View allAll Photos Tagged Perception
OSC is an installation dealing with interference, slicing time and the perception of time itself that tests the senses of the viewer. Interference and stroboscopic patterns give a new dimension to the perception and experience of time. The audiovisual overload of OSC sheds light on the question how our sensory apparatus constructs meaningful experiences from information without reference.
Ulf Langheinrich (D) founded the media art collaboration Granular Synthesis together with Kurt Hentschläger. They collaborated on numerous large scale immersive installations such as Modell5, Noisegate and Areal. Since 2003 Langheinrich has realised several solo projects aimed at achieving a direct sensory impact. They focus on creating specific modulations of the projected material in time and in the projection-space, and effecting interference movements between the perceptive and processing potential of the eye-brain-apparatus.
A sign of change. Thirty days from the winter solstice we are beginning to see the first signs of the approaching winter season.
Cappy Counard
Perceptions, 2011
14k gold, sterling silver, meerschaum stone, pearl
1 ¼” x 2 ¼” x 2 ¼”
Photo: Robert Mullen
The heart of the Pufferfish mission is to introduce people to a different way of thinking about using video in public, to take conventional perceptions and expectations and turn them on their head. It is something which we strive to achieve in our work every day, but when a chance comes along to do something very special, we grab it with both hands.
That very opportunity was presented to us by the talented Dutch artists and designers, Nick Verstand and Frouke ten Velden who, along with the exciting German design studio Onformative, came to us with an idea for using our PufferSphere in a project they called ANIMA:
“The installation investigates how we emotionally relate to a digital being. In order to better understand this relationship we created ANIMA: a spherical digital entity that communicates with us by interpreting our body movements and sounds. A generative being that comes to life through interaction. Like any being, we establish a relationship with it, conscious or subconscious, intended or unintentional. In its generative audio-visual behaviour it portrays its character, and creates the illusion of being sensory.” Nick Verstand - ANIMA
Impressed with the proposed concept, we were very keen to be involved and supplied a PufferSphere XL to act as the ‘digital being’ which evolves with the audience. Hanging the PufferSphere XL in a darkened environment, a glowing flow of visuals which many thought resembled a ‘gas planet’ engrossed and captivated its audience at the first showing of ANIMA during the Amsterdam Dance Event (ADE).
although I knew this all along, but I was still surprised to see how the upbringing, surroundings, lifestyle and social status of a person can blind them to things of a different social level. To someone who is brought up in a well-to-do family, and has a good education, smooth career, will probably not understand how old folks lead their lives, living in their 2/3/4 rooms flats. Lonely, sick and waiting for death to come. We ought to have a better age-reinvigorate mechanism in Singapore, so that old age will mean getting a new lease of life, and not about downgrading your designation/ pay and work till 62, till you drop.
this photo is from my "darkroom experiments" project from my darkroom class. we had to use different techniques when shooting, developing, and printing in the darkroom. for this photo i burned the negative before i printed it. this is probably my favorite series i have ever done. my concept was basically how i have a twisted perception of the way that i look.
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Perception Lighting "You can fry a wombat" with the great looking lights.
Day light running lights an added feature in these lights.
Fujifilm XPro2 With Leica M 35mm F2 ASPH
DSCF1619
Life is the movie you see through your own unique eyes. It makes little difference what's happening out there.
It's how you take it that counts.
Taken from Michael Freeman's "The Photographer's Eye":
"Gestalt psychology was founded in Austria and Germany in the early 20th century, and while some of its ideas (such as that objects seen form similarly shaped traces in the brain) have long been abandoned, it has had an important revival in its approach to visual recognition."
"If you, unknowing, are able to create masterpieces in color, then unknowledge is your way. But if you are unable to create masterpieces in color out of your unknowledge, then you ought to look for knowledge."
-- Johannes Itten
For the dailyshoot: Today's theme is the color pink. Find something that's pink and make a creative photo.
Here on Galiano Island I recently photographed DJ and producer Mya Ceilidh Hardman AKA Applecat as a part of the exciting Amplify Her film project.
"A Revolution without dancing is not a Revolution worth having."
International Storyteller, beat weaver, poet, and vocalist, AppleCat was raised on the West Coast of Canada. Music has been her number one passion since they day she was born. Poetry and grace, mixed with live mashup, reworking and mixed tempo sets bending the perception of "genre" and blending sweet melody, dirty deep bass with a little "je ne sais quoi."
If you want to use any of these photos for anything pls contact Kris Krüg first (kk@kriskrug.com & 778.898.3076)
It is the eye of ignorance that assigns a fixed and unchangeable color to every object; beware of this stumbling block.
Paul Gauguin
More of my partly leucistic American Robin, who I haven't seen for awhile now :(
1. L AMRO 2, 2. L AMRO 3, 3. L AMRO 1, 4. L AMRO 4
Created with fd's Flickr Toys.