View allAll Photos Tagged Performance
A shot of the Durham Performing Arts Center. Taken during a meetup photo walk of Durham in the evening/night.
By Patang (Singapore) at the Esplanade Outdoor Theatre during Kalaa Utsaram - Indian Festival of Arts.
Sleater-Kinney performs at Trix Club in Antwerp, Belgium on March 21st 2015 - photo © Sarah Bastin
Tips and Words : bit.ly/SleaterKinneyAntwerp
City Hall, Toronto, Sept. 20, 1970. Photos of the crowd. Were you there? A series of photos of the performance are on my history website.
We just happened to be at the Pilot truck stop in Quartzsite, AZ when this rig pulled in right behind a Vance & Hines truck. That's a lot of sweet motorcycle goodness right there.
SMC Pentax DA 18-135mm f3.5-5.6 ED AL [IF] WR affixed to Pentax K5 IIs at 18mm f5.6 for 1/200s at MAX ISO 51,200. Shot in RAW DNG, and converted to JPG by Lightroom 4.4 with Zero noise reduction or sharpening applied.
Arirang - 2011 - Pyongyang - North KoreaArirang - 2011 - Pyongyang - North Korea
Grand Mass Gymnastic and Artistic Performance
Mosaic wall: one child with one piece of the puzzle! A piece of strong discipline! Mozaiek - muurwand! 1 kind met telkens 1 stukje van de puzzle!
Op de wand zie je een goed voorbeeld van discipline van goed getrainde schoolkinderen. Door middel van gekleurde kaarten en door het volgen van een nummering in een boek houden zij telkens de gepaste kaart voor zich uit. Daardoor ontstaat telkens een schilderij in mozaïek. De studenten houden dit zo'n 2 uren vol, de ganse voorstelling dus. Enig mooi!
Arirang is a song symbolic of the Korean nation, proud and homogenous. This song, best permeated with the national sentiments, was a team song when the north and the south formed a single team to participate in the World Table-Tennis Championship and the World Junior Football Championships. Arirang in the past that depicts the sorrow of the nation full of vicissitudes and tragedy is now turned into a song of all nation that aspires after a prosperous and reunified Korea denying present departure or division but envisaging the meeting and reunion.
How many people are separated into the north, the south and abroad!
How painful is their misery and misfortune.
So their joy of reunion will be great but all the greater will be the jubilation of national reunification. Let us all join hands for the day when the long-cherished cause of reunification is achieved and the 70 million Korean sing the song " Arirang of Reunification"
More info here:
www.flickr.com/photos/waltercallens/sets/72157627665094341/
From as young as 5 years old, citizens are selected based on skill level to serve for the Arirang Festival for many years. In most cases this will be the way of life for them until retirement.
The opening event of the two month festival are the mass games, which are famed for the huge mosaic pictures created by more than 30,000 well trained and disciplined school children, each holding up coloured cards, in an event known in the West as a card stunt, accompanied by complex and highly choreographed group routines performed by tens of thousands of gymnasts and dancers
Grand Mass Gymnastic and Artistic Performance
Op de wand zie je een goed voorbeeld van discipline van goed getrainde schoolkinderen. Door middel van gekleurde kaarten en door het volgen van een nummering in een boek houden zij telkens de gepaste kaart voor zich uit. Daardoor ontstaat telkens een schilderij in mozaïek. De studenten houden dit zo'n 2 uren vol, de ganse voorstelling dus. Enig mooi!
Arirang is a song symbolic of the Korean nation, proud and homogenous. This song, best permeated with the national sentiments, was a team song when the north and the south formed a single team to participate in the World Table-Tennis Championship and the World Junior Football Championships. Arirang in the past that depicts the sorrow of the nation full of vicissitudes and tragedy is now turned into a song of all nation that aspires after a prosperous and reunified Korea denying present departure or division but envisaging the meeting and reunion.
How many people are separated into the north, the south and abroad!
How painful is their misery and misfortune.
So their joy of reunion will be great but all the greater will be the jubilation of national reunification. Let us all join hands for the day when the long-cherished cause of reunification is achieved and the 70 million Korean sing the song " Arirang of Reunification"
More info here:
www.flickr.com/photos/waltercallens/sets/72157627665094341/
From as young as 5 years old, citizens are selected based on skill level to serve for the Arirang Festival for many years. In most cases this will be the way of life for them until retirement.
The opening event of the two month festival are the mass games, which are famed for the huge mosaic pictures created by more than 30,000 well trained and disciplined school children, each holding up coloured cards, in an event known in the West as a card stunt, accompanied by complex and highly choreographed group routines performed by tens of thousands of gymnasts and dancers
Performance by the Ballet School Kraków (Szkola Baletowa w Krakowie) in NCK (Nowohuckie Centrum Kultury), Kraków-Nowa Huta, Poland
Participants capture during the Session: Opening Performance at the Annual Meeting 2018 of the World Economic Forum in Davos, January 22, 2018
Copyright by World Economic Forum / Benedikt von Loebell
Participants capture during the Session: Opening Performance at the Annual Meeting 2018 of the World Economic Forum in Davos, January 22, 2018
Copyright by World Economic Forum / Benedikt von Loebell
Modelo: Mercydeez
Vestuario performance luz negra: www.beobeyond.com
Year: 2003
File name: merce2film_10
Performed by Sri Warisan (Singapore) at the Esplanade Forecourt Garden during the Pesta Raya, Malay Festival of Arts.
Cleaning windows, out- and inside, before the Opening Concert 2011- mai 04.
Icelandic Symphony Orchestre
On this first menu:
1) Þorkell Sigurbjörnsson: Welcome, Harpa (first performance)
2) Edvard Grieg: Piano Concerto
+surprise - Ave Maria - Kaldalóns
3) Ludwig van Beethoven: Symphony no. 9
Vladimir Ashkenazy, conductor
Víkingur Heiðar Ólafsson, pianist
Christiane Oelze, Sesselja Kristjánsdóttir, Jon Ketilsson, Bjarni Thor Kristinsson, vocal soloists
Kór Áskirkju, Hljómeyki, Kór Íslensku óperunnar, Óperukórinn í Reykjavík, choirs
Magnús Ragnarsson, Garðar Cortes, Antonia Hevesi, choir directors
The opening concert of the Harpa Concert Hall is certain to be a monumental event in Iceland's cultural history. Two of Iceland's most admired classical musicians will perform together for the first time: Vladimir Ashkenazy will share the stage with the exceptionally gifted young Juilliard graduate, Víkingur Heiðar Ólafsson.
The programme begins with a new work, Welcome Harpa , by Þorkell Sigurbjörnsson, followed by Grieg's stunning piano concerto. This brilliant synthesis of classical forms, romantic virtuosity and Norwegian folk tunes has been an audience favourite from the very beginning; its première in Copenhagen was interrupted by applause, and in 1870 the aging virtuoso Franz Liszt gave this advice to the young composer: “Keep composing, for God's sake! You've got what it takes!”
To conclude, Beethoven's Ninth Symphony will be performed under Ashkenazy's direction, with an outstanding cast of soloists and choirs. The magnificent celebration of the human spirit found in the concluding Ode to Joy will undoubtedly be sung with great conviction on this occasion, as Icelandic musicians celebrate the inauguration of the country's first full-scale concert hall.
Rás 1 var með beina útsendingu á útvarpinu sem var stórkostlegt að hlusta á.
Skv. fréttum RÚV þá voru það forráðamenn Hörpunnar sem ekki vildu hleypa sjónvarpinu að - ótrúleg fyrirlitning sem menningarelítan sýnir okkur almúganum sem borgum brúsann - Er þetta það sem koma skal - þá dvínar áhugi almennings á því að mæta þarna á menningarviðburði.
2000
24’ H x 12’ W x 12’ D
Steel, galvanized steel, epoxy, pigments, cement, bugles, fire brick, foam and fiberglass
This piece invites one to consider the fusion of architecture and musical performance.
A chimney is turned into a wind instrument, suggesting one could play, or perform it.
The cavity of a functional object (chimney) is considered for it’s sound producing qualities.
In the same way, one could consider, playing or performing a building, by walking through it.
Johnson County Community College, Oveland Park, Kansas
Photo: E.G. Schempe
PsP images
PsP images
500PX
www.instagram.com/pspimages4u/
Shutterstock
avopix.com/author/premium-photos/4188268-infp69-photography
Alamy
www.alamy.com/stock-photography/23BFB71E-5EF8-446C-B193-D...
Theater in allen Räumen 2017
Foto: Regula Bearth © Hochschulkommunikation ZHdK. Freie Verwendung im Rahmen von Ankündigung und Berichterstattung zur Produktion
Joseph Morgan Schofield
Title: WITHSTAND//STANDWITH
Description: WITHSTAND//STANDWITH is a ritual burial of grief. It is an invitation to consider the ways we experience trauma, to process pain and to think about the future.
Biography: Joseph Morgan Schofield is an emerging live artist working in body and task led performance art. He makes consecrated performative actions. He recently completed his MA Theatre and Performance at Queen Mary University of London.
Protector of the Archive.
Sisters Hope at the Roskilde festival 2014
Sisters Hope was one of four international performance groups (Sisters Hope (DK), Savage Amusement (AUS/DE), Lilibeth Cuenca Rasmussen (DK) and Katalin Halasz (UK)) represented at the Roskilde festival 2014.
In the tradition of interactive and immersive performance art we explored the nature of the 'sensuous' in the Performance Sense Laboratory. Performers in the shape of Evokers initiated and facilitated the journey of the festival participants, who became Human Research Objects as they entered the Performance Sense Laboratory.
Sisters performers in The Performance Sense Laboratory:
The Sisters: Anna Lawaetz & Gry Worre Hallberg, The Protector of the Archive: Marie-Louise Werner, The School Nurse/The Medicine Woman: Louisa Yaa Aisin, The School Nurse/The Shape-shifter: My Salome, The S: Rasmus Malling Lykke Skov, Yndlingen: Rasmus Knutzen Nielsen, The I: Diana Lindhardt
The Evokers: Sunniva Løvland Byvard, Dennis Haladyn, Andreas Sølvhøi, Lasse Daugaard Bentzen, Nicholas Halalle Zurita, Fie Fri Nielsen, Erik Rask, Linn Haldrup Lorenzen, Jacob Fuglsang Mikkelsen aka Triangle Lover, Sound Goddess.
Set-design: The Hands of Sisters Academy, Sisters Hope: Rhoda Ting, Alberte Laursen Rothenborg, Ayo Villum Krogh and Connor Parks
Sound-design: The Ear of Sisters Academy, Sisters Hope: Ulf Rathen Kring Hansen
Concept and curation: Gry Worre Hallberg
Light-design: Ungt Lys curated by Vivian Kathrine Nagy
photo: The i of Sisters Academy, Sisters Hope. diana lindhardt