
itunes.apple.com/us/book/unforgettable/id1216576828?ls=1&...
2.unforgettable '(JNP.ver.)(This book is Dedicated to the future artist.)
itunes.apple.com/us/book/unforgettable/id1216584262?ls=1&...
3. Streamlined trajectory.(For Japanese only.)
itunes.apple.com/us/book/%E6%B5%81%E7%B7%9A%E5%BD%A2%E3%8... =11
_________________________________
_________________________________
My Novel >> Unforgettable'
(This book is Dedicated to the future artist.)
Mitsushiro Nakagawa
All Translated by Yumi Ikeda .
images.
U2 - No Line On The Horizon Live in Dublin
www.youtube.com/watch?v=_oKwnkYFsiE&feature=related
There are two reasons why a person faces the sea.
One, to enjoy a slice of shine in the sea like children bubbling over in the beach.
The other, to brush the dust of memory like an old man who misses old days, staring at the shine
quietly.
Those lead to only one meaning though they do not seem to overlap. It’s a rebirth.
I face myself to change tomorrow, a vague day into something certain.
That is the meaning of a rebirth.
I had a very sweet girlfriend when I was 18.
After she left, I knew the meaning of gentleness for the first time and also a true pain of loss. After
she left, how many times did I depend too much on her, doubt her, envy her and keep on telling lies
until I realized it is love?
I wonder whether a nobody like me could have given something to her who was struggling in the
daily life in those days. Giving something is arrogant conceit. It is nothing but self-satisfaction.
I had been thinking about such a thing.
However, I guess what she saw in me was because I had nothing. That‘s why she tried to see
something in me. Perhaps she found a slight possibility in me, a guy filled with ambiguous, unstable
tomorrow. But I wasted days depending too much on her gentleness.
Now I finally can convey how I felt in those days when we met.
1/9
www.flickr.com/photos/stealaway/24577016535/in/dateposted...
2/9
www.flickr.com/photos/stealaway/24209330259/in/dateposted...
3/9
www.flickr.com/photos/stealaway/23975215274/in/dateposted...
4/9
www.flickr.com/photos/stealaway/24515964952/in/dateposted...
5/9
www.flickr.com/photos/stealaway/24276473749/in/dateposted...
6/9
www.flickr.com/photos/stealaway/24548895082/in/dateposted...
7/9
www.flickr.com/photos/stealaway/24594603711/in/dateposted...
8/9
www.flickr.com/photos/stealaway/24588215562/in/dateposted...
9/9
www.flickr.com/photos/stealaway/24100804163/in/dateposted...
Fin.
images.
U2 - No Line On The Horizon
www.youtube.com/watch?v=_oKwnkYFsiE&feature=related
_________________________________
_________________________________
Title of my book > unforgettable'
Author : Mitsushiro Nakagawa
Out Now.
ISBN978-4-86264-866-2
in Amazon.
www.amazon.co.jp/Unforgettable’-Mitsushiro-Nakagawa/dp/...
_________________________________
_________________________________
The schedule of the next novel.
Still would stand all time. (Unforgettable '2)
(It will not go away forever)
Please give me some more time. That is Japanese.
_________________________________
_________________________________
An exhibition in 2019.
spring.
theme.
Silence Is the Way. (Tentative title)
place. Tokyo Big Site.
Sponsoring. Design festa.
2020.
Date unknown.
DIC Kawamura Memorial Art Museum attached gallery.
place. Sakura City, Chiba Prefecture.
theme.
From that day, forever ...
_________________________________
_________________________________
flickr.
www.flickr.com/photos/stealaway/
_________________________________
_________________________________
YouTube.
_________________________________
_________________________________
instagram.
www.instagram.com/mitsushiro_nakagawa/
_________________________________
_________________________________
Pinterest.
_________________________________
_________________________________
_________________________________
_________________________________
fotolog
_________________________________
_________________________________
twitter.
_________________________________
_________________________________
facebook.
www.facebook.com/mitsushiro.nakagawa
_________________________________
_________________________________
Do you want to hear my voice?
:)
I updated Youtube.
It is only in Japanese.
I explained comments on photos etc.
If your time is permitted, please look.
:)
1
About the composition of the picture posted to Flicker. First type.
2
About the composition of the picture posted to Flicker. Second type.
3
About when I started Fotolog. Architect 's point of view.
Four
Why did not you have a camera so far?
Five
What is the coolest thing? The photo is as it is.
6
About the current YouTube bar. I also want to tell, I want to leave.
7
About Japanese photographers. Japanese YouTube bar is Pistols.
8
The composition of the photograph is sensibility. Meet the designers in Milan. Two questions.
9
What is a good composition? What is a bad composition?
Ten
What is the time to point the camera? It is slow if you are looking into the viewfinder or display.
11
Family photos. I can not take pictures with others. The inside of the subject.
12
About YouTube 's photographer. Camera technology etc. Sensibility is polished by reading books.
13
About the Japanese newspaper. A picture of a good newspaper is Reuters. If you continue to look at useless photographs, it will be useless.
14
About Japanese photographers. About the exhibition.
Summary. I wrote a novel etc. What I want to tell the most.
_________________________________
_________________________________
Japanese is the following.
_________________________________
_________________________________
タイトル。
名前のない通りの朝。
明日から数枚。
僕はイタリアへ戻します。それらは２００５年です。
:)
未発表です。
:)
次の小説のイメージ。
Still would stand all time.(unforgettable'2)
（いつまでもなくならないだろう）
Paris. France. 2012. shot … 6 / 6
(Today's picture. That's unannounced.)
(( Lumix G3 shot ))
Images.
Zepherin Saint & Miranda Nicole … Butterflies (Tribe Vocal Mix)
あなたは僕の声を聞きたいですか？
:)
僕はYoutubeを更新しました。
日本語だけです。
僕は写真などの解説をしました。
もしも、あなたの時間が許されれば、見てください。
:)
1
フリッカーへ投稿した写真の構図について。１種類目。
2
フリッカーへ投稿した写真の構図について。２種類目。
3
Fotologを始めた時について。 建築家の視点。
4
なぜ、今までカメラを手にしなかったのか？
5
何が一番かっこいいのか？ 写真はありのままに。
6
現在のユーチューバーについて。僕も伝え、残したい。
7
日本人の写真家について。日本のユーチューバーはピストルズ。
8
写真の構図は、感性。ミラノのデザイナーに会って。二つの質問。
9
良い構図とは？ 悪い構図とは？
10
カメラを向ける時とは？ ファインダーやディスプレイを覗いていては遅い。
11
家族写真。他人では撮れない。被写体の内面。
12
ユーチューブの写真家について。カメラの技術等。感性は、本を読むことで磨く。
13
日本の新聞について。良い新聞の写真はロイター。ダメな写真を見続けるとダメになる。
14
日本の写真家について。その展示について。
まとめ。僕が書いた小説など。僕が最も伝えたいこと。
_________________________________
_________________________________
プロフィール。
2014年11月、たった1機種で世界を塗り替えた携帯電話の広告を請け負った選考者の目に留まり、秘密保持同意書を結ぶ。
stealaway.cocolog-nifty.com/stealaway/2018/03/tokyo-big-s...
_________________________________
_________________________________
インタビューと小説。
僕の本について。
僕は、昔に本を出版しました。
その際に、僕のインタビューをPDFでネット上へアップロードしていました。
その日本語と英語。
僕は、無料でを公開します。
詳細は、アマゾンのサイトへ解説しました。
小説の書き方。
写真の撮影方法。
作品への距離感。
これらはすべて共通項があります。
僕は、僕が感じたことを文章にして、残しました。
僕のテキストが多くの人に読んでもらえることを望みます。
ありがとう。
Mitsushiro.
１ インタビュー 英語版
「interview_eng.pdf」
stealaway.cocolog-nifty.com/stealaway/2018/08/interviews-...
２ 小説。unforgettable’ 英語版。
「novel_unforgettable_eng.pdf」
stealaway.cocolog-nifty.com/stealaway/2018/08/interviews-...
３ インタビュー 日本語版
drive.google.com/file/d/1w5l2hrV5a6lraDiC_Lz2tG_HqatqUCO5...
stealaway.cocolog-nifty.com/stealaway/2018/08/interviews-...
４ 小説。unforgettable’ 日本語版。(この小説は未来のアーティストへ捧げます)
「novel_unforgettable_jpn.pdf」
stealaway.cocolog-nifty.com/stealaway/2018/08/interviews-...
５ 流線形の軌跡。 日本語のみ。
「streamlined_trajectory.pdf」
stealaway.cocolog-nifty.com/stealaway/2018/08/interviews-...
_________________________________
_________________________________
iBooks.電子出版。（現在は無料）
0.about the iBooks.
stealaway.cocolog-nifty.com/stealaway/2017/03/about-digit...
1.unforgettable’ ( ENG.ver.)(This book is Dedicated to the future artist.)
itunes.apple.com/us/book/unforgettable/id1216576828?ls=1&...
For Japanese only.
2.unforgettable’ ( JNP.ver.)(この小説は未来のアーティストへ捧げます)
itunes.apple.com/us/book/unforgettable/id1216584262?ls=1&...
3.流線形の軌跡。
itunes.apple.com/us/book/%E6%B5%81%E7%B7%9A%E5%BD%A2%E3%8...
_________________________________
_________________________________
僕の小説。英語版
My Novel Unforgettable' (This book is Dedicated to the future artist.)
Mitsushiro Nakagawa
All Translated by Yumi Ikeda .
1/9
www.flickr.com/photos/stealaway/24577016535/in/dateposted...
2/9
www.flickr.com/photos/stealaway/24209330259/in/dateposted...
3/9
www.flickr.com/photos/stealaway/23975215274/in/dateposted...
4/9
www.flickr.com/photos/stealaway/24515964952/in/dateposted...
5/9
www.flickr.com/photos/stealaway/24276473749/in/dateposted...
6/9
www.flickr.com/photos/stealaway/24548895082/in/dateposted...
7/9
www.flickr.com/photos/stealaway/24594603711/in/dateposted...
8/9
www.flickr.com/photos/stealaway/24588215562/in/dateposted...
9/9
www.flickr.com/photos/stealaway/24100804163/in/dateposted...
Fin.
images.
U2 - No Line On The Horizon Live in Dublin
www.youtube.com/watch?v=_oKwnkYFsiE&feature=related
_________________________________
_________________________________
Title of my book > unforgettable'
Author : Mitsushiro Nakagawa
Out Now.
ISBN978-4-86264-866-2
in Amazon.
www.amazon.co.jp/Unforgettable’-Mitsushiro-Nakagawa/dp/...
_________________________________
_________________________________
次の小説の予定。
Still would stand all time.(unforgettable'2)
（いつまでもなくならないだろう）
もう少し時間をください。それは日本語です。
_________________________________
_________________________________
２０１９年の展示。
春。
テーマ。
Silence Is the Way.(仮題)
場所。東京ビッグサイト。
Sponsoring. Design festa.
２０２０年。
日時未定。
DIC川村記念美術館付属ギャラリー。
場所。千葉県佐倉市。
テーマ。
あの日から、ずっと…
_________________________________
_________________________________
flickr.
www.flickr.com/photos/stealaway/
_________________________________
_________________________________
YouTube.
_________________________________
_________________________________
instagram.
www.instagram.com/mitsushiro_nakagawa/
_________________________________
_________________________________
Pinterest.
_________________________________
_________________________________
_________________________________
_________________________________
fotolog
_________________________________
_________________________________
twitter.
_________________________________
_________________________________
facebook.
www.facebook.com/mitsushiro.nakagawa
_________________________________
_________________________________
あなたは僕の声を聞きたいですか？
:)
僕はYoutubeを更新しました。
日本語だけです。
僕は写真などの解説をしました。
もしも、あなたの時間が許されれば、見てください。
:)
1
フリッカーへ投稿した写真の構図について。１種類目。
2
フリッカーへ投稿した写真の構図について。２種類目。
3
Fotologを始めた時について。 建築家の視点。
4
なぜ、今までカメラを手にしなかったのか？
5
何が一番かっこいいのか？ 写真はありのままに。
6
現在のユーチューバーについて。僕も伝え、残したい。
7
日本人の写真家について。日本のユーチューバーはピストルズ。
8
写真の構図は、感性。ミラノのデザイナーに会って。二つの質問。
9
良い構図とは？ 悪い構図とは？
10
カメラを向ける時とは？ ファインダーやディスプレイを覗いていては遅い。
11
家族写真。他人では撮れない。被写体の内面。
12
ユーチューブの写真家について。カメラの技術等。感性は、本を読むことで磨く。
13
日本の新聞について。良い新聞の写真はロイター。ダメな写真を見続けるとダメになる。
14
日本の写真家について。その展示について。
まとめ。僕が書いた小説など。僕が最も伝えたいこと。
_________________________________
_________________________________
Japanese is the following.
_________________________________
_________________________________
(more details later, as time permits)
**********************************
Another year has elapsed since I last photographed the tango dancers gathering on Pier 45 (where Christopher Street runs into the Hudson River in New York City's West Village), on the weekend before Labor Day, late-August 2014. But the sun was shining one weekend in early June of 2015, and I decided to venture down to Greenwich Village once again...
As I've mentioned in other Flickr sets, I have now met a few of the dancers at previous tango event over the past several; years, and I used to make a point of introducing myself to some of them, handing out business cards with my Flickr address so that people would be able to find these pictures without too much difficulty. But the dancers have good reason to be more interested in the music, and the movement of their partners, than a guy on the sideline with a camera -- so most of them have simply ignored me…
Altogether, I've now taken a dozen sets of tango-related photos, and you can see a thumbnail overview of them in this Flickr collection. And if you'd like to watch some other examples NYC tango dancing, check out Richard Lipkin's Guide to Argentine Tango in New York City.
Even though the dancers seem fresh and enthusiastic each time I come down here to Pier 45, I have a definite sense of deja vu: arguably, I’ve seen it all, I’ve photographed it all, I’ve heard all the tango music several times before. So I decided to do something different this time: I took all of the photos with my iPhone6+ camera. I used the “burst mode” feature on the camera-phone, so even though I took some 4,000 separate images, there were only about 400 “bursts,” and the iPhone hardware was kind enough to tell me which one or two images were reasonably sharp in each burst. From that smaller subset, I was eventually able to whittle things down to 50 images that I thought were okay for uploading to Flickr; that’s what you’ll see here.
Actually, the reason I was motivated to do all of this was not Flickr, but Instagram: for reasons that I can only assume are a stubborn testament to the “culture” of its community, Instagram insists on a “square” format, rather than the 3:2 or 4:3 aspect ratio favored by most DSLR and point-and-shoot cameras. Even worse, it insists that the photos be uploaded one-at-a-time from a mobile device. Ironically, this last restriction may prove to be too much; I’m uploading the photos to Flickr from my desktop Mac, but I don’t know if I’ll have the patience to upload them individually to Instagram…
Aside from that, I’ve concluded that the iPhone6+ is a handy little device for casual, ad hoc photos and videos; but it really doesn’t have the features I’ve come to depend on for the photos I want to publish. I won’t go into all of the technical details; chances are that you either don’t know, or don’t care, about those details. And if you do, chances are that you’ve made up your mind one way or another. As for me, I will definitely keep using the iPhone for some of my photos — especially the ones that really are casual, unplanned, ad hoc photos when I’ve got no other equipment that I can use. But with sophisticated little “pocket cameras” like the Sony RX-100 and Canon G7X, those moments are pretty rare for me … still, it was an interesting experiment.
As I've also pointed out in some previous Flickr albums, you can see a video version of the tango dancers from 2011, complete with music (which isn’t really tango music, but that’s okay), on my YouTube page; it’s here: www.youtube.com/watch?v=rqmnTQuwn54&list=UUUXim5Er2O4... (more details later, as time permits)
*******************************
Another year has elapsed since I last photographed the tango dancers gathering on Pier 45 (where Christopher Street runs into the Hudson River in New York City's West Village), on the weekend before Labor Day, late-August 2014. But the sun was shining one weekend in early June of 2015, and I decided to venture down to Greenwich Village once again...
As I've mentioned in other Flickr sets, I have now met a few of the dancers at previous tango event over the past several; years, and I used to make a point of introducing myself to some of them, handing out business cards with my Flickr address so that people would be able to find these pictures without too much difficulty. But the dancers have good reason to be more interested in the music, and the movement of their partners, than a guy on the sideline with a camera -- so most of them have simply ignored me…
Altogether, I've now taken a dozen sets of tango-related photos, and you can see a thumbnail overview of them in this Flickr collection. And if you'd like to watch some other examples NYC tango dancing, check out Richard Lipkin's Guide to Argentine Tango in New York City.
Even though the dancers seem fresh and enthusiastic each time I come down here to Pier 45, I have a definite sense of deja vu: arguably, I’ve seen it all, I’ve photographed it all, I’ve heard all the tango music several times before. So I decided to do something different this time: I took all of the photos with my iPhone6+ camera. I used the “burst mode” feature on the camera-phone, so even though I took some 4,000 separate images, there were only about 400 “bursts,” and the iPhone hardware was kind enough to tell me which one or two images were reasonably sharp in each burst. From that smaller subset, I was eventually able to whittle things down to 50 images that I thought were okay for uploading to Flickr; that’s what you’ll see here.
Actually, the reason I was motivated to do all of this was not Flickr, but Instagram: for reasons that I can only assume are a stubborn testament to the “culture” of its community, Instagram insists on a “square” format, rather than the 3:2 or 4:3 aspect ratio favored by most DSLR and point-and-shoot cameras. Even worse, it insists that the photos be uploaded one-at-a-time from a mobile device. Ironically, this last restriction may prove to be too much; I’m uploading the photos to Flickr from my desktop Mac, but I don’t know if I’ll have the patience to upload them individually to Instagram…
Aside from that, I’ve concluded that the iPhone6+ is a handy little device for casual, ad hoc photos and videos; but it really doesn’t have the features I’ve come to depend on for the photos I want to publish. I won’t go into all of the technical details; chances are that you either don’t know, or don’t care, about those details. And if you do, chances are that you’ve made up your mind one way or another. As for me, I will definitely keep using the iPhone for some of my photos — especially the ones that really are casual, unplanned, ad hoc photos when I’ve got no other equipment that I can use. But with sophisticated little “pocket cameras” like the Sony RX-100 and Canon G7X, those moments are pretty rare for me … still, it was an interesting experiment.
As I've also pointed out in some previous Flickr albums, you can see a video version of the tango dancers from 2011, complete with music (which isn’t really tango music, but that’s okay), on my YouTube page; it’s here: www.youtube.com/watch?v=rqmnTQuwn54&list=UUUXim5Er2O4...
Dates for the completion of 207 W. Superior St. vary from 1872 to 1896. A demolition permit was issued for the property in April 2024. The adjacent building, a pre-Chicago Fire structure next door at 720 N. Wells St., will also be demolished.
NOTE: A revision permit was issued in January 2026 for The Lake, a new social club under construction at 205 W. Superior St. With progress now up to the third floor on the exterior, the permit calls for “exterior material changes and architectural details.” The project’s rendering, which has existed for a few years, displays a design by New York City’s Robert A.M. Stern Architects, with Chicago’s GREC Architects as the architect of record. It shows a four-story building topped by a partial fifth level, with a connected four-story portion in a different design. The arched windows on the second floor are in line with what can be seen now at the construction site; however, there is no information on the expected changes.
Two restaurants, right next door to each other, both with the tell-tale paper window coverings indicating that they're out of business, both with construction permits in the window showing they're being remodeled. Konica Auto-Reflex, Kodak Plus-X, Rodinal 1:50.
The classic shot of The Wave in Arizona.
I found this dead tree branch at the bottom of the formation, and carefully placed it in my composition in an attempt to add some additional interest.
Check out the video here (opens new browser window).
Vermilion Cliffs National Monument
Paria Canyon/Vermilion Cliffs Wilderness
Coyote Buttes Permit Area
Canon 5D Mkii, EF 17-40@19mm
1/15 sec at ƒ/22
ISO 50
Manfrotto 190CXPRO3 Carbon Fibre Tripod 494RC2 ballhead
Polarizer
The location on the map is not accurate,pls don't go by it. Thanks for looking!
NSW/Australia (Sydney Harbor Bridge is equipped for tidal flow operation, permitting the direction of traffic flow on the bridge to be altered to better suit the morning and evening rush hours' traffic patterns.
The bridge has eight lanes in total, numbered one to eight from west to east. Lanes three, four and five are reversible. One and two always flow north. Six, seven, and eight always flow south. The default is four each way. For the morning rush hour, the lane changes on the bridge also require changes to the Warringah Freeway, with its inner western reversible carriageway directing traffic to the bridge lane numbers three and four southbound.
The bridge has a series of overhead gantries which indicate the direction of flow for each traffic lane. A green arrow pointing down to a traffic lane means the lane is open. A flashing red "X" indicates the lane is closing, but is not yet in use for traffic travelling in the other direction. A static red "X" means the lane is in use for oncoming traffic. This arrangement was introduced in the 1990s, replacing a slow operation where lane markers were manually moved to mark the centre median...)
*(2 photomerge)
Copyright © 2010 by inigolai/Photography
No part of this picture may be reproduced or transmitted in any form or by any means (on websites, blogs) without prior permission.
“While there is perhaps a province in which the photograph can tell us nothing more than what we see with our own eyes, there is another in which it proves to us how little our eyes permit us to see.”
- Dorothea Lange
He found the Archimedean point, but he used it against himself; it seems that he was permitted to find it only under this condition.
Franz Kafka as quoted in Hannah Arendt's The Human Condition
The Prayer of the 5 Widows
In Memory of Elizabeth Eliot
www.christianitytoday.com/ct/1957/january-7/prayer-of-fiv...
The Prayer of the Five Widows
An account after the Auca ambush in Ecuador, from CT's seventh issue.
Elisabeth Elliot/ JUNE 15, 2015
This article originally appeared in the January 7, 1957, issue of Christianity Today—less than three months after the magazine's launch. It was posted June 15, 2015, to commemorate the death of Elisabeth Elliot.
On a beautiful Sunday afternoon a year ago, five young women were asking God for two things regarding their husbands: that they might be permitted to contact the Auca Indians again, and that they might be protected. As we sat in our jungle homes here in Ecuador, two in Arajuno, one in Shandia and two in Shell Mera, we little dreamed of the answer God was then giving. He answered both of those prayers, but, as is often the case with him whose thoughts are as far above ours as the heavens are high above the earth, his answer far transcended what we had in mind.
Silence on a Sand Strip
The second contact was given. Probably at about two-thirty in the afternoon at least ten Aucas arrived at the strip of sand where the men had set up their little camp. Having seen them some time earlier from the airplane, approaching the beach, the pilot had reported to his wife the anticipated contact. We can imagine the five, then, as the forest rang with their praises. They sang hymns together, committed themselves to the Lord once more and eagerly prepared for their longed for visitors. It was not long before savage yells, instead of hymns of praise, echoed through the forest, polished wooden spears slashed through the air and five young men lay dead on the Rio Curaray. Silence closed once more over the stand strip, and those beloved Indians returned nonchalantly to their thatched homes, to recount another killing to their waiting families.
The asked-for contact had been given. But what about the protection?
Protection from Disobedience
When the Lord Jesus prayed to His Father, as recorded in the seventeenth chapter of John, he asked, too, for protection for those whom the Father had given him. For what purpose? “. . . that they may be one, as we are.” Protection from what? “. . . that thou shouldst keep them from the evil one.” Each one of our five men, years before, had asked for the whole accomplishment of Gods will in him at any cost, to the end that Christ be glorified. The Evil One is determined, however, that Christ shall not be glorified. But, in making them obedient men, God had answered the prayer of his Son, the prayer of the men themselves and the prayer of their wives. The adversary did not succeed in turning them aside from Gods highest purpose. They were protected from that most fearful of all dangers, disobedience. They loved God above all else. “Herein is the love of God, that ye keep his commandments.”
The prayer of our hearts today, of the widows who remain, is the same, that Christ may be glorified.
Christ’s Glory in Some Aucas
First of all, we continue asking for that which motivated the men from the beginning of the project—that Christ may be glorified in some Aucas. The contact God gave to the five was only one step in the opening of the fast-closed doors to that tribe.
Nor was it the first step. Others had thought and prayed for years about them, asking for an entrance, flying over the territory in search of their whereabouts, seeking a way to carry to them the Word of Life.
Some of the five men had long borne them before the Lord, asking for their salvation and committing themselves to God for them.
Now, thousands of Christians in all parts of the world have learned of them and are praying.
For us who have been most closely touched by the death of the five, there could be no greater joy than to know at last that the blood of our husbands has been the seed of the Auca church. Our hearts go out to the very ones whose strong brown arms sent flying the lances that killed our loved ones, for we know that they walk in darkness, knowing not even the name of Him who is more than life to us. And how shall they hear without a preacher?
So we ask for those whom God has prepared to be sent to the Aucas and only those. A well-meaning but misguided effort could ruin further opportunities to enter the tribe. But because God has done a tremendous thing in taking five of His choicest servants in this incipient stage, we are bold to expect tremendous answers to prayer in the future. We believe He will send the Light to the Aucas and have given ourselves anew for that, if He should care to choose any one of us to go. We were wholly at one with our husbands in their desire to reach the Aucas and had it been possible, would gladly have accompanied them. The last thing on earth we would have wanted would have been to hinder them in obeying the command of Christ, which was as clear to us as it was to them. He was directingthe only issue at stake was obedience. Jesus made the conditions of discipleship unequivocal—“Forsake . . . Deny . . . Follow.” This is the price we are asked to pay.
Many speak of the five men as having made the “supreme sacrifice.” We do not think of it in that way. They would not have called it that. One of them wrote in his diary years ago, “He is no fool who gives what he cannot keep to gain what he cannot lose.” Jesus promised that whoever loses his life preserves it. Can we call this sacrifice? When we make a purchase, we pay the price, of course, but no one thinks of this as a sacrifice. How much less, then, when our lives, already paid for by Christ at tremendous sacrifice on his part, are offered to him? We lose nothing. We gain everything. Hence, we ask that God may choose those whom He wishes to carry the gospel to the Aucas, that they may be prepared by his Spirit, that they may not count their lives dear unto themselves, and that thereby the Aucas may be brought out of their bondage to know Jesus Christ, that he may be glorified in them.
Christ’s Glory in Us
We ask, further, that Christ may be glorified in us. “For we know that the sufferings of this present time are not worthy to be compared with the glory which shall be revealed in us.” Our hearts are filled with gratitude for the privilege He gave us in being the wives of men who were chosen to be slain for His sake. None of us is worthy. It is all of His grace, but we know that the Lamb is worthy, a thousand times, the lives of our husbands and of us. He chose to glorify himself in their death—may He now glorify Himself in our lives.
During those harrowing days when the rescue party was on its way to the beach, when we did not know what the next radio report would bring, we were conscious that whatever the outcome, God was determined to bring us to himself. He had promised, “When thou passest though the waters, I will be with thee; and through the rivers, they shall not overflow thee; when thou walkest through the fire, thou shalt not be burned, neither shall the flame kindle upon thee, for I am the Lord thy God. . . . Since thou wast precious in my sight, thou hast been honorable, and I have loved thee.” How could we have proved the truth of that promise if there had been no waters? And what rivers could overflow but deep ones? And so, to show us that he meant what he said, to prove to us his love, this was what he sent, this thing which each of us had been sure she could never endure, the loss of the one who was as her own soul.
Purpose in the Stab of Pain
And how, then, can Christ be glorified in us through this experience? By our responding with thanksgiving to his dealings with us, by our declaration of our love to him in utter obedience, by our believing that his judgments are right, that he in faithfulness has afflicted us. We ask that we may go on in peace, as he has mercifully permitted us to do thus far. In talking together, we have often said that we did not want to miss one lesson which our loving Father would teach us by this thing. To us, the loss of our husbands is not a tragedy in itself—it is one more of our Father’s right judgments. But it would indeed be a tragedy if, in our failure to respond to him with love, trust, and praise, we should miss what he intended for us through it. We ask that we may know him, and the power of his resurrection and the fellowship of his sufferings, being made conformable unto his death. If, through the loss of our husbands, we may cause Christ to rejoice, to see in us the travail of his soul and be satisfied, we shall never call it sacrifice. Each day, when little things remind us, with a new stab of pain, that our husbands are gone, we turn these things into prayer—“Lord, by this, too, glorify thyself. For this, too, I thank thee and trust thee, knowing that there shall be glory, as thou has promised, through this suffering.”
Christ and the Little Ones
Not only do we ask that Christ be glorified in the Aucas and in us, but also in our children. Most of them will have no recollection of their fine fathers. But our Lord gave his word, “All thy children shall be taught of the Lord, and great shall be the peace of thy children.” We ask for his wisdom in training them, for his Spirit in us, that they may be as obedient as their fathers. How wonderful it would be if he should prepare one or more of them to go to the Aucas! We would give them to him for his use, asking that they come to know him as Savior and Lord at an early age. Far be it from us to withhold from the Lord the lives of these little ones, children of the men who did not withhold their own lives. May they sing from true hearts,
Faith of our Fathers, Holy Faith,
We would be true to Thee till death.
Wherever the Spirit Speaks
Finally, we ask that Christ be glorified in the lives of those to whom the Spirit of God has spoken because of the death of the five men. We have received letters from all over the world, telling of the impact of the event on one and another. But we have heard of few who have actually done anything about it, who have been changed by it. We pray earnestly that those who have heard the voice of the Lord may be obedient. We pray that young men who have been attracted by the “opportunities to use their talents for the Lord in the United States” may abandon themselves, with their talents, to Christ, for his use wherever he wants them. We pray that if any young wife is hesitating to commit her husband and family to God, through fear of loss, she may believe the words of our Lord Jesus, “Truly I say to you, there is no man who hath forsaken . . . who will not receive.” We have proved beyond any doubt that he means what he says—his grace is sufficient, nothing can separate us from the love of Christ We pray that if any, anywhere, are fearing that the cost of discipleship is too great, that they may be given to glimpse that treasure in heaven promised to all who forsake.
And all our supplication is “with thanksgiving”— for his great love, for the high privilege of serving him with all of our hearts, for having given us as husbands men who were true soldiers of Jesus Christ, men to whom we could look up in every respect, men who set for us a great example of faith that acts on what it believes. We look forward with joy to that day when God will reveal to us his complete plan, knowing that we shall see clearly that every step of the way was ordained to the end that Christ might be glorified. Our husbands already walk with him, their joy complete. We, too, shall see him face to face, and be satisfied.
This hath He done, and shall we not adore Him?
This shall He do and can we still despair?
Come let us quickly fling ourselves before Him,
Cast at His feet the burden of our care,
Flash from our eyes the glow of our thanksgiving,
Glad and regretful, confident and calm,
Then through all life, and what is after living,
Thrill to the tireless music of a psalm,
Yea, through life, death, through sorrow and
through sinning,
He shall suffice me, for He hath sufficed:
Christ is the end, for Christ was the beginning,
Christ the beginning, for the end is Christ.
(From St. Paul, F. W. H. Myans)
O parque foi construído em 2006 no âmbito do Plano de Urbanização da Alta de Lisboa, numa zona de vale, sendo, portanto, um dos mais recentes espaços verdes da cidade. Desempenha uma função ecológica fundamental, através de uma bacia de retenção que permite o aproveitamento das águas pluviais para a alimentação dos lagos, rega dos relvados e manutenção sustentável de toda a vegetação existente no parque. informacoeseservicos.lisboa.pt/contactos/diretorio-da-cid...
1. Piazza Carignano - Torino (Part 1), 2. Torino - Piazza Carignano - Part 2
Created with fd's Flickr Toys.
title.
White wall light. (iPhone 7 shot)
" Remember ? Time does not flow at the same speed. I told you so. We are the same ? "
Kaori Kase
" So ? So what ? "
Kei Kitami
Image of the next novel.
Still would stand all time. (Unforgettable '2)
Kujukuri Beach. Chiba Prefecture. Japan. November 15th. 2018. shot ... 3 / 3 / 8
(Today's picture. That's unannounced.)
( ( iPhone 7 shot ) )
Images.
Miles Davis - Flamenco Sketches
Do you want to hear my voice?
:)
I updated Youtube.
It is only in Japanese.
I explained comments on photos etc.
If your time is permitted, please look.
:)
1
About the composition of the picture posted to Flicker. First type.
2
About the composition of the picture posted to Flicker. Second type.
3
About when I started Fotolog. Architect 's point of view.
Four
Why did not you have a camera so far?
Five
What is the coolest thing? The photo is as it is.
6
About the current YouTube bar. I also want to tell, I want to leave.
7
About Japanese photographers. Japanese YouTube bar is Pistols.
8
The composition of the photograph is sensibility. Meet the designers in Milan. Two questions.
9
What is a good composition? What is a bad composition?
Ten
What is the time to point the camera? It is slow if you are looking into the viewfinder or display.
11
Family photos. I can not take pictures with others. The inside of the subject.
12
About YouTube 's photographer. Camera technology etc. Sensibility is polished by reading books.
13
About the Japanese newspaper. A picture of a good newspaper is Reuters. If you continue to look at useless photographs, it will be useless.
14
About Japanese photographers. About the exhibition.
Summary. I wrote a novel etc. What I want to tell the most.
_________________________________
_________________________________
Profile.
In November 2014, we caught the attention of the party selected to undertake the publicity for a mobile phone that changed the face of the world with just a single model, and will conclude a confidentiality agreement with them.
stealaway.cocolog-nifty.com/stealaway/2018/03/tokyo-big-s...
youpic.com/photographer/mitsushironakagawa/
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Interviews and novels.
About my book.
I published a book in old days.
At that time, I was uploading my interview on the net on the net.
That Japanese and English.
I will make it public for free.
Details were explained to the Amazon site.
How to write a novel.
How to take pictures.
Distance to the work.
They all have a common item.
I made a sentence about what I felt, and left it.
I hope that my text can be read by many people.
Thank you.
Mitsushiro.
1 Interview in English
「interview_eng.pdf」
stealaway.cocolog-nifty.com/stealaway/2018/08/interviews-...
2 novels. unforgettable 'English version.(This book is Dedicated to the future artist.)
「novel_unforgettable_eng.pdf」
stealaway.cocolog-nifty.com/stealaway/2018/08/interviews-...
3 Interview Japanese version
drive.google.com/file/d/1w5l2hrV5a6lraDiC_Lz2tG_HqatqUCO5...
stealaway.cocolog-nifty.com/stealaway/2018/08/interviews-...
4 novels. unforgettable ' JPN version.
「novel_unforgettable_jpn.pdf」
stealaway.cocolog-nifty.com/stealaway/2018/08/interviews-...
5 A streamlined trajectory. only Japanese.
「streamlined_trajectory.pdf」
stealaway.cocolog-nifty.com/stealaway/2018/08/interviews-...
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iBooks. Electronic Publishing. It is free now.
0.about the iBooks.
stealaway.cocolog-nifty.com/stealaway/2017/03/about-digit...
1.unforgettable '(ENG.ver.)(This book is Dedicated to the future artist.)
itunes.apple.com/us/book/unforgettable/id1216576828?ls=1&...
2.unforgettable '(JNP.ver.)(This book is Dedicated to the future artist.)
itunes.apple.com/us/book/unforgettable/id1216584262?ls=1&...
3. Streamlined trajectory.(For Japanese only.)
itunes.apple.com/us/book/%E6%B5%81%E7%B7%9A%E5%BD%A2%E3%8... =11
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_________________________________
My Novel >> Unforgettable'
(This book is Dedicated to the future artist.)
Mitsushiro Nakagawa
All Translated by Yumi Ikeda .
images.
U2 - No Line On The Horizon Live in Dublin
www.youtube.com/watch?v=_oKwnkYFsiE&feature=related
There are two reasons why a person faces the sea.
One, to enjoy a slice of shine in the sea like children bubbling over in the beach.
The other, to brush the dust of memory like an old man who misses old days, staring at the shine
quietly.
Those lead to only one meaning though they do not seem to overlap. It’s a rebirth.
I face myself to change tomorrow, a vague day into something certain.
That is the meaning of a rebirth.
I had a very sweet girlfriend when I was 18.
After she left, I knew the meaning of gentleness for the first time and also a true pain of loss. After
she left, how many times did I depend too much on her, doubt her, envy her and keep on telling lies
until I realized it is love?
I wonder whether a nobody like me could have given something to her who was struggling in the
daily life in those days. Giving something is arrogant conceit. It is nothing but self-satisfaction.
I had been thinking about such a thing.
However, I guess what she saw in me was because I had nothing. That‘s why she tried to see
something in me. Perhaps she found a slight possibility in me, a guy filled with ambiguous, unstable
tomorrow. But I wasted days depending too much on her gentleness.
Now I finally can convey how I felt in those days when we met.
1/9
www.flickr.com/photos/stealaway/24577016535/in/dateposted...
2/9
www.flickr.com/photos/stealaway/24209330259/in/dateposted...
3/9
www.flickr.com/photos/stealaway/23975215274/in/dateposted...
4/9
www.flickr.com/photos/stealaway/24515964952/in/dateposted...
5/9
www.flickr.com/photos/stealaway/24276473749/in/dateposted...
6/9
www.flickr.com/photos/stealaway/24548895082/in/dateposted...
7/9
www.flickr.com/photos/stealaway/24594603711/in/dateposted...
8/9
www.flickr.com/photos/stealaway/24588215562/in/dateposted...
9/9
www.flickr.com/photos/stealaway/24100804163/in/dateposted...
Fin.
images.
U2 - No Line On The Horizon
www.youtube.com/watch?v=_oKwnkYFsiE&feature=related
_________________________________
_________________________________
Title of my book > unforgettable'
Author : Mitsushiro Nakagawa
Out Now.
ISBN978-4-86264-866-2
in Amazon.
www.amazon.co.jp/Unforgettable’-Mitsushiro-Nakagawa/dp/...
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_________________________________
The schedule of the next novel.
Still would stand all time. (Unforgettable '2)
(It will not go away forever)
Please give me some more time. That is Japanese.
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An exhibition in 2019.
spring.
theme.
Silence Is the Way. (Tentative title)
place. Tokyo Big Site.
Sponsoring. Design festa.
2020.
Date unknown.
DIC Kawamura Memorial Art Museum attached gallery.
place. Sakura City, Chiba Prefecture.
theme.
From that day, forever ...
_________________________________
_________________________________
flickr.
www.flickr.com/photos/stealaway/
_________________________________
_________________________________
YouTube.
_________________________________
_________________________________
instagram.
www.instagram.com/mitsushiro_nakagawa/
_________________________________
_________________________________
Pinterest.
_________________________________
_________________________________
YouPic
youpic.com/photographer/mitsushironakagawa/
_________________________________
_________________________________
fotolog
_________________________________
_________________________________
twitter.
_________________________________
_________________________________
facebook.
www.facebook.com/mitsushiro.nakagawa
_________________________________
_________________________________
Do you want to hear my voice?
:)
I updated Youtube.
It is only in Japanese.
I explained comments on photos etc.
If your time is permitted, please look.
:)
1
About the composition of the picture posted to Flicker. First type.
2
About the composition of the picture posted to Flicker. Second type.
3
About when I started Fotolog. Architect 's point of view.
Four
Why did not you have a camera so far?
Five
What is the coolest thing? The photo is as it is.
6
About the current YouTube bar. I also want to tell, I want to leave.
7
About Japanese photographers. Japanese YouTube bar is Pistols.
8
The composition of the photograph is sensibility. Meet the designers in Milan. Two questions.
9
What is a good composition? What is a bad composition?
Ten
What is the time to point the camera? It is slow if you are looking into the viewfinder or display.
11
Family photos. I can not take pictures with others. The inside of the subject.
12
About YouTube 's photographer. Camera technology etc. Sensibility is polished by reading books.
13
About the Japanese newspaper. A picture of a good newspaper is Reuters. If you continue to look at useless photographs, it will be useless.
14
About Japanese photographers. About the exhibition.
Summary. I wrote a novel etc. What I want to tell the most.
_________________________________
_________________________________
Japanese is the following.
_________________________________
_________________________________
タイトル。
白い壁の光。 ( iPhone 7 shot )
『覚えてる？ 時は、同じ速さで流れてはいない。私はそう君に話した。私たちも同じなのよ？』
加瀬 香織
『だから？ だから、どうした？』
北見 ケイ
次の小説のイメージ。
Still would stand all time.(unforgettable'2)
（いつまでもなくならないだろう）
九十九里浜。千葉県。日本。１１月１5日。２０１８年。 shot … 3 / 3 / 8
(Today's picture. That's unannounced.)
( ( iPhone 7 shot ) )
Images.
Miles Davis - Flamenco Sketches
あなたは僕の声を聞きたいですか？
:)
僕はYoutubeを更新しました。
日本語だけです。
僕は写真などの解説をしました。
もしも、あなたの時間が許されれば、見てください。
:)
1
フリッカーへ投稿した写真の構図について。１種類目。
2
フリッカーへ投稿した写真の構図について。２種類目。
3
Fotologを始めた時について。 建築家の視点。
4
なぜ、今までカメラを手にしなかったのか？
5
何が一番かっこいいのか？ 写真はありのままに。
6
現在のユーチューバーについて。僕も伝え、残したい。
7
日本人の写真家について。日本のユーチューバーはピストルズ。
8
写真の構図は、感性。ミラノのデザイナーに会って。二つの質問。
9
良い構図とは？ 悪い構図とは？
10
カメラを向ける時とは？ ファインダーやディスプレイを覗いていては遅い。
11
家族写真。他人では撮れない。被写体の内面。
12
ユーチューブの写真家について。カメラの技術等。感性は、本を読むことで磨く。
13
日本の新聞について。良い新聞の写真はロイター。ダメな写真を見続けるとダメになる。
14
日本の写真家について。その展示について。
まとめ。僕が書いた小説など。僕が最も伝えたいこと。
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プロフィール。
2014年11月、たった1機種で世界を塗り替えた携帯電話の広告を請け負った選考者の目に留まり、秘密保持同意書を結ぶ。
stealaway.cocolog-nifty.com/stealaway/2018/03/tokyo-big-s...
youpic.com/photographer/mitsushironakagawa/
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インタビューと小説。
僕の本について。
僕は、昔に本を出版しました。
その際に、僕のインタビューをPDFでネット上へアップロードしていました。
その日本語と英語。
僕は、無料でを公開します。
詳細は、アマゾンのサイトへ解説しました。
小説の書き方。
写真の撮影方法。
作品への距離感。
これらはすべて共通項があります。
僕は、僕が感じたことを文章にして、残しました。
僕のテキストが多くの人に読んでもらえることを望みます。
ありがとう。
Mitsushiro.
１ インタビュー 英語版
「interview_eng.pdf」
stealaway.cocolog-nifty.com/stealaway/2018/08/interviews-...
２ 小説。unforgettable’ 英語版。
「novel_unforgettable_eng.pdf」
stealaway.cocolog-nifty.com/stealaway/2018/08/interviews-...
３ インタビュー 日本語版
drive.google.com/file/d/1w5l2hrV5a6lraDiC_Lz2tG_HqatqUCO5...
stealaway.cocolog-nifty.com/stealaway/2018/08/interviews-...
４ 小説。unforgettable’ 日本語版。(この小説は未来のアーティストへ捧げます)
「novel_unforgettable_jpn.pdf」
stealaway.cocolog-nifty.com/stealaway/2018/08/interviews-...
５ 流線形の軌跡。 日本語のみ。
「streamlined_trajectory.pdf」
stealaway.cocolog-nifty.com/stealaway/2018/08/interviews-...
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iBooks.電子出版。（現在は無料）
0.about the iBooks.
stealaway.cocolog-nifty.com/stealaway/2017/03/about-digit...
1.unforgettable’ ( ENG.ver.)(This book is Dedicated to the future artist.)
itunes.apple.com/us/book/unforgettable/id1216576828?ls=1&...
For Japanese only.
2.unforgettable’ ( JNP.ver.)(この小説は未来のアーティストへ捧げます)
itunes.apple.com/us/book/unforgettable/id1216584262?ls=1&...
3.流線形の軌跡。
itunes.apple.com/us/book/%E6%B5%81%E7%B7%9A%E5%BD%A2%E3%8...
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僕の小説。英語版
My Novel Unforgettable' (This book is Dedicated to the future artist.)
Mitsushiro Nakagawa
All Translated by Yumi Ikeda .
1/9
www.flickr.com/photos/stealaway/24577016535/in/dateposted...
2/9
www.flickr.com/photos/stealaway/24209330259/in/dateposted...
3/9
www.flickr.com/photos/stealaway/23975215274/in/dateposted...
4/9
www.flickr.com/photos/stealaway/24515964952/in/dateposted...
5/9
www.flickr.com/photos/stealaway/24276473749/in/dateposted...
6/9
www.flickr.com/photos/stealaway/24548895082/in/dateposted...
7/9
www.flickr.com/photos/stealaway/24594603711/in/dateposted...
8/9
www.flickr.com/photos/stealaway/24588215562/in/dateposted...
9/9
www.flickr.com/photos/stealaway/24100804163/in/dateposted...
Fin.
images.
U2 - No Line On The Horizon Live in Dublin
www.youtube.com/watch?v=_oKwnkYFsiE&feature=related
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Title of my book > unforgettable'
Author : Mitsushiro Nakagawa
Out Now.
ISBN978-4-86264-866-2
in Amazon.
www.amazon.co.jp/Unforgettable’-Mitsushiro-Nakagawa/dp/...
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次の小説の予定。
Still would stand all time.(unforgettable'2)
（いつまでもなくならないだろう）
もう少し時間をください。それは日本語です。
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２０１９年の展示。
春。
テーマ。
Silence Is the Way.(仮題)
場所。東京ビッグサイト。
Sponsoring. Design festa.
２０２０年。
日時未定。
DIC川村記念美術館付属ギャラリー。
場所。千葉県佐倉市。
テーマ。
あの日から、ずっと…
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flickr.
www.flickr.com/photos/stealaway/
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YouTube.
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instagram.
www.instagram.com/mitsushiro_nakagawa/
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Pinterest.
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YouPic
youpic.com/photographer/mitsushironakagawa/
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fotolog
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twitter.
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facebook.
www.facebook.com/mitsushiro.nakagawa
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あなたは僕の声を聞きたいですか？
:)
僕はYoutubeを更新しました。
日本語だけです。
僕は写真などの解説をしました。
もしも、あなたの時間が許されれば、見てください。
:)
1
フリッカーへ投稿した写真の構図について。１種類目。
2
フリッカーへ投稿した写真の構図について。２種類目。
3
Fotologを始めた時について。 建築家の視点。
4
なぜ、今までカメラを手にしなかったのか？
5
何が一番かっこいいのか？ 写真はありのままに。
6
現在のユーチューバーについて。僕も伝え、残したい。
7
日本人の写真家について。日本のユーチューバーはピストルズ。
8
写真の構図は、感性。ミラノのデザイナーに会って。二つの質問。
9
良い構図とは？ 悪い構図とは？
10
カメラを向ける時とは？ ファインダーやディスプレイを覗いていては遅い。
11
家族写真。他人では撮れない。被写体の内面。
12
ユーチューブの写真家について。カメラの技術等。感性は、本を読むことで磨く。
13
日本の新聞について。良い新聞の写真はロイター。ダメな写真を見続けるとダメになる。
14
日本の写真家について。その展示について。
まとめ。僕が書いた小説など。僕が最も伝えたいこと。
_________________________________
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Japanese is the following.
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E.
Gracias, Carmen, por permitirme fotografiar tus labios. Un abrazo, guapísima.
(Al natural).
Boca que arrastra mi boca:
boca que me has arrastrado:
boca que vienes de lejos
a iluminarme de rayos.
Alba que das a mis noches
un resplandor rojo y blanco.
Boca poblada de bocas:
pájaro lleno de pájaros.
Canción que vuelve las alas
hacia arriba y hacia abajo.
Muerte reducida a besos,
a sed de morir despacio,
das a la grama sangrante
dos fúlgidos aletazos.
El labio de arriba el cielo
y la tierra el otro labio.
Beso que rueda en la sombra:
beso que viene rodando
desde el primer cementerio
hasta los últimos astros.
Astro que tiene tu boca
enmudecido y cerrado
hasta que un roce celeste
hace que vibren sus párpados.
Beso que va a un porvenir
de muchachas y muchachos,
que no dejarán desiertos
ni las calles ni los campos.
¡Cuánta boca enterrada,
sin boca, desenterramos!
Beso en tu boca por ellos,
brindo en tu boca por tantos
que cayeron sobre el vino
de los amorosos vasos.
Hoy son recuerdos, recuerdos,
besos distantes y amargos.
Hundo en tu boca mi vida,
oigo rumores de espacios,
y el infinito parece
que sobre mí se ha volcado.
He de volverte a besar,
he de volver, hundo, caigo,
mientras descienden los siglos
hacia los hondos barrancos
como una febril nevada
de besos y enamorados.
Boca que desenterraste
el amanecer más claro
con tu lengua. Tres palabras,
tres fuegos has heredado:
vida, muerte, amor. Ahí quedan
escritos sobre tus labios.
Miguel Hernández
So I was walking around the Fremont neighborhood of Seattle on a warm summer Wednesday night. My girlfriend and I were walking down towards the canal when, across from the PCC (grocery store), we spotted a funny sign. So I pulled out my camera and took a quick shot of it.
Out from behind a planter (seemingly), a diminutive SecurityGuard(tm) rushed towards me, and sternly demanded to know who I was and what I thought I was doing. He made quick work out of my personal space bubble, with eyes locked on my camera, and a hand outstretched. As if by nothing more than the implied authority of his embroidered badge, I must now hand him my camera. I stuck it in my pocket.
He again asked what I thought I was doing, and if I had a permit to take pictures of "the building". I told him no, sorry, I didn't check with anyone. He nodded with widening eyes and a quiet "aha", as if he had just "broken" me into a confession.
My girlfriend thought we were being "punkd" or in the next "Borat" movie. He's just some crazy guy in a Harry Potter outfit pretending to be SecurityGuard, she said. Sadly, after reading of many similar encounters by Flickr photographers, I knew this was not an actual joke. She challenged SecurityGuard and told him we were on a public street, we could take a picture of anything we wanted. He rebutted that we were in fact, on the sidewalk, not the public street.
So I stepped down onto the street, about a meter back. And then I took his picture.
Pounding through the strong vein on his forehead, I think I heard his pulse. SecurityGuard, through gritted teeth, asked if he. had. not. just. finished. telling. me. that. I. could. not. take. pictures. of. the. building. I told him I was doing no such thing. I was in fact, taking a picture of him, who happened to be standing in front of the building. Then I asked him, out of curiosity, where I would go to obtain such a permit. Was it posted in public view, this mysterious permit requirement? (however in hindsight, I realized that any plaque or sign that said something like "permit required to take pictures" would likely be quite heavily photographed.)
SecurityGuard said "Come over here!" in as commanding a tone as he could muster. He pointed his finger at the ground in front of him. I just looked at him, really regarded him for the first time. I towered over him, even from almost two meters away. He was like a human version of a chihuahua; belligerent yet totally unaware of his comparative stature.
That's about when I started to laugh in his face. He asked if I refused to tell him who I was and what I was doing there. I very clearly said yes, I absolutely refused. I tried to explain to him, admittedly loudly, how he had failed to demonstrate any authority or proof of wrong on my part. His aggressive bullying just wasn't effective on anyone who had even a basic understanding of their rights as a citizen in a public space. Nor on anyone taller than 5'4". I had no reason to comply, and suggested that he call a police officer and we could discuss it with him.
Silence. Except for the pounding from his head-vein. Against his demands that we stay, we walked away.
Oh yes. One last thing. The building SecurityGuard was defending against the evils of public photography so staunchly? Even though it had some small street level shops, the primary tenant?
Getty Images.
(more details later, as time permits)
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I'm spending the winter months of 2014-2015 in a warm spot on the beach in Indialantic, FL (if I have Internet access, it doesn't matter too much where I'm physically located).
In addition to my sunrise walks along the beach, I’m also shooting various other afternoon scenes that look interesting — especially during the “golden hour” that extends from roughly an hour before sunset to an hour afterwards. The view in all of these shots is basically eastwards (sometimes northeast or southeast), so the sun is always setting behind me in the west. Thus, I’ll sometimes see some pink skies, or some interesting mixtures of late-afternoon sunlight and blue/purple colors — but not the fiery red/yellow/pink skies that accompany the sunsets in the west ...
These are some of the shots that I thought were somewhat interesting ...
We travel by motorbike in the Philippines. And it is simple: motorbikes are cheap and cars are expensive. But the weather permits it as well.
Katrina Santillan
2023
Pictured during its third 50 mph speed test of the day - steam locomotive 46100 "Royal Scot" on the Severn Valley Railway on the afternoon of Tuesday October 13th 2015. The SVR had special permission to run this four-carriage empty stock train at double the normal permitted speed limit. The newly overhauled former LMS engine is photographed here heading to Kidderminster from Bewdley, and on the inclined approach to Bewdley Tunnel.
If I may be permitted another diversion from my usual land based travel photos, here's a representetive of the type of machine which brought about the demise of the ocean liner seen in last night's posting.
BOAC's G-ASGG was I believe a Vickers VC10. It and other similar jet airliners played a key part in making the world a smaller place. In doing so, it helped sign the death warrant for long distance ocean travel. Insufficient passengers preferred to spend days or weeks getting to places when they could fly in hours.
My uncle Charlie and his wife Vera were keen to eploit the new opportunites afforded by quick Eurpoean travel and it would have been on such an occasion that he took this slide. Any help with the location would be appreciated please. A group of pleasant little British built commercial vehicles attend the plane.
Another lovely day in Cornwall, I think the last though if the weather forecasts are to be believed.
I loved this harbour when I saw it last summer, but the sun was in the wrong position then, so I had it on the list to reshoot, I was quite happy with this one in truth! such a beautiful place.
Pangasinan Five Star Bus Co. Inc.- 3316
Bus No: 3316
Year released: 2017
Capacity: 49; 2x2 seating configuration
Route: Cubao-San Carlos via Marquee Mall/SCTEX-Concepcion/Capas/San Miguel/Tarlac/Sta. Ignacia/Camiling/Bayambang/Malasiqui
Body: Hino Motors Philippines Inc.
Model: 2017 HMPI Grandecho AC RE Deluxe Series
Chassis: Hino RM2PSS
Engine: Hino P11C-TH
Fare: Airconditioned
Transmission System: M/T
Suspension: Wide-Air Suspension
Taken on: December 29, 2017
Location: Camiling-Wawa-Bayambang Rd., Brgy. Cacamiingan Norte, Camiling, Tarlac